Buscar:house of house

Quadeca got his start on YouTube around ten years ago, posting mostly hip-hop freestyles, mixtapes and more, building a steady following through the years. His 2022 record, I Didn't Mean To Haunt You, was his first major departure from hip-hop, containing folktronica, indie rock, shoegaze and many more genre elements.

Astropolis Records — the label born from the legendary electronic French festival — celebrates a decade of electronic devotion with a generous and deeply emotional anniversary compilation - a bit late, but never short on flair.

This double vinyl gathers the many faces of the Astropolis galaxy: in-house artists, long-time companions of the festival, and rising voices from a perpetually vibrant French scene. Across 18 artists, listeners are invited on a sonic journey where rave legacy, electronic dreamscapes, and collective fervor intertwine — true to the DNA of a festival that’s never known boundaries.



The record opens with grace and wonder courtesy of Rone, whose electronic touch channels both the intimate and the infinite. Between electronica and downtempo, The Dolphin Ambassador bathes in luminous melancholy, offering a moment of calm before the storm. In the same contemplative vein, we’re proud to unveil one of the first productions from Célélé alongside Théo Muller: Drum and Drift, a subtle blend of dubby vibrations and sunlit textures.


Astropolis has always thrived on happy collisions — and this compilation is proof of it. The unlikely meeting between Mézigue and Swooh sends house spiraling into a g-tech vortex on Broken Roll To Venice, a playful burst of groove, hybrid energy, and cheeky mischief. The same spirit of alchemy fuels Belaria & Madben, whose Into The Void burns bright as a 90s rave-meets-EBM anthem wrapped in hypnotic trance. Zaatar & Trunkline bring raw intensity to Come Into The Light, a sweaty, visceral banger at the crossroads of techno, dark disco, and EBM.


French techno pillars Scan X & Electric Rescue deliver a masterclass in elegant machine soul on Lost In Time. When Manu Le Malin teams up with Kmyle, the result is as sharp as it is cinematic: Little Big Man pulses with dramatic tension, balancing raw emotion and restrained fury. Elsewhere, Oniris & Benjamin Rippert reconnect with the melodic techno spirit of the label’s early days on Sonate, guided by a craftsman’s sense of harmony.
For the machine lovers, Legowelt & Cuften resurrect the spirit of early electroclash on Liar, a carnal fusion of analog synths and DIY attitude. And for the diehard dancefloor devotees, KiNK finally releases a cult track from his live sets: Give Me, a breakbeat-meets-vintage-house stormer tailor-made for those late-night sweats.

This anniversary compilation reaffirms the label’s openness to new generations and hybrid sounds, while paying tribute to the techno roots that shaped its foundation. Like the festival itself, it embodies sincerity and collective energy — a small manifesto linking generations, aesthetics, and territories, celebrating roots without nostalgia and the future without bending to trends.

2025 Repress

At last, we get doused from the source; four priors of reissued gems and newer beauts now land us at the quintus maximus: the inaugural Spray on Spray. It’s large and in charge, as we pull back the velvety curtain to reaffirm the exquisite curator is just-as-exquisite a melody maker. OT Rails adjusts the prog antenna to broadcast 3 anthems from the great big dance satellite in the sky, including a collaboration with French cuties Baraka. You’ve had your trad, now dance!

The title track struts along its psychedelic catwalk with a sexy house swagger, unlocking a wobbly stack of pineal-tickling melodies en route. The angels soon sing in positiva harmony, before the piano-lude calls for a tight embrace with those closest to you on the dancefloor. Raise those hands aloft, you know what’s coming; that hard house’d snare roll soon erupts and, before you know it, you’re soaring like the white dove you are. Why does it feel so good?

Spray then switches channel to Ceathair, coaxing the prog spirit from the motherland as the psilocybinised breaks wisp through the undergrowth. The vibe is bouncy, as the diva croons and bassline sings, before the vista opens and the sprayed piper summons you home. Open that third eye, súil eile.
Our swan song is reserved for Baraka and Spray, conjoining their tech trance powers on Think Of Me. The trio up the pace for the grand finale, rolling the tight groove from the off while igniting its hybridised trance rump with hypnotic fervour. The friendly mantra floats heavenly above throughout, absorbing you in a semi-lucid ecstatic state. It’s a whirlwind of dancefloor energy from beginning to end, and Spray wouldn’t have it any other way.

Unearthed from the original DAT at Strange Weather Studios in South London, Get Fucked's Unearthed Stash traces a chronological journey through the legendary group's earliest recording sessions, from the raw chaos of their 1999 debut album to the more refined dub house explorations that led into their second LP.

