Cerca:house of house

Jacksonville returns with Heavy & Gold, a powerful five-track EP rooted in the raw energy of underground house and analog machine funk. Produced by Chris Lyth, the record blends Chicago-influenced drum programming, hypnotic basslines and deep melodic textures into a set of highly functional DJ cuts built for the dancefloor. The EP moves between muscular jack tracks and deeper hypnotic moments, balancing driving groove architecture with subtle emotional tension. Heavy & Gold opens with the title track, a dense and rolling house cut driven by heavy drums and warm synth layers, before Just Another High delivers a tighter, more stripped-down groove with classic underground swing. Rapido pushes the energy further with a direct, rhythmic workout built for peak-time transitions. On the flip side, Parallel Love expands into a deeper and more atmospheric territory with evolving textures and hypnotic momentum, while closing track Miz & Ida delivers a long, hypnotic groove combining analog warmth and late-night dancefloor pressure. True to the Skylax philosophy, this release focuses on timeless groove design rather than trends, offering DJs and collectors a record built to last in the bag for years. Written and produced by Chris Lyth with executive production by Hardrock Striker and artwork by H5 (Simon Renaud), Heavy & Gold continues the Skylax tradition of uncompromising underground house music.

Repress!

4 To The Floor are committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. On Volume 1’s A-Side you’ll find a track with one of the most famous lyrics from house music history MD X-Spress’ ‘God Made Me Phunky’, the record has inspired countless producers to sample and remix it, but this 90’s gem still sounds amazing in its original glory. On the flip are two mixes of a Three Kings classic, ‘Shake Dat Booty’. The A Pal Joey Interpretation matches looped vocals with harmonious keys that perfectly complement each other, while the Wahoo Main Mix utilises energetic drums and techy synths to up the ante.

Ohio's O'Jays were a hugely popular part of Philadelphia's PIR stable throughout the 1970's and 80's.
They cut numerous sides for the label aided by the incredible production and arrangements of the infamous Gamble and Huff hit machine.

This special 4 track EP includes some of the absolute evergreen, stellar and downright soulful tracks they are most known for. It's all here. Influential, uplifting, inspiring and soulful music that will touch everyone. From the string laden and lush extended proto Disco joy of 1975's 'I Love Music', to the deep and soulful Philly stylings of 'Back Stabbers', 'Message In Our Music' & 'My Favourite Person', all of the music contained within this amazing collection is utterly essential if you dig Soul, Funk, Disco, Gospel and even House music. This is it. The real deal. These are some of the roots of contemporary dance music, the building blocks. On top of that, it's simply great music, a solid and essential addition to any record collection from one of the greatest vocal groups of the era, not to mention the world calls production, arrangement & execution from the legendary Gamble & Huff. A real no brainer this one.....

This is a fully legit reissue, made in conjunction with Above Board distribution and Sony music, sourced from their vaults using original source material and remastered and repressed to the highest standard for 2018 and featuring all original PIR label artwork.

Here's your chance to own yet another essential stone cold classic from the archives!

2LP Repress!

The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented.
A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

Another stellar volume of what is an essential purchase for any Disco lover. Featuring a host of legends from the height of the Philly era and beyond - Archie Bell & The Drells, People's Choice, Lou Rawls & Teddy Pendergrass are all graced by Tom Moulton's supreme ear on this special PIR reissue 2 x 12" that see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP is super in demand among those in the know and it can change hands for big money in the used record world, time, undoubtedly, for a repress.

These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.

Rekids begins 2016 with the launch of an exciting new talent. South Korea-born DJ and producer Peggy Gou has been honing her production skills since her days in London. Having moved to the UK capital at age 14, she began producing tracks at a prodigious rate while studying university, honing her sound and refining her skills with advice from some of the city's most renowned DJs and producers until she had crafted an initial selection that will form her debut EP, set for release Rekids in January 2016.

Now based in Berlin, Gou has drawn on her years of DJing to help shape a sound that draws on Detroit & NYC house, as well as the African rhythmic sensibility and boogie funk influences she shares with Early Sounds duo Nu Guinea, with whom she had piano lessons and sought production advice from as her music took shape. In addition to her work as a stylist and fashion producer, Gou has also drawn on her art & design abilities to create the EP artwork.

The Art of War 12" includes two original productions plus a remix from White Material's Galcher Lustwerk. The original mix of Troop centres on a funk bassline which propels its dream-like tropical groove, while Lustwerk's remix re-purposes the track as a Fred P-esque jazz-infused star-gazer. The EP's other original production, In Sum, again asserts Gou's talent for raw, propulsive rhythms and subtle melodies.

ANiML comprises accomplished and storied electronic artists. Their Stratasonic label has become a respected home for their freeform musical explorations, with no genre restrictions. They often call on friends and influential pioneers to collaborate on releases, and the originals they produce are defined by improvisation, creative songwriting, and intentional collisions of different moods and grooves.

