Beats News

Klinical heads back to Overview for one of the most anticipated releases for 2021.

Yes, it's finally here, the VIP of his all conquering Around Me, backed with the original as well as an incredible remix from the one and only Workforce.

Absolute danger.

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These tracks were proppa game changers n were pure classic anthems of the day and a time when we were nurturing the british hardcore sounds that pushed the boundaries.

A.Set Me Free - This track produced in 1992 by Noise Factory it was a big anthem of it's time back then a real game changer and has that ravy feel n piano stab filled. With strong hardcore and techno elements with the speeded up vocals n keeping in with the 4/4 beat.

AA.Bring Forth The Noise - This track from Noise Factory produced in 1992 this is when we found our british identity n stamped our authority on the hardcore scene. It has strong synth piano stabs n speeded up vocals with heavy sub bass resonating thru along with the hardcore n techno feel.

AAATo The Top - This was produced in 1992 by Noise Factory keeping in with the hardcore theme this track was more jungle techno.
With its looping bass n hardcore 4/4 beat n sample vocals.

For Bukva's second release, Swedish producer Coral serves us his debut single. A tribute to the old rave days with a fresh vibe and an updated groove.

While Norwegian jungle magician Msymiakos adds his remix to the dinner table, Dutch "man of the moment" Coco Bryce opens up a bottle of vocal madness!

Jozef K continues with part 2 of this stunning project on Takeout under his Eternal Blood moniker, showcasing his stunning take on post-Rave tinged House & Techno.

These tracks will tick so many boxes for those who love the atmospherics of Jamie XX to the rawness of 808 State as both EP's take you on a fascinating journey with the vibe of the UK's magnificent North West.

Jozef's material is regularly supported by the likes of Dixon, Mano le Tough, The Blessed Madonna and Sasha, and we're excited to have him join us with 2 sublime EP's

Firm label favourite SD makes his debut on the Dispatch Blueprints series with two tracks heavily influenced by the sound of the late 90s.

Continuing the homage to the old skool sound that shaped modern-day drum and bass, Blueprints 006 finds SD celebrating that magic period of peak musicality in the late 90s.

With its epic, cinematic intro and the return of upright double bass samples, '1997' is a classy roller that twists and weaves its way through old school drum work and vocal samples - the perfect modern progressive update.

'One Kind' continues the same theme but with a nostalgic piano lead and a bassline reminiscent of the deep, early Matrix/Metro Recordings sound.

Combining classic liquid sentiments with the grit of modern drum and bass, SD delivers essential listening.

This Ltd edition vinyl release see’s a 50 track digital album whittled down to an 8 track sampler encompassing what label bosses Vinyl Junkie and Rachael E.C have determined to be the tracks that represent them best. The selection is predominantly on the junglist tip with a sprinkling of Drum & Bass here and there, which is basically what their label Ghetto Dub is all about.

The proceedings are kicked off by Birmingham born but Bristol based jungle overlord, the man they call Aries, who comes in with a real deep and bass heavy roller called Pre-Rolled, guaranteed to get everyone on their feet and feelin’ the vibes. This is followed by a rising star of the UK jungle scene; Java, who brings in the amens with a ragga style vocal lick for his track Screwface, which has been slaying dancefloors on dub for the last couple of months. Another artist that is really making a BIG name for himself lately is Veak. He comes in HARD with his first offering Lawd A Mercy which is a definite pull up track with a filthy bassline that will nail your head to the dancefloor. X-E-Dos concludes the first vinyl with Feel For Me which is a hard hitting but atmospheric drum fuelled workout, keeping the vibes rolling and maintaining the energy levels perfectly.

Enter the second vinyl and Veak is back, this time teaming up with another UK jungle don; Kumarachi. The combination of these two production masterminds has manifested something quite special in this awesome track Chrome Siren. Punchy in your face amens laced with more killer bass riffs and a mesmerising female vocal make this a definite for the front of your box. Sypmtom steps up next and adds that dark techy vibe like only he knows how; Come Mash Up maintains the jungle vibe but goes on a journey into the realms of drum & bass. Galvatrons track, Buss Up Shot is pure jungle, no doubt about that. Chopped up amens and a deep rumbling bassline are complemented with a beautifully melodic piano section. Last but by no means least, the man like SR takes the limelight with another wicked amen workout. Special Ops VIP gives a nod to the mid 90’s for sure… Wicked oldskool vibes and a sure fire hit with all the junglists that remember those times.

