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The Soul Duo - Just A Sad Xmas B/W Can't Nobody Love Me

Almost an anti-Christmas song, the Soul Duo’s “Just A Sad Xmas” doesn’t exactly evoke the festive spirit of the season. Comprised of ‘Tidewater’s queen of soul Ida Sands and former Anglos tenor Joe Webster, the duo issued just two singles on Noah Bigg’s Shiptown label. Just in time for the holidays, Numero has repressed this maudlin yuletide burner and packaged the red, white, and green splattered 45s in a rigid cardboard sleeve for easy wrapping.

pre-ordina ora25.11.2022

dovrebbe essere pubblicato su 25.11.2022

Kemetic Just Presents Terrence Downs - We R Culture

Kemetic JustpresentsTerrence Downs

We R Culture

12inchMAKINEP011
Makin' Moves
23.11.2022

Kemetic Just featuring Terrence Downs with 'We R Culture' is now available on 12" black vinyl with exclusive remixes from top NY producer DJ Spinna. The producer currently at the top of his Wipe the Needle provides a firing remix as B1 and Househeads sprinkle their magic to close the single off. We're making moves again with a Makin' Moves slammer.

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Last In: 22 months ago
Matters Unknown - We Aren't Just

Matters Unknown

We Aren't Just

12inchNS0025LP
New Soil
18.11.2022

MATTERS UNKNOWN is the new project led by multi-instrumentalist and
composer Jonny Enser.We Aren't Just is the debut album from MATTERS
UNKNOWN – Jonny Enser from Nubiyan Twist's solo project
Over 14 tracks, it travels through Afro- jazz, celestial blues, soulful funk,
electronica, hip hop referencing influences such as Mulatu Astatke, Pat Thomas
and Tony Allen all of whom he has worked with via Nubiyan Twist.This album
features some of the UK's finest young players including members of Nerija, Noya
Rao, Golden Mean and COLECTIVA. For fans ofJazz is Dead and Emma- Jean
Thackray. Every track on the album is inspired by a facet of Jonny's personal
development; drawing from his relationship to the city, whether in the delta
regions of the Mississippi river or along London's arterial Thames. The album is a
material testament to the flexibility inherent to MATTERS UNKNOWN; it can be
orchestrated to accommodate a 15-strong orchestra, replete with a string section
to move you to the dancefloor as Jazz originally intended, or stripped down to the
bare bones of a trumpet and tuba- led quartet whose intentions remain all the
same; to pierce into the audience's soul.
Jonny is honest, often laying bare his personal plights with his physical disability
and mental health, and the steep – yet rewarding – uphill climb as a musician and
Jazz instrumentalist. We Aren't Just is a multi- faceted study of the self, one's
relationship with the external world; the material, and the living within the inert.

pre-ordina ora18.11.2022

dovrebbe essere pubblicato su 18.11.2022

Various - just stretchin’ 003

The third just stretchin' release comes with tracks from _000, His Master's Voice and Session Restore. A compilation of tracks by three guys who know each other very well from Hanover. The sound varies from uk infused breaks to warm housey patterns. A very dynamic EP with many interesting facets.

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Last In: 18 months ago
UPSTAIRS - GET ON A PLANE / YOU’RE JUST YOURSELF

The second release on Boogie on the Mainline Records is a strictly limited disco 12" with two songs by German band, Upstairs, from 1980.

Side A features an exceptional track from their highly sough after “It’s Hard To Get In The Showbiz” album called “Get On A Plane”. The song is still totally under the radar in the collector’s scene and serves us with a smooth uptempo Disco Funk groove, a super mellow AOR vibe and a catchy chorus! The exclusive 12" mix has an extended ending to give you more of the final “Copa Cabana” chorus.

The flip side contains the instant classic “You’re Just Yourself”, a track which could already be found on the “Boogie on the Mainline” double vinyl compilation. Giving it more space, power and loudliness on 45 rpm with a new master we hope this perfect soulful tune will get even more spins in this “audiophile” edition.

