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uses samples of a moloko classic !!!
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uses some well known voices !!!!
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12
The Bug ist das Hauptprojekt des umtriebigen Londoner Produzenten Kevin Martin. Martin, der bereits für Thom Yorke, Grace Jones, Einstürzende Neubauten und Primal Scream arbeitete, verbindet auf "London Zoo" eindrucksvoll Dubstep mit Dancehall, Grime und HipHop-Elementen. Eine Platte, direkt aus dem Herzen der britischen Hauptstadt, die aller Orten funktioniert und mitreißt. 12 mal Londoner Soundkultur mit Gastauftritten von Ricky Ranking, Flowdan, Warrior Queen, Spaceape und vielen weiteren.
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XI (sometimes known in collab with Loetech, AKA Matt Carl/Bombaman), is yet another bright light shining forth from the dubstep rich epicenter of Northeastern Canada, Toronto. A measured producer, full of forethought both in his productions and his mixes on Streamizm, these 2 tracks mark his first appearance as solo producer, but both tunes have already demonstrated an ability to blow minds, being unfurled momentarily on select occasions by both himself and Joe Nice at Dubwar in NYC and internationally.
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After the tragic death of Pattie Blingh, Ramp has enlisted two of electronic music's brightest young things to remix a brace of tracks from "Sagala", her free rolling space-beats-and-rhymes CD of last summer, and both are given the heaviest of heavy work-overs by these fast-rising production alchemists.
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Supreme bass driven comedy by Verviers finest, the result of a production session at the Merlin HQ, Brussels. Influenced by hip hop and electronics their ''No Bling, No Bitch'' sees three electronica tracks in different flavours. Raw, abstract and head-nodding, much in te vein of EOG and some harder Autechre works.
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More madness by The Lobby. ''Gutter Poetry'' is a further introduction into the Lobby's perception of hip-hop. Dry electric grooves combined with 8bit gimmickry supplied by Chantal Goret define the A-side. The B-side starts with the sampled sonic story of tasteless catfights and gratuitous violence. The Lobby finishes through ''The Muddy Way'', heavy bass from behind.
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