Beats News

The Lagaffe boys have a special one for you. Lagaffe 10 marks the 10th EP in our vinyl series and serves as a perfect way to end our 10th year in existence. To mark this occasion we are releasing a 4 tracker with our founders and label regulars.

The EP opens up with Cohen Social Club by Flexi Leifs aka Felix Leifur. Our man Felix lost his drum machines last spring but luckily he found a guitar and some drums. The track starts off with suspicious sounding guitar notes that somehow end up as pure beauty, giving hope in the darkest of places. Frodo with the ring stuff, if you know what I mean. Playful reverbs and echos give the tune the classic Felix Leifur feel to it!

Moff & Tarkin has the next track "Pure Fury", some breakbeats and cheesy disco vocals, why change a winning recipe?

Next up is "We are not alone " by label boss Jonbjörn. I think this is what Elton John meant when he said "thank god for those electro bangers!" Solid 909 drum work featuring dramatic chords and some original vocal work. If you can spot the sample write us on Soundcloud and you might win a year's worth of LaCafe Tales!

With "Að handan" Viktor Birgiss comes back to the label in style. Our mastering engineer described it as having the loudest kick drum in history, imagine that! Lo fi dub sounding drums interlaced with atmospheric chords, made for those late night intimate moments on the dancefloor, again Frodo with the ring stuff, if you know what I mean.

2024 Repress

Huge, triumphant return for the man they know as Olsvangèr. This might be the most radiant, life-affirming manifestation of his devotion to trippy dancefloor propulsion.

If last year’s EP with fellow Tofistock co-founder MYKI was the pre-induction, ‘Icy Hookups’ signals his full initiation. Solo manoeuvres from the Berlin-based producer and starts as he means to go on with the buoyant flex and ‘90s nostalgia of opening cut ‘Grand Slammin’. Blissed-out vocals vocoded beyond recognition, this is pure dancefloor jubilation but not at the expense of directness or heft.

Clearly, he’s no stranger to a late-nite tech house incursion either. Where ‘Paranoweed’ comes thru with the tuff, full-bodied groove, ‘Bubble Toy’ recalls the oddball, mescaline-strength tribalism of his DJ Headshot alias. Then, just as uplifting as its predecessors, ‘Quadi B’ shuts things down with a heady, levitational dose of fractal fuel.

Zur Feier des 25-jährigen Jubiläums der Veröffentlichung des Genreklassikers, „Permutation“ von Amon Tobin, wird es eine spezielle Jubiläums-Neuauflage mit neuem Cover-Design auf Vinyl geben, die am 31. Mai 2024 via Ninja Tune erscheint.
Die Neuauflage erscheint in einer gestanzten Hülle mit glänzenden Spotlack-Details, außerdem zeigen die Innenhüllen des Sleeves ein erweitertes Original-Artwork des legendären Kevin Foakes AKA Open Mind.

Format: Schwarzes 140g-Doppelvinyl in glänzender, punktlackierter und gestanzter Hülle (Fenster mit Innenhüllen mit erweitertem Artwork von Openmind). Download-Code enthalten.

(Umwelt & Sonae Remix)

For the very rst time Blintmusik welcomes two artists to remix tracks from the label’s back catalogue. Keeping the tradition of two tracks per release - on the A side we meet the french grandmaster of Electro, Umwelt. His remix of ‘Chauncey Street‘ is a pure dark whirlwind with bitter-sweet synth-strings oating over a set of forward pushing drums
and a drilling bassline. On the ipside is Sonae, best known for her immersive albums on labels like Monika Enterprise.

Her Remix of ‘92 Avenue‘ opens the gates to a distorted synth-utopia. In a total deconstruction, the Cologne based artist turns the original club banger into a nightmarish noise staccato which spirals down your spine before dropping into a heavyweight kickdrum-inferno. Truly unsettling club music at its best.

EDNET001 is a hard hitting take on high octane modern electro and UK Bass by british prodigy Tom Place, Shedbug remixing. Checkpoint reached, Eavesdropper Network has entered the game. EDNET is an Echocentric Records operation.

Yo Speed released their debut in digital format on the Distorsion Records in 2016. Since then their sound has gradually evolved, as their productions have served to mark a turning point in today's Breakbeat sound, making them a leading name throughout the genre on the international stage. As you would expect, their first solo vinyl release comes courtesy of the label where they first started out.

