10 like Maradona... or Luke Vibert. Traditions turns 10, impossible to miss this!
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10 like Maradona... or Luke Vibert. Traditions turns 10, impossible to miss this!
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Celebrating the 50th release on the Nonplus label, Instra:mental return with their sophomore album Timelines. A long awaited record that finally uncovers the unreleased gems of the legendary Autonomic Podcast series. This eleven track album features five, previously vinyl only cuts, with another six unreleased tracks from the vault. This is an album that will feel nostalgic to some but new to others. Classics like Photograph and Pacific Heights transport the listener back to a time where Instra:mental started to blur the boundaries in a pool of multiple genres, allowing artists to dip their toes with creative freedom. This release is mainly rooted in 170bpm (with the exception of “More Than”) but effortlessly feels like its spanning multiple tempos. With the techno infused Encke Gap to the slow pulsings of Deep Night. Timelines represents the embodiment of the Autonomic “Drum & Bass” movement, a slice of time that sounds modern despite being more than a decade in existence.
Timelines is a collectors piece that will sit happily in your physical or digital collection, an essential record that highlights the golden era of Instra:mental’s illustrious career.
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Sol Power Sound adds to a string of hot 2019 releases with the Special Features EP by the Sol Power All-Stars, featuring remixes by DJ Spinna and LA's Caserta.
The lead track, Don't You Let Go, features the project's centerpiece, DC-based vocalist Kenny Wesley. His agile tenor swoops and dances over a soulful, multi-layered, dubby excursion. An accomplished songwriter, multi-instrumentalist and vocalist, Wesley's career has significant milestones in the jazz, pop, and progressive soul worlds. We're excited for him to step into the dance music lane with us.
We asked DJ Spinna (one of our musical heroes… but isn't he everyone's?) for a Galactic Soul treatment and he delivered inna signature Spinna style, that’ll make you b-line to the dancefloor.
Caserta took it classic NYC (with a lil UKG) on his Caserta's At Work flip. Let the record work through the build, the gospel-esque break down, and then open up into a piano and vibes solo. Patience is a virtue, especially with a peak time slapper like this.
If there is such a thing as a keyboard battle track, Number One Station is it. It features New Orleans-based synth wizard Daniel Meinecke over a broken afrobeat-inspired track, letting all his axes get busy. Trust us, you don't want to step to him (that's also Daniel you hear on Don't You Let Go).
DJ Feedback:
Soul Clap (Eli): Oooof! Some real heat in here. That Spinna mix is fire and the originals too!
Aroop Roy: Really dig the Caserta Remix!
thatmanMonkz: Really lovely package, gotta say, i'm feeling the original version the most! 'Number One' is a bomb too... "
Pontchartrain: Fantastic and classic. Original and Spinna’s stunning remix compliment each other perfectly making sure this will stay in my crate for a while!
Mad Mats (Local Talk) : Spinna Remix is amazing!
Opolopo: #1 Station!
Pete on the Corner (On the Corner Records): Love Spinna, plenty of thump here over 50+ mins - Yes. quick flick through and the dub got my kick and vocal stabs. BIG xx
Cosmo Baker: Amazing release - def gonna give this a lot of burn!!
Peter Croce (Rock Steady Disco): Damn this is bangin'. Love all the versions of the title track but I'm really here for "Number One Station". DM killed it!
Bill Brewster: Out of all of them Number One Station is definitely my jam. The others have percussive touches but this is the fella for me.
Lil Dave / Osage (Bastard Jazz): Sounds tight! Both the remixes hit hard.
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THROUGH GODS OWN EYES
MusicForSunrises&SunsetsDarkCornersOfTheDanceFloorDarkCornersOfTheMind.
FastDeepSlowRaveInspiringInspirtational&CosmicUpliftingWildPitchedHeartMelting&HeartPoundingSexMusic
Conceived in Bali as a club event to allow Phil Cooper and Indonesian DJ, Dea Barandana a chance to flex their rave potential and dig out those obscure, heavy dance floor cuts it has been hosting sporadic parties for the last 3 years, with no specific musical boundaries, it is about the late night, early morning dance floor experiences, heads down and lost in music!
