Buscar:joe b

DLR drops his first album since starting Sofa Sound Bristol - ‘Money Till I Got None’.

The album is a tongue in cheek reflection on modern life, society, politics and of course MONEY. The never ending thirst and need for it; the stress and freedom it can bring; its power, its illusion and all its contradictions.

Drawing on life experiences from a relatively privileged position, but also from travelling and meeting many types of people across the UK and worldwide, the album explores different perspectives about money from varying sections of society.

In the 7 years since his last album, DLR has been through highs and lows, played big shows, struggled, released classic tracks and spent, spent, spent, spent. 'Money Till I Got None' is his journey of frustration and realisation and his first fully solo album in terms of production, but with a stellar lineup of vocalists and musicians to bring invaluable perspectives and experiences to the project.

Established poets, story tellers and MCs such as Fox, Rider Shafique, Jakes and Gusto bring unique insight, upcomers Freddy B & Kathryn Brenna add crucial flavours and we welcome Hal (Snazzback) on keys plus additional musical direction, with further instrumentation from Abbey Neave & Joe Bradford.

2026 Repress

DJ Support: Danny Howard, Annie Mac, Mistajam,Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne,Todd Terry, Alex Preston, Full Intention, GW Harrison,DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos,Johan S, David Penn, Sam Divine, Riva Starr, Claptone,Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KCLights, Friend Within, Dombresky, Gorgon City, ChrisLake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, LowSteppa, Mat.Joe, Raumakustik, Eskuche

Coming out the traps strong, our next 4-track vinylsampler series kicks things off with Toolroom’s very own Mark Knight who continues his impressive string of collaborations with Darius Syrossian appearing alongside him for the first time on the label. Mark and Darius, along with studio maestro James Hurr,stumbled on this classic ‘Let’s All Chant’ sample and together proceeded to write a peak-time, tech house slammer around it. With relentless energy and lush vocal licks and that all-familiar 90’s sample, this one works a treat on the dancefloor.International House don Low Steppa is next for a special release with Malta’s finest, Jewel Kid. Their track ‘Big Busta’ oozes ATTITUDE! Slamming tech house drums, an insatiable groove and a tongue-in-cheek vocal that will raise many a smile on the dancefloor. Another certified club weapon for sure! CASSIMM kicks off the flipside on the vinyl with another peak-time club weapon as he returns with ‘Say Yeah’ alongside vocalist Mahalia Fontaine. The Italian born House music maestro is on fine form as always here, hot on the heels of his ‘Love Desire’ record that went stratospheric in late 2023 on Claptone’s ‘Golden Recordings’ label. With a big bassline and oodles of dance floor energy alongside Mahalia’s rasping, diva style vocal adding that classic house vibe to proceedings! Finally, we round things off with the once mysterious but now ‘unmasked’ house duo ‘Wh0’ with a rip-roaring club banger! Remixing for the likes of The Prodigy, Basement Jaxx, Calvin Harris and Meduza whilst collaborating with Armand van Helden, Nile Rodgers and David Guetta under his Jack Back alias.This track is a heads down, no-nonsense, tongue-in-cheek club weapon! Seriously powerful drums, aplayful acid line and a very cheeky vocal that will cause a stir on many a dance floor!

Countless radio plays on Radio 1 from Danny Howard,Sarah Storie, Pete TongOther notable radio plays – Kiss FM, Toolroom Radio,Sirius XM, Data Transmission Radio, Radio 1 DanceAnthems, Radio 1 Party Anthems, Rinse FM, SelectRadio, Tomorrowland Radio

Sensual’ is the third chapter of Sacred Medicine’s sonic tale. A song carefully shaped by Ron Trent to resonate on the dancefloor through its deep powerful frequencies!
An odyssey of fierce percussions and thunderous basslines, a sound journey of the highest caliber, a very indemand jam played all over the world by Joe Claussell and Ron himself during the last few months is finally available!
Enjoy ‘Sensual’ in its full vibrating and hipnotising 11 minutes, cut on a phat slab of one sided vinyl!

American house music royalty Ron Trent and Joaquin Joe Claussell's imprint Sacred Medicine presents "Tsunami's Muse" by Coflo.

His debut on Sacred Medicine brings a rich, immersive sonic journey across three transcendent tracks. The title track, "Tsunami's Muse," blends syncopated grooves with lush synth layers, anchored by an emotive piano ballad. "Tsunami's Groove" deepens the experience, its encapsulating synth lead creating a recurring melodic motif. The EP concludes with "Tsunami's Muse (backside mix)," a beat-less reprise that expands on the piano’s story, enriched by the earthy resonance of a large wooden kalimba.

This release promises a distinct vibe, weaving an atmospheric and evocative narrative from side to side.

Strut proudly present the brand-new studio album from Nubiyan Twist, 'Jungle Run'.

Now one of the leading lights in the UK's new generation of soulful, genre-fluid artists, the Leeds-born and now London-based 12-piece collective have created their finest recordings to date, effortlessly weaving together elements of jazz, soul, hip hop, African styles, Latin, dub, hip hop and electronics in a flow of thought-provoking and life-affirming music.

Recorded at the band's own self-built Henwood Studio in rural Oxfordshire, the album effortlessly moves through different voices from the band's circle. The inimitable, timeless vocals of Nubiya Brandon lead the way on the album's title track about breaking preconceptions and promoting equality, 'Where you from I'm from wherever I be.' Saxophonist Nick Richards vocals the killer first single from the album about inner turmoil and a search for the truth, 'Tell It To Me Slowly' while rising Ghanaian star K.O.G. appears on the Afro jams 'Basa Basa' and 'They Talk'. Percussionist Pilo Adami (Nina Miranda / Afrosamba) voices the infectious bossa-jazz jam 'Borders'. The band also draft in two African legends for guest duties with the original Afrobeat maestro Tony Allen on 'Ghosts' and Ethio jazz pioneer Mulatu Astatke contributing vibes on the sinuous 'Addis To London'. 'The depth of talent and ideas that every member of this group has brought to the table for this album is incredible,'

says producer and orchestrator Tom Excell. 'Conceptually, 'Jungle Run' is all about connecting different people and cultures whilst exploring the journey of individuals. This album is the pinnacle of everything we have done to date and to collaborate with the godfathers of Afrobeat and Ethio Jazz and celebrate their music in a modern context was very humbling.'

