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Alexis Georgopoulos / Jefre Cantu-Ledesma - Foreign Affairs (Woo & Felicia Atkinson mixes)

Emotional Response is delighted to announce Foreign Affairs - a limited edition special remix 7-inch single featuring reworks from Alexis Georgopoulos & Jefre Cantu-Ledesma's "Fragments of A Season" album by Woo and Felicia Atkinson.

Last year's ""Fragments of A Season"" represented a unique chapter in both artist's canon. Georgopoulos, who released the Arp album "Zebra" in June this year and Cantu-Ledesma, who released "On The Echoing Green" in October 2017 - both on Mexican Summer and to critical acclaim - wanted to stretch out and create a discrete work. A peripheral listen to "Fragments" revealed a resonant album of delicate, ambient vignettes, suggesting a Balearic take on Vini Reilly, Young Marble Giants and other poetically-minded, minimalistic post-punk era bands.

The Brothers Ives aka Woo were a major influence on the album's makers and so AG and JCL are thrilled they've submitted a beautiful reworking of the album's "Marine". Whereas the original sounded like Marine Girls and The Gist getting together for a nice beach day jam, Woo's rework transforms it into pulsating track of glistening proportions. Percolating synths, some guitar and clarinet - the true classic, idiosyncratic Woo-ification - creates a woozy, romantic, impossible to categorize slice of Balearic meets dub atmospherics.

If "Marine" is all midday sun, intoxicating and potently optimistic, Atkinson's remake represents the literal and figurative flip, bringing out the overcast dreaminess to "Cleo". Sounding like an outtake from a Rohmer film, or perhaps Cocteau Twins and Broadcast having a picnic in Biarritz, the version veers between abstraction, celluloid ambiguity and suggested narrative. Atkinson's reworking adds poetry of the tune (quite literally!) with her soft vocal under-gliding to perfection. Representing a temporary idyll, a meeting point where cobblestone streets lead to the sea. At nightfall, a discotheque heard in the distance. The morning mist burns off. Only such memories remain.

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Ültimo hace: 7 Años
Celine Gillain - Bad Woman

Though highly contemporary Bad Woman is an album that takes Pop music back to a time when lyrics where more than esthetic gimmicks. With Céline's music, one cannot avoid to listen to what she has to say. To be honest we've not been struck by lyrics as much as with this record for quite a long time, and it keeps on growing.
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Bad Woman can be seen as a mutant blend of everything that's been produced by the music industry these last 30 years, from Cher's delirious come-back in the 1990's to the most embarrassing moments in Dance music (think Gabber and Happy Hardcore), blurring the frontier between 'good' and 'bad' taste, between commercial and alternative. Just like Cher's Believe, Céline Gillain's Bad Woman sometimes sounds like the music of a former diva who's been through tough times, saw her expectations torn apart and came back to music with a bizarre testimony of her state of mind.

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Ültimo hace: 6 Años
Myako / Aleqs Notal / Geena - Grooveboxx

Following a first compilation in 2016 and a series of parties, Rinse France & Piu Piu join forces for the first release of her own label : Grooveboxx Records.

Together, they present 'Memorias', the first EP of her new imprint.

Quite explicit through its title, Grooveboxx catalogue stands for an exploration of the grooves across its modern shapes, it embodies the quest of trance throughout music and question the body and the individuals on the dancefloor.

The first release is composed of 5 percussive tracks from producers and DJs Aleqs Notal, Myako and Geena.

All tracks are exploring samples coming from the Musee du Quai Branly's ethnos collection along with some some field recordings captured in a garden in Paris where south American tribes were exhibited during the ""Universal Exposition"" in Paris.

With Salvia Cosmica Myako takes us to a progressive voyage surrounded by all kinds of spirits whispering melodies to our soul while the tribe's marching band marks our footsteps with its strong percussions. Enter the forest.

Influenced by Chicago & Detroit, house producer Aleqs Notal graces us with a percussive jam baptized Finger Prints.
6:45 of pure rhythmics honoring the roots of the music its been sampled from. The rite begins.

La Dansa Del Risa is a conversation between birds and humans overlooking at the tension one night in the forest can impose on our western fears of nature. Stay close to the flames.

Antinote senior, Geena blesses us with Selva Spirit, a slowjam reverie filled with eerie pads and peculiar drum sequences.
We're almost there.

Last but not least, Jungla Encantada seals the EP with a deep wisdom and mastership of the jungle's best kept secrets. It's slow pace and flute melodies appease our senses while mysterious dialects becomes our native language.

The journey is complete.

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Ültimo hace: 7 Años
D-Leria - Driving To Nowhere 2x12"

D-Leria returns to the scene more than a year after debuting on Berlin-based label Delirio, releasing a collection of work produced between 2014 and 2018; ten tracks which mark a new beginning for this young Italian producer, sweeping between heavy ambient excursions to hypnotic/ tribal techno, modernized and polished off in his own way.'Driving to Nowhere' is the summation of an extended journey; a year-long hiatus due to unforeseen health concerns allowed time to meditate and consider his past experiences in Italy's various underground electronic music scenes, and the potential directions inspired by thriving Berlin.
From 2014 to 2017 he released several EP's, each developing upon this new style, until joining the young label Delirio as both a musician and a manager. With Delirio he has hosted artists such as Stanislav Tolkackev, Roberto Bosco, Plaster, Retina.it and more, with a unique agenda to record precisely produced music live, instead of laboring in the studio to achieve over-polished audio. His first album inaugurates the beginning of the new DLP catalog, which will be dedicated to LPs, albums and other projects released on 12-inch vinyl. Through these 10 tracks D-Leria experiments with various production methods, as in 'Makumba' where he precisely combines the kick drum with a tight bass line in a 12-step sequence, making the track fluid and never predictable. 'Reborn' is an even more ambitious undertaking, initially recorded on tape before being sent back to the mixer via Hi Fi stereo, D-Leria modulated the cassette coil with a bic pen to create a unique 'detune' effect. 'From the Ground' and 'Driving to Nowhere', both made through the same setup, combine tribal voices and moans, combining an ethereal ambience with drums and analog percussion, connecting the rhythm directly to the soul. The opening track 'Libero' is dedicated to himself, while 'Her Smile' and 'Uragano' are both dedicated to the person that was closest to him in his last period of stop and realization of the album, where he expresses his most deep moments in the first, and more difficult in the second.
Just like in most of the EP already released on Delirio, Giuseppe Tillieci aka Neel took care of the mastering of the tracks, while the artist has taken care of the smallest details from the production, to the mixing, to the graphics and also to the titles of the tracks, which refer to personal thoughts and events that happened during this long journey to nowhere.

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Ültimo hace: 4 Años
Bridge Guy - Nonpolar Compounds

Berlins premiere Bass Collective continue their march into history with yet another TKO vinyl from regular contributor Bridge Guy. His 4 originals are joined by an absolute hammer of Deepness from Jesse Bru who steps up to remix Psilocybin.

