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Bright Magus is an instrumental quintet born under the influence of Miles Davis' metaphysical electric period, a visceral and magical passion always shared by Giovanni Calella and Leziero Rescigno. Davis' most eclectic and psychedelic period, that of recordings for Columbia from 1969 throughout the 70s. Albums like “In a Silent Way”, “Bitches Brew”, “A tribute to Jack Johnson”, “On The Corner”, “Big Fun” made them immerse themselves in one of the most fascinating experiments that Miles has generated in his long and prolific career. We are talking about music that is difficult to fit into one genre, in these masterpieces you can feel the contemporaneity of that historical period. Electric Jazz, Funk, Psychedelia, Rock, Afrobeat, Ambient, drag you into something absolutely new, mysterious and sometimes furious. Just a year ago Giovanni and Leziero took courage and started recruiting musicians who had to have the right attitude and knowledge. Guitarist Alberto Turra was the first to be interested in the project, then came Mauro Tre, pianist and keyboard player and Gianni Sansone on trumpet. All seduced by Miles and in love with that magical period.

Before making the first album "Jungle Corner", the band did some live shows to amalgamate all the ideas that came out during the improvs recorded by Tullio Treffiletti in the trumpeter's home studio (later baptized Selim Studio). At the Isola Studio in Manuel Agnelli's space and with the help of the very talented Guido Andreani, Bright Magus then recorded in three days live all the material which in the meantime had been enriched with more structured melodic themes and less casual drafts . Mauro's contribution was very important in this. The finalization of the album was then managed by them in the small "Diabolicus Studio" taking care of editing, post production and mixing.

Guest on the album in two songs, Enrico Gabrielle of Calibro 35 on flute and clarinet.

The cover design is a work by Barba Ughi alias BAX.

«The almighty golden vhs tape has been stolen !!!"
An enigmatic lady contacts our heroes, claiming she saw the tape
At an illegal auction in istanbul. The adventure begins, and will lead them through Egypt, India, UK, to run against the evil ancestral cult before it uses the golden tape to summon dark forces... »

3 years ago, Videoclub concept album was released, using 70s movie soundtracks memories as an inspiration to create original compositions. It met warm reception all around the world. Beatsqueeze records is proud to announce Videoclub II this year, an ambitious sequel full of rich dusty theatrical arrangements. Take some pop-corn and enjoy the musical narration.

Yann Kornowicz, composer.
Starting from classical music by learning violin in his childhood, he began his film music obsession during the 90s, and used the piano as a tool to decompose the scores airing on tv. Many years later he continues his mono-maniac exploration through his albums and through works for tv, platforms, documentaries or advertising.

Dan Amozig, multi-instrumentalist.
After learning guitar in his teenage years , he graduated the cim jazz school in paris in the 2010s. He is touring with several projects since then, and focuses on live music. He recently added horns to his scope
To enrich his beloved musical territories : jazz and hip hop.

The final volume of this mammoth collection of music from Bristolian electronic music pioneer Krust is finally upon us, and like the previous parts of this collection it boasts an assemblage of music of different energies, vibes and feelings. The music contained within spans decades yet somehow refuses to be locked to one 'era' or 'style'. This is what makes this release unmissable for the hardcore fan, newcomer or completist.

'Irrational Numbers' is a meticulously curated collection of five parts, available on both vinyl and digital formats. The compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers.

'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers.

Featured on part 5 are some groundbreaking entries into Krust's massive back catalogue. The live bass driven jazz inflected 'Second Movement' from his acclaimed 'Coded Language' LP jostles alongside the speaker smashing machine funk of 'Break Ya Neck' as well as a couple of more recent productions including the sleek and sinister 'The Portal', which is undeniably the man at his best, in full electronic stealth mode.

For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.

After numerous releases on his Dub Junction label and two lead singles on the subsidiary SUPERCHIP label, Simma presents his debut LP: SIMMA ENTERS THE GAME. Featuring guests Natty Campbell, Danny T, Tenor Youthman, Dandelion, Who Knew, Indra MC & Nina Girassóis.