The album is another landmark for a band that has been consistently developing their sound since their formation in 2015 at Leeds College Of Music. 'One of the biggest factors in our sound was the exciting music scene in Leeds,' explains saxman Joe Henwood. 'From a reggae night called 'Sub Dub' to venues playing whacked out experimental jazz.' Since then, the band's self-titled debut album (2015), EP 'Siren Song' (2016) and single 'Dance Inna London' (2017) have become classics in their own right and their live show has become an essential ticket; previous live highlights have included high profile slots at David Byrne's Meltdown at the South Bank and Glastonbury West Holts

'Jungle Run' is released on 15th February on CD, 2LP and digital. Cover artwork comes from acclaimed designer Marcus Davies and the album is mastered by The Carvery. Nubiyan Twist tour across Europe from November.

Support from: Dave Lee ZR, Birdee, Mousse T, Da Lukas, Dr Packer, John Morales, Terry Farley, Horse Meat Disco, Basement Jaxx, Oliver Dollar, Yuksek, Bill Brewster, Bibi Seck, Chloe Callait, Glenn Underground, Nick The Record, Mark Brickman, Jimpster, Damian Lazarus, NTS Radio, BBC Radio 1, Joey Chicago & many more..

Full steam ahead! Put on your dancing shoes and jump aboard The Disco Express as the much loved London label unveils its hugely anticipated Best of 2024 compilation.

Pressed on special edition purple neon vinyl, this electrifying compilation showcases the wider breadth of the label's sound. Best of 2024 ventures into a multitude of styles: Soul, Disco, Italo and House, all made with cutting-edge production.

A brilliant fusion of established and emerging artists, the compilation boasts a stacked line up of talent; celebrating the vibrant spirit of The Disco Express whilst perfectly infusing modern twists, optimised for contemporary dance floors.

This is original house & disco for 21st century dance floors and this train ain't slowing down anytime soon...

Celestial Echo is back with their fourth release and the first properly licenced reissue of Lisa Hill's dance floor anthem, 'I Am On The Real Side.' Originally released in 1982, this disco classic has remained a favorite among many discerning DJs and has kept dance floors moving for years.

Recorded in New York in 1982 with producers Dennis Williams and Joe Webb, this track became Lisa Hill's only release.

Now officially licensed and presented on 12-inch vinyl, the reissue features a reimagined company sleeve, updated labels, and pressed and remastered on heavyweight vinyl for an authentic analog experience.

Pressed and distributed by Prime Direct Distribution, buy or cry!

LINKIN PARK—Mike Shinoda, Brad Delson, Phoenix, Joe Hahn, alongside new members Emily Armstrong of critically acclaimed band Dead Sara as co-vocalist and Colin Brittain songwriter/producer for G Flip, Illenium, One OK Rock as drummer—share their first brand new music in seven years.

The iconic band shared a new single “The Emptiness Machine,” which is also the herald for the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15.

About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.”

Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums.

Ultimately, with FROM ZERO, the band is looking to harness the purest energy of their past, present, and future. The new era has officially begun.

Hardcover Book which includes a 208-page book documenting Louisville's rich Black Gospel music legacy and access to a comprehensive digital archive.

In the mid-20th century, Louisville gospel music was occasionally recorded when members of the local gospel community pressed 45rpm records and LPs, and released them through grassroots record labels such as Sensational Sounds, Grace, Blessed, and D.J.S. Over the years, a substantial body of work was produced in our city, but those recordings are in danger of being lost forever.

The Louisville Story Program has been working with dozens of people in the local gospel music community to locate, digitize, and preserve hundreds of these recordings and to develop a book that documents and honors the legacies of the people and communities that produced them.

For decades, the passion, hard work, and support of countless people across dozens of Black church communities in Louisville have nurtured and sustained a rich gospel music ecosystem. This music has served as a central part of people's religious practice and as an expression of Black pride, joy, affirmation, love, dignity, determination, and hope. This legacy continues to this day.

With support from The Owsley Brown II Family Foundation and Owsley Brown III Philanthropic Foundation, LSP has partnered with members of the gospel community and a local advisory group of local gospel historians and luminaries:

To locate, clean, and digitize gospel records of local artists released by small local labels
To accompany the local Black gospel music community in developing a 4 CD box set that includes a 200+ page hardcover book with first-person documentation of their rich history
To create an accompanying double LP featuring 26 of those songs
To create and maintain a public-facing digital archive of 1,000 songs and 1,000 photographs
To celebrate the final release with a large concert at the Brown Theatre (September 28, 2024)

Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ides of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

It’s followed by “Vagus”, a slinky, sensual minimal house number that Mayer describes as his “musical catnip”. The flow of these two opening cuts defines the dynamic of The Floor Is Lava, defining the dialectical drive at its core: thesis and antithesis leads to synthesis, but with a welcome prickliness that means you’re always excited, always engaged. It’s also productive in the way it derives energy from rubbing genres and sounds against each other, in unexpected ways, for maximum musical frisson. There’s psychedelic techno on “Feuerstuhl”, more minimal techno with “Ardor” (Mayer mentions ‘Immer 1’ era 90s minimal as inspiration), slippery, Shepard-tone breakbeat through “Sycophant”, a lovely, lush vocal turn on the poppy “The Solution”.

The album closes with the melancholy “Süßer Schlaf”, where Mayer sets a poem by Goethe to one of his most haunted, moving pieces of music yet, in abstract tribute to a lost friend. It’s one of the most affecting moments on The Floor Is Lava. There’s also an update on 2020’s wild Brainwave Technology EP, with the surrealist glitter-stomp of “Brainwave 2.0” (check out those handclaps!),where Mayer’s thinking about the socio-political precipice of the now: “I’m reading with great interest about this whole complex of how humanity is about to cross so many lines and the implications that the resulting financial and educational inequality will bring.”