(2x12" Vinyl) + CD

* Xenophobia is Sid Truelove (DJ Terminator) and Zillah Minx (The Acid Queen), founding mainstays of the groundbreaking Anarcho Punk group Rubella Ballet, augmented by the singular talents of Bert Fuzz (MC Skallywag from Spiral Tribe). They were among the first to turn on and tune into the early nineties' rave scene, Sid's interest growing out of his long-standing fascination with acid house and its associated pirate radio underground network.
* Already established as an innovative compositional talent thanks to his work with Rubella Ballet, Sid resolved to extend his exploration of the new sonic horizons of the times by investing every penny he had into the era's key electronic equipment; an Atari computer running Cubase a program for sequencing, and a Yamaha SY77 digital workstation and a four-track Tascam Portastudio for recording vocals. Armed with this new technology, Sid set about creating his own style of Rave music with the sweetly mesmeric sound of Zillah's angelic vocals, enhanced by
Skallywag's unique MC-ing, which imparted the new songs with a tangible sense
of being at an actual rave.
* Hypo Psycho was Xenophobia's first release with a 4 track 12' EP being issued in late 1991 on Xeno Recordings (XENO1T) Track 3 from the Hypo Psycho EP, 'Encounter' was also included on the Theory Records Beyond the Threshold compilation in late 1991 (TR101LP) Into Combat was Xenophobia's second vinyl offering, a 4 track 12' EP issued in early 1992 on XENO Recordings (XENO23T) Xenophobia made numerous special guest PA's with Spiral Tribe at illegal underground events in London and further afield around the M25, moving as fast as the scene itself to stay one step ahead of the Old Bill's pernicious attentions. The most famous of these was at Castlemorton in Worcestershire where 65,000 ravers congregated by word of mouth alone to spontaneously combust into the biggest guerilla party in Europe.
At the time of the event, Spiral Tribe were tapping into the zeitgeist's mainline, their recently released eponymous debut EP 'Breach of the Peace' featured Xenophobia's monster track 'Doet' that included the compelling lyric 'Rush your f**kin' bollocks off'.
Xenophobia's next release was set to be 'The Wobbler' on Kickin Records. However, the label had other ideas; pulling the single and subsequently installing the track as a B-side to 'Rushing the House' in May 1992. The lead track again captured the context of the era, being capped by the line 'Ecstasy, it really gets me going / Gets me so I don't know what I'm doin''. 'Rushing the House' stormed straight in at Number 20 in the National Dance chart, Released at the height of the pirate radio days it was getting played on every station, seven days a week.

* Telstar snapped up 'Rushing the House' and released it on Rave Generator a CD compilation that also featured the Prodigy, Acen, Altern 8, Messiah, Utah Saints and many more.
Sid recalls a phone call from Skallywag with directions to Castlemorten a free rave initiated by Spiral Tribe. The event provided him with the perfect opportunity to hand out a shed load of white labels to DJs at all the rigs. He remembers being with Zillah Minx and Scallywag, walking into one of the biggest tents whereupon the DJ spotted them and immediately killed the tune he was playing and slammed on a white label of 'Rushing the House'- The place exploded - everyone knew the words, as by now as it was on constant rotation across the pirate radio
underground.
Its pivotal lyric, 'Go to the flow with an E rush me, oo rush me, ee rush me' was on the lips of nearly every raver on the scene and is still as infectious today as it was 23 years ago. Big shout out to Spiral Tribe, Bedlam and many more underground systems, coz the music scene in the UK would not be the same without the sacrifices some of you made for the cause. The introduction of the Criminal Justice Bill made Castlemorten the last quality free rave of the year and put an end to Raves' as we knew them. 1992 was the summer we will all remember as when the Government
put a stop to everyone enjoying them self by enforcing draconian laws on innocent party goers.
Mid 1992 saw Xenophobia perform as headline act at 'Rave World', sending the packed, 5000 capacity, venue into a frenzy with their smash hit 'Rush in the House' and 'The Wobbler'. Rare footage from the night has been edited together for the first time in 20 years and is now available to watch on You Tube.