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Last In: 3 years ago
Television Personalities - And Don’t The Kids Just Love It

LP black vinyl repress with download card included. CD is available and in stock now (FIRECD289). Ahead of its time, ‘And Don’t The Kids Just Love It’ was Television Personalities’ influential debut album released in 1981 and features ‘I Know Where Syd Barrett Lives’. The legendary lo-fi release sees them produce British inspired 60s pop and post-punk that captured the period and ‘sounds remarkably prescient’ (Pitchfork’s Best 100 albums of the 1980s). With the formidable Daniel Treacy at its core, Television Personalities remain one of new wave’s longest serving and seminal artists with a career spanning over three decades. The indie visionaries directly influenced virtually every major pop uprising of the period including artists as diverse as The Jesus and Mary Chain, Pavement and Creation’s Alan McGee. “They provided the inspiration and motivation for me to start the label.” Alan McGee, Creation Records. “A remarkably influential album that holds up extremely well.” Allmusic. Track Listing 1 This Angry Silence 2 The Glittering Prizes 3 World Of Pauline Lewis 4 A Family Affair 5 Silly Girl 6 Diary Of A Young Man 7 Geoffrey Ingram 8 I Know Where Syd Barrett Lives 9 Jackanory Stories 10 Parties In Chelsea 11 La Grande Illusion 12 A Picture Of Dorian Gray 13 The Crying Room 14 Look Back In Anger

pre-ordina ora29.09.2022

dovrebbe essere pubblicato su 29.09.2022

Winston Francis & The High Notes - Just In Time LP

Studio One legend releases a brand new album backed by Dutch masters THE HIGH NOTES. 17 ska/reggae hits including "OIL IN MY LAMP", "DANCING MOOD", "YOU'RE NO GOOD", "LOVE & AFFECTION", "MY JAMAICAN GIRL", "ON THE BEACH", "GIRL I GOT A DATE", "TURN YOUR LAMP DOWN LOW" & more.

Comes with CD.

pre-ordina ora15.07.2022

dovrebbe essere pubblicato su 15.07.2022

The Ebonettes & Little Ann (V/A) - Just A Mistake / Lean Lanky Daddy

The Ebonettes were a female group Dave Hamilton cut on ‘Side By Side’ aka ‘Just A Mistake’ as issued by the Barrino Brothers on TCB in 1969. The song has a funky mid-tempo groove and is very in-demand. This is the first time on vinyl for this femme version which has been championed by DJ Snowboy over the years. The flip is the popular Northern Soul number ‘Lean Lanky Daddy’ sung by Little Ann about Dave and only previously available on a deleted Kent Select single.

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Last In: 3 years ago
N-Zo & DJ Invincible - Take Me Away EP

Just another repress here, nothing to see! That is of course a joke because this EP is proper fire! For many, Funky Sensation is their favourite N-Zo & DJ Invincible track…but for the rest it is this total classic “Take Me Away”! N-Zo & DJ Invincible had a sound that was distinctly their own, being able to take big vocals and pianos mixed with very jungle inspired chopped breaks but keeping the sound firmly hardcore. Take Me Away remains pure goose bump material to this day. With such a classic on one side it’s not surprising that the other side doesn’t get the airtime it deserves. Red 5 is another amazing track that shows off the style of N-Zo & DJ Invincible perfectly but this time without the big piano and female vocal. Don’t let that fool you into thinking that this isn’t really another A side in disguise. Once again you can hear the jungle influence in it, especially with the slightly darker tone, compared to Take Me Away.

Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others

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Last In: 3 years ago
Justin Time - Unreleased Classics Vol. 1 EP

Justin Time is a name behind so many old skool anthems, both as a solo artist, and as part of Triple J, but that also means that he has a selection of unreleased tracks! Thankfully he still had some of them saved on some old DAT tapes. A selection of original breakbeat hardcore that for one reason or another never got a full release. These tracks are breakbeat hardcore that featured on dubplates, and on mix tapes, but never got the full vinyl release back in the day! All 4 tracks are very Justin Time in style but the track JT Goes North has been on so many peoples wish lists for about 25 years now as it was featured on a compilation CD and nowhere else!

Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others

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Last In: 3 years ago
Justin Time - Sweet In Pocket EP

This EP is Justin Time doing what he does best! Making anthems that are instantly recognisable, uplifting vibes without the cheese. Sweet In Pocket is one of those tracks! No matter were you where in the club or rave, when you heard this coming in, you knew the dance floor was gonna rock. It is a close fought battle between this original and the DJ Force & The Evolution remix as to which is better, and either could win on any given day! Movin’ is another great track from Justin Time and on any other EP it could have been the A side title track but when on the flip to such monster track you are to be overshadowed for sure. Don’t let that distract you from its magnificence!

Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others

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Last In: 3 years ago
Just Mustard - Heart Under LP 2x12"

 ‘Heart Under’, Just Mustard’s second album and first for Partisan Records
(IDLES, Fontaines D.C., Laura Marling), is an album that asks you to forget
what you know. At every turn, this remarkable record reconfigures and
stretches the ideas and ambition of a rock band and turns a year of lockdown
and personal struggles into a breath-taking artistic statement.
 Across its 10 tracks, the album presents a coherent style and ethos - those
scything guitars, Katie’s magical vocals - but still incorporates a wide and
untethered vision. There are brooding, atmospheric rock songs (‘Still’, ‘In
Shade’) and others that apply a lighter, dreamier touch (‘Sore’, ‘Mirrors’), all
tied together with impeccable instrumentation and a united vision.
 On debut ‘Wednesday’, the band played with dreamier soundscapes and
production techniques, and ‘Heart Under’ serves as the next stage of this
development, with every instrument brilliantly pushed to its limit and every
boundary of the band stretched.
 After the band had finished recording and producing the album, ‘Heart Under’
was pushed even further into singular territory when the band worked with
mixer David Wrench, whose previous collaborators include Frank Ocean,
Let’s Eat Grandma, Jamie xx, FKA twigs and beyond. “We wanted someone
who had done pop and electronic records and didn’t just work within rock
music,” Katie says.
 “Ireland’s buzziest new band” - The FADER
 “Their rapturous reception here at SXSW is a testament to their startling
evolution as well as the excitement that can only come from watching a band
just beginning to realise the full extent of their powers.” - NME
 “They have well and truly mastered the art of atmospheric rock” - Loud And
Quiet (9/10)
 Supporting Fontaines D.C. on their European and US tours this year. They
were handpicked by Robert Smith to support The Cure in Dublin in 2019.
 Eire headline tour in June, UK headline tour in September, including Village
Underground, and EU headline tour in October.
 Choice Music Prize nomination for Irish Album Of The Year for their debut
album, ‘Wednesday’.
 CD housed in a cardboard wallet with lyric and photo insert.
 LP pressed on black vinyl and housed in a single sleeve jacket with lyric and
photo insert.

pre-ordina ora27.05.2022

dovrebbe essere pubblicato su 27.05.2022

Various - Would it sound just as bad, if you played it backwards, Vol. 2  2x12"

A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959-2001)
Art by Zofia Kulik

"Would it sound just as bad if you played it backwards?" assembles a collection of audio experiments created at the Polish Radio Experimental Studio (PRES) from 1959 to the beginning of the millennium. These exceptional works are presented alongside images from the Polish artist Zofia Kulik, whose career reached its apogee between the late 1960s and early 70s. While PRES and Kulik remain important artifacts in the recent history of the Polish avant-garde, presenting them together in one release may not seem like an obvious choice. There are, of course, some historical intersections-he most notable being a shared interest in Polish artist and architectOskar Hansen's Open Form theory. Open Form promoted a modular theory of architecture that became a tool adapted by its users and inhabitants to ??????????????..Hansen's ideas influenced Kulik's early works and also manifested in the PRES's iconic "black room", a music studio designed by Hansen, himself, which was equipped with moveable sound panels that absorbed or reflected sounds to promote a greater, creative freedom from its users. And yet, as it usually goes, the most obvious connections are usually the most deceitful. Whereas Kulik initially followed Open Form, she later turned away from it. And as for the black room-it mostly worked in theory but not in practice. What is it then that makes the two work together?