Bridge Guy is exploring Deeper sounds in this EP and Isopropyl opens proceedings with a trip of clattering percussion and synth work, all with a laid back slant. Deep enough for the heads but with a sound that just pulls you in.

The theme is somewhat continued in Lone Frenchman, but where the previous track takes a step to the left, The Lone Frenchman turns right and gets his rhythmic jam on. Tightening up the groove and laying the dancefloor to waste.

Psilocybin really pulls the bass and groove centre stage, bouncy and warm and with a whole load of rhythm in the boot. This one is for the turning point right in the middle of the night where things start to get a little more freaky.

Cheese on Toast, drops things back a touch. Thick tones and a more relaxing vibe perfect for losing yourself in, as the last of Bridge Guys originals rounds out a remarkably vibey EP.

Closing out the package we have Jesse Bru's storming remix of Psilocybin, easily up their with some of the best lo-fi House of the past few years. Jesse rings his own vocal work and really heats things up. Peak time killer.

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Ültimo hace: 4 Años
Various - Drowned X

Various

Drowned X

12inchDRWND010
Drowned
12.12.2018

The circus has been in town for years, now it's time to move on. But before we say goodbye, clear the ring please for one last demonstration of Bremen dancefloor madness. A fire ring of tracks by all acrobats and clowns from Drowned Records is ready to infest the record bags of deejays worldwide one very last time. Thank you for your support, it has been a great time.

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Ültimo hace: 5 Años
Romina Cohn - Let Go

International Deejay Gigolo proudly present the homecoming of the South-American Gigolo Queen Romina Cohn. After her 'I Want U' remix production from label boss Dj Hell last year, she presents now her 3 own 3 track EP called 'Let It Go". All three tracks combine an eclectic and powerful vibe with playful attitude and a homage to classic techno & rave sounds.

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Ültimo hace: 5 Meses
Various - 47.806938 / 13.058160

It has been bubbling for almost four years now inside the walls of a basement in the small-town idyll of Salzburg. Word gets around about ecstatic nights in an intimate atmosphere in the Heizkeller location of the cultural association FREAKADELLE. The monthly events held by the club culture collective, which formed in 2011, have long since become known beyond city and state borders, and so, national as well as international guest artists would frequently pay visits to Mozart town in the last years. Following the club members' wish to maintain relations to the artists beyond the fleeting transience of a night in the club, this release aims at strengthening and cementing these interpersonal ties. The compilation includes tracks by Hüseyin Evirgen aka MAGNA PIA (Cassegrain), Institut fuer Zukunft resident PERM, techno pioneer PATRICK PULSINGER and Pop theorist Didi Neidhart aka LOW PROFILER.
Limited hand-stamped 12'' edition. Comes in five different versions of screen printed sleeves.

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Ültimo hace: 6 Años
Bazza Ranks - Don't Let It Pass (feat. Dynamite MC)

Bazza Ranks & Dynamite MC return with another two track golden nugget for the Vinyl heads. After the last outing the pair notched up plays from Radio Royalty such as David Rodigan, Don Letts, Melody Kane and many more. Don't Let is pass is good advice as the last 7" sold out FAST. Available from Irish Moss Records Feb 2019.

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Ültimo hace: 7 Años
Mathew Ferness - Seasonal Companion

Mathew Ferness

Seasonal Companion

12inchFINA028
FINA
11.12.2018

Fina's next release comes from Mathew Ferness, an exciting and already hotly tipped rising star for just his second ever EP. It features three tracks that showcase his musical house style with a remix from Helsinki's Saine.

Ferness hails from a small town near Montreal in Quebec, where he was an outcast obsessed with music. With no access to record shops, parties or scenes Mathew started taking matters into his own hands DJing in his teens taking inspiration from J Dilla, he soon began producing his own beats on a sampler and drum machine.

An exploration of analogue sounds, DAWS and most recently electronic music have all lead him to the rich sound he has now. His last EP on Beat changers was championed by Rhythm Section International and Radio 1 tastemaker Bradley Zero and this latest EP is likely to prove just as popular.

Pad laced opener 'Escapade' is a summery deep house jam with breezy acoustic guitar and warm, punchy drums of the sort to get any floor cutting loose. 'Solitude' is more paired back, with thoughtful piano keys laid over deep rolling drums. There is a musical romance and beauty to the synths that elevate this one above purely functional fodder, and then 'At First Sight' awakens your senses once more with broad synth smears and perfectly rough-edged drums which create pure deep house soul.

Saine is a producer with a range that goes from hazy hip hop to dusty house on labels like Odd Socks, Andy Hart's Voyage and this one before now. After his 2017 EP Mint, he returns with a remix that is bubbly and laden with colourful melodies and open-air house grooves.
This is EP full of rich house music that is for mind, body and soul.

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Ültimo hace: 6 Años
Cardopusher - Muscle Memory

Born in Venezuela and based in Barcelona, Luis Garban aka Cardopusher has spent the last decade creating a wide variety of noisy dancefloor assaults. Although his roots lie in the breakcore scene, he's slowly gravitated toward a raw, electro-infused take on techno that is no less compelling. Along the way, he's released music via labels like Terminal Dusk, Murder Channel, Hyperdub, and Tigerbeat 6, and has also found the time to launch his own Classicworks imprint, which he continues to run alongside co-founder Nehuen. Cardopusher has also forged a relationship with German bass enthusiast Boys Noize, issuing a pair of EPs as well as two full length albums.

We are proud to present a new 6-track EP titled 'Muscle Memory' that takes the listener on a deep and gritty ride through his diverse sound, from techno to electro, acid, rave, and house. Luis is inspired by labels like Warp, Schematic, Planet Mu, Rephlex, as well as EBM and New Beat. Hard-smacking claps and raw TB-303 sequences merge with robotic vocals, solid and perfect for dark dance floors. The B-side features one track with haunting guest vocals by fellow Barcelona musician, Ivy Barkakati. Luis says the main themes of this EP are obscurity, desperation, confusion, nostalgia, escaping the world's indifference. All songs have been mastered for vinyl by George Horn at Fantasy Studios. Housed in a workout themed die-cut jacket designed by Eloise Leigh with raw acid-style mixed bold type and sporty graphics.

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Ültimo hace: 6 Años
Madisen Ward and The Mama Bear - Skeleton Crew

Skeleton Crew is the debut album from Kansas City mother and son duo, Madisen Ward and The Mama Bear. First single "Silent Movies" debuted on US broadcast television, Late Show with David Letterman. BBC Radio 1's Huw Stephen gave the track it's first play, tagging it "One of the highlights from SXSW last week". The group will make their UK television debut 1st May 2015 on Later....with Jools Holland and NME has branded the duo as "The most in-demand new act on the planet"! Now available on 12" vinyl, the CD came out on 18th May.

