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TERROR - STILL SUFFER (TAPE)

TERROR

STILL SUFFER (TAPE)

CassetteFSRCASS92
Flatspot Records
24.04.2026

Niemand hätte jemals die Entwicklung voraussehen können, die Hardcore nehmen würde, als diese Bewegung entstand. Und Anfang der 2000er Jahre hätte niemand vermutet, dass eine Band wie TERROR auch 24 Jahre nach ihrer Gründung noch immer eine der einflussreichsten Bands des Subgenres sein würde. Ihre Aggressivität, gepaart mit ihrer Liebe und Wertschätzung für die Szene, die so viele gekommen und gegangen sind oder sogar ganz vergessen haben, hat ihnen Erfolg beschert - nun veröffentlichen sie ihr zehntes Album, STILL SUFFER, das am 24. April bei Flatspot Records erscheint. TERROR stammt aus Los Angeles, Kalifornien, aus einer Zeit, als Hardcore eine Band brauchte, um wieder auf Kurs zu kommen, da das Genre aus der Bahn geraten war. TERROR stürmte herein, machte sich sofort einen Namen und ließ nicht mehr locker. Die Band hat ihren Ursprung in der kalifornischen Hardcore-Szene, die sich in den späten 1980er und frühen 1990er Jahren von der Punk-Szene abspaltete. TERROR stammt aus Los Angeles, Kalifornien, und entstand zu einer Zeit, als Hardcore eine Band brauchte, um die Dinge wieder ins Lot zu bringen, da das Genre aus der Bahn geraten war. TERROR stürzte sich in die Szene, hinterließ sofort seine Spuren und gab sie nie wieder auf. In Zusammenarbeit mit dem Produzenten (und ehemaligen Gitarristen) Todd Jones schuf die Band zehn schnelle, aggressive, provokative Tracks, die die Themen aufgreifen, die TERROR überhaupt erst so einflussreich gemacht haben. Songs über Selbstermächtigung, Überleben und den unerbittlichen Willen, sich Herausforderungen mit den Werten und der Unterstützung zu stellen, die innerhalb dieser Mauern zu finden sind. STILL SUFFER wurde durch die Technik und zusätzliche Produktion von Taylor Young im The Pit Recording Studio, das Mixing von Jon Markson und das Mastering von Brad Boatright bei Audiosiege vervollständigt, mit zusätzlicher Vocal-Technik von Jay Zubricky bei GCR Audio und Drum-Technik im Studio 606 von Taylor Young und Oliver Roman. Die Gastvocals auf dem Album stammen von Jay Peta von Mindforce bei ,Beauty in the Losses", Brody King von God's Hate und Dan Seely von King Nine bei ,Deconstruct It", zusammen mit Hot Water Music's und Drum-Technik im Studio 606 von Taylor Young und Oliver Roman. Die Gastvocals auf dem Album stammen von Jay Peta von Mindforce bei ,Beauty in the Losses", Brody King von God's Hate und Dan Seely von King Nine bei ,Deconstruct It", zusammen mit Hot Water Music's Als Gastsänger auf dem Album sind Jay Peta von Mindforce in ,Beauty in the Losses", Brody King von God's Hate und Dan Seely von King Nine in ,Deconstruct It" sowie Chuck Ragan von Hot Water Music zu hören, der in ,Fear The Panic" eine selbstbewusste Performance liefert. Dieser Song wurde auch von Chad Gilbert von New Found Glory co-produziert. Von Anfang an hat TERROR nie den Dingen den Rücken gekehrt, die diese Band seit ihrer Gründung so wichtig gemacht haben. Mit der Veröffentlichung von STILL SUFFER wird deutlich, dass die Band keine Anzeichen einer Schwäche zeigt und weiterhin mit den Werten und der Unterstützung, die sie innerhalb dieser Mauern findet, Herausforderungen direkt angeht. Die Songs handeln von Selbstermächtigung, Überleben und dem unerbittlichen Willen, sich Herausforderungen mit den Werten und der Unterstützung, die innerhalb dieser Mauern zu finden sind, direkt zu stellen. Von Anfang an hat TERROR nie den Dingen den Rücken gekehrt, die diese Band seit ihrer Gründung so lebendig gemacht haben. Mit der Veröffentlichung von STILL SUFFER wird deutlich, dass die Band keine Anzeichen einer Schwäche zeigt und weiterhin erfolgreich ihre Mission verfolgt, authentischen Hardcore zu liefern und der Welt zu zeigen, dass dies viel mehr als nur Musik ist. Diese Gemeinschaft und Bewegung, die niemand wirklich in Worte fassen kann, ist genau der Ort, aus dem die Energie stammt, die TERROR antreibt, mit STILL SUFFER weiter zu wachsen und sich weiterzuentwickeln. ,Die Ewigkeit ändert sich nicht, du bist genauso beschädigt wie ich."

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Eiji Nakayama - Aya's Samba

Eiji Nakayama

Aya's Samba

12inchSTUDIOMULE13
Studio Mule
24.04.2026

2026 Repress

johnny's disk record is an independent jazz label run by the owner of jazz cafe kaiunbashi no johnny located in rikuzentakata city in iwate prefecture, japan.

the legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz, avant-garde jazz to left-field pop. albums such as 'farewell my johnny / left alone' and 'aya's samba' has reached cult status among fans as some of the best works to come out of the japanese jazz scene.

another japanese jazz classic, aya's samba was a debut effort by bassist eiji nakayama, who played as part of elvin jones' jazz machine and toured with don friedman.

this album is an important release in the johnny's disk catalogue, not only because it is the first ever release, but also because the owner hearing the band play was the reason why the label came to be.

'aya's samba' is a mellow jazz samba in minor key that's considered a japanese jazz classic. slow ballad 'yellow living' is drenched in melancholy with emotive keys and sax notes, while the dreamy 'sea sea town' impresses with a captivating, expressive sax solo. the 4 tracker ends with 'far-away road,' an uptempo tune with rhythmic keys.

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Последний логин: 3 г. назад
COTTON JONES - PARANOID COCOON
  • 1: Up A Tree (Went This Heart I Have)
  • 2: Gotta Cheer Up
  • 3: Some Strange Rain
  • 4: Gone The Bells
  • 5: Photo Summerlude
  • 6: By Morning Light
  • 7: Cotton & Velvet
  • 8: Little Ashtray In The Sun
  • 9: Blood Red Sentimental Blues
  • 10: I Am The Changer

Michael Nau und Whitney McGraw haben große, fragende Herzen voller Musik, die Elemente aus Soul, Rock und Gospel in einen weichen Kokon aus Kleinstadtsound einhüllt. Das begann vor einigen Jahren als BASKET RIDE und wurde ganz zufällig zu COTTON JONES. Ein neuer Name verspricht neue Flexibilität. Nau schreibt nun ganz andere Musik, als er das für PAGE FRANCE tat; die ursprüngliche Paranoia, die ihn trieb, hat er abgeschüttelt. "Paranoid Cocoon" ist das Debüt für Suicide Squeeze, das in seiner ruhigen, holzigen Psychedelia die Suche des Duos nach Trost und Freiheit unter den Bergen von Maryland widerspiegelt. Zwischen der einsamen Dunkelheit des Waldes und dem Licht des roten Mondes versammeln COTTON JONES Songs des Verlassens und guten und schlechten Träumen, die sich aus der Umgebung speisen, in der beide ihren Ursprung haben. In "By Morning Light" ziehen sich die Stimmen der beiden gegenseitig aus ihrer Melancholie in einen Zustand erstaunter Genugtuung. Die Musik auf "Paranoid Cocoon" glitzert. Die Snaredrum und der sanfte Anschlag der Gitarre erreichen den himmlischen Eindruck von YO LA TENGOs "And Then Nothing Turned Itself Inside Out". Einfache, bescheidene Perfektion.

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Johannes Albert - Golden Seconds Vol. I LP

Golden Seconds has arrived — a brand-new Disco label brought to you by Johannes Albert.

In the 1990s, Disco House records became dancefloor anthems, drawing on the nostalgia of disco's golden era while incorporating modern production techniques like sampling. Pioneered by influential producers like JohNick or DJ Sneak, Disco House revitalized the uplifting spirit of Disco while infusing it with the infectious rhythms of House Music. A young Johannes became addicted to this happy music in a heartbeat. Fast forward two decades, and he’s crafted his own updated take on the genre, guided by one simple philosophy: "Sometimes all it takes to make a room go bang is a beat and a sample."
Golden Seconds Vol. I opens the vaults and delivers a selection of tracks straight from the stash — timeless grooves, dancefloor heat, and that unmistakable disco glow. Sexy cover included.