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”

Michael Mayer veröffentlicht nicht oft Alben, was einer von vielen Gründen ist, warum ‘The Floor Is Lava’ ein echtes Ereignis ist. Es sind acht Jahre vergangen seit seinem letzten Werk, dem Kollaborationsalbum &, das auf !K7 erschien; seine Vorgänger, Mantasy (2012) und Touch (2004), ließen ebenfalls auf sich warten. Es überrascht nicht wirklich, da Mayer viele Rollen gleichzeitig erfüllt – weltreisender DJ, vielbeschäftigter Remixer, unermüdlicher Kollaborateur und Chef von sowohl Kompakt als auch Imara – weshalb seine Solo-Produktionen eher sparsam ausfallen. Doch das spricht auch für deren Qualität: Ein Album mit Mayers Namen auf dem Cover steht für Qualität, für Musik, die sowohl in die Zukunft blickt als auch auf die Vergangenheit verweist, die das Gleichgewicht zwischen den Anforderungen des Dancefloors und des Wohnzimmers hält, die genauso erforschend wie funktional ist.

Auf The Floor Is Lava scheint Mayer sowohl die Musik um ihn herum (vergangen und gegenwärtig) als auch die Strömungen der Branche, in der er arbeitet, zu reflektieren. Da wäre zunächst der ikonische Albumtitel. „Die Grundhaltung des Albums“, sagt er, drückt sich in diesen vier Worte aus. Für Mayer ist es teilweise eine Kritik daran, wie die Industrie sowohl Produzenten als auch Hörer in Schubladen steckt, sie auf Genres, auf den Markt und auf das nächste große Ding fokussiert: „Ein freier Geist zu sein, der Genres überschreitet, ist zu einem steinigen Weg geworden.“ Ein Kampf, der sich jedoch lohnt, und mit The Floor Is Lava ist das Ergebnis ein Album, das vielfältig, eigenwillig, charmant und tiefsinnig, aber auch süchtig machend ist.

Im gesamten Album findet Mayer Freude an der Erforschung und Gegenüberstellung von Stilen, lässt unerwartete Dinge erblühen und gibt ihnen Raum, überrascht den Hörer mit spannenden Wendungen: „Es ist ein DJ-Album von einem DJ, der sich schnell langweilt.“ Entweder langweilt er sich schnell oder er ist unendlich neugierig – The Floor Is Lava ist reich an Ideen. Es beginnt mit „The Problem“, das in die Vergangenheit blickt, um nach vorne zu schauen, und die wilde Art, wie frühe House-Produktionen Samples mit fröhlicher Unbekümmertheit zusammenwarfen, aufgreift. Mayer nennt Pal Joey und die Szene um Rockers Hi-Fi und ihr Label Different Drummer als Referenzpunkte, und dieser freie Geist zieht sich durch das gesamte Album.

Es folgt „Vagus“, eine sinnliche Minimal-House-Nummer, die Mayer als seine „musikalische Katzenminze“ beschreibt. Der Fluss dieser beiden Eröffnungstracks definiert die Dynamik von The Floor Is Lava und den dialektischen Antrieb im Kern: These und Antithese führen zu einer Synthese, jedoch mit einer willkommenen Schärfe, die dafür sorgt, dass man immer aufgeregt und engagiert bleibt. Zudem gewinnt das Album Energie, indem es Genres und Klänge auf unerwartete Weise aneinanderreibt, um maximalen musikalischen Nervenkitzel zu erzeugen. Es gibt psychedelischen Techno in „Feuerstuhl“, mehr Minimal Techno mit „Ardor“ (Mayer erwähnt ‘Immer’ Ära Minimal als Bezugspunkt), gleitenden Shepard-Ton-Breakbeat in „Sycophant“ und einen lieblichen, üppigen Vocal-Auftritt im poppigen „The Solution“.

Das Album schließt mit dem melancholischen „Süßer Schlaf“, in dem Mayer ein Gedicht von Goethe vertont und eine seiner bisher eindringlichsten und bewegendsten musikalischen Kompositionen schafft, als abstrakten Tribut an eine verschiedene Freundin. Es ist einer der ergreifendsten Momente auf The Floor Is Lava. Ebenfalls gibt es ein Update der wilden Brainwave Technology-EP von 2020, mit dem surrealistischen Glitzer-Stampfer „Brainwave 2.0“ (hör dir diese Handclaps an!), in dem Mayer über den sozio-politischen Abgrund der Gegenwart nachdenkt: „Ich lese mit großem Interesse über diesen ganzen Komplex, wie die Menschheit dabei ist, so viele Grenzen zu überschreiten und welche Auswirkungen die daraus resultierende finanzielle und bildungstechnische Ungleichheit haben wird.“

Das ist The Floor Is Lava: Damals und heute, Gehirnwellen und Nervengeflechte, Probleme und Lösungen, brennende Genres; das Reale, das Unreale und das Surreale. Ein Album für die schnell Gelangweilten und die unendlich Neugierigen. Mayer hat das letzte Wort und sagt uns alles, was wir über den Geist des Albums wissen müssen: „Brennen für die Sache, leidenschaftlich sein, süchtig nach der Hitze der Nacht, den überschwänglichen Kräften der Musik.“

dBridge - "So here we have it: the final plate of the Exit 100 series. I’ve been immensely proud of this project, and I believe this release is a fitting way to conclude it. We’ve curated a collection full of great music from artists I love, and I’m pleased that we’ve created a project that represents Exit’s future rather than its past."