Reservar07.12.2018

debe ser publicado en 07.12.2018

Jonas Kopp - Iamik EP

Jonas Kopp

Iamik EP

12inchFTF001
Follow The Flow
07.12.2018

The first Follow The Flow release is produced by Jonas Kopp. "Iamik EP" is composed of four hypnotic tracks: "Iamik", "Iamik" (Fragmentor Remix), "Bangua" and "Shasta". The first three tracks of the EP mark Follow The Flow's classy and cutting-edge Techno style. The last track of the EP, "Shasta" is a timeless high quality drone track, which really puts the cherry on top of it all. The cover photo is curated by the famous Italian photographer Alessio Guarino. Follow The Flow is a multimedia project focused on electronic music and nature (botanic, entomology, ethnobotanic, etc). Follow The Flow aims to create audiovisual tools that will help people reconnect with the natural flow of things and "Rediscover Nature Through Technology", which is also the label's motto..

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Ültimo hace: 4 Años
SJ Tequilla - Moving IN And OUT EP

SJ Tequilla continues to build on his small but well formed discography with a new EP on Bright Sounds. His three originals come backed with a remix from cult producer SW. SJ Tequilla has released on his own Shot Of T imprint and DJ Fett Burger s Freakout Cult since debuting in 2017. The Japanese born, Berlin based artist is also close to Sex Tags Mania and regularly holds it down at OHM Club as well as for busking on his live, vintage hardware jams around the streets of Kreuzberg.
The opener is a six minute house bumper with a classic lead acid line and plenty of Detroit pads. The pinging analogue drums are lively and elastic while more thoughtful keys are draped over the top. SUED man SW. steps up to remix and brings a mixture of pad laced serenity old school rave basslines to his hard hitting drums. The B1 is another rugged mix of live sounding drums, acid snuggles and rueful keys while ambient synths stretch off to infinity. Last but not least, B2 sinks into a blissed out dub house vibe, rolling deep and smooth and showing off Tequilla s ability to cook up far sighted synths that have real emotion. This is an EP well school in traditionalism but that also brings some fresh skills and ideas to the grooves.

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Ültimo hace: 6 Años
Dark Division - CMBR 2x12"

Dark Division

CMBR 2x12"

2x12inchHT003
HIDDEN TAPES
07.12.2018

One year after his debut, the label Hidden Tapes is proud and pleased to present CMBM 'cosmic microwave background radiation' by Dark Division, a 2×12' inch gatefold in stores on 12 November: a techno experimental project that range from ambient dimensions to more dark and industrial techno. The release features 8 new tracks including 2 astonishing remixes.

In this new release Dark Division reaches a more abstract dimension with emerging cosmical and spacial feelings, swirling and deep sounds obtained with dark pads, disruptive deep basses, with ever present echoes and focused distortions: the entire projects sound pleasant and challenging.
It's a small journey, lasting 8 tracks, that envision a unique point of view on the scientific theory about multi-universes. His primary and essential sounds blend with other rhythmic elements. The result are rich dynamics and a unique metric structure. It takes multiple listenings to discover a complex blend of sonic fluxes.

On each record there's a remix: the first one features PRG-M, and the second features Matter. Both artists enhance Dark Division's music making this double vinyl an extremely interesting release...

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Ültimo hace: 3 Años
Jaki WHITREN/ JOHN CARTWRIGHT - That Will Be That

It is with great honour that Emotional Rescue comes back to the music of Jaki Whitren & John Cartwright for a special 7" of two previously unreleased songs on to vinyl for the first time in That Will Be That and This Time. Originally part of the International Times reissue project (ERC004) in 2013, the songs have previously only been available on CD and digital formats as 'out-takes'. However, all that time the plan was to release the songs as a stand-alone vinyl release at some point.
Discussion with John continued over the years and the plan was for a release as part of the label's fifth anniversary, until sadly the project was put on hold due to the untimely loss of both Jaki and John in late 2016. The recent repress of their masterpiece that is their privately pressed album, International Times, led to these songs being revisited for the first time since and so here at last are both available together, as much in homage to these two wonderful musicians. More than studio-plus recordings, That Will Be That actually appeared in rerecorded form on the couple's Rhythm Hymn album of 1983. Here though is the original (and superior) version, with all the hallmarks of classic Whitren and Cartwright song writing craft, musicianship and production skill. Again remastered by their son (and at the time, teenage drummer) Joby Baker, the song drips with a confidence of masters of their instruments, full heartfelt, righteous and as relevant today as then lyrics, all backed with some deep white funk and enough soul to move mountains. This is accompanied by one of their greatest compositions in the spine-tingling This Time. Only ever known on this live recording from Glastonbury Hall, Jaki's vocals and light accompaniment from John's keys let the song shine. If the sheer power of her voice and words don't move you, then something is missing in life. A pure, sad, joyous way to thank and remember this wonderful music and people.

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Ültimo hace: 7 Años
SIMONCINO - Perugia EP

Simoncino

Perugia EP

12inchLVNO16
Love Notes
06.12.2018

Over the course of their last two release, Love Notes has brought back the two artists that made their first release such an instant classic; first, Casey Tucker, and now; Simoncino, whose remix of Tucker's Affirmative Action helped to launch Love Notes onto our collective radar. Simoncino herein does what he does oh-so-well, his unwavering nod (and maybe even slight obsession) to that which came before him permeating all three tracks here. Love Note impressively shows no signs of slowing down; three years after their inception, Nathaniel Jat's imprint is closing in quickly on the 20 release milestone without even a momentary dip in quality.

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Ültimo hace: 5 Años
Fast Floor - The Last Dats 4x12"

The follow up to the Quest for Intelligence album. This collection is made up of the last remaining unreleased Fast Floor tracks salvaged from Ron Wells's DAT Tapes. Restored by the Music

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Ültimo hace: 7 Años
Neville Watson - The Midnight Orchard

Neville Watson returns to DBA with The Midnight Orchard, his first full-length in five years. Watson is a key figure on the electronic music scene at large and has made regular appearances on Don't Be Afraid, as well as on celebrated imprints such as Crème Organization, Clone and Rush Hour, where he released some of his best-known work alongside Kink.

In a crowded landscape of factory-line jack trax and synthesis for the sake-of-it, it's little surprise that Watson's physical, arresting takes on house and techno have been such a staple in the record bags of the world's leading DJs for the past twenty years. Throughout The Midnight Orchard, Watson seamlessly bridges his futurist leanings gleaned from a lifelong commitment to electronic music with the anarchic spirit of his acid-house heritage.

The record still finds catharsis in the relentless pulse that has defined Watson's life since his early residencies where he peddled ecstatic escapism to towns on the commuter belts of London, notably via his involvement in seminal Reading party Checkpoint Charlie. However, there's a more somber, arguably introspective and perhaps even somewhat wistful tone at play throughout. This might surprise those who've invested their feet and hearts in tracks with titles like Night Of The Inflatable Muscleheads and Everything I Know About House (I Learned on Facebook).

In a move away from his previous musical leanings, The Midnight Orchard embraces a distinctly more UK sound, unapologetically chronicling the paranoia that can be found skirting the euphoria of rave. And while Watson has avoided the eyebrow-arching pitfalls of the self-serious DJ full-length, it must be noted that the rhythms here are more skittering, the atmosphere less jubilant and the signature lo-fi hiss, fully popularised and bastardised since Watson's last album, has taken on a more fore-boding tone.