A label was also planned, but when that would happen was always unclear, however a chance meeting in Croatia at Love International Festival 2018 between Phil and Carlo Bragagnini AKA La Mano has led to the inaugural release, TGOE001 La Mano 'Tana del Lupo' EP
Side A - Sirena, inspired by the classic Italo stable, a deep and driving intro that builds with a rolling, solid bass line, shimmering effects, gun fire handclaps and siren sounds before the piano line eases in to take it to a euphoric crescendo of soaring synths for maximum hands in the air vibes...
To add weight to the release, remixer options were discussed and both agreed on Man Power, and his rework has taken it to a much different place, adding a solid breakbeat to it, dirtying up the piano and extending the mix to 9+ minutes, this is HEAVY for the floor...
Side B - La Mano, the ying to the yang of Sirena, this is a much more progressive track, subtle in the arpeggio build up and layered to create a big sound culminating in a swirling series of dreamy chords and synth lines.
The Ambiente mix takes away the kick and percussion to allow the full dream like state to take effect, one for sunrises and sunsets across the globe...
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* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.
* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.
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* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.
* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Flatliner, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.
* The year is 1994 and the awesome combination of Flatliner & Ant Miles gave life to the infamous tracks ‘The Big Bang’ / ‘No Boundaries’. Release no 9 on RAM records tore up sound systems at every Rave in the country. A follow up was on the cards and ‘Flatline’ was born. Put to one side to make way for the Big Bang/No Boundaries remixes, somehow it never resurfaced again... until now!
* A similar story evolved for the A side ‘Just Stop’. A track made in the latter part of 1995, Flatliner comes with yet another amen monster, but this time taking things on more of a rolling Drum & Bass vibe. A golden nugget to own on vinyl for any true Jungle/Drum & Bass fan.
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Current Age is the first vinyl release from Chicago newcomer label Tres Dias.
Label head and artist Juanne takes us on a visceral journey with three tracks that dig deep into your headspace. Taking from his experiences in the underground and its outer edges lends to create an audible sequence that manifested as the CURRENT AGE ep.
“Crops” is the intro track and invites you into a dark ethereal landscape. With a dreamy, haunting vocal, somber keys and ravenous bassline that grabs you and leads you in.
“Rivers” is the second offering and a tribute to the A.M. dance floor. Hypnotic synths, warehouse sounds and core shattering bass.
“Point of Entry”smashes in as the final track and most dance floor heavy tune on the ep. Nothing short of beating sounds all through your gutty wuts.
Artwork by Chicago's Stephen Cadiz
Mastered by the talents of New York's D.Schoenemann.
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DJ Support
Peder Mannerfelt, Noncompliant, Jerome Hill, Doc Scott, Om Unit, Photonz, Physical Therapy, Warlock, Aquarian, Lucretio (The Analogue Cops), Giz (Berceuse Heroique), Interplanetary Criminal, House of Traps, A-Future
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Alk-e-d is one of the longest standing Kniteforce artists, always bringing a perfect blend of dancehall, jungle and techno and mixing it into something fresh. His EP contains both the genesis of his style and some of his largest hits. Absolutely Flying was a cheeky release, the flip side to his debut 'selecta', which is included here via the epic Dj Ham remix. Meanwhile, his two jungle classics, 'Shine On Me' and 'Shining Bright' show two very different ways of approaching that genre, but both remain as fresh and current as they were in '94
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his is a beautifully remastered, remixed and reimagined repress of the brilliant third release from Hyper On Experience. The original Moving Shadow version of this release featured three superb tracks that have all become definitive classics over the years. Here, they have been lovingly remastered and you get a bonus remix from Alex Jungle of Monarch of The Glen, one of my personal all time favourite Hyper On tracks.