Have you ever been to Miyazaki? It’s a prefecture on Japan’s southern island of Kyushu, facing the Pacific. Palm trees. Humid subtropical climate. This is the home of Maple Fyshh, a musical artist whose late-80s/early-90s recordings have been collected and reissued here. Liberated by the advent of 4-track cassette home recording technology, inspired by a love of 60s pop oddball production mavens like Phil Spector and Joe Meek, as well as American hot rod and surf music, these Maple Fyssh songs glow with an outsider’s love of the transformative power of newly-available sound technology, allowing him to pull his inspirations across decades and oceans to his 1990s Miyazaki home studio. The tracks here are a d.i.y. dream-pop wonderland, compiling songs from his first LP “Mariko” and second LP “Dokitto Station!!”, both self-produced, both released in 1995. The A-side of this release features tracks from the concept album “Mariko”, a masterpiece of daydream pop introspection, recorded in 1994-95, inspired by a poem submitted to a manga magazine. The B-side features tracks from “Dokitto Station!!”, slightly earlier recordings that draw inspiration from a range of 60s pop including girl groups, surf music and acid folk. All the music here demonstrates Maple Fyshh’s deep understanding and appreciation 60s pop moves, and also his mastery of the limited technology at his disposal.

Remastered in 2024, the sound of Miyazaki has been reborn for a new audience. Available on Vinyl LP and download, with a DL card, English/Japanese lyrics and entertaining and informative English/Japanese liner notes by the artist.

Another big Shaka tune from the late 1980s - Bionic Singer's anti-apartheid shot 'Botha Warning' - coming out of the same Jamaazima vaults as Hugh Maddo's Pop Style LP that we reissued late last year under the kind courtesy of the imprint's Nami Harmon.

The late Bionic Singer a.k.a Osbert Maddo, or more commonly Madoo, was brought up in East Kingston and as a child attended the legendary Alpha Boys School. He began singing together with his brother UU Madoo (aka Hugh Maddo) and soon became a regular on the Stereophonic soundsystem during the late 1970s. Recording mainly with Joe Gibbs & Errol Thompson and for Winston Riley's famed Techniques stable through the early '80s, he then moved to the US in 1983. Ceasing to record for a period, he returned towards the end of the decade under the Bionic Singer alias on the Bronx-based Jamaazima label, recording this searing indictment of South Africa's apartheid government under P.W. Botha following his stroke in 1989.credits

In 1969, singer and police lieutenant Pedro Gregorio López started recording a series of instrumental tracks and songs on the MAG record label in Peru, ranging from guaracha to cumbia, all cooked with musical eclecticism and simmered to appeal to a wide audience. Many of these musical ingredients combined on the 1971 album entitled "Cocinando", in reference to the similarities between Peruvian cooking and tropical music. López began his career as a singer and orchestra conductor many years earlier, when he joined the backing singers for Lucho Macedo's Sonora. After completing his police training, he adopted the stage name Martín López, in order to preserve the anonymity his job required. Between 1969 and 1971 Martín López y sus Estrellas recorded all the tracks comprised on this album, including salsa, guarachas, rumbas, chichas and boleros, proving their knowledge and mastery of the tropical music lexicon. It is not surprising since the orchestra was made up of the most talented label’s session stars: including the double bassist Joe di Roma, singer Pablo Villanueva "Melcochita", percussionists Ñiko Estrada and Coco Lagos, and trumpeter Tito Chicoma. "Cocinando" is an epic historical treasure that captures the explosive impact of the tropical music movement on Peruvian culture.

Audrey Powne's eagerly anticipated debut album has been met with widespread acclaim from a host of tastemakers and musicians. Garnering over 500 plays on UK radio, her music has reached an audience exceeding 2 million listeners. Many have touted her work as a strong contender for Jazz Album of the Year—a remarkable achievement for a debut release. This exceptional remix pack features a soulful interpretation from the illustrious DJ and producer Joe Claussell, profoundly inspired by the album cut "Souled Out." Claussell unveils three exquisite and spiritual remixes, each highlighting unique elements of Audrey's original production. Joaquin's Deep Version is quintessential Claussell, merging the bassy textures of a vintage King Tubby dub with vibrant percussion and dance-inducing beats. The "Sacred Rhythm Mix" is an essential for the dancefloor, weaving a seamless progression of expertly crafted sonic layers that culminate in a boogie-style crescendo, destined to be a summer anthem for DJs. The Cosmic Arts Interpretation Mix completes the trinity expertly with an enchanting downtempo mix expertly seasoned with orchestral and percussive elements which breathes even more magic into Audrey’s incredible vocal display on this track. True to Claussell's renowned craftsmanship, these remixes speak for themselves—listen and be transported. Adding to the allure of this remix pack are the superb renditions of "Feed The Fire'' by the legendary deep house producer Atjazz and the dynamic New York duo musclecars. Both remixes have garnered critical acclaim, elevating this package to an unprecedented level of excellence. Available for the first time on vinyl, these mixes are presented by BBE Music in a double pack, ensuring unparalleled sound quality that is spread out for maximum audio fidelity—a must-have for discerning DJs and vinyl aficionados who prize top-tier music pressed on wax. This release is not just a collection of tracks but a treasure trove of sonic brilliance, making it indispensable for enthusiasts of high-quality, heartfelt music.

After more than ten years, four albums and countless shows, Swiss artist Joell Nicolas takes a turn and releases her last album as VRVN. Despite being an ending, Storia is also a place for beginnings. For the first time, VRVN brings together her semi-modular synth with an acoustic instrument, but not just any: a church organ. Filled with air like a dragon, it becomes both emancipating and dangerous, weaving its sounds with synthetic ones, together with voices and lyrics: in English and –also for the first time– in French.

Three years of musical research condensed in ten tracks, sometimes structured as songs, sometimes as sensitive soundscapes. Stemming from an exploration of textures over structure, Storia meanders through intimate topics, such as childhood, silence, risk, healing and transformation.

With the support of Ville de Lausanne and Canton de Vaud.