Polish Radio Experimental Studio - PRES (Polish: Studio Eksperymentalne Polskiego Radia) was an experimental music studio in Warsaw, where electronic and utility pieces were recorded. The establishment of the Polish Radio Experimental Studio was conceived by W?odzimierz Sokorski, head of the Radio and Television Committee. Between 1952 and 1956 he was a Minister of Culture, and as a strong supporter of socialist realism he fought against any manifestations of modernity in music. The Polish Radio Experimental Studio was founded on the 15th of November 1957,1 but only in the second half of the following year was it adapted for sound production.23 It operated until 2004.4
Until 1985, for 28 years the studio was headed by its founder - Józef Patkowski - musicologist, acoustician, and the chairman of the Polish Composers' Union. The second most important person in the Studio was Krzysztof Szlifirski, an electro-acoustics engineer. Before founding the studio Józef Patkowski visited similar hubs in Cologne, Paris, Gravesono and Milan.5 Though the studio was a place where autonomous electronic pieces were recorded, this wasn't its main purpose. It was launched as a space for the creation of independent compositions, sounds illustrations for radio dramas, and soundtracks for theatre, film and dance.

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Last In: 3 years ago
BIZ MARKIE - JUST A FRIEND

Biz Markie

JUST A FRIEND

7"-VinylCLOS2680
Cleopatra Records
20.05.2022

Biz Markie was one of the true titans of the early East Coast hip hop scene - a staple of Marley Marl's Cold Chillin' label with a cheeky demeanour which showed even the toughest hip-hop didn't have to be moody. 'Just A Friend' originally dropped in 1989 and became a mainstream hit in the US, breaking Markie to the world and ensuring the success of his second LP, The Biz Never Sleeps. Nearly a year since he passed away, Cleopatra have revisited one of his most enduring classics and given it a fresh airing on this tidy 7". If you don't already have it and you take your old-skool hip-hop seriously, don't sleep on this one.

pre-ordina ora20.05.2022

dovrebbe essere pubblicato su 20.05.2022

Just Another Artists & Sunshine Productions     ‘ - Billy Bunter & J.D.S. Remix EP 10"

Continuing the remastered, repressed series, we have two amazing remixes from Billy ‘Daniel’ Bunter & J.D.S. First there is Just Another Artist – Rhythm, already an amazing track but under the guidance of Billy Bunter & J.D.S. on remix duties they took this track to the next level! Then they turned their hands to what was already an absolute classic, Sunshine Productions – Take Me To The Top. They took parts of the original track and turned the dial right up to the max, threw them back into the pot and added their own flare and style to produce a remix that tore up raves both back in the day and still today on the old skool circuit.

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Last In: 3 years ago
Justin Time & Love Nation - Sweet In Pocket Remix EP 10"

Not very often does a remix equal the original track it follows, but every now and again it happens. The thing is the original was already a monster track but somehow this, the DJ Force & The Evolution Remix of Sweet In Pocket came along and just blew up! For so many people, this is one of the best tracks ever to grace a dance floor and to say that it doesn’t still sound fresh more than 25 years later would be a lie! Then we have the flip side! Austin Reynolds has been one of the best producers, engineers, artists and remixers for over 30 years now and again, this track is over 25 years old, yet Austin makes classics that stand the test of time and this is without a doubt one of those occasions.

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Last In: 3 years ago
Michael Nesmith - And The Hits Just Keep On Comin' LP

7A Records announces the 50th Anniversary expanded reissue of Michael Nesmith’s ground-breaking 1972 album ‘And The Hits Just Keep On Comin’’. The album has been expanded with bonus tracks and features extensive liner notes. The Vinyl issue is pressed on 180g Honey Beige Coloured vinyl and comes in a gatefold sleeve.