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HRISHIKESH HIRWAY - IN THE LAST HOUR OF LIGHT
  • 1: Stray Dogs (With Iron & Wine)
  • 2: Dark Circles (With Fenne Lily)
  • 3: Rollercoaster
  • 4: Things Change, Even Now
  • 5: The Ocean (With Uwade)
  • 6: Big Sky (With Ken Pomeroy)
  • 7: Charlie, Short For Charlotte
  • 8: When I Look At You
  • 9: Your Voice (With Ken Pomeroy)
  • 10: Swimming Pool
  • 11: Home Movies

Hrishikesh Hirway, Musiker, Komponist und Podcast-Ersteller, bekannt für seinen preisgekrönten Podcast und die Netflix-Serie ,Song Exploder" sowie Kompositionen für Film und Fernsehen, darunter ,Companion", Save The Date, Our Nixon und Everything Sucks!, begann sein eigenes Musikprojekt unter dem Namen One AM Radio und änderte seinen Namen mit der Veröffentlichung von To Call My Own EP im Jahr 2022. Produziert vom Grammy-Gewinner Philip Weinrobe (Big Thief, Adrienne Lenker, Theo Katzman, Cass McCombs), In the Last Hour of Light ist eine Erinnerung daran, loszulassen - von Menschen, von Erinnerungen, vom Wunsch, die Zeit davon abzuhalten, zu schnell zu vergehen. Die Songs entstanden nach dem Tod von Hrishikeshs Mutter, als die Jahre sie immer weiter in die Vergangenheit drängten; in den Momenten, in denen er in seinem Krankenhauszimmer darauf wartete, dass sich sein Vater erholte; in dem Traum von einer Tochter, die er nie haben wird. Es gibt auch Liebeslieder - aber es ist die Art von Liebe, die die Patina eines langen gemeinsamen Lebens trägt, in dem man ebenso viel Zeit hinter sich hat wie vor sich. Die Band von Hrishikesh bestand aus Shahzad Ismaily (Feist, Arooj Aftab), Ken Pomeroy, Mike Haldeman (Moses Sumney, Dawn Richards) und Joshua Crumbly. Zur Besetzung von Hrishikeshs Band gehörten Shahzad Ismaily (Feist, Arooj Aftab), Ken Pomeroy, Mike Haldeman (Moses Sumney, Dawn Richards), Joshua Crumbly (Leon Bridges, Kamasi Washington), Oliver Hill (Kevin Morby, Broken Bells, Vagabon), Sean Mullins (Sam Evian) und Cole Kamen-Green (Beyoncé, Taylor Swift); mit Gastauftritten von Iron & Wine, Fenne Lily, Ken Pomeroy und Uwade Hart (St. Vincent), Zosha Warpeha (L'Rain) und Dustin O'Halloran.

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PPJ - Joker
  • A1: Me Pega
  • A2: Tem Carnaval
  • A3: Sexy Doce
  • B1: Coeur
  • B2: Então Tá Bem
  • B3: Para Ser Feliz
  • B4: Tô Nem Aí

Fresh from releasing projects on Method 808 and Future Classic, landing a huge collaboration with Chloé Caillet, and delivering an official remix for Fatboy Slim, PPJ are entering a new chapter in full force. Their expansive take on global street sounds, ranging from neoperreo to Miami bass, gets a cool re-coating.

Led by the magnetic vocalist Páula, with production from Povoa (individually supported by Four Tet, Ben UFO, and Barry Can't Swim, with recent releases on Live From Earth), the duo operates in maximalist mode: playful, sensual, and slightly unhinged.PPJ’s new era, JOKER, embraces a figure that appears everywhere from card decks to carnival culture as a symbol that mirrors their own DNA: funny, eerie, seductive, unpredictable. The EP leans further into club territory, but rather than polishing their edges, PPJ amplify them.

At the emotional core of the record sits “Coeur,” co-produced with Chloé Caillet. It begins with an MPB-tinged foundation flirting with bossa nova. It’s unmistakably Brazilian, bathed in sunset hues before being sped up and twisted into a dance-floor-ready electronic form. The groove shimmers with tension: warm percussion, elastic basslines, and Páula’s voice hovering between intimacy and tease. It feels like a remix of itself, romantic, but slightly untrustworthy.

If “Coeur” glows, “To Nem Ai” is a slow burner. A very deep and downtempo house cut, it unfolds slowly, almost luxuriously, guided by sensual vocals that feel whispered directly into the ear of the listener. A hypnotizing piano sample that feels like a late-night confession. It’s the kind of record that transforms a dancefloor into something tactile.

Elsewhere, “Me Pega” is a high-energy reinterpretation of the tech-house sounds from Santa Catarina, one of southern Brazil’s most feverish party states, twisted and accelerated for ferocious impact. Drawing direct inspiration from Sarro, a raw and vibrant Brazilian street dance, the track captures physical intensity in its purest form: sweat, bass pressure, collective release.

Its counterpart, “Tem Carnaval” channels Páula’s vivid storytelling into a thunderous ode to Rio’s carnival spirit, euphoric, chaotic, cinematic landed just in time for this year’s celebrations.

On “Sexy Doce,” rugged electroclash melodies collide with unexpected references. “It was inspired by Budots, which is dance music from the streets in the Philippines,” Povoa explains. “Then we mixed it with Páula’s Brazilian vocals. Baile funk is similarly from the streets, so there is a connection.” The result is raw yet futuristic, a cross-continental flirtation that feels both underground and explosive.

With this new EP, PPJ make music like they’re tuning into a dozen pirate frequencies at once. Pirate radio from Rio to Berlin to Manila intercepting fragments of street culture, sensuality, and chaos, and stitching them into something deliriously cohesive.
JOKER doesn’t just nod to club culture. It challenges it, twists expectation and leaves a lasting impression.

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Various - Radar Keroxen Vol.6 (LP)

Yearly compilation series RADAR KEROXEN return with its sixth volume of theme-driven releases, continuing to chart the fractured sonic terrain of the Canary Islands’ undergrowth.

After digging through indie, psychedelia, shoegaze, and site-specific drone, Vol. 6 dives headfirst into the after-hours circuitry of the islas afortunadas, assembling a hand-picked selection of underground club mutations from five long-standing operators within the local electronic ecosystem.

If Vol. 5 was shaped by the cavernous resonance of Santa Cruz’s obsolete gasoline tank, Vol. 6 is fuelled by late-night club aesthetics and mid-90s hardware obsession. Opening the record, Dancelwerk — one of the archipelago’s early modular practitioners — delivers tightly wound structures nodding to Warp-era golden agefuturism and southern Tenerife’s rave boom. Cmos34 follow with their first-ever published material, injecting instability into the system through improvised techno rituals built on friction and feedback.

Jorganes drags the narrative deeper into hypnotic territory, stripping club music down to its skeletal pulse and channeling disciplined repetition and late-90s minimalism into austere, trance-inducing momentum. From Gran Canaria, Sunday German Flowers bends the mood toward cinematic dub: heavy low-end pressure, spoken word, and nocturnal atmospheres stitched into slow-burning club noir.

Closing the circle, Nico Hernández pulls the compilation back to volcanic ground with ambient compositions shaped by Lanzarote’s raw geological landscape — basalt echoes, tectonic silence, and island isolation rendered in sound.

As always, the release is housed in a post-tropical collage artwork by Pura Márquez.

Master by Daniel García
Artwork by Pura Marquéz

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John Corabi - New Day
  • 1: New Day
  • 2: That Memory
  • 3: Faith, Hope And Love
  • 4: When I Was Young
  • 5: One More Shot
  • 6: 199
  • 7: Laurel
  • 8: Good To Be Back Here Again
  • 9: Love That’ll Never Be
  • 10: Cosi´ Bella
  • 11: Your Own Worst Enemy
  • 12: Everyday People

Rock legend John Corabi—renowned for his work with Mötley Crüe, The Scream, Union, ESP, and The Dead Daisies—steps into the spotlight with “New Day” his first full-length solo album of original material. Recorded in Nashville during the summer of 2025 and produced by multi-platinum songwriter and producer Marti Frederiksen (Aerosmith, Ozzy Osbourne, Buckcherry), the album fuses classic ’70s rock, soul, and blues influences into a sound that is both timeless and deeply personal. The record features the previously released singles “Così Bella (So Beautiful)” (2021) and “Your Own Worst Enemy” (2022), now fully integrated into a rich collection of tracks that showcase Corabi’s commanding vocals, heartfelt lyrics, and masterful songwriting.

Throughout the album, Corabi is joined by Marti Frederiksen, who adds backing vocals, guitars, piano, and percussion; Evan Frederiksen, providing drums, bass, B3 organ, electric guitar, mandolin, and programming; Richard Fortus (Guns N’ Roses) on lead guitar; and Paul Taylor (Winger, Steve Perry) contributing piano, organ, and clavinet. Together, they create an organic, instrument-driven sound built on real performances, melodic interplay, and soulful energy. A trip down to memory lane mostly with a nostalgic mood offering intimate everything that is in between acoustic moments to richly layered arrangements rockers: “New Day” is a journey through the heart of rock, infused with soul and blues sensibilities, and inspired by the melodic grandeur of early Boston and Queen. With a European tour planned for February/March 2026 and additional shows through late spring and summer, Corabi is poised to bring this music directly to fans, delivering both powerful live energy and emotional resonance. More than just a solo debut, “New Day” is John Corabi’s personal testament to rock’s enduring spirit—an exploration of melody, soul, and authenticity, played with passion and conviction at every turn.

