quête:johnwaynes

Since 2005 Jepe and MrBeat joined forces as Johnwaynes, and they are
very successful with it. From their first releases up to now, they have
produced under the same guise, a widely diverse body of work, from a
very diversity house, to full-on orchestra oriented classics, with the
occasional drift into the more elegant territories of disco. The new EP
'House-o-matic' continues right there.

Beat My House (Johnwaynes & Disconine
Edit)

portugal based talented deep house producer johnwaynes. they have released from compost black and mule musiq. that's why deep house producer johnwaynes's new single is coming out on endless flight, because of their new moniker "just john".

As with their first various artist compilation EP, Let's Play House has chosen to grab tracks from a handful of artists both new and old to the label and party. Portuguese duo Johnwaynes released the I Can See EP on the imprint in July of 2012 and Belgium's Mugwump has been part of the company's NYC party stable since 2010. The newcomers here—montel and Last Waltz—are obvious shoe-ins for inclusion in the roster.

As with the last V/A, this one tells a cohesive aural story. montel kicks the thing off with a no-nonsense jackin' house boogie, underscored by a slightly-out-of-tune and elastic bass that infects your whole body. Johnwaynes darkens the mood a bit without loosing montel's sense of urgency. The track throbs forward with the assistance of another thick bass, scattered synth ditties, herky-jerky hats, and breathy overlaid effects, giving it a cavernous vibe.

Brussels-based troublemakers Mugwump start the flip with a tune that seamlessly fits into their cannon—it sounds so familiar that it's hard to believe it's only just come out. As always, the duo's foundation is a choppy, hook-laden bass that's wrapped in playful synth lines, water-submerged effects, and big drums suitable for the largest of rock stadiums. Then Last Waltz wraps the whole affair up with their own melodious house boogie. As with the A2, theirs is more somber and spooky, yet just as catchy and addictive as the brighter montel and Mugwump songs. Imagine this EP as a miniature rendering of one of LPH's warehouse parties: it's big, bold, and lots of fun, while still having an obvious sense of a buildup, peak, and comedown.