'Unioness' is a tender but crisp late-night sound. Soft, jazzy melodies drift over orchestral swells with drum breaks cascading below. Abstracted vocals and serene strings further enrich this sophisticated sound, which draws on soundtracks and instrumental soul groups.

Stoned Autopilot is an alias of long-time studio magician Martin Buttrich, who is also part of Better Lost Than Stupid and has a fulsome catalogue on many of the scene's most recognisable labels. His dub rides smooth waves with aching vocals melting into the mix, and the melodies looped, smudged, and smeared in hypnotic fashion.

The second rework comes from DJ Sneak, the hugely prolific and consistent Chicago house innovator whose famously raw, tracky sound keeps him in a class of one. His fantastic Big Bawse Re-Rub brings a rolling four-four groove, a delicate sprinkling of percussion, and a loopy rhythm that locks you in and zones you out as curious melodies unfurl up top.

2025 Repress

Sterns Edits returns after the sell-out success of its debut edition with another two catalogue reworks from Ben Gomori. This time he turns his attention to Burkina Faso's much-loved taxi-driver- turned-singer, Amadou Balake´.

Balake´ ('porcupine' in Mandinka) is Burkina Faso's proudest musical export, and in 2013 he recorded his final album before passing away: 'In Conclusion'. The record saw him revisit some of his most popular tracks from his remarkable 50-year career, backed by an eight-piece Burkinabe´ band who took the country's traditional sounds and brought them into a contemporary light.

Gomori retains the essence of the original recordings - which were mostly captured in one take - and marries them to vigorous afro-house stylings. 'Bar Konon Mousso (Musicien C'est Pas Quelqu'un)', in which Balake´ tells of a bar lady being unimpressed by his profession, gets a gentle push towards the modern dancefloor, its wonderful sax lines resplendent. 'Massa Kamba' is taken for a drive down the more traditional route, with commanding drums bolstering the original grooves and a marvelous triple harmony brass section at its core. Balake´'s freewheeling style suits the hypnotic feel of the edits to a tee.

Sterns Edits is an official collaboration between African music stalwarts Sterns Music and London's Ben Gomori.

Bryan Zentz, also known as Barada, is a techno luminary back on the scene with a new five-track release. Blending classic Chicago sounds with a futuristic twist, his music transports listeners to the golden era of acid techno and house. Zentz's career began in the early '90s, releasing music on visionary labels like Experimental, Bush, Definitive, and other genre-defining imprints of the era. His ongoing innovative approach ensures that his music looks towards the future while giving a nod to the past. Prepare to be captivated by the raw energy of Barada Trax Six

Prolific powers in rave and counterculture, Luca Lozano and Mr. Ho debut on Phantasy with the deliciously gnarly ‘WREKONS’ EP. Already locked in close collaboration at their own Klasse Wrecks label, this temporary migration to Erol Alkan's peerless London imprint with four outsider-electro variations that sit comfortably amongst the more bombastic moments in Phantasy's history.

‘Reach Out and Touch’ sets the tone, bursting sound systems wide open with an introduction that takes Lozano and Ho out of the basement and into the widest festival fields, overdriven with sheer energy and a flawless arrangement that sets up all manner of musical twists until the final chord. ‘Psycho Rasp’ expands from a simple cowbell beat to a circuit-frying melody, a machine rush that isn’t afraid to strip back to bare essentials for a devilishly simple, extremely effective breakdown.

On the flip, ‘WREKONS' pushes things further still, particularly on the lubricious ‘Grease Beat’, an unrelenting symphony of rubber-faced bass, crashing cymbals and demented drums, ideally composed to pair daring DJs with submissive dancers. ‘Tin Can Hustler’ closes off the EP with the duo’s leftfield take on jackin’ house, its dense groove bubbling up from underneath the strangest analogue signals.

The title and sleeve artwork for 'WREKONS' makes reference to the PERKONS HD01, a drum machine made by Latvian wizards Erica Synths, and one that was used heavily throughout the two-day session in which these tracks were recorded

Some big names feature on the second volume of ENSOULED's 'Freedom, Innovation, Resonance' series, and they serve up suitably profound sounds. Dutch mainstay Orlando Voorn gets the hairs standing on end with his 'Deeper', a sumptuous blend of soft synths, undulating rhythms and spiritual keys. The Cee ElAssaad remix has still soft edges but a little more upright groove, and then Chicago legend Boo Williams cranks it up further with his loopy, melodically intense 'Loose Cannon'. Lastly, Nawfel's 'Fight Or Flight' is a textural deep house affair with mechanical, rigid rhythms softened by the lush pads. It echoes greats like Omar S and Theo Parrish and closes in style.