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, SMan, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche


Kicking things off on Toolroom’s next 4-track vinyl sampler series is Mark Knight’s hugely successful rework of Groove Armada’s seminal classic ‘Get Down’. Considered one of the holy-grail records of their back catalogue so it’s an absolute honour for us, and Mark Knight, to be re-presenting this incredible record to a new audience. Fusing those unique vocals from Stush and classic Groove Armada synth line, coupled with the energy and insatiable groove of a Mark Knight record, this is a sure-fire dance floor weapon for 2024! Next up are a fan favourite of the label, the mighty duo Illyus & Barrientos who make their long overdue return with ‘When You Gonna’. Tracks such as ‘Shout’, ‘Promise’ and most famously, ‘So Serious’, propelled them to be one of the most exciting and sought after acts in the World. This record is trademark Illyus & Barrientos and reflects their personalities as artists perfectly. Think high energy house music filled with fun and peak-time dance floor vibes! Leading the charge on the b-side is an incredible collaboration from 2 heavyweight house artists, working together for the very first time! David Penn has a career spanning over 25 years. He was recently crowned the #1 house artist on Beatport and boasts over 1 million monthly listeners across leading streaming platforms. OFFAIAH appears on Toolroom for the first time in his career under this alias, although he was a firm part of the original Toolroom Family line up as Michael Woods. So this is a SPECIAL ONE! The record screams sun-drenched terraces, pool parties and chilled cocktails! A huge bass line, infectious tribal vocals and some lush house pianos for good measure. Last but not least, Long-standing Toolroom Family member and fan favourite, Ben Remember returns to the label with ‘Waiting 4 You’. As with all of Ben’s records, this is super creative and super original. Based around an infectious disco vocal sample and all created using out-board, analogue studio gear which gives the track a real gritty
undertone.

Countless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio

Willie Roy Turner a native Mississippian, migrated with his family to the South Side of the city of Chicago during the 1950’s. Initially taking up employment at the Golden Rod Ice Cream Company, his first foray into secular music arose when he was accompanied by Muddy Waters Band at Smitty’s Corner Club and performed an impressive recital of the 1959 Big Jay Neely standard “There’s Something On Your Mind” at an Open Mic Night sometime in 1963. A regular talent show entrant, Duke would eventually meet and befriend fellow Mississippian, Garland Green. Green himself had been spotted at the Trocadero Theater by the then husband and wife team of Mel Collins and “Joshie” Jo Armstead, who signed him to their Giant Enterprises production company where he recorded several excellent singles for MCA’s subsidiary, Revue and Uni labels. Green’s third Revue single release, “Ain’t That Good Enough” was composed by Jo Armstead, brothers Howard and Walter Scott and session drummer Ira Gates. It was Green who introduced Duke Turner to the Scott Brothers. The Scott Brothers Review (later known as The Scott Brothers World), one of Chicago’s most respected bands, operated their own production company, Capri Productions, producing songs on both their own and other labels artists. With the Scott’s, Duke recorded his first 45, the upbeat funk mover “Doggie Dog World” b/w “Put Some Soul In Your Dance”. The tracks penned by Duke and respected arranger Johnny Cameron was released on Don Clay’s Omega label in 1968.



Duke then formed his own company, Spinning Top Records, initially releasing “Shake Your Rang-A Tang (Rang-Dang-Du) to be followed by a second single “(Let Me Be Your) Baby Sitter”. Originally intended for release with a b-side entitled “Friendship Or Friends” the studio engineer on the project Ed Cody persuaded Duke to drop “Friendship” in favour of a part 2 version of “(Let Me Be Your) Baby Sitter”. “Friendship Or Friends” was sadly never revisited and with Duke moving to several different addresses across the ensuing years, the tapes eventually became lost. Fast forward half a century, and following a conversation with collector Malcolm Collins who divulged the existence of a acetate of “Friendship Or Friends” won on e-bay by a British collector Russell Gilbert (now living in the Netherlands), the idea of releasing the song was born. When contacted, Russell was only too happy to loan to us the acetate as a mastering reference. Upon receipt of the acetate, we realized in addition to the unreleased “Friendship Or Friends” the version of “Baby Sitter” was a longer and different mix to the released 45 version. After confirming and reacquainting Duke with his long-lost masters a licensing deal was struck which will see the long overdue release of “Friendship or Friends” along with the alternative mix of “(Let Me Be Your) Baby Sitter” as part of a 3- track EP courtesy of Soul Junction Records that also includes the original 1974 version of “Give Me Some Sugar, Baby”, a song now finding favour with the ‘Lowrider’ scene. “Give Me Some Sugar, Baby” became Duke’s signature song, which he recorded again in 1983 under the title of “Sugar Baby Your Love” with his then band ‘Torch’, which included two young musicians that Duke had previously mentored, Terry Coffey and Jon Nettlesbey, the successful 90’s songwriting partnership responsible for several RnB/Pop hits for Howard Hewitt, Alexander O’Neil, Teddy Pendergrass and Keith Washington. Their credits also include Joey Diggs “Always Coca-Cola” hit commercial jingle.

Part 3 in Legowelt's latest project "Hermit in a Rave Cave". Even lower slung house tracks with a twist from the unpredictable and unparalleled brain that roams the dunes of the Hague. Also responsible for Salamandos, Squadra Blanco, Polarius and a swath of other mysterious aliases.

Second installment of the popular cover series. This time featuring exquisite covers of Bee Gees and Stevie Wonder!

Analog single cut from the compilation albums "Sweet Breeze" and "Sweet Breeze II" ('13), featuring lounge-style covers of classic hits from the 70's and 80's Western music!

The second installment of analog conversion presents the gem-like covers, adorned with the sweet and glamorous vocals of singer Mai Yamanaka, beloved daughter of the late Joe Yamanaka. You can't miss the delightful covers of Bee Gees's "Stayin' Alive", with its light rhythmic sense, and Stevie Wonder's "Isn't She Lovely", showcasing a bright, high-pitched, and melodious voice!

Purple Disco Machine's third studio album "Paradise" will be released on September 20th. On the album, Purple Disco Machine has collaborated with artists such as Metronomy, Jake Shears, Duke Dumont, Sophie and the Giants, Nothing But Thieves and many more.

With over 1.8 billion streams worldwide, a Grammy win for Best Remix for Lizzo's "About Damn Time" in 2023 and being named Beatport's #2 artist of all time, Purple Disco Machine continues to dominate the global dance music scene with each new release. His recent successes include collaborations with international superstars Nile Rodgers, Benjamin Ingrosso and Shenseea on 'Honey Boy'.

