Suche:jackin the house

UK Techno and House lynchpin Mark Broom returns to Radio Slave’s Rekids with the ‘Touch’ EP, landing 8th May 2026. Active since the late ‘80s and widely regarded as one of UK dance music’s most enduring figures, Broom’s catalogue spans key imprints including Warp Records, M-Plant, Hardgroove, and his own Pure Plastic and Beardman, alongside collaborations with the likes of Riva Starr, Baby Ford, and James Ruskin. Since fi rst appearing on Rekids in 2019, he’s gone on to deliver 13 further releases, including his five-part ‘Mutated Battle Breaks’ EP series on sister label RSPX.

Following 2024’s ‘Showtime’ EP, his last House-leaning outing for Rekids, Mark Broom now drops the ‘Touch’ EP.The title track leads the charge, pairing a nostalgic vocal with a Disco-House hybrid feel and jackin’ edge, setting the tone for ‘Eyes’, where he works the filters to build suspense as a loopy sample drives those feel-good dancefloor moments. The B-side shifts into Techno territory with ‘MXM’, a robust, driving groove marked by a machine-like swirl that steadily pushes the pressure, before closer ‘Don’t’ rounds things out with a hard-hitting drumline and tough, strobe-lit stab work.

While self-proclaimed "garage and jackin' house" revivalist Marc Cotterell has developed his Plastik People label into a fine outlet blessed with an ever-growing family of artists, he still maintains a steady release schedule of his own. The British producer is naturally in good form on his latest Plastik People missive. Check first opener 'Take Your Time', where breezy piano stabs and deliciously soulful vocals ride a squelchy bassline and loose-limbed garage-house beats, before admiring the more "trad" soulful house flex of the gorgeous and lightly funky 'Mysterious Ex'. Over on side B, 'Feed The Soul' is a string-laden slab of revivalist New Jersey garage-house goodness which doffs a cap to the early 1990s, while 'This Life Living' re-casts Jill Scott r&b classic 'Golden' as a rolling soulful house delight.

Four cuts of grimey, creepshow, noir tech and jackin Chicago House by Fugitive Artifact, NYC-via-Atlanta artist behind the Headcrack party. Not a rehash or revival, but still full of respect for the founders of jack (also John Carpenter!). At times on the A-side, these tracks are psychedelic…driving bass lines over syncopated claps and rimshots with building, atmospheric swells inviting you to tumble down the manhole into a world of insomniac crime bosses and bleary eyed pleasures. The B side opens with a more techno tempo, but keeps the swirling percussion cooking. The record ends with an ominous daybreaker. You can hear the arrival of a grey dawn. An invitation to join the freaks in the gutter. Will you heed the call and join the ranks?!

Broadcasting from the Portuguese interior, SARaMAGO returns to Carpet & Snares with four more cuts of deep and streamlined technoid house. ‘Flowing’ matches a jacking beat to addictive 90s organs and acidic accents, while the moody, metallic ‘Inner Peace’ evokes the classic UK techno of Stasis or Luke Slater. On the flip, the pulsing bassline and robot vocoders of ‘The Blackbox’ evoke Belgian body music, but housed in a contemporary groove. Saramago closes out the EP with the quirky electro-funk banger ‘Smile’, which is sure to raise exactly that on the dancefloor.

Minor Notes continues to explore and open up the world of Russia's underground electronic scene. The new vinyl release is a collection of original works by the highly experienced Kaluga-based music producer Chivee Gres. The record perfectly showcases the sound of Deep House and Jackin, showcasing Nikita's subtle sampling, masterful arrangement, and deep knowledge of production techniques. This music is made for the dancefloor: Side A is the perfect companion to any warmap, while Side B will brighten up primetime with its bouncy sound.

Polytechnic Recordings - sublabel of Disctechno Music - presents a split EP of jacking house and psychedelic rhythms from Detroit’s DJ Slush and Dretraxx. Label co-founder DJ Slush follows up his Model Collapse EP with 2 jacking, sleazy, 80's-tinged house tracks with garbled vocal samples on A1 and B2. Dretraxx - head of Detroit’s acid-forward Body Worx party - delivers dubbed out modular grooves and on A2. On B1, Interdimensional Transmissions’ BMG remixes Dretraxx for the No Way Back Mix, with some freaky heart-pumping analog techno. Recommended for fans of Midwest rhythms.