Sourced from the best surviving master DATs this collection brings together remastered classics, lost versions and previously unreleased edits, offering unfiltered look into one of the UK underground's most fearless creative period.

Each track has been carefully remastered to preserve the saturated punch, tape grit and raw energy of the original sessions, while expanding definition for modern sound systems.

Pressed on 180g heavyweight black vinyl, Unearthed Stash is strictly for collectors and true heads preserving the energy and attitude that made Get Fucked pioneers of the London underground sound. A raw document of a lost era, revived.

Archival Gold. From The Source. Unearthed at Last.

2025 Repress

Eric Cloutier launched Palinoia three years ago with an EP from himself, and now he's back on his own imprint for the first solo production since then. His new EP combines the three sounds he's know for - "Apeirophobia" is a heady roller that takes a solid twist halfway through, "Eleutheromania" is a dubby jam that was inspired by listening to (and owning) a LOT of Sterac / Steve Rachmad records, and, rounding it out, "Madrugada" is a deep and etherial house groove that lends itself more towards my monthly DOWN here in Berlin than the jacking beats most people equate my sound with.

The ever-prolific Mihai Popoviciu returns with a stunning three-tracker on Sublease Music, delivering another masterclass in groove-oriented deep house. Known for his unmistakable precision and subtle emotional touch, the Romanian producer continues to bridge the space between warm underground energy and refined studio craftsmanship.
Over the past two decades, Popoviciu has become one of Eastern Europe’s most respected exports in electronic music, releasing on labels such as Bondage, Poker Flat, and Hudd Traxx, and earning international acclaim for his deep yet functional approach to house. On Sublease, he strips things back to their essential form: hypnotic basslines, crisp percussion, and fluid arrangements that move the dance floor without ever shouting for attention.
Each track radiates Popoviciu’s signature flow, a careful balance between drive and depth, tension and release. Sublease Music, the sister label of Poker Flat, continues its mission to present pure, modern house music from some of the most consistent artists in the scene. This release fits perfectly into that lineage, deep, timeless, and irresistibly groovy. From intimate after-hours sessions to peak-time sets in discerning clubs, these cuts prove once again that Mihai Popoviciu doesn’t follow trends, he defines the standard.

The ever-prolific Mihai Popoviciu returns with a stunning three-tracker on Sublease Music, delivering another masterclass in groove-oriented deep house. Known for his unmistakable precision and subtle emotional touch, the Romanian producer continues to bridge the space between warm underground energy and refined studio craftsmanship.
Over the past two decades, Popoviciu has become one of Eastern Europe’s most respected exports in electronic music, releasing on labels such as Bondage, Poker Flat, and Hudd Traxx, and earning international acclaim for his deep yet functional approach to house. On Sublease, he strips things back to their essential form: hypnotic basslines, crisp percussion, and fluid arrangements that move the dance floor without ever shouting for attention.
Each track radiates Popoviciu’s signature flow, a careful balance between drive and depth, tension and release. Sublease Music, the sister label of Poker Flat, continues its mission to present pure, modern house music from some of the most consistent artists in the scene. This release fits perfectly into that lineage, deep, timeless, and irresistibly groovy. From intimate after-hours sessions to peak-time sets in discerning clubs, these cuts prove once again that Mihai Popoviciu doesn’t follow trends, he defines the standard.

Berlin-based Australian musician and producer Declan McDermott steps forward with his debut EP for Delusions Of Grandeur,

bringing a raw yet soulful sound that reflects his unique journey through disco, funk, and soul music.

Having cut his teeth as a multi-instrumentalist before delving deep into house and club culture, Declan naturally fuses his live musical talents with warm, analog-driven grooves. The result is a record that feels equally at home on the dance floor and in the living room, carrying both emotional depth and undeniable energy. Remixes from Tom Trago & Lovetempo !

We welcome Toronto’s own Demuir to Makin’ Moves. A “rare breed” in the world of electronic music. With a passion that runs deep in his veins, Demuir has risen to the top of the underground house scene with his soulful, funky, and unapologetically authentic sound. Here he presents a classy three track EP, all tracks worthy of working the dance floor in equal measure! “What Deep House Use To Be” is the first of two instrumental tracks. This one is a bouncy house groove taking us back to the early roots of house music, with a very catchy groove. “What’s Happening To Me?” is a full on jazzy house affair, and uplifting feel good instrumental with a guitar solo which keeps the toes tapping and energy high! “Emotional Seasons” completes the package, another infectious chunky house groove filled with jazzy keys and stabbing chords sending a positive house message!
Demuir has only continued to push boundaries. In 2024 and 2025, he’s released stand out projects on his Purveyor Underground and Purveyor Underground Limited imprints. His output remains in demand across respected labels including Hot Creations, Kaoz Theory, Heist, Nervous.

