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Hailing from Japan, Iori Wakasa is a name that has been gathering a great deal of hype over the past few years - and with good reason. Having built up his skills as a majorly talented DJ in Tokyo spinning a wide range of sounds and styles, his reputation continues to grow at pace thanks to a string of amazing releases on labels such as Highgrade and WirSindEins in recent years - not to mention strong support by some of the scene's biggest names. Here he proves what all the fuss is about - a stunning three track EP on Steve Bug's Dessous Recordings. 'Be There' starts things off right - uber deep vibes throughout, with bubbling synths and spacey effects, all tied together by a hypnotic Chandler-esque rhythm track. 'Give Me' continues the vibe, deep and jazzy chords punctuate the shuffling rhythm and trippy vocal samples add a layer of wonkiness that will see this get a lot of attention. 'Feel It Dizzy' strips things down a notch, a bass heavy dancefloor filler with dubbed out percussion, effects and vocals snippets. A triumphant EP from Iori Wakasa - truly one to watch.
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Awa Poulo is a singer of Peulh origin from Dilly commune, Mali, near the border with Mauritania. Largely pastoral and often nomadic, Peulh- (or Fula-)speaking peoples are found from Senegal to Ethiopia but predominate in the Sahel region of West Africa. Awesome Tapes From Africa is proud to release Poulo's newest recording of highly virtuosic folk-pop, fresh from the studio, broadcasting her vision of Peulh music beyond the grazing grounds and central markets of her remote home region in southwestern Mali. It's not very common to find a female singer performing publicly among the Peulh. But Poulo's mother's co-wife is Inna Baba Coulibaly, who is a celebrated singer most Malian music fans know. Coulibaly herself was brought into music by forces outside her control when a regional music contest required an entry from her village and she was chosen to be a singer. So, set in motion by a surprising series of events, young Poulo's entree into the music world was auspic ious as she gained popularity across the region. After several locally released tapes and CDs, this record is Poulo's first internationally-distributed record. On Poulo Warali, she and her band combine the hallmarks of Peulh music—warm flute floating over cross-rhythmic n'goni (lute) riffs and resonant calabash gourd hand percussion—with broader Malian sounds like lightly-distorted guitar and a heavier, rollicking inertia. Shapeshifting layers of rhythm and woody overtones match Poulo's commanding voice in a jocular yet deliberate dance. This is a relatively rare example of Malian Peulh music played in a modern, cosmopolitan context, reflecting the mixed society of Dilly, where Bambara, Soninke and Peulh-speaking people live among each other. Poulo's conscious lyrics about community concerns speak to the distinctive identity of her broadly-flung people. While Peulh represents less than 10% of Mali's melting pot of languages, the dynamic music here powerfully resonates well beyond the linguistic borders.
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The Holy Fix stands for the solo project of Camil Dumitrescu, co-founder of Future Nuggets and the Delusion Men project together with Ion D (Utopus) .
With this second release of the Future Nuggets' clubloving child, the fresh imprint P-BALANS, The Holy Fix delivers a highly personal bass-driven, dub-flavoured and psyched out blend of electronic sounds in a solid attempt to define the labels edgy technodelic profile.
Tunes for depth divers and tormented dancers.
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The Kabalion ministry is pleased to present yet another elixir crafted by Danish producer Periskop.
Recorded nearly ten years ago (during the Fall of 2006), 'Thrust' consist of four deep thrusting techno tracks, each being a remix of the previous one. They share a common bass sound as baseline and a high tempo of 140 beats per minute throughout.
Pressed at 45 RPM.
Early support from Kwartz, Yuka, Antonio de Angelis, Gianluca Meloni, Iori, Jonas Kopp, Sam KDC and Luigi Tozzi to name a few.
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Drumcode reserve their Limited branch of releases for the special and outstanding productions. Pressing them onto vinyl only, providing the perfect collectors item and sound that techno lovers worldwide constantly pursue.
The current catalogue of Drumcode Limited releases include names such as Adam Beyer, Alan Fitzpatrick, Tom Demac & Glimpse, Ben Sims, Steve Rachmad, 2000 and One and Marco Faraone. dubspeeka proudly joins the list of acclaimed artists to present the forthcoming vinyl only DCLTD20 - sk30.
Continuing his surge through the world of techno, the Bristol based producer has never strayed from the sound that has proven to be so popular amongst colleagues and fans alike.
The dark, haunting and powerful tones that resonate from the opening track sk30 showcase why dubspeeka has made his mark on the underground scene for a number of years.
Once again the chilling synth arrangements that have become synonymous with dubspeeka's style echo throughout the track clashing against the distorted vocal sample.
Yet another example of dubspeeka's unparalleled studio work, the production is intricately woven together with a tight thunderous kick drum demonstrating his prominence as an underground artist of the highest caliber.
Markus Suckut provides excellent support on remix duties for sk30.
Another purveyor of a unique sound, the German-based producer doesn't hold back
when tackling this mammoth remix.
The hard and relentless bassline conjures the perfect background for the bubbling synth tones and echoing percussion.
Markus Suckut demonstrates his skill and experimentat
ion that he pours into his own
production with the powerful and enthralling remix of sk30.