This record is like the lost crown jewels of House Music with a story that spans decades. Originally programmed in 1998 on an Akai S3000XL, this was meant to be released on Bjørn Torske's Footnotes in 2001. Unfortunately the original matrix and the master DAT tapes got lost under crazy circumstances. Yet several years later the tapes were found by Sex Tags Mania in the studio of mastering engineer Helmut Erler and the record eventually got issued in 2009 when a totally different House sound was "en vogue." Then due to some unfortunate coincidences most of the records ended up in far flung Japan, and so this record stayed totally underground. Yet it became a cult hit when House Music and later Disco got a proper revival around 2010/11. So over the years prices for this rarity were rising and rising... Then fast forward to 2025: after a sunny day off Berlin's modular synthesizer show "Superbooth" ATJ boss Mr. Fonk and Doc L. Junior teamed up to finally reissue this gem with new masters by Andreas Kauffelt of "Schnittstelle" / Berlin. On this 12“ Norwegian Disco and Balearic sounds meet: funky but deep to the core, playful but hypnotic, stripped down but with baroque details. Truly one of House Music's greatest productions.

Laseech, a Croatian producer and Cosada label owner with releases on BBE, Lumberjacks In Hell, Red Ember Records, and Forbidden Dance, is continuing a string of excellent releases with Rising Soul. Known for his dedication to house music, Laseech has built an international reputation through collaborations and remixes with some of the genre's most respected architects, including Ron Trent, Patrice Scott, Javonntte, and Dego. "Rising Soul is actually one of the first tracks I did back in 2017 while I was heavily into sampling. I was jamming with my MPC1000, and Rising Soul came up. I never thought that it would become such an effective song that works on the dancefloor every time." Laseech explains. Kez YM, a highly respected Japanese producer and DJ, has been a key figure in the global house music scene for almost two decades. Originally from Chiba and now based in Berlin, his unique approach to house music has led to releases on esteemed labels such as City Fly, Faces Records, Yore, and 4Lux. When describing his version of the track, Kez simply stated: "VIBES." Well, no one will argue with that. The last version comes from Cycle Records' founder Jan Kincl, a prominent Croatian music producer and DJ with releases on labels like BBE, Far Out, Sonar Kollektiv, and Get Physical. "I've been playing Andrej's original for years. He undoubtedly made some good stuff recently, but this one remains among my firm favourites from him. Kez delivered a beautiful version that took it further towards jazz territory, so I decided to make a version that would bridge those two." Jan explains. "I knew we could build a very good record around Rising Soul, with versions that would give DJs different options for different moments during the party. I guess we did a good job because some of the early supporters include DJs from all over the place - Laurent Garnier, Alex Barck from Jazzanova, Marcel Dettmann, Alex Nut (Eglo), Sasse, Chicago's K' Alexi Shelby, Lakuti, Ian Friday and Truncate, among others.

The mysterious artist behind the alias Your Ex returns after a self-released EP in 2025 and a deep house killer 7-inch on Scruniversal Records in 2023. Now joining Vibes And Pepper Records, Your Ex opens 2026 with a five-track EP that channels a European twist on Chicago deep house—warm basslines, soulful chords, and hypnotic percussion layered with emotional depth and a timeless groove. Drawing inspiration from Jazz, Funk, Fusion, Library Music, Dub, and “out there” Electronic sounds, Your Exalso draws deeply from the foundational vibrations of Chicago and Detroit. These influences flow through every track—lush harmonies, intricate rhythms, and raw analog textures that bridge eras and styles. Staying true to an elusive identity, Your Ex lets the music speak: smoky late-night grooves, dusty hardware tones, and an undeniable sense of movement that nods to the roots while pushing forward. With Vibes And Pepper, the artist continues to blur the line between mystery and motion—a perfect start to the new year for those who still believe in the deep.

Indiana Jones never dug this deep.
Church – the brainchild of Joe Washington – were a band both lucky and cursed to come up in the seventies. Lucky, because they rode a wave of community activism, uplifting messages and a moment when music truly mattered. Cursed, because those same times meant their tight, heartfelt output went overlooked.
Mid-sixties to circa 1980 soul and funk were extraordinarily rich. The era’s big releases have aged like fine wine, yet countless hidden gems remain buried. Church’s only single was one of them. Their hypnotic 1976 release “How Long” b/w “Da Da Song” arrived the same year as Stevie Wonder’s Songs in the Key of Life, Marvin Gaye’s I Want You, Diana Ross’s Diana, and at a time when Black mainstream music was shifting toward disco. Church, however, sounded like Sly & The Family Stone in an alternate timeline — gritty, focused, stripped of additives.
“Da Da Song” is pure grits and gravy: furious, tight drums and lyrics that sound like both a plea to DJs to play their record and an insistence to keep the party alive, noticed or not. It cooks from start to finish in just two and a half minutes.
“How Long” is its own universe. Where “Da Da Song” is skeletal, “How Long” blends key strands of Black music in under three minutes: touches of spiritual jazz with a Gary Bartz-like sax, gospel-blues undertones, and echoes of the era’s flower-power-tinged Black creativity — The Undisputed Truth, The Family Stone, even the poetic freedom of Nikki Giovanni. The lyrics are a timeless plea for love.
Church formed in the Bay Area in the early seventies, shaped by the movement, culture and activism of the time. Joseph Washington, based in San Jose, never chased a music career — for him, music was a way to bring people together. Before Church, he led a backing band called Wash, then added gospel singer Linda Williams (née Stephens) and New York–born Joel Como on xylophone to complete the group.
They rehearsed in Joe’s garage, spread through word of mouth and played every gig they could: Black colleges, opening slots for The Whispers, neighbourhood house parties. Some members studied at Nairobi Junior College in East Palo Alto, then a hotbed of Black community activism, with revolution in the air and messages woven naturally into the music.
This single is a message from that era, resurfacing at last — ready to be sampled just as another Joe Washington track, “Look Me in the Eyes”, was on Drake and J. Cole’s “First Person Shooter”. These rare, spirited tunes are begging for new life through samplers, again and again.