* Touchdown 95.2 FM was one of the leading lights amid the pulsing galaxy of hardcore radio stations in London. DJ Nut Nut gave the band their Xenophobia in Da House show. Broadcast live every week, it spun some of the best underground hardcore anthems as well as their own, breaking all the DTI regulations on broadcasting etiquette f'ing and blinding all over the airwaves as if you were actually at a rave.
'Rush in the House' has been played year after year on pirate radio and more recently on BBC Radio. 23 years on from its original release, this enduring interest has encouraged Sid to compile a double album of hardcore hits titled Bring on the Rush, featuring original nineties hardcore rave anthems 'Rush in the House' and 'The Wobbler', plus 14 more hardcore tracks written in 1992 at the peak of the underground hardcore explosion.

Limited hand stamped copies..

”Neon Dust describes the essence of a world just beyond reach, one we often glimpse but can’t sustain. An Ocean in which we rarely dip our feet. When writing this album, I felt in tune with something special, an energy I hadn’t previously known. I was submerged and engulfed in its creation. For me, it’s a journey beyond; into that dancing,
shimmering glow of neon dust.” - Etherwood Melodic master and drum & bass extraordinaire Etherwood makes his album
debut on Hospital Records with his fourth long player, ‘Neon Dust’, following on from the successes of his Med School works ‘In Stillness’, ‘Blue Leaves’, and ‘Etherwood’.

Across twenty tracks, expect signature liquid drum & bass and Etherwood’s own vocal performances with a fusion of folk, rock, indie-pop, techno, downtempo and ambient delights. Alongside his vast range of musical inspiration, Etherwood’s creativity is evoked through his free spirited mindset, exploring the world in his converted van, dedicated to mindfulness and meditation.

With frequent radio support from top-end tastemakers including Annie Mac, MistaJam and Charlie Tee, as well as countless club spins from the likes of Netsky, Sub Focus, Makoto, Degs and Lens, Etherwood’s hugely popular sound takes another step forward in 2021 with his most recent body of work. From topping the iTunes Electronic chart with his second album ‘Blue Leaves’ to performing his very own live session at the prestigious Maida Vale studios, you’ll also be able to find Etherwood at Hospitality Weekend In The Woods, Sundown Festival 2021, ADE Hospitality and Hospitality Bristol this yea

Following an exciting end to 2020, which saw them sign to
Houndstooth, release a blistering single ‘Deadlock’ and named in the
NME 100 for 2021, SCALPING released their first full body of work,
‘FLOOD’ EP, and now this, ‘FLOOD REMIXED’, six remixes available
on translucent vinyl.
 ‘FLOOD REMIXED’ continues the band’s stellar trajectory. Over the
past few years, they have become an unmissable live act and gained
notoriety as one of the essential, electrifying new bands in the UK.
 Scottish post-rock icons Mogwai step up to remix ‘Cloud Burst’.
Stretching and expanding the track, creating new drum patterns, and
continually ratcheting up the drama inherent in the original; a naturally
sensational slab of post-rock.
 Fellow Bristolian, Hodge remixes ‘Monolithium’, a hybrid of hefty
bass, tribal techno and sophisticated, polyrhythmic drum interplay.
 The pre-eminent genius, multi-instrumentalist and composer Laurel
Halo supplies a remix of ‘Deadlock’, a single originally released in
2020. Laurel’s slick addition of a tight 808 groove underneath the
bombast subtly tweaks the atmosphere, creating a juxtaposition of
futuristic club and rock with vintage electro.
 Tokyo-born, Beijing-raised, London-based producer and DJ object
blue’s remix is a typically high-calibre experimental club cut, which
puts the propulsive drum beat front-and-centre underneath an eery
whispered vocal.
 ‘Empty Cascade’, remixed by the rising producer Azu Tiwaline,
leaves almost no elements of the original untouched, creating a
blissful and complex dub percussive driven ecosphere almost
unrecognisable from the source material.
 Aphex Twin favourites, AQXDM, deliver a raucous, rambunctious flip
of the single ‘Deadlock’. Packed full of blown-out breaks, maximalist
bass shots, icy synths, and cascading trance fragments; perfectly
excavating the elemental rave substance at the core of SCALPING’s
music.

Enjoy returns to AKO with two stunning tracks that take you on a journey. Dead Calm has a 1997 feel to it and somehow Enjoy spins it back to 1993.