Andy Riley and Laurence Ritchie are Drop Music accomplices; the label is a natural outgrowth of yesterday's Smokescreen Soundsystem, one of the oldest and best-respected UK crews to endorse (sound-) systems thinking. In case you don't know, remember this: they were early 90s stanchions of pressure-dropping UK house heft. This rare new reissue hears their hugely in-demand classic 'Party Criminals' return to fully swung, gatecrashing mode. And boy, weren't they just. Their fourth ever Drop drop, it first surfaced in 1999 and turned instant heads for its crystalline blue inners and jacking, organic sound, not to mention a cameo from fellow duo Freaked on the A2's 'Rhythm By Nature'. But our favourite has to be 'Make Me Feel' with its soft-attack hi-hats, not tapping, more fizzing like metal leaf against the ears.

Prolific powers in rave and counterculture, Luca Lozano and Mr. Ho debut on Phantasy with the deliciously gnarly ‘WREKONS’ EP. Already locked in close collaboration at their own Klasse Wrecks label, this temporary migration to Erol Alkan's peerless London imprint with four outsider-electro variations that sit comfortably amongst the more bombastic moments in Phantasy's history.

‘Reach Out and Touch’ sets the tone, bursting sound systems wide open with an introduction that takes Lozano and Ho out of the basement and into the widest festival fields, overdriven with sheer energy and a flawless arrangement that sets up all manner of musical twists until the final chord. ‘Psycho Rasp’ expands from a simple cowbell beat to a circuit-frying melody, a machine rush that isn’t afraid to strip back to bare essentials for a devilishly simple, extremely effective breakdown.

On the flip, ‘WREKONS' pushes things further still, particularly on the lubricious ‘Grease Beat’, an unrelenting symphony of rubber-faced bass, crashing cymbals and demented drums, ideally composed to pair daring DJs with submissive dancers. ‘Tin Can Hustler’ closes off the EP with the duo’s leftfield take on jackin’ house, its dense groove bubbling up from underneath the strangest analogue signals.

The title and sleeve artwork for 'WREKONS' makes reference to the PERKONS HD01, a drum machine made by Latvian wizards Erica Synths, and one that was used heavily throughout the two-day session in which these tracks were recorded

Strong one on Voyage Direct from Rotterdam's Benny Rodrigues...TIP!

The label say "Benny Rodrigues seems to delight in confounding critics. Since making his debut alongside Darko Esser with 2007's Underwater Records-­-released 'Paradox', the Rotterdam-­-based DJ has surprised and excited at every turn.

Variously delivering woozy tech-­-house, rave revivalism, stripped-­-back minimal, jackin' acid, wide-­-eyed deep house and, under his occasional ROD alias, shirts-­-off warehouse techno. Along the way, he's released music on some of Europe's most prestigious labels, including Desolat, Soma, EC Records, Be As One and Wolfskuil Records.

Here, he makes his debut for Tom Trago's Voyage Direct imprint with two undulating, hypnotic, heads-­-down tracks that blur the boundaries between house and techno. Rhythmically loose but impressively tough - like all of Rodrigues' best productions - both cuts are built around mesmerising late night grooves and intoxicating chords.

'Master French' kicks things off, lacing nagging shakers, subtle synth strings and fluttering chords over a robust, shuffling tech-­-house groove. Rodrigues works the mix like a master, bringing elements to the fore before sliding them into the background. It's a simple, heads-­-down, 4am groove, but it's executed brilliantly.

'Z', on the other hand, is an altogether breezier affair, with repetitive, new age-­- inspired synthesizer melodies seemingly drifting over a rock solid house groove. Notable ride cymbals and warm beats proper the track forward, giving it a humid, tropical feel. This is music to move the body, mind and soul. "

2026 Repress

We are happy to welcome LA re-edit crew Boogie Down Edits first up is their De La Soul's reworks, re-inventing some of their best-loved hip-hop cuts as party-starting house jams. Wisely, they've chosen to retain many of the key musical ingredients of their source material, subtly shifting the grooves to aid slick mixing and peak-time joy.

We kick off with the loose-limbed hip-house punchiness of 'Saturday’ then move into a more jackin’ bumpy groove on the classic ‘'Me Myself and I'

On the Flip we have a bass heavy Hip House style rework of ‘Buddy’ rounding off the package with a housed up groovy vocoder laden version of ‘ Say No Go’.

A great start from the BDE crew watch out for more..
Limited Vinyl pressing.

Essential repress of the perennial DJ favorite now available on wax again for the first time since the original press in 2021!

The music is compiled from two rare 12" releases dating back to the early 90s produced by Jason Adkins (who we sadly lost in 2024), and co-produced by Tony Boninsegna (whose work the labels covered extensively in the 4xLP anthology Notes From Underground), and finally remastered by Thomas P. Heckmann.