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FLYING MOJITO BROS - JUST PASSING THROUGH
  • 1: Area 54
  • 2: Wild Mountain Honey
  • 3: Take The Long Way
  • 4: New Mexico '76
  • 5: Just Passing Through
  • 6: Glitter
  • 7: Daniel's Disco
  • 8: Catch Me
  • 9: Lost To The Desert
  • 10: Slow Train Fuego
  • 11: Thunder Exchange
также имеющийся в продаже

BLACK VINYL


Das erste Album mit Originalmusik von den englischen Künstlern Flying Mojito Bros., die total auf Americana und Dance-Musik stehen. FMB hat dank seines einzigartigen Stils, der als Desert Disco und Outlaw House bezeichnet wird - ein neu definierter Americana-Sound, der von Poolside-Vibes bis zur Tanzfläche reicht -, eine wachsende Fangemeinde in den USA gewonnen. Das Album bietet eine hochkarätige Besetzung mit Künstlern wie Scott Hirsch, Will Worden und Rob Chaney (weitere werden noch bekannt gegeben!) und hat die Unterstützung von einflussreichen Persönlichkeiten wie Diplo, Phish, Pretty Lights, BBC 6 Music und KEXP erhalten. Just Passing Through zeigt die Entwicklung von FMB und kombiniert ihre charakteristischen Re-Edits und Remixe mit Live-Band-Aufnahmen. Es ist ein mutiger Schritt in ihrer Karriere, bei dem sie von den 1970er Jahren inspirierten Rock und elektronische Rhythmen mit Kollaborationen von Top-Musikern wie Shawn Lee (Young Gun Silver Fox), Joe Harvey-Whyte (The Hanging Stars) und Joe Stoddart (ABBA Voyage) verbinden. Dieses Album markiert ein neues Kapitel in der kreativen Reise von FMB und fängt ihre Erkundung der neu definierten Americana und den interkulturellen Rock-Austausch zwischen den USA und Großbritannien ein.

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FLYING MOJITO BROS - JUST PASSING THROUGH

Das erste Album mit Originalmusik von den englischen Künstlern Flying Mojito Bros., die total auf Americana und Dance-Musik stehen. FMB hat dank seines einzigartigen Stils, der als Desert Disco und Outlaw House bezeichnet wird - ein neu definierter Americana-Sound, der von Poolside-Vibes bis zur Tanzfläche reicht -, eine wachsende Fangemeinde in den USA gewonnen. Das Album bietet eine hochkarätige Besetzung mit Künstlern wie Scott Hirsch, Will Worden und Rob Chaney (weitere werden noch bekannt gegeben!) und hat die Unterstützung von einflussreichen Persönlichkeiten wie Diplo, Phish, Pretty Lights, BBC 6 Music und KEXP erhalten. Just Passing Through zeigt die Entwicklung von FMB und kombiniert ihre charakteristischen Re-Edits und Remixe mit Live-Band-Aufnahmen. Es ist ein mutiger Schritt in ihrer Karriere, bei dem sie von den 1970er Jahren inspirierten Rock und elektronische Rhythmen mit Kollaborationen von Top-Musikern wie Shawn Lee (Young Gun Silver Fox), Joe Harvey-Whyte (The Hanging Stars) und Joe Stoddart (ABBA Voyage) verbinden. Dieses Album markiert ein neues Kapitel in der kreativen Reise von FMB und fängt ihre Erkundung der neu definierten Americana und den interkulturellen Rock-Austausch zwischen den USA und Großbritannien ein.

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John Coltrane, McCoy Tyner - Verve Acoustic Sounds

VERVE ACOUSTIC SOUNDS SERIE: komplett analog von Ryan K. Smith bei Sterling Sound von den
Originalbändern gemastert, QPR-Pressung (180 g), stabiles Tip-On-Gatefold (Stoughton Printing), wattierte Innenhülle.
“Africa/Brass”, im September 1961 veröffentlicht, war Coltranes erstes Album für das noch junge Label Impulse! Records. Das Werk markierte einen Wendepunkt in der Karriere des Saxofonisten und gilt laut dem
“AllMusic Guide to Jazz” als “Schlüsselwerk für das Verständnis des Weges, den John Coltrane in seiner
letzten Schaffensphase mit seiner Musik einschlug”. Für das im Studio von Rudy Van Gelder aufgenommene
und von Creed Taylor produzierte Album erweiterte Coltrane sein Quartett zu einem großen Ensemble mit
bis zu sechzehn Musikern. Coltranes leidenschaftliche, freie Improvisationen auf dem Tenor- und Sopransaxofon stehen dabei in reizvollem Kontrast zu dem kompakten, rhythmischen Sound des Blechbläser-lastigen
Orchesters unter der Leitung von Cal Massey. Die Arrangements für die Big Band wurden von Eric Dolphy
und McCoy Tyner erst während der Proben im Studio angefertigt

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Collignon - Bicicleta LP

Collignon

Bicicleta LP

12inchGGR33-003
Gris Gris Records
24.04.2026

After a savage summer of performing over 35 festival shows, COLLIGNON continue their journey with the release of Bicicleta.

Bicicleta was written and recorded right in the midst of the band's summer tour. Gino, Yves and Jori seized the moment, the album captures exactly where they currently stand as a band: thriving on the energy of their live performances, with the desire to dive deeper into their music.

The result is Bicicleta—a diverse and authentic album that stays true to COLLIGNON’s distinctive blend of wildly grooving beats, psychedelic guitars, and sharp keyboard riffs. The music transports listeners across many borders, all while maintaining their signature COLLIGNON sound.

This album was made with vinyl in mind, designed to be experienced as a complete journey. From the first Maloya rhythms of "Fonkér la Mér" (Kreol for 'fond du cœur de la mer', meaning ‘from the bottom of the heart of the sea’) to the Brazilian groove and cosmic crescendo of "Vai Vai Vai (Into the Stars)", Bicicleta is a trip that flows from track to track.

The album, recorded while Jori left his Portuguese studio for a year-long stay in the Netherlands, pays homage to what -without engine, exhaust or pollution- might be considered the finest emblem of Dutch culture: the bicycle.

The words of adventurer Nellie Bly, written in 1896, still ring true today: ‘In a frenetic era of expanding possibilities, cycling offers a journey into a landscape of dreams. The bicycle has always signified independence and freedom in steering one’s daily course and the byways of its occasional adventures.’

To truly experience this album, nothing compares to holding the vinyl sleeve in your hands and spinning the record on your turntable.

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BLOOD SUCKING MANIACS - BLOOD SUCKING MANIACS LP 2x12"
  • 1: Heartbeat (Lucky Marlo Allen) / Barrelhouse (Pauline Allen)
  • 2: Blood Sucking Maniacs
  • 3: Bloodlines
  • 4: Peaches And Sap
  • 5: A Pogo Is A Logo
  • 6: Dirt Road
  • 7: Down To The River
  • 8: Kru Jam
  • 9: Just Pray
  • 10: Let It All In
  • 11: Little Baby Boy
  • 12: Mahalabalapurem-Poppa-Oo-Maumau
  • 1: Blues (Pauline Allen)
  • 2: No Rush To Fly
  • 3: Red Leg Boy
  • 4: Santa Fe
  • 5: Arroyo Nights
  • 6: These Four Rocks / Shuck Some Corn (Jo Harvey Allen)
  • 7: When Things Go Wrong
  • 8: Kru Jam 2
  • 9: Where We Belong
  • 10: Family Tree / Heartbeat (Lucky Marlo Allen)

Blood Sucking Maniacs, die Band der Familie Allen, geleitet von Patriarch und Matriarchin Terry Allen und Jo Harvey Allen, umfasst fünf Generationen und 121 Jahre, darunter (unter anderem) ihre Söhne Bukka und Bale Allen, ihre Enkel Kru, Sled und Calder Allen, die Hauptakteure der Panhandle Mystery Band, Charlie Sexton, Lloyd Maines und Richard Bowden, sowie den häufigen Mitwirkenden Will Sexton. Die wilden und vielfältigen Songs auf ihrem gleichnamigen Album sind bunt und vielschichtig und umfassen herzzerreißende Balladen und ironische Insider-Witze, die von erhaben bis unverhohlen sentimental reichen. Das verbindende Prinzip ist hier weniger die Harmonie des Blutes als vielmehr die Entropie des Blutes. Lass dich mitreißen.

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Bugge Wessseltoft & Henrik Schwarz - Duo LP

“duo,” a collaboration between norwegian jazz heavyweight bugge wesseltoft and german house visionary henrik schwarz, is finally being reissued. it stands as one of the finest albums in the history of club music to so beautifully fuse jazz and electronic music. deep and experimental yet irresistibly melodic, this gem of a record possesses a captivating sensibility that draws in listeners of every kind. newly remastered by kuniyuki, this long-awaited reissue comes pressed on 180g vinyl. the refreshed artwork has been created by emerging japanese artist joji nakamura

happy 15th anniversary!

„Duo“, eine Zusammenarbeit zwischen dem norwegischen Jazz-Schwergewicht Bugge Wesseltoft und dem deutschen House-Visionär Henrik Schwarz, wird endlich neu aufgelegt. Es gilt als eines der besten Alben in der Geschichte der Clubmusik, das Jazz und elektronische Musik so wunderschön miteinander verbindet. Tiefgründig und experimentell, aber dennoch unwiderstehlich melodisch, besitzt dieses Juwel von einem Album eine fesselnde Sensibilität, die Zuhörer aller Art in ihren Bann zieht. Neu gemastert von Kuniyuki, erscheint diese lang erwartete Neuauflage auf 180-Gramm-Vinyl. Das überarbeitete Artwork stammt vom aufstrebenden japanischen Künstler Joji Nakamura.