The Waves is a personal favourite something we know Bukem would've been playing back in the day, this track has an atmospheric feel with a lashing amen and thumping bass. Just close your eyes and let it take you away.

Following on from his popular 'What You Need' EP and the vibrant 'Maybe We'll Make It (feat. Mark Force and Archaik)', his new album brings a blend of jungle, jazz, funk, and soul with Makoto's signature euphoric touch.

With over twenty years in the game, Makoto's immaculate discography and signature sound have seen the Japanese born producer pave the way for liquid drum & bass all the way into 2022.
A true pioneer of his craft since his Good Looking Records days of the late 90s, he's since racked up an impressive amount of releases on Innerground, UKF, Liquid V and his very own imprint Human Elements.

Parallel Action follows up from his recent self-titled LP with the You Said EP.

The original You Said track, produced by Parallel Action, is dark, edgy progressive cinematic Trip-Hop track, very music in the aesthetic that he is becoming synonymous with.

‘You Said’ delivers epic, hard hitting drums with spine chilling vocals and moving strings.

Parallel Action continues the project’s remit of great collaborations by inviting respected producers to rework the track.

C7NEMA100 is excited to announce remixes on the EP by The Fear Ratio, Brainwaltzera & Aupheus, all delivering stunning versions of the original.

Margaman aka Truespirit returns to the Liondub label after 6 years with a solid selection of his signature Jungle D&B cuts. With a sound that is all his own, Margaman delivers classic, authentic, rolling Drum & Bass music that takes us on a serious Jungle Trek. Support from Congo Natty, DJ Marky, Soulslinger, Nicky Blackmarket, L Double, Marky. L-Side, Noisia, Aries and more.

The 5th release on Northern Front Records entitled M16 Jungle is a four track ep on 180gram vinyl with full artwork by Mark McGuinness. The four tracks on the ep consist of a Double O remix of Conquered History solo efforts by Response (Closer) and Pliskin (White Boy Killer) and a collaboration between Response & Pliskin (M16 Jungle).

Mind Dance unveils ‘Mystic Minds, Volume 1’ - a five track compilation warmly welcoming label associates old and new. The first in an ongoing series of VA outputs, Mystic Minds was established to provide a new space to foster the collaborative nature of the electronic underground. Whilst only scratching the surface of the cross-continental contemporary dance landscape, the first edition of Mystic Minds effortlessly showcases the breadth and depth of talent in Australia and afar.

The first EP to be delivered on the label dubbed «This Must be the Place», is a 4 track melodic delight symbolically featuring some of Redeyes’ closest friends and longtime partners: Lenzman & Monty, with DRS & K S R on the vocals.

Repress

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Brazils Bungle is no stranger to Drum & Bass, with releases on some of the most respected labels in the genre. Now in 2022, he delivers his debut 117 EP with four futuristic and emotional tracks that will stir deep feelings in your soul.

Available in limited edition purple vinyl.

Repress !

Ludvig Cimbrelius is an artist of many expressions. Whilst all are deeply rooted in a spiritual and ethereal sound, his most majestic output has arguably come to life through the Illuvia alias. After capping off a debut, self-titled album in 2017 with an atmospheric Drum and Bass track, it quickly sparked a two-year conversation between Ludvig and A Strangely Isolated Place to pursue a full record in this style. Focusing on the far reaches of both the Ambient and Drum and Bass spectrums, Iridescence Of Clouds, combines the two extremities. Soaring, euphoric Ambient textures overlay distant echoes of driving Drum and Bass, before subtly transitioning to drums at the forefront, once again.Typically atmospheric Drum and Bass song structures become blurred, as half-step kick patterns sit amongst more recognizable Amen breaks; or reverb-heavy drums; often echoing the worlds of Ludvig's other aliases - his fingerprint instantly recognizable. The expected breakdowns are often ephemeral; teased slowly into existence and then faded into the background as each track weaves in and out of the two musical spectrums and the progressive emotion of the album unfolds at a glorious, soaring pace.

Ibiza Records brings you Archives Vol 12 EP with the flavours of 1994 when the scene was emerging from hardcore into Junglism thus the creation of Jungle. These 3 track are gems from 2 On A Tip n Paul Ibiza taken from Ibiza's vast back catalogue showcasing their musical prowess.

