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Various - Soul Flip Edits #19 (7")

Various

Soul Flip Edits #19 (7")

7"-VinylFLIP-019
Soul Flip
05.03.2026

After bringing the heat on Volume 17, Croatian super-producer Umbo returns to Soul Flip with another hot one. Clyde Stubblefield gets in on the action for Otis Redding's “Hard to Handle” - making it funky from start to finish. 104 BPM

And it's label owner Del Gazeebo bringing up the rear again with a lush lift of the Judy Clay & William Bell classic, “Private Number” - adding new drums, fresh orchestration, and a few BPM into the bargain. 110 BPM

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Ültimo hace: 47 Días
VARIOUS ARTISTS - Heartache In Your Hand: Startime Country
  • A1: Judy Beaver– Heartache In My Hand
  • A2: Ramona Parish– I'm A Woman
  • A3: Clayton Ford– Don't Believe All City Kids Are Bad
  • A4: Country Mamma Annie– It Takes A Lot Of Man
  • A5: Jon Abnor– Losing Again
  • A6: Ramona Parish– I Feel A Thrill
  • A7: Country Mamma Annie– Who Do You Think You're Foolin
  • A8: Harland Powell– Why Can't Love Last?
  • B1: Judy Beaver– I Picked Out The Ring
  • B2: Ramona Parish– Here Comes My Baby Back Again
  • B3: Country Mamma Annie– When It's Raining
  • B4: Clayton Ford– You've Forgotten To Kiss Me
  • B5: Harland Powell– Bessie
  • B6: Country Mamma Annie– That's The Way It Is
  • B7: Ray Winkler– My Tribute To Jim Reeves
Reservar16.06.2025

debe ser publicado en 16.06.2025

Léonore Boulanger & Jean-Daniel Botta - Un lièvre était un très cher baiser

Léonore Boulanger studied drama, experimental jazz improvisation and Persian music in Paris. Her music reflects her wide interest in African folk and in composers such as George Crumb, Teiji Ito, Harry Partch and singer Meredith Monk. For their fifth album, "Un lièvre était un très cher baiser " Léonore Boulanger & Jean-Daniel Botta with percussionist Laurent Sériès compose and decompose a set of fragments of the outsider art poetry of Ernst Herbeck from Gugging center in Austria. Small formats for the movement, singed in german as in a Kindergarten Krautrock: imaginary folk, music boxes, r'n'b medievalism, motets and futuristic madrigals set up like hopscotches, Byzantine mathematics. UK Tour Dates: Oct 20th CANTERBURY Free Range Oct 21st BIRMINGHAM The Edge (with Judy Brush) Oct 22nd HAY-ON-WYE The Old Electric Shop Oct 23rd LONDON (Léo) Cafe Oto Oct 24th LONDON (Howie) Kennington Cafe Oct 26th MANCHESTER Talleyrand Oct 27th SHIPLEY Triangle Oct 28th NEWCASTLE Cumberland Arms (with Nev Clay) Oct 29th EDINBURGH Settlements Project Oct 30th LIVERPOOL Invisible Wind Factory.

Reservar11.11.2022

debe ser publicado en 11.11.2022

Steve Reich - Drumming

Steve Reich

Drumming

2x12inchSV097LP
SUPERIOR VIADUCT
04.07.2018

Steve Reich's Drumming is regarded as one of the most important musical works of the last century. Distilled through his studies of African percussion in Ghana during 1970 and Balinese gamelan music, Reich revolutionized our understanding of polyrhythms, sculpting a new sonic territory to illuminate the radical potential of Minimalism.Divided into four sections, performed without pause, Drumming is written for eight small tuned drums, three marimbas, three glockenspiels, piccolo and voice. The singers recite melodic patterns that mimic the sounds of the instruments, gradually rising to the surface and then fading out. The overall effect can be transfixing - pulling listeners into the rhythm and possessing a raw immediacy, directness and energy.The premier performances of Drumming took place in December 1971 in New York City - first at The Museum of Modern Art, then at Brooklyn Academy of Music and finally at Town Hall where this recording was made - and featured the composer along with a cast of longtime collaborators including Art Murphy, Steve Chambers, Russ Hartenberger, James Preiss, Jon Gibson, Joan La Barbara, Judy Sherman, Jay Clayton, Ben Harms, Gary Burke, Frank Maefsky and James Ogden.Originally released in 1972 by gallerist John Gibson in a small private edition, Drumming represents the culmination of Reich's investigation into rhythmic phase relationships and its early realization captures a remarkably organic feel, especially compared to the more widely known version on Deutsche Grammophon from 1974.This first-time vinyl reissue and first-time CD release has been carefully remastered from the original master tapes.

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