Herzlichen Glückwunsch zum 15-jährigen Jubiläum!

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HAMMOCK - NEVERTHELESS

HAMMOCK

NEVERTHELESS

12inchHMKLP96
HAMMOCK Music
24.04.2026
  • 1: Requiem For Johan
  • 2: In Distance Pavilion
  • 3: You Get So Far Away
  • 4: Breath Inside Your Breath
  • 5: Through Nameless Air
  • 6: Without Which Nothing
  • 7: Traces Disappear
  • 8: Like A Sadness We Get Used To
  • 9: Nevertheless
  • 10: Watching You Collapse
  • 11: All Flesh Is Grass

Nevertheless, the latest album from Hammock, exists in a state of awakening. Across 11 ambient guitar string, and piano works, ethereal light crests and contrasts with darkness, giving shape to physical forms and feelings. Amidst sorrow and grief, melodic motifs and refrains echo from the past to reanimate dreams and faded memories. As Nevertheless asks questions of permanence and purpose, beauty takes shape in the intangible_the traceless connections that gave, and give, meaning. "Nevertheless has been one of those words that has outlasted my upbringing," says Hammock's Marc Byrd. "Being from the deep South, I most often heard it said or read at funeral services. It's meant to imply a type of sacred pause . . . a space of in between. Between the grief of being broken by the world and the impossibility of moving into a future that feels more like empty space and less like solid ground. This album is for a friend who lost a daughter and a son to addiction within a couple of years of each other. Requiem for Johan sets up the context for what is to follow throughout the rest of the album. . . a passage through the aftermath of devastation. Unfortunately, and fortunately, these seasons of loss are what we all share in common. Nevertheless . . . we limp on."

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Steve Wilson - Enduring Sonance
  • 1: Quiet Girl
  • 2: A Volta
  • 3: The Eyes Of Love
  • 4: Helen's Song
  • 5: The Surest Things Can Change
  • 6: Pieces Of Dreams
  • 7: How Long?
  • 8: Francisco

On "Enduring Sonance," saxophonist and flutist Steve Wilson reflects on a lifetime of lyrical, deeply felt songs drawn from jazz, pop, and film—brought to life by an all-star ensemble featuring Renee Rosnes, Joe Locke, Jay Anderson, and Kendrick Scott. *** Certain songs have a way of lingering in the imagination—resonating long after we’ve last heard them, sometimes for a lifetime. On his breathtaking new album "Enduring Sonance," veteran saxophonist and flutist Steve Wilson celebrates the music that has left the deepest imprint on his musical life. “Some of the tunes on this record have stayed with me for, in some cases, over 50 years from the time that I first heard them,” Wilson says. “I wanted to put some music out there that people can connect with, no matter what kind of music they like.” Originally conceived as a ballads project, Enduring Sonance evolved into something broader and more personal. Rather than focusing on tempo or style, Wilson gravitated toward a sense of lyricism—music whose emotional clarity and melodic resonance endure across genres, decades, and listening habits.

To realize this vision, Wilson assembled a deeply intuitive ensemble featuring pianist and arranger Renee Rosnes, vibraphonist Joe Locke, bassist Jay Anderson, and drummer Kendrick Scott, with special guest Kevin Newton (French horn, Imani Winds) appearing on two tracks. Each musician brings a rare sensitivity to melody, texture, and space, allowing the material to unfold with warmth, restraint, and quiet authority. The repertoire draws from a wide musical landscape, including works by close collaborators and modern jazz masters Billy Childs and George Cables, alongside enduring songs by Michel Legrand, Quincy Jones, Milton Nascimento, Gino Vannelli, Bill Lee, and Eliane Elias. These are not standards in the traditional sense, but deeply personal selections—songs that have accompanied Wilson through different chapters of his life. The album opens with Childs’ “Quiet Girl,” its subtle rhythmic motion enhanced by Newton’s luminous French horn, and travels through cinematic ballads, soulful grooves, and reflective lyricism. The title Enduring Sonance speaks both to the lasting resonance of these songs and to Wilson’s enduring musical relationships—most notably with Rosnes, whom he has known for nearly four decades and whose sensitive arrangements help unify the album’s diverse repertoire. “These songs are the soundtrack of my life,” Wilson says. “I’d love it if listeners came away from this album with the same kind of enduring sound and feeling.”

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Tremūl - Electroshock

The Lift Records is an independent electronic music label focused on vinyl releases. The physical format is prioritized as the primary medium. Digital versions are made available via Bandcamp as free downloads.

The label operates with a selective release policy and a consistent editorial approach, without engagement in streaming platforms or trend-driven distribution.

The Lift Records kicks off its debut with Electroshock, a bold EP blending breaks, techno, and house with distinct intensity and character. Highlighted by José’s psychedelic remix, the release drops via Melting Pot Records worldwide.

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Onna - Onna Last Live 1983 LP 2x12"

Onna Last Live 1983 includes the final performance by the original line-up of Onna, the psych-rock project of revered Japanese manga artist, Keizo Miyanishi. Onna’s legend has largely rested, until now, on one self-released and self-titled seven-inch from 1983. Reissued by Holy Mountain in 2009, its rediscovery, along with several archival live and studio sets that leaked out across the 2000s, signalled to a wider audience the power of Miyanishi’s strikingly hypnotic songwriting. With Onna Last Live 1983, though, we hear the group’s perfect line-up performing at its peak.

While Miyanishi was the core member and conceptualist of Onna, the other members of the group would also go on to make significant contributions to the Japanese underground. Guitarist Michio Kurihara would eventually be known for his membership of YBO2, Ghost and White Heaven, and collaborations with the likes of Boris and Damon & Naomi. Drummer Ken Matsutani formed Marble Sheep & The Run-Down Sun’s Children and The Mickey Guitar Band, while also running the Captain Trip label. Joined by the late bass player Yasui Yutaka, to whom the album is dedicated, this quartet only performed live in 1983; the live set here was recorded at Silver Elephant.

It’s a different line-up to the Onna duo that’s documented on their single. After Miyanishi and fellow manga artist Mafuyu Hiroki recorded that material, Miyanishi decided he wanted to start playing gigs; Hiroki left, and Kurihara, Matsutani and Yutaka joined soon after. This line-up allowed Miyanishi to significantly expand Onna’s powers, leading to a sound that Kurihara once described to Ptolemaic Terrascope magazine as “repetitive and heavy, yet quite orthodox.”

The songs here are simple yet deeply effective in their repetitive power, generally revolving around two or three simply strummed chords for guitar. Bass and drums repeatedly lock into mantra-like grooves as Kurihara’s guitar scales the walls, with Miyanishi’s consumptive moans and sighs sent torquing through FX. The cumulative effect of the seven songs here is very heavy indeed; if the prologue “Always…” drifts beautifully through five minutes of placid, beseeching melancholy, the epilogue, “Never Seen A Light Like This”, spirals out into sixteen minutes of glazed-over psych-rock, completely monomaniacal and thrilling in its slow-motion tumult.

Throughout, you can hear Miyanishi and co. reaching for something ineffable, something beyond and between the notes. It’s a phenomenal performance; it’s also no surprise that the group disintegrated after this show, given its intensity. Matsutani and Yutaka left after the Silver Elephant show, with Miyanishi and Kurihara continuing through the first half of 1984 firstly as a duo, and then a trio with new drummer Yoshiki Ueonyama. Kurihara left soon after. But Onna Last Live 1983 is proof plenty of the powers of the original Onna quartet, sending their Rallizes/Velvets dream-mantras off into darkened, stormy skies.

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BARBEZ - ELEGY FOR GAZA

BARBEZ

ELEGY FOR GAZA

7"-VinylAVNTLP16
Avant Night
24.04.2026
  • Elegy For Gaza
  • Rooftops Of Tehran

Elegy for Gaza, die erste Veröffentlichung von Barbez seit sechs Jahren, ist ein Aufruf zum Frieden und eine Klage für die Opfer des Krieges in Gaza. ,Unsere Musik hat sich oft von historischen Ereignissen, Kämpfen für Menschenrechte und Poesie inspirieren lassen", sagte Dan Kaufman, der Hauptsongwriter der Band. ,All diese Elemente sind in diesem Stück miteinander verwoben. Wir sehen diese Musik als eine kleine Geste der Solidarität mit den Bürgern von Gaza, vor allem mit den Kindern." Das Cover, gestaltet vom bildenden Künstler Adam O'Neal, basiert auf einem Bild des palästinensischen Fotojournalisten Said Khatib, der seine Zustimmung zu dieser Umsetzung gegeben hat. Die arabische Kalligraphie stammt vom libanesischen Modedesigner Gabi Asfour (threeASFOUR), und das arabische Gedicht auf der A-Seite wurde von seiner Schwester Nana Asfour, einer Journalistin und Redakteurin, übersetzt. Das Artwork wurde von Heung-Heung Chin, dem Designer für John Zorns Label Tzadik, gestaltet. Die Musik wurde von Martin Bisi im B.C. Studio in Brooklyn aufgenommen und gemischt und von Fred Kevorkian bei Kevorkian Mastering in Brooklyn gemastert. ,Neben dem Beitrag zur Ernährung der Menschen in Gaza kann es eine großartige Möglichkeit sein, sich die Zeit zu nehmen, sich mit dem Titel auseinanderzusetzen und von Herzen zu beten, um die Hoffnung auf Frieden, die wir alle teilen, am Leben zu erhalten", sagte die Thereministin der Gruppe, Pamelia Khadijah Stickney. Der Erlös aus der Aufnahme kommt World Central Kitchen und dem Palestinian Children's Relief Fund zugute.