pre-ordina ora15.05.2022

dovrebbe essere pubblicato su 15.05.2022

The Wedding Present - Monochrome / You’re Just A Habit That I’m Trying To Break

24 Songs. A new project from The Wedding Present. A new 7” single every month throughout 2022. 24 Songs sees David Gedge writing with legendary Sleeper guitarist Jon Stewart for the first time, and a more perfect union could not have been predicted. The notion of a monthly 7” single is not new to The Wedding Present, but 24 Songs shows us that even classic concepts can be reinvented. The series also continues the band’s association with photographer Jessica McMillan, who has created stunning images and films as a visual accompaniment to the recordings. Explaining 24 Songs, David Gedge said: “In 1991, The Wedding Present were rehearsing in a studio in Yorkshire when we hit upon an idea that immediately thrilled us all. Our bass player Keith Gregory had been a member of the ‘Sub Pop Singles Club’ - a service that allowed subscribers to receive 7”s released by that Seattle label on a monthly basis. Keith wondered if we, as a band, could attempt a similar thing. In that instant, The Wedding Present’s Hit Parade series was born and, during 1992, we managed to release a brand new 7” single each and every month. “The Hit Parade went on to become something of a significant milestone in the history of the band and it’s a project about which I’m often asked. As its thirtieth anniversary approached, I began to wonder if we should celebrate it in some way. A ‘Hit Parade Part 2’ didn’t feel quite right, though. Then, someone said to me: “Other bands have released music in similar ways but there has been nothing like the Hit Parade.” And they were right! A 7” single a month seems, somehow, very ‘Wedding Present’. So, inspired by that little idea from three decades ago, we’ve embarked on this new project, 24 Songs. “Even though The Wedding Present have never been known for taking the easy route, the idea of recording 24 tracks and releasing them in this way could seem daunting to any band. However, I’ve been inspired by the music that has been written since Jon and Melanie joined the group. The thought of celebrating this exciting new line-up with an exciting new series has motivated us all… and I suppose we also didn’t want any of these songs to be hidden away in the middle of an album!”

pre-ordina ora15.05.2022

dovrebbe essere pubblicato su 15.05.2022

Sam O.B. - Just A Slice EP

Fueled on pizza and the spirit of dance music, Chef Sam O.B. has lovingly cooked up four courses for our aural connoisseurs to enjoy: "Just A Slice."

Like any good pizza, it all starts with the dough, and "Making Dough" gets us right on track. Borrowing elements from house classics of the past, it rises on a jackin' groove complete with a funky fermented low-end and dashes of vocals from the chef himself.

"Le Sauce" offers a tangy burst of flavor atop our dough foundation; a sort of subtle and seductive palate that only the most refined of sauces can provide. Twists and turns await as the layers of seasoned live instrumentation unveil themselves (best enjoyed past dusk).

Next, as you might have expected, is "Cheezin'" - many people's favorite part of a pie. This one is sharp; bursting with mouthwatering umami energy and, like any good chef, O.B. has added just enough to leave you wanting more of the catchy interwoven melodies and rhythms sprinkled within.

Finally, it's time to grab a piping hot "Just A Slice" out of the oven - an amalgamation of all groovin' ingredients added thus far and the title track. A bubbling and elastic bassline pairs with the percussion of various textures and savory synth lines, combining for a well-balanced meal sure to keep your senses engaged.

A satisfying listen, "Just A Slice" would do, but feel free to indulge in multiple spins.

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Last In: 3 years ago
Bill Withers - Just As I Am LP

Bill Withers

Just As I Am LP

12inchSUSSEXSXBS7006
Music On Vinyl
08.04.2022

"Just As I Am" – wer spät seine Karriere startet, kann sich bereits ein ausdrucksvolles Persönlichkeitsprofil erarbeitet haben, auch wenn es so wie bei Bill Withers zunächst nicht von Musik geprägt worden ist. Withers diente viele Jahre in der US-Marine, jobbte als Milchmann und installierte bei einem amerikanischen Flugzeugbauer Toiletten in Jets, während seine selbst gefertigten und fleißig verschickten Demo-Tonbänder bei den Plattenfirmen im Abfluss landeten. 1971 folgte der steile Aufstieg, als der erfolgreiche Producer Booker T. Jones ihn ins Schlepptau nahm und ihm Top-Musiker wie den Gitarristen Stephen Stills, den Drummer Al Jackson und Donald 'Duck' Dunn als Bassmann ins Studio stellte.

