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Special Offers
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- A1: Horace Andy - Drop Off
- A2: Wayne Chin - Won't Do For Love
- A3: Milton Henry - Make It Right
- A4: Jerry Harris - A Little Love We Need
- A5: Chris Wayne - Streets Of Africa
- B1: Horace Andy - Dub Out A Sound
- B2: Jackie Mittoo - Sorrowful
- B3: Chris Wayne - Wild Goose Race
- B4: Chosen Brothers - Majority Rule
- B5: Milton Henry - Now You See The Scene
2025 Repress
10 song LP in 2-sided hand silkscreened jacket; blue or green print.
Three tracks previously unreleased.
New compilation and long overdue next entry in the long running 'Jah Children Invasion' compilation series! This volume focuses on Wackies' foray into digital reggae, with a killer selection of tracks from the late '80s and early '90s. There are three previously unreleased tunes alongside seven others culled from prior rare and long out of print releases. In DKR style this comes in a 2 sided hand silkscreened jacket.
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Deutschlands bestgehüteter Progressive-Metal-Geheimtipp DISILLUSION wird am 26. April 2024 sein von der Kritik hochgelobtes Album "Back To Times Of Splendor" in einer 20th Anniversary Reissue Edition über Metal Blade Records wiederveröffentlichen. Das Album wurde von Tony Lindgren in den Fascination Street Studios neu gemastert und enthält zwei Bonus-Live-Tracks sowie die 2002er "The Porter"-EP, die bisher noch nie auf Vinyl veröffentlicht wurde. LIVE: 07.05. - Basel (CH) Rockfact.
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‘Minnet’ is Moonilena’s debut full-length LP, following her EP ‘Tiny Portals’ released by Huntleys + Palmers in 2021.
The record almost comes across as a long-form piece split up in smaller parts, constructed with layered harmony, synthesis experimentations, field recordings and sound design. The material journey through numerous states of mind and there is definitely a narrative in disarray here – sometimes melodic and vaguely warm like tuning in to someone’s faded emotions, sometimes cold and minimalist, like you ended up in some long-forgotten dormant memory of a digital archive.
Composed, recorded and produced by Marlena Salonen in Stockholm 2021-2022. Front cover art by Lisa Liljeström. Mastered by Johannes Ahlberg.
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Features
Portable turntable for vinyl lovers & scratch artists
Mobile fun with your turntable, anywhere you go
Outstanding for mobile scratching and cutting
Out of the box: comes with 7'' scratch vinyl, pre-installed 45-mm-crossfader & cartridge, integrated speaker, Bluetooth audio receiver, USB recording function, slipmat, and dust cover
High-grade 7''-scratch-record: professionally recorded samples for scratching and beats for juggling
Bluetooth audio streaming: wireless streaming of music or beats to the device
Smart USB recording: direct recording of scratches & cuts to USB in MP3 format
Can also be used for digitizing vinyl
Integrated speaker on the turntable's left
3 selectable speeds (33 1/3, 45 & 78 rpm)
Extremely stable tone arm with transport lock
Cartridge with excellent tracking features
Precise 45-mm-crossfader with two-rail glide technology
Crossfader can be installed on preferred side (both-way)
Two headphones connections for listening and monitoring
AUX input facilitates connection of several turntables (daisy chain)
Easy battery charging via USB PSU or USB power bank (sold separately)
Installed start/stop button
Precise speed adjustment via pitch control with +/-20 %
Tone control to adjust low frequencies by +/- 10 dB
Volume control for AUX input and master/headphones
Power LED indicates the turntable's operational status
7'' record puck adaptor with holder
Anti-skip rubber feet for secure stand
Especially sturdy and portable shape factor with optional battery operation
Additional protection thanks to dust cover; can be transported via carrying handle when closed
Locking of dust cover for safe transport
Can be operated with regular USB PSU (5 V, 2 A), USB power bank or batteries (sold separately)
Batteries can be inserted into battery compartment on the device's bottom 2x Li-Ion 18650 (sold separately)
Incl. 7'' scratch vinyl, pre-installed cartridge, slipmat, dust cover, puck adapter, USB cable, instruction manual and Super Spin Duck Looper app
Technical Data
Belt drive
Inputs: AUX 3.5 mm stereo, Bluetooth audio
Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
Recording format: MP3 with 192 kbit/s
Recording quality: 16 bit / 44.1 kHz
Battery type: 2x Li-Ion 18650 (batteries sold separately)
Power supply: 5 V, 2 A micro USB (PSU sold separately)
Dimensions: 370 x 95 x 260 mm
Weight: 2 kg
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shipping to EU only !
The industry standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound.
With its solid construction and easy to use interface, the 92 is on the riders of most of the world’s top DJs and is a permanent fixture in the booth at many of the biggest superclubs.
The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters.
With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ’s dream tool.
Features:
• 6 dual stereo channels – 4 phono/line, 2 mono/mic or stereo return
• 2 independent stereo mix outputs
• 2 aux sends for output to external FX units
• VCF system – 2 independent stereo filters with frequency and resonance controls
• 2 independent LFO’s for filter manipulation
• 4-band EQ – total kill on HF and LF, wide Q for cut, narrow Q for boost
• Booth output – dedicated output on TRS jack
• MIDI values can be output from 6 controls (e.g. crossfader, LFO)
• P&G easy change professional VCA crossfader
• Illuminated lightpipes showing status of performance controls
• Intelligent cue for pre or post EQ monitoring
• Monitor section includes post EQ switch, split cue and mix to cue balance
• 2 headphone outputs (1/4” and 3.5mm)
• Ducking control on mono/mic channel
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EN: suitable for our record washer Disco-Antistat art. no. 1300001
incl. single adapter
without sealing ring!
DE: Etiketten-Dichtschale passend zu unserem Schallplattenwaschgerät Art.-Nr. 1300001
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(comes with a poster) The Klein blue horizon, gliding seagulls, a ferry purring between two languid islands, dotted with ultra-white villages and ancient ruins... These idyllic visions run through Glika, the ultimate musical project of Les Cyclades. An exciting electronic odyssey from West to East, from Belgian effervescence to Greek mysticism.
In 2020, confined to the neighborhoods of Yser and Mystère in Brussels, Alex and Ludo dream of Greek islands, of scorching sun on their skin, of salty baths, chilled ouzo and braised octopus. But everywhere, time stands still. Must one necessarily move to travel? To levitate? In the absence of Elsewhere, the Franco-Canadian duo will compose the imaginary soundtrack to their escape.
Glika (which means "sweet" in Greek) perfectly synthesizes the musical influences of Les Cyclades: a cosmic saxophone inherited from Alex’s dub and free jazz past, an architect-pastry chef-botanist from Normandy, and Ludo’s "Balearic" tracks, a musician-performer-wine lover who frequented his first raves in 1995 in Houston, Texas.
From a hedonistic encounter on a friendly terrace in the 19th arrondissement of Paris to their chosen exile in Brussels, these hypersensitive jacks-of-all-trades first danced and mixed records. Before creating their own phantasmagorical sonic territories, where cinema and poetry meet more or less human voices, brass instruments, synthesizers and analogue drum machines.
A searing fragment of Greek filmmaker Theo Angelopoulos's "Eternity and a Day" preludes Glika. Then, on Yser Mystère - the names of the two stations on tram 51 that physically linked Alex and Ludo's psyches during the lockdown - Alex's astral sax balances out the industrial mechanics of a locomotive, against a backdrop of urban soundscapes.
And then a rising bpm dominates Alocasia, with its deep and sensual light foot. So sunny. From one track to another, there are interludes influenced by Xenakis, Vangelis and Jean-Michel Jarre. Seminal heroes of the Cyclades... But soon, the duo unleash hostilities at the helm of Epigone, their meta-techno anthem. "I know", "You know", echoes Alex.
Laughs of friends, "mouth noises," and "bizarre rhythms" still dominate Parc Fou, while DRAM eyes the minimalist techno of Detroit. So dear to Ludo's heart... And what about PAME, that post-modern Greek epic.Or Glossa, a timeless track that finishes with a fascinating - because diffracted - elegance, this multi-sensory journey through Les Cyclades. Let's close our eyes. Silencio! Hay Banda!
By Eléonore Colin, journalist (and friend!!)
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Schlichtes und stabiles Aufbewahrungssystem für LPs. Die Record Boxes sind aus solidem MDF-Holz gefertigt und sind in unbehandeltem beigem Holz und in schwarzem oder weißem Shrink-Wrap Finish erhältlich.
Features
*für bis zu 55 Platten im 12" Format
*Kombisystem: problemlos stapelbar mit anderen Glorious Record Boxen
*optisch abgestimmt auf die Glorious Mix Station und Mix Extension
*erhältlich in unbehandeltem beigem Holz, mit schwarzem oder weißem Shrink-Wrap Finish
technische Daten
*Material: MDF-Holz
*Maße: 93 x 355 x 340 mm
*Gewicht: 5,0 kg
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Our friend from Tbilisi joined Sweaty Bull label with his release called Magma EP, welcome on board Toke.
Mastering by Kirik
Vinyl only
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Limited to 300 copies only! A-side taken from soon to be released LP Quonk! B-side exclusive to this release! 'Things May Happen' is being released as a single. What inspired you to write that song? Slimy - The extraordinary lightness of being ... just the path and what's on it. Marty - This is Toad's one and it's a cracker. Johnny turned 70 last year, celebrating in style with a gig at London's 229 Venue. Some people have said it was the best Moped gig ever. How was it from your point of view? Slimy - I thought Johnny's birthday gig was a rip-roaring success _ I enjoyed it _ The next Moped gig will be the best Moped gig ever and the one after that ... Marty - It's not the best gig as far as how we performed. But as far as the turn out and the size of the crowd that came along to celebrate Johnny's Birthday it was the best vibe of all the gigs for certain for me. This year marks the 50th year of Johnny Moped. What have been the high (and low) points for the band in the last five decades? Slimy - The constitution of these thoroughbred punk rockers is testimony to getting up and rocking out _ Johnny is not stopping he's class. Marty - I've only been in the band since 2017 and before that was the driver and shit carrier and before that a fan and also the band are my mates. So not one low point for me at all. You'll be back out on the road this summer. Any message for fans who'll be coming to see you? Slimy - You better believe it! You enjoyed that you bums or I'll kill you! Tomcats! Marty - Be afraid. Be very afraid.
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Excelsior Ruth is a composer, DJ and producer born in the North-East of England but who currently resides in South London.
On her eponymously titled debut, she combines a life-long love of euphoric trance with echoes of her live performances as exlRuth, which incorporate sound recordings, drone, traditional choral music and the makina backdrop of her youth. Embedded in community heritage, it’s a record that probes connections between the classical and contemporary.
Gossamer harp drifts across time on ‘Haunt’, leading to the affecting arpeggios, strings and high BPMs of ‘Dream Of Night’, programmed, as much of the EP was, on classic 90s synthesisers, including the Roland JP8080 and Quasimidi Rave-0-Lution 309. Drinkwater’s ‘Dawn Return mix’ reduces ‘Dream Of Night’ down to a moment of 6am E-motion, limbs weaving through dry ice like mist on long-forgotten moors.
A cathedral of angelic voices swells in ‘Dream Of You’, their hymn to oceanic feeling rooted to earth by a raining cascade of kicks. And ‘Sleepy Hollow’ journeys further into deep, unspeakable bodily knowing, pushed and pulled between propulsion and stasis as fizzy high hats and restless melodies weave through shrouds of ambient pads.
Words by Joe Roberts.
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Lurka is back on his own label Damage which is a place for harder-edged sounds and here includes remixes from Ossia. The one original, 'Red', is a thrilling rhythmic workout with a skeletal kick drum pattern that is broken and loopy, and deft percussion layered in over the top next to wet synths and undulating bass. Ossia's first rework spins it out into a more distorted and manic cut fizzing with static electricity while the second is slightly more paired back but no less menacing. This one has been mastered at Scape in Berlin and is mad limited to just 100 copies so do not wait around.
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Aerials live, dials tuned, Transmission Towers broadcasting. On either side of the river Mersey, transcendental communications are traded back and forth. Two late-night revellers, one firing messages filled with music, the other returning them laced with lyrics. The result, a dopamine hit of oddball machine soul, melded with a highlife, Afrofuturist touch. Wonky and murky yet deeply emotional, Transmission One, is a debut album that also marks the first release on Luke Una’s É Soul Cultura label, encompassing expertly the off-kilter atmosphere the label sets to orbit.
A synthesised landscape with a Northern charm, Transmission Towers marry the musical worlds of two artists that last collaborated over a decade ago. 10 years have passed, lives have been led, but a gravitational pull has placed Mark Kyriacou and Eleanor Mante back in each other’s spheres on opposite sides of the city of Liverpool. Energised with a newfound desire to strip it all back to the sounds that influenced their formative years in the late ‘80s and ‘90s - astral travelling, intoxicated on Motor City techno, Black Dog IDM and mystical Sun Ra.
Mark half Irish, half Greek Cypriot, Eleanor half Nigerian, half Ghanian, the music contained within is an alchemy of those roots and the pivotal acts that buried deep into their minds. A cosmic contrast, part machine-made, part distinctly human. Take the opener ‘UP’, an ESG-channelling, sci-fi punk beatdown or the polychromatic hyperspace anthem ‘Roller Skater 23’.
Transportive throughout, you ride the solar waves, pace and emotion ebbing and flowing. Tracks like ‘Go Slow Heart’ and ‘Cosmic Trigger’ step to a slower beat but hit with a punch. The former, a slo-mo blast of celestial tenderness, the latter an otherworldly, chugged-out lunar excursion, micro-dosing on whacked-out Wah Wah and Eleanor’s ethereal vocals. Beaming love letters to space and back, ‘Sparse’ marries the organic with the artificial, pianos and percussion circling around synth pads and broadcasting bleeps.
Elsewhere, vibrations move faster. ‘Mega’ strikes, fusing sonic tribalism with psychedelic swirls, as ‘Everything’ sweeps you up in its extra-terrestrial new wave grip. Synth stabs and basslines fizzing from every angle.
Demos of Transmission Towers music surfaced on Luke Una’s radar, making him stop in his tracks. Something magical was emerging, perfectly aligned with the E Soul guardian’s tastes. Guidance followed, quickly turning into conversations about Transmission One becoming the first release on Luke’s own label.
Escapist and futurist yet grounded and relatable. Transmission One is synthesis meets sentiment with a deep, spine-tingling soul at its core.
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'Yö näkyy' comprises of 2 longform pieces where a minimalistic approach takes a central place. Short snippets and longer waves gradually go back and forth and slowly build up spaces where the listener can settle in easily. The touching softness of his work does the trick again and depicts the unique voice of the artist.
Olli Aarni is a sound artist living in Helsinki. He graduated in the Masters of arts in 2016 while he was already releasing his first work through labels as Sunshine LTD, Cotton Goods, Preservation among others. Throughout the years, Aarni has performed his music worldwide and held residencies at acclaimed places like Q-O2 (Brussels), EMS (Stockholm) and WORM (Rotterdam). Besides music he also makes video’s and writes poetry.
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Nuira is the joint project of Italian producers Giovanni Petruzzelli and Michele Lamacchia.
The 6-track strong mini LP called "For Unconventional Ears LP" is a homage to old school drum and bass and breakbeat, while also taking influences from more modern breakcore, culminating in beautiful and blissful breaky bassiness.
Hard-hitting yet romantic tracks invite you on a dreamy ride into the past, present and futu-re! A record to brighten any listener's horizon…
All tracks written and produced by Giovanni Petruzzelli and Michele Lamacchia
Mixed at acustic sound studio (Bari - IT)
Special thanks to Marco Squicciarini and Nicola Loporchio
System Error MM GmbH, Berlin, Germany, Earth © 2024
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" Official reissue of a German pop rap obscurity in addition with a bombastic HADE rework. Comes in picture sleeve with the original artwork. Limited to 300 copies.
The project fes consisted at its core of Fred Schwalbacher and Herry Schmitt. Their impetus was to combine the local dialect of the German Saar area with modern musical styles. After a full length release in 1984, the single 'Altstadtking' was released in 1986.
At that time musicians were encountered with rap music and some experimented with and included it into their musical output. 'Altstadtking' (old town king) is the result. The old town part of Saarlouis was a mecca for all kind of braggadocio back then, it was all about seeing and beeing seen. This tongue-in-cheek song is the story of a man showing off and bragging at nighttime while living an ordinary life at daytime.
For the flipside jack of all trades and any-bpm-powerhouse HADE (baumusik, OYE Records, Razor-N-Tape) did a stunning rework. He chopped and cooked down all instrumental parts of the original into a new dub version, added keys & bass on top and an extra punch to the mixdown for his vision of a dancefloor-ready 'Altstadtking'.
Rock it! "
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TUNEZ005 coming through with 4 absolute beast tracks from the talented producers Obsidian. Dreamy panpipes, sneaky breaks and thoughtful pads make up this record which is full of feeling from the French collective.
For your listening pleasure
All tracks written and produced by Gaétan L’Hévéder, Théophane Wallerich and Philippe Pige.
Mastered by Analogcut in Berlin.
System Error MM GmbH, Berlin, Germany, Earth © 2024
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Hyper Records is an original South London jungle label from the early 90’s which was run by DJ Freaky since 1990, releasing early rave inspired tracks all the way through to drum and bass. Around 2000 the label retired and the music packed away on DAT in various boxes.
But thanks to a link from Monita of Skeleton Records, Vinyl Fanatiks managed to track down DJ Freaky who still had the DATS neatly packed away and a label collaboration was formulated.
First release is this 1993 collab by Freaky with Panik featuring the amazing ragga vocals of Sleepy Ranks. This is the true origins of jungle music from London, raw, rolling with heavyweight ragga vocals. A total box ticker for any collector or recent convert.
Only 350 pressed on an incredible marbled vinyl.
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The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.
Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal ½"-mount headshell.
Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable which supplies a strong 5.5 mV phono output.
Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
Experience high-fidelity audio and professional DJ performance
Direct-drive, high-torque servo motor with speed stabilization
Fully manual operation
Adjustable dynamic anti-skate control
Selectable 33/45/78 RPM speeds
Professional anti-resonance, mass-damped, die-cast aluminium platter with felt mat
AT-HS6 universal ½"-mount headshell and AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus
Balanced S-shaped tonearm with hydraulically damped lift control, height adjustment, and lockable rest
Dedicated phono-level output (5.5 mV)
Stroboscopic platter with speed indicator
Forward/reverse operation and variable pitch control with quartz speed lock
Retractable plug-type target light for easier cueing in low light
Damped base construction for reduced low-frequency feedback coloration
Includes: detachable RCA output cable (dual RCA male to dual RCA male), power cable, 45 RPM adapter, counterweight, felt mat, and removable hinged dust cover
Turntable
Bauart 3-speed, fully manual operation
Motor High-torque DC motor
Antriebsart Direct drive
Geschwindigkeiten 33-1/3 RPM, 45 RPM, 78 RPM
Plattenteller Die-cast aluminium
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The long sold out ‘Choose Your Own Adventure’ inspired album available on vinyl again
Dream Division presents an album of reptilian synthesiser psych 'Legend of Lizard Lake' takes the listener on a journey with its fantasy inspired soundscapes with brooding electronics and psychedelic guitars building on an immersive Dungeon Synth backdrop. Pressed on 180gm ‘Poison Dusk’ vinyl, in a mirror board sleeve
For fans of John Carpenter, Goblin, Dungeons & Dragons
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Zingiber Audio unveils his next vinyl release #12 with a split VA by label boss COR100 and UK duo Acanalar. Don’t sleep on this one ! Only a few limited copies of this exclusive ep.
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*”Transcended Before Me” featuring Horace Andy takes us deep into the universe. Icey, blue, dreamy, hypnotic,
*The song features soul singer Horace Andy who sings from his heart about how “the things you love the best, never ever stay, you try to hold onto it, it slips away…” Emika’s repetitive “come, come, come” sonic hook guides us through and epic journey of transcendental woosh sounds,
*Beethoven-esque piano bass stabs, symphonic synth harmony, and in unforgettable marching beat and puts hip-hop, trip-hop and techno into a new dimension.
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The limited 7" edition of Marine Eyes' latest full-length ambient record 'To Belong' hears a distilling of the original fourteen-track record down to just four selections. Though every track on the digital version of the album works in its own right, the choice on offer here - 'Hushed', 'Of The West', 'Bluest' and 'Call & Answer' - are particularly deserving of the study on wax. Something static, nigh time-crystalline is achieved on the B2, with its held root note evincing something of the quality of an infinite dream; the A1 recalls some mix of DJ Healer, Malibu or David Motion with its three note tenor-pad lilt; the A2 gets at the best of both worlds, sounding like a paradisiacal bathhouse vision set in slow motion; the B1 is the tensest, opting for a moodier key, but its reversed guitar taps and sustained choir-synth working in a no less lachrymose aesthetic.
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12" + 7" by Yoshi from Libertine!
Nice collaboration with Rio Velestri on A2. Hot!
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- A1: Outside (Feat. Lila Iké) 04 18
- A2: Crown 03 38
- A3: Blood In The Streets 03 57
- A4: Continent (Feat. Jesse Royal) 04 00
- A5: My Son 03 53
- B1: Wrath (Feat. Kabaka Pyramid & Capleton) 04 05
- B2: Ocean 03 25
- B3: Stormy Nights 03 19
- B4: History Of Violence (Feat. Mortimer) 03 42
- B5: Jah Love 04 02
- B6: Harvest 03 43
Samory I's solo debut album, ''Strength' on Overstand Entertainment/Easy Star Records is helmed by prolific reggae producer Winta James (Protoje, Chronixx, Damian Marley) and features guest appearances by Jamaican reggae artists Lila Ike, Jesse Royal, Mortimer, Grammy-winner Kabaka Pyramid, and Capleton.
Samory's career has been on the rise in recent years after his collaborative album 'Black Gold' (2017) with Jamaican producer Rory "Stonelove" Gilligan, which helped make Samory a household name in the reggae world. The breakout single "Rasta Nuh Gangsta" from this rich opus of conscious Rastafarian declarations has over 10 million views on YouTube alone.
Since then, Samory I has landed features on two Grammy-nominated reggae albums, including Jesse Royal's Royal (2021) for their collaboration "High Tide or Low," and Protoje's album 'Third Time's The Charm' (2022) for the closing track "Heavy Load." In 2022, Samory I released "Life Is Amazing" feat. dancehall star Chi Ching Ching and "Love and Mercy'' off the 'Gratitude' Riddim EP (produced by Winta James), which became one of his most streamed tracks to date.
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Tony Neptune continues the story of Yuri Gagarin, the fabled cosmonaut and explorer who tragically died in 1961. In the third of these odes to Gagarin we join our Hero after escaping the city of Toierra drawn by a mysterious pull he tries to find help and allies to bring down the Clinks and save his friends.
From the mind bending warping techno of Gradual Internment to electro with a big Detroit flavour in Rem Katar there’s real dance floor numbers here, interspersed with mellower organic tracks to cap off a varied melodic release.
As usual the artwork has been designed and painted for the release by Sam Jefferies with the tracks acting as a soundtrack to the cover image. An insert containing the story accompanies each copy of the release with a print of the original pen and pencil design on the flip.
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Sissi Rada's humble manifestations of the miracle of life, the troubles of love, the thoughts that span through a human mind while performing simple tasks, educated by her love and natural inclination to poetry, read like small vignettes, or marginalia notes on a diary that is of constant flux.
Recorded, mixed and produced by Sissi alone, in her Athens’ home, using a spartan but powerful instrumentation of harp, a Prophet synthesizer, and first and foremost her intimate and enchanting voice, Aporia’ stands out with its simplicity and familiarity, like a page out of a diary, shared with a blush and a witty smile."
