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Nach dem Erfolg der ersten zehn Alben der Vinyl Edition von Hyperion (veröffentlicht im September 2024
und März 2025) folgen nun sechs weitere LPs. Alle Alben erscheinen erstmals auf Vinyl und zeigen weltweit
tourende Künstler, mit denen das Label seit langem eng zusammenarbeitet. Jeder der sechs Titel wird als
limitierte 180g-LP erscheinen, die in einem vollfarbigen Gatefold präsentiert wird und mit einem Begleitheft
ausgestattet ist.
Die Kritikerin von Gramophone erwartete „außergewöhnliche Dinge“ von Marc-André Hamelin in CPE
Bachs Sonaten & Rondos. Man kann mit Sicherheit sagen, dass sich ihr Instinkt als richtig erwiesen hat:
„Kurz gesagt, ich kann mir keine bessere Einführung in CPE Bach auf dem modernen Klavier vorstellen“.
Dies ist ein 2LP-Set.
Der Pianist Marc-André Hamelin ist weltweit bekannt für seine unvergleichliche Mischung aus vollendeter
Musikalität und brillanter Technik in den großen Werken des etablierten Repertoires sowie für seine unerschrockene Erkundung der Raritäten des 19., 20. und 21. Jahrhunderts - in Konzerten und auf Aufnahmen,
die ihn zu einer wahren Ikone des Klaviers machen.

Nach dem Erfolg der ersten zehn Alben der Vinyl Edition von Hyperion (veröffentlicht im September 2024
und März 2025) folgen nun sechs weitere LPs. Alle Alben erscheinen erstmals auf Vinyl und zeigen weltweit
tourende Künstler, mit denen das Label seit langem eng zusammenarbeitet. Jeder der sechs Titel wird als
limitierte 180g-LP erscheinen, die in einem vollfarbigen Gatefold präsentiert wird und mit einem Begleitheft
ausgestattet ist.
„Absolut herausragend“, „ein wildes neues Talent“ und „elektrisierend“ sind nur einige der Superlative, mit
denen Andrey Gugnins Hyperion-Debütalbum mit Schostakowitschs Präludien und Klaviersonaten bei seiner
Veröffentlichung 2019 überhäuft wurde. Gugnin war der Gewinner des Internationalen Klavierwettbewerbs
von Sydney 2016, „von dessen Klavierspiel man einfach nicht genug bekommen kann“ (Gramophone).
Der in Moskau geborene Konzertpianist Andrey Gugnin erlangt schnell internationale Anerkennung als
leidenschaftlicher Virtuose, der über eine „außerordentlich vielseitige und agile Technik verfügt, die einer oft
inspirierten musikalischen Fantasie dient“ (Gramophone). Als gefragter Konzertsolist wurde Andrey Gugnin
zu Gastauftritten mit namhaften Orchestern auf der ganzen Welt eingeladen: dem London Philharmonic
Orchestra, dem Danish National Symphony Orchestra und dem Mariinsky Theatre Orchestra, um nur einige
zu nennen.

Nach dem Erfolg der ersten zehn Alben der Vinyl Edition von Hyperion (veröffentlicht im September 2024
und März 2025) folgen nun sechs weitere LPs. Alle Alben erscheinen erstmals auf Vinyl und zeigen weltweit
tourende Künstler, mit denen das Label seit langem eng zusammenarbeitet. Jeder der sechs Titel wird als
limitierte 180g-LP erscheinen, die in einem vollfarbigen Gatefold präsentiert wird und mit einem Begleitheft
ausgestattet ist.
Alina Ibragimovas Aufnahme der Solo-Violinkonzerte von Bach mit Jonathan Cohen und Arcangelo wurde
bei ihrer CD-Veröffentlichung von der Kritik durchweg gelobt. Gramophone begrüßte sie als „eine herausragende und unverwechselbare Ergänzung zu einem Katalog, der aus allen Nähten platzt“, und Classic FM
lobte Ibragimova für ihr „Spiel auf höchstem Niveau“.
Als Interpretin von Barockmusik bis hin zu neuen Kompositionen auf modernen und historischen Instrumenten hat sich Alina Ibragimova einen Ruf für ihre Vielseitigkeit und die „Unmittelbarkeit und Ehrlichkeit“
(The Guardian) ihrer Darbietungen geschaffen. Alina Ibragimova ist unter anderem mit Orchestern wie
dem Symphonieorchester des Bayerischen Rundfunks und dem London Philharmonic sowie den Dirigenten
Sir John Eliot Gardner und Jakub Hrůša aufgetreten.

»Ein Soundtrack zu meinem Leben« – so beschreibt Eunike Tanzil ihr Debütalbum The First of Everything.
Das Album ist ein Mosaik aus zwölf musikalischen Momentaufnahmen, die prägende erste Erfahrungen im
Leben dieser außergewöhnlichen jungen Komponistin widerspiegeln.
Aufgenommen in Berlin mit dem Deutschen Symphonie-Orchester unter Anna Handler, präsentiert das
Album orchestrale Klangwelten voller Freiheitsgefühl, Abenteuergeist und emotionaler Tiefe – von minimalistischen Kompositionen bis hin zu ausladenden klanggewaltigen Passagen. Zu hören sind Eunike Tanzil
am Klavier und Sophie Kauer als Solistin am Cello.
»Hinter jedem Track steckt eine Geschichte, ein persönliches Erlebnis, eine erste Erfahrung – das Album
ist ein Mosaik von Schlüsselmomenten, die mich zu dem Menschen gemacht haben, der ich heute bin«,
so Eunike. »Ich bin sehr dankbar und fühle mich geehrt, Teil dieses Projekts mit so vielen großartigen
Musikerinnen und Musikern zu sein.«

Das erste Live-Album der coolen Fachleute für heiße Musik!
Mit ihrem Studio-Debütalbum haben LA LOM aus Los Angeles die Messlatte für groovende Latin- und
Soul-Instrumentals mit Retro-Touch sehr hoch gehängt. Zac Sokolow (Guitar), Jake Faulkner (Bass) und
Nicholas Baker (Drums/Percussion) sind seitdem fleißig durch die USA und Europa getourt und haben sich
mit heißen Konzerten in packend vollen Clubs viele Fans erspielt.
Deshalb wurde es jetzt höchste Zeit für ihr erstes Live-Album. “Live At Thalia Hall” wurde in der bekannten Konzerthalle in Chicago mitgeschnitten, in der LA LOM eine kreisrunde Bühne mitten im ekstatisch
mitgehenden Publikum bespielten.

FJAAK return with a powerful remix package, delivering fresh takes on a selection of tracks from their unforgettable 2024 album 'FJAAK THE SYSTEM'. Welcoming three standout remixes from some of techno's most respected names, 'REMIX02' sees offerings from Robert Hood, Shed and West Code, as well as some surprise Bandcamp digital only remixes selected from the participants of FJAAK's latest remix competition. Kicking off the main remix package release, Detroit legend Robert Hood brings his unmistakable raw, relentless and pioneering sound to the table as he reimagines FJAAK's 'Breathe Underwater'. The genre-defining godfather serves up an undeniably signature cut flooded with euphoric energy, thumping grooves, rippling musicality and spaced-out vocal injections, carving out an authentic Floorplan-esque peak-time jam. Berlin-based artist Shed (one of the many monikers of established electronic stalwart Ren? Pawlowitz) is next to feature, delivering another impressive spin on FJAAK's work, this time exploring his vision on 'Micro Expressions'. An impressive blend of hypnotism and electricity, this bold remix echoes FJAAK's preference for cultivating huge dancefloor heaters that thrive on live instrumentalism and limitless energy. It's racy, groovy and raw, building around rolling rhythms, warping layers of analogue sound and intricate breaks throughout. Argentinian talent West Code was the winner of the 'Redemption' remix competition and rounds off the main package with a huge interpretation of FJAAK's original mix. Almost bordering into tribal techno in places, its emphasis on groove and subtle South American influences create a unique remix, overflowing with boomy low-end drive, piercing percussive drive and mind-bending melodics - a real gem for the height of the party and irresistibly sinister from start to finish. The remix competition of 'Redemption' drew an overwhelming response from producers worldwide, which made it very difficult to choose a winner. Even though West Code's interpretation was the chosen remix, four other interpretations were so good that FJAAK decided to showcase the talent of Helsmoortel, Genex, Ay Din and Your friend daao by including their reworks on an exclusive Bandcamp-only EP, highlighting the duo's ongoing commitment to to the underground.

Veteran of many scenes, Liar returns from a prolonged hiatus to dip his toes in TonTon's rising wave. His contribution ranges from balearic breakbeat workouts & intimate dub siestas, to impish takes on world music & electrofunk. Liar's knack for cultural & stylistic interbreeding pervades throughout - you will hear Paisley Park homages, falsetto crooning, comical cuicas, city pop ornaments, 70s radiophonic psychedelia & Final Fantasy samples alike, flamboyantly converging into an artifact of stubborn hope, love & peace.

After recent sold-out vinyl and cassette releases garnering plays on BBC 6Music and NTS, among other Radio Play, 0282 are back with another choice double-sider.

Travis Street’s ‘Jackie Morris Said’ is an instrumental mid-tempo soul stomper, with Advance copies being very well received on contemporary Northern Soul Dancefloors throughout the UK. DJ feedback has likened it to all-time classic instrumental Mod & Soul numbers by the likes of Googie Renee and Wynder K Frog.

The flipside sees a remix by Barden Juniors, fresh from recent DJ gigs with the likes of Keb Darge, DJ Food, and Doug Shipton from Finders Keepers records. Their wonky angular deconstruction is in the vein of classic European Library Tunes from the late 60s / early 70s, and feedback on promo copies has seen it described as “a lost KPM out-take”, “the soundtrack to a lost public information film from 1973”, and “a time-travelling Kool Keith instrumental”.

It has already had radio play support from the likes of Markey Funk (Delights).

Nach Abschluss seiner Festival Tour, veröffentlicht Till Lindemann die neuste Single auch als limitierte 7" Single via Out of Line Music. Die B-Seite enthält den Remix von Industrial-Electro Act Hocico aus Mexiko, die hier eine dunkle, elektronische Version des Songs kreiert haben

2025er Pressung in 5 Spoke Cornetto - Black and Transparent Vinyl! Die südkalifornischen Hardrock Veteranen von FU MANCHU veröffentlichen ihre neues Album ,Gigantoid" auf At The Dojo, dem eigenen Label der Band. Nach fast 25 Jahren Bandgeschichte und nach der Split 7" mit ihren Freunden von MOAB im letzten Jahr sowie ,Signs Of Infinite Power" von 2009 kehren die Mannen um Scott Hill mit ihrem ersten Album seit sage und schreibe fast fünf Jahren zurück. Aufgenommen mit Andrew Giacumakis, dem Sänger/Gitarrist der oben genannten MOAB, in seinem Studio im kalifornischen Simi Valley, ist das Album primitiver, roher und zerfuzzter als seine Vorgänger. ,Wir haben für dieses Album 17 Songs geschrieben und haben daraus final neun Songs destilliert", erklärt Hill. "Wir wollten ursprünglich etwas später dieses Jahr einen Teil 2 rauszubringen, haben dann aber angefangen, mit diesen Songs für unser 25. Bandjubiläum im Jahr 2015 zu planen."

The seasoned DJ & producer (GALAPOGOS4, QWEL, GLUE, ALTERED TAPES) shines a light on his love for obscure Latin disco on this scorching hot 7". In constant rotation at our office since it arrived. Def don't miss this sun drenched, surefire dance floor filler!

Legendary Indonesian musicianHarry Roesligets a fresh dancefloor-ready tribute with a special"Remiks"EP on vinyl, featuring four tracks reinterpreted by four top-notch producers from two countries.

From Indonesia,KomodoandMidnight Runnersbring their signature grooves, while Japan'sKaoru InoueandChidaadd their own unique flavor to the mix. This limited edition release, out onAugust 25, 2025, is brought to you byLamunai RecordsandMondo.

This isn't just another remix/re-edit EP it's a cross-cultural celebration of Harry Roesli's wildly eclectic sound, reimagined for today's global dance floors. From cosmic disco, deep house to techno textures, each producer offers a personal yet respectful take on Harry's original works, introducing his genius to a new generation of listeners.

"We wanted to shine a light on Harry Roesli's music in a way that connects with DJs, collectors, fans, and crate diggers around the world," says a rep from Lamunai Records. "These remixes breathe new life into his legacy timeless melodies meet modern club energy."

TheEP will be available in limited-edition vinyl starting August 25, perfect for collectors, selectors, and anyone looking to add something truly special to their set.

Get ready for a rare fusion of Indonesian roots, Japanese electronic finesse, and serious dancefloor vibes. Let's celebrate the past by dancing into the future.

Le Le - the electronic cult trio of Piet Parra, Rimer London, and Pepijn Lanen (Faberyayo) - brings together their finest work on a double LP for the very first time. Great Stuff is a carefully curated selection of their most beloved tracks, newly remastered for this release. From dance floor classics like Breakfast to eccentric pop gems like Skinny Jeans, Great Stuff showcases why Le Le has held a unique place in the Dutch music and art scene since their debut. Now available for the first time on double LP - a must-have for fans and collectors alike.

Roland Van Campenhout is for sure one of the most unique Belgian artists. Active since the 60’s of the past century Roland built up an extensive and eclectic discography. More than 20 albums on which folk, blues, rock, world music, movie- and theatre soundtracks … all celebrate together, creating a new musical dimension defining the true free musical spirit Roland really is. He received multiple Awards, toured the world with Rory Gallagher and played with Tim Hardin, Leo Kottke, Ian Anderson and the entire Belgian scene.

Roland Van Campenhout is certainly one of the most unique Belgian artists. Active since the 1960s, Roland has built an extensive and eclectic discography. With more than 20 albums featuring folk, blues, rock, world music, movie and theatre soundtracks — all blending together to create a new musical dimension that defines his true free musical spirit. He has received multiple awards, toured the world with Rory Gallagher, and performed with Tim Hardin, Leo Kottke, Ian Anderson, and the entire Belgian scene.

Born in Antwerp in 1939, Ferre became a true icon in the sixties, adored by youngsters and hippies and hated by the establishment. His successful debut album in 1966, which featured the hits “Ring Ring, I’ve Got to Sing,” “Crucified Jesus,” and “Drunken Sailor,” brought him an international breakthrough with concerts in Paris, London, and Hamburg, leading to a contract with the famous French Barclay label. The next three albums did not equal the initial commercial success — a pressure the music business was happy to put on his shoulders. Still, these three albums, reissued in their original packaging and artwork on vinyl for the very first time, are loaded with hidden gems, combining folk, blues, and psychedelics in Ferre’s original songs.

Grignard sadly succumbed to throat cancer in 1982 at the early age of 43.

Born in Antwerp in 1939, Ferre became a true icon in the sixties, adored by youngsters and hippies and hated by the establishment. His successful debut album in 1966, which featured the hits “Ring Ring, I’ve Got to Sing,” “Crucified Jesus,” and “Drunken Sailor,” brought him an international breakthrough with concerts in Paris, London, and Hamburg, and led to a contract with the famous French Barclay label. The next three albums did not match the initial commercial success — a pressure the music business was happy to put on his shoulders. Still, these three albums, reissued in their original packaging and artwork on vinyl for the very first time, are loaded with hidden gems, combining folk, blues, and psychedelics in Ferre’s original songs.

Born in Antwerp in 1939, Ferre became a true icon in the sixties, adored by youngsters and hippies and hated by the establishment. His successful debut album in 1966, which featured the hits “Ring Ring, I’ve Got to Sing,” “Crucified Jesus,” and “Drunken Sailor,” brought him an international breakthrough with concerts in Paris, London, and Hamburg, and led to a contract with the famous French Barclay label. The next three albums did not equal the initial commercial success — a pressure the music business was happy to put on his shoulders. Still, these three albums, reissued in their original packaging and artwork on vinyl for the very first time, are loaded with hidden gems, combining folk, blues, and psychedelics in Ferre’s original songs.

Grignard sadly succumbed to throat cancer in 1982 at the early age of 43.

‘Tedere Baldadigheden’, Guido Belcanto's new, long-awaited album in a production by Firmin Michiels and Guido Op De Beeck, was released on 4 October, 2024 at the beginning of a very extensive, sold out tour. It is a special retrospective from an award-winning singer who looks back with melancholy and humour on the many mischievous adventures that marked his life. Love prevails, but tragedy and tristesse also leave their mark on Belcanto himself and the scarred souls of the many colourful characters who come to life in his songs.

This 15th studio album undoubtedly represents a new high point in Belcanto's oeuvre, which now numbers over 300 songs, with 11 of his own songs and 2 surprising adaptations of songs by Eels and Guido's idol Renaud. Besides members of his loyal backing band Het Broederschap, guest musicians such as Stoy Stoffelen, David Poltrock, Evert Verhees, Jan De Smet, Alban Sarens, Adriano Cominotto and Chris Peeters also play along. Also notable are certainly the passages of Lara Chedraoui (Intergalactic Lovers) and The Bonnie Blues.

For more than 40 years, Guido Belcanto has been creating a universe all his own with his songs. A warm, recognisable home for everyone, young or old, rich or poor, winner or loser. A home too, masterfully brought to a stage where the audience is allowed to be themselves without embarrassment, praising happiness, measuring the damage suffered, letting the tears flow and the laughs ring out.

The song sets the tone of this album. A simple structure, over which a web of rhythm is woven using an instrumentation of old drum machines in dialogue with live drums and percussion. Lots of sax, tenor and baritone! A pumping bass. A frisky pizzicato violin. And some classic keyboards: the Fender Rhodes, the Hohner Clavinette D6, the L-100 Hammond organ. And lots of analogue synthesisers: a rippling Juno-106 marks the path to follow, which is crossed with phrases from other museum pieces: Crumar's Stratus, Farfisa's Synthorchestra, Sequential's Prophet-10. Or still the Casio Club M-100, which is basically a toy, but has been subtly colouring SKC's songs for years!

SKC has often dived deep into the repertoire of artists he holds in high esteem, looking for pearls, forgotten or not, to work on. Likewise on this album with versions of songs by Prince, Dez Mona, Alain Bashung…

The Belgian leading punk band The Kids, founded by Ludo Mariman, made their debut in 1978 with their landmark titleless album, surely deserving to be part of the global top list of great seventies punk albums. After another four studio albums, the band called it a day... only to resurface a good ten years later, at the end of the 1990s. Since then, The Kids have become an international cult punk band, much in demand in Belgium and abroad (USA, Germany, France, Italy, Japan…), mainly focusing on their initial seventies punk repertoire, with many classic songs that have effortlessly survived the ravages of time.

The Kids are still the most angry Belgian band, which says a lot about the eagerness and sharpness of Ludo Mariman and his mates. The Kids, for sure, still are an absolute top band!

"Flabbergasted" was recorded early 2001 at the AB Club in Brussels and released the following year on CD, which sold out quickly. Starman Records issued the album in 2015, making it available on vinyl for the very first time, with restored audio and entirely new artwork. Sold out long ago, it was followed by a second print run in 2023 on limited colored vinyl. An album you can’t miss—sharp as a razor blade and containing many of The Kids' classics, along with a couple of contemporary punk covers. The band still tours actively and will celebrate, in 2026, their 50th anniversary.

Kimberly Claeys, known as Little Kim, has been pursuing her musical career for 20 years. She has performed with the Western Swing band Little Kim & The Alley Apple 3 in Belgium, the Netherlands, France, and Germany, and has released four albums. Since 2019, she has brought a breath of fresh air to the folk monument Kadril, with whom she released the album Jolie Flamande in 2022. Little Kim is also known as one of Guido Belcanto’s regular guest singers.

Her solo debut, Moederland (2022), was produced by Guido Belcanto, who also appears on several songs and lent her his band Het Broederschap. In addition to Belcanto, Bruno Deneckere and Lieven Tavernier wrote and interpreted songs for her, drawing from artists such as Gillian Welch, Nathalie Merchant, and Bob Dylan. The album was very well received by both the press and fans.

On 28 March 2025, her new album, Ademhalen, was released, featuring Dutch-language songs written especially for Little Kim by Bruno Deneckere, Lieven Tavernier, Lennaert Maes, and Wigbert.

Little Kim offers a mix of country, folk, roots, and Americana — you could call it Flandricana, or as record boss Felix Huybrechts describes it: “Country molded from Flemish clay.”

For the recording of Ademhalen, Kim was able to rely on her regular band and the support of Gianni Marzo (Marble Sounds, Isbells). Together, they created a new sound that can be abrasive at times and soothing at others, but always centered on the pure beauty of the song.

Her new single, Bij Jou, was featured on Radio 2's playlist for weeks.

Little Kim performs as a soloist, a trio, or with a full band.

LITTLE KIM & GROUP
With: Kimberly Claeys – vocals | Bruno Deneckere – vocals, guitar | Bart Vervaeck – pedal steel, guitar | Andries Boone – violin, mandolin, accordion | Jasper Hautekiet – double bass | Bert Huysentruyt – drums

Matt Watts (1987–2024) was born in Philadelphia, in the USA. He recorded his first songs along the banks of the Missouri River in Montana when he was 15, touring the north-western states extensively as a young troubadour. He arrived in Belgium at the tender age of 19 and grew into a full-fledged singer-songwriter that combines a profound respect for the folk tradition with contemporary influences.

His solo album, Songs from a Window, was released in 2014 by Starman Records and received glowing praise in the press.

Matt Watts played dozens upon dozens of shows in the Benelux, often together with Stef Kamil Carlens and Nicolas Rombouts. While his predecessor Songs from a Window was a true solo album, How Different It Was When You Were There includes personal stories by Watts that have been subtly seasoned with wonderful musicians such as Nathalie Delcroix, Bjorn Eriksson, Geert Hellings (Stanton, Guido Belcanto), Maarten Moesen (Guido Belcanto), and bassist and this album’s producer, Nicolas Rombouts (formerly with Dez Mona, Stef Kamil Carlens, The Colorist, Guido Belcanto, and many others).

One of the highlights of this album, which truly showcases Matt Watts’ awakening, is “Many a Friend Too Kind”: a fabulous duet with Stef Kamil Carlens. Watts also performed in Zita Swoon Group’s production, The Ballad of Erol Klof. Sadly, Matt Watts passed away in June 2024.

MORE QUOTES

“Watts, who washed up in Belgium, sings his personal, poetic lyrics in a high, whispering voice that immediately brings Nick Drake to mind.” 4/5 **** (De Standaard)

‘This is an album full of sincere sentiment and stimulating, evocative stories in fine songs that have been beautifully coloured by Watts and his band, and on which he brings the narrative aspect to the fore more than ever.’ (daMusic)

‘Sensitive songwriter, exceptional storyteller... Introverted, dark, more country, less Nick Drake.’ (OOR)

‘This is real, raw, authentic. Well done, Matt, very well done.’ (Keys And Chords)

‘And no matter how young Matt Watts may be, the singer/musician writes timeless songs reminiscent of those by David Blue and John Martyn...’ (Rootstime)

‘Matt knows how to strike that chord in the same way as Cohen, which immediately moves you. From the beginning to the end of this record.’ (Gigview)

‘A singer-songwriter who believes in simplicity (not a note too many), but grabs you by the scruff of the neck from the start and confronts you with the painful beauty of romance.’ (Luminous Dash)

‘Let's be honest here: Belgium has simply become too small for an album like “How Different It Was When You Were There”. Song material of this calibre deserves a much, much wider audience!’ 4.5***** (ctrl.alt.country)

Starman Records, the Belgian label renowned for re-releasing Belgian rock from the 60s, 70s, and 80s, has so far released five volumes in the highly anticipated and widely acclaimed Belgian Vaults Series, praised by both press and fans.

These unique albums focus entirely on the sixties and early seventies, compiling many rare and hard-to-find tracks—mainly originally released as singles on small, long-forgotten labels. Covering genres such as pop, beat, rock ’n’ roll, and psych, these gems are well worth rediscovering. Belgian Vaults are not just collector’s items; each album features restored and remastered sound quality and is carefully curated to appeal to all fans of sixties rock.

Starman Records, the Belgian label also specialized in re-releases of Belgian rock from the 60s, 70s, and 80s, has so far released five volumes in the highly anticipated and widely acclaimed Belgian Vaults Series by the press and fans.

These unique albums focus entirely on the sixties and early seventies, compiling many very hard-to-find tracks, mainly originally released as singles on small, long-forgotten labels. Pop, beat, rock ’n’ roll, psych... gems worth rediscovering. The Belgian Vaults are not just collector’s material; the albums offer restored and remastered sound quality and are specifically curated to appeal to all sixties rock fans.

Starman Records, the Belgian label also specialized in re-releases of Belgian rock from the 60s, 70s, and 80s, has so far released five volumes in the highly anticipated and widely acclaimed Belgian Vaults Series, praised by both press and fans.

These unique albums focus entirely on the sixties and early seventies, compiling many very hard-to-find tracks—mainly originally released as singles on small, long-forgotten labels. Pop, beat, rock ’n’ roll, psych... gems worth rediscovering. The Belgian Vaults are not just collector’s items; the albums feature restored and remastered sound quality and are carefully curated to appeal to all sixties rock enthusiasts.

Record Collector (4-star review): “Devotees of late 60s/early 70s fuzz will be entranced.” — “All high vaultage stuff.”
Shindig: “True obscurities, long overdue their moment in the sun.”
OOR: “A marvelous piece of rock history.”
De Standaard (4-star review): “An amazing piece of Belgian heritage.”
Cobra.be: “The Belgian equivalent of ‘Nuggets’!

Lavvi Ebbel was without a doubt one of the most talked-about bands of the Belgian new wave scene. In the early eighties, the band achieved considerable success with singles such as “Give Me a Gun” and “Victoria.” This ten-piece band had a solid live reputation thanks to the original sound of the two guitarists (Marc de Wit and Chris Van Ransbeeck), pianist (Bea Van Ransbeeck), and the steady Eric de Wit on drums. Singer Luckas Vander Taelen and backing vocalist Kristien D’Haeger provided a strong stage presence, supported by the swinging horn section with Jan Weuts and Eric Sleichim, who was the driving force behind Maximalist and Bl!ndman some time later.

Lavvi Ebbel played about 200 times in Belgium and the Netherlands, both in small clubs and at prestigious festivals such as Seaside. On the compilation LP “Get Sprouts,” which is a true sample chart of the music of this period, we find Lavvi Ebbel's “No Place To Go,” a high point in their versatile collaboration with producer Jean-Marie Aerts. “Albü Meth” is arguably the best-known mini-LP, featuring the cult song “Le Cafard.” After the release of the album “Kiss Me Kate,” produced by the American producer David Avidor, the band called it a day in 1983. Following a couple of very successful performances in 2013, Lavvi Ebbel, 12 years later, is making a comeback with the original band members.

The Shakes was a legendary Belgian psychedelic blues rock band founded by multi-instrumentalist Alain Verdier and active between 1967 and 1969. They played approximately 100 gigs in Belgium, Holland, France, and Germany, and once supported The Who. The young virtuoso guitarist in the group was none other than the late Dany Lademacher, who later gained fame as a sideman for Herman Brood and co-author of some of his biggest hits. Lademacher, also known for his own band Innersleeve and his work with Kleptomania, Vitesse, and The Radio’s, contributed to Shoot Me Baby with a wealth of previously unreleased material from personal archives.

Philipp Priebe, a true romantic in the realm of electronic music, is ready to captivate audiences with his latest masterpiece, “Until The End”.

This album is a vivid canvas painted with Priebe’s signature blend of emotive melodies and pulsating rhythms, promising an experience that ignites both movement and emotion. Renowned for his talent in crafting immersive sonic landscapes that resonate with longing and ardor, Priebe’s forthcoming release on “Paradijs Boogie”, the first offshoot of the esteemed German label Freund der Familie is highly anticipated.

With a decade of musical prowess and a reputation for delivering soul-stirring house music, “Until The End” is poised to take listeners on a captivating journey through the ethereal realms of Priebe’s musical universe.

The most popular and beloved holiday album of all-time is now available for the very first time on Zoetrope Picture Disc LP!

Released to celebrate the 75th anniversary of PEANUTS and the 60th anniversary of A Charlie Brown Christmas, this new edition of the timeless album comes on two-sided zoetrope vinyl featuring a selection of classic scenes from the PEANUTS® holiday special. The best-selling perennial classic continues to introduce generations of children and adults to the joys of jazz, featuring songs like “Christmas Time is Here” “O Tannenbaum,” and “Linus and Lucy.”

Ahhhh, dick wie Lava, schwarz wie Ebenholz, kantig und kratzig wie das Kinn von Conan, dem Barbaren. Piece, ein Dreigestirn im Auftrag des fetten Riffs, legen nun mit Ramblers Axe endgültig Ihr Masterpiece ab. Nach _.... und ordentlich Live-Erfahrung merkt man dem neuen Opus die Erfahrung der letzten Jahre an. Spitzen Songwriting, was den internationalen Ebenbildern um nichts nachsteht. Die Berliner liefern eine kraftvolle Mischung aus Sludge Metal, Doom und Rock'n'Roll. Inspiriert von Bands wie Crowbar, High on Fire und Eyehategod, vereinen sie die rohe Aggressivität, der musikalischen Wurzeln aller drei Bandmitglieder, des Hardcore und Punk mit der erdrückenden Schwere und den riffbasierten Klängen von Sludge und Heavy Metal.