Cl ub / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Liquid, Hyper On Experience, Ant To Be, Ponder and many others
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The Trip released only a few releases during Kniteforce's heyday, one sided 10' colored vinyl's with a single track on each, always switching style and content. But they had a huge impact. Included on this remastered repress is The Erb, a certified jungle classic, The Snowball, one of the darkest amen driven drum'n'bass tunes from the early days, and The Crack, the finely tunes balance of technical and jungle and dark rhythms. Rounding out this EP is Special Toke, the version of The 'Erb that blew up the largest...
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3024 is back with another fully loaded release bringing together an unlikely band of artists into a surprisingly coherent Various Artists EP. Label owner Martyn kicks off the show with the twisted UKG reese bass roller "Frozen Bread Snaps", followed by a nifty dnb workout by Sin, Gremlinz & Jesta called "Door of Guf". The flip features UK "hard drum" master Noire with the headzy "Ballas" and last but certainly not least there's the sonic bliss of "Dusty Glass Bubbles" by the inimitable Parris. Enjoy!
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Beaming from the success of Denham Audio colab mixtape Club Glow, and Hotline smasher Anyone from London, Borai is back with another couple of Breakstep bangers. Part resurrection, part new direction, this release harks back to a nascent scene, not yet eclipsed by the half time sound we came to know as dubstep. Picking up where others left off, Borai takes the tempo range down a fresh new avenue of exploration. Higher Level Records is Borai's long overdue foray into label management alongside Henry Bainbridge (Dub Studio / HLM). Not content with simply releasing their own records, the dub plate duo will put their 15 years' experience running club nights and a cutting house into every release. Only after each track has been cut to dub and road tested at their eponymous Cosies night will they be committed to lacquer and pressed up. A record cannot wish for better provenance than this.
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“When we listen to the inner voice that calls us back to our bodies, back to wholeness, we begin our journey” - Tara Brach, Radical Acceptance.
Budget Cuts: Records & Tapes is honored to present five tracks of pure bliss from Bogotá based artist Ronan. Ronan, which translates to ‘A Little Seal’ in Gaelic, is the moniker of producer and artist Robin Lohrey. Lohrey was raised on San Juan Island in Washington and studied at the New England Conservatory of Music. After graduating, Lohrey moved to Ridgewood, Queens establishing himself as the creative director the Felt Presence studio space and and the technical director of the Groovy Groovy underground party series. After releasing projects on Vanity Press and Jungle Gym under his given name, Lohrey created a new musical vision and path with the founding of the Ronan moniker and the Eternal Ocean imprint with the release of the instant cult classic “Prolongez La Magie”.
For his second release, Ronan offers an introspective 5 track EP. Recorded largely during a secluded summer spent living in a cabin in the woods on the Olympic Peninsula in Washington State this selection of music spans a range of tempos and moods, creating its own unique narrative space somewhere along the hardcore continuum. This creative period marked an important transition in Ronan’s life and he found solace and meaning in the writings of psychologist and meditation teacher Tara Brach, who’s book Radical Acceptance shares the title of this EP. Her words of awakening from what she calls “The Trance of Fear” activated deep self reflection and inspired this work which represents a testament to the brave act of facing one’s self and to the joy found in accepting who we truly are.
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Family, Fish, Shapes. These are only three of the many topics that Stefan Streck aka The Micronaut recently devoted himself to within his releases on labels such as Acker Records or Analogsoul. Always with a clear line, but never intellectualising, is how the multi-instrumentalist and producer pursues his scientific curiosity in terms of sounds. His tracks are elaborate and yet danceable. Sometimes they are composed minimally, sometimes they are utterly playful. Within just a few bars, subtle sequences transform to energetic roller coaster rides since The Micronaut loves having a game with contrasts. His newest EP on Freude am Tanzen proves this anew.