The production team shared many musical inspirations, most notably Detroit techno, jacking Chicago house, EBM, the industrial funk of Cabaret Voltaire and the pioneering bleep sounds of Warp Records' earliest releases. As a result, the tracks they made brilliantly blurred the boundaries between contemporaneous electronic music styles while also adding layers of technical polish so often missing from British club tracks of the period.

The completed, released version of 'Tone Float' remains an overlooked UK classic – a gorgeous mixture of squelchy acid bass, sharp TB-303 lines, ethereal chords and whispered spoken word snippets – while the accompanying remix, which is also featured on Garden of Eden, brilliantly re-imagines the cut as a funk-fuelled, deep electro beast.

Fourth edition of the Metro Jaxx series, 303 copies, hand-numbered on purple vinyl. Six tracks of jacking acid house, rave and techno. KMRT makes his vinyl debut with the opener Beez Waxx, all breakbeats and wonky 303 lines. Hacienda legend Jon Dasilva brings “Look At The Owl” which repeatedly builds and strips itself back, while Balkan mainstay Nightwave ends the A side with the frantic snares of “Bang The Rocks”. The B side opens with “Xtasy” in typical Acidulant distorted voices and acid lines, Hannah Holland goes high speed & high energy with the vocal talents of Kurtis Lincoln, and label boss Posthuman sees the collection out with dirty 303 & 707 action. And yes, this blurb was 303% written by a human not f’kin ChatGPT.

Oslo based house pushers ́badabing diskos ́ follow up their hyped first release with a four tracker covering a fine specter of modern house vibes. A solo jacking house trip from label honcho Vinny Villbass, followed up by mexican/norwegian percussive collaboration of Picotropico and Vinny give you a full summer club journey The secret alias Smalltownboy ejaculates an eminent homage to sweaty dance floor flirts, while house orchestra LAFT shows off club muscles with a minimal studio escapade.

Silat Beksi is back on Afterhours. with Infinite O’Clock, the labels eighth release — an assured statement where minimal house, tech-house, and groove converge. Over recent years, the label has consistently delivered stripped-back club tools with subtle depth, and Beksi’s latest reinvigorates that tradition with fresh energy rather than repetition.

The EP opens with Infinite O’Clock, a hypnotic minimal-house piece built from syncopated rhythms, deep, lush pads, ambient vocal samples, and a groovy low-end that perfectly fits the early club hours — those moments when the light begins to cut through the windows. On the Flip Side, Beksi shifts into early-00s micro-house mode: shuffled hi-hats, crisp claps, and playful, wonky grooves take the lead, while warm aerial pads reminiscent of 90s video games and acid-tinged basslines elevate the track with sophistication. Closing the record, Godbrother turns up the jacking energy — metallic and robotic samples, an infectious bassline, spatial pads, and delayed vocals give it a menacing, dancefloor-ready drive that ends the EP in full swing.

With Infinite O’Clock, Silat Beksi builds on Afterhours.’ reputation for club-focused minimalism and sound-system fidelity — a release that reaffirms the label’s consistent quality while confidently steering its sound forward.

The year is 1988. The Second Summer of Love is in full swing and A Guy Called Gerald was dominating the charts with “Voodoo Ray”, one of the first true house anthems and by far Gerald’s biggest hit. Later that year he dropped another 12” of the same pedigree together with producer team T-Coy featuring the legendary Haçienda resident DJ Mike Pickering: Dream 17. _x000d__x000a_A bit lesser-known than AGCG’s smash record, this EP is the perfect blend of the Madchester rave ethos and the early jackin’ sounds coming out of Chicago at the time.

Soulful vocals and playful drums coupled with one of the most recognisable 303 basslines ever programmed will transport you to those blissful dancefloors where nothing but the here and now seemed to matter. But, make no mistake: this record is as much about celebrating the past as it is about looking to the future, and will remain relevant for many years to come. _x000d__x000a_Annette – Dream 17 is now available as a limited edition of 500 copies on purple coloured vinyl.

We are proud to present Dawg On Wax Vol.2, our 100th release-a milestone celebration of our journey through innovative sounds. This vibrant compilation features an eclectic blend of Jackin House, Jazz House and Hip House styles. Limited to only 200 copies, this exclusive 12" LP is pressed on stunning yellow flame-colored vinyl, making it a collectible must-have for all the real House heads.
Showcasing an impressive lineup of talented artists-including FederFunk & Raffaele Ciavolino, Ralph C, Darren Marshall, Luccio B, Makson (PL), and Steve Robinson (UK)-the compilation delivers over 30 minutes of energetic grooves and soulful rhythms that take listeners on a rich sonic journey.
Celebrate our milestone with this limited edition vinyl, crafted to bring you the best in underground house music. Don't miss your chance to own this special release!