In seinem Debüt-Album zeigt Withers seine universellen und ausgereiften Fähigkeiten als Sänger, Komponist und Interpret, die er in späteren Aufnahmen kaum mehr übertraf. "Harlem", ein ungeschönter Milieu-Funk über die die New Yorker Slums, "Grandma’s Hands", der obligatorische Rückblick in die Kindheit und die gemütslastige Ballade "Ain’t No Sunshine" mit ihrem gebetsmühlenartigen im Off-Beat kreisenden »I know, I know …« sind freigelegte musikalische Jahresringe eines erfahrenen Mittdreißigers, der endlich zu Wort kommt. Zu dieser Schallplatte des großen Songwriters mit dem kleinen Repertoire gibt es keine Alternative.

pre-ordina ora08.04.2022

dovrebbe essere pubblicato su 08.04.2022

Pastor Champion - I Just Want To Be A Good Man

This album is a tribute to Pastor Wylie Champion, who died while we were in the process of releasing this, his first record, and his wife, Mother Champion, who died a few months earlier. We met Pastor Champion a few years ago while we were putting together another release, The Time for Peace Is Now: Gospel Music About Us. We found him in a collection of YouTube videos from the 37th Street Baptist Church in Oakland, California, put together by the pastor there, Bishop Dr. W.C. McClinton. There was quite a lot of talent in those videos, and among them was Pastor Champion whom we liked so much that we decided to make a record with him. Pastor Champion wasn’t like any other pastor you’ve ever met. As an itinerant preacher, a carpenter, and a father of five, he made a name for himself traveling up and down the California coast with his electric guitar. He traveled alone and he played alone, well into his seventies. The easiest way to describe him would be as an outsider gospel artist. Other than these bare facts, we never learned much about him—except that he was also the brother of the well-known soul singer Bettye Swann. In fact, most of what we knew about him we got from his sister’s Wikipedia page. We decided that because we met Champion through the 37th Street Baptist Church, we would record him there too. We recorded him live on a two-track Nagra reel to reel, as we wanted the album to be analog in the style of traditional gospel recordings. Over the course of two evenings (when the workday was done), Champion taught his band—musicians who had never played together before—a handful of songs, a small selection of the nearly 2,000 fragments of songs and sermons that he regularly performed. We listened in as they all got more familiar with the material and each other over time. At some point, we mentioned to Champion that he would have to be interviewed by someone to write notes for the album. He wasn’t too pleased with this idea, saying he’d had a hard life and he didn’t want to talk about it. Over the next few months, we kept asking Champion to talk to someone about his life. He told us that he didn’t want to talk about growing up in Louisiana, his mother being accosted by the Klan, or that his father was a gambler. He didn’t want to talk about being jailed for 90 days for using a whites only bathroom, being in gangs or having a street name. We told him that was fine—he could talk about what he wanted to talk about. And he told us that he didn’t want to talk about anything. You know, there are times when you make a record where it’s already made in your mind before you start. But then in the end, the record you thought you were making is not the record you made. We spent years puzzling over this one, trying to figure out what it was saying, who it was for, and how to get people to pay attention to it. But Champion knew that this record wasn’t going to be for everyone. He didn’t really care. The important part for him was just getting the message out there in the same way that he always had, travelling alone with his electric guitar. “I want to say what I mean,” he said, “be practical, precise, to the point, and, at the same time, diplomatic.” In other words, he just wanted to be a good man. God bless Pastor Champion and Mother Champion, peace be with them and their family. Love to all.