Group is a project with its own sound and a gradually expanding style, and Seedman perfectly reflects these attributes. With 160925_1145, the first cut on side A, the ritualism he has previously exhibited on other albums such as Esoteric Free Afrika, or more recently with Broken Faces, is somewhat apparent, due to the slow cadence, steady rhythm and tribal arguments. 160205_1066 is created from another perspective, however, it is not what it seems because from the first bars there is a syncopated and constant rhythmic pattern that places you in an industrial scenario, and gradually a simple two-tone melody appears that completely changes its initial musical context. 170218_1475 moves between an industrial and dark ambient concept, as it mixes gloomy atmospheres with deep breaks.

The sonic properties of 160131_0683, the cut that opens the B-side, connect with an unexplored environment, with a new, recently discovered and inhospitable scenario, since among other things we can appreciate sounds of machines, radio signals, filtered and choppy voices, combined with disturbing acoustic phenomena. 170213_1455 is a track that describes quite concisely the creative sense of Group, and for this we must take into account that it could be catalogued as a techno production, with groove and aimed at the dancefloor, however, he manages to minimise all these factors by giving it a volatile and atmospheric aspect. 170105_1398 closes the B-side of the vinyl, returning once again to the tribalism and ritualism that characterises many of Group’s productions, given that on this occasion his rhythm is not diluted, it has much more presence and manages to generate a hypnotic state.

In addition to these six tracks that make up the entire vinyl tracklist, Seedman also presents a couple of bonus tracks in digital format. And the first of them, The beast11, already arouses curiosity because its title is not due to a sequence of numbers, as is usual in this project. Musically, it once again shows Group’s ability to adapt any environment to a sonic degradation very much in keeping with his style. 150407_0166, the last track on the album, is an ode to chaos, a hodgepodge of frequencies devoid of rhythm that appropriately serves as an outro.

After his remix for Keita Sano's 'Legacy For Leyton' EP in 2022, Tokyo-based Dayzero is back on Row with a four-track EP. Drawing inspiration from his urban surroundings, the ‘Lurking in the City’ EP is a multi-tempo’d playground for dynamic rhythms and effects. This EP sets another highlight in his growing discography, including releases on Livity Sound, ZamZam, Vomitspit, Sentry Records, the Chikara Project, and Nostrohoodsystem.

We are very proud to present the label Solitar. Coming out of Stockholm/Sweden, a place with a long line of significant and well respected techno labels, we start things off small and considered. We hope it is a humble beginning of something that will grow into its own over the coming years.

To make this launch as special as possible the label head himself, Lakej (Filip Strom), is behind this powerful solo EP. Delivering on this 12" four razor sharp dance floor tools accompanied by a very moody ambient outro trip.

Enjoy!

Ghastly and hallucinatory – 'last liasse' is a sign of the times, alternative pop record by helen island. Within this debut album, the artist captures the saccharine gaze of digital escapism through characteristic filtered high notes, cut-up genres, and processed vocals. Providing a comprehensive overview of helen island’s self-distributed initiatives, with the ethos of the Parisian Simple Music Experience collective, the twelve tracks set a solid musical score that resonates with the age to come.

Few artists have done as much as Heinrich Dressel to rekindle the genre of soundtracks. Even fewer are as capable as the Italian at writing such silver screen scores. Yet, Valerio Lombardozzi is much more than just one style. He has shown this time and time again, doing so once more with The Obscure Cities. Works of fiction, rather than film, are the fount of inspiration with tracks drawing on the likes of J.G. Ballard, Francois Schuiten, Benoit Peeters and Valerio Mattioli. The listener is transported to worlds of Dressel’s own making, landscapes of melody, textures of bass punctuated by drums. “Galatograd” opens. From understated beginnings, the track expands into a symphony of strings as columns of warmth descend. Tempos rise for “Eden Olympia”. A different tone is set. Juddering arpeggios and clean snares are elevated by bright and hopeful keys that sparkle with an enthusiasm and innocence. Deep unctuous bass gives way to gliding notes for “Remoria”. A piece where melodies and memories melt in the morning dawn. “Mylos” is the last visit of the EP. Delicate, almost fragile, notes are buttressed by drum patterns in this hazy dreamlike finale.