New slab of emotive jacking house from the M>O>S Camp. Bristol producer Gilbert returns for his second EP on the imprint and delivers four excellent dream-away-keep-on-dancing jams of pure house bleeps.

New Digital Fidelity steps up with his ‘For The People’ EP on Four Framed Music this september, delivering four standout original cuts that showcase his deep, groove-driven signature sound.

Paolo Aniello aka New Digital Fidelity is a London-based producer and DJ originally from Bari, Italy. Deeply rooted in deep and Detroit house, he made his vinyl debut in 2011 as Peter JD and later co-founded a Detroit techno label with Nico Lahs. Since launching NDF in 2017, he’s released on Snuff Trax, Moods & Grooves, and more, collaborating with artists like Chez Damier, Fred P, and Byron the Aquarius. His music has been featured on HÖR, Balamii, Rinse FM, and NTS. In 2023, he founded Scopic Records, home to his latest EPs and remixes for legends like Hanna.

With For The People, New Digital Fidelity delivers a timeless EP packed with soulful house grooves and club-driven energy. The A-side opens with Believe It, an uplifting house track full of character, driven by a snappy groove and a powerful vocal sample that pulls you straight into the vibe. A soulful statement that sets the tone from the get-go. Next up is In Love With You, a deep and sultry roller where a sensual vocal meets delicate melodic layers. This one breathes emotion and late-night intimacy, perfect for the more introspective moments in a set.

On the B-side, the EP shifts clearly into more club-focused territory. Move Your Body is a straight-up floorfiller with crisp percussion, a hypnotic bassline, and a stripped-back vocal hook that sticks with you. Finally, Step Up closes the record with punch and attitude, a raw groove laced with jackin’ energy, making it the perfect tool for peak-time or late-night sessions.

Large Music proudly presents the long-awaited reissue of David Brown – “Feel Love”, originally released in 1994 and now making its triumphant return on vinyl for the first time in decades. Cataloged as LAR010, this essential piece of Chicago house history has been lovingly remastered and pressed to wax, reaffirming its legacy as a cornerstone of the genre.

Produced by Sherman Rogers and Darren Brandon of the acclaimed Black Ice Productions, “Feel Love” is a quintessential expression of the raw, soulful energy that defined the Windy City’s deep house scene in the early '90s. Blending hypnotic rhythms, warm synths, and David Brown’s emotive vocal delivery, the track captured the hearts of underground dancefloors from Chicago to the world.
Adding to the release's weight is an all-star lineup of remixers who need no introduction:
• Ralphi Rosario, one of house music’s original architects and a member of the legendary Hot Mix 5, brings his signature peak-hour intensity and timeless groove.
• Derrick Carter & Chris Nazuka, operating under their cult alias Red Nail, deliver a raw, stripped-back interpretation, dripping with analog grit and deep, jacking flavor.

This reissue isn’t just a nod to nostalgia—it’s a powerful reminder of house music’s roots and enduring spirit. Whether rediscovered or experienced for the first time, “Feel Love” stands tall as a classic slice of Chicago house, as relevant on today’s dancefloors as it was over 30 years ago.

Category 1 Music Sampler - Vol. 2 showcases the outstanding talents of several of house music’s most celebrated talents. The 12” features outstanding soulful house performances by Terry Dexter, Ron Carroll and Ed Ramsey, along with the producer/DJ mixing magic of Eric Kupper, Richard Earnshaw and Chicago’s outstanding remixer, Emmaculate. Also included in this “must have” collection is Mona Lisa’s hit, Dancin’, a Jackin’ House floor filler with a rockin’1200 Warriors mix. Vol. 2 effectively brings together the best of house music from Chicago, Detroit, East Coast USA and the UK. Limited Pressing. Act Fast !

Originally released in 2019, ‘Heaven’ served as a benchmark for what modern house music is. The essential record from Ben Westbeech and KON’s The Vision project dominated stages around the world, receiving support from a plethora of top house artists; Gerd Janson, Horse Meat Disco, The Blessed Madonna, Groove Armada and Eli Escobar to name just a few.

Now Defected release a special 12” package featuring the most recently released remix from Groove Assassin, where he masterfully combined it with Supernova’s Jackin Mix of Kerri Chandler’s iconic ‘Hallelujah’ for a killer house cut. Also featured on the package is the original in all its glory, as well as Danny Krivit’s heralded edit and an edit from The Vision’s own KON.

Demuir has been driving his jackin’ house sound for over 20 years. No stranger to our imprint, we have been championing his sound down under for years! We are excited to welcome him back to the label with 4 jackin’ house cuts that will definitely fit perfectly in your bag.