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UFFE LORENZEN - GLEMTE SPOR

UFFE LORENZEN

GLEMTE SPOR

12inchAFROLP63
BAD AFRO
24.04.2026
  • 1: At Ruste Op
  • 2: Baglæns
  • 3: Ingenting
  • 4: Spredt For Vinden
  • 5: Til Nashet
  • 6: Små Hjul
  • 7: Morfar
  • 8: Når Mrket Falder På
  • 9: Lil' Johnnys Mund
  • 10: Panorama

Neues, viertes, Solo-Album vom dänischen Psych-Rock-Zauberer Uffe Lorenzen aka Lorenzo Woodrose aka... Seit zehn Jahren interpretiert Uffe Lorenzen (bekannt von u.a Baby Woodrose und Spids Nogenhat) auf allen seinen Alben ein altes dänisches Lied. Das gilt für seine drei Soloalben und die beiden Alben seiner aktuellen Rockband Lydsyn. Auf seinem neuen Soloalbum Glemte Spor ("Vergessene Spuren") hat er ein komplettes Album mit 10 Interpretationen von Liedern aus den Jahren 1967 bis 1999 aufgenommen. Einige davon sind dänische Klassiker, andere sind eher unbekannte Lieder, die er sich zu eigen gemacht hat. Viele davon können als Protestsongs betrachtet werden oder haben einen anti-war Charakter. ,Ich habe festgestellt, dass ich die Herausforderung, Songs anderer Leute zu interpretieren und sie zu meinen eigenen zu machen, wirklich mag. Sie zu verändern, zu interpretieren und vielleicht sogar zu verbessern. Viele der Songs werden den meisten Menschen unbekannt sein, während andere dänische Klassiker sind. Was sie gemeinsam haben, ist, dass sie mich irgendwie zu dem gemacht haben, der ich bin", sagt Uffe Lorenzen. Das Album wurde zusammen mit Morten Hart Grabowski in einem kleinen Studio in Kopenhagen aufgenommen. In mehr als 20 Sessions haben sie zusammen eine Liste von 50 Songs auf die zehn reduziert, die schließlich auf dem Album gelandet sind. Laut Lorenzen fanden die Aufnahmen in einer sehr entspannten Atmosphäre statt: ,Wir haben etwas Gras geraucht und Rotwein getrunken, was den Prozess sehr entspannt gemacht hat, und ich glaube, das hört man dem Endergebnis auch an." Später übernahm Flemming Rasmussen den Mix und das Mastering in seinem berühmten Sweet Silence Studio. Glemte Spor erscheint am 24. April bei Bad Afro Records und die erste Auflage ist auf 1000 Exemplare auf schwarzem Vinyl limitiert.

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TEMPERS - DELUSION
  • Sublevel
  • Rise And Fall Fetish
  • Who Says
  • Cold And Cruel
  • Fail Better
  • Deep Fake Heaven
  • What We All Get
  • Mirror
  • My River
  • What Kind Of Time
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ULTRA CLEAR VINYL


Auf ihrem neuen Album ,Delusion" begibt sich Tempers - das musikalische Pseudonym der in New York lebenden Künstlerin Jasmine Golestaneh - auf eine nichtlineare Reise der Heilung und des Werdens. In zehn Tracks navigiert sie durch stürmische emotionale Gezeiten und tastet sich durch einen Fiebertraum aus Gewitterwolken und Sonnenstrahlen hin zu seelischer Klarheit, wobei sie einen Soundtrack für "diejenigen, die zu sehr lieben, zu tief fallen und zu lebhaft träumen" kreiert. "Delusion" bewegt sich fließend zwischen verschiedenen Genres, von Art-Pop bis Techno, Grunge bis Metal, mit epischen balladischen Momenten, die überall verstreut sind. Das Album wurde von Golestaneh und Jorge Elbrecht (Sky Ferreira, Crushed, Wild Nothing) co-produziert und enthält Kollaborationen mit Camille Henrot, Estelle Hoy und Sandra Mujinga. Das mit Spannung erwartete neue Album von Tempers folgt auf das Debütalbum "Services" aus dem Jahr 2015, das den Underground-Dance-Hit ,Strange Harvest" enthielt. Im Jahr 2019 veröffentlichten Tempers das Album "Private Life", das einen eher introspektiven Sound präsentierte, gefolgt von "New Meaning" im Jahr 2022, das von einem Buch mit Golestanehs originellen Collagen begleitet wurde, die von dem Album inspiriert waren. Die Neigung von Tempers zur Kunstwelt hat zu einzigartigen Kooperationen geführt, darunter Auftritte in Museen, Galerien und O-Spaces, eine EP (Fundamental Fantasy aus dem Jahr 2017), die aus einer Künstlerresidenz bei The Vinyl Factory hervorgegangen ist, und die Veröffentlichung von Junkspace feat. Rem Koolhaas im Jahr 2018.

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TEMPERS - DELUSION

Auf ihrem neuen Album ,Delusion" begibt sich Tempers - das musikalische Pseudonym der in New York lebenden Künstlerin Jasmine Golestaneh - auf eine nichtlineare Reise der Heilung und des Werdens. In zehn Tracks navigiert sie durch stürmische emotionale Gezeiten und tastet sich durch einen Fiebertraum aus Gewitterwolken und Sonnenstrahlen hin zu seelischer Klarheit, wobei sie einen Soundtrack für "diejenigen, die zu sehr lieben, zu tief fallen und zu lebhaft träumen" kreiert. "Delusion" bewegt sich fließend zwischen verschiedenen Genres, von Art-Pop bis Techno, Grunge bis Metal, mit epischen balladischen Momenten, die überall verstreut sind. Das Album wurde von Golestaneh und Jorge Elbrecht (Sky Ferreira, Crushed, Wild Nothing) co-produziert und enthält Kollaborationen mit Camille Henrot, Estelle Hoy und Sandra Mujinga. Das mit Spannung erwartete neue Album von Tempers folgt auf das Debütalbum "Services" aus dem Jahr 2015, das den Underground-Dance-Hit ,Strange Harvest" enthielt. Im Jahr 2019 veröffentlichten Tempers das Album "Private Life", das einen eher introspektiven Sound präsentierte, gefolgt von "New Meaning" im Jahr 2022, das von einem Buch mit Golestanehs originellen Collagen begleitet wurde, die von dem Album inspiriert waren. Die Neigung von Tempers zur Kunstwelt hat zu einzigartigen Kooperationen geführt, darunter Auftritte in Museen, Galerien und O-Spaces, eine EP (Fundamental Fantasy aus dem Jahr 2017), die aus einer Künstlerresidenz bei The Vinyl Factory hervorgegangen ist, und die Veröffentlichung von Junkspace feat. Rem Koolhaas im Jahr 2018.

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Diorama - Pacific Trak EP

Diorama

Pacific Trak EP

12inchDRMA001
Diorama Label
24.04.2026

A new duo and record label based in Madrid lands on the underground techno scene, led by Mike Gómez and José Castillo, the latter known for his aliases Milford and UHF, and also the owner of the electro label Gladio Operations.

Diorama is born with the intention of recovering the soul and essence lost in electronic music, which for some time has become practically homogeneous and predictable. With a timeless, fresh, and warm sound, Diorama produce rhythms close to dub and Detroit techno, mainly influenced by Juan Atkins, UR, and Basic Channel, among others.

This EP, titled Pacific Trak, begins with a nod to the old Scottish school, where they revive a forgotten track by British producer Anthony Scott, adding its imposing main chord to a true sea of melodic textures, bathed in exquisite acid. Spanish techno master Tadeo gives us his vision of Pacific Trak, exploring dub territories that remind us of past pieces released under the incomparable Maurizio label.

The B-side opens with Soul Memories, a manifesto of resistance that vibrates with detuned harmonies and raw bass lines, recalling the origins of Detroit’s primitive sound. The package closes with Polymorphic, a progression of relentless aquatic chords, set among careful and precise minimalist rhythms that oscillate between high-dynamics tech and dub.

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Dino Lenny - Piano Lessons At Eight (Incl. Tal Fussman Remix)

Dino Lenny returns to Rekids with the ‘Piano Lessons at Eight’ EP, complete with a Tal Fussman remix. It follows Lenny’s ‘Not About The Volume’ EP, released in December 2025.