The EP contains four tracks full of references to the past in view of the future. Indeed, the samples and sounds of the British summers of love echo strongly until today, however, they sound much more like a reinvention instead of a revival in the case of The Micronaut. Since his music doesn't shy away from big gestures, but virtually seeks them out - and discovers them where melancholy meets euphoria far from rigid genre classifications. Breakbeats from Britain come upon IDM and trance, wide synth landscapes are embedded in pop. Hence, this is how The Micronaut unifies contrasts a new in each track.
A1 - Earlylate
To start a rave once again somewhere in broad acres or in abandoned tunnels. On top of that, this track, whether early or late, the arms up in the air and a riot of emotion. Air horn!
A2 - Oldnew
Shuffle, but different. Almost like Kompakt wasn't from Cologne, but from London. Similar over here, nobody is looking obliquely when the beat doesn't march straight forward four-to-the-floor. Massive groove with obstacles, might as well.
B1 - Underover
It's as if James Holden was on his way going on a short trip in England beginning of the nineties when basses still made ears and trousers tremble. This sound won't age in a hundred years - especially not when it's as fresh.
B2 - Smallbig
The bouncer with tremendous thoughtfulness. A hymn for the late hours shortly before the lights go on. In last retrospect, not thinking about tomorrow. In this moment for all eternity, for one night.
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A name gaining notoriety in Belfast and fast expanding beyond is JORDAN, a producer and selector easing between house, techno, italo, disco and electro with fierce dancefloor power. Fresh from his Boiler Room debut, Warehouse Project performance and shows across Europe - the wheels are well and truly set in motion for JORDAN. His latest offering, VOYAGER, works elements of italo disco, rave and house, into two fresh tracks, VOYAGER, and MUSCLE MEMORY.
The revered Brassica steps in with his Midas touch, remixing title track, VOYAGER. Fusing the original with distinct oriental elements, Brassica demonstrates his ability to push boundaries.
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Fede Lng is back on Axe On Wax.
This time he delivers a more chilled out Ep compared to his usual dancefloor output.
Ep features remixes from 2 of the most exciting female names in the game right now, Yu Su and Ciel + a collaboration with Miami based artist Mojeaux.
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Global tracks is a mystery; browsing the name online gives nothing associated with the artist. All we really know is that Gothenburg is home base. Most points toward that this is Global Tracks first release and Hoga Nord Rekords are more than proud to be first out giving his/her music out.
With albums like 'Selected Ambient Works' by the Aphex Twin and cities like London and Sheffield as a ground for the sound, Global Tracks displays how breakbeats should sound in 2019. The music is mostly influenced by Jungle, but also by Footwork and Dancehall. The roots lie shallow but the phantom behind this music don't give up with trying to recreate the nineties straight up, instead he/she develops the legacy from all the best and most drug marinated DJ:s from England circa 1995.
Breakbeat has a new vanguard in this mysterious shadow crawler that we know almost nothing about, but rumor has it Global Tracks is locked up with the machines under ground somewhere in Vastra Gotaland in Sweden working on new broke up beats, ready to surface when the time is right for more, deep and ganja oozing dance music!
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As once established by a south coast cohort - Cell Out lurk in a Solent estuarine backwash.
A diversification in style see’s the inception of the label to house the Cell Out project.
As yet, little has been revealed of the illusive make up behind the name, but the underpinning grooves, rhythm and percussive perfection remain the backbone of this wonderfully undefinable dance music.
DJ Support
Charlie G (Mixmag)
“These are solid”
-
Andrew Treagust (Data Transmission)
“sounds really old school 90's ina good way”
-
Jay Scarlett
"Feisty Banger!"
-
Loods
"I believe!!"