pre-ordina ora01.04.2022

dovrebbe essere pubblicato su 01.04.2022

PASTOR CHAMPION - I JUST WANT TO BE A GOOD MAN

This album is a tribute to Pastor Wylie Champion, who died while Luaka Bop were in the process of releasing this, his first record, and his wife, Mother Champion, who died a few months earlier. The Label met Pastor Champion a few years ago while they were putting together another release, The Time for Peace Is Now: Gospel Music About Us. They found him in a collection of YouTube videos from the 37th Street Baptist Church in Oakland, California, put together by the pastor there, Bishop Dr. W.C. McClinton. There was quite a lot of talent in those videos, and among them was Pastor Champion whom they liked so much that they decided to make a record with him. God bless Pastor Champion and Mother Champion, peace be with them and their family. Love to all.

pre-ordina ora01.04.2022

dovrebbe essere pubblicato su 01.04.2022

FAUST - JUST US

Faust

JUST US

12inchBB1821
Bureau B
18.03.2022

wieder auf Lager Die Hamburger Band Faust gehört zu den großen Namen, die der Krautrock der 1970er-Jahre hervorgebracht hat. Als Jean-Hervé Péron und Zappi Diermaier 1971 ihr Debütalbum vorlegten, wollte das in Deutschland niemand hören, im Ausland jedoch verkauften sich "The Faust Tapes" über 100.000-mal. "There is no group more mythical than Faust", schwärmte der englische Musiker und Krautrock-Kenner Julian Cope Jahrzehnte später. Mit "Just Us" setzen Faust ihren musikalischen Weg fort. Während Diermaier seinem Handwerk - Schlagzeug und Perkussion - treu bleibt, integriert Peron allerhand unübliche Klangquellen in sein Bassspiel, verschiedene Streichinstrumente, Klavier und sogar eine Nähmaschine als Metronom. Tracks wie "Nur nous" und "Ich bin ein Pavian" zeigen, dass Faust nichts von ihrer Vorliebe für Avantgarde und Dadaismus verloren haben. Ausflüge ins folkloristische Gefilde ("Cavaqui-ho", "Gammes") runden das wahrhaft faustische Überraschungspaket ab.

pre-ordina ora18.03.2022

dovrebbe essere pubblicato su 18.03.2022

The Sha La Das - Just for a Minute / Silver Linings

Just in time to quell your winter blues...! Staten Island's psychedelic, doo-wop dignitaries return with another pair of extraordinarily soulful sides. Heralded as one of the standout tracks on Love in the Wind, "Just for a Minute" has been at the very top of the "Damn, Daptone...Why wasn't this one on 45?" list. So when we pitched the idea producer Tommy 'TNT' Brenneck he delivered the perfect accoutrement, "Silver Linings". Featuring Paul Schalda on lead vocals, "Silver Linings" is an atmospheric groover with haunting keys and a pleading vocal that finds the group exploring the more psychedelic side of their sound. A bonafide two-sider from one of the most dynamic groups in the game.

pre-ordina ora25.02.2022

dovrebbe essere pubblicato su 25.02.2022

King Hannah - I’m Not Sorry, I Was Just Being Me LP

Liverpool duo Hannah Merrick and Craig Whittle, aka King Hannah have announced their debut LP I’m Not Sorry, I Was Just Being Me for February 25 via City Slang. The announcement is accompanied by the release of the new single “All Being Fine”. Originally inspired by Smog and noisy, lo-fi 90s bands, the track pulls the listener in immediately with its upbeat on the outside, sinister on the inside atmospherics, coming across like the aural equivalent of the opening of David Lynch’s classic film “Blue Velvet” - the bloody finger lying in the lush green grass. The video’s sun-drenched visual, directed by Whittle, is a perfect pairing, showcasing the band at their best: enigmatic, mysterious, but blackly humorous with it.

pre-ordina ora25.02.2022

dovrebbe essere pubblicato su 25.02.2022

King Hannah - I’m Not Sorry, I Was Just Being Me LP

Liverpool duo Hannah Merrick and Craig Whittle, aka King Hannah have announced their debut LP I’m Not Sorry, I Was Just Being Me for February 25 via City Slang. The announcement is accompanied by the release of the new single “All Being Fine”. Originally inspired by Smog and noisy, lo-fi 90s bands, the track pulls the listener in immediately with its upbeat on the outside, sinister on the inside atmospherics, coming across like the aural equivalent of the opening of David Lynch’s classic film “Blue Velvet” - the bloody finger lying in the lush green grass. The video’s sun-drenched visual, directed by Whittle, is a perfect pairing, showcasing the band at their best: enigmatic, mysterious, but blackly humorous with it.