London-based DJ, producer, vocalist, and Fine Human Records label owner Dino Lenny returns to Radio Slave’s Rekids with the ‘Piano Lessons at Eight’ EP 24th April 2026, alongside a remix from label regular Tal Fussman. The EP follows Lenny’s ‘Not About The Volume’ EP, which released late 2025, and won support from Laurent Garnier, Chloé Caillet, Catz ‘n Dogz, and more.

‘Piano Lessons at Eight’ centres Lenny’s own vocals over a dark, chugging rhythm that develops steadily, tracing a personal journey from formal piano training to the discovery of electronic music. The biographical thread running through the record gives it an identity that sits apart from purely functional dance music. Rekids regular and Survival Tactics boss Tal Fussman then provides the accompanying remix, a crunchy, percussive rework that brings his characteristic blend of deep house and raw techno to bear, adding melancholic piano stabs that add texture without crowding the arrangement. The outcome is focused, atmospheric, and built for extended play.

With releases on R&S, Diynamic, Innervisions, Crosstown Rebels, Strictly Rhythm, Bedrock, and his own Fine Human Records label, and collaborative work alongside Underworld, Missy Elliott, Wu-Tang Clan, and Madonna, Lenny holds a long-established position within both underground and mainstream electronic contexts. Consistently supported by Pete Tong, Solomun, Carl Cox, and Groove Armada, he maintains a presence that spans scenes without being defi ned by any single one. Since 2021, he has hosted Tomorrowland’s CORE radio show, platforming artists including Nina Kraviz, Ellen Allien, and DJ Tennis.

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Metric - Romanticize the Dive
  • 1: Victim Of Luck
  • 2: Wild Rut
  • 3: Time Is A Bomb
  • 4: Crush Forever
  • 5: Tremolo
  • 6: Moral Compass
  • 7: As If You're Here
  • 8: Loyal
  • 9: Antigravity
  • 10: Clouds To Break
  • 11: Leave You On A High
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Metallic Silver Vinyl


Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. The trailblazing Toronto outfit was founded by songwriting and production partners Emily Haines and Jimmy Shaw, along with bandmates Joshua Winstead and Joules Scott Key. Though both were also founding members of the influential and sprawling Canadian indie rock outfit Broken Social Scene, Metric was always the top priority, and shortly after they met and cemented their mission, they left Toronto for New York in search of like-minded artists. There, they found themselves at the center of the city’s burgeoning indie sleaze scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol.

Their 10th studio album Romanticize The Dive harkens back to the free spirit of that era, kicking off with Haines nostalgically imploring the listener to “let me take you back, it was the start of something...” before pulling back the curtain on a band that has consistently stayed true to each other and their ethics for decades. In a tribute to lifelong friendship, the album also reunites the dream team behind their 2009 breakout album Fantasies at Electric Lady Studios in New York. All at once a heartfelt reflection on their history, a celebratory gift to those who have been along for the ride, and an outstretched hand to new fans, Romanticize The Dive is another testament to the band’s unwavering love for each other and their insatiable desire to push themselves as artists.

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NO WAY BACK MAGAZINE - BETTER WAYS FORWARD THROUGH MUSIC AND SUBCULTURE STORIES, 1979-1994 - LEARNING FROM, NOT LONGING FOR

After all of the fun had - and, if we may brag a bit - the acclaim for NWB001, we're back with a follow-up.

So here's NWB002. Our start and end points shift this time (1979–1997 vs 1977-1989) but again the focus is on revolutionary moments in music and subculture.

We've got pieces from The Face, i-D, Time Out, Village Voice, Rolling Stone, Mixmag, The Observer and - a particularly big pleasure - Collusion magazine. We've got brilliant photography, too, documenting seminal afterdark moments. And we've put it all together with much love, craft and attention to detail.

This is material that lets us experience culture in its rawest form. In-the-moment and before endless layers of post-rationalisation have kicked in. Breakthrough events in dance music, hip-hop and pop – and parallel shifts in art, design and fashion. Inspirational, ground-level creativity and enterprise that set the scene(s) for subsequent decades.

We hope you enjoy reading NWB002 as much as we enjoyed bringing it together.

Inside No Way Back 002

Behind The Groove - the epic 1983 feature by Steven Harvey in David Toop's Collusion magazine, charting the NYC disco underground

Photographer Steve Eichner documenting the club kids scene at The Limelight, Palladium, Tunnel and Club USA

Year zero reporting as The Face's Sheryl Garratt visits Chicago in 1986, witnessing the emergent house sound

The Mudd Club - 'disco for punks' as Rolling Stone put it; the Lower East Side party which arguably spawned a thousand indie discos

In the 'socialist city' of Sheffield, meanwhile, Jon Savage heads for a night of sharp clothes and even sharper moves at Jive Turkey

Paul Morley writing in Time Out in 1988 on the tension materialising between glossy style mags and the the monochrome music press

The House That Rap Built - Village Voice celebrates the short but sweet glory years of hip-house

Mixmag in 1992 on the 'return of sex' to clubs like Roxy and the Sound Factory

Images and commentary from Eddie Otchere, rewinding to jungle's halcyon days

Kodwo Eshun reporting on jungle's full-throttle ascent for i-D in 1994

+ Editor’s notes, supporting commentary, playlists, and covers, spreads and imagery from original titles

ISSN - 2977-8530

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Baby T - Shee Punk 02

Baby T

Shee Punk 02

12inchBSHEE02
Banshee
24.04.2026

Baby T is a space away from her work as B.Traits in which Brianna Price can lean more into the junglist, drum ‘n’ bass and hardcore sounds which she loves so dearly. With BSHEE02, the second drop on Price’s own Banshee label, Baby T delivers a darkside masterclass of an EP. This record is a quartet of system blowers which doesn’t let up for a single second from start to finish.

Opener ‘Times Up’ is urgent from the off - the initial strains of this joint find sirens wailing in the monitors over a twitchy kick/drum/hats combo. From here on it’s distilled raver perfection, the drums taking us on a wild Wipeout-style ride as the subbiest of bass skulks at the bottom of the mix. Imagine a more technoid take on the classic breakbeat freerides of Skanna and you’re not far off the ‘Times Up’ sound.

A remix of ‘Times Up’ from man like Aloka leans with devilish glee into the murky underworld that lurks beneath Baby T’s original. Aloka’s version is extremely eerie in a manner which makes you think of the darkest corners of a DMZ party. When things really kick into gear, driven by an irresistible kick dembow, the effect is hypnotic - think the dubwise junglism of the UVB-76 cohort.

BSHEE02’s B-side kicks off with ‘Coercive Control’. This is a cut which delivers on its title in spades, putting the listener in a trance with an interplay of low-slung bass, whirligig synth tones and more of those perfectly executed broken beats. The acid starts to kick in around the minute mark, and it turns out to herald a total earworm of a lead melody.

There’s plenty of dimly-lit malevolence to BHSEE02 closer ‘Dense Dickwood’s grinding atmospherics and gurgling bass throbs. However, Baby T opting for a half-time drum break here gives the cut a vibe not dissimilar to the weightiest jams of classic Massive Attack - that is, until an absolutely remorseless switch-up occurs halfway through, delivering volley after volley of intense drum hits.

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Baby T - Shee Punk 02

Baby T

Shee Punk 02

12inchBSHEE02LTD
Banshee
24.04.2026

Baby T is a space away from her work as B.Traits in which Brianna Price can lean more into the junglist, drum ‘n’ bass and hardcore sounds which she loves so dearly. With BSHEE02, the second drop on Price’s own Banshee label, Baby T delivers a darkside masterclass of an EP. This record is a quartet of system blowers which doesn’t let up for a single second from start to finish.

Opener ‘Times Up’ is urgent from the off - the initial strains of this joint find sirens wailing in the monitors over a twitchy kick/drum/hats combo. From here on it’s distilled raver perfection, the drums taking us on a wild Wipeout-style ride as the subbiest of bass skulks at the bottom of the mix. Imagine a more technoid take on the classic breakbeat freerides of Skanna and you’re not far off the ‘Times Up’ sound.

A remix of ‘Times Up’ from man like Aloka leans with devilish glee into the murky underworld that lurks beneath Baby T’s original. Aloka’s version is extremely eerie in a manner which makes you think of the darkest corners of a DMZ party. When things really kick into gear, driven by an irresistible kick dembow, the effect is hypnotic - think the dubwise junglism of the UVB-76 cohort.

BSHEE02’s B-side kicks off with ‘Coercive Control’. This is a cut which delivers on its title in spades, putting the listener in a trance with an interplay of low-slung bass, whirligig synth tones and more of those perfectly executed broken beats. The acid starts to kick in around the minute mark, and it turns out to herald a total earworm of a lead melody.

There’s plenty of dimly-lit malevolence to BHSEE02 closer ‘Dense Dickwood’s grinding atmospherics and gurgling bass throbs. However, Baby T opting for a half-time drum break here gives the cut a vibe not dissimilar to the weightiest jams of classic Massive Attack - that is, until an absolutely remorseless switch-up occurs halfway through, delivering volley after volley of intense drum hits.

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Sonar's Ghost - Rinse Out EP

Sonar's Ghost

Rinse Out EP

12inchFOUNDATIONS003
Foundations Records
24.04.2026

Foundations Records brings you their hotly anticipated third release from Sonar's Ghost on Rinse Out EP - a bold four-tracker of breakbeat jungle, atmospheric jungle and jungle-tekno.