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Yo Falty why don't you do the old school shuffle anymore What happened, maaaaan OK, held this one back from 2011. All the garage and 2-step workouts I made were inspired by hours and hours of listening to Horsepower Productions, Zed Bias, El-B, Darqwan... I studied them. This tune in particular inspired by Benny Ill himself. Ill Bent was never released, I always held back some exclusives for my sets. No one had it. Benny Ill remixed the track in fine style, both Straight up and with a Fat Larry spin. We were talking, Benny and I, and he mentioned he used to live in Brooklyn. So he submitted Is It Safe, a tune he made while living not far from where I live now in NYC, to conclude the EP. Heavy! (note, the first letter in Benny's last name is a capitol 'i') Track A1 produced by FaltyDL
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For this edition of the LFRMX-series Len Faki is turning to 1990‘s trance and acid. The bpm might be
lower than back in the days, but there‘s just as much energy coming off these irresistible tunes in their
updated versions.
Featuring the original‘s sizzling synth work by Kompakt co-founder Wolfgang Voigt‘s early
collaborative projects, Planet Love Ink strikes an upbeat chord in order to show off its grand piano
break for maximum effect.
Equally tapping into the early nineties, Structure – We are Structure is a weighty acid banger with no
frills attached. Straight, honest and nailing era‘s vibe to the core. B-Side‘s all about old school trance,
booming breaks, and epic synth-sweeps, in this instantly captivating, elevating and driving rework of
Illuminatae – Tremora del Terra, a hymn to many back in the days.
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Porridge Bullet reveals it’s third “Bullets” compilation with five dancefloor lifters.
AIWA is on warm up duties stomping away with bubbly saturated electronics. He hails from Budapest by the way. On to Madis Puuraid aka Profile and “Teramachi's” shimmering ambience lead by a funky drummer. Let this one roll a while before you show off your mixing skills. Estonia’s ug-scene oldtimer Neuronphase makes his second appearance on the label with nods to breakbeat. “I Have None” will make them come closer. Fact. There’s a second track by him on here too… Ruutu Poiss stretches his wires between Amsterdam & Tallinn with ease –– “Mjau” purrs in his unique broken-not-broken style.
Hey kids –– no digi!
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Ravaged and warped breakbeats haunted by wailing euphoric noise, vivid and graphic reflections of fractured post-industrial hardcore, moments of poetry flashing within a thick impending fog. This is our soundtrack. A unique and visionary achievement; a wholly original future of beauty and despair: brutal, gritty, alive and urgent, blooming in the ruins, spiraling and raw, howling with life.
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Amit Presents 'splinters'
'a Generation Of Eclectic Artists All Under One Roof'.
Splinters Is An Anthology Of Electronic Music From Some Of The Most Exciting Established And Emerging Artists Working Today.
Each Bring Their Own Unique Style, Flair And Vision To The Album, Weaving Together Their Disparate Voices To Create An Aural Kaleidoscope.
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Paramida's Love On The Rocks imprint readies its eighteenth release, in this, the year of our lord, 2018 - the latest instalment on the ever-evolving, hard-to-define label is a decidedly non-dancefloor oriented, melancholic/euphoric instrumental number from promising Lon-don/Lisbon producers Elles & Violet.
Elles, fresh from her Netil Radio & Rádio Quântica residences, alongside Violet, with a string of releases under her belt on One Eyed Jacks , Cómeme, Paraíso, Snuff Trax and her own imprint, Naive, deliver big time here with A Life Lived In Fear Is Like A Life Half Lived, a warm and bubbling acid future closing time jam that has all the feels of watching the sun rise over the city with your best friends on ecstasy.
Backed with 4 heavyweight remixes from Love On The Rocks fam Kasra V, Prins Emanuel, Etbonz and Massimilano Pagliara. Pure love.
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Romain Azzaro come's back on his own imprint with a Rouge Mécanique Extended Play compiled with cinematic shaded instrumentals and a heady mix of post-punk, ambient and noise. Bringing acoustic life to electronica, his signature sound rolls over the Ep with elegance and versatility.
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'By Your Side' is the second solo release of the year from Will Saul, it follows his spring 12 'Bugs' which gathered support from Gilles Peterson on his BBC 6 music show as well as Leon Vynehall, Midland & Deetron. Never content to sit still in one style or genre 'BYS' see's will exploring his love for electro, acid and tripped out left of center house. With more EP's on the horizon for the autumn we find an artist full of inspiration, elated to be back in the studio and enjoying his most fruitful production spell in recent history.