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It's been 6 years since Billy Daniel Bunter & Sanxions last artist album 88 to 93. For the follow up, they concentrate on that golden, cutting-edge year of 1993. Crammed full of Hardcore, Piano, Rave, Dark, Happy, Vocal, Jungle, Breakbeat vibes. All the influences of 1993 that we all love, and made the year so special and unique. This album is limited to a 500 press and will never be released digitally. It's strictly vinyl
only, just like it was 93!

Premieres from Data Transmission and Bolting Bits. Early support from Hospital, Huey Morgan, Rupture, Fanu, Rob Luis, Anthony Kasper (Fokuz), Red Rack'em, Bandcamp Weekly, etc.

150 copies pressed on 180 gram vinyl. Picture shows the HF021VFELT edition which comes with 'Nuthin' But a Jungle Thang' die-cut felt sleeve insert (in assorted colours), with Heard and Felt embroidered fabric tag. HF021V edition is the same 180g vinyl without the felt sleeve insert.

With music from Jonny Faith's recent Night Lights EP appearing in Grand Theft Auto and best of 2020 lists including Gilles Peterson's, you might think Jonny would continue to mine his take on hip hop and broken beat. Well, all in good time. He's been ready to enter the jungle for 20 years, and he's not waiting any longer.

Now based in Melbourne, Jonny first got involved in music in Edinburgh as a DJ and turntablist in the 90s, getting hooked on jungle, drum & bass, hip hop and the hybrids of these championed by the Mo'Wax label. Formative experiences included hearing DJ Hype spinning in Newcastle, seeing the Roni Size/Reprazent live show with two drummers and hanging out at cult Edinburgh club night Manga, where residents G-Mac and DJ Kid hosted the likes of Marky, Grooverider and J Majik.

Jonny was keen to start making his own sounds, signing up for an electronic music production course. But it wasn't quite what he was after.

'The course turned out to be more house-oriented,' Jonny recalls. 'Sampling wasn't on the curriculum, and the students weren't allowed to touch the Akai S900, the sampler used in lots of the early jungle classics.'

When Jonny did start releasing his own productions a few years later, he was starting to explore the experimental beat scene around the time Flying Lotus and Hudson Mohawke (another Scottish turntablist) were starting to make their mark.

Jonny continued to widen his sonic palette, adding elements of dub, jazz, funk, electronica and broken beat, and picking up fans like Radio Nova Paris, KCRW, Vice and Clash Magazine along the way. But he's never been more than one degree of separation from his jungle/D&B roots. He continued to buy and play the music, did the odd D&B remix and snuck sonic elements and techniques into his tracks at various tempos. Over the years his releases have shared labels with the likes of Peshay, Om Unit, Drumagick, Reso, Kid Drama and Danny Scrilla.

Now, more than 20 years after those early experiences in Edinburgh, Jonny unveils his first jungle/D&B EP, On Lock. And it sounds like he's been making this music the whole time. In a way, he has.

The single 'Open My Eyes' bursts out the gate, chopping not only the breaks and the soul for a tune that sounds like Amerie's '1 Thing', or some Just Blaze chipmunk soul, reimagined for the 174 BPM crew. Jonny started this one as a hip hop beat for a live routine on his MPC, but it only really came together when he reframed the groove around a D&B rhythm. Next up, Jonny tries a similar trick on his own boom bap tune 'Stay in Your Lane' from the 'Night Lights' EP. His new Step Off Mix totally recontextualises US MC Lady K's slinky soulful rap and hooks with a tough and funky junglist groove. One for fans of the old Roni Size/Bahamadia collab. 'Create' then spaces things out just a touch, with atmospheric but propulsive drumfunk. Vinyl bonus track 'Nuthin' But a Jungle Thang' layers cascading amen breaks, timestretched vocals and a massive double bass-line over the wah guitars and synth whistling of a G-funk era classic.

With early support for Jonny Faith's take on jungle/D&B coming from Hospital Records, Rupture (Rinse FM) and Fanu (Metalheadz), Jonny is ready to be welcomed (back) into the scene.


b A2: Stay in Your Lane (Jonny Faith Step Off Mix) feat. Lady K

Off the strength of just two tracks (included here), Melbourne multi-instrumentalist Liam de Bruin has won the affection of like-minded locals Close Counters, Horatio Luna and Teymori as well as global tastemakers Osunlade, Jimpster, Mousse T, Gilles Peterson, Peacefrog, Art of Tones, Delfonic, Jazzanova, Red Rack'em, Smoove, Carista, Jazztronik and many more.