On this first disc, DIST001 in the new Distorsion Records physical catalogue, entitled 'Free Ur Mind', Yo Speed offer us a collection of three tracks with a clearly defined approach. Penetrating subwoofers create an enveloping cushion of rhythms laden with swing and groove, twisted but elegant base sounds that will have you dancing from the very first beat. Ambient and vocal sound effects which end up holding you captive, subconsciously inviting reflection. A clear message, sonic purity free of superfluous flourishes, to release the mind on the dancefloor... And to round things off, Man Of Speed, one of their classic tracks representing the sound of their initial creative phase.

Mastered and cut by Simon Davey at The Exchange Vinyl, with artwork by Timur Khabirov, complementing a disc of great quality in every aspect.

2024 repress

Acen's Trip To The Moon series is simply unmissable, and these color vinyl represses are severely limited in number. Spanning all the original mixes, plus new material and new remixes from the likes of Pete Cannon, Danny Byrd, Phuture Assassins and Scott Brown, every EP in this series is essential.

Limited 12" vinyl only release. Run of 500. 140g black vinyl. No repress, no digital.

The first release from Organic Signs, a hybrid platform and record label that operates from Barcelona and Madrid, with Jan Swam as Label Manager.

This is a reissue originally released in 1998, by an artist who knew how to go beyond the sounds of the golden age of rave, to reach a unique style. Kaya Project, Shakta, Somaton or Hibernation are some of the akas that Seb Taylor has used throughout his career to leave us an unprecedented musical legacy.

Four tracks that go from trance, DnB, trip-hop and breakbeat. Telepresence has a controlled rolling bass, excellent use of breakbeats and chugging flanged riffs. Pure psychedelic trance vibes. Continues with the drop in bpms of The Improvable Voyage, along with an original trip hop sounds with flanged riffs (again).

We turn to side B1 to meet Soma Junkie, a track with a psychedelic breakbeatness lines with very creative drum fills; and we finish with Dr Sembei, a mix between psychedelia and drum and bass, to leave a good taste in your mouth.

Vinyl Only

The Primary Perception brothers are back with their second album.
Already a staple on the label, the canarian duo have produced a magic
mix of sounds and tempos, with their own modern old school flavour.

This is the first reissue of “Nightmare” since 1989 and is in it’s original 12” format. One of the earliest electro beat records, it has become increasingly more in demand for fans of the genre. Writer/producer Dizzie Dee was prolific in the 90s, notably as co-member of Candy Flip (as Danny Spencer) and under other aliases on the electro and Balearic scenes. Co-writer of “Nightmare”, Richard Scott has worked extensively with Robbie Williams through to this day.

LaMenaceRecords is a french parisian independant label.

Pressing of the first vinyl which brings together 4 tracks from various artists, speaking on the 20th district of Paris.

Influenced by all styles of music possible and imaginable, we tried to offer something very varied, exploring house from several angles : from old school refreshed with groovy sounds and lines to hip-hop jams, through much more minimalists atmospheres.

This first EP is the first part of a musical creation project around Paris : this first disc is made, among other things, with various recordings made in the streets and metros of the XXth district.

On the first side, house in the rules with the Groove Boys Project : a deep track based on the 909/303 combo.

Next, Max's track, in a more electro house register, will transport you directly to Belleville with its captivating cadence.

On the other side, you will find 2 pieces that go further from the current definition of house.

First, Pasta Mool's track, in a more minimalist style, sort of progressive and atmospheric minimal-tech house, will enchant the more perched among you.

Finally, as many samples used in house are also in boom bap, Soufflé Caramel, who does not only strip tease, has concocted you a hip hop track resolutely focused on samples, kind of a bonus track that we all wanted.

Unlimited Happiness Records is presenting their first Various Artist series “Needs Vol.1”. Inspired by the eager to discover, the need for new electronics day after day. A Fast pasted A-side by Lamont Stigler and Anci, steady and smooth on the B-side with Redray and Mills Boogie. The diamond city delivers.

April 2024 sees the launch of the Stratasonic imprint with the four-track ‘Accidental Effects’ by ANiML, a collaborative guise for the members of the collective behind the label.

Stratasonic is a new label founded by a German/Canadian collective operating out of LA whose roots dig deep into electronic music. By collaborating with artists new and legendary they’ll push the boundaries of the traditional music space into visual arts, video, events, digital and beyond. The collective’s philosophy is to reimagine the music, masters, and methods of the past in a modern context, exposing the world to the stuff they like. Here to inaugurate the label is ANIML, the project whose members will remain anonymous is inspired by the classic era of vinyl and analogue production with hints of 90’s nostalgia.