If there is something that awakens our interest in an artist, is authenticity.

And if we had to talk about someone authentic, Percunta would be a name that we would have to bring to the table...

We invite you to listen a spiritual journey that has gone through him in the last 4 years, a time that has occurred since his last release.

Effort moves, and Percunta moved us with his effort in this search for expression of his soul.

2024 of New Interplanetary Melodies begins with a new album and an EP signed by ABYSSY. The historical producer from Bologna who returns to Simona Faraone’s label after a few years since the release of his previous works, Magnetic Archive (NIM001,2016) under his alias Soulomon, and TWO Scorpions EP (NIM002, 2017) under the name ABYSSY, which marked NIM’s adventure in the world of contemporary Italian independent record labels. “Extra Meta" was born from the passion for a certain electronic sound ecosystem of the 70s and 80s, a journey that embraces minimalism of the “Berlin school” and extends to the beating heart of the soul/funk of Detroit techno. A journey into the abyss of emotions and the unknown of the human spirit, as the deep darkness of the ocean intertwines with the unfathomable darkness of space. An invitation to explore new sound boundaries, to let yourself be lulled by waves that repeat without ever repeating themselves and to immerse yourself in the reflective mystery of discovery and of evolution, a dance in darkness and light, and where the abyss of emotion merges with the infinity of imagination: ABYSSY.

Sacred Medicine, the joint project/label Joaquin Joe Claussell and Ron Trent have been carefully crafting and honing over the past couple of years, brings you the second instalment of deepness and authenticity.

The much anticipated ‘Magic Carnival’, a song heavily programmed in their sets to maximum effect, is finally here!
Another manifestation of the powerful and original output of the label, ‘Magic Carnival’ builds and builds in a musical crescendo with signature musical elements pulsating all over the song to full impact.
A relentless spiritual groove….another jam in the Sacred Medicine building catalogue…a special one-sided 12 inch made with love and extra care, to spread the message loud and clear!

Bread & Souls is an ensemble of musicians, singers, DJs, producers and most of all, friends: a global family brought together by Franco Fusari under the musical direction of producer/electronic jazz pioneer Mark de Clive-Lowe.

Chapter 1 features vocal and instrumental tracks kicking off with an incredible exclusive: for the first time together on the same track West London Queens Bémbé Segue and Vanessa Freeman deliver a broken beat future classic. Paul Randolph features on a superb boogie tune, while Domu delivers an amazing remix of “Little Did I Know” - after almost a decade’s absence, he’s as brilliant as ever. And all supported by a great band: MdCL (keys), Tommaso Cappellato (drums), Marcus Machado and Landy Shores (guitars), Max Luthert (bass), Taku Hirano (percussion).

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition.


This release is 350 copies limited edition: 12"" with 4 new special Remixes by Hear & Now, Manu Archeo, Mushrooms Project and Ocean Moon + CD with 6 previously unreleased Original songs + Insert.

For the latest essential offering from Archeo Recordings, Infradisco harness the power of the Po, serving a six-part suite inspired by the life giving power and natural beauty of water. An immersive journey through balmy downbeat, Balearic melancholy, smooth jazz and subtle house, the ‘Aqua Cheta’ CD comes accompanied by a diverse 12" of remixes from Hear & Now, label head Manu Archeo, Mushrooms Project and Ocean Moon. Album opener “Caduca” evokes the energy of an Umbrian waterfall, its spheric bassline growing ever more acidic before falling away as focus shifts onto the misty pads and plangent guitar.

The gentle bossa rhythm of “Dulcis” transports us to the confluence of the Rio Negro and the Amazon, where a snaking bassline underpins beguiling horns and subtle Sade-sque chords progressions. On “Fluminea”, the trio return to the heart of Reggio Emilia, following the fluctuation of the river Po, which runs past their studio, in an exquisite example of tension and release. Awash with emotion, both via the piano and redolent woodwind, this heady track intersects melodic house and Balearic trance, prompting horizontal dancing and skyward gazes. The tone shifts through the pensive and propulsive “Marina”, a sax led masterpiece accented with gorgeous acoustic guitar, before the tabla beat and emotive sitar of “Pluvia” add intensity to a slow-flowing piece of progressive house.