Purple Disco Machine grew up in Dresden and developed his passion for disco and house music, which has seen him become a worldwide radio and streaming sensation with hits such as "Hypnotized", "Fireworks", "Dopamine", "In The Dark" and "Substitution". Beyond radio, Purple Disco Machine is a respected force among DJs worldwide, while the tracks 'Body Funk', 'Dished (Male Stripper)', 'Playbox' and 'Devil In Me feat. Duane Harden & Joe Killington' continue to dominate dance floors. Purple Disco Machine has remixed tracks for Dua Lipa, Mark Ronson, Calvin Harris, Sir Elton John & Britney Spears, Fatboy Slim, the Rolling Stones, Ryan Gosling's "I'm Just Ken" and many more

The maestro of nu disco is also a dedicated performer. His energizing festival appearances include Coachella, Tomorrowland, Lollapalooza, Ibiza and many more. Purple Disco Machine will embark on his own sold-out PARADISE tour of mainland Europe in the fall.

Purple Disco Machine's influence on the global dance scene is undeniable. His tireless commitment to inclusion and diversity in music ensures that his legacy will endure for generations to come.

The album PARADISE is another homage to the new age of disco and surprises with numerous top-class dance features, as well as of course the big hits of recent months.

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, SMan, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

Toolroom’s leading lady ESSEL returns to the label with a brand new killer vinyl 2 tracker. First up is her recent smash ‘Rave Is The Weapon’ with fellow female powerhouse and talented DJ, producer and vocalist, Alex Mills. Alex Mills is on an incredible journey! She had a UK top 40 hit last year with ‘Million Dollar Bill’ and as a talented vocalist boasts writing credits on records with the likes of Camelphat, Solardo and Ferreck Dawn. When these 2 are in the same room together, the energy that exudes from them is on another level! Their genuine friendship and thirst for fun is clearly visable and this spills into the record in a massive way. This BANGS! A peak-time tech houser in a similar vein to ESSEL’s Beatport chart topping tracks ‘Sweat’, and ‘Lennon’ with a lyric that will be screamed on dance floors and at festivals for the foreseeable future… ‘RAVE is the weapon!’ On the flipside is her late 2023 Toolroom single ‘The Edge’ that already sits on an impressive 4m streams and almost 40 Radio 1 plays. She has received a huge amount of radio support over the past few years which was rewarded with a DJ booking at Radio 1’s ‘Big Weekend’ back in May alongside the world’s leading artists. As far as the record is concerned… This is a real EARWORM! A stripped back, fun record with insanely catchy vocals and one that will please radio DJs, and club DJs alike.

Countless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio

The Soul Pirate album was the result of Italian reggae star Alborosie's six years at Geejam studios in Jamaica and in partnership with local artists. Featuring some of Alborosie's most popular tracks like "Kingston Town" and Herbalist", this is part of the evosound 20th Anniversary special re- release collection.
The album will be available on 180g vinyl Transparent Yellow LP.

Foundation reggae artist Dennis Walks' much in demand Waste Time in Babylon becomes the latest 1980s digital masterpiece to be reissued on 45 from Death Is Not The End's 333 series. Produced by Prince Jazzbo for his Ujama label in 1987, the singer who first came through voicing tracks for producers Harry Mudie and Joe Gibbs in the early 1970s lends his vocals to the "Racecourse Rock" rhythm played here by the legendary keyboardist Winston Wright.

Repress!

A deep and sincere tribute to the idm and electro sound through out 16 tracks from Artificial Intelligence Records.

Decide ist das zweite Studioalbum des amerikanischen Schauspielers und Singer-Songwriters Joe Keery unter seinem Pseudonym Djo.
Das Album des Stranger Things-Stars wurde bereits 2022 veröffentlicht, erlebt aber aktuell einen zweiten Frühling aufgrund des TikTok-Hypes um den
Song "End of Beginning". Das Album ist bereits sehr mehreren Wochen in Albumcharts vertreten, End Of Beginning ebenfalls seit mehreren Wochen
in den Singlecharts.

New Jersey producer, DJ and Inimeg Records head honcho Joey Anderson takes on the role of Obiaman for Obia Records 005. Well known for his deep and intriguing records Joey Anderson takes the label far into the night sky with Vanish EP. Accompanied by label owner Wendel Sield the EP sets to serve a variety for all tastes.

Anderson’s style of hypnotic rhythm and cosmic synth work finds common ground with the labels African background in “Masked Ones”. With haunted vocal shots and elegant drum work. Minimalistic use of elements fill the track exceptionally well.

“Vanish”, the records main cut fills any ear with an astonishing panned bassline accompanied by loosely layered hihats. Strange and eerie pads float around the bassline, while piano chords give structure to the music. Followed by “Escape” this well-crafted jam explores the deep even further. Jumping synth lines that sound from another planet edge the depth of Anderson’s amazing musical ear. The track is layered by dirty low frequencies that suck you in with weird noises and atmospheric melodies.

Orbiting an icy moon Wendel Sield's “Cultivate” shows itself at the end of the EP. A pulsating synth line dominates the track main character. Intricate percussion patterns drag the track along to a dirty mono sequence. Big open snares makes this a track a slap in the face to its listener.

fabric Records to announce the highly anticipated release of *fabric presents Confidence Man*, set to drop on 23rd August 2024. The mix features Confidence Man’s innovative sound and includes two exclusive tracks from the band, alongside new music from renowned artists Joe Goddard, Joshua James, and Mona Yim.

Confidence Man, celebrated for their infectious energy and distinctive style, bring their unique flair to this mix, offering a tantalizing glimpse into the future of dance music. The exclusive tracks, “BREAK IT DOWN (ON THE BASSLINE)” and “Let Them Bells Ring,” showcase the band's signature blend of high energy and catchy grooves, promising to be instant dancefloor favorites.

Complementing Confidence Man’s contributions are cutting-edge tracks from Hot Chip’s Joe Goddard, whose production mastery continues to redefine electronic music. Joshua James, known for his deep house and techno expertise, delivers a track that captures his club-ready sound. Mona Yim adds her ethereal touch with a fresh composition that embodies her innovative approach to electronic music.

fabric presents Confidence Man* stands as a testament to fabric Records’ commitment to curating pioneering music that pushes the boundaries of the genre. This release not only highlights the versatile talent of Confidence Man but also features some of the most exciting contemporary artists in the electronic scene.

