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'For All Of Us' is the fourth album from liquid funk pioneers Technimatic, and the first on their own label 'Technimatic Music'.
Since joining forces in 2007, Peter Rogers and Andy Powell have become key players in the world of musical, emotive drum & bass. Their rich back catalogue covers the cream of d&b labels - Hospital, Ram, Shogun Audio and Spearhead to name a few - and in 2021 they established their own 'Technimatic Music' imprint.
'For All Of Us' reflects the current moment we are living in. The post-pandemic landscape, rising energy costs, geo-political instability, coupled with the relentless demands and expectations of social media have left many feeling disconnected, lost or anxious about their place and purpose in the world.
But music has always been a guiding force that, when the dark feels overbearing, never fails to help people into the light. Over the years, Pete and Andy have been inundated with personal messages of difficulty, grief, hardship, and how their music has helped people process, cope or just forget briefly about their troubles and go somewhere else. This is what 'For All Of Us' is about.
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Encrypted messages beamed direct from the digital chameleon -- who else but Dream Ticket could decode these artificially intelligent signals? Concentric networks, cosmic gardens, self-sustaining systems, cryptids bathing in the acid glow of the parhelion. The connections are there for those who want to listen.
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Paul Bradley returns to Knite Breed with an absolutely EPIC release, the Dead Evil EP. Part of the hugely successful Move-E series which spans many of the Kniteforce Related labels, this one is dark and tough, as you would expect from an EP that samples The Evil Dead, but all the tracks on the EP show off Paul Bradleys skill and mercurial style....
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Repress
DJ X-cess returns to Burning Bush Communications 25 years after his first release on the label with 2 slamming breakbeat hardcore stompers in the '92 style
From limited run of 180 black vinyls - in printed sleeves featuring artwork originally hand sprayed by Dare who did all the original Burning Bush artwork back in '94-'95
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Descending in tempo across three tracks, Outer Heaven states his case founded in breaks. ‘The Observatory’, ‘More Hardcore’ and ‘Minority Industrial Complex’ trail across the hardcore continuum connecting drum & bass to hardcore to hip hop. Essential listening for the discerning raver.
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London-based producer Prayer is set to release a 3-track EP titled "Io" on Rua Sound's SPHERES series. Following previous releases on esteemed imprints such as Hooversound, Black Acre, and Grade 10, Prayer is known for creating atmospheric jungle with an emotive energy that can range from poignant to ecstatic.
Prayer flexes that muscle on opening track 'Set Me Free' with layers of vocals over euphoric breakbeats. "Break Through" takes a turn towards trance-influenced synths, building to a four-on-the-floor finale that reaches for the sky.
On the B-side, Reteoric takes over with an epic jungle track that clocks in at just under 12 minutes. The emotive energy of this track is aptly described as "epic" and serves as a fitting conclusion to the EP. Tim Reaper comes through with a remix of this track as a digital bonus.
Named after the third-largest moon of Jupiter, "Io" is the third release in Rua Sound's SPHERES series. The EP will be available on June 16, 2023.
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"Voyager / Strange Thoughts" is the debut on Insomnius Music from producer and DJ Section 63, also known as Blade from The Sect, and is also the first vinyl release on the label as a whole. Rolling, techy drum & bass shoots through dark galaxies - both in digital format and as a clear blue 180g vinyl, with a printed cover and a blue padded inner sleeve. Mastering through Beau Thomas (Ten Eight Seven).
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Repress
Debut release, its origins remaining in the murky shadows of anonymity for now. While drenched in sounds spanning back to early Jungle and Hardcore, these tunes are crafted with a sense for modern tastes, ready to flip the vibe in a brave DJ's 4/4-set. "Dream Support" bopps along nicely with warm chords and a skippy breakbeat, until the bottom end opens up with a big reese-workout and suddenly you're down at the blue note in 1996, filtered mentasm-samples and all. "Dawn Queen" follows a similar path, it's chugging breakbeat slowly getting friskier with some tasty amen-cuts.