2026 Repress

If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”.

Yes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”.

This is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music.

The rest of the record is hardly filler though. Opener “Oh, Love” is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing. It’s sensational. A rollerskating jam named “Rollalong Songs” is an ultra-swish piece of dance floor dynamite. Its slick drums, staccato piano and neck snapping claps underscore Dayo’s buoyant vocals. It’s essentially “Bounce, Rock, Skate, Roll Part II”.

The flip begins with “Party On The Corner”. Smoother than silk vocals, day-glo synths, a bubbling bassline and guitar licks that surely received the Prince seal of approval. It’s another example of how Vaughan Mason and Butch Dayo flirt with perfection so routinely. The most majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater “You Can Do It” is a proto-rap groover that truly smokes.

This prized LP is a stone cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, this fresh Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should.

Gene Tellem & Gabriel Rei are back as Game Plan with ‘Offset’, the follow up to their debut ‘Club Negotiations’ on Bienvenue Recordings. Three smashing tunes for the floor + a stunning remix from Metrolux head XDB!

All basses covered on this one! The 12” kicks off with the original mix of ‘Crazy For Congas’ providing an infectious House/Tribal groove. As the OG mix ends, the reshape kicks in… XDB strips the original down to build up the perfect Tech/Minimal companion for the AM hours!

The B side comes out swinging with ‘Industry’ in a Dub Techno sound to stoke the movement on the floor. Last but not least, a well rounded record always has a banging B2 & Game Plan would not leave you hanging. Play ‘Offset’ when you need to give the dancers some sweet satisfaction.

TNYR 005 – HOUSE NATION stays true to the roots of the label. A sound that runs deep, hits raw, and radiates energy. This is house music: rhythms that move your body, music for your body, your mind and your soul.

2026 Repress

Throughout 2025, Tresor Records will reactivate Detroit house and techno originator Blake Baxter's vast Tresor catalogue digitally in chronological order, starting with 1992’s Dream Sequence, closely followed by his 1995 album, Endless Reflection. To inaugurate and celebrate this retrospective of one the genre’s true founders, an artist whose connections to Tresor go back to the very beginning, the label announces a special 12” release, Dream Sequence X, featuring remastered tracks from the early days and highlighting the harder side of his output.
Initially inspired by post-punk and funk, Baxter started making music as early as 1985. By 1991 he had already released several seminal records on classic labels like Underground Resistance, KMS, and Incognito, as well as providing multiple tracks to the groundbreaking UK compilation Techno! The New Dance Sound of Detroit, which was many European listeners’ introduction to the genre, solidifying the term techno, and launching the international careers of many of the contributors.
1992 saw Baxter make the first trip to play Tresor, on the first UR Europe tour ever, thereby pioneering the now legendary Berlin-Detroit Connection. This visit led to a long and fruitful partnership with the club’s new-fledged label beginning with Mills', Banks' & Hood’s X-101 and Baxter’s Dream Sequence, from which the first four tracks on the new 12” come.
Whilst he would become more renowned for his signature seductive vocals and a smoother music style closer to house music, these early tracks are heavier, classic 90s techno, revealing the influence of industrial, post-punk and pop of the time. Indeed the collection is something of a time capsule: jacking 909 drums, intense, ravey synth stabs, samples from classic soul breakbeat and the Speak & Spell voice synthesizer; classic sounds and styles of the era all make appearances on the record. All tracks have been remastered by Manmade Mastering breathing a new vitality and sharpness for the modern dancefloor.
In a world where longevity is difficult and superlatives are too easily deployed, it is still difficult to overstate the long-lasting influence that Blake Baxter has had on modern music. His visionary output can be heard across modern electronic and pop to this day and with this series of remasters, there has never been a better time for the world to hear it at source.

Club Splendore was born in 2022 in Modena, Italy, as an itinerant party and club format.

In just a few years, it has established itself as one of the most recognizable disco-oriented projects within the new Italian nightlife scene, exporting its sonic and visual identity to iconic clubs and international settings.

With over 20 dates in a single year, recurring sold-outs and a diverse crowd, Club Splendore has evolved into an experience that goes beyond the dancefloor: an inclusive, label-free space where music, style and attitude coexist under red lights and immersive atmospheres. The format has appeared in some of the most relevant venues across Europe, including Villa Delle Rose (Riccione), Palazzina Grassi (Venice), Matis Club (Bologna), Hierbas Club (Cortina), while also expanding internationally with dates at Do Not Disturb – W Hotel Amsterdam, COYA Mykonos, and House Party London, confirming the project’s ability to connect with an international audience. From the club to the record.