'Thinking About Dancing' is Liam's debut EP, with six tracks of soulful deep house and grooves, including a club-ready remix from Zeitgeist Freedom Energy Exchange that takes things more in the raw tech funk direction of Underground Resistance/Planet E affiliate Waajeed. A limited edition of the vinyl includes a felt cover (assorted colours) with stitched on Heard and Felt embroidered logo tag.

A project conceived during Melbourne's extended lockdowns, Liam found himself separated from his band projects and with lots of time to spend in his garage studio in the beachside suburb of Frankston, which has a surprisingly long association with dance music (Carl Cox/Butter Sessions/21st Century Dance Club/Andy Van, etc). There Liam recorded himself playing drums, bass, keyboards, guitar and percussion and then shaping those recordings into understated but funky organic grooves, full of hooks, twists and variations.

This is house made with a love of club and DJ culture, but from the perspective of a musician.

“Every time I play this, there is a large influx of interested emails wanting to know more.”
Gilles Peterson — BBC/Worldwide FM/Brownswood

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Having just caught our breath after their previous bass bomb Over/Shadow give us some mindful reprieve with latest drop from the don, Nookie. With a noted career and output on such all time greats as Reinforced Records, Good Looking Records, his own Phuzion Records, and of course the era defining sounds that 2 Bad Mice curated in the 90s. Gavin Cheung teams up with Ruth Royall to deliver the utterly blisfull Love Less Chaos and then takes centre stage with Got Soul. Trademark snappy breaks, lush pads and Nookies signature injection of funk and atmosphere add to another chapter in his long and illustrious history within the scene....

In March 2020 Elton was forced to pause his record breaking Farewell Yellow Brick Road tour due to the unfolding COVID pandemic. As the world began to shut down, different projects presented themselves with artists Elton had enjoyed getting to know through his Apple Music show Rocket Hour. This was the beginning of one of Elton's boldest and most interesting records to date that he has billed ‘The Lockdown Sessions’. This album saw Elton coming full circle and returning to his roots as a session musician. While it was no easy feat recording during a pandemic, a completely new way of working for Elton, he leaned into the challenge with some magnificent results.

Kicking off with current single ‘Cold Heart (PNAU Remix)’with Dua Lipa, the album takes the listener on a heady journey through many different genres, all held together with expert finesse and understanding by one of the greatest champions of music of our time. Much more than a mere collaboration album, ‘The Lockdown Sessions’ is a dazzlingly diverse collection of 16 tracks with 10 brand new unreleased tracks that celebrates togetherness and sees Elton collaborating with an unparalleled range of artists only he could draw together. The enduring influence of his musical milestone with one of the most ambitious projects ever conceived. An unprecedented 20+ artists feature spanning an unbelievably vast range of genres, generations, cultures, continents and more, each contributing a unique style to the album that is sure to hold its place amongst one of pop and rock’s greatest songbooks. ‘The Lockdown Sessions’ sees Elton collaborate with GRAMMY Award winning producer Andrew Watt on five of the tracks.

In Elton’s words: “The last thing I expected to do during lockdown was make an album. But, as the pandemic went on, one‐off projects kept cropping up. Some of the recording sessions had to be done remotely, via Zoom, which I’d obviously never done before. Some of the sessions were recorded under very stringent safety regulations: working with another artist, but separated by glass screens. But all the tracks I worked on were really interesting and diverse, stuff that was completely different to anything I’m known for, stuff that took me out of my comfort zone into completely new territory. And I realised there was something weirdly familiar about working like this. At the start of my career, in the late 60s, I worked as a session musician. Working with different artists during lockdown reminded me of that. I’d come full circle: I was a session musician again. And it was still a blast.”

An unparalleled career that has forever changed the cultural landscape, Elton John’s collaborations with Bernie Taupin and others continue to shape the cultural landscape, break records, top charts and win new fans across the generations. We’ve had the book, the film, the farewell tour, the fashion collections and the greatest hits. And now with ‘The Lockdown Sessions’ available on digital formats, fans can enter Elton’s new world which is no doubt another fitting addition to his oeuvre.

Collecting orders for Repress