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In autumn 2015, Swedish dream-pop duo Korallreven bid us all farewell by releasing the "round-the-world-in-a-day" sounding final single Here In Iowa, alongside memorable shows in New York City and Scandinavia. Now, they return for one last time with a disco dub dream remix of said song by the mighty Peaking Lights. This forms part of a 12" EP released by Be With Records. The record - limited to just 500 copies - will see its worldwide release for Record Store Day on 16th April 2016.
The 12" will also, for the first time on vinyl, include Korallreven's breathtaking cover of Guns & Roses' November Rain from 2014 as well as Shine On, the duo's rework of their own 2010 single Honey Mine, featuring Taken By Trees' Victoria Bergsman.
From the guys:
"Hard to say if Here In Iowa was an end or a start of something new. You'll see! Whether or not, we hold it as one of our highest heights and, after this beautiful season, we truly deeply madly felt that it was worth some extra limelight. And hey! Thanks for the remix, Peaking Lights! It's so wonderful! Life surely is."
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As our fifth elixir finally manifests, Fjader guides us through the misty ocean of the mind to find bliss of rainbow light.
Early support from Deepbass, Svreca, Antonio de Angelis, Arnaud le Texier, Stephanie Sykes, The Noisemaker, Vilix, Nihad Tule, Iori, Rasmus Hedlund, ASC, Periskop, Shaded Explorer, Antonio Vazquez, BLNDR, Jana Sleep and Luigi Tozzi to name a few.
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Be With Records are honoured to present the hyper-limited (200 for the world) farewell single from cult Balearic maestros Korallreven. We've been enormous fans since the beginning so we are delighted to be collaborating on this special release. As per the band's specific wishes, we have created a special one-sided, full colour 7" flexi-disc. Over to the guys themselves for their parting words:
"It has been a trippie trip, sort of a dream come true, sort of a dream become shattered. Kinda incredible how Korallreven, with this weird name in Swedish, snowballed from bedroom recordings in Stockholm into a headline US tour, festivals around Europe, amazing collaborations and all this love we have felt from all around. It's been magic. But there is a time for everything and an end to everything too, also with Korallreven.
So, enjoy this single, as you would the last drop of fresh water in the jungle. It sort of underlines exactly everything we wanted to do from the beginning but never yet achieved. Lifelovingness, big words and melancholy in three and a half minutes, for the last time.
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Laercio Schwantes Iorio is the person behind the project L_cio. To listen to the musical work of L_cio is watching a scene. Music is free. It does not project - it gives impulse..............
In 2012, he made a tour of Europe. Passed through Cologne (Cologne University Radio), London (Egg Club and Bunker 184), Lithuania and Vienna.
In 2013, L_cio was one of five winners of the contest remixes of the track I Human' of Jazzanova (feat. Paul Randolph), sponsored by CDR Berlin.
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Iosefa Manumaleuna, aka DJ Hyperactive, is now back in Chicago after nearly 20 years in LA. Prior to his return, his classic Wide Open track got a serious re-working by Berghain resident Len Faki on Figure. As part of the Droid Behavior crew he released the 25Hrs. EP on Droid Recordings. More recently another DJ Hyperactive classic "Venus" got re-released along with Ciren and Truncate remixes on the "Venus Revisited" EP on Chris Liebing's CLR imprint. 2012 rmarked the return and start of a heavy remix cycle starting with Luis Flores "The Word" and recent remix of Mike Gervais "Churn" both on Detroit based Blank Code, Impact Unit "Dread" on Silent Steps, Manic Brothers "Sledgehammer" on Octopus Black Label, Truncate "31" on Gynoid Audio and the current list of TO DO's is long...!
The first release back in 1997 on 4 Track Records was by DJ Hyperactive titled P.51 and here were are nearly 20 years later and we're going to see the next release again by Hyperactive on vinyl again titled "Black On Black" EP. This EP will be three tracks, 2 which are acid tracks and one long experimental spaced out track.
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ommy four seven is a young successful and prolific producer : not only has he had tracks signed to labels like brique rouge, catwash records, io music, love minus zero and jm recordings, but he has also remixed artists such as mike monday, fex, tom pooks and mark o'sullivan. being a permanent member of the br mob, he's the future of the label. mark o'sullivan is half of dk7 with jesper dahlbäck and member of the mighty quark.
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phil subhead with cool breaks stuff
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Australia-based musician Mark Gomes presents the debut full length under his own name for Soda Gong. “Alphane Moods” finds Gomes employing strategies that will be familiar to listeners of his work as Blue Chemise – elegiac, loop-based modes of composition and a predilection for concise etude forms – that manifest here with a strikingly different scope and intent, shifting from expressive abstraction into more conceptual terrain. Over the course of fourteen widescreen tracks, he navigates the gap between nostalgic and futurist sensibilities, concocting elusive, romantic, and sanguine settings that feel both plucked from the past and beamed in from a time still to come. Gomes describes his approach on the record as a “practice of ‘constructed ambience’, deploying sounds and track titles with pop-psychological associations of escape.” The result is a vivid, cinematic album that splits the difference between the worldbuilding retrofuturism of the best vaporwave music and the shadowy, homespun tape vignettes for which Gomes has become well known.
Written and produced by Mark Gomes
Master + cut by Kassian Troyer at D&M
Artwork by Alex McCullough
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