Club Splendore Vol.1 is the project’s first official vinyl release and marks a natural step forward: capturing on physical format the sound that has been defining its dancefloors over the past years. The record explores a contemporary take on Italo Disco, infused with classic disco, funk and modern house elements, delivered with an ironic, sensual and direct approach. A sound that reinterprets the aesthetics of the ’80s without nostalgia, translating them into a current, club-focused language. Behind the production and on the decks: Sparkling Attitude, Nicola Zucchi and Matteo Mussoni, resident DJs of the format and the core musical force behind Club Splendore.

Side A features “Drink Campari”, an italo disco track built around warm, enveloping textures, elastic basslines, bright synths and a late-night groove. A story of summer desire and endless nights, playing with the iconography of Italian Red Passion in a light, effortless way.

Side B hosts “Madame”, a bonus track and electronic ballad with a more intimate, suspended mood. A track designed for the final hours of the night, when the club slows down and the dancefloor gives way to something more personal.

Club Splendore Vol.1 is not a compilation, but a statement of intent. A first chapter that brings the club experience beyond the club itself, staying true to the promise that has defined the project from the very beginning: “We will bring the light into the darkness of the night.

Hot Creations new Vinyl Sampler featuring four of the Hottest recent release on Hot Creations.

The A Side features Kolter’s superb slice of old school House, ‘Red Alert’ a stomping powerhouse of a trackk, delivering relentless grooves and serious intensity. The A Side also features and Jamie Jones’s hugely popular rework of ‘XTC by HoneyLuv & Mason Maynard, a head bobbing hypnotic groover an exemplary, underground dubby take on the Original, intertwining layered effects and hypnotic atmospherics for the ultimate dancefloor weapon.

On the flip we have Lauren Lane’s monstrous Ryde Or Die Anthem, a inspired rework of DMX - Ruff Ryder's Anthem, a robust house cut that weaves hypnotic guitar strums, driving beats, and a mix of rolling low-ends and rapped vocals, coming together for a tripped-out ride with a deep bass and playful groove. Finally, we have Carloh’s ‘Quisiera Tenerte’ is a magnetic dancefloor filler, pulsing with a lively Latin groove and dripped in resonant basslines groove-led percussion, and hooky as hell vocal’s.

Julius Rennert returns with a warm, soulful House release that channels the timeless spirit of Jack while bringing his own modern sensitivity to the floor. Blending smooth and deep-driven grooves with a partly unmistakable French House touch, the EP radiates a comforting glow - lush chords, shimmering samples, and subtly swinging drums that wrap the listener in a sense of effortless uplift.

Despite arriving in the colder months, this record feels like a beam of mid-summer light: nostalgic yet forward-thinking, deep yet wonderfully accessible. Its refined production and heartfelt energy make it equally suited for intimate late-night sets, cozy living-room listening sessions, and dancefloors craving a touch of emotion.

Warm, groovy, and irresistibly soulful - Julius Rennert's new release is set to brighten the season and warm hearts long after the last note fades.

Yore Records proudly presents Yore 060 by DJ Alone Again from NYC - four deep, driving cuts channeling the essence of 90s New York House. Fusing raw groove, crisp percussion, and soulful undercurrents, this EP delivers pure dancefloor authenticity with a modern touch.

Secretsundaze’s 9FINITY imprint continues its future-focused club explorations with its sixth release, a wide-ranging Various Artists EP uniting rising and established talents. The A-side features 2991.Mi’s technicolour, synth-driven ‘Psychedelia’ and Nizar Sarakbi’s deep, machine-led ‘In Ma House’. On the flip, Brenda delivers the percussive peak-time weapon ‘Suénalo’, while Alvar closes with the moody, late-night roller ‘Nocturnal Spirit’. A digital bonus, Sarakbi’s buoyant ‘Secure Desire’, rounds out the package ahead of the EP’s January 2026 landing.

Tom Joyce’s sought after Sounds Benefit label marks their milestone tenth release with “7 Years Of Sounds Benefit”, a carefully curated selection of essential artists and rising talents presented as a double vinyl LP. The two slabs of wax manoeuvre between innovative electro and refined flavours of house and techno for trained ears.

First up is a reissue from S-Max, New Delhi Projects, previously released on Below back in ‘99. A chugging display of sounds that were way ahead of their time. After featuring on SND002, Ben Cohen makes his comeback on the label with Short Night, a breakbeat journey which boasts beautiful and emotive chord progressions. The B side features somewhat of a rarity as Etienne shares a track, Gateway Experience, futuristic energy from the accomplished producer, layered with subtle yet effective acid tones. Label head Tom Joyce delivers 7:15pm, a dreamy quest through melt in your mind synths and punchy electro drum patterns.

