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A cover of MF DOOM's "Rapp Snitch Knishes" from his 5th album "Mm..Food" released in 2004! Includes a cover produced by Mac DeMarco.

This release, by pianist Christian Rowell based in Florida, was released in 2021. With vocals that show respect for Quasimoto and a jazzy touch added to the boom-bap, this is a amzing cover. The B-side includes a version produced by Mac DeMarco, a Canadian treasure and a key figure in the indie scene of the 2010s, and an instrumental version that has been streamed close to a million times on Spotify. This 7-inch release is now available!

UK lovers singer Peter Hunnigale's covers of Al Green's classic mellow songs "Let's Stay Together" and "I'm Still In Love With You" are now available! The A-side is a cover of Al Green's indomitable masterpiece "Let's Stay Together" released in 1971, and the B-side is also a cover of the superb sweet "I'm Still In Love With You" also released by Al Green in 1972 with the Peter's sweet vocal.

Combination summer anthem by Japanese reggae DJ BunBun The MC and singer Sister Sheez. Remixes by Akio Nagase (EmotionalEspecial,DarkerThanWax,Chillmountain Rec) and Big Ken-G, previously only released digitally, are now available on vinyl for the first time.

First ever vinyl release of the second album released in 2012!

Fuyumi Abe (Vo.G) is Japanese singer-songwriter whose works have been featured in numerous commercials and movie theme songs since her major label debut in 2007.

This ambitious work is produced and arranged by Kei Kono, who has worked with Hikaru Utada and others, in pursuit of simplicity.

7" reissue of Carlton Lewis' cover of The Whispers, originally left on Fashion Records in the 1980s.The flip side is a remix version by Japanese producer unit KH & The LASTTRAK.

Japan based indie rock band Emptei will be release latest 2nd album on vinyl.

Sounds dreamy, psychedelic and evergreen.Clear green vinyl.

Repress!

The publication of "Jet Sounds" in October 2000 and its subsequent release on the international market represented the turning point from the initial productions carried forward by Schema and the new course taken by the label reaching sales of 40,000 copies and still counting. It's the year 2000 and the avant-garde of the new jazz pop Italian scene is called "Jet Sounds". The debut album by Nicola Conte features nearly 20 musicians and moreover the visionary, sophisticated appeal of Nicola with a sound that has already become T . He tells a cinematic story as the images become a soundtrack for the music: Scene 1: A young woman is walking on the sea shore. She's alone, only white sand and crystal blue water by her side. It's late in the afternoon and the sun is glancing over her shoulders while a soft bossa nova fills the air. Scene 2: He's drivin' fast, there's little time left and a man to chase. Like busy spiders working a web, the beat of the big band pulses a 5/4 jazz theme. Scene 3: It's night; the park; shadows following, shadows hiding mystery? Undefined eastern/oriental sounds adrift on a pulsing psychedelic beat. What's the next move...?

Jazzy & city pop group "paris match"'s 2nd album to be released on vinyl record!

The album contains 10 high-quality pop songs with a pleasant sense of style and spirit, which were described as "standard cafe music" at the time of its release in 2001.

Jazzy & city pop unit "paris match"'s 4th album to be released on vinyl record!

This is their 4th album released in 2003. It is a masterpiece that is immensely popular among fans, with a summer-oriented light jazz, Brazilian, and R&B groove feel at the forefront.

Zoo Min Sha is the solo project of Ryo Konishi, who also performs with the jazz-pop band CRCK/LCKS. 2 songs released in 2023, featuring AAAMYYYY, Ema, and Sara Yoshida (Mononkvl), and themed on parting with people, are now available in analog!