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This November, American cult hero Dev/Null debuts on Trickfinger & Aura T-09's Evar Records with MICROJUNGLIZM, an 8-track album that explores the power and beauty of darkcore, jungle tekno and breakbeat rave. Chopped drums, hairpin turns and alluringly emotional pads open up a time portal between the past and the future, decorated with haunting samples and musical Easter eggs that show off Boston-based Dev/Null's deep history as a rave historian and scholar.
MICROJUNGLIZM's fantasy suite was written over the last year, arranged and sequenced entirely without a computer. Dev/Null fell in love with Teenage Engineering's PO-33 Pocket Operator – a portable, pocket-sized sequencer that he started using during his DJ sets to create special versions on the fly. The limitations of making entire tracks inside the PO-33 immediately suggested the sampling techniques and stylistic hallmarks of early jungle, already one of Pete's longtime obsessions.
"The PO-33 has some of the same low-fi sonic charm as retro gear used back in the day," Pete explains. "8-bit samples, 11khz mono sound, kind of like an Amiga computer. It's been really fun and exciting to have my own tracks to throw into sets – even if they're raw, unfinished 3-minute things which get played once and never again. A few of these tunes were done for my sets at parties thrown by Aura T-09 in L.A., so I'm happy they're coming out on her label."
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Untitled 7' is a new track originally started in the 90's and never finished, now brought up to date. Featuring the huge Straight Outa London vocal, alongside some tasty amen edits, lush strings and a killer bassline. Made on an Akai Sampler for the original authentic sound, this track fits perfectly into the Golden era.
'Untitled 8' was made at the same time as the early Heavyweight releases, and like Volumes 1,2 and 3 was engineered by the Original Don 'Dillinja". You can really hear the heavy bass that is synonymous with everything that came our of that vibey Brixton studio!
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‘Apathy Is Death’ is a precisely engineered, restless and longing work of experimental bass music. Tinkah has created a sonic landscape that is both mesmerising and haunting.
The fundamental note is tension as he speaks a tale of ego and its myriad manifestations.. highs & lows. Climax & anticlimax. Adoration & pity. A 12” quest through the taverns of retrospect.
The 6 tracks, live arranged on a MPC alongside a whimsical bounty of synths & effects, are packed rich with cinematic soundscapes, driving rhythms and an ever evolving temper.
Inspired by true events and adorned with sounds from his world. ‘Apathy Is Death’ tells the parable of being jointly lost and found in the intensity of life.
e B2. Skin 22 Feat. Arpen Daks
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Ghost Phone is back! Blowing in from Bristol with another hand of anonymous aces. Glossy R&B in flagranti and off it’s tits in a dank, heaving basement session.
The opener Hologram is characteristically greened-out: a 160bpm g-funk odyssey for the autonomic massive. Then it’s back to earth with Want U, a nectar-sweet, stripped-back dancefloor heater, complete with tongue in cheek nods to the Jersey Club sound. Tough, loose jungle breaks revitalise a 90s classic on the flip, in So Gone; before Darkness Finds Home With U wraps things up with dense, heady atmospherics and ethereal vocals.
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µ-Ziq says hello again with 'Goodbye'. The six track EP is the first in a series of releases by Mike Paradinas this year, which are all centred around the 25th Anniversary Edition of 'Lunatic Harness', his classic 1997 album. Inspired by going back through the archives while he was remastering the Lunatic Harness reissue, 'Goodbye' sees Mike revisiting the nineties, taking on jungle and its precursor jungle tekno and upgrading them with the benefit of hindsight and contemporary software. Imbued with Mike's lush sense of melody and his knack for striking contrasts (don't be shocked to hear maudlin piano, 303 and amens in the same track), 'Goodbye' approaches these old genres like a sandpit, and stretches them in directions only Mike might take.
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Melbourne artist Angel Wash delivers his debut release and sixth disc for the Felt Sense imprint in ‘Under Silver Cloud’, channeling the visual inspiration of Shin'ya Tsukamoto’s ‘A Snake of June’ (and other turn of the millennium Japanese Cinema) into ominous DnB soundscapes across 6 tracks.