As we approach the second vinyl, we uncover further gems from the archive as Lowtec kindly shares his unreleased La Java 2014, which was created circa. 2000. Javier Carballo and Aniano have been making positive movements with their Hdz moniker in recent times, and Moog is another stamp of approval, a warm bass line converses with the crisp drums and spaced out elements. On the flip, Berlin based Englishman Rob Amboule turns out a killer elasticated groove which takes you for a late night shuffle in Scrap It. Huge fun for the hazy hours on the dance floor. Nuversion, formerly known as Juliano, showcases his debut track under this name with Crepuscule, addressing further pensive moods with his classy production. Ending the fantastic release in a meditative state of mind, cruising on sweet melodies.

Repress!

The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

The names alone fill one with awe, The O'Jays, Harold Melvin & The Bluenotes, Archie Bell & The Drells and Lou Rawls. All of these artists were, and still are, huge stars. Turning in classic after classic, and with Moulton's supreme ear assisting, this special PIR reissue 12" see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP changes hands for £100+ second hand, so a repress was desperately needed.

These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.

Repress!

Rhythm On The Loose “Break Of Dawn” is quite simply one of House Music’s all time classics.

Producer Geoff Hibbert was inspired by seeing dawn break on an Italian coast line to
draw inspiration from Moby’s anthemic “Go” and disco gem “Let No Man Put Asunder” by First Choice to create his loving homage to the UK Rave scene.

Network set up a label “The One After D” to release a limited edition press of the instant classic to create demand.

One of the first copies was picked up by Kevin Saunderson and his relentless playing of the track helped fuel interest in the USA.

The first release on Network in 1991 established the track as iconic. That original mix is here and still sounds as fresh as ever. Perfect in fact.

The 12” also contains remastered versions of the 1995 remixes by Rhythm On The Loose, Strike and Stonebridge.

Taken from Network’s extensive back catalogue and a re-issue of a timely classic that is always in-demand.

We're excited to announce 2 stone cold classics from Theo Parrish on Peacefrog - First Floor Part 1 and First Floor Part 2.

Originally released in 1998 "First Floor” is Detroit/Chicago auteur Theo Parrish’s debut album. Released on vinyl in two parts for maximum playability; the raw bluesy, soulful offbeat grooves have long since buried themselves deep under the skin of the house community.
Showcasing Theo’s innovative use of drum programming and effects its uniquely loose but taut knit of minimalist elements worked to maximal, hypnotic effect have solidified its reputation as a contemporary classic and served as a corner stone for Theo’s truly legendary status.
"First Floor” is one of those albums that has transcended generic borders to influence heads of all stripes with its unmistakable soul-nuzzling texture and groove. Essential.

Originally formed in the early 1990s, Tadpoles earned a reputation as a neo-psychedelic rock band known for their impressionistic textures and adventurous sound.
After a 25-year hiatus, the band has reunited, now working across Sacramento, New York City, and Basel. They collaborate remotely to create new music that expands into unexpected genres, including jazz, ambient, country noir, and ambient shoegazer rock, all while maintaining their core psychedelic essence.
In this new chapter, the Tadpoles have teamed up with legendary producer and mixer Sonic Boom, known for his work with Spacemen 3, Panda Bear, MGMT and Beach House, to sculpt their evolving sound. His influence helps weave those new layers of psychedelia, ambient, and even jazz into the band’s signature adventurous spirit.”
This release reflects the band’s evolution and continues their legacy of blending noise, melody, introspection, and a bit of sly humor.

Ayū returns to his home imprint with another EP, marking his second solo outing on the label. Whether operating alone or alongside Alfred Czital, Ayū has shaped a signature sound that fuels long nights and tightly packed dancefloors. Spiral Motion sees him dive further into his deeper, late-hour aesthetic. Smooth, yet hypnotic, and built for those moments when the room locks into a shared groove.

Side-A is a systematic prog compulsion. Starting with Ayū’s ‘Come on,’ the track deploys a strictly sequential energy curve, using its paced and nearly robotic vocal anchors as a command-line for dance-floor madness. A2, ‘Pure NRG’, as the name indicates, it’s an energy-based weapon built on a heavy bassline. Instrumental elements that add up sequentially through fades, boops, and rougher vocals.

Adding fuel to the EP, side B is dedicated to remixes of A-side creations. B1 by IN2STELLAR delivers the tech-house version of ‘Come on’. Drummy and spatial, the track builds up towards an explosion of rhythm. B2 crafted by D.Tiffany inverts ‘Pure NRG’ and presents it through a darker lens. Slowly, but surely, the track emphasizes shadow and minimal texture, flavored by D.Tiff’s tone & style.

Hot Creations latest Vinyl Sampler featuring four of the Hottest recent release on Hot Creations.

Fresh off his Paradise debut with ‘Way U Move’ alongside Jamie G, Manchester’s Goosey steps up solo on Jamie Jones’ Hot Creations with ‘Funky Shit’ featuring Dope Earth Alien, with wobbly subbass
pulses and Dope Earth Alien’s catchy vocals, sweeping you into a full-body groove!