The CD closes with the cinematic splendour of “Surgiva”, an expansive ambient composition which sees delay-drenched fretwork tug at our heartstrings.

An original instrumental music project led by composer and Oud player Aly Eissa. Featuring his diverse musical influences, Eissa’s compositions create versatile and twisted meditative atmospheres throughout the musical experience.

Aly Eissa is a composer and Oud player based in Cairo, Egypt. He was mentored by legendary composer Abdo Dagher and Oud virtuoso Hazem Shahin. Eissa’s style is deeply-rooted in the Egyptian classical and folk traditions, and influenced by various western genres. Since 2012, Eissa has been regularly performing his compositions with an ensemble for live audiences in Cairo, offering a meditative musical experience with a twist.

One of Eissa’s musical approaches is the experimenting approach through a unique trio formation including the Belgian synthesizer player Jonas Cambien and the Egyptian percussion player Ayman Mabrouk. In this trio, Eissa is trying to explore a different sound and space in the originally composed Arabic music.

...Finally repressed! No more words needed... Classic!

The original version of this gorgeous schlager techno track, released in august 2001 on Kompakt's Total 3, would put a smile on a lot of people's faces. Apart from the reworked original version, you'll get two sensational remixes: The one from Frankfurt's high-aesthete, super hipster, club- and label-owner with a three-letter name: Ata. Since the very beginning, his Playhouse label has always been a guarantee for finest German House music. It's his first (!) remix ever and his first studio work since the legendary first Playhouse release 'Holy Garage' in 1993. The 'Playhouse Mix' turns the original version into a mega-hip, late-night monster and reminds a bit of the great Larry Levan and Metro Area's congenious adaption of early-80s disco music. The 'Robert Johnson' club is going down on its knees. Wonderful. The other remix comes from one of Kompakt's in-house pioneers of pop ambient: it's Olaf Dettinger. Who didn't want to miss this chance and has interrupted his creative pause only for doing this wonderful 'Moonlight Mix'. Dettinger's cosy hi-tech sounds and Sonja Luebke's seraphic voice, both singing a duet to the moon. Very, very beautiful, indeed.

DER SMARTE HIT VON JÜRGEN PAAPE MIT REMIXEN VON PLAYHOUSE'S ATA UND DETTINGER. HERRLICH !

A classic slice of mid nineties UK House Music with some of the key figures of that period all on 1 Record!

Armed with soft chords, slick 90's drums licks, and rolling low-ends alongside a vocal samples flipping at the heart of both sides.


"I want to explore deep space
and uncover the hidden treasures there
there is a land of just men"

"Urban EP" is the compelling debut from Mark Maretta in the deep house landscape. This album is a sonic exploration characterized by deep, sinuous beats and ethereal synthesizers, "Urban EP" offers a continuous journey through vibrant streets and oscure city corners.

Each track in the album flows seamlessly into the next, creating an auditory experience that is both reflective and electrifying. Mark Maretta skillfully mixes classic deep house elements with an innovative electronic twist, crafting a unique sound experience.

Bolina Records, born in Italy and based in Stockholm, is the brainchild of the Cerrado Studio crew, a dynamic team of artists and DJs who have been organizing events and innovative initiatives since 2008.

Veteran DJ-producer Sebra Cruz (formerly of Margot and A&R for Bolina Records), after releasing his debut album with Life And Death by Dj Tennis, has teamed up with his protégé, Giacomo Cancellieri. Over the years, Cancellieri has become one of Sebra's favorite artists, with Sebra often describing him as a truly brilliant mind, consistently impressed by the new tracks he produces. Giacomo has notable releases on Rebellion and Margot Records.

"Rollerball," titled after Norman Jewison's 1975 film, carries a powerful anti-war message. It includes 4 versions plus an acapella, the latter intended to encourage DJ-producers of various genres to incorporate it in their tracks, thereby spreading the anti-war message on dance floors worldwide.