Cavernous synth reflections & translucent textures meld intermittently with expertly chopped breaks, sharp, sinister lead synthesis & sub aquatic bass, drawing from an eerie, yet euphoric sonic palette.
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After the blistering sounds of 'Keepin It Raw' on album sampler 1, all ears now turn to Sampler 2 where Break flips things completely into pure dub territories.
'Conversations' runs fully deep with the legends MC Fats and Cleveland Watkiss drawing us in as Break lashes on the echo fx and rim shots, making for a dubbed out master class.
It's left to 'Alpha' to pull us back into full on D&B mode with an unadulterated monster bassline workout. Proper.
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Petr Ullmann, the only member of the DWP (Down And Up) project, is a classically trained musician, composer and producer from Prague, Czech Republic. Despite his strong background and roots in the local synth-pop and EBM scene of the 90’s, he is coming with his solo debut “Spirography”, a 4-track EP only now, in 2022.
After a 10-year break from making any music. Now more subtle and soundscape-oriented, but still on dancey side, also influenced by Drum & Bass, Trip Hop or IDM. By collecting and using a diverse range of natural samples, he creates his moody melodies, always playing with a various atmospheres.
A pile of trippy and bassy synths, happy highs, deepy lows with bright lights, hidden and late rooms, all ending in one big madness. “Life is hard and full of polygons which someone has to pilot.”
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Timeless is regularly cited as one of the greatest dance music albums ever made., a Dark Side of the Moon for the rave generation. As Tony Marcus, writing in Mixmag back in 1995, concluded: "Timeless is a record that couldn't have been made if it wasn't for the party, the MDMA, the noise and the rage. Timeless tells you that you can't ignore or erase this history because to Goldie, and to so many others, it holds their lives, dreams and feelings."
Timeless went on to become a landmark release not just for Drum 'n' Bass but for electronic music as a whole. Within a year of its release (1995), it had racked up more than 100,000 sales. Now sees the release of TIMELESS THE REMIXES, featuring hand-picked remixes by Goldie from the likes of Break, Doc Scott, Teebee, 4 Hero, Trevino and many more.
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Norwegian-Algerian Karima F is back with her third EP on Schloss Records.
On the A-side, she’s hijacked the vocal of Norwegian singer Kamara, flipping her pop-track «Young Dumb Foolish Girl» into an emotive homage to early 90s rave.
On the B-side, you’ll find a mutant: half nosebleed-techno, half-dub-wobbler.
Cover artwork by Norwegian artist and Schloss Records co-founder Ida Ekblad. Peg Radio is mixed and mastered by Matt Karmil.
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Lunar3 means handcrafted liquid drum & bass, jungle, dub played live on stage. We are back with lots of new music and take you into the universe of Lunar3. You can be curious and look forward to what music we will be releasing in the near future
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The second studio album from Nigerian-German singer/ songwriter Nneka, No LongerAt Ease is a politically charged collection of songs which fuses an eclectic combination of Jamaican reggae, ‘70s soul-funk, drum’n’bass, and electronica. It is inspired by the Chinua Achebe novel of the same name. Its 15 tracks that are given a lo-fi edge, tackle a range of tough subjects, from the Niger Delta struggle to government corruption, to religious hypocrisy. This release features the single “Walking” for the first time on vinyl, and contains the tracks “Heartbeat”, “Suffri” and “Mind vs. Heart” a.o. Additionally, the album features performances by Pat Attah and Wesley Williams
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official re-issue
Continuing its journey between decades, this time Repeat Repeat Repeat pays homage to Jason Goodings' - half of the pioneering jungle / drum & bass duo Hidden Agenda - sought-after Basics EP which originally came out under his NOS alias in 2001 on the Swiss record label Straight Ahead. Genre-wise, the EP itself was compiled with a good sense of proportion, including elements of breakbeat and garage, chilled house sound, tight drum & bass rhythms and warm downtempo moments.