Murphy’s Law return to Jamie Jones’ Hot Creations, joined by label debutant Sam Curran and Harry Unsworth,on the collaborative banger, ‘Proper Whopper’. ‘Proper Whopper’ brings booming low-end that demand attention while soaring sirens and charismatic vocals build the track’s energy and pave the way for a thundering bassline to command dancefloors.

London-based DJ/producer Sidney Charles is back on Hot Creations with ‘Disco Bumping,’ a slick House cut that blends Aleya Mae’s lush vocals with Sidney’s warping sonic textures and immersive synth work.

Brazilian nocapz delivers the huge anthem ‘Getting Heard’, driving forward with quick, bouncy
beats and heavy synths that build a wave of intensity to the dancefloor.

Sound Department listens to the well-known Italian club of the international underground scene returns with another ep only Vinyl produced by its resident Deejay Fisherman. The EP contains 4 bomb tracks that range in the genre "Techno, Acid Progressive House"

Sounds Benefit marks its eleventh release with a versatile 4-tracker spanning house and electro. Scott Orlans’ rare 2006 gem “Freaks Like Us”, taken from his Wrecking Ball EP, resurfaces with undiminished energy, joined by two fresh grooves from label head Tom Joyce. Closing the EP, Leipzig duo Eoism presents “Bubble Chamber”, a textured, forward-thinking electro journey that showcases their trademark sound.

Following FATPOD-58 (2020) and his contribution to the latest Freude am Tanzen compilation, Module One now presents his first solo EP on Jena's Finest: Freude am Tanzen. The record combines minimalist, functional dub techno with gently playful ambient textures and is complemented by a rework from Japanese producer Yone-Ko (Closer Kiew). On the A-side, ‘Against The Tide’ and ‘Utopia’ are clearly aimed at the dance floor: both tracks fuse influences from deep house, minimal and techno into versatile club tracks that feel at home in a wide variety of DJ sets. The B-side, featuring ‘It's November Again’ and Yone-Ko's reinterpretation, opens up the sound spectrum – from introspective listening to subtle grooves. A release that mediates between functionality and atmosphere – ideal for listening, drifting away and dancing.

A1
Künstler: Module One
Titel: Against The Tide

Spielzeit: 06:10
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A2:
Künstler: Module One
Titel: Utopia

Spielzeit: 06:46
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B1:
Künstler: Module One
Titel: It’s November Again

Spielzeit: 02:06
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B2: Künstler: Module One
Titel: It’s November Again
Version: Yone-Ko Rework

Spielzeit: 08:08

Repressed!!

Peggy Gou is proud to announce the launch of her own independent record label, Gudu Records. The label's first release will be the Moment EP - a two-track 12' featuring the tracks 'Starry Night' and 'Han Pan'.
'Moment' sees Gou continue to explore the charismatic facets of her musical and personal identity, drawing on her Korean heritage and language and her love for house & disco's Eighties heritage, with particular nods to the output of labels such as Prelude and West End Records in the decade's nascent years.
Gou's own singing voice, known to so many from last year's 'Once' EP, returns here to confidently guide the rhythm on 'Starry Night'. Mixing both Korean and English vocals over a tumbling cascade of percussion and piano house keys, the track builds to incorporate layers of instrumental samples and subtle acid lines. Romantic, anthemic and timeless in its feel, it reaffirms Gou's skill as a songwriter with appeal that resonates beyond crowded dancefloors, not to mention language barriers.
'Han Pan' follows as an instantly rhythmic affair that draws energy from a memorable and delicately tuned pan-drum. Alongside some expert and understated arrangement, as well as another, contrasting vocal performance, 'Han Pan' transmits a different but equally powerful energy.

Forthcoming on our home label Prospektiva, PRZ11eleven marks the first VRSION release in nearly a decade.
The alias made its debut on Craig Richards’ The Nothing Special in 2015, with a remix from the late, great Trevino, before resurfacing in 2016 on Constant Sound, accompanied by a remix from Jesper Dahlbäck under his much-coveted moniker, The Persuader.

This release follows a long hiatus for VRSION, aka Irish producer Gavin Herlihy, a once-prolific fixture of the late 2000s whose work spanned a who’s who of leading techno labels before he retired his work under his own name in 2014. In 2024, Herlihy re-emerged with Between The Lines, a collaborative EP with debut artist Nikol under the name Body Copy, released via Barcelona's respected label O.C.D.

PRZ11eleven picks up where VRSION left off, delivering four tracks of timeless, acid-laced house and breakbeat techno with an ear to the future as well as the past.

Large Music is proud to announce the highly anticipated reissue of the iconic collaboration between Roy Davis Jr. and Jay Juniel: Transitions. Originally released in 1997, this seminal piece of Chicago house music has been remastered and is set to return to the world with the same raw energy and grit that made it a classic in the late '90s.