Meanwhile, the atmosphere elsewhere harks to a more idealistic world, particularly on the cascading and subdued Eine Kleine Emusik, and the euphoric We Own The Night. Twin Tub and Reet Dux provide dubby, sensual moments of escapism. There's uncompromising, hard-nosed rhythms on Dee Sides, and cosmic electro throughout 4am in the Trees. The album then concludes in a bold fashion with Displays of Brotherly Love and the resolutely hopeful atmosphere of Phosphorescent.

Reflecting decades of immersion in club culture and taking inspiration from wider-found sounds, The Midnight Orchard is loaded with thrilling parallels and a sense of genuine unpredictability. Tracks like Come On In and Anarcho Midnight are layered with unease, utilising pitch dark arpeggios and skittish, growling electronics to devastating effect.

Having dedicated the last eighteen months of his life to the studio, Watson has rec-orded what is undeniably the most unexpected music of his career. Amid the dark-ness, The Midnight Orchard has borne fruit.

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Ültimo hace: 7 Años
Steve Spacek - Natural Sci-Fi

Eglo Records are proud to present the second official solo album by the forward facing producer and vocalist Steve Spacek. The album, entitled 'Natural Sci-Fi' originally began production in 2005, shortly after the release of the now classic 'Spaceshift' album (which included the J-Dilla collaboration 'Dollar'), but was never completed. Over the last few years Steve has added a some tweaks and changes - including a new song and guests vocalists Oddisee and Natalie Slade - eventually finalising the project and readying it for its release in 2018. The album continues the post Spaceshift vibration of Steve's signature production style and effortless vocal delivery. Swinging spaciuosly from past to present, packed with soul, sounding as fresh and relevant today as it did when it began back in 2005.
Since the albums inception Steve has released projects with Mark Pritchard as one half of Africa Hitech on Warp, an instrumental LP as Black Pocket for his brother D-Bridge's Exit Records and a concept LP as Beat Spacek for Ninja Tune. Following a string of EP releases for Eglo over the last two years we are thrilled to finally be able to bring to you a full length release from one of the UK's most unique and talented artists.

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Ültimo hace: 5 Años
Lorenz Rhode - Belair Ep

Exactly one year after Lorenz's debut EP on Dirt Crew he is back with a super funky follow up. With the recent
'Marakuja' track on our 'Deep Love 2018' compilation he already set the tone to a much more fluid and organic live approach to his sound recording.

The opening title track 'Belair' is a heavy 'wurly' organ jam he developed mainly by playing live and afterwards finalizing it in his Cologne studio. After his recent tour and shows as part of the Detroit Swindle live outfit he really got into improvising and composing his tunes on the fly. The Funk is all over this one and it is a great uplifting 'sunny' jam to play out. Following this one is the slower and deeper 'Jubilee' that's adding even more soul to the 'Rhode' funk with an irresistible bass line and melody and when the clavinet break sets in it's nothing but Good Times on the dance floor! A certain rewind for us and favorite track off this new EP.

On the flip we added two remixes from his previous high in demand tracks 'On Top' and 'And I Said'. Lorenz has been working a lot on various projects with his good friends Strip Steve and Tensnake and both had their go on these tracks from last year. Strip Steve took the parts of 'On Top' and turned them into a deep Detroit flavored House Jam with stabby beats and beautiful strings added. Last but not least Tensnake fires up a high octane remix of 'And I Said' that leans much towards old school New York house rhythms and the additional 'Sax' topping gives it a groovy 90s feel to it. For sure bringing back that great happy and funky flow of the original.

We hope you dig this funk and soul laden EP by Lorenz Rhode as much as we do! Enjoy!

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Ültimo hace: 59 Días
Drone - Light Speed EP

Drone

Light Speed EP

12inchCOY023
Coyote Records
03.12.2018

Bristol-based producer Drone finally makes his bow for Coyote Records with the release of new four-track EP, 'Light Speed'. Written over the first six months of 2018, 'Light Speed' forms Drone's most accomplished and absorbing release to date, bringing new textures, layers and depth to his music and to the club - a space where his beats have been a mainstay in the sets of producers like Kahn & Neek since debuting on Hear Other Sounds in early 2017. A regular at Coyote's Bristol parties over the course of 2016 and 2017 and inspired by the clinical, freeze-dried grime of label contemporaries like Last Japan, as well as Sector 7 bosses Boofy and Lemzly Dale, Drone has probed, honed and developed his sound to marry the raw impact of his early beats with detailed, widescreen scope. There are nods to the soundsystem culture of his new home city of Bristol on the coarse textures and booming, dubby low-end of 'Narroways' for example, while title-track 'Light Speed' captures the icy, shimmering Coyote sound aesthetic in full view. B-side tracks 'Probiscus' and 'Fangz' continue this theme apace, bleeding into one another like patchwork to showcase a grime sound moulded by the club, but finessed away from it. Born in Hastings, Drone has spent the last three years studying Music Production in Bristol, during which time he's guested on Rinse FM, released on London's Hear Other Sounds and Boofy and Lemzly Dale's influential Sector 7 imprint, as well as self-releasing a limited edition USB - comprised of a slew of unreleased beats - in February 2018.

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Ültimo hace: 7 Años
Various (Dinosaur L / David Byrne) - Life & Death on a New York Dance Floor Part 1

For the last 20 years London-based author and party organiser Tim Lawrence has dedicated himself to excavating the history of New York City party culture and bringing some of the most powerful aspects of that culture to London's dance scene, from where it has ricocheted around the world. Having conducted the first set of major interviews with David Mancuso, Lawrence started to put on Loft-style Lucky Cloud Sound System parties with David and friends in London in June 2003. In early 2004 he published Love Saves the Day: A History of American Dance Music Culture, 1970-79, which tracked the influence of the Loft on the wider New York DJ, dance and disco scene. In 2009 his biography of the iconic musician Arthur Russell became the first book to map the wider downtown music scene. These beautifully written and politically insightful histories have educated, inspired and celebrated the previously overlooked foundations of contemporary dance music.

Lawrence's most recent publication, Life & Death On The New York Dancefloor, 1980 - 1983, published in late 2016, shines a light on 'one of the most dynamic and creative periods in the history of New York City'. Falling between the more regularly celebrated sounds of disco, house and techno, the period produced a uniquely hybrid series of sounds that never acquired a settled name. This led them to be largely ignored by historians and even DJs, yet the power of the period's music and the scenes it birthed, Lawrence argues, remains undeniable. Met with a rapturous response, Life and Death On The New York Dance Floor saw Lawrence on the road for most of the next year as he spread the word about the characters, the records, the clubs and the bands that shaped the post-Disco, post-Punk, and burgeoning Hip Hop landscapes of New York City during the early 1980s—a period when freedom still ruled.