Capcom and Laced Records invite you to return to a world of Reploids and cyber-elves, betrayal and Bio-Metals...

Thoughtfully sequenced with a disc covering each of the Mega Man Zero games, and a fifth covering ZX and ZX Advent, this box set will allow fans to fully ensconce themselves in the series.

ultimatemaverickx returns as sleeve artist, producing lore-faithful, vibrantly colorful panels depicting memorable story moments and highlighting major characters in iconic poses.

The Mega Man Zero/ZX soundtracks' glorious mix of urgent acid house, ambient, face-melting metal, and even soaring pop feel downright prophetic in the modern music landscape. Transported from their '00s hardware origins to your turntable come the sounds of our present, broadcast from the past - and it rips.

Recordings from the Åland Islands, the duo debut by synthesist Jeremiah Chiu and violist Marta Sofia Honer, is a truly unique series of pieces that marry acoustic and electronic sounds with field recordings, all captured on a trip to the titular Baltic archipelago.
By the time Åland Islands was released in 2022, Honer had already been working with Makaya McCraven and Daniel Villarreal, but this project brought her to the front as a lead artist. And Åland Islands was the label's first collaboration of any kind with Chiu, who has since released the solo outing In Electric Time and the genre-breaking debut of his co-led supergroup SML, in addition to a trio album with Honer and the late Ariel Kalma (2024's The Closest Thing to Silence).

Recordings from the Åland Islands is far more than its context within the world of IARC, however, and it’s certainly more than its context as a travel document. Here Chiu and Honer have created a new world out of an old one with work that sees them in dialogue with their own source material. Like early masterpieces by Franco Battiato or Alvin Lucier, Åland Islands repeatedly presents the listener with a palpable sense of place, only to pluck them up and drop them into an entirely new one.
“...so tranquil and beautiful...” – Jayson Greene, Pitchfork

Ten years after her first release, electronic musician Mor Elian presents her debut album Solid Space. Showing her full artistic range, the LP drifts between dream-like listening states and experimental club spaces. Written in a transitional time, these compositions arrived in emotional, unfiltered bursts. Solid Space brings together ambient textures, early IDM structures, and experimental electronics, with distant, hazy vocals converging into a single, subconscious flow. It is released by adventurous electronic music label topo2 on November 28, 2025. The record is pressed on 180 grams of ICCS-certified bio-vinyl, housed in a heavy full-colour sleeve, and comes with a download-code to the full release. Mastering is done by Ike Zwanikken, mixing by Gramrcy, artwork courtesy of Kees de Klein, and poetry written by Eelco Couvreur. Additional production and mixing on track 7 by Carrier.
—

in the half-sleep: a voice
not anyone’s, just sound.
what it touches, it mirrors
learning to name itself.

a throat opens —
to hum through bone
to say nothing correctly.

we coexist as opposites
in our mother tongue, dreaming
the things we were never meant to touch.

there is a channel
between pulse and sentence —
a being moving through
the being that once answered to me.

to feel and not own the feeling,
each of us made visible
by the other.

With his new EP Music Always Helps, DJ Jauche once again delivers the finest deep house with soul, a 3-track EP that sums up his unmistakable mix of soul, groove and depth. Three tracks full of groove, warmth and feeling - including an exclusive remix by Shaka that takes the sound to a new level. A must-have for lovers of timeless club music and true vinyl fans.

We are very happy to present you the 3rd release from D'Julz on CHIWAX!
The Bass Culture-Boss delivered again a fantastic rcords for us, showing here his big range and understanding of House Music! We are expecting to release this beauty mid. of October. Highly recommended!

The second expedition goes even further into the darker realms of A:G's soundscapes, where "Staying In" kicks it all off with its mysterious synth layers paired with a bassline to get the dancefloor moving in a hurry, before "Random Trance Track" shows homage to early 90s trance with a pinch of new beat and house.

Flip to the B-side where "Might Be" sets things over to electro territory, with its sizzling hats and spooky synth splashes, propelled heavily by a fast-paced bassline made to shake the bass bins and move the feet.

...and last but not least, the title track "Xylo" takes us back towards the trancier vibes, only broken up by trippy live-improvised xylophone over the steady polymeter subsonics to get those F1 rigs breathing heavily.

„A Deeper Shade“, produced by Case Woo in 2001 and originally released only on CD, will soon be reissued as a double 12“ vinyl. It will come with a full-cover print of the original artwork, as well as an insert with photos of young Case in the studio and a list of the equipment that was used to record this album.

Back then, this release was hailed as the definitive and only full-length Deep House / Tech House album to emerge from the tiny