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Dansu Discs are back again, this time with local lad Interplanetary Criminal issuing a huge summer time UKG EP! 5 brand new tracks to keep you moving across this warm season. Keep an ear out on the b side as well as label favourite Breaka slices up a massive remix of Sensational...
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Thread captured our ears with their early outings on Reach Recordz, where they showed a unique approach to stripped down breaks and electro, mixing broken beats with minimal, electro and tech-house.
A project run by two hard-working veterans involved in the electronic music scene for the past 15 years, Marc Ashken and Ben Micklewright, Thread is just one of the several facets of this productions duo which is playing a key role in silently and relentlessly defining what we believe is a very unique sound, that blends influences coming from the vast legacy of the UK electronic music culture.
For this EP we’ve selected four diverse cuts that showcase Thread’s distinctive sound while keeping in line with our ethos of finding music that’s out of trends and time.
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Killer Smile return with four fresh mutations of the "Catchy Schisms EP" by Skeleton Army (John Morrow), including a drum and bass mix of the Foul Play influenced "Touch" reworked by Dutch jungle Don Coco Bryce.
Coco's version of "Touch" builds on John's legendary work in the 90s drum and bass scene as a member of Foul Play. The gentle piano keys and soft vocal samples shine over a backdrop of tight amen chops and uplifting Reese bass fit for any early morning rave epiphany.
Etch delivers a heavyweight slice of breakbeat science with his take on "Catchy Schisms", mixing up the tempos, dismantling then reconstructing drums and adding plummeting deep bass in a dark sci-fi voyage.
Lowering the tempo Army Of Ghosts craft their own unique version of "Bedlam Jennie" with their twisted techno mix, using multiple layers of abstract samples, thuggish four-fours and swirling FX designed to disorientate and surprise.
The final track on the EP is a breakbeat driven mix of "Bedlam Jennie", revisited by Skeleton Army himself. Maintaining the themes of the original EP, this version is melodic yet firmly rooted in leftfield territory, a fresh excursion into an abstract vision of house music.
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Following on from “Present Versions Of The Past” (QPR 001) is the long awaited second release from the Quantum Projects vaults titled “The Concept EP” (QPR 002) in which 3 of the tracks are Jack Smooth-inspired productions and a very special 4th track with a Mental Cube (FSOL) style concept.
Worldwide Epidemic – The Concept EP delivering that classic synthesized Jungle Techno/Techno sound.
Mastered and cut by Beau Thomas at Ten Eight Seven Ltd.
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Flip Open Your Samsung And Fire Up The Wap Cos Phone Traxxx Volume Two Is Working
The Web. Four Fresh Cuts For The Cellphone Steppas.
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The ¡rst Bitterfeld Musik sampler featuring the three artists to
have already released on the label, Leipzig's Interviews,
Consulate and Guy Contact from Perth, Australia and a new
appearance from label co-owner, Carmel. Power electro
through to breakbeat and trip house.
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LONE - ABRAXAS EP IS A THREE TRACK EXCURSION INTO ETHEREAL ACID
Lone reveals the first physical release on his new imprint, Ancient Astronauts, which has been set up to release new material whilst working on his next studio album.
The three track EP, Abraxas, sees the producer carry out his first experiments with 303 acid packaged up in a breakbeat club tool focused sound – an idea which was sparked from hearing friends playing ‘90s drum and bass at slower speeds than usual.
The result is a rip-roaring trio of tracks, with the heavy bass rumbles and searing squelch of Abraxas undoubtedly cementing the title track as the chosen club destroyer. Young Star Cluster follows up with a marriage of the rolling funky drummer break with bursts of 303 acid and Lone’s trademark empyrean breakdowns before How Can You Tell takes us deeper still, with choral pads opening the door to another chapter in the multifaceted producer’s sound.
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