Look’n In Your Eyes is a jazzy, groovy joint with an infectious vocal sample that just instantly makes those hips swing. A Night At Patria switches gears and puts the foot down when its comes to energy to deliver a club ready weapon with just the right flavour.

On the B side, Never Too Young keeps the pace with clever sampling, snappy drums and a groove that doesn’t quit. We round out with Sweet Surrender, blending his signature drums, rolling basslines and classic vocal sample that fits into any set. As always, all class and no BS, Demuir doesn’t miss.

STAR CREATURE's Global Caress series started this year off with a bang with newcomer ARSENE's "JACK SHIT" 7" selling out almost immediately. The followup here might just do the same… Another gruesome twosome of hard hitting, left field, electro acid. The half-Finnish, half-Estonian duo LLL add a distinctly Baltic outsider edge to the classic combo of Chicago jackin' house meets UK sound system culture. The fellahs tap an arsenal of original gear rescued and revived over the years to create hyper-saturated textures, thuggish rhythmic beats, squelchy acidic synths and mischievous microphone miscellany

MISS AT YOUR PERIL !!
There's a lot packed into this one.
A1. A solid jackin Bleep Techno/House werkout (updated from his 2005 I Love Acid EP)
A2. ***A special low slung House track with a classic 'Chicago Trax' feel***
B1. Diva Diva Diva Diva Diva. Big Breakdown. Rough and rugged Breakbeat.
B2. A haunting Acid track with weight in the right places.

Jerome Hill again delivers treats for the dancefloor, Keeping things typically underground and raw, channeling elements from all over into this peach of an EP.

If you're reading this you will probably already know that this Cruise Music series has been full of gold over the previous instalments. Whoever is in charge for curation has pulled it off again with four more funky and disco infused house gems. Keller's opener is a classy mix of filtered vocals and drum loops with an aching soul edge. Mark Funk offers a more party starting disco bumper with classic vocal hooks and Danny Cruz takes things onto a summer terrace with glorious horns and uplifting grooves. Makito shuts down with the dusty deep house shuffles and party atmospheres of 'Jackin With Millie.'

Repress!

On Demuja's Freerange debut, the Move EP offers up four original tracks, each with their own distinct flavour. Opening the release we have title track Move spring into action with simple Rhodes chords floating across a crisp, driving up-tempo groove showing off the deeper side to Demuja.
Next up B.O.O.M offers us a simple yet captivating, dancefloor-focused affair with a lone, repeating piano stab hooking us into the action.
Flipping over we have Into My Brain which brings some acid-tinged Italo vibes and a jacking beat to proceedings whilst the closing track Turn Me On cuts up a much loved Paradise Garage classic for a warm, soul-infused slice of classic, bumpy house music.

The Very Polish Cut outs are back with a new release, this time a solo outing by POLOTRONIC - who also happens to be a member of the infamous warsaw duo - Holiday80.
The EP entitled "Marzenia" (translated "Dreams") contains 4 tracks. 2 original productions, one remix and one reowrk and as with all TVPCO releases - its a very diverse affair aimed at the dancefloors. The EP kicks of with a brilliant re-imagination of a polish early 90s hip hop classic "Spalam Si?" ("I'm going down in flames") which the producer transforms into a house anthem with infectious vocal hooks, breaky percussions and lush piano stabs. This one is for sure some peak time material that will make the crowd dancing and asking themselves at the same time - where the hell did that one come from? Moving on is the title track "Marzenia" that might be the water to cool down the fire started by "Spalam Si?". It's a dreamy breakbeat house affair with lush bells and 90s inspired synths and female vocal snippets. It will for sure make you nostalgic. On the flip you will find the mesmerizing electro inspired remix for the track "Pami?tnik Manekina" by Grupa Jot, which was part of the 2022 released "Echo Wielkiej P?yty" compilation with obscure polish electronic music. This one was already available for some time in digital format only but now finally makes the jump to vinyl - as a long-time fan favourite. The EP ends with the jacking acid infused track "Jack" that is a deep mid-tempo heavy hitter for the later hours of the night. Polotronic adds here a male polish vocal sample that repeats the phrase "dyskoteka" ("disco"). The brilliant cover is as always, the work of the labels long time collaborator Bartosz Szymkiewicz.