The original mix captures the essence of intimate club settings — intense yet lucid, with a sound texture fitting for an underground label. It continuously and forcefully spreads the anti-war message with deep seriousness.

The Funky Vocal Mix offers an Italo-French vibe, blending the smooth ambiance of 2000s dance music with a raw vocal tone.

Buck's version, hailing from Otranto, a quaint seaside town in the extreme south of Italy and owner of Substrato label, is marked by solid, rolling grooves that complement a deep and refined atmosphere.

Delphi's remix, one half of Tiger And Woods with Marco Passarani, completes the set. Its arrangement skillfully connects Chill and Detroit styles, infusing the project with a sense of robustness and insight.

PB teams up with the dub-wise wizard and fellow Leodis dweller Breakfake for a 4-track release concluding the PBR EP series. Starting off with a UKG steppa ‘Life in Stereo’ hard hitting drums, deep sub, with floaty chords and chops. Followed by the dark garage/ dubstep belter ‘Rat City’ making you feel like you are stuck in Silent Hill itself. The B side brings a more energetic dubstep feel with ‘Chapel Town’ named after the area in Leeds PB & Breakfake first met and is known for its Dub history. The Ep ends with ‘Dub the Acid’ a hypnotic dungeon track with deep subs and a bouncy acid to match.

Vinyl Only. Limited.

MixCult Records unveils a new sub division of forthcoming releases under the name of TAMIZDAT, which in Russian TAM means “there” (as a reference of an aboard, western location), and IZDAT means “to publish”. It was the name for banned books and magazines published "there", that is, abroad.



Tamizdat Records proudly presents an EP that celebrates the substance of dub techno. With "Sunlight," Genning invites you to experience the depth and warmth of his sound, weaving a tapestry of sonic landscapes that resonate with the soul. This vinyl-only release is a testament to the label's commitment to quality and the enduring artistry of Genning, promising an immersive and unforgettable musical experience for audiophiles and enthusiasts alike.


This meticulously curated EP consists of four tracks, each contributing to a sonic journey that transcends traditional genre boundaries. Genning's ability to craft expansive soundscapes is evident, as "Sunlight" explores a wide emotional palette through a diverse range of sounds.


Immerse yourself in the hypnotic rhythms and atmospheric textures that define Genning's signature style. From the pulsating basslines to the ethereal melodies, each track on "Sunlight" captures a distinct mood, inviting listeners into a realm where the boundaries between genres blur.

Latest release on Earthtrax since 2020. Multi genre release with two tracks, one leaning towards dubstep, dub techno and ambient while the other is more up tempo, driving and jungle/drum and bass oriented with an ambient/atmospheric quality, which is apparent in both tracks.

Eusebeia & Aisatsaana already have a rich and diverse back catalogue together and this release only serves to affirm and enhance that. It is their first physical release together.

To hear the quintessential synthesized sounds of "El Hombre Orquesta" aka Ricardo Suntaxi is analogous to studying the detailed schematics of your favorite electronic contraption. For the initiated, it's a peek under the proverbial hood, an invitation into the engine of a sound and color that has played a part in powering and defining a treasure trove of modern Latin American sound-system music.

Record Kicks presents Keep It To Yourself, the new album by premier Dutch soul band The Tibbs, out next January 26th.

Dutch vintage soul combo The Tibbs are back with their highly anticipated new album Keep It to Yourself, to be released on LP, CD and digital format next January 26th on Milan-based label Record Kicks. Produced by Paul Willemsen (Michelle David) and mastered in Nashville by soul veteran Bob Olhsson, who used to cut vinyl for Motown back in the day, the new album Keep It to Yourself is the band's third Long Play. It contains 12 fresh 'n vibrant tracks that once again will take you back to the golden days of soul music. Prepare to be swept away on a groovy, soulful odyssey with one the most sensational and enchanting soul bands from the Netherlands!