In addition to presiding over CRCK/LCKS, Ryo Konishi has participated in works by Chara and millennium parade, produced music for Amazon Prime Video's "More Than Words", produced music for the opening ceremony of the 2020 Paralympics, and has a growing presence in a wide range of other areas. This is his third analog work. Side A is "Glittering," which features AAAMYYYY as a guest performer and has a magnificent and beautiful sound centered on her clear voice and string quartet. Side B is "I Hear That Song", which features the beautiful ensemble of winds and strings and the gentle, enveloping harmonies of Mononkvl member Sara Yoshida and musical actor/jazz singer Ema. This is a piece as beautiful as a clear sky and a gem of pieces by the splendid members.

Pocyomkin is the MC of the Japanese Hip Hop group Gaki Ranger. Single cut from the 2nd solo album released in 2022.

Shirane Kenichi, drummer of GREAT3 and TESTSET. This album has an electronic sound of inspired by Detroit techno and house.

The Japanese alternative band lead by OORUTAICHI Urichipangoon's 2nd Album on vinyl first time.

Original CD was released in 2008.

2LP Gatefold and incert.

They crossover Jazz, Brazilian, Afrobeat and folklore, and on unique Japanese poetry.

Back in stock ! With his 1966 debut for Atlantic, jazz vibraphonist and marimba player Dave Pike and an all-star lineup produced a perfect blend of Jazz, Latin, Soul and R&B that stands the test of time. Produced by Pike’s frequent collaborator Herbie Mann, "Jazz for the Jet Set" featured a young Herbie Hancock on organ (an instrument he rarely played again), Clark Terry on trumpet, Billy Butler on guitar, Grady Tate on drums, and many other talented musicians. From an artistic perspective, the album marked a pivotal time in Pike’s career, where he began to move away from straight ahead jazz and forge a relationship with soul music, Latin rhythms, pop arrangements and more experimental styles. With this official re-issue courtesy of Nature Sounds, "Jazz For The Jet Set" is now back on limited-edition vinyl while supplies last.

Osteoleuco is the unit of KEISUKE SAITO (MC/Producer) and Shimon Hoshino, whose sound mixes lo-fi hip hop with indie soul and dream pop.This 2nd album features popular Japanese artists RYO-Z (rapper, RIP SLYME) & Emi Okamoto (singer) and more.

Joe Yellow is a studio project started in 1983 by Domenico Ricchini and the producers Miki Chieregato and Roberto Turatti.Their big hit Eurobeat / Hi NRG tune "U.S.A."('92) will be 7inch on first time, with Japanese imaginary jacket.The song became famous in Japan when dance-pop group Da pump covered it.

The French-Caribbean singer-producer (now based in Brooklyn) will announced her new 7" cut from album "Lotus Glow".
"Adonis" feat KIRBY & "Get It Got It" have masterful production, soaring vocal chops and spectacular bass prowess.

Ruka, a model/singer from China.

This is the third single, produced by Seiichi Yamamoto, lyric by Shintaro Sakamoto (ex.Yura Yura Teikoku).

Includes two remixes by Takuro Okada and foodman.

Formed in 2017 by the frontman OLLY RIVA. The Magnetics sound is a mix of vintage Jamaican sounds including SKA from the 60s, Rocksteady, early Reggae, but all in a Soul and Rhythm N Blues setting.

This 7" include Queen's cover "Love of My Life" and original ska tune "Genie of The Lamp".

Ebony Steel band is one of Europe's leading steel band and one of the first steel bands set up in the UK. The band was founded in 1969 by a group of dedicated Caribbean and British men and women who shared a love of steel bands and steelpan music and wanted to promote steelpan music across the UK and Europe.This time, "The Model" and "Tour De France" are single cuts from their Kraftwerk covers album "Pan Machine". With Japanese imaginary jacket.

Reissue of Marvin Gaye cover by Sly & Robbie's Taxi Productions, originally from 1982.

Legendary singer Jimmy Riley's vocals are deep and mournful. B-side features a dubby, distorted, crazy instrumental.

With Japanese imaginary jacket.

Dutch soul singer GIOVANCA's second album "WHILE I'M AWAKE" (2010).

Japanese reissue in 2LP with obi strip.

Produced by Benny Sings.