It starts of with jacking proto ACID house song called Delayed Attraction. A song that would have made the kids crazy at the Music Box in the mid 80's. And are still as uplifting for all us house heds. The second song Tear Gas takes us back to Europe, with a slow Belgian beat that moves like a train and hits you straight in the chest, and on top of this a monotom synth pad on top of that it gives the song a some what a scary dream feeling. The third song Nasjiga is taking us further in to the complex dream but packaged in a Detroit electro vibe with sounds that makes me think of a hospital hart beat monitor but then mixed up with bit-crushd lo-fi dragon covers in a dubby inferno that keeps on building up without coming to a climax (in a good way). The forth song Verfolgung is a 8 minute stomping song that's starts of in a Burzum sounding flute but the quickly goes over to a freaky baseline that's sounds like its made out of a congas patch and a detuned bass on top of that. On top of that they put a march bands drum pattern that gives this song a freaky tivoli vibe and would be such a banger a the right time of a DJ set. /Jens W Limited numbered to 200x * Delayed Attraction - With a bumpy baseline that grooves, hard hits on the drum machine, this is are both funky and hypnotic. * Tear-Gas - A mid-tempo acid journey that blends funky drum patterns with psychedelic trance strings. Typical FRAK's acid-outed sound, with a hypnotic and thumping beat and bassline. * Nasjiga - The B-side kicks off with a deeply dubby and tribal vibe, with splashing hi-hats and echoed percussions. like the heartbeat of an underground train going of the rails. * Verfolgung - This track kicks hard with a marching beat that builds into a funky disco. It's playful yet progressive energy leaves you with a smile on your face and your feet moving on the dance floor. Honk Honk! // Dj Jespha Galore

Prepare for Another Groundbreaking Release From the Proteges of Skylax Records, the Maestros Behind the Acclaimed "Sting the Floor" and "Love Is Growing" EPs. Already Making Waves Among International DJs, Their Third Installment, "Madness Operator," Takes a Bold Detour While Maintaining the Signature Style That Has Captivated Audiences Worldwide. the Ep Kicks Off With the Monumental "Under Track," a Minimalist Masterpiece That Harkens Back to the Glory Days of Early '90s Chicago. Its Simplicity Is a Stroke of Genius, Resonating With the Raw Energy That Defined the Chicago Sound. "The Wanderer" on A2 Delves Deeper Into the Same Chicagoan Style but With Added Intricacies, Showcasing the Versatility and Maturity of Madness Operator's Sonic Palette. Flipping to the B-Side, "Café Barge at 7 Am" Emerges as a Masterpiece of Silky Deep House, Effortlessly Weaving a Sonic Tapestry That Immerses the Listener in a Serene, Early-Morning Atmosphere. Closing the Ep With a Flourish, "Baby Baby" Effortlessly Melds Disco and Jackin' House, Delivering a Hybrid Sound That Is Both Nostalgic and Forward-thinking."Madness Operator" Ep Is a Monumental Offering That Solidifies the Status of These Proteges as Pioneers in the Electronic Music Realm. From the Sheer Genius of "Undertrack" to the Captivating Diversity of the B-Side, This Ep Is a Testament to the Evolving Brilliance of Skylax Records' Rising Stars. Dive Into the Madness &Ndash; It's an Experience You Won't Forget. Available Now, Exclusively on Skylax Records....

We’re happy to cordially invite you to the REGRESSION SESSION, hosted by eternal Philadelphia scene flag bearers ZILLAS ON ACID!

And if you think this sounds awfully lot like a scam, you’re probably right: „Regression Session“ is just a front of their illegal black market operation, trading raw uncut gems on a large scale. Just listen to the opener and title track and you won’t exactly have a strong case for the Zillas selling out, but rough as it is, this thing is capable of destroying any dancefloor it touches.

Looking at their recent releases it’s fair to say the Z’s are on quite a run, putting out music on labels like Permanent Vacation, Throne Of Blood, Multi Culti or Ivan Smagghe’s Disques de la Mort. Tunes like the sneaky rough slow burners „Underling“ or „Start Digging“ sound like they could be lifted from the latter’s infamous DJ sets, while the deceptively titled „Cha Cha Cha“ or closer „Casual Observer“ justify the „Acid“ in the artist name. „Shining Snakes Across The Lake“ is what some years might have been called a mid-tempo house roller and probably counts as downtempo these days. Speaking of tempos, the penultimate „Sweet Days Of Discipline“ starts of masquerading as reaaally downtempo, but ends up throwing 155bpm kick drums at you, so better watch out, all you k-hole ravers! Let’s not forget to talk about „bquiet“, which is what you’d call mid-tempo house these days (125bpm) and uses the eternally banging combination of a jacking beat, a polyrhythmic bass line, some lead-synth stabs and talking vocal slices. You can practically smell the sweat.

So what’s left to say? What you see is what you get: They are Zillas, and they are on Acid. And they provide a collection of eight tunes that probably each don’t necessarily have a double-digit amount of tracks in their DAW projects, and that’s exactly what makes them so forceful. Join the regression session!

Part 1 of ‘La Decima’ Compilation selects artists that have contributed to the last 10 years.

