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For those of you wondering what Adesse Versions was doing at our Heist Boiler Room this summer in London, the answer is here. The "Push it along" EP for Heist is Adesse Versions first appearance on our label and features 4 stunningly raw and warm originals, and an amazing remix by New York's ambassador of funk: Ge-Ology, together with multi-instrumentalist Marc de Clive-Lowe on keys.
After having released numerous records for Jackmaster's Numbers, Local Talk and Toy Tonics, we're happy to welcome Adesse Versions to the Heist family. When he sent us his demo's we had the tough job to choose the right tracks, cause there were just too many. The selection on the "Push it along EP" features what we feel are his purest work up to date. With only a small amount of elements, he manages to create such a big and warm sound, finding a great balance between gritty percussion, rich analog synths and funky sampling work.
Opening track Tout it is built around an ever evolving arpeggiated synth, a dancehall-esque percussive riddim and lovely pad work. It builds up slowly, without ever becoming dull, changing small elements and adding momentum with each step.
E to E is based on a chopped vocal looped to bits (only shouting: (E, E, E, E, E..), dancing hihats and a rolling bassline, whereas Geology flips the high energy original into a classic deephouse tune that fans of Larry Heard will love. The steady bassline and trianglework form a perfect canvas for MdcL's work on various synths, adding layer after layer of melodrama.
The title track goes for the same recipe as Tout it, with fierce snares laying down the rhythm and a far away disco sample adding the right dose of funk. Ebony Roses is the final track of the EP: A beatless groove built around a spoken word vocal with dreamy piano work around it building up suspense as the track evolves.
We've been playing this EP over the course of the last few months and it's been getting great response, so we're happy to finally share it with you.

Sincerely yours, Lars & Maarten

They say all good things comes in threes, and with the marking of Nachtbraker's 3rd release for Heist, we can confirm this universal truth once again. Maurits Verwoerd comes back to Heist with more dancefloor muscle than ever before, and shows us great development of his sound: while keeping his unconventional drum patterns and love for the deeper side of house, he adds some filtered funk flavor along the way. 'Gotta act to react' drives on a saturated bassline, a hypnotizing guitar lick and some seriously loose hi-hats, but really delivers once those hard to place filtered hits come in. 'Pollo con Pollo' is potentially Maurits' most clear attempt at a straightforward groove, with a lovely dreamy guitar loop running throughout the track. Add his loose sense of arrangement and changeovers, and it's still anything but straightforward. The B- side gets nice and weird with 2 versions of Intermezz(l)ow, the one being a lovely textured interlude and the other a rough drum workout built around the same theme. When we asked Maurits who he wanted to have as a remixer, he suggested he'd do a remix himself. We knew better than to argue with him, and since he is who he is, we're not entirely surprised he came up with a great dubbed out acid-tinged flip of 'Gotta act to react'. This EP really shows Nachtbraker's steady rise and will most likely take him out of the shadows he so enjoys, into headline territory and we're glad to support him in this journey. Sincerely yours, Lars & Maarten

We've had our eyes on Obas Nenor for a while and after his disco-meets-Detroit affair on 'Mahogani', and some great releases on his newly started own label 'Nenorian music' and 'Sol Power', we're happy to share his work for Heist with you. 'The Ceaper Buing EP" features 4 original cuts and a remix by Swedish "Mr. Tophat" that navigates somewhere between really weird, and really groovy. If you've seen any of his studio videos, you'll see he's has a great mix between live instrumentation, and sampling on his MPC, and each track on this EP has so many great elements working together, that it will be hard to pick a favourite. "The doors" has a great filtered funk loop going on with some roughed up disco percussion, whereas the Tophat remix twists and turns the original into somewhat of a tribal(ish) drum workout that is probably best enjoyed in a really really dark room. "Glimpse of light" has some really interesting sampling going on with a feel that is almost 'rock', but gets more and more disco with some lovely synth work as the track progresses. As a counterpart to the first part of the EP, 'Wacky' slows things down to give you a summery, afro inspired track that we forced him to send us after we saw a short clip online of him jamming away on his Korg x-911. UV lights is a somewhat special track for us that you wouldn't expect on Heist at first, but makes for a great addition to our musical world. It's perfect 'hands-in-the-air' end of the night material, with a serene and emotional vibe that is really hard not to love. Altogether, it's a great EP that we're really happy to share with you. Sincerely yours, Lars & Maarten

Born of introspective in 2010, & mixed & processed for years by Fresh Meat founder Mazi Namvar, aka Audio Soul Project. "Left There" on the flip is joined by a Tevo Howard mix that gives the tune solid dance floor footing.