Coming on the heels of Roy Davis Jr.’s legendary hit Gabriel, Transitions captures the raw, emotional intensity of Chicago's underground house scene. Blending soulful melodies with thumping basslines, the EP brought forth an undeniable sound that resonated with house music fans globally. A testament to Davis’s versatile talent, Transitions also introduced Jay Juniel, who contributed his own dynamic flair to the project, creating a distinctive fusion of deep, experimental rhythms, intelligent spoken words and a vibrant club-ready pulse.

The reissue of Transitions offers fans both the original tracks and newly remastered audio to further elevate the listening experience. The gritty, hard-hitting vibe that defined the late '90s Chicago house movement is unmistakably present, from its throbbing basslines and kick drum to the smooth, haunting melodies. This release not only pays tribute to the timeless influence of Chicago House but also serves as a reflection of the ever-evolving nature of the genre itself.

DJ Support: Mousse T, Mr V, Quentin Harris, Mark Knight, Claptone, Severino, Roger Sanchez, Moplen, David Morales, Kenny Carpenter and Terry Farley

So Sure presents – Tedd Patterson: Pieces Of Me EP
A1. “Let The Music Set You Free” (feat. Manchild Black & Monster Black)
Tedd Patterson joins forces with Manchild Black and Monster Black to deliver a vibrant, uplifting slice of NYC dancefloor energy. “Let The Music Set You Free” puts a fresh spin on The Illustrious Blacks’ signature message of joy and empowerment.
Patterson’s trademark production—tight, driving beats, bright synths, and peak-time club pressure—creates the perfect foundation for The Illustrious Blacks’ playful, feel-good, and exuberant vocals. Their dynamic presence shines throughout, bringing color and vitality to a track crafted for uplifting moments and late-night release.
A standout A-side full of personality, positivity, and true NYC spirit.

B1. “Piece Of Me” (feat. Inaya Day)
“Piece Of Me” is a high-energy, funk-infused dancefloor bomb featuring a sublime, hook-laden vocal from the legendary Inaya Day. Expertly produced and perfectly executed, this track hits that sweet spot between soulful house and classic club firepower, with Inaya’s unmistakable presence elevating it into instant-favourite territory.

B2. “Do It Again” (feat. Joi Cardwell)
Fresh from collaborations with Inaya Day and The Illustrious Blacks, Tedd Patterson returns with another heartfelt slice of soulful NYC house. “Do It Again,” featuring the unmistakable voice of Joi Cardwell, is vocal house at its purest—authentic, emotive, and stamped with Patterson’s bonafide New York pedigree.
If you like your house music infused with feeling, warmth, and groove, “Do It Again” delivers in full.

2026 Repress

Following our acclaimed Chez Damier release, Skylax proudly welcomes back the brilliant Byron The Aquarius. A true craftsman from Alabama, Byron blends the spirit of Detroit's deep house with live jazz energy, echoing legends like Theo Parrish and Moodymann. This new EP, Afrofuturism, is a statement of intent: four deeply musical tracks rooted in soulful rhythm and cosmic funk. From the spiritual groove of the title track to the introspective dub of Sunday’s Ain’t The Same, this is Byron in top form — keys blazing, grooves flowing. With past releases on Sound Signature, Axis, Eglo, Apron, and Shall Not Fade, Byron’s music continues to light up the underground from Detroit to Berlin. Artwork by H5 – the legendary studio behind visuals for Daft Punk, Air, and Vitalic. Whether you’re a house head or jazz lover, Afrofuturism is a timeless piece for real dancers and dreamers. Strictly for the heads. Vinyl only. No repress. Skylax Records.

Hot Creations latest Vinyl Sampler featuring four of the Hottest recent release on Hot Creations.

The A Side features two notable figures in the electronic scene: Steve Bug and Denney, who team up with Mikey V creating an old-school house gem which has been going down a storm on dance floors. Next up is Collier’s rework of Joshwa ‘Bass Go Boom’, Collier comes in hot and heavy with booming low-ends and snaking bass grooves, infusing 'Bass Go Boom' with a quirky funk and a deep, dubby bounce!

On the flip and Vintage Culture & Vinter ‘High”, huge anthem finally gets a vinyl release. This hot as hell house anthem is an essential weapon! Finally Hot Since 82 ‘Sonedo’, dives deep into a lush bass-driven groove that envelops the senses, with rhythmic builds and playful percussion accents transporting listeners into an all-night hypnosis.

Versions Visions, the third EP from Umanuto, is an artistic union between rising producer Sirius Topic and label founder Javas. Blending psychedelic-tinged house with minimal and retrospective vibes, the EP showcases a unified sonic vision despite differing creative approaches. Parsec opens with Detroit-inspired melancholy and minimalist depth.

Sellerhausen ramps up with acid energy and rhythmic drive, evoking a mysterious Leipzig night. Navigation offers a reflective, sway-inducing stroll through sound. Mindset wraps up the EP with a house groove, weaving joy into layers of introspection. A thoughtful, genre-blurring exploration of mood and movement