This, the first of a 2-part sonic tribute to the 1980 - 1983 era as well as a musical companion piece to Life & Death On The New York Dance Floor sees recognised musicians (David Byrne of Talking Heads) nestle up alongside the belatedly recognised (Arthur Russell's Dinosaur L and Loose Joints, and Suicide's Alan Vega) and the downright obscure (Gray, 2 Teens Kill 4 and Tuxedomoon). An indication of what's to follow, Dinosaur L's original album version of 'Go Bang' has been dramatically overshadowed by the definitive François Kevorkian remix yet received regular play by David Mancuso and remains an enthralling experimental Arthur Russell jam.

Lovingly curated across 2 slabs of vinyl, the album introduces listeners to a stunning array of sounds, styles, vibes and feelings that encapsulate this most fertile and forward-thinking era, when music, fashion, sound system innovations, leaps in music technology, a DIY attitude and a freedom from corporate politics combined with extraordinary expressivity. All music contained within this album has been hand-picked and programmed by Tim Lawrence. It represents a selective yet rich introduction to one of the most extraordinary periods in New York City's epic musical history.

This is the first release on Reappearing Records, a label led by Tim Lawrence and distributed worldwide by Above Board distribution. Licensing courtesy of Tracksuit Music. Mastering by Optimum Mastering, Bristol UK. Artwork & design courtesy of Atelier Superplus. 2018.

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Ültimo hace: 3 Años
Spinvis & Vinkenoog - Leef Met Plezier! EP

The inaugural release on ninih sees yeyeh001 Spinvis & Vinkenoog reworked and reinterpreted by today's artists of tomorrow. Spinvis & Vinkenoog collaborate one more time to bring you one of life's most important lessons: LEEF MET PLEZIER!
Once you think you've learned your lesson Max Abysmal makes you second-guess yourself on Spiegel. The flip sees Sapphire Slows defying the laws of gravity with a completely new bass heavy Mamamiamarihuana. Lastly Oceanic finishes things off in fashion proving all the naysayers wrong with his remarkable version of Ja!

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Ültimo hace: 6 Años
Fyi Chris - Songs About People's Feelings

London's FYI Chris joined Toy Tonics!

After releases on Rhythm Section, Church and West Friends - the 2 DJs, producers and record shop dons from London/Peckham chose the German Toy Tonics label for their next release.
The guys know what's fresh in club culture. They been store managers at one of London's coolest record stores: Rye Wax/Peckham for the last 2 years. And they are becoming one of the most interesting names of the post-house scene of London.
Their first encounter with Toy Tonics was though label boss Kapote. They quickly realized that there are big similarities in their musical vision and way how dance music should develop... so what makes more sense to make an EP together

So here it comes: FYI Chris next level electronic funk music! MPC style.

Have fun!

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Ültimo hace: 7 Años
Holger Czukay - Der Osten Ist Rot

Holger Czukay

Der Osten Ist Rot

12inchLPGRON197
Grönland
30.11.2018

Upon examining the eventful life of Can bassist Holger Czukay, one might conclude that this intrepid musician was a loner. His turbulent career exuded an enduring eccentricity governed by a boundless free spirit. Yet Czukay,
who passed away unexpectedly last year at the age of 79, constantly emphasized that his creativity was always contingent upon a musical partner, whether that was a skin-and-bones counterpart or an anonymous manifestation that interacted with him through radio waves or, as happened later, the internet. Nonetheless, most of his partners were of flesh and
blood.
His oeuvre, which is in itself cinematic in nature, boasts a cast worthy of a Martin Scorsese film. Only the most interesting character actors were cast:
Brian Eno, Phew, Rolf Dammers, David Sylvian, Annie Lennox, Jah Wobble, his Can bandmates... the list could go on and on.
Many of these masterpieces are now out of print, so Groenland Records, who already released the highly acclaimed retrospective 'CINEMA' to mark the occasion of Holger's 80th birthday at the beginning of the year, has taken it upon themselves to release reissues of Holger's music in order to make it accessible once again.

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Ültimo hace: 6 Años
Holger Czukay - Radio Wave Surfer

Holger Czukay

Radio Wave Surfer

12inchLPGRON199
Grönland
30.11.2018

Upon examining the eventful life of Can bassist Holger Czukay, one might
conclude that this intrepid musician was a loner. His turbulent career exuded
an enduring eccentricity governed by a boundless free spirit. Yet Czukay,
who passed away unexpectedly last year at the age of 79, constantly
emphasized that his creativity was always contingent upon a musical
partner, whether that was a skin-and-bones counterpart or an anonymous
manifestation that interacted with him through radio waves or, as happened
ater, the internet. Nonetheless, most of his partners were of flesh and
blood.
His oeuvre, which is in itself cinematic in nature, boasts a cast worthy of a
Martin Scorsese film. Only the most interesting character actors were cast:
Brian Eno, Phew, Rolf Dammers, David Sylvian, Annie Lennox, Jah Wobble,
his Can bandmates... the list could go on and on.
Many of these masterpieces are now out of print, so Groenland Records,
who already released the highly acclaimed retrospective 'CINEMA' to mark
he occasion of Holger's 80th birthday at the beginning of the year, has
aken it upon themselves to release reissues of Holger's music in order to
make it accessible once again.

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Ültimo hace: 7 Años
Holger Czukay - Rome Remains Rome

Holger Czukay

Rome Remains Rome

12inchLPGRON198
Grönland
30.11.2018

Upon examining the eventful life of Can bassist Holger Czukay, one might
conclude that this intrepid musician was a loner. His turbulent career exuded
an enduring eccentricity governed by a boundless free spirit. Yet Czukay,
who passed away unexpectedly last year at the age of 79, constantly
emphasized that his creativity was always contingent upon a musical
partner, whether that was a skin-and-bones counterpart or an anonymous
manifestation that interacted with him through radio waves or, as happened
later, the internet. Nonetheless, most of his partners were of flesh and
blood.
His oeuvre, which is in itself cinematic in nature, boasts a cast worthy of a
Martin Scorsese film. Only the most interesting character actors were cast:
Brian Eno, Phew, Rolf Dammers, David Sylvian, Annie Lennox, Jah Wobble,
his Can bandmates... the list could go on and on.
Many of these masterpieces are now out of print, so Groenland Records,
who already released the highly acclaimed retrospective 'CINEMA' to mark
the occasion of Holger's 80th birthday at the beginning of the year, has
taken it upon themselves to release reissues of Holger's music in order to
make it accessible once again.