Part 1 kicks off with Oliver Dollar with his ‘I Do Believe’ cut a Chicago jam for the ages. Next up, Toronto based, Demuir doesn’t miss with his signature groovy and jackin’ style as Vibez High does exactly what it says on the tin. The B side kicks off with UK native, Jwalker’s Disconnected giving us the 90’s house feel we all love! B2 features Pinto (NYC) & Kola collab on this jackin’ disco weapon that serves up the French house feelin with little NYC tuffness. Limited release act fast!

DJ Support: Riva Starr, Mark Knight, David Morales, Brian Tappert, Jimpster, Kevin Yost, Michael Gray, Don Carlos, Crazibiza, Moodena, Dj Disciple, DJ Rae.

American producer Marc Cotterell is one of the contemporary underground house world's most standout talents. He has a great range of moods and grooves and his sound designs are second to none. This latest Album Sampler on Groove Culture is a four tacker with some serious heft. 'Feel The Groove' is a trip into the contamination of house: from Disco to Jackin to Soulful To Deep Sounds. This Album showcases the enduring talent and creativity of Marc Cotterell, offering fans a chance to dive deeper into his rich musical archive.

2025 Repress

Only Cuts return with an EP from the jackin' house legend DJ Sneak.

4 bangers from the 'House Gangster' himself!

Phonica AM proudly introduces the latest release from upcoming Irish-born producer and DJ, Rhythms Of Prescott. For fans of Pepe Bradock and Derrick Carter, this record is a must-have.

The A-side kicks off with 'Beat Heat', a driving filter house monster underpinned by dubbed-out percussion, playful vocal interjections, and infectious disco stabs. Following up is 'RGRT', which delves into a deeper vibe with slick jazz samples and a pulsating filtered bass line. The B-side brings 'The Instigator', a tension-filled mind melter perfect for early morning trippiness, featuring Rhythms Of Prescott's masterful sample manipulation and unique wonkiness.

This release showcases Rhythms Of Prescott's raw approach and jackin' sample manipulation to rock any dancefloor.

Stomping into the SBC universe comes 131bpm; a Berlin houseTM-hold head with his distinct signature style of sass’d up sexy dance floor burners. The 5 track collection “Ethereal Yarn” weaves in jacking house, bounce bass and flirty tech with a bonus remix from PSL; hot, heavy and ready for your play. Expect the unexpected as conventionality is unraveled through freaky vocal cuts, buckwild percussion and genre mashups for the gods. How long is a piece of string? Lick my chain if you’re nasty!

This release is a nod to the club. 5 tracks that are made for dancing in the dark.

Hypnosis is a mind control laced phenom. S.Ringer lends his voice as your guide to gratitude, and a good time as you move to the chords that push and pull your body to the beat.

The title track Echo Chamber, is an aggressively rhythmic beat. The atonal melody is accompanied by a looping bass-line that calls for circling the floor indefinitely.

Nasty is Stefan's current interpretation of a chicago style jack track. Simple and effective chunky drums with a jackin’ cadence are agreeably accompanied by panicked staccato synth lines and an almost hollow growling distorted bass that enforce the assignment…. to Jack!

Slanted House is a cool down. Feels like a tall glass of ice water after the heated dance session you just had. With chords that are smooth and deep, laced with that rhythm and bass-line that moves you instantly.

Sweet Chariot is a jewel in the crown of this release. Simply put, a song that is so smooth and yet grooves so strongly. A skating song if you will. Reminiscent of the so so def era in Atlanta but more laid back.

These are indeed 5 interesting dance cuts to match different temperatures of a party.

DJ Sneak with the killer beats. Wether you are partying or chilling; there's a track for you on this record!

DJ Support: Sidney Charles Chris Stussy, Archie Hamilton, Toni Varga, Catz 'n dogz, Tough Love, Neverdogs, De La Swing, Marco Carola, REBOOT, Rich NxT, Steve Lawler, Josh Butler, Okain, Ilario Alicante, Joseph Capriati, Leon, Marco Faraone, Riva Starr, Hector Couto, Archie Hamilton