From the very first note, The Tibbs' musical prowess exudes a soulful, funky energy that is nothing short of mind-blowing. Among the 12 new tracks of Keep it To Yourself, we find the first single "Ain't It Funny", a high-energy stomper that sets the tone for the entire album, the New Orleans funk inspired "Can't Teach an Old Dog New Tricks" and "Chicken Bones, "In Orbit", an emotional and heartfelt love ballad that allows the velvety vocals of singer Roxanne to take center stage or the northern soul belter "Give Me A Reason".

Lyrically, Keep It to Yourself is a poetic wonderland, delving into the depths of love, heartache, but also social issues and the need to preserve the world we're in. Roxanne's vocals, rich and velvety, take you on a euphoric journey through the peaks and valleys of human emotion. The harmonious blend of the horn section weaves an exhilarating tapestry of sound that can only be described as a symphonic supernova. The rhythm section is an unstoppable force, driving each track with a pulsating groove that is pure sonic adrenaline. Keep It to Yourself is a true tour de force, a symphony of soul that will leave you awe-inspired, foot-tapping, heart-soaring, and utterly enthralled.

Based around Amsterdam, The Tibbs is a group of seasoned musicians who draw inspiration from the timeless music of the 1960s, channeling the emotional depth and raw authenticity of that era's classics. Led by their charismatic female vocalist and backed by a powerhouse lineup of drums, guitar, bass, organ and a three-piece horn section, they have been wowing audiences with their live performances. They took off in 2012 working right from the start with producer Paul Willemsen (Beans & Fatback, Lefties Soul Connection, Michelle David & The Gospel Sessions). In 2016, their first LP Takin' Over marked their debut with Milan-based imprint Record Kicks. In late 2018, singer Elsa Bekman decided to focus on a solo career and The Tibbs duly began their search for a truly worthy successor, bringing astonishing vocalist Roxanne Hartog and the band together for the first time with their sophomore album Another Shot Fired, released in November 2020. Now, with their third album Keep It to Yourself, a testament to their dedication to keeping the soulful spirit alive, The Tibbs are once more ready for lift off.

Repress!

2024 Repress

"I've never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from '86), sent it to Astral Industries and paved the way for the release (30 years later) of 'The Original Recordings' in 2016. Since then, we've exchanged ideas and good music. I sent Rod a preview of 'The Kallikatsou Recordings' - he really liked it - and here came the idea for a remix of 'Lanterns'. I started working on some random, lo-fi samples from Youtube, using Audacity, perhaps the simplest way of producing loops and samples. It's the only computer based system that feels like the tape recorders I used to work with. I sent the first sketches to Rod on Facebook, but they ended up in the wrong inbox. I forgot about them, but months later he came back saying he loved them. I decided to go back to working on them, maintaining the lo-fi approach. I began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic old speaker' effects, delays and loops. I used a few field recordings, voices and samples from my early ambient cassettes, and they matched. Ario from Astral Industries got involved and the experiment turned into a plan - a vinyl release - 'Red Lantern at the Kallkatsou''.

Step into Simplexia's new adventure, where MOOD presents a journey that will take you to feel the freedom to play it making the dancefloor explode in pure ecstasy.

Crucial EP contains 3 original tracks and 2 remixes.

We love all tracks for his unique, whimsical sound: catchy melodies, House/Break-Beat/Electro drums, and an irresistible sense of party. Naux picks up the essence of ''Oblivion'' to transform it into a Bomba, bringing out its strong roots in French House.

Adrià transforms ''Electric Tribe'' into a mix very different from the original, making his Electro influence very present.

This release is a must have in your collection.

"I Am a Dancer," a track from Marc Romboy and C.A.R., initially featured on Kompakt's renowned "Total 21" album, is now reimagined with three fresh mixes. Voiced by C.A.R., also known as Chloé Raunet, renowned for her work with Kill The DJ and Ransom Note, the track carries a straightforward message: she is a dancer. This declaration serves as a testament to one's love for electronic music.
This collection introduces three novel interpretations. The A-side showcases the first-ever collaboration between Marc Romboy and London's Sinisa Tamamovic (known for Sci + Tec, Yoshitoshi), offering a dynamic remix that flawlessly blends their distinctive sounds. On the B-side, Innervisions' standout artist of the year, Skatman, presents his remix, offering a fresh take on house music that navigates the realms of hip house, techy house,
and minimal grooves. Accompanying this is another remix by Dense & Pika, setting a new standard for futuristic techno tracks with their exceptional production.
This powerful vinyl release is a must-have for enthusiasts of cutting-edge electronic music.