When we started Heist a few years back, our idea was to give a stage to talent in a same way as we have had a helping hand by the labels that have supported us from the beginning. Therefore, it's our pleasure to share this release with you by newcomers 'Ouer', a Berlin based duo with only a handful of tracks out so far on their self released debut last year. Their approach to producing is very much jam based, and with a compact collection of synths, drum machines and a fair level of distortion, they succeed in creating their own sound with hints of classic electronic music from Chicago and Detroit. There's a nice mix of energy on the whole EP, 'The ascent being the most driving track of the package'. Fans of classics MCDE tracks will love 'Show off' with it's dreamy DX7 style chords and cracking acid lines. 'Move over' feels like a jam session that was way too much fun with some lovely solo work on the synths, whereas 'Mess around' goes down in similar free-ride style on the synths and again, has some lovely sampling going on. An impressive ep we're just all too happy to have on our label. Sincerely yours, Lars & Maarten

Finale Sessions is really pleased to launch new series Finale Sessions Limited with Berlin up and coming act Arcarsenal. Duo comprised of Alan Mathias and Etienne Dauta, both founders of Bass Cadet Records and its dedicated vinyl store located in the heart of the german capital, they are also active members of the large Underground Quality family. Arcarsenal have already started to establish themselves as proponent of a crossover sound, mixing many influences from jazz, house, ambient to dub and techno. They are always giving a prominence to jam, improvisation and textures work in their studio routine. This EP called « Dark Skies & Wetlands », even if slightly grittier than usual, is no stranger to the rules of the duo. The opening track « Different Planet » is an epic dark deep house cut which develops itself over a course of 8:40. Starting with a stamping ground bassline and hazy atmosphere, the track opens up with synth attacks, dub echoes and slowly brings in a blissful melody that ends up linking all the elements. « Substance Of Arjuna », the following track on the A-side, is a-contrario a short but intense ambient work. Shot in one take, this subtle cut showcases the kind experimentations that Mathias and Dauta can end up doing late at night in front of their machines. The b-side of the EP leaves all the space to « Racoons », one of the weirdest and yet most powerful work of the duo to date. Tribal techno could be a short try to define what they achieved here, but the track goes far more than this. Built on a gritty mental acidic bass and a huge drum kick, the frenchmen bring over aggressive synth work that could sound like an orchestra on rehearsal, pachydermic screams or an overdriven guitar larsen. Underlined by a complex percussion pattern recorded live in their nest and chopped up to the best effect, the track ends up in a looping transe from which the listener might not leave in a normal state.

This record is the most important promo tool of Leipzig's own M.ono in his grand scheme to conquer the world with his supersecret cocktail named, Die Volle Schnauze. All flavours and 17 secret ingredients of this wonderful drink come together in the 4 tracks of this EP. So if you're digging the forward groove and jumping keys of Volle schnauze, The 'shit-is-the-sun-already-coming-up' vibe of Perle, the dancing arps of Delaware state route and the freaked out acid of Pegasus '83, you'll surely like the cocktail. Whatever's the hell's in it. Sincerely yours, Lars & Maarten Vital sales points: - M.ono got instant underground love for his first artist EP on his own Rose Records when Move D. destroyed the boiler room playing 'Holding back California'. - M.ono produces some amazing tunes together with label co-owner Luvless. - Full Cover with 180 Gr. Vinyl.

Listen to this if you like: anything that we've put out last year, wrapped together in a lovely double pack of a 12 and 10. The Roundup part 1 is the first part of an annual recurring event: the big Heist family remix EP, where all artist names get put in a big bowl, and by luck of the draw, find themselves remixing (and remixed by) another Heist artist. We've got Max Graef remixing Detroit Swindle and turning the break up into a full on Graef-affair. The label heads themselves take 'The Organ Grinder"'s 'Change all the time' and turn into a deep Chicago-esque tune and completing the 12, there's Frits Wentink's take on Bluebottle, experimenting with his trademark shuffle. On the 10, Standout track of the first year of Heist 'Jungle' gets a lovely rework by Nachtbraker, giving it a more 4x4 feel than the original and The Organ Grinder who turns Frits Wentink's Schrewd into a full on Filter house cut. The artwork is handmade and photographed by Baster. Sincerely yours, Lars & Maarten

Ladies and gentleman, we would like to introduce to you; Nachtbraker (Dutch for Night Hawk). This energetic dude from our hometown might not be a familiar name to you, but don't let that put you off. If you're into the darker shades of deephouse with a serious chunk of funk, have a listen to this. Gute Laune is the track that really captures Nachtbraker's style in all its facets. It starts of modest with basic percussion and a nice bended pad, but when the bassline comes in, every element in the track makes your head bop, ass shake en smile grow. The real kicker is the changeover where the long pads makes way for a set of filtered stabs that give the whole track the energetic vibe it deserves, without going overboard. The whole track just exudes the detailed way Nachtbraker produces his tracks, and we love him for it. Bluebottle is a wholly different animal. This track keeps a lower pace with a crunchy pad and mysterious synth setting the tone. With a lovely ever-changing bassline, a couple of changeovers in the percussion and a clever gate-effect on the pad, don't be surprised if you find yourself humming this tune several hours after the first listen. Last but not least, there's Xantippe. Xantippe is hard to classify because of it's two-faced character. What starts of as an atmospheric broken beat dreamy tune, jumps into a raw burner after the break with a haunting buzzy loop. Bassface-WTF-material for the after hours. Nachtbraker delivers a quality EP that is definitely one for the heads, more than for those in search of peaktime bangers. We're excited to share this solid slice of deephouse that represents everything we started the label for: Great music, no matter where it's from or who made it. Sincerely yours, Lars & Maarten

It's not easy making jams that really work the crowd just as well in Bristol as in Berlin. Nor any other city for that matter. It's those crossover artists that really stand out for us with tunes that do so much more than just ride the wave of what's hot. Enter The Organ Grinder and his sick 3track EP for Heist. 'How did I get here", the A1 track, might sound like something you'd ask yourself when you realize you're in the wrong place at the wrong time, but for us, this track is everything but that. This track has the most gritty and rolling percussion we've heard in a long time, a looped key with a hint of sleazy techno and some subs that will easily blow your grandma's porcelain to pieces. Add some odd FM frequency noises and you've got yourself a killer tune. Changes all the time takes a more drawn back approach, aptly characterized in the vox: 'repetition, with tiny changes all the time.' A set of carefully placed stabs. pads and strings along with a great arrangement that keeps you wanting more of that warm but rough groove. The Valley of doom takes you on a journey through the whole B-side with a stripped down, almost dubby techno vibe, nicely countered with The OG's signature slamming and gritty percussion. I hope you will enjoy this record as much as we do. Sincerely yours, Lars & Maarten

Duo de funk - Southwest 7 make their worldwide debut on the Kolour LTD imprint offering up 3 tunes that are filled to the brim with good, funky vibes.
DJ SUPPORT: SOCIAL DISCO CLUB LARS BEHRENROTH MONSIEUR MONOD (SLEAZYBEATS) PAUL COTTAM CRAIG SMITH (6TH BOROUGH) IRON CURTIS TORNADO WALLACE & MANY MORE

Early support by: JOSEPH CAPRIATI, LUKE SLATER, VIRGIL ENZINGER, BAS MOOY, SUBMERGE, ERIC SNEO, CARI LEKEBUSCH, ROBERT NATUS, LARS KLEIN, PFIRTER, TECHNASIA, RUYJI TAKEUSCHI, TOM HADES, A.MOCHI, ODESSA SOUNDFREAKS, ARCANE, FLOTEK, DJ BALTHAZAR, DJ MIKA, MP LEARY, BOBBY DOWELL, DR.HOFFMANN, MATT K and many more!!!

Played & supported by Loco Dice, Afrilounge, Solomun, David K, Danny Tenaglia, Matt Tolfrey, Ripperton, Dan Drastic and many more. Superb follow-up to their last EP by Helly Larson & Rik Elmont.