Title-cut ‘Accidental Effects’ leads the EP and lays down twitchy bass grooves, crisp, crunchy breaks and an amalgamation of hip hop vocals all dynamically pieced together and processed to create a raw, fluid dance floorworkout. ‘Mementos’ follows next and veers into a more immersive, cinematic electronica realm via subtly unfurling synth textures, murky bass swells, bumpy breaks, squelchy acid lines and hypnotic brass licks.

Opening the flip-side is ‘Day Dreaming’, shifting focus back to a raw off-kilter rhythm at its foundation while haunting synth lines ebb and flow amongst hooky vocal chants and bubbling echoes. ‘Formulaic Appeal’ then concludes the original material, a three minute ambient darkwave excursion through brooding analogue bass drones, heavily reverberated atmospherics and a ticking clock like percussive effect.

Limited coloured repress of 100 copies!

Limited coloured repress of 100 copies!

We are proud to bring DJ Gemini onto the Vinyl Fanatiks roster with this gigantean 12" and originally released in 1993 on Liquid Wax. This release was engineered back then by Alex Reece when he was assistant engineer to Jack Smooth at his Sound Entity Studios.

Relentless raver and emerging artist from the Rinse France roster of captivating talent, RONI launches her imprint Nehza Records with a five-track EP titled ‘Slowing’ by Bordeaux-based Neida . Marking the debut release on the label, Neida is the first producer to bring RONI’s fantasy-led vision to life.

‘Slowing’ is a cross-pollination of breaks, acid, jungle and bass which nods to the sound of the underground UK rave scene circa 1990. An era that RONI closely aligns with in terms of sound, art and the sense of liberation synonymous with 90s club culture, Neida nails this aesthetic throughout the EP. ‘Bull’ sets a powerful tone as the opening track, packed with punchy drums layered below an orchestral-like vocal before ‘DSO’ burbles through with squelchy synthwork over a 4/4 beat — a clear hint of that UK rave sound simmering under the surface. Garnering his appreciation for reggae and Rasta dialect, Neida’s rework of a vocal derived from reggae artist Don Carlos is masterfully blended into this 6-minute churner.

Over on the B-side, ‘Guess Who’ burns slowly with downtempo breaks and mesmerising chords; you can almost smell an imaginary forest as the track unravels, creating an image of tripping in nature. ‘WHT’ rumbles through with a mellow introduction before going full-whack into barreling drums and clap-heavy percussion, illustrating Neida’s ability to dip into experimental textures that nod to complex rhythm patterns rather than club-cut melodies. ‘For All The Time Sake’ closes the EP with an acid bassline and bright, crisp percussion ending the EP on a significantly vibrant note to mark the first stepping stone of RONI’s record label. ‘Slowing’ is a spiralling myriad of bright atmospheres and escapism, likely to be one of many sonic trademarks on Nehza Records.

Limited coloured repress of 100 copies!

A necessary agitator in the city, Bruno Trigo Gonçalves signs, while Phoebe, some of the most desirable sound infusions of the moment. The founder of Troublemaker Records, collaborator of Rádio Quântica, resident DJ at the “mina” party and also one of the faces behind the Planeta Manas space, has multiplied himself in live performances and brought a handful of news in recent years. “If I was simple in my mind, everything would be fine”, under Rotten Fresh label and “Love is Patient, Love is Kind, Love Will Make you Lose your Mind” by Sweet Love Making, a label that he jointly owns with Bleid , demonstrate Phoebe's bird's-eye view. This vision includes allusions to different languages of dance music, ambient music and other personal cosmologies that define him as an absolutely free producer.

- Horse Meat Disco “BOOOOOOM”
- Alison Swing - “hot tracks!”
- FYI Chris - “bangin - love all these tunes <3”
- Nikola Baytala - “JENSEN INTERCEPTOR REMIX !!! AFTERNOON BLAZE !!!HYPEZONE 5000 !!! BASS IN YOUR FACE !!! DISCOS EXTENDES KILLIN IT !!! SUBWOOFER ALERT !!! ”
- Turbojazz - “Supa cool EP!”
- Daniel ( Happy Endings) “Simply brilliant, every single track.”
- Nita Aviance“oof, Go is just naaaassssttttyyyy! very excited to bring this one to the floor. the whole EP goes off, really, FAB release. thank you for sending!”

Nine months later, and still hungover from the good acceptance of "Acid Series Vol. 1", we are back with a new EP: "Various Artists - Breakbeat Alliance Series Vol. 2”. Four real hits full of life on this blue and solid white 12inch.

INFO SIDE:

A1: Hankook - 303 (12“ Mix)
Unique acid bass sequences from the mythical synthesizer Roland Tb-303 mix with the distinctive force of this excellent producer.
A sound that connects with the younger generations while maintaining the purity and integrity of the roots.

A2: Rasco & Sekret Chadow - Get Wicked (Original Mix)
Nothing can go wrong when one of the most iconic bassline sound figures and one of the artists who has managed to place the Funky Breaks sound at the top join forces. Intense and fast-paced bass sequence that will make you move even without wanting to.

LOGO SIDE:

B1: Dany BS - Believe (Basstyler 12” VIP Mix)
Dany BS brings us a track with a high dose of emotion injected into the vein through vocals and piano, and, at times, turns into crunchy basses that reveal the hand of his alter ego Basstyler.

B2: The Push feat. Ati - 1994 (12” Mix)
A happiness track to close the EP. Retro touches and Ati's lush voice are holded by some inspiring piano chords and danceable Breaks rhythms.

Special thanks and respect to: Distorsion Records, 13monkeys Records, Elektroshok Records y Funktasty Crew Records.

DJ K-1's (Keith Tucker - AUX88) re-release for modern electro heads Direct Beat Classics label.
1) "K-1 Intro" -Fine metallic percussion and Jeep beats define the groove of this EP's introduction from the year of 1996 featuring Anthony 'Blaktony' Horton (vocals) on this legendary Keith Tucker production. K-1's hauntingly dark strings emerge as you are informed by its mission statement. Mental.

2) "K-1 Agenda" (Instrumental) - Purposely added to enhance variety and balance, this instrumental holds its own. Highlighting his production skill, 'DJ K-1' cuts loose in the minimal groove with traditional Detroit escapism that makes the EP the fine concept it is. Made to dream & jam.

3) "K-1 Agenda" (Vocal Mix) -Written and executed by longtime cohort, 'Blaktony' (AUX88, Alien FM) on vocals. The tune transforms into a classic global jam with android-like vocals planted between the hand-crafted Detroit electronic backdrops. A mainstay in electro bass crates since its release, this track is the description of a man on a mission to jam this world and beyond. Rubbery 'K-1' signature bass lines and strings ride the perfect beat.

4) "The Future I Can See" - K-1's laid back robotic lyrics describe a look into the future paired with thunderous beats and electro bounce. Visionary rocking, Tucker provides the weight to the project that would bare his signature flavor. Hot.

5) "The Future I Can See" (Instrumental) - Focused on an atmosphere of eerie and moody Detroit dark electro, the energetic bass line weaves amongst jamming drums. Imaginative and compelling material made for global dance floors. 100% Electro.

6) "Unreleased track" - A short newly added bonus cut from the original sessions, laced with experimentation in the Motor City Electro sound.

Everybody Trance is more than proud to crash onto labels bubble, with the first episode: Various Vol. 1., illustrating our bash vision with a frenetic and hypnotic grooves tour. Dense, knotty and intoxicating tracks, overflowing with finesse, display all over this EP, including Maelita & Kick 21, Botwin, Gogo Gadgeto, Subsism and Ekzander, mastered by Alden Tyrell and designed by Jimmy Premier.

People of Earth shakes things up for #016 with a LIMITED EDITION 12” from Charolastra entitled Karuna. ONLY 200 copies pressed of this continuous play, crossover jazz release. Brought to the realization with some of ATLANTA’s most talented instrumentalists. It is an amalgamation of genres but the underlying emotions are immediately recognizable. Grief, loss, regret and the transcendental power of the spirit to overcome these hardships. Blending elements of jazz, IDM, broken beat, drone, and dub, while it may be difQicult to put your Qinger on Karuna it doesn’t make it any less enjoyable.

Humanoid Gods offers Fixed Rhythms four dark breakbeat, dubstep tinged, heavy padded stuffers from the temporal Aside. Hark!

Confronting the status quo...how can obscene wealth be more important than human lives? Where have the humanoid gods come from, and who do they serve? Did we create them? Are they a construct of our own imagination and desires?

Extraterrestrial transmissions cut to Earth's club-preferred loudness, replicated on 300 copies of 12" black vinyl.

MASA 003 is Natural Language’s first solo edited work. This young and creative producer from Andalusia touches the soul with 6 passionate and energetic journeys in which Andy’s different emotional flows over the past year are portrayed through “melancho-aquatic” landscapes and electro-break vibrations.

The 5th release from Drifted comes through featuring Anna Wall & Corbi who have collaborated for DR005 and it’s a banger.

The release opens with the title track, "Satellite", a thumping 4x4 style club cut that immediately sets the tone for the rest of the EP. This track has a relentless beat that will keep the club jumping. "XTC" follows on the A2, a composition that showcases true rave textures. On the flip side, "Mind Sweeper" is a real bad boy that is sure to melt the dance floor. Rounding off this latest output on the London based imprint is "Basement Damage", a beautiful atmospheric design with fierce break drums.

This EP is a true testament to the power of collaboration and creativity in the

Farron enters faster territories on this record, telling the story of the hunt after the mysterious jade antique that is hidden in the infamous 'House Of Traps'.

After entering the house, one already feels the oppressive atmosphere. The ubiquitous feeling of not being welcome here is obvious when the golden walls invert and you come to face countless swordsmen ready to attack. The vigorous atmosphere of 'Penny At The Chain' boosts up your confidence for what is about to come.

But what if the intruder is skilled in kung-fu? The mob retreats automatically and bars of iron come down to confine you. 'Wilshire 1015' and its driving bassline, warm pads and whirling breaks will calm you down a bit. But what's next?

In the twinkling of an eye, a field of razor-sharp nails come through the floor that you are standing on, and the escape route up the stairway becomes perilous as the stairs suddenly form into an array of sharp blades. 'Hiatus Phase' keeps you focused and light-footed, so you can manage the jump up to the next floor.

However the next stirring event quickly follows. The moment you feel safe, a giant golden net unexpectedly launches from every direction and traps you in the middle of the room, hung over the floor. As if this wasn't enough, the mob is rushing back again - armed with bows and arrows. But the varied atmosphere of 'All In CST', its floating pads and filtered breaks energize you, and so you are able to make a getaway from the most lethal attack.

After dodging the giant blades suddenly swinging in from each side, you are finally there. The golden cage and its arcane content. The warmth of 'Conback' and its sparkling pads slowly fill the room as you open up the cage. Another trap, or a bright future? Find out...

To describe an album as "electronic music" has long been an understatement. "Romanticismo siempre" is a good example. Recorded mainly using synthesizers, the album travels a territory that borders on the experimental and the dancefloor, entering at times in both fields.

Andrés Téllez, Delone, states in its title a clear commitment: "an ode to life, to never lose that passion that is the engine that pushes everything, no matter how many obstacles there are along the way, such as love, madness or death". The need to express this is at the origin of the record.

His musical language is rich and varied. Among synthesizers, analog experimentation, drones and psychedelia, many of the subcultures that have shaped what was once called "electronic music" appear. Flashes of trip hop, new age and proto-electronics are amalgamated throughout the album, together with hints of mutant house, breakbeats, IDM and trance. Other genres peripheral to club sounds, such as post-rock or kraut, also appear.

The idea of creating something that could almost be considered a soundtrack is present, but Delone's singularity has taken the album down a different path, using his own musical vocabulary to articulate a narrative that leads him towards his desired destination, keeping experimentation and dance culture, constants in his career, very much in mind.

In 2014 and together with his partner and friend Carlos Trujillo, Andrés created Riverette, a record label that became a record store in the center of Madrid, with his studio in the basement. From there he unleashed his productions as Dos Attack and his first works as Delone. Riverette quickly became a key creative pole in the Spanish electronic underground, and the label has released records by Legowelt, Kornel Kovacs or HAAi.

Throughout the eleven tracks of "Romanticismo siempre", a story materializes in which the protagonism falls on the adrenaline of passion. Through a very personal sound, with a certain introspective vocation, Andrés tells us a wonderful tale with the help of exquisite arrangements and a rich expressiveness.

"Romanticismo siempre" is a polyhedral album that can change with every listen, with every track, and reinterpret itself almost with every playback. It is a complex record, delicate and full of nuances, at the same time charged with a powerful and primitive energy.

2024 Repress

Pilot is one of the many labels in the orbit of the unstoppable production force that is Burnski aka garage innovator Instinct. It deals in proper club tackle from a wide range of artists and here it is Hatori Hanso that offers up the brilliance.

'Hardcore' opens with old school ragga vocals and crispy breakbeats that bring the rave, new school style. 'Cherry On The Cake' is a lively house cut littered with James Brown samples and screwy synths that keep the pressure on. 'Don't Know Why?' is a more cool and breezy tech house cut with sci-fi designs then 'See You On The Other Side' shuts down on a deeper tip.