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Before drum‘n’bass there was Jungle. Born on the progressive reggae sound systems of the early 1990s, jungle was the UK’s answer to dancehall and one of Soul II Soul’s enduring legacies - take what’s already there and adapt it to make it unique. Fittingly, next up on the Funki Dred label are two of 1995’s most elusive jungle mixes: the sought after version of 'Missing You', giving vocal outtakes a deserved new life; and Dillinger’s Genius mix of 'Do You Love Enuff'. Both only previously available as limited-edition white labels, each has a strictly junglist foundation – edgy, headrush and dubwise haziness – overlaid with dreamy Funki Dred-style vocals, as Soul II Soul in the jungle gives a distinctive take on an under-appreciated black British style.
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expected to be published on 01.07.2024
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expected to be published on 15.07.2024
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This is a rebuild of a classic underground track. The original masters were long lost, but the tracks have been lovingly recreated, and then remixed, by legendary Kniteforce duo, Sunny & Deck Hussy, for this repress.
Sunny & Deck Hussy have done a superb job. They have kept it as close to the original as possible, only it sounds much better produced and it comes with some remixes too!
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Los Angeles-based video artist and producer Laskfar Vortok makes his first appearance in the EVAR catalogue with "Erbsat Esrhosc." An unusual title that reflects the artist's interest in the bizarre, whether he's making music or producing videos and visuals, "Erbsat Esrhosc" bristles with erratic patterns, anarchic atmospheres and glitchy soundscapes. The Mexican-born talent explores ideas based on the hypothetical concept of a planetwide city, otherwise known as an ecumenopolis, weaving such ideas against a cinematic backdrop, nodding to his long-running love for cinema. Across the five-track EP, he also draws inspiration from the heated and hectic energy of L.A, where he's resided most of his life.
Produced in memoriam of Michael Gregory Harrison, aka Bad Timing, and following a period of introspection and creative and personal challenges, Laskfar Vortok began work on "Erbsat Esrhosc" in 2018. The EP honours Michael's brilliance as an artist and a friend;the title being an anagram of a phrase that they shared between them.
"Eclipse" opens the EP on a haunting note. A spidery melody and chilling pads punctuate the witchy soundscape before syncopated sequences collide with snafued textures, signifying a sharp left turn into breakcore. With its nebulous atmosphere, this track offers the first glimpse into the concept of an ecumenopolis. On "Hyperdrive", frenetic percussion dominates while zappy noises and a doomsday melody slink in and out of earshot. Bursts of broken wub exacerbate the uneasy mood while cinematic, almost ethereal chords twinkle in the background.
"Base" offers a moment to recover one's brain cells after the nosedive into the near future. A lugging kickdrum and broken, woody percussions swirl around the troposphere while creepy pads convey a sinister aura. "Mutation" catapults us back into chaos with claustrophobic polyrhythmic structures, smatterings of kickdrums, and a sporadic mad-scientist-type synthline, adding a jittery layer. An unexpectedly orchestral outro completes the bizarre nature of the track.
Closing out on "Send Off", Laskfar Vortok blends freezing-cold chords with snaggy synth notes and a tangle of drum constellations tied up with a gossamer melody and splattered across an eerie terrain.
Using Bitwig Studio, orcλ, TidalCycles and Renoise as his modus operandi, Laskfar Vortok produces a trip that intrigues but disturbs, serving a shimmering yet terrifying squint into a technoid-led utopia. And we're only just getting started.
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* Following up from the immense Phil:osophy outputs, our resident soulster Phil Tangent returns to Integral with a new solo installment - the absolutely stunning and highly anticipated Universal Sigh EP. Comprising of four silken future cuts that showcase the newschool of liquid funk, these musical gems of intricate beats, bass-scapes and dreamlike musicality, push boundaries, encapsulate hearts and are certain to transport listeners to otherworldly places.
* Dropping 7th December, this masterpiece will launch across all formats. Make sure you reserve your limited vinyl copy now to avoid disappointment!
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