Feel the infectious beats and raw energy of Sidney Charles' latest EP, 'Reso Riddim', which is dropping on his very own Heavy House Society imprint. Renowned for his distinct take on house music, Sidney Charles delivers a powerhouse two tracker that embodies his signature sound and energy for the dancefloor. As a DJ and producer, Sidney Charles has carved out a unique niche in the electronic music scene with what fans affectionately refer to as 'The Sidney Sound.' This signature style is built on heavy low ends, chunky drums, and cavernous low frequencies that connect directly with the body. With tracks like 'House Lessons' and 'Warehouse Romance,' and more recent 'Space Bass' and 'No Way Out,' Sidney established himself as a force to be reckoned with, showcasing his affinity for rough, dirty sounds with a modern twist. 'Reso Riddim' kicks off with the title track, a driving and edgy peak time weapon that boasts a stripped-back groove and an infectious bassline. Breakbeat elements add depth and dimension in the break, creating a track that is guaranteed to get the dancefloor moving and jumping. With its pulsating energy and relentless rhythm, 'Reso Riddim' sets a strong tone for the EP's journey. On 'Rawline 98,' Sidney Charles channels the spirit of the '90s with pumpin' jackin' beats, garage-inspired chords, and an old-school bassline that harkens back to the golden era of house music. The track exudes a bouncing energy and infectious swing that transports clubbers to a bygone era while keeping the dancefloor firmly rooted in the present. The 'Reso Riddim EP,' is also available on Vinyl which will include two extra tracks 'Objection' and 'Charles’ List,' for those who love the feel of wax both in their hands and on the decks

Repress!

The label has a simple mantra; no frills club cuts designed for the dancefloor. For their second outing, Demi Riquísimo has enlisted Kiosk Radio and Fuse Brussels resident DC Salas to fulfill the brief, via the ‘Tio’ EP.

A DJ noted for his versatility with his sets effortlessly melding a plethora of styles from house, techno and trance to disco & new beat. This broad range of influences is on full display on the buttons as DC Salas shows his range as a producer right across the ‘Tio’ EP.

The EP kicks off with the emotive title track ‘Tio’. DC explains the context:

“It features the voice of my godfather (my dad’s uncle, who was like a brother to him) who passed away unexpectedly some months ago. We found a video of him (he hated being filmed) one week after he passed away, with a wonderful talk he did on his birthday last year. The vocal is an extract of this video.”

Up next is 'Fearless Is More', a track where DC’s production dexterity comes to the fore. The track combines elements of 90’s trance, with a jackin’ bass line and vocal samples that evoke images of the early Amnesia Ibiza golden era.

The B-side opens with 'Never Ending Story', another track which speaks to Salas’ vast array of influences with a synth topline sounding like it was straight out of the Ancienne Belgique. 'A Departure' chugs along menacingly with an acid house flourish in its second stanza, for some peak time perfection. The EP is completed with 'Slowtospeed', which juxtaposes melancholic pads with progressive synths and a driving to bass to make for an extremely well rounded first outing for DC Salas on the burgeoning imprint.


DJ Feedback:

Job Jobse - Great release!!!

Make A Dance - this is wicked, Never Ending Story is the track for me.

Kiara Scuro - Absolutely love this! Definitely will be playing.

Dave Harvey - This is great.

Tech Support / Asa Tate - DC is king!

Timo Deeprhythms / Echocentric Records - Stupid good release!

REES - Love this one!

Martyn Bootyspoon - Absolutely send these over!!

Sara Miller / Public Possession - Really really like this record. Totally my vibe :) All are excellent tracks but Fearless is More is my fave. But really digging Never Ending Story and Tio too!

Aletha / Rinse FM - Sounding perfect for my sets at dimensions

Aiden Francis - Wooooah, love these. Such a varied release!

Ciel - I love the A1 on this! Tio is gorgeous.

Holly Lester - Great release, Tio is biggg!

Oliver Dollar unveils part two of his ‘Contemporary’ EP on Rekids.The release features collaborations with Brillstein and Harvard Bass.

Part two of Oliver Dollar’s ‘Contemporary’ EP will be released this July via Rekids. It follows part one, released in April of this year, which saw him team up with ADMN, Austin Ato, and APROPOS and featured a remix from Brian Kage. With the first part winning support from the likes of Laurent Garnier, Nightmares On Wax, and Dam Swindle, this next EP continues with an equally promising cast behind the wheel, as Dollar brings in Brillstein and Harvard Bass for more irresistible house funk across three tracks in part two.

First up on the ‘Contemporary Part Two’ EP, Jesse Rose, Diplo and Switch collaborator Brillstein joins Oliver Dollar for ‘Pill Popper’, a real dancefloor-igniting underground cut with an unforgettable hushed vocal over infectious rhythms. It is followed by Oliver Dollar and Harvard Bass’ ‘Funky Brewster’, which sees the Tuskegee, Relief Records, and Turbo artist complement Oliver’s house style with signature jackin’ flair. A repeating vocal and hard-hitting drum beat keep centre in this party anthem before Dollar flies solo for ‘Funked Up’, in which a low-slung groove and dreamy, chopped-up vocal work in harmony before breaking down into a jazz-inflected midsection,
making for the perfect outro to a fantastic two-part series on Radio Slave’s Rekids.