The album will be available for digital download and streaming across all major platforms on 23d August 2024.

DJ support - Danny Krivit, Francois K and Joe Clausell to name a few.

Calm presents K.F.'s 'Shining of Life' returns with an array of unreleased mixes that breathe new life into the iconic 2004 Japan-only release. This special edition features innovative reinterpretations by Calm, offering a fresh auditory experience that blends the past with the present in an extraordinary musical journey.

This new package contains four unreleased versions, including the mesmerizing 'Flutemental' mix and the expansive 'Space Ritual Dub' rendition.

This collector's edition is a must-have for true music aficionado

Chapter number 8 in the Yellow Jackets book is ready to go and will please a whole range of music lovers!

Legendary visionary artist Joe Claussell strengthens up his relationship with Mother Tongue check the MT distributed Sacred Medicine label that he curates with Ron Trent serving here a piece of cosmic mind bending fusion entitled ‘"Erratic Telepathy".

On the flipside Josh Milan’s anthemic remix of Ricky Corey Collective "Who Do You Love?’" gets the Patrick Gibin’s Edit treatment and it’s got the name ‘Future Dancefloor Classic’ written all over it! Courtesy of NDATL Muzik

Don’t fear the Sound!

Anonymous British funk studio outfit Ultrafunk was spearheaded by Blues & Soul magazine proprietor John Abbey, who ran a fashionable record shop and label called Contempo in London’s West End during the 1970s; he conceived of the group as the UK counterpart to US studio bands like Mfsb. Arranger Gerry Shury, who had worked with Barry White and Maurice Gibb of the Bee Gees, drafted guitarist Chris Rae and bassist Frank McDonald (who often composed library music together) and future Rubettes drummer John Richardson to form the group, in situ. A lack of band photos, suggestive song titles and a predilection for American cover tunes led many to believe the band was US-based. Their self-titled debut LP is where the myth all begins, with a number of truly atmospheric and cinematic hard funk instrumentals, given added textural depth through full orchestration, including covers of Bill Withers’ “Use Me” and Stevie Wonder’s “Living In The City.” Though not quite as compelling as the better-known follow-up set, Meat Heat, there is still plenty to savour on Ultrafunk, making this debut companion disc a must-have for all true funk aficionados.

DJ Yoda teams up with the mighty Nubya Garcia and Boston Hip-Hop legend Ed O.G. for ‘Roxbury’. Originally released on Yoda’s ‘Home Cooking’ it’s been lovingly remixed but the originators of cut and paste Double Dee & Steinski. The b-side is Yoda’s collaboration with Joel Culpepper ‘London Fields’. This too has been remixed and this time it’s by Lewis Recordings labelmates The Still Brothers

DJ Support: Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche


Kicking things off on our next 4-track vinyl sampler series is Toolroom's very own Martin Ikin who returns to the label with ‘Make U Sweat’! He was the Best-selling Tech House artist on Beatport in 2020 and 2021 and has over 1m monthly listeners across streaming platforms. Recent studio collabs have included Noizu and Joshwa and tours have seen him travel far and wide to the US, Brazil, Bali, Ibiza, Italy, Croatia and of course, his hometown of London. This new record is the follow up to 'Oscill8' that dropped in March 2023 and sits in a similar lane, in that it's pure, unadulterated club weaponry! Next up is Italian house legend Flashmob with the frenetic, high-energy club vibe of new cut ‘My Body’. Flashmob's sound, production and go-for-broke DJ sets have changed with the game, embracing the vitality of new house music rather than hankering after sentimental sunsets. His ethic and aesthetic move relentlessly forward, using the old and new to craft unique sonic alchemy from big festivals like Tomorrowland to the intimacy of small clubs on the international circuit. ‘My Body’ is typical of Flashmob's current sound, combining solid drums and some insane synths and fx, alongside an earworm vocal sample that results in yet another memorable club cut from an established master. Canadian Tech House maestro Nathan Barato debuts on Toolroom kicking off the B-side to the vinyl alongside studio partner, Matheo Velez with 'Weapon'. A record that has already caught the attention of the underground elite with Michael Bibi premiering the track at his first appearance back at DC-10 in Ibiza last Summer. Both artists are enjoying great success across key labels such as Viva, Circus, Snatch and RAWthentic. This is an addictive, bumpy club track

that packs a huge punch on the dance floor and actually features Nathan's very own 'Move me… Rock me' vocals! Rounding things off is UK DJ/producer duo, Jenn Getz & Alfie who are residents at Dubai's #1 nightlife destination, Soho Garden, where they warm up for legends such as Sonny Fodera, MK, Claptone, Solardo & Fisher on a weekly basis. In their relatively short 3 year career they have already released on Solotoko, Abode and Toolroom Trax and now debut on Toolroom with 'Vibration'. Both girls are incredibly passionate about house music and are also big advocates for a life centered around well-being and meditation, and the idea of this record was to combine their 2 passions in life, so they proceeded to co-write these original lyrics to accompany the track, which in itself is very inspiring! This is a super cool club record that will excite fans and DJ's alike, welcome to the Toolroom Family, Jenn Getz & Alfie!

Countless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio

Die britische, in Nashville beheimatete Bluesrockerin Joanne Shaw Taylor stellt nach dem allseits gelobten Vorgänger "Nobody's Fool" aus dem Jahr 2022 erneut mühelos ihr Blues-Rock-Können und ihre sich ständig weiterentwickelnden Fähigkeiten als Singer-Songwriterin unter Beweis. Ihr neuntes Studioalbum "Heavy Soul" unterstreicht Joannes Gitarrenskills und ihre sofort erkennbaren, rauchigen, aber dennoch sinnlichen Vocals in sieben brandneuen Originaltiteln und drei fesselnden Coverversionen von Van Morrison, Joan Armatrading und Joe Simon. Joanne Shaw Taylor bekräftigt mit "Heavy Soul" erneut ihren Ruf als kraftvolle moderne Bluesrock-Musikerin und Ikone ihrer Generation.