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Ültimo hace: 7 Años
The Kinder - Tumultus Cras

The Kinder

Tumultus Cras

12inchKONKORD104
KONKORD
30.11.2018

Tumultus Cras - Oder Wie Der Anarchismus Das Shaken Zur Marschmusik Lernte.
Bevor Die Ohren Und Beine Mit Warp-geschwindigkeit Durch Ein Knallbuntes Und Mit Allen Wassern Gewaschenes Soundgroovefourtotheflooroderauchnicht-universum Geschossen Werden, Wird Im Intro Gleich Mal Der Zünder Eingestellt, Der Dieser Neuesten Konkord-release Den Fetten Boost Mit Auf Die Reise Gibt.
Das Dynamit Heißt Schlicht ... Spielen, Ausprobieren, Experimentieren, Regeln Kennen, Regeln Brechen, Neue Regeln Aufstellen, Langeweile Abstellen, Neue Situationen Aufploppen Lassen. Spielen Heißt Performen, Die Crowd Zum Shaken, Instrumente Zum Tanzen Bringen. Kinder Können Am Besten Spielen, Und The Kinder Können Es Am Allerbesten.
Der Sound Von The Kinder Bei Einem Live Konzert Versprüht Einen Charme, Der Sich Genau So Schwer Ohne Kompromisse Auf Studioaufnahmen Bändigen Lässt, Wie Die Improvisationen Einer Frühchristlichen Garagenband, Die Beim Pilzepflücken Im Wald Das Tamburin Gegen Ein Casio-keyboard Tauscht.

- Lp (inklusive Cd)!

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Ültimo hace: 7 Años
Illa J - John Yancey

Illa J

John Yancey

12inchJAKARTA140-1
JAKARTA
30.11.2018

john Yancey' Is The Second Album Illa J Will Release On Jakarta Records, Following The Successful
Release Of Home Last Year. The Project Is The Second Collaboration With Los Angeles
Based Producer Calvin Valentine, Who Once Again Contributed All Of The Production For The Long
Player. While home' Was Largely Inspired By Illa's Native City Of Detroit, john Yancey' Now
Focuses On His Time In California.
(this Album Is) Definitely More Personal Than All Of My Projects, Nothing Specific, But I Basically
Talk About About The Ups And Downs Of All My Relationships Over The Past 10 Years, Still Grieving
About My Bro, Etc. This One Is Trippy Because The First Single Comes Out A Day Before My 32nd
Birthday And The Original Title Was 32 Because This Is A Special Year To Me Because My Brother Died
At That Age So It Had A Lot Of Meaning. But It Makes Sense That It Ended Up Being Called John
Yancey Because For So Long In My Career I Felt Like I Was Tryna Be Me And My Brother, And I'm Finally
At Peace, Like I'm Not J Dilla's Younger Brother Illa J, I'm James Younger Brother John.'
While The Story Of The Album Might Have Changed, There Are Certain Continuities As Well, Built
Around The Strong Foundation Of The Combination Of Illa's Voice And Calvin Valentine's Soulful
Sample Based Production. The Previous Album Already Saw Illa J Incorporate More Singing Into
His Raps And He Goes Down This Path Even Further: i Wanted To Emphasize The Singing But Use
More Of My Natural Singing Voice, As Well As Rap More Than On Home.' In Regards To The Music,
Calvin Wanted To Make The Project Sound a Bit More Polished Where Home Was Purposely
Rough Around The Edges.' Still, The Production Remains Soulful And Rich With Layers To Leave Things
Interesting For The Listener, The More Spins You Give The Record.
The Cover Was Created By Robert Winter, A Cologne Based Photographer Who Was Also Behind The
Visual Appearance Of Home.

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Ültimo hace: 7 Años
Temperance (Dominique Dalcan) - Temperance Vol. 2

Last February, We Had The Delightful Surprise To See Dominique Dalcan On The Victoires De La Musique Stage (main French Musical Award). The Elegant Singer Received The Award For The Best Electronic Album For His Project Temperance, An Album In English Full Of Reliefs, Dense And Splendid. We Are Delighted To See Today That Dominique Publishes A Second Volume Of Temperance. The First Albums Of Dominique Dalcan Came Out In The Early 90's, Especially On The Belgian Label Crammed Discs. He Is Considered One Of The Ambassadors Of The New French Pop, Combining Electronic And Orchestral Arrangements. At The Same Time, Under The Name Of Snooze, He Immerses Himself In Electronic Music And Creates Soundtracks For Cinema And Contemporary Art. In 2013, He Switched To The English Language And Adopted A New Artistic Identity: Temperance.

The Project Moves Away Freely From The Format Of The Song To Dive Into A Vast Electronic Palette. In Temperance 2, We Hear Contemporary R & B Ballads Full Of Artificial Strings, Collisions Of Textures, Even Balinese Sounds But Nothing That Never Steals The Show With Dominique's Voice And Lyrics. The Temperance Repertoire Addresses The Confusion Of The Human World And A Wild Nature. There Is Also A Question Of Fusional Love With Pop And Soul Songs. This Gives An Album That Rushes Against Each Other Joy, Fury, Despair, Desire Or Pleasure, Without Them Ever Contradicting Each Other, And That Moderates With Art And Temperance, In Short.

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Ültimo hace: 7 Años
Various - Pop Ambient 2019

Various

Pop Ambient 2019

2x12inchKOM395
Kompakt
30.11.2018

Boum Boum Boum! 25 years of KOMPAKT. When a record label still thrives after a quarter of a century thanks to a focus of what was expected to be a short lived music phenomenon called TECHNO, then it stands to prove two things; that it techno has taken its place amongst serious, multilayered musical genres like rock'n'roll, pop and folk music. And that KOMPAKT has never been only for techno, but KOMPAKT stands as a broad-minded, genre-defying entity that has set out to cross-pollinate all kinds of musical inventions within the realm of electronic music. Through its course, KOMPAKT has sent 'Around The World', all kinds of sub-genres, concept series and crossover adventures based on the non- negotiable 4/4 beat. And back again.

Without a doubt, the 100% kickdrum-free POP AMBIENT series is the most endearing and enduring concept that I have had the pleasure to curate. From the start, I felt there was a strong need to add a certain pop- elegance - ensouled by discourse as much as hedonism - to a sound that was recognized as 'Chill Out' music that could be heard in seedy techno club back rooms and forgotten festival areas. Over the years, I like to imagine that POP AMBIENT has crystallized into a highly recognizable trademark sound and a multi-facetted musical universe of its own.

So once again, I had the pleasure to put together this year's edition by plowing through an ocean of sonic jewelry that had been submitted from all over the world by new and old friends. The task was clear: for this special edition, I must create a homogenous listening experience that would both appeal to our trusting followers, to continue our tradition while integrating new micro facets , variations and influences from neighboring musical universes as possible. Obligatory while being innovative. Conspirative while being cosmopolitan. Albeit the headline 'Ambient' might sound a little too humble for a compilation that encompasses aspects of neo classic, atonal music and the most beautiful aural kitsch imaginable, it still helps as a necessary means of orientation in the best possible sense. Same goes for another dear tradition: Veronika Unland's abstract-floral cover design that keeps on pleasing our sore eyes year after year.

Although each and every POP AMBIENT edition doesn't shy away from diving into the relevant question of 'What is contemporary discourse music' - in the end it all boils down to that elevated moment where all theory dissolves into ambient air, into a higher state of cosmic bliss. POP AMBIENT is sacral music for non-believers.