Sonar's Ghost

Starting out DJing in the peak hardcore era of 1992, Dominic Stanton rose as a post-hip-hop and ragga kid, cutting his teeth at free parties across the Shires. Drawn into the new directions of hardcore and jungle, he earned early gigs at the legendary Sanctuary, Milton Keynes, performing as Dom-unique.

Learning the art of beat-chopping on the Amiga 500, Dom landed his first release on Reinforced Records in 1995 and continued releasing into the 2000s as Static Imprints and Sonar Circle. Inspired by Dego and the evolving trajectory of 4hero, Dom began moving into more unexplored territory, producing eclectic, soulful beats under the name Domu.

After a brief hiatus, Sonar's Ghost was born - an outlet to explore the years Sonar Circle missed, from 1991 to 1995. Creating alternate journeys through that era, Sonar's Ghost reimagines the original sound palette using original sources, new blends of beats, and a lifetime of musical influence. For Dom, Sonar's Ghost is his happy place.

The Foundations release blends the eras and directions Dom loves most - from '93 bouncy darkside through to '03 drum funk - with authentic drums and samples integral to the vibe.

Here's the support on radio:

- Makossa (Radio FM4 Vienna)
- Distant Planet (Infrared FM)
- Sun People (Sub FM)
- Alex Ruder (KEXP Seattle)
- Haus of Beats (Txapa Irratia)
- Haus of Beats (Txapa Irratia)
- Tom Ravenscroft (Rinse FM)
- Jon1st (Subtle Radio)
- Martha (NTS / BBC R1)
- Harper (Czworka Polskie Radio)
- Gremlinz (89.5FM Toronto)
- N-Type (Rinse FM)
- Michelle (NTS)
- Mathieu Schreyer (KCRW, LA)
- Darkerthanwax (The Lot Radio)
- Bevin Campbell (PBSFM Aus)
- Errol Anderson (NTS)
- Ian (94.9 CHRW)
- OPR8 (Sub FM)
- Tramma (Noods)
- Carlos Contreras (Tilos Radio Budapest)
- Jay Scarlett (BR Puls Munich)
- DJ Tuco (91.90FM Prague)
- Ed2000 (Cashmere / The Face)
- Vinyl Junkie (Eruption Radio)
- Klaus Fiehe (1WDR)
- Benji B (BBC 1Xtra)

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KENDRA MORRIS - FLAT TIRE
  • A1: Original
  • B1: Dub Mix
также имеющийся в продаже

BLOOD ORANGE VINYL


Kendra Morris' 2025er Brettspiel-Konzeptalbum ,Next" wurde schnell zum Fan-Favoriten, führte mehrere Jahresendlisten an und festigte seinen Platz als eine der kreativsten Albumkampagnen. Jetzt, sechs Monate nach der Veröffentlichung des Albums, freut sich Karma Chief, dir eine 45er-Single mit einem Fan-Favoriten vom Album und einem brandneuen Dub-Remix präsentieren zu können. ,Flat Tire", der Ankündigungs-Track des Albums, ist eine Hommage an den alten Reggae der 60er Jahre. Inspiriert von den Platten, die Kendras Eltern von ihren Reisen nach Jamaika mitbrachten, bietet der Song einen eingängigen, beschwingten Refrain, den du einfach nicht mehr aus dem Kopf bekommst. ,Flat Tire" wurde komplett mit Vintage-Equipment aufgenommen und über einen Tascam 388 abgemischt. Außerdem ist Ray Jacildo, der auch schon mit The Back Keys und Yola zusammengearbeitet hat, am Klavier und an der Orgel zu hören. Auf der B-Seite der 45er-Single ist ein Dub-Remix von ,Flat Tire" vom einzigartigen Paul Cherry zu finden. ,Sobald wir ,Flat Tire` aufgenommen hatten, waren Terry und ich uns sofort einig, dass es eine Art Dub-Remix geben sollte - der Song war wie dafür gemacht", sagt Kendra. Terry schlug Cherrys Namen vor und sie waren sich einig, dass er der Richtige für den Job war. Das Endergebnis spiegelt den klassischen Dub der späten 60er perfekt wider, indem es auf den Grundlagen des Songs aufbaut _ die Produktion weiter reduziert, den Hall verstärkt und an genau den richtigen Stellen Echos, Pausen und Delays hinzufügt.

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KENDRA MORRIS - FLAT TIRE

KENDRA MORRIS

FLAT TIRE

7"-VinylKCRLPC1134
Karma Chief Records
24.04.2026
 
2
также имеющийся в продаже

Black Vinyl


Kendra Morris' 2025er Brettspiel-Konzeptalbum ,Next" wurde schnell zum Fan-Favoriten, führte mehrere Jahresendlisten an und festigte seinen Platz als eine der kreativsten Albumkampagnen. Jetzt, sechs Monate nach der Veröffentlichung des Albums, freut sich Karma Chief, dir eine 45er-Single mit einem Fan-Favoriten vom Album und einem brandneuen Dub-Remix präsentieren zu können. ,Flat Tire", der Ankündigungs-Track des Albums, ist eine Hommage an den alten Reggae der 60er Jahre. Inspiriert von den Platten, die Kendras Eltern von ihren Reisen nach Jamaika mitbrachten, bietet der Song einen eingängigen, beschwingten Refrain, den du einfach nicht mehr aus dem Kopf bekommst. ,Flat Tire" wurde komplett mit Vintage-Equipment aufgenommen und über einen Tascam 388 abgemischt. Außerdem ist Ray Jacildo, der auch schon mit The Back Keys und Yola zusammengearbeitet hat, am Klavier und an der Orgel zu hören. Auf der B-Seite der 45er-Single ist ein Dub-Remix von ,Flat Tire" vom einzigartigen Paul Cherry zu finden. ,Sobald wir ,Flat Tire` aufgenommen hatten, waren Terry und ich uns sofort einig, dass es eine Art Dub-Remix geben sollte - der Song war wie dafür gemacht", sagt Kendra. Terry schlug Cherrys Namen vor und sie waren sich einig, dass er der Richtige für den Job war. Das Endergebnis spiegelt den klassischen Dub der späten 60er perfekt wider, indem es auf den Grundlagen des Songs aufbaut _ die Produktion weiter reduziert, den Hall verstärkt und an genau den richtigen Stellen Echos, Pausen und Delays hinzufügt.

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Natrus - Natrus

Natrus

Natrus

12inchNEMYLP023
Needle Mythology
24.04.2026
  • 1: Mash It (Ft. Ranking Glad(Stone))
  • 2: Freedom Inna Babylon
  • 3: Don’t Cry (Never Gonna Run)
  • 4: Free At Last
  • 5: Come From Africa
  • 6: Time Has Come
  • 7: Free At Last Dub
  • 8: Don’t Cry (Never Gonna Run) Dub

FOR THE FIRST TIME EVER: THE LONG-LOST RECORDINGS OF BIRMINGHAM ROOTS REGGAE PIONEERS NATRUS Mastered from the original tapes by Guy Davie at Electric Needle Mythology, the label founded by music writer, author and broadcaster Pete Paphides, is thrilled to announce the archival release of newly-discovered recordings by Birmingham reggae band Natrus. Comprising members of the same family – seven in total – Natrus were a ubiquitous presence of the live circuit within and beyond the West Midlands in the late 1970s. Used as an ad hoc “Wrecking Crew” by local producer and promoter Toney Owens, NATRUS frequently provided live accompaniment to visiting Jamaican artists such as Sugar Minott, Johnny Osbourne and Freddie McKay. With an age span ranging from 9 to 25, NATRUS’S live work had to be structured around the educational obligations of their younger members. But when they weren’t playing live, they would frequently hone their own compositions at Owens’ studio in Saltley, Birmingham.

During their collective lifetime, NATRUS released one very limited edition single Mash It, with a stellar guest vocal from deejay Ranking Glad(Stone). Featured alongside Mash It on this release are a selection of recordings previously thought lost by the group who laid them down. They were only discovered after Toney Owens’ alerted Needle Mythology’s Pete Paphides to the existence of some 60 quarter-inch reels featuring all the music recorded by Owens over a period of ten years or so. When Paphides finally tracked down NATRUS rhythm guitarist Owen Taylor, he was stunned to hear of their existence. After a meeting with Taylor and his siblings, Needle Mythology collaborated with NATRUS on the restoration and remastering of the tracks featured on this, their very belated debut album. As well as Mash It and its original flipside Come From Africa, highlights on ‘NATRUS’ include a superb version of Slim Smith’s The Time Has Come and the deep roots entreaties of Freedom Inna Babylon, both showcasing the soulful vocal of lead singer Fitzdonald “Fitz” English and the almost psychic sense of musical attunement that percolates right down the the formidable rhythm section of Beverley Stewart (bass) and Clinton Gordon (drums).