Yuki Saito's 10th album "LOVE"('91) is now available for the first time on vinyl with obi.

It's a hidden masterpiece of 90s city pop and light mellow.

Emotionally fragile songs of poems she wrote herself.

Arrangements by Mioko Yamaguchi, Mayumi, Tetsuya Kakihara, and Kenjiro Sakitani. They are well known by city pop fans.

Following weeks of anticipation after an already banner year for the Hot Spitta, Curren$y gifts fans with his third release of 2022, The Drive In Theatre Part 2, the next installment in the cult fan favorite series. The 21 track album features appearances from Rob49, Fendi P, Dash, URA, Blü, I’sis, Premo Rice, and Jade Angelle, and sees production from Kino Beats, Trauma Tone, Harry Fraud, Cookin Soul, and more. In traditional form, Curren$y skates over smooth, jazz-infused beats and delivers a perfect album to put on and let play out while relaxing or working. If it wasn’t already clear, it’s safe to say that Curren$y is one of the greatest to ever do it. How many more timeless classics do you need?

Vier Jahre nach dem weltweit veröffentlichten und von der Kritik gefeierten Album "Nucleus" im Jahr 2019 (eine Neuaufnahme ihrer klassischen Hits mit englischen Texten) hat die führende japanische Heavy-Metal-Band ANTHEM die pandemische Auszeit klug genutzt und ist nun startklar, ihr brandneues Studioalbum "Crimson & Jet Black" zu veröffentlichen.
Alle Songs sind wieder in englischer Sprache, und das Album wird weltweit veröffentlicht werden.

Das Ziel von ANTHEM für das 21. Jahrhundert ist es, jedes ihre früheren Werke zu toppen, und mit diesem Album haben sie sich selbst noch einmal übertroffen!

"Crimson & Jet Black" ist unverkennbar "ANTHEM", klingt aber gleichzeitig frisch. Die Band hat wieder einmal bewiesen, dass sie eine der konkurrenzfähigsten Heavy Metal Bands der Welt ist und eine Kraft, mit der man rechnen muss. Verpassen Sie nicht ihr neues Kapitel, das gerade erst begonnen hat!!!

Vier Jahre nach dem weltweit veröffentlichten und von der Kritik gefeierten Album "Nucleus" im Jahr 2019 (eine Neuaufnahme ihrer klassischen Hits mit englischen Texten) hat die führende japanische Heavy-Metal-Band ANTHEM die pandemische Auszeit klug genutzt und ist nun startklar, ihr brandneues Studioalbum "Crimson & Jet Black" zu veröffentlichen.
Alle Songs sind wieder in englischer Sprache, und das Album wird weltweit veröffentlicht werden.

Das Ziel von ANTHEM für das 21. Jahrhundert ist es, jedes ihre früheren Werke zu toppen, und mit diesem Album haben sie sich selbst noch einmal übertroffen!

"Crimson & Jet Black" ist unverkennbar "ANTHEM", klingt aber gleichzeitig frisch. Die Band hat wieder einmal bewiesen, dass sie eine der konkurrenzfähigsten Heavy Metal Bands der Welt ist und eine Kraft, mit der man rechnen muss. Verpassen Sie nicht ihr neues Kapitel, das gerade erst begonnen hat!!!

Behold! Yes, Blue Butterfly, one of the absolute stunners on the revered Selected Sound, is finally available for all the beat-heads. Heavyweight library funk with a psychedelic touch, the super in-demand Blue Butterfly from *deep breath* Hardy's Jet Band, Orchestra Klaus Wuesthoff, Jan Troysen Band and Orchestra Gary Pacific - was originally released in 1971. Incredibly ahead of its time, it's been rare and sought-after for decades.

For many aficionados, this is the best Selected Sound release. Loaded with fuzzy wah-wah guitar, deep flute-lines atop soulful psych-rock breakbeats and huge organ action, its uncompromising funk will blow you away. Sampled for many hip hop beats and dropped by well known rare groove DJs around the world, one jewel in particular from this glorious German vault needs little introduction. The intro to Orchestra Gary Pacific's mesmeric "Soft Wind" rides the illest, crispest drum break you've perhaps never heard - like, the drum break to end them all - alongside a smooth, deep bass line from the heavens. It featured notoriously on the beloved Dusty Fingers comps of the 90s and was brilliantly sampled by Pacewon for his eternal "Sunroof Top". Just listen and be dazzled.

Beyond this mini-masterpiece, the other killer tracks offer brilliance in abundance. Hardy's Jet Band take control of the full A side, and it's full of dynamic psych-funk bombs. Hard, "big city" industrial groovers. In particular, the initial one-two of "Sorry, Doc!" and "Wind It Up" provide thrilling funky-blues rock instrumentals showcasing relentless guitars, flutes, sax and organ, the latter containing gorgeous, hypnotic breakdowns; these tracks just slay. The title track, "Blue Butterfly" is a real deep strut of a track with fantastic soloing from guitar and flute over crisp drums whilst the highway banger "What You Call To Be Free" certainly sounds a lot like unbridled, rhythmical liberty.

On the flip, the ghost-riding "Lady In Space" is a string-drenched acid-western foxtrot. Yep. “Pop Happening” by Jan Troysen Band is a heavy, druggy psych-fuzz organ groover whilst their slow beat-organ-flute gem "A Blue Message" is a gorgeous psych floater conjuring deeply strange frontier lands. Preceding their monster "Soft Wind", the soulful, uptempo groover “Ghetto Gap” by Orchestra Gary Pacific contains solo piano and flute whilst closing out the set is the free-and-easy samba beat of "So Far".

Founded in the late 60s by German composer and musician Klaus Netzle (who recorded under the alias Claude Larson for Sonoton) Selected Sound began as a production music company specialising in jazz, orchestral and electronic recordings. You can’t miss those early LPs in their iconic glossy metallic copper sleeves with minimal German typography. Serious, classy stuff.

The audio for Blue Butterfly has been remastered for vinyl by Be With regular Simon Francis whilst Richard Robinson has handled reproducing the glossy metallic (iconic) original Selected Sound sleeve. Essential.

Jet Set is a collection of 15 carefully crafted guitar-driven songs that
prove to be the most diverse and inventive of Los Straitjackets' oeuvre
The album was recorded at The Pow Wow Fun Room studios in Los Angeles with
producer and friend Janne Haavisto (of Laika and the Cosmonauts) and includes
a few guest appearances by The Basic Cable Horns (from the Conan show) and
Finnish actress and musician Irina Bjorklund. Jet Set delivers the high-energy rock
and roll instrumental music fans have come to expect from Los Straitjackets.
This 10th anniversary edition of Los Straitjackets' long-out-of-print 2012 classic is
pressed on sky blue vinyl

Part of The Optic Sevens 4.0 Reissue Series.
Limited to 1000 copies worldwide. Please check your allocation with your sales rep.
Pressed on Red Vinyl.
Includes postcard and poster. Non-Returnable.
The Monochrome Set were something of the unsung heroes of the post-punk world; they fitted into absolutely no category whatsoever and their puckish take on spaghetti western soundtracks meets lounge jazz via the twisted lyrical imagery of vocalist Bid was as singular as it was unique.
Comprising a couple of ex-Ants in Andy Warren and Lester Square, with singer / guitarist Bid and drummer JD Haney, their filmic, playful material found favour with many, including John Peel although they failed to match this with commercial success.
The Jet Set Junta was originally released on Cherry Red in 1983 with its urgent, ringing guitars surrounding Bid’s lyrics telling of dodgy arms dealings and armoured limos as Lester Square’s Ennio Morriconetwang bends and reverbs as a counterpoint.

Techno pop dance music incoming! Pretty much 10 years after its debut with the „She Knows EP“, Jet Hammer – the collaborative project of seasoned producer Nacho Marco and trusted vocalist Garen Moreno – finally expand its horizon with new songs. The Last Night EP sees the valued tradition of the extended dance mix gets rejuvenated, readjusted and reprised. Recorded between Warm Studio in Valecia and Chief’s Peak Studio in California, with influences ranging from the avant-garde fusion of Tuxedomoon to the groove of the Pet Shop Boys and the subsequent fashion that became Acid House (the UK definition, of course), the EP is home to four tracks that are cut from the same cloth.
Last Night sounds modern on the main mix and like a lost The Cure demo on the 1981 version, it’s hard to resist in either version. How We Started develops the thought into something of a power ballad and last, but not least, the instrumental version of On Your Side delivers the sugarless dessert for allergic subjects. Halcyon dance hall days ahead!

The original versions were released (digital only) some years ago, but stayed under the radar, until some dj's rediscovered it a while ago. It only started living then, and has continuously gained momentum ever since, with streamings now over half a million and counting fast. All involved agreed: it had to be turned into a vinyl release. It's mostly the original of "She Knows" that's been getting all the love, even though the DJ Rocca & Italian Cosmic legend Daniele Baldelli is an equally impressive showstopper in its own right. Throw in a new and exclusive deep (tech)house mix of "The Sound" by Hugo Ballistik, and you've got a release that merits curtsying and hats off. Limited to 400 copies, and remastered for top quality sound.

• Formed in 1993 the British based trio was lead by Isabel Monteiro (writer, vocalist and bassist)
and her smoky haunting voice
• ‘Song For The Jet Set’ was originally released in 2001 and this is the first time it is released on
vinyl
• 12 tracks including the singles ‘Baby Don’t Hurt Yourself’ and ‘Song For The Lonely’
• Pressed on 180g heavyweight clear vinyl with original artwork and printed inner sleeve

(High quality 45 in a silk screen sleeve) Surf !!! 2 raw monster tracks from French Canada

Reissue of this long lost funky Afrobeat/Reggae classic from 1978
For fans of Fela Kuti, Peter Tosh, Bob Marley, Segun Bucknor

The year is 1978 and one hot thing from the musical underground is Reggae music from Jamaica, the USA or the UK, where most of the acts had musicians of Caribbean descent. Reggae had the groove, the rebel spirit, and the relaxed attitude all in one, to enchant a big part of the world’s inhabitants. And while at least Jamaica as a relatively poor and so-called "Third World“ country proved to spawn Reggae acts of the highest quality, literally nobody dared to look further and dig deeper into the underground except of a few maniacs who were not satisfied with spinning Marley over and over again. And maybe they stumbled over the 1970s Afro Beat sound from countries like Zambia or Nigeria and then got interested. What did they find in the simmering metropolises of this still mysterious continent? Somewhere in Nigeria, they would have certainly caught a glimpse of mind-blowing performances of The Sea Lions, a six-piece group mixing the then hip Reggae and Afro Beat styles to generate fresh and furious music with a hypnotizing atmosphere.



Polyrhythmic beat patterns build the foundation, the utterly fruitful soil for the heartwarming melodies wailed out by the guitars and the commanding vocals with their conjuring charm. Great organ work builds the link between the groove section and the melody instruments. You can imagine what a pleasant experience this band might have been live back in 1978 when their sole album "Free The People“ got released. And this album, of which copies in only good conditions already fetch prices of $450, while nice clean pieces might go up to $1200, lives up to the expectations one might have from watching a live show by the Sea Lions. The sound is vivid, transparent, powerful, and clean enough to make the music a real pleasure listening to, but earthy enough to present nothing but the band going wild here. The songs all have a similar pace, not too fast, but swinging and pulsating to spread their energy to and among the listeners. The melodies are simple but come from the depth of the heart. This feels typical for African 70s music and despite being kind of reduced, these melodies keep haunting you still even hours after the record been taken off the turntable and put back into its sleeve. They bring images of an ever pulsating city by night, warm climate, palm trees, people at the bar, a witches cauldron of sounds, smells, voice, and pictures. And you feel the magic floating through the air while this groove will not let you go so easily.

You can either dance your soul out to this ultimate reissue or you can sit down, listen and let the music tell you a story of the dark corners of the big city, the narrow alleys that lead you into a boiling labyrinth of mystical dreams. And in songs like "You Can Make It If You Try“ you will find the whole magic of the African world, a world so fascinating for us Europeans but still so unapproachable in some ways and dangerous for the weak. Do not try to resist, this is your pleasure. Grab a copy and the Sea Lions will carry you off to their place. I haven’t heard such a killer Afro Beat and Reggae album with songs this exciting and wild in a long time. If you equally love Peter Tosh, Bob Marley, Segun Bucknor, and Fela Kuti, look no further. Here is the spiritual essence of all these great artists merged into one giant act.

This is the 1973 solo album by Ghanaian percussionist Anthony Kwaku Bah, who was given the nickname „Reebop“ by American
jazz legend Dizzie Gillespie. He passed away early at the age of 39 in Stockholm in 1983, but before made himself a name for his
works with UK 70s rock heroes TRAFFIC and German Krautrockers CAN, amongst others. If you might expect here the prototypical
Afro Beat and Afro Rock you mostly know from British bands, you will be surprised that this is only one part of the deal. Yes, there
are African elements to be found, buried somewhere in this boiling cauldron where polyrhythmic grooves are the base for jazz
improvisations by the brass section, that range from naughty swing and bebop, to freaked out free jazz and enchanting soul jazz
the way it was popular in the late 60s. The arrangements are utterly lush with so much going on here in every aspect that you
would get lost if there was no trace of melody to be discovered, but there they are and they tell you fantastic stories of exotic
places that only exist in your wildest dreams. Kwaku Bah’s rhythm patterns grab you by the horns and pull you into a world of
their own. Hypnotical, irresistible, hot and vivid. The tunes combine jazz, soul, funk and each one is constructed like a self –
contained story. One could imagine these tunes being used as library music for 70s movies from action to romance. All pieces
though are characterized by the constantly pulsating rhythm. To avoid drifting into the field of insubstantial disco dance music,
the performances witnessed here were executed with the highest possible emotional intensity and dedication. Lay back, close
your eyes and float away on a raft of sound upon the wild river of grooves and melodies. Some haunting Exotica jazz passages
with a typical „jungle“ feel get thrown in for the good measure. There are even vocals in an African language hard to identify,
which create and even more mysterious atmosphere. This is just an introduction part of another powerful speed funk groover but
the vocals stay and make this a clear standout track. Saxophone and guitars seem to have a duel here. You will not sit still while
having this tune „Iphonohimine“ coming down on you like a thunderstorm. Blues, Afro Beat, Psychedelic Rock, Funk, it can all be
found in here and the band goes wild into an everlasting improvisation that deprives you of your breath. Can this record get even better? Do not ask, just enjoy what comes next. If you think that some melodies by the giant brass section sound a bit too catchy
just reach out beyond these harmony lines and find yourself in a thicket of grooves, pulsations, bits and pieces of melody with a
dense, sultry atmosphere. Some smaller parts might make you think of cruise ship big bands and white suits, but everybody will
soon drop these and dance in their underwear for the hot blooded power funk base of the tune called „Africa“, which will take
over one’s soul and set it on fire. So clean, so nice and so filthy and dangerous at the same time, this album is a masterpiece of it’s
style. The exciting and very sensual funk rock of „Lovin‘ you baby“ with crazy fuzz guitars and a dark and haunting approach is
another reason to kneel down when you put this record onto your turntable. Great clean lead guitars give it a latin garage rock
edge Carlos Santana would commit serious crimes for. If you love bands like OSIBISA, Eric Burden & WAR, GINGER BAKER
AIRFORCE, SANTANA, Miles Davis, all around 1969 to 1973, this is what you always wanted to listen to. Grab your copy now.