Wolfgang Voigt Cologne, October 2018

Bum Bum Bum. 25 Jahre KOMPAKT. Wenn ein Musiklabel, das seine inhaltliche Ausrichtung im Wesentlichen auf den anfangs als schnelllebig und vor allem kurzlebig apostrophierten - hype' Techno setzt, nach 25 Jahren in jeder Beziehung immer noch voll im Saft steht, dann zeigt das zwei Dinge: Das erstens mittlerweile jeder bemerkt haben du¨rfte, dass Techno eben kein kurzftristiger hype ist, sondern vielmehr ein vielschichtiges, ernstzunehmendes Genre, das sich ebenso wie Rock'n'Roll oder Schlager fest in der Musikgeschichte etabliert hat.

Und zweitens, dass KOMPAKT nie nur ein reines Technolabel war und ist, sondern ein nach vielen Seiten aufgeschlossenes Experimentierfeld, das sich von Anfang an der Grenzu¨berschreitung und dem musikalischen Erfindungsreichtum verschrieben hat. U¨ber die Jahre wurden unter dem KOMPAKT-Signet etliche Subgenres, Konzeptreihen und Crossoverwagnisse auf Basis der unverhandelbaren geraden Bassdrum - around the world' und wieder zuru¨ck geschickt.

Eine der wohl scho¨nsten und nachhaltigsten Konzeptreihen du¨rfte wohl die bassdrumfreie POP AMBIENT-Serie sein, die ich als KOMPAKT-- Altvorderer' nach wie vor die ja¨hrliche Freude habe, zu kompilieren. Dabei hat sich u¨ber die Jahre aus dem anfa¨nglichen Bedu¨rfnis der seit den fru¨hen 90er Jahren in den sogenannten - Chilloutrooms ' grossra¨umiger Technoclubs, - Lounges' und - Muzakkneipen' entstandenen - Entspannungsmusik' etwas entgegenzusetzen, eine eher von Pop-Eleganz, Diskurs und Hedonismus beseelte, eigene Spielart ambienter Musik, eine vielschichtige programmatische Musik mit hohem Widererkennungswert entwickelt.

So hatte ich auch im Jubila¨umsjahr einmal mehr die Qual der Wahl, aus den aus aller Welt kommenden, grossartigen Klangpreziosen guter alter sowie neuer Freunde die subjektiv besten zu einem homogenen Ho¨rerlebnis zusammenzufu¨hren. Dabei ist mir immer sehr wichtig, einerseits den Erwartungen der treuen Ho¨rerschaft im Bezug auf Traditionsverpflichtung gerecht zu werden und andererseits auch immer mo¨glichst viele Mikrofacetten, Varianten und Einflu¨sse angrenzender Stile und Universen aufzugreifen. Innovativ und verbindlich. Konspirativ und weltoffen. Auch wenn der U¨berbegriff Ambient, fu¨r eine Kompilation die sowohl Aspekte von Neuer Klassik, Atonalita¨t und Kunstmusik mit den allerscho¨nsten Seelenkitschklangwelten zu vereinen sucht, zu eng gefasst ist, so hilft er doch bei der notwendigen Orientierung im besten Sinne. Ebenso wie die Tradition gewordenen, wunderscho¨n abstrakt-floralen Kunstblumenwelten der von Veronika Unland gestalteten Cover, die ein ums andere Jahr auch die Augen in Verzu¨ckung versetzten.

Auch wenn jede Kompilation sich aufs Neue an den relevanten Fragen zeitgema¨sser Diskursmusik abarbeitet, so ist der erhabene Moment am Ende doch der, in dem sich alles zu Gunsten eines - ho¨heren, kosmischen' Ho¨rerlebnisses, im wahrsten Sinne des Wortes in ambiente Luft auflo¨st.

POP AMBIENT ist die sakrale Musik der Ungla¨ubigen.

Wolfgang Voigt / September 2018

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Ültimo hace: 6 Años
Massimiliano Pagliara - Feel Live 2x12"

The body never lies. Every dance is a graph of the heart. Nothing is more revealing than movement.

These are the words of Martha Graham, one of the greatest American dancers and choreographers of the 20th century. Massimiliano Pagliara might as well have them tattooed on his chest, close to his heart, being an accomplished dancer, too. He has studied contemporary dance in Milan and Berlin, and went on to dedicate his life to transforming experience into movement, be it musical, physical, or spiritual. Massimilano's message is clear: Don't stand still. Don't keep looking back. Know where you are coming from, but don't remain petrified by the past. Take a chance at Endless Change, instead. Move on! Just like Massimilano did.

Stemming from Lecce province, an area at the south-eastern-most tip of Italy, Massimilano has been based in Berlin for several years where he's been one of the main forces behind recombining the city's hardboiled techno scene with an often overlooked sensibility for the soft and the tender. Call it underground disco passion. Massimilano's last and sophomore album, With One Another, released in 2014, was about celebrating the joy of human encounters and in parts seemed like a big get-together with like-minded artists and friends (among them nd_baumecker, Lee Douglas, and Credit 00). The record quickly hit the number one spot in Groove magazine's album chart - and its creator hit the road.

Besides his busy DJ schedule and far from the usual club circuit routines, Massimilano dedicated himself to intense travelling and exploring the world anew. 'I felt like I have lived more than ever,' he states. 'Getting to discover all these beautiful places around the world and meeting so many lovely interesting people, has inspired me in many different ways. I feel enriched.'

The result of these experiences is Feel Live, Massimiliano's third full-length endeavour. It was recorded in several intimate, sometimes improvised studio settings between Los Angeles, Portland, and Massimiliano's homebase in Berlin as well as at airports and on intercontinental flights high up in the sky. Featuring vocals by Private Agenda, Peaking Lights, Kim Anh and instrumental contributions by Fort Romeau, Tim K, and Jules Etienne, Feel Live is Massimilano's most playful and imaginative work to date. It's as emotional as sensual, as vibrant as the first ray of light after a thunderstorm has cleared the air.

Is it awkward or odd to call this record jazzy Presumptuous to pinpoint its spacial, almost orchestral qualities Unfair on the ruling Cosmic powers to highlight its aspirations of founding a new land of Balearic Harmonia and getting down at a huge fertility rite with electro enthusiasts and house lovers Not one bit. Feel Live is pure grandeur and elegance. It feels like an eternal movement.

Martha Graham has dedicated her whole life to dancing. 'It's permitting life to use you in a very intense way,' she said. 'Sometimes it is not pleasant. Sometimes it is fearful. But nevertheless it is inevitable.' Massimilano couldn't agree more. His advice when facing the inevitable: 'Live what you are feeling, feel what you are experiencing, good or bad, it is an experience.'

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Ültimo hace: 7 Años
Dark Strands - Unknown Truths

Unknown Truths is the debut album from Tony Beardsley (aka Dark Strands). What can be said about this album.. for one, it is a body of work that has been crafted as a labour of love with sources of inspiration taken from the late 80's underground warehouse parties and clubs where no one speed or style of music was played.. curve balls as they say, was a good thing. Ambitious maybe.. but the only aim of the album was to actually not to have one. No one genre or concept can be applied, but this is not by design, purely accidental as the music weaves between various electronic strands and rhythm forms. Its fair to say that his music has not been compromised to follow latest trends or fashion. It is for everyone, but no one. It's only true purpose is to liberate senses and provide a lasting sonic soundtrack to the modern age.