pre-ordina ora25.02.2022

dovrebbe essere pubblicato su 25.02.2022

King Hannah - I’m Not Sorry, I Was Just Being Me LP

Liverpool duo Hannah Merrick and Craig Whittle, aka King Hannah have announced their debut LP I’m Not Sorry, I Was Just Being Me for February 25 via City Slang. The announcement is accompanied by the release of the new single “All Being Fine”. Originally inspired by Smog and noisy, lo-fi 90s bands, the track pulls the listener in immediately with its upbeat on the outside, sinister on the inside atmospherics, coming across like the aural equivalent of the opening of David Lynch’s classic film “Blue Velvet” - the bloody finger lying in the lush green grass. The video’s sun-drenched visual, directed by Whittle, is a perfect pairing, showcasing the band at their best: enigmatic, mysterious, but blackly humorous with it.

pre-ordina ora25.02.2022

dovrebbe essere pubblicato su 25.02.2022

King Hannah - I’m Not Sorry, I Was Just Being Me LP

Liverpool duo Hannah Merrick and Craig Whittle, aka King Hannah have announced their debut LP I’m Not Sorry, I Was Just Being Me for February 25 via City Slang. The announcement is accompanied by the release of the new single “All Being Fine”. Originally inspired by Smog and noisy, lo-fi 90s bands, the track pulls the listener in immediately with its upbeat on the outside, sinister on the inside atmospherics, coming across like the aural equivalent of the opening of David Lynch’s classic film “Blue Velvet” - the bloody finger lying in the lush green grass. The video’s sun-drenched visual, directed by Whittle, is a perfect pairing, showcasing the band at their best: enigmatic, mysterious, but blackly humorous with it.

pre-ordina ora25.02.2022

dovrebbe essere pubblicato su 25.02.2022

Spirit Was - Heaven’s Just a Cloud LP

For Fans Of : LVL UP, Crying, Paear, Sheer Mag, Krill. When his primary music project, LVL UP, stopped working together in 2018, prolific multi-instrumentalist and illustrator Nick Corbo began working on a new body of music and visual art as Spirit Was. On his debut studio album Heaven’s Just a Cloud, haunting, beautiful scenes of the natural world feel just as represented in the warm, classic, wooden floors of country rock as they do in the dark, droning, shadows of doom and black metal. With new creative liberties, Corbo is allowed an opportunity to keep exploring the heavy, distorted instrumentation and experimental techniques that have shaped his music to date. His ability to focus on small details and weave them into vast networks has been evident in all of the music and visual art in his catalogue. In its density, Heaven’s Just A Cloud is threaded with memorable lyrics and recapitulating musical themes that guide the listener. Spirit Was feels at home among the technical, melodic songwriting of Harry Nilsson’s studio recordings, or the dusty, psychedelic oblivion of Earth and Wolves in the Throne Room. A departure from his previously collaborative recordings, the album features Corbo on drums, bass, guitar, and keyboards, weaving sweet, intentional melodies and vocal harmonies over a slamming, distorted rhythm section.

pre-ordina ora11.02.2022

dovrebbe essere pubblicato su 11.02.2022

Hawthorne Heights - The Rain Just Follows Me

The Rain Just Follows Me, The Album: is the sound of an outbound train falling off the tracks. The train is lost and exhausted. The train is simply expected to execute a series of itineraries that are never ending. The train just doesn’t want to leave the station anymore. The train is me. There are times that it feels like a total nightmare, yet there are times where the melody soars into something so melancholy and beautiful, but most importantly...it never lets up. Just like the never ending itinerary, RAIN was written and recorded under extreme exhaustion and stress. The exact way that most people live their lives. Tired, strained, and searching for a moment where you can just hit pause...but you can’t, because here comes the next song.

pre-ordina ora22.10.2021

dovrebbe essere pubblicato su 22.10.2021

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