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Steyoyoke label head Soul Button introduces "Master Minds," his second official album, now as a special double vinyl release. This collection brings the ethereal realms of melodic techno to life, showcasing Soul Button's unique artistry. The double vinyl features standout tracks that blend atmospheric depth with rhythmic precision, offering a profound exploration of life's destined paths.
Each track is a meticulously crafted piece of the grand destiny game, resonating deeply with themes of Fate and Predestination, and paralleling the strategic depth of chess. This release connects listeners to Soul Button's visionary world and also underscores his exceptional talent in creating music that touches the soul.
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Two major players of the international dub scene unite on stage! O.B.F x Iration Steppas is the electrifying live show that brings together Iration Steppas, vanguard of dub and pillar of the UK sound system scene and O.B.F, the most warrior and prolific sound to come out of France. Mentor and disciple link up to deliver a performance that pushes dub music to new levels!
The live show accompanies the release of 'Revelation Time', Iration Steppas & O.B.F’s joint album that’s due to drop April 2024 on Dubquake Records; a project that has been in the pipeline for near a decade building up to a huge hype amongst dub-heads. An album that questions the human condition & future of mother earth, a trip into raw dub music led by the two most innovative sounds.
Uncompromising undiluted dub, designed to be heard & felt with the same level of madness with which it was crafted in the studio. And that's exactly the plan: bring the analogue console, effect racks and dub sirens to the center of the stage, live mix the tracks off of 'Revelation Time', pass the mic through the echo unit and shell down the place in low frequencies. A unique live dub show offered by Mark Iration & Rico O.B.F at the controls, Dennis Rootical on bass and vocals by Mark!
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4 years in the making, this surprise collaboration between Drop and Ashong fuses soul and psychedelia with downtempo beats.
Ashong’s continuing mission to subvert expectations manifests greatly here, but the album is full of melodic hooks, layered to infinity alongside his acoustic guitar. Meanwhile Jonny Drop quietly flips samples unrecognisable from his extensive vinyl collections and once again makes a leap forward in his production identity.
Stand out single Puzzle Dust is a perfect slice of UK soul and jazz that sets everyone up for a unique sonic experience.
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Features
NEW in the MK2 version:
Newly developed top panel and reinforced housing construction
Reworked metallic buttons with improved feel & tactile response
Precision Pitch with selectable ranges of +/-8 %
Superior finish in deep black metallic
Quartz-driven DJ turntable with direct drive
Perfect for beginners
USB audio output for digitizing your records easily
Precise motor control with 2 speeds selectable (33 1/3 & 45 rpm)
Precision-engineered, die-cast aluminium platter with stable rotation
Statically balanced s-shaped tone arm with hydraulic lift and anti-skating - mechanism
Universal connection for pick-up systems (SME)
Extendible needle illumination
Built-in phono pre-amplifier (no grounding necessary)
Switchable phono and line level output
Shock-absorbing feet for vibration isolation
Sturdy, heavy construction with optimized damping features
Prepared for dust cover (available as optional accessory)
Incl. platter, OM Black pick-up system (by Ortofon), headshell, slipmat, counterweight, power cord, operating instruction manual
Technical Data
Turntable:
Type: direct drive turntable
Drive: quartz-driven direct drive
Motor: 8-pol., 2-phase, brushless DC motor
Turntable speeds: 2 speeds, manual (33 1/3, 45 RPM)
Starting torque: > 1kg/cm
Brake time: 50 dB (DIN-B)
Brake system: electronic brake
Platter:
Material: aluminium die-cast
Diameter: 332 mm
Tone arm:
Type: universal, statically balanced, s-shaped
Effective length: 230.5 mm
Overhang: 16 mm
Tracking angle error: < 3°
Applicable pick-up weight: 3.5 – 8.5 g (incl. headshell 13 – 18 g)
Anti-skating range: 0 - 7 g
Connections:
1x PHONO/LINE out (gold-plated)
General:
Power supply: AC 115/230 V, 60/50 Hz (US/EU)
Power consumption: 13 W
Dimensions: 450 (w) x 352 (d) x 144 (h) mm
Weight: appr. 6.76 kg
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In 1967, Disperú commissioned trumpeter Toño Reyes to form a band and record an album with a series of songs that reflected the latest tropical music trends, in his own inimitable style. “Mister Boogaloo” combines the influences received from the likes of Mexican drummer Leo Acosta and the emerging Nuyorican boogaloo scene. First time reissue, including its original striking psychedelic artwork and remastered sound. In the few years that the Disperú record label was operative, it managed to open its doors to emerging artists, who were often ignored by the major labels but would go on to leave their mark on Peruvian popular music. In 1967, Disperú commissioned trumpeter Toño Reyes to form a band he called Toño y sus Sicodélicos. During the recording sessions for this album they performed a series of songs that reflected the latest tropical music trends, in his inimitable style. Instrumentals such as 'Mr. Boogaloo', 'El Guayacol', 'La Anticuchera', 'La Peinadora' and 'La Fiesta es Mañana' are versions that follow the lines traced by the Mexican composer and drummer Leo Acosta. In the early sixties, based in Los Angeles, Acosta played with the orchestras of Harry James, Sammy Davis Jr, Tony Bennett, Herb Alpert, and Dámaso Pérez Prado. Mid-decade, Acosta turned to the novel sounds of boogaloo, which immediately caught the attention of young South Americans. The song 'Borinque Bella' is another cover version, originally recorded by The TNT Band, based in New York. Another noteworthy influence on the album is the blind Venezuelan organist Tulio Enrique León, who performed cumbias and guarachas enhanced by his Hammond organ, as is the case of 'Chin chin'. Songs in vogue at the time complete the album. The best known is perhaps 'Es la Lluvia que cae', popularized in Spanish in 1967 by Los Iracundos. ‘Tequila' and 'No te bote', by The Champs and
Sonora Matancera, respectively, were also classics on Lima's radio stations. 'Las hojas secas', by the Mexicans Los Zignos, was so popular that it was even covered by Peruvian rock groups such as Los Steivos and Los 007. The success reaped by Toño y sus Sicodélicos took them straight to another record company, and the group’s records were also re-released in neighboring countries, always with striking psychedelic cover illustrations. First time reissue!
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Limited Natural w/ Black Swirl Vinyl 7". This new 45 from Karma Chief Records showcases two tracks from Pale Jay's latest LP, Bewilderment. The A side, In Your Corner is an Afrobeat inspired song that addresses a conversation with the self. An uplifting tune at first glance, the lyrics lay bare the internal struggle for self-acceptance. The song explores the push and pull between self-love and self-judgement that can often leave us feeling lost and uncertain. The B side and title track to Pale Jay's latest LP 'Bewilderment' showcases the main elements of his unique sound palette: silky falsetto over soulful harmonies and dusty hip hop beats. 'Bewilderment' tells the story of the disintegration of a family, creating a captivating and soulful musical experience and a journey into self discovery.
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On Stock and ready to ship
In Zeiten, in denen Alle Mainstream sind, ist es nicht leicht ein Underground-Musiker zu sein. Vor allem, wenn man davon leben wollen muss. Der Leipziger Musiker Josen Bach ist so einer. Seit Jahren erfolgreich unter dem Radar!
Er verdient seine Brötchen als Schlagzeuger, als Theatermusiker und jetzt neu: Als Bandleader seiner eigenen Band DIE QUITTUNG. „Einfrieren“, so lautet der Titel des am 24.11. erscheinenden Albums, ist bereits das zweite Album von DIE QUITTUNG, allerdings das erste auf dem Berliner Label staatsakt.
Die Produktion für „Einfrieren“ ging während der Pandemie los und ist nun endlich pfannenfertig gemischt und gemastert. Selbstverständlich wird sein neues Label nun alles dafür tun, DIE QUITTUNG so breit wie möglich im Mainstream zu etablieren! Bald ist es vorbei mit dem Untergrundlegendenstatus. Nur noch mit Sonnenbrille zum Bäcker.
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