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Ültimo hace: 7 Años
Jor-El, Imugem Orihasam, Benjamin Brunn - Tactics Vol.4

Late November will see Tact Recordings vinyl only sub-label Tactics return with 'Vol.4', a various artists package featuring Jor-El aka Joel Alter, Imugem Orihasam and Benjamin Brunn.

Tactics was launched in late 2017 by co-founders of the imprint Yard One with their 'Vol.2' EP, following on from the 'Vol.1' various artists EP released on the main imprint Tact Recordings back in 2012. Since its inception last year and it's two releases so far from founders Yard One and Fletcher, the label has garnered the attention of DJ's like Varhat, Roger Gerressen, Raresh, Malin Genie and Andrey Pushkarev to name a few. Here though we see the imprint welcome some of it's favourite artists from over the year onto the roster, namely Echocord artist Jor-El aka Joel Alter, Ilian Tape's Imumgem Orihasam and Smallville regular Benjamin Brunn. Leading on the package is Sweden's Jor-El with 'Remember Tomorrow', a gritty dance floor workout fuelled by dusty drums, fluttering stab sequences and sweeping synth strings before Japanese producer Imugem Orihasam edges into dub territory with a cinematic two minute soundscape opening the composition before weighty drums, swirling pads and dubbed out metallic chimes dynamically unfold throughout.

Hamburg's Benjamin Brunn then closes the package with 'ResoPlanet', as always delivering smooth, understated electronic music via wandering ethereal pads, resonant bleeps and bumpy, off-kilter 808 drums.

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Ültimo hace: 23 Meses
As Longitude - That's When The Animals Turned Into Humans

As Longitude is the Berlin based duo Eva Geist and Ondula, which started to make its place on the new electronic scene after brillant release last year on Knekelhuis and apparence on Ein Welt...
On this EP we fall in their psychedelic madness, mixing hypnotic sounds, voices and Saxo, in a very punkish way, to come back to our bestial primitive instincts, when we were still close from animals.

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Ültimo hace: 6 Años
VA (Ben Kaczor, Hiroma Keo, Metshka & Roman Delore) - Ocna Loso

This is the second release from the Parisian label Aperçu, which has uncovered European producers for this compilation featuring 4 titles.The story of this compilation came about gradually, with one thing leading to another as the artists involved met up all over Europe and their musical affinities became apparent. Two years after their EP Stara Zagora,Metshka and Roman Delore are issuing the second release of their label, Aperçu, promoting three producers well deserving of attention. Ben Kaczor, the resident DJ at the legendary, intimate Elysia Club in Basel, Switzerland has his own label, KCZ, and is an adept of dark, sharp-edged sounds such as in 'Navel,' which plays out like a hypnotic, melancholy adieu but with well-defined kicks.Temiri, a native of southern France having spent time in Berlin, now lives in Switzerland as well. With the Swiss mountains and Geneva's rave parties shaping his sensibility, he created 'Love Intentions' - a soft gift to the world. HiromaKeo, a Lisbon-based French producer, champions a wide-ranging, contemporary approach to electronic music. After three years spent comanaging the collective and label ESITU (between Lille and Brussels), he has started a new project in Portugal: Vilamar. In 'SonheiContigo' we find his signature precision and the Japanese influences he likes.
Last but not least, Metshkaand Roman Delorecontinue to appear at parties and events in Paris and to work on hybrid events through their Pauza collective. At the crossroads of techno, ambient and experimental music, here they give us 'Ocre,' a work of slow violence.

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Ültimo hace: 8 Meses
Nova - Can We Do It Good

Nova

Can We Do It Good

7"-VinylAGS7010
Aloha Got Soul
28.11.2018

"In 1978, Nova performed for Obama. Well, kind of: Nova was the band for the Punahou School prom in Honolulu, Hawaii, and a young student named Barack (known then as 'Barry') was in attendance.

Backtrack to 1976, and Nova was the opening band for Donald Byrd at the nearby Blaisdell Arena. The day was Sunday, June 27. The following day, Isaac Hayes would perform on island for the admission price of $1.

Nova, led by singer Checo Tohomaso, was one of several go-to party bands during the golden era of Hawaii funk and soul music in the mid-1970s through early 1980s.

The band's infectious gospel-funk-disco can be heard on their sole release, a self-titled 1980 LP that feels like one big party recorded live in the studio. (Check out the Marvin Gaye-inspired 'I Feel Like Getting Down' on the 2016 'Aloha Got Soul' compilation on Strut Records).

The story is all too familiar, however: funk band releases LP, the music goes dormant in years to follow, and today original copies sell for hundreds online.

Not long after the album's 1980 release, Checo met Marvin Gaye, who was living on Maui (where George Benson also resided). Shortly after, Marvin invited Checo and his counterparts to join his multi-city tour across Europe. Videos of Checo rocking keyboards, percussion and singing background vocals for Marvin Gaye's last European tour can be found online.

Checo, born in Florida yet raised in lush Manoa Valley as well as Okinawa, Japan, now resides in Vancouver, Canada, where he leads the VOC Sweet Soul Gospel Choir and continues to deliver his signature sound: high energy, positive, 'sweet soul' music.

AGS-7010 features two non-stop groovers with a 7' edit by Roger Bong on the A-side. LP reissue in the works!"

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Ültimo hace: 7 Años
James Clarke - Mystery Movie

James Clarke

Mystery Movie

12inchBEWITH049LP
Be With Records
27.11.2018

LP,180g, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART

James Clarke's Mystery Movie was released in 1974 as modern, small group compositions in various moods. Ideally suited to the new Americanised style of T.V. and cinema flm where music is used to create the mood and carry the action'.
So this collection covers a lot of bases, but it does so brilliantly and has absolutely no right to be such a fantastic listen from start to fnish.Mystery Movie is best known for the slick drum breaks underpinning the top-notch jazz-funk chase theme Car Patrol', the fuzz rifng and ARP soloing of The Heavies' and the slow-mo strut of Mystery Moll'. Study In Fear' and Empty Streets' are horror soundtrack fodder of the fnest sort.
However, it's the understated, plaintive pieces that we fnd the most rewarding.
Ambient feels and strung-out fried-folk treats, full of cyclical naïve melodies.
Music that evokes the 'downlifting' Ronnie Lane and Ron Wood instrumentals from their great Mahoney's Last Stand LP, as well as the beautiful soundtrack work of Jack Nitzsche and Ry Cooder. You might also recognise Waiting Game' from being sampled by melodic downbeat masters Express Rising.
Check Relaxed Theme', Quiet Girl', Routine Procedure' and Quietness Sustained' for a melodic, melancholic set, with the last three performed on just acoustic guitar and harp. Gorgeous work.
As with all ten re-issues, the audio for Mystery Movie comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity.

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