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Lee Morgan - Introducing Lee Morgan

„Introducing Lee Morgan“ ist eine Hardbop-Platte aus dem Jahr 1956 des gefeierten Jazztrompeters, die
ursprünglich auf dem Label Savoy veröffentlicht wurde. Auf dem Album, das Morgan im Alter von nur 17
Jahren aufgenommen hat, sind auch Hank Mobley, Hank Jones, Doug Watkins und Art Taylor zu hören.
Es enthält sieben Titel, darunter den von Mobley komponierten Song „Hank’s Shout“. Diese Neuauflage
des Albums erscheint als Teil der Original Jazz Classics Series auf 180-Gramm-Vinyl, gepresst bei RTI,
mit vollständig analogem Mastering von den Originalbändern bei Cohearent Audio und einer Stoughton
Tip-On-Hülle.
Über Original Jazz Classics:
Original Jazz Classics wurde 1982 unter Fantasy Records ins Leben gerufen und 2023 mit einem Schwerpunkt auf audiophilen Wiederveröffentlichungen wegweisender Jazzaufnahmen wiederbelebt. Mit bisher
über 850 neu aufgelegten Titeln aus den bahnbrechenden Katalogen von Prestige, Riverside, Galaxy, Contemporary, Jazzland, Milestone und anderen bleibt OJC eine zuverlässige Quelle für die Entdeckung und
Wiederentdeckung des Jazz.

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Carlos Walker - A Frauta De Pa LP
  • A1: A Frauta De Pã
  • A2: Serenata Do Meio-Dia
  • A3: Estrada Da Intemperança
  • A4: Pote De Mel
  • A5: Via Láctea
  • A6: Cidade Americana
  • B1: O Cavaleiro E Os Moinhos
  • B2: Modinha
  • B3: Debaixo Do Sol
  • B4: Um Dia
  • B5: Alfazema

A Frauta de Pã, released in 1975 when Carlos Walker was just 19, stands as a cult masterpiece of 1970s Brazilian music. An album where MPB (Música Popular Brasileira) sophistication meets jazz-fusion virtuosity and psychedelic imagination.

the album features an all-star cast of musicians, including João Bosco, Hélio Delmiro, José Roberto Bertrami (Azymuth), Gilson Peranzetta, and Roberto Quartin, the record delivers a rich, orchestral sound that continues to captivate collectors and DJs worldwide.

A Frauta de Pã is available as a limited edition of 500 copies on smokey smarble vinyl.

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Ireke - Ayô Dele LP

Ireke

Ayô Dele LP

12inchUR850851
Underdog Records
24.04.2026

Ayô Dele — which means "joy comes to me" in Yoruba — is neither a slogan nor a promised miracle. It is a breath of fresh air. That of an album born in the interstices, where the word find their way between shadow and light, between the disorder of the worldand the impulse to be .
At the heart of the project, Julien Gervaix and Damien Tesson, multi-instrumentalist beatmakers, share a groove language that is both dense and airy, where every detail breathes and finds its place.
With background in Afrobeat, Dub, Funk, Soul, Roots Reggae, and Electronic Music, they treat the studio to be their playground. Their music is a hybrid groove that speaks to the body: round or bouncing basslines, brass oscillating between melodic warmth and funk energy, textured guitars, arpeggios, enveloping Rhodes, clavinet that slides, presses, and embraces. Everything comes together with precision and flexibility, in an inventive and warm composition. The meeting of their experiences and sensibilities gives rise to open, generous music, made for dancing and vibration.
With Ayô Dele , Ireke is embarking on a new chapter: the duo is refining its style,allowing the voices to breathe. The groove remains the driving force but opens up to intimacy. This intimacy is carried by two unique female voices: Nayel Hoxo, a Beninese-Nigerian singer/rapper, and Agnès Hélène, who has already made a name for herself on Tropikadelic with "Petit a Petit". They don't sing side-by-side; they coexist, respond to each other, and sometimes intersect. But each follows her own path: Nayel, with the power of her words in Yoruba, offers songs of elevation, healing, and resistance — a light born in the cracks Agnès explores these cracks themselves: what wavers within us, what reinvents itself in bonds, glances, and gestures.
For one track, Olivya (Dowdelin) joins this dialogue in Martinican Creole. Her sunny soul sketches the contours of gentle resistance and celebrates rediscovered light.
Ayô Dele embodies a quiet yet radical determination: to smooth nothing over, to let plurality, contradictory emotions, and mixed heritage live. An album that moves forward through vibrations, that speaks of emancipation without slogans, love without clichés, anger without uproar.
Two women, two inner worlds: a sensitive complicity, a shared breath. Music that seeks not effect, but echo, weaving a living soundscape between reinvented traditions and contemporary textures. An alchemy faithful to the spirit of Underdog Records, where music unites and brings people together. Ayô Dele : "joy comes to me." A lucid joy, crossed by shadows, patiently regained. Music that welcomes, releases, gives, and in doing so, makes us feel good.
In a saturated world, Ayô Dele chooses nuance: transmission without emphasis, joy without naivety. An album that vibrates more than it demonstrates, that connects more than it imposes, and which, in its quiet clarity, resonates with a deep desire to be fully alive.

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Tommy Guerrero - Soul Food Taqueria 2x12"

2026 Repress

It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary “Bones Brigade” team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There’s a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we’re honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we’ve worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
Soul Food Taqueria continued Guerrero’s guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. Denied the promotion it deserved upon release, it flew under the radar. It is now the most wanted record of his wondrous back catalogue.
Guerrero’s atmospheric touch and subtle guitar provide lush, glimmering pieces of musical texture. Within his spacious compositions, uniquely arranged instruments flourish alongside each other to create a languid soundtrack for halcyon days.
As ever, the diversity on display is beguiling. From bossa nova, samba and cumbia rhythms to understated folk, funk and soul grooves, this is another exotic set of mellow gold; perfectly represented by ESPO’s memorable artwork. Furthermore, the title’s hybridity reflects the intoxicating sweep of stylistic flavours served up, reminding us that, however tricky it is to categorise Guerrero’s special blend, it’s always a pleasure to indulge in something so creative and adventurous.
Dubby, bass-heavy instrumentals give way to moody folk-soul – witness “It Gets Heavy”, featuring melancholic vocals from Gresham Taylor – whilst “Thank You MK” is a gentle ode to the tropics, featuring ethereal instrumentation, bright bass and warm, jazzy guitars. The second half in particular contains a number of stunning ambient tracks – check “Lost Unfound”, “Another Brother Gone” and “Broken Blood” - built around minimalist, laid-back grooves and detailed guitar orchestrations which wouldn’t be out of place on the latest Jonny Nash release.
Guerrero closes this flawless set with a moment of true beauty. Restrained and graceful, “Falling Awake” is a pared back piece containing meditative guitar melodies set against melancholic piano arrangements. It brings proceedings to the most peaceful close. Seductively good, it reminds you just how great simplicity can sound.

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Последний логин: 5 мес. назад
BAHAMADIA - KOLLAGE

BAHAMADIA

KOLLAGE

12inchBEWITH166LP
Be With Records
24.04.2026

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.

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Jerome Derradji - Do or Don’t

Jerome Derradji

Do or Don’t

12inchSTILOVE4MUSIC052
STILOVE4MUSIC
24.04.2026

After years of dormancy, Stilove4music is back with a brand-new 12” from label boss Jerome Derradji — the 52nd release since the label’s creation in 2005. You know the drill: Midwest disco floor bangers made strictly for discerning DJs.

Titled “Do or Don’t”, the EP delivers three essential joints:

“Disco Don’t” is a fast-paced, floor-destroying monster built for peak-time damage.

“Jazz Do” shifts gears into a mellower, psychedelic jazz disco zone, featuring Jerome on live piano, Fender Rhodes, and Korg DV800, with additional programming for good measure.

Closing things out is “Never”, a lovely, groove-heavy floor filler bursting with Brazilian love — again elevated with extra programming from Jerome.

All tracks were produced by Jerome Derradji at the Hirsch Society For Togetherness in Chicago circa 2025.

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Yuki Kajiura - Noir - Original Soundtrack LP 2x12"
  • A1: Coppelia's Coffin / Ali Project
  • A2: Les Soldats
  • A3: Snow
  • A4: Canta Per Me
  • A5: Corsican Corridor
  • A6: Ode To Power
  • A7: Mélodie
  • B1: Solitude By The Window
  • B2: Romance
  • B3: Lullaby
  • B4: Chloe
  • B5: Whispering Hills
  • B6: Salva Nos
  • C1: Kirei Na Kanjô / Akino Arai
  • C2: Le Grand Retour
  • C3: Secret Game
  • C4: Fake Garden
  • C5: In Memory Of You
  • D1: Colosseum
  • D2: Maze
  • D3: At Dusk
  • D4: Killing
  • D5: A Farewell Song
  • D6: Indio

Join Kirika and Mireille on their dangerous adventures!

Noir is an anime series created by Ryôe Tsukimura, produced by Victor Entertainment and Bee Train and directed by Kôichi Mashimo. First broadcast in 2001, it enjoyed worldwide success and is now considered a classic of Japanese animation.

It was with this original soundtrack that composer Yuki Kajiura truly defined her signature style, creating a fascinating contrast between the violence of the plot and music imbued with melancholy and sacredness. The music for the series was unanimously acclaimed, particularly for its unforgettable songs Canta per me and Salva nos, performed by Yuriko Kaida.



The Noir original soundtrack is available for the very first time, remastered on vinyl in this double LP collector's edition!

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