2024 repress

Leon Vynehall's beautiful ambient, cinematic race car track now reconstructed for the dancefloor...

Comes with an unreleased beat version on the A-side and the original version taken from Gerd Janson's "Music For Autobahns 2" on the flip.

Dr. Mateo, Blixx and LaRoxx continue to surprise and to release new hit singles. 6 years after the first LP, we finally managed to compile material for the second album. Chasing Ghosts, as this is its title, is also the title of the penultimate single that became a huge hit on streaming platforms. The album also includes such gems as VIVA LA VICTORIA, AT THE DISCO and STOCKHOLM IS CALLING.

Free, Dancing . . . is the first release by a new trio with percussionist and producer Carlos Niño, luminary multi-instrumentalist Idris Ackamoor (of The Pyramids) and wizard guitarist, producer Nate Mercereau. They have been playing concerts together in California since June 2022, sharing a unique vibrant sound, findings and energetics... Including download code for the full album.

Artwork by Nep Sidhu.

After a 6-year break, a poignant love affair between Life and Death and Marvin & Guy resumes with two catchy but effective tracks that breaks a two-year hiatus from releasing original music.Minimal and purposefully crafted for dancefloors, a departure from the usual emphasis on melodies we all get used to listen from them. This record emerges organically during playful experimentation with just a bass on a synthesizer, preserving its distinctive rhythmic and harmonic changes.The girlfriend's continuous request to play "Who Dis" underscores its contagious allure. Both songs incorporate sounds like shattered glass, opening doors, a whip, and an authentic Formula 1 engine roar – all meticulously recorded specifically for these ideas. There's not really specific creative process beside having fun with synthesizers; it's simply music crafted for the joy of dancing.

After 2021’s critically acclaimed album “Afraid To Leave”, Berlin based post-punkers Bleib Modern invited artist friends to take an outside perspective on their tracks, resulting in the “2 Afraid 2 Leave” compilation, featuring remixes and reworks from several esteemed names within the darkwave, post-punk and EBM music scenes.

From club bangers like IV Horsemen’s version of “Bitter Smile” and M!R!M’s dreamy lo-fi bedroom synthpop sound on “Into The Night” to Danish deviant pop artist Dune Messiah’s crooner “Loony Voices”. The album also boasts contributions from luminaries like The KVB, The Underground Youth, Blind Delon, Shad Shadows and various Bleib Modern band member side projects.

“2 Afraid 2 Leave” offers listeners a chance to experience Bleib Modern’s music from an altered vantage point, a welcome interlude as the band forges ahead with new creations.

Diese Maxi-Single gehört zu einer Reihe von Remix-Singles auf Vinyl aus »Memento Mori«, es ist die vierte von fünf Remix-12". Bereits erschienen sind »Ghosts Again«, »Wagging Tongue« und »My Cosmos Is Mine / Speak To Me« als Singles aus dem Album.

Groove To Grave Records is back with a second vinyl release, and for this one they are welcoming the Parisian trio Kitchen Plug.

From ghetto house to break and minimal these 3 silly boys love to produce tracks with nasty bass, metallic acid and raw drums. For their first solo EP on vinyl, they wanted to add a early 2000’ electro vibe to their ghetto style for a brainless result. Get ready for 4 bangers, including a tremendous remix from Karaba.

Our travel start with Hm that bass that tells the delicious story of a young pretty cuistot who discovers the secret for a round and saucy gourmet bassline. Next we have Amor da Franceca who is the class clown of this promo. Ready to throw all hopes of a bright future away only to entertain the class. Despite its quite chill demeanor, Meleee packs a devilish punch and boisterous accents of childhood, lost but not forgotten. And last, Karaba’s remix for melee, emphasises the french cancan aspect of our 3 majorettes. Dark red light, pale skin, round booties, dark blue eyes on a shady scene.