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

Next up on our new Toolroom Trax vinyl series, we kick things off with a fresh new banger from Italian talent Nausica who with another deep club cut 'Se Pone Loca'. Featuring rolling percussion, a hooky lead vocal with expertly placed chops, 'Se Pone Loca' is looking to lay carnage on the dancefloor. Nausica's mastered her infectious minimal, percussive sound that has seen the likes of AAA talent support her music from John Summit, to Jamie Jones, MK to Solardo proving Nausica's a name many acts are reaching for in their sets! D.Ramirez returns to Toolroom Trax with his highly anticipated remake of Bodyrox's anthemic 'Yeah Yeah'. Firmly rooted within Toolroom's foundations, releasing genre defining dance music for nearly two decades with hits such as 'Downpipe' in collaboration with label boss Mark Knight and UK pioneers Underworld, 'Colombian Soul' and many more. D.Ramirez doubles up as not only a genius in the studio, but as one of the talented Toolroom Academy tutors, teaching a new generation of producer's fundamental skills in dance music production. Remaking the Bodyrox Electro House classic 'Yeah Yeah'; an era defining masterpiece with an unforgettable synth line, D.Ramirez gives us an essential update for today's dancefloors. Label favourites, Sllash & Doppe return to Trax next with their unique style of uplifting, feel good house music. Their music is regularly found in the sets of artists like Fatboy Slim, Solomun, Bedouin, Blond:ish, Martin Solveig, Roger Sanchez and more, and the playful cousins are now conquering the world, from deck to deck, with an energetic and exuberant style that has won them favour on the dancefloors.

Closing out the sampler is Saison with their signature house sound. The London based duo have been solidly in the game for the best part of a decade perfecting their unparalleled sound of raw, feel-good house music at it's very best. With numerous releases on revered labels including Defected, Nervous, Big Love and of course their own imprint, No Fuss.

Countless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio

Multi-award-winning singer-songwriter and leading UK jazz vocalist Zara McFarlane releases Sweet Whispers – Celebrating Sarah Vaughan on 14th June. The album honours the jazz great who inspired her on her own artistic journey and whose centenary year is marked in 2024.

‘Sweet Whispers’ is more than a run-through of some of Vaughan’s most popular songs. It’s not hard to imagine the immense task in selecting those songs, after all, Vaughan’s recording career spanned 50 years notching up almost 60 albums (plus nearly 30 again in compilations and box sets). Through a thoughtfully chosen selection of songs, formed across months in collaboration with producer, and the album’s clarinettist and saxman, Giacomo Smith – Zara journeys through the musical life of Sarah Vaughan, from her first to last recording, bringing to life and breathing new life into some of her best and less familiar songs. But importantly, the songs that mean the most to Zara.

Zara McFarlane said “It was when I started to listen to Sarah Vaughan that I really began to appreciate jazz vocals. She had such control across her range and a vocal command that was cheeky, playful and fun yet sophisticated and articulate. I really wanted to pay homage to her as I feel she has been somewhat overlooked amongst the jazz singers. Although I do love Ella and Billie, it's all about Sarah for me.”

‘Sweet Whispers – Celebrating Sarah Vaughan’ was recorded analogue at Durham Studios, London. Giacomo assembled a stellar cast of musicians - Joe Webb on piano, Ferg Ireland on double bass, Jas Kayser on drums, Marlon Hibbert on Steel Pan and Gabriella Swallow on cello – to record 11 tracks live to tape; with minimal overdubs, the recording has retained a live, vintage feel. A celebration of Sarah Vaughan could be in no better hands than that of Zara McFarlane, who makes an inspired homage to the ‘Divine One’. Beautifully performed in Zara’s own inimitable style, with her own playful swoops and slides, she has added her own
touch to the music. With a silken voice and timbre that bring emotional depth, attitude and personality to this collection of SaraH Vaughan songs, this is a masterful celebration

DJ Support: Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

Leading the charge with the next Toolroom Trax vinyl series is Mark Knight’s remix on a euphoric dance anthem from Dave Spoon (aka Shadowchild) & Nick Reach Up who update Elaine Mai & MuRli's track 'Ready'. An underground House work-out that's been tried & tested on the dancefloor throughout 2023 and inspired by the euphoric House sound of the 90's, Mark’s mix makes use of the original's hypnotic vocal, combined with driving bass and big euphoric synths. House heavy-weight CASSIMM lands back on our Trax vinyl series with another essential club cut 'Wanna Feel Something'. The Italian, London based hit machine rose to new heights in 2023 with a Beatport House #1 'LOVE DESIRE' on Claptone's Golden Recordings, and chart-topping releases on Toolroom, Spinnin', Myth Of NYX and more. Full of fun, funk and house goodness, CASSIMM yet again delivers another irresistible party starter! Label favourite, Crusy steps up on remix duties for this next offering and a milestone 300th release for the label with an updated mix of Superchumbo & Victoria Wilson James’ ‘The Revolution’. An influential anthem from 2001 'The Revolution' spent over two decades in clubland since icon Danny Tenaglia originally broke the record at the infamous WMC Miami, later going on to recieve support from global superstars such as Pete Tong, X-Press 2, Roger Sanchez and more. Crusy’s signature drums, percussion and grooves drive through

that Latin influenced energy throughout. Last but definitely not least, James Hurr and Electro pioneer Arthur Baker team up with their unique blend of underground house and 80's hip-hop in new club controller, 'Powder In The Nose'. This collaboration marks a triumphant return for James Hurr on Trax who has previously released successful club cuts on the label, and an exciting debut for Arthur Baker, an artist who needs no introduction. The Boston-born producer is widely recognized as one of the pioneers of the Electro genre, with a career spanning over four decades. Baker's unique sound, which fuses elements of hip-hop, funk, and electronic music, has made him a household name and a highly sought-after collaborator. Together, Hurr and Baker are a powerhouse duo, with their combined expertise and passion for dance music 'Powder In The Nose' is nothing short of spectacular.

ountless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio