Output voltage at 1000Hz, 5cm/sec. - 6 mV
Channel separation at 1kHz - 20 dB
Frequency response 20 Hz - 20 kHz -2/+4 dB
Tracking ability at 315 Hz at recommended tracking force - 90 μm
Compliance, dynamic lateral - 14 μm/mN
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g
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4-channel rotary mixer with 3-band frequency isolator and filter section for DJs
OMNITRONIC TRM-422: THE ROTARY MIXER ON A NEW LEVEL
The desired child
Omnitronic's popular TRM series has been expanded: the TRM-422 combines all the proven features of the previous models, but additionally offers functions that numerous fans had wished for. During the development of the mixer, the focus was on the demands and suggestions of the community.
FULL CONTROL
Each of the 4 input channels has 2 line inputs, one of which can become a phono input at the touch of a button. The channels are each equipped with a volume as well as a gain control. In addition to the master isolator (bass, mid & high), the DJ has the option to activate a filter with HPF, BPF, LPF, resonance and sweep controls in each of the 4 input channels.
The master output is available to the DJ in both XLR and RCA versions.
EFFECT WAYS
The use of external effect devices is possible through an FX-In and FX-Out via 6.3 mm jack. The mixer's master insert is also equipped with a send & return (unbalanced) path. This allows additional external effects to be looped into the mixer.
DVS INTEGRATION
The mixer's timecode outputs allow easy integration of a DVS system (Digital Vinyl System) such as Traktor or Serato.
MONITOR SECTION
The booth output of the TRM-422 is provided with one XLR and one RCA connector. The signal of the booth output can be easily adjusted to the conditions in the DJ booth with the help of an EQ (High & Low).
MICROPHONE INPUTS
The TRM-422 offers 2 microphone inputs. The first mic input gives the DJ the ability to modify the mic signal with EQ (high & low).
BACKUP SOURCE
With the help of the AUX input on the front panel, players such as smartphones, tablets or MP3 players can easily be connected via mini-jack (3.5 mm) and thus serve as a backup solution.
ACTIVATABLE CROSSFADER
If you don't want to do without a crossfader during your DJ set, you have the option to assign each of the 4 channels to the integrated crossfader. If the crossfader is not used, it can easily be switched off.
SET RECORDING
The RCA record-out makes it easy to record your own DJ set.
FEATURES
4-channel rotary mixer with 3-band frequency isolator and filter section for DJs
3-band master frequency isolator with vintage ALPS potentiometers (Blue Velvet RK27)
Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing
Filter section with HPF, BPF, LPF, resonance and sweep control for creative sound shaping
4 stereo input channels with gain control, clip LED, 3-way equalizer and phono/line switching
2 microphone input channels with gain control, 2-way equalizer on air switch
High-grade components ensure long life and excellent sound quality
16-digit stereo LED level meter, switchable between master and booth outputs
Booth output with separate 2-way equalizer and level control
PFL section with 16-digit stereo LED level meter, level control, PFL/master mix control and cue mix/split option
Fully assignable VCA crossfader with adjustable curve
2 effects send/return paths
4 direct outputs for Timecode applications
Inputs: 8 x line and 4 x phono (RCA L/R), 1 x front aux (mini jack)
Outputs: master and booth (XLR/RCA L/R), record (RCA L/R), master insert send/return (RCA L/R), FX in/out (stereo jack)
483 mm rack installation possible with supplied mounting brackets
Desktop console housing
TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 24 W
Protection class: Class I
Power connection: Mains input IEC connector (M) mounting version Power supply cord with safety plug (provided)
Frequency range: Microphone 20 - 20000 Hz
Line 20 - 20000 Hz
Phono 40 - 18000 Hz
S/N ratio: >97,2 dB line
>91,7 dB Microphone
THD: Line -68 dB
Control elements: Power switch, source selector, Crossfader, Crossfader selector switch, Crossfade curve switch; Cue mix split function, EQ controls
Status LED: Power, master level meter, clip, CUE
Connections: Input: 4 x line via stereo RCA
Input: 4 x line/phono via stereo RCA
Input: 2 x Microphone via 3-pin XLR
Output: 1 x headphones via 6.3 mm jack socket (stereo) mounting version
Output: 1 x headphones via 3.5 mm jack (stereo) mounting version
Output: 1 x rec. via stereo RCA
Output: 2 x booth via 3-pin XLR
Output: 1 x booth via stereo RCA
Output: 2 x master via 3-pin XLR
Output: 1 x master via stereo RCA
Output: 1 x AUX sends via 6.3 mm jack socket (stereo) mounting version
Output: 1 x AUX returns via 6.3 mm jack socket (stereo) mounting version
Chanals: Input chanel: 4 x stereo with Line-Line/Phono switch via RCA, channel control via Rotary, 3-band tone control EQ, source selector, gain control, CUE switch, FX routing switch, Crossfader selector switch,
Microphon chanal: 2 x mono via XLR, channel control via Rotary dial, ON AIR switch,
Master output: 2 x stereo via XLR, channel control via Rotary
Booth output: 2 x stereo via XLR, channel control via Rotary
Rec. output: 1 x stereo via RCA
Headphones output: 1 x stereo via Plug 6,3mm/3,5mm (Jack), channel control via Rotary dial, Cue mix split function,
Max. level: Output: +18 dBu
Material: Metal
Housing design: Desktop console housing
Dimensions: Width: 41 cm
Depth: 28,5 cm
Height: 10,5 cm
Weight: 5,74 kg
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* ONLY FOR THE NEW CONCORDE GENERATION !!!
The DJ stylus features
Replacement stylus offers a tactile feedback when seating, indicating a snug and secure fit, while a cut-out area in the front allows for far more accurate needle drops.
• Larger, wider and more robust stylus body
• Easier to grip and handle
• Better fix by metal spring
• Tactile feedback of correct mount
• Large stylus viewing cut‐out
Stylus DJ Technical data
Output voltage at 1000Hz, 5cm/sec. - 6 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Tracking ability at 315 Hz at recommended tracking force - 100 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g
Concorde cartridge weight - 18.5 g
Recommended exclusively for Concorde MkII DJ
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Der zuverlässige Allzweck Tonabnehmer mit sphärischer Nadel sorgt für eine starke Rillenlage bei optimaler Festigkeit bei geringer Reibungsverzerrung.
Features:
direkte SME-Befestigung
Nadelschliff sphärisch
sehr gut zum Scratchen geeignet
sehr guter Klang
hoher Ausgangspegel
Technische Daten:
Frequenzgang: 20 Hz - 18 kHz
Ausgangsspannung (5 cm/s): 6 mV
Auflagebereich: 2 - 5 g
empfohlene Auflagekraft: 4 g
Gewicht: 18,5 g
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GT Replacement stylus for tough handling - extremely sturdy for scratching DJs
GT was developed by Ortofon in close co-operation with SWS Audio GmbH. The cartridge was named "Great and Tough" and was based on the construction of the well-known Ortofon Series 500 design - mend for standard half inch mounting - in a black housing with white printing.
The vital parts in the GT are based on a very robust and reliable parts used in Scratch. Further, during development of GT, efforts were also concentrated on supplying a very high output of 8 mV and improvement of frequency response to give higher resolution and sound image.
Tracking avility is decisive for the DJs especially when scratching and back-cuing. In this situation raise of tracking force could be an immediate, but in many cases not very effective solution. The reason is that the antiskating adjustment, if not at a very moderate level, will double the skating effect when back-cuing.
As a rule, never use more than half of normal antiskating related to the tracking force! To make GT even more resistant against violent handling, such as drop or touch of fingers, we have made a rubber suspension of the cantilever even more rigid against axial pull.
GT Stylus Technical data
Output voltage at 1000Hz, 5cm/sec. - 8 mV
Channel balance at 1kHz - 1,5 dB
Channel separation at 1kHz - 25 dB
Channel separation at 15 kHz - 18 dB
Frequency response - 20-18.000 Hz +/- 2 dB
Tracking ability at 315 Hz at recommended tracking force - 80 μm
Compliance, dynamic lateral - 6 μm/m N
Stylus type - Spherical
Stylus tip radius - R 18 μm
Tracking force range - 3.0-5.0 g (30-50 mN)
Tracking force recommended - 4.0 g (40 mN)
Tracking angle - 20°
Internal impedance, DC resistance - 1000 Ohm
Internal inductance - 580 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-400 pF
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DJ S Replacement stylus
DJ S is a solid-built cartridge in a blue nylon material. It has a fine spherical stylus and a special developed and extremely balanced cantilever that provides outstanding rigidity.
Not only does the cartridge have a most sufficient tracking ability, it is also nearly unbreakable and provides the DJs with the most needed stringency. Furthermore, it equals very low record wear, an advantage for busy DJ. The DJ series has been known to many as the "jack of all trades," with improved tracking, alongside of accurate sound reproduction. Featuring a low wear stylus design, the DJ provides excellent groove handling, even with less weight applied.
The DJ series of cartridges are great for any style of music, and has been a favored choice of DJs around the world!
DJ S Stylus Technical data
Output voltage at 1000Hz, 5cm/sec. - 6 mV
Channel balance at 1kHz - 2 dB
Channel separation at 1kHz - 23 dB
Channel separation at 15 kHz - 15 dB
Frequency response - 20-18.000 Hz 3dB/-2dB
Tracking ability at 315 Hz at recommended tracking force - 80 μm
Compliance, dynamic lateral - 9 μm/m N
Stylus type - Spherical
Stylus tip radius - R 18 μm
Tracking force range - 2.0-4.0 g (20-40 mN)
Tracking force recommended - 3.0 g (30 mN)
Tracking angle - 20°
Internal impedance, DC resistance - 750 Ohm
Internal inductance - 450 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-600 pF
Concorde cartridge weight - 18.5 g
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* ONLY FOR THE NEW CONCORDE GENERATION !!!
The CLUB stylus features
Replacement stylus offers a tactile feedback when seating, indicating a snug and secure fit, while a cut-out area in the front allows for far more accurate needle drops.
• Larger, wider and more robust stylus body
• Easier to grip and handle
• Better fix by metal spring
• Tactile feedback of correct mount
• Large stylus viewing cut‐outStylus CLUB Technical data
Output voltage at 1000Hz, 5cm/sec. - 8 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 25 dB
Channel separation at 15 kHz - 15 dB
Tracking ability at 315 Hz at recommended tracking force - 100 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Special Elliptical r/R 13/25 μm
Tracking force range - 2 - 4 g
Tracking force recommended - 3 g
Concorde cartridge weight - 18.5 g
Recommended exclusively for Concorde MkII CLUB
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Rotary mixer with 3-band frequency isolator, VCR filter and FX loop
Filter section with resonance and sweep control for creative sound shaping 3-band master frequency isolator with vintage ALPS potentiometers (Blue Velvet RK27) Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing
2 stereo input channels with gain control, clip LED, 3-way equalizer, FX Send and phono/line switching
2 microphone input channels with gain control, 2-way equalizer on air switch
2 effects send/return paths
Dual analog VU meter
Direct outputs for Timecode applications
High-grade components ensure long life and excellent sound quality
Booth output with separate 2-way equalizer and level control
Record output, independent of the master
Fully assignable VCA crossfader with adjustable curve
Outputs: master and booth (XLR/RCA L/R), record (RCA L/R), master insert send/return (RCA L/R), FX in/out (stereo jack)
Desktop console housing
TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 15 W
Protection class: Protection class I
Power connection: Mains input via IEC connector (M) mounting version power supply cord with safety plug (provided)
Frequency range: 20 - 20000 Hz
S/N ratio: >100 dB
THD: 100 dB
Klirrfaktor: <0,05 % bei 1 kHz
Gain: Line -12 dB bis +12 dB
Phono -40 dB bis +5 dB
FX 20 dB
Mikrofon 55 dB
DJ Filter: Zuweisbar: LPF, HPF,
Isolator: Master Gain:- ∞ bis +9
Low/Mid 300 Hz, 18db/Okt , Butterworth
Mid/High 4000 Hz, 18db/Okt , Butterworth
Steuerelemente: Netzschalter, Quellen-Umschalter, Crossfader, Crossfader-Wahlschalter, Crossfade-Curve Schalter; Cue-Mix-Split-Funktion, Klangregelung
Status LED: Power, Masterpegelanzeige, Clip, CUE
Anschlüsse: Eingang: Line über 2 x Stereo-Cinch
Eingang: Line/Phono über 2 x Stereo-Cinch
Eingang: Mikrofon über 1 x 3-pol XLR/6,35mm Klinke (W) Kombibuchse Einbauversion
Eingang: AUX Returns über 2 x 6,3-mm-Klinke (sym.)
Ausgang: Timecode über 2 x Stereo-Cinch
Ausgang: Kopfhörer über 2 x 6,3 mm Klinkenbuchse (stereo) Einbauversion
Ausgang: Kopfhörer über 1 x 3,5 mm Klinkenbuchse (stereo) Einbauversion
Ausgang: Rec. über 1 x Stereo-Cinch
Ausgang: Booth über 2 x 3-pol XLR
Ausgang: Booth über 1 x Stereo-Cinch
Ausgang: Master über 2 x 3-pol XLR
Ausgang: Master über 1 x Stereo-Cinch
Ausgang: AUX sends über 2 x 6,3-mm-Klinke (sym.)
Kanäle: Eingangskanal: 2 x Stereo mit Line-Line/Phono Schalter über Cinch, Kanalregelung über Rotary-Drehregler, Regler 3-Band EQ, Quellen-Umschalter, Gainregler, CUE-Schalter, FX Routing Schalter
Mikrofonkanal: 1 x Mono über Kombibuchse (XLR/KLINKE), Kanalregelung über Rotary-Drehregler, Regler 2-Band EQ, ON AIR Schalter
Master-Ausgang: 1 x Stereo über XLR oder Cinch, Kanalregelung über Rotary-Drehregler
Booth-Ausgang: 1 x Stereo über XLR oder Cinch, Kanalregelung über Rotary-Drehregler, Regler 2-Band EQ
Rec. Ausgang: 1 x Stereo über Cinch, Kanalregelung über Rotary-Drehregler
Kopfhörer-Ausgang: Stereo über Klinke, Kanalregelung über Rotary-Drehregler
Max. Pegel: Ausgang: +21 dBu
Material: Metall; Aluminium
Gehäusebauform: Tischpultgehäuse
Maße: Breite: 45 cm
Tiefe: 26 cm
Höhe: 16 cm
Gewicht: 5,50 kg
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Cocoon Replacement stylus
The Ortofon-Cocoon is the ultimate Club cartridge of superb sound quality!
Ortofon-Cocoon Twin Set Limited edition of 500 units was introduced at the Frankfurt Music Trade Show 2013.
Special cartidge design developed by the famous Club Brand Cocoon.
Features:
- Direct SME mounting for easy set-up
- Special Elliptical stylus, which can stand up to heavy back-cueing
- High output for clear sound from a mixer/preamplifier
- Premium sound quality
- Extra value package includes Stylus protection guards/pair and a Stylus brush
Cocoon Stylus Technical data
Output voltage at 1000Hz, 5cm/sec. - 8 mV
Channel balance at 1kHz - 1,5 dB
Channel separation at 1kHz - 23 dB
Channel separation at 15 kHz - 15 dB
Frequency response - 20-20.000 Hz +/-1,5 dB
Tracking ability at 315 Hz at recommended tracking force - 80 μm
Compliance, dynamic lateral - 7 μm/m N
Stylus type - Special Elliptical
Tracking force range - 2.0-5.0 g (20-50 mN)
Tracking force recommended - 3.0 g (30 mN)
Concorde cartridge weight - 18.5 g
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"analogis Phono-Pre-Amplifier »easy Phono«
MM-Cartridge only - RCA & DIN connectors
Gold plated RCA connectors, incl. Ground connection screw
External power supply unit"
Technical data:
Cinch & DIN 5-pin:
Input 5 mV / 100 kOhm 1 kHz. Max. Inpunt 30 mV
Output 450 mV / 100 kOhm / 1 kHz
Frequency range: 18 Hz – 20.000 Hz
External Voltage Distance: >50 dB.
Size: 100 x 65 x 35 mm
External Power Supply:
Primary 230 V~ / 50 Hzm / 8,7 W
Secundary 12 V= / 300 mA / 3,6 W
Stand By Power Consumption: <0,3
"analogis Phono-Vorverstärker »easy Phono«
MM-Entzerrer-Vorverstärker - Cinch & DIN Anschlüsse
Cinch-Anschlüsse vergoldet, inkl. Masseschraube
Externes Netzteil"
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Stereo line isolator with RCA sockets
Passive stereo line isolator
For avoiding signal interference and ground loop problems
Galvanic isolation of inputs and outputs
Two high-quality audio transformers
All connections via RCA connectors
Rugged metal housing
Technical specifications
Frequency range: 20 - 30000 Hz
S/N ratio: >95 dB
THD: 95 dB
Klirrfaktor: <0,001 % bei 1 kHz
Impedanz: Eingang 15 kOhm
Ausgang 15 kOhm
Anschlüsse: Eingang: 1 x Line über Stereo-Cinch
Ausgang: 1 x Line über Stereo-Cinch
Maße: Breite: 6,7 cm
Tiefe: 4,2 cm
Höhe: 3,1 cm
Gewicht: 110 g
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Belt drive DJ turntable, silver
Delivery includes pick-up system
Adjustable ±10 % speed control
Large start/stop button
Strobe lamp for exact speed adjustment
Delivery includes removable dustcover
Adjustable anti-skating
Shock-absorbing feet
Power supply: 115/230 V AC, 50/60 Hz
Power consumption: 8.00 W
Protection class: Protection class II
Power connection: Fixed Power supply cord with Euro plug
Drive type: Belt Drive
Brushless DC motor
Drive: Start time: 1 sec.
Stop time: 1 sec.
Speed change time: <1s 1khz 5cm/sec
Wow and flutter: <0.25 % WRMS
Rumble: 50 dB DIN B
Speed: 33 RPM, 45 RPM
Tonearm: S-shape with Cardan''s suspension
Length: 220
Overhang: 10 mm
stylus pressure: 0-4 g, adjustable
output level: phono 1.7-3.5 mV/ 1 kHz 5 cm/sec
Color: Silver
Connections: Output: phono via Stereo RCA
Pitchrange: ±10%
Material: Plastic
Width: 45 cm
Height: 14.5 cm
Depth: 35 cm
Weight: 3.2 kg
Turntable platter
Material: Plastic
Diameter: 33 cm
Weight: 0.3 kg
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Elektro Replacement stylus
Every professional ought to try the Elektro, a techno cartridge made by a team of highly qualified technicians and experienced and capable DJs. Despite its sleek white styling, the Elektro isn't just another pretty face. Also featuring a reinforced rubber suspension, the Elektro is the perfect hybrid needle for the artist who both mixes and scratches.
Enhanced tracking ability and excellent sound quality combine to form a unique balance of form and functionality. With bold, round sound, the Elektro brings your music to life, whether you're in the club or the studio
Unaffected by extreme sound pressure and repeated vibrations, it has a very high output. The musical performance is always first-rate and the tracking ability of the spherical diamond stylus is quite good.
Elektro Stylus Technical data
Output voltage at 1000Hz, 5cm/sec. - 7.5 mV
Channel balance at 1kHz - 1,5 dB
Channel separation at 1kHz - 25 dB
Channel separation at 15 kHz - 15 dB
Frequency response - 20 – 18.000 Hz +3/-2 dB
Tracking ability at 315 Hz at recommended tracking force - 80 μm
Compliance, dynamic lateral - 6 μm/m N
Stylus type - Spherical
Stylus tip radius - R 18 μm
Tracking force range - 3.0-5.0 g (30-50 mN)
Tracking force recommended - 4.0 g (40 mN)
Tracking angle - 20°
Internal impedance, DC resistance - 750 Ohm
Internal inductance - 450 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-600 pF
Concorde cartridge weight - 18.5 g
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Pro Replacement Stylus
Great performance and durability as to basic scratch and back-cueing is what the Pro is known for.
It has a good quality spherical stylus, a rock-solid cantilever, and serves general purposes well.
The Pro is the logical alternative to the more expensive expert carts. It offers both reasonable output and high sound quality which is, in fact, all there is needed to entertain an audience.
The Pro Series of cartridges provides a great balance of sound quality with tracking ability, for virtually any style of music. With flat, transparent sound across the spectrum and excellent handling ability, the Pro Series represents one of the longest running values in DJ cartridges.
Ideal choice for talented, but less experienced DJs!
Pro Stylus Technical Data
Output voltage at 1000Hz, 5cm/sec. - 5 mV
Channel balance at 1kHz - 1,5 dB
Channel separation at 1kHz - 20 dB
Channel separation at 15 kHz - 15 dB
Frequency response - 20-20.000 Hz +3/-2 dB
Tracking ability at 315 Hz at recommended tracking force - 70 μm
Compliance, dynamic lateral - 7 μm/m N
Stylus type - Spherical
Stylus tip radius - R 18 μm
Tracking force range - 3.0-5.0 g (30-50 mN)
Tracking force recommended - 4.0 g (40 mN)
Tracking angle - 20°
Internal impedance, DC resistance - 750 Ohm
Internal inductance - 450 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-600 pF
Concorde/OM cartridge weight - 18.5 / 5.0 g
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1-channel stereo phono preamplifier
For connecting a turntable via stereo RCA sockets
RCA output for connecting active speakers or stereo system
Can be connected directly with the power amplifier via jack socket
Ground terminal for avoiding hum
Operation via supplied power unit
Technical specifications
Power supply: 100-240 V AC, 50/60 Hz
12 V DC 150 mA
Power connection: Mains input Coaxial power connector (M) Power supply cord with AC adapter (provided)
Frequency range: 20 - 20000 Hz
S/N ratio: >84 dB
THD: 84 dB
Klirrfaktor: <0,02 % bei 1 kHz
Impedanz: Eingang 47 kOhm
Gain: 30 dB
Anschlüsse: Eingang: 1 x Phono über Stereo-Cinch
Ausgang: 1 x Line über Stereo-Cinch
Ausgang: 1 x Line über 6,3 mm Klinkenbuchse (stereo) Einbauversion
Max. Pegel: Ausgang: +4 V
Material: Metall
Farbe: Silber
Maße: Breite: 9,5 cm
Tiefe: 8,9 cm
Höhe: 4 cm
Gewicht: 460 g
Externes Netzteil
Spannungsversorgung: 230 V AC, 50 Hz
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Dual Moving Magnet Stereo Cartridge
Cartridge & Stylus
Frequenzbereich 20 to 18,000 Hz
Kanaltrennung 20 dB (1 kHz)
Vertikaler Abtastwinkel 20 degrees
Schaftform der Nadel Bonded Round Shank
Empfohlene Lastimpedanz 47,000 Ω
AT-XP3
Dual-Moving-Magnet-Stereotonabnehmer
Tonabnehmer der Serie AT-XP sind perfekte Partner für alle Vinyl-DJs, denn sie kombinieren die Features robuster DJ-Tonabnehmer mit erstklassigem HiFi-Sound – ideal für Live-Auftritte und alle Club-DJs, die Wert auf eine hervorragende Klangqualität legen.
Audiophiler DJ-Tonabnehmer mit konischer Abtastnadel
VM-Dualmagnetsystem
Robustes, langlebiges System für anspruchsvolle DJ-Einsätze
Ausgangspegel und -impedanz für professionelle DJ-Anlagen geeignet
Carbonfaser-verstärkter ABS-Nadelträger und Nylon-Aufhängung für präzises Tracking
Upgrade-fähig: Kompatibel mit Ersatznadeln ATN-XP5 und ATN-XP7
Lieferbare Konfigurationen: Tonabnehmer, einzeln (AT-XP3), Ersatznadel (ATN-XP3) und Komplettsystem mit Headshell AT-HS6BK (AT-XP3/H)
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Features:
0.3 x 0.7 mil elliptical bonded stylus tip
Highly rigid, lightweight polyphenylene sulfide (PPS)/glass fiber body
6.0 mV high-output level
Tracking force of 2.0 to 4.0 grams (3.0 grams standard)
Stainless wire suspension, double-layered rubber damper and tapered aluminum cantilever ensure precise tracking
Design offers maximum visibility of the stylus tip
Great tracking and channel separation for high-fidelity sound
Universal ½"-mount headshell for 4-pin turntable cartridges
Sprecifications
Cartridge & Stylus
Frequency Response 20-20,000 Hz
Channel Separation 22 (dB at 1 kHz)
Vertical Tracking Angle 20°
Vertical Tracking Force 2.0-4.0 g (3.0 g standard)
Stylus Construction Bonded round shank
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- Frequenzgang: 20 Hz - 18 kHz
- Ausgangsspannung (5 cm/s): 5 mV
- Auflagekraftbereich: 3 - 5 g
- empfohlene Auflagekraft: 4 g
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The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminum platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.
Features:
Experience high-fidelity audio and professional DJ performance
Direct-drive, high-torque servo motor with speed stabilization
Fully manual operation
Adjustable dynamic anti-skate control
Selectable 33/45/78 RPM speeds
Professional anti-resonance, mass-damped, die-cast aluminum platter with felt mat
AT-HS6 universal ½"-mount headshell and AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus
Balanced S-shaped tonearm with hydraulically damped lift control, height adjustment, and lockable rest
Dedicated phono-level output (5.5 mV)
Stroboscopic platter with speed indicator
Forward/reverse operation and variable pitch control with quartz speed lock
Popup stylus target light for easier cueing in low light
Damped base construction for reduced low-frequency feedback coloration
Includes: detachable RCA output cable (dual RCA male to dual RCA male), power cable, 45 RPM adapter, counterweight, felt mat, and removable hinged dust cover
Turntable
Type 3-speed, fully manual operation
Motor High-torque DC motor
Drive Method Direct drive
Speeds 33-1/3 RPM, 45 RPM, 78 RPM
Turntable Platter Die-cast aluminium
Starting Torque 2.2 kgf-cm
Wow and Flutter 50 dB
Output Level 5.5 mV nominal at 1 kHz, 5 cm/sec
Power Supply Requirements 115/230V AC, 60/50 Hz
Weight 10.0 kg
Pitch Variation +/-8% or +/-16% or +/-24%
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Features:
direkte SME-Befestigung
Nadelschliff sphärisch
sehr gut zum Scratchen geeignet
sehr guter Klang
hoher Ausgangspegel
Technische Daten:
Frequenzgang: 20 Hz - 18 kHz
Ausgangsspannung (5 cm/s): 6 mV
Auflagebereich: 2 - 5 g
empfohlene Auflagekraft: 4 g
Gewicht: 18,5 g
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On January 10, 1963, recording sessions for this world premiere recording of Britten's War Requiem were completed in London. In 2023, sixty years later, Decca has made new high-resolution 24-bit/192 kHz transfers of the original quarter-inch stereo master tapes at British Grove Studios for the best possible sound quality. Conducted by the composer and featuring the three soloists (Galina Vishnevskaya, Peter Pears, Dietrich Fischer-Dieskau) for whom the work was written, this still remains for many the reference recording par excellence. The truly comprehensive companion book includes excerpts from John Culshaw's autobiography, "Putting the Record Straight," recollections from three members of the original 1963 Decca recording team, technical notes, extensive essays on the War Requiem and the recording sessions, and rare, never-before-seen photographs.
debe ser publicado en 03.11.2023
'Noir Désir En Public, traces the group's final triumphant tour in 2001 and 2002 which followed the release of the album “Des Visages Des Figures”. When it was released in 2005, this live performance, now legendary, went straight to number 1 in the best-selling albums. Offered for the first time on vinyl, the sound has been remastered in 24 bits / 96 KHZ from vintage analog tapes under the supervision of the group. The live version of the iconic title Aux dark heroes at the Paléo festival is available for the first time .Reviews and Ads –
R2,Mojo and London Macadam
debe ser publicado en 06.10.2023
Every Aspect of the Production Personally Supervised by Barbra Streisand
Mixed by Jochem van der Saag from the Original Analogue Session Tapes & Mastered in 24 bit/96 kHz by Paul Blakemore
Lacquer Pressing Master Created by Bernie Grundman
Pressed at RTI
Tip-On Gatefold Jacket
Deluxe 12-Page Booklet Featuring Barbra's Recollections, the Recording's History & Production, and Performance Photos
The Premiere New York City Nightclub Event of 1962! The Most Anticipated Live Album of 2022!
In the fall of 1960, New York City wasn't the same urban mecca it is today. Neither was eighteen-year old Barbra Streisand, who emerged on the Greenwich Village club scene at a small, cozy venue on West 8th Street called the Bon Soir, where she received rave reviews and wooed the crowd with her incredible performances. Within two years Streisand, whose magnificent interpretations of both standards and quirky, obscure cabaret tunes was a nationwide sensation, was knocking audiences dead with her nightly performance as Miss Marmelstein in David Merrick's I Can Get It For You Wholesale on Broadway.
Sixty years, multiple Grammy, Emmy, Oscar, Tony and Golden Globe awards and nearly two hundred million record sales later, Barbra has for the first time authorized the release of a major portion of her Bon Soir performances, as captured in 1962 by Columbia Records. IMPEX Records - in conjunction with Sony Music Entertainment - is proud to present the audiophile 180-gram vinyl LP and SACD editions of the most sought-after recordings in Barbra's legendary career: Live at the Bon Soir: Greenwich Village, NY - November 1962. This gorgeous album features twenty-four brilliant performances personally selected by Barbra Streisand from the original Bon Soir master tapes and expertly mixed and mastered by Paul Blakemore and Jochem van der Saag, under the supervision of producers Barbra Streisand, Martin Erlichman and Jay Landers.
IMPEX RECORDS has created two versions of this noteworthy release: a two-LP vinyl edition and a 24 bit / 96 kHz SACD. To achieve the best fidelity possible, engineer Paul Blakemore transferred the original three-track session tapes to high-resolution 96/24-bit digital files, which were then mixed by Jochem van der Saag. For mastering, Blakemore used an all-analog signal-processing chain in order to maintain the warmth of the original analogue recordings. To master the vinyl LP edition, IMPEX engaged Bernie Grundman, who has mastered many of Barbra's albums over the last sixty years, to create the lacquer pressing master.
Rich with the club's atmosphere, these historic, essential recordings present a warm, charming portrait of a truly important moment in New York City history and American pop culture. Several years removed from Manhattan's flourishing jazz nightclub scene, tiny clubs such as the Bon Soir began popping up, and served as both a forum and launching pad for some of the finest vocalists and musicians the east coast had to offer.
Because of Barbra's success there, Columbia Records A&R rep David Kapralik decided that the first album from his newly-signed artist would emanate from a setting in which she had become most comfortable: the small stage at the Bon Soir. Producer Mike Berniker and recording engineers Roy Halee and Adjutor "Pappy" Theroux set up the mics and recorders, and for three nights harnessed the electrifying show that Barbra had crafted.
"The recordings we did at the Bon Soir were so authentically 'Barbra.' I produced her first three albums at Columbia, and while they were wonderful accomplishments, I thought that what she did each night at the Bon Soir transcended anything we ever did in the studio." - Mike Berniker
Columbia ultimately decided to bring Barbra into the studio to record her first album, and except for the inclusion of several tracks on compilations through the years, the Bon Soir tapes laid dormant in the vault. Now, through this extraordinary release, everyone can at last enjoy the early sound and style of an icon in-the-making: the same brilliant artist whose performances at the Bon Soir were lauded by everyone from actress Helen Hayes to lyricists Alan and Marilyn Bergman. We invite you to join us for an evening at the fabled Bon Soir. Take a seat, order a drink and revel in the magic that is Barbra. You will not be disappointed!
debe ser publicado en 30.04.2023
Die lang erwartete offizielle Veröffentlichung von "Thy Kingdom Come"! "Thy Kingdom Come", das ursprünglich am 30. Juni 1998 auf Dr. Dre's Aftermath Entertainment veröffentlicht werden sollte, ist das fünfte Studioalbum von King Tee. Zur gleichen Zeit Aufgenommen wie die Multi-Platin-Alben Dr. Dre - "2001" und Eminem - "The Slim Shady LP", enthält "Thy Kingdom Come" Gastauftritte von Dr. Dre, MC Ren (N.W.A.), DJ Quik, Too $hort, NBA-Legende Shaquille O'Neal, Ice-T, Kool G Rap, Dawn Robinson (En Vogue, Lucy Pearl) - um nur einige zu nennen. Für die Produktion des Albums zeichnen sich Dr. Dre (Eminem, 50 Cent, Snoop Dogg, Xzibit), Mike Dean (Kanye West, Beyoncé, The Weeknd, Jay-Z), DJ Quik (2Pac, Snoop Dogg), Bud'da (Aaliyah, Ice Cube) und Dr. Dre's Aftermath-Produzenten DJ Battlecat, Stu B Doo, Chris "The Glove" Taylor und Fredwreck sowie Ant Banks, Step One und SLJ verantwortlich. Das Album wurde von Dr. Dre gemischt und überwacht. Remastert in hochauflösendem 24-bit 44.1 kHz Audio im Jahr 2022.
debe ser publicado en 14.04.2023
Die lang erwartete offizielle Veröffentlichung von "Thy Kingdom Come"! "Thy Kingdom Come", das ursprünglich am 30. Juni 1998 auf Dr. Dre's Aftermath Entertainment veröffentlicht werden sollte, ist das fünfte Studioalbum von King Tee. Zur gleichen Zeit Aufgenommen wie die Multi-Platin-Alben Dr. Dre - "2001" und Eminem - "The Slim Shady LP", enthält "Thy Kingdom Come" Gastauftritte von Dr. Dre, MC Ren (N.W.A.), DJ Quik, Too $hort, NBA-Legende Shaquille O'Neal, Ice-T, Kool G Rap, Dawn Robinson (En Vogue, Lucy Pearl) - um nur einige zu nennen. Für die Produktion des Albums zeichnen sich Dr. Dre (Eminem, 50 Cent, Snoop Dogg, Xzibit), Mike Dean (Kanye West, Beyoncé, The Weeknd, Jay-Z), DJ Quik (2Pac, Snoop Dogg), Bud'da (Aaliyah, Ice Cube) und Dr. Dre's Aftermath-Produzenten DJ Battlecat, Stu B Doo, Chris "The Glove" Taylor und Fredwreck sowie Ant Banks, Step One und SLJ verantwortlich. Das Album wurde von Dr. Dre gemischt und überwacht. Remastert in hochauflösendem 24-bit 44.1 kHz Audio im Jahr 2022.
debe ser publicado en 14.04.2023
Eines der kultigsten und einflussreichsten Alben aller
Zeiten, The Dark Side Of The Moon von Pink Floyd, feiert
jetzt sein 50-jähriges Jubiläum.
Das neue Deluxe-Box-Set enthält eine CD und ein
Gatefold-Vinyl des Studioalbums, das von James Guthrie
neu gemastert wurde sowie eine Blu-ray und eine DVD
mit dem ursprünglichen 5.1-Mix und einer neu
gemasterten Stereoversion. Das Set enthält außerdem
eine neue Blu-ray Disc mit dem Atmos-Mix sowie CD und
LP von "The Dark Side of The Moon - Live At Wembley
Empire Pool, London, 1974".
Eine frühe Version von The Dark Side of The Moon
wurde im Rainbow Theatre in London uraufgeführt, einige
Monate bevor die Band ins Studio ging. Es wurde in
zwei Sessions in den Jahren 1972 und 1973 in den EMI
Studios (heute Abbey Road Studios) in London
aufgenommen. Es ist das achte Studioalbum von Pink
Floyd und wurde ursprünglich im März 1973
veröffentlicht. Die kultige Albumverpackung, die ein
Prismenspektrum darstellt, wurde von Storm Thorgerson
von Hipgnosis entworfen.
BOXSET BEINHALTET:
CD1 – THE DARK SIDE OF THE MOON
Neu gemastert 2023 von James Guthrie
im Klappcover mit 12-seitigem Booklet
CD2 – THE DARK SIDE OF THE MOON
LIVE AT WEMBLEY EMPIRE POOL, LONDON, 1974
Abgemischt von Andy Jackson
im Klappcover mit 12-seitigem Booklet
LP1 – THE DARK SIDE OF THE MOON
Neu gemastertes Original-Studioalbum
im Klappcover, mit den damaligen Postern und Aufklebern
LP2 – THE DARK SIDE OF THE MOON
LIVE AT WEMBLEY EMPIRE POOL, LONDON, 1974
Im Klappcover, mit 2 Postern
BLU-RAY 1 (AUDIO)
Original-Album 5.1 und remasterte Hi-res-Stereomischungen,
in speziellem Etui:
1. 5.1 Surround Mix - 24bit/96kHz unkomprimiert
2. Stereo Mix - 24bit/192kHz unkomprimiert
3. 5.1-Surround-Mix - dts-HD MA
4. Stereo-Mix - dts-HD MA
BLU-RAY 2 (AUDIO)
Original-Album Atmos und remasterte Hi-res-Stereomischungen,
in spezieller Einfassung:
1. Dolby Atmos Mix
2. Stereo Mix – 24-bit/192kHz unkomprimiert
3. Stereo Mix – dts-HD MA
DVD (AUDIO)
Original-Album 5.1 und remasterte Stereomischungen,
in spezieller Einfassung:
1. 5.1 Surround-Mix - Dolby Digital @448 kbps
2. 5.1 Surround-Mix - Dolby Digital @640 kbps
3. Stereo Mix (LPCM) - 24-bit/48 kHz unkomprimiert
160-SEITIGES THAMES & HUDSON HARDCOVER-BUCH
Mit seltenen Schwarz-Weiß-Fotografien von den UK- und US-Touren 1972-1975 von
Jill Furmanovsky, Peter Christopherson, Aubrey Powell, Storm Thorgerson
76-SEITIGES NOTENBUCH
des Originalalbums
ERINNERUNGSSTÜCKE:
REPRODUKTIONEN VON ZWEI 7”-SINGLES
in Harvest-Taschen:
7" Single 1 Money/Any Colour You Like
7" Single 2 Us And Them/Time
debe ser publicado en 24.03.2023
All-star jazz session WINNERS CIRCLE recorded in New York, September & October 1957. Featuring the musicians who came first or second in Down Beat’s critics’ poll of 1957. Reproduction of rare 1961 alternate album art and title credited to JOHN COLTRANE IN THE WINNERS CIRCLE. Featuring Donald Byrd, Kenny Burrell, Art Farmer, Philly Joe Jones, Oscar Pettiford and more. Remastered 96 kHz/24 bit audio H Pressed on 180 gram black vinyl at GZ Media in Czech Republic.
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180g LP + 10" im Gatefold mit Thermographie, bedruckten Innenhüllen und Download Coupon. GY!BE kehrt mit einem weiteren Soundtrack für unsere Zeit zurück, wie ihn nur dieses unnachahmliche und ehrwürdige Ensemble schmieden kann. Das neue Album besteht aus zwei fesselnden, 20-minütigen, LP-Seiten füllenden Epen aus lärmgetränktem Breitwand-Post-Rock, während die beiden begleitenden 6-minütigen Stücke der 10" die Band aus Kanada in ihrer verheerendsten, eindringlichsten und elegischsten Form zeigen. Unerbittliches Tuckern blüht auf, während einige der hochfliegenden, brennenden Melodien der Band inmitten von Geigen- und Basskontrapunkt abprallen und zusammenlaufen. Field Recordings und aufgewühlte, halb-improvisierte Passagen umrahmen diese inbrünstigen Epen. Ergreifende Atmosphären, geräuschhafte Orchestrierung, Drone, hypnotische Swingtime-Crescendos, unaufhaltsam geschichtete Türme aus verzerrtem Klargesang: STATE'S END verkörpert jede geliebte Facette der Band. Fünfundzwanzig Jahre später ist dieses neue Album so vital, mitreißend, zeitgemäß und unerbittlich wie jedes andere in der geschichtsträchtigen Diskographie von Godspeed You! Black Emperor. So wie STATE'S END die ganze Bandbreite der klanglichen Trademarks von Godspeed vereint, so umspannt auch das Album-Artwork die gesamte visuelle Geschichte der Band: die körnige, monochromatische Fotografie der letzten Veröffentlichungen findet ihren Weg auf die Innenhüllen, während das Klappcover auf die ikonischen Grafiken früherer Klassiker wie Slow Riot For New Zero Kanada und Lift Your Skinny Fists Like Antennas To Heaven zurückgreift. STATE'S END ist mit Illustrationen von William Schmiechen versehen, wobei die Taijitu-Blumen auf der Vorderseite und die Tränengaskanister auf der Rückseite des Covers in erhabener, thermografischer, schwarzer Tinte auf dem Doppelvinyl-Albumcover abgebildet sind. Das leuchtende Kreuz von Godspeeds Debütalbum F#A#INFINITY taucht auch auf der Innenseite des Klappdeckels wieder auf, als wiederkehrende Hommage an das elektrifizierte Hügelkreuz in der Heimatstadt der Band in Montreal. STATE'S END wurde im Oktober 2020 in Montreal im Homebase-Studio der Gruppe, Thee Mighty Hotel2Tango, von Jace Lasek aufgenommen und abgemischt, dem altgedienten und preisgekrönten Indie-Produzenten (und Mitbegründer von The Besnard Lakes), der mit Godspeed bei dieser Aufnahme zum ersten Mal zusammenarbeitet. Danke fürs Zuhören. UNSERE SEITE MUSS GEWINNEN. (R.I.P. D.H.) ENG audiophile 180gLP + 10" in gatefold jacket with thermography, colour flood interior, artworked inners, DL card. GYBE returns with another soundtrack for our times, like only this inimitable and venerable ensemble can forge. As the heretical impudence of the anarcho-punk title implies, Godspeed harnesses some particularly raw power, spittle and grit across two riveting 20-minute side-length trajectories of noise-drenched widescreen post-rock: inexorable chug blossoms into blown-out twang, as some of the band's most soaring, searing melodies ricochet and converge amidst violin and bassline counterpoint. Field recordings and roiling semi-improvised passages frame these fervent epics, and two shorter self-contained 6-minute pieces find the band at its most devastatingly beautiful, haunting and elegiac. Poignant atmospherics, noisedrenched orchestration, drone, hypnotic swingtime crescendos, inexorably-layered towers of distorted clarion sound: STATE'S END encapsulates every beloved facet of the band. Twenty-five years on, this new album is as vital, stirring, timely and implacable as any in Godspeed You! Black Emperor's storied discography. Just as STATE'S END summons the gamut of Godspeed's constituent sonic trademarks, so the album artwork spans the entirety of the band's visual history: the grainy monochromatic photography of recent releases finds its way onto the inner sleeves, while the gatefold cover art harkens back to the iconic graphics of earlier classic records like Slow Riot For New Zero Kanada and Lift Your Skinny Fists Like Antennas To Heaven. STATE'S END features illustrations by William Schmiechen, with the front cover taijitu flowers and back cover tear gas canisters rendered in raised thermographic black ink on the double-vinyl album jacket. The illuminated cross from Godspeed's debut F#A#8 also makes a reappearance on the inside gatefold drawing, in recurrent homage to the electrified hilltop landmark crucifix of the band's Montreal hometown. STATE'S END was recorded and mixed in Montreal in October 2020 at the group's homebase studio Thee Mighty Hotel2Tango by Jace Lasek, the veteran awardwinning indie producer (and co-founder of The Besnard Lakes) who works with Godspeed for the first time on this recording. Thanks for listening. OUR SIDE HAS TO WIN. (R.I.P. D.H.)
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"Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), Silver Apples quickly gained a reputation as New York's leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become 'Krautrock'. Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. 'Silver Apples... a beautiful and mysterious artifact.' - New York Times.
Sales points
- New 24 bit /96 kHz transfer taken from the original master tapes.
- Limited Blue Sky Colored Vinyl
- First Reissue from Original Tapes
- Currently Touring in the US and Europe
- 'Oscillations' featured in Pitchforks Top 200 songs from the 60's.
debe ser publicado en 12.11.2021
Chopin has long been at the heart of Martha Argerich’s repertoire and artistry and in June 2021, the musical world will celebrate the Argentine pianist’s 80th birthday which Deutsche Grammophon marks with this release of her complete Chopin recordings on the Yellow Label. The booklet includes liner notes by Wolfram Goertz on Argerich’ Chopin in English, German and French. The BDA is remastered in high definition at 24-bit and holds the following audiophile formats: Stereo DTS-HD MA 2.0 – 24 bit / 192 kHz. Surround DTS-HD MA 5.1 – 24 bit / 96 khz. Dolby Atmos – 24 bit / 48 khz.
debe ser publicado en 07.05.2021
Der zuverlässige Allzweck Tonabnehmer mit sphärischer Nadel sorgt für eine starke Rillenlage bei optimaler Festigkeit bei geringer Reibungsverzerrung.
Features:
direkte SME-Befestigung
Nadelschliff sphärisch
sehr gut zum Scratchen geeignet
sehr guter Klang
hoher Ausgangspegel
Technische Daten:
Frequenzgang: 20 Hz - 18 kHz
Ausgangsspannung (5 cm/s): 6 mV
Auflagebereich: 2 - 5 g
empfohlene Auflagekraft: 4 g
Gewicht: 18,5 g
Haga su pedido ahora y le encargaremos el artículo en nuestro proveedor.
The funk king of Sweden is back! After having major success in the 1990s, selling hundreds of thousands of records all over the world and touring with the likes of Tina Turner, Paulo Mendonca returns with 'Does Anybody Wanna Funk'
In the early 1990s Mendonca released three chart-topping albums. Now, his first full length release for eighteen years is easily identifiable by his signature guitar sound and funky grooves, the intense playing and strong melodies topped off with tongue-in-cheek lyrics.
The vinyl version of the album includes two exclusive tracks that are not on the CD version plus a download code for a high resolution 24 bit/96 KHz digital download.
Tracks: BBB / Me and My Friends / Yeah Yeah Yeah / Birds and the Bees / Heaven / Diving In (exclusive to the vinyl version) / 21 Century / On Top / Music is the Power / Honey / Doggystyle / Someone's Lover (exclusive to vinyl version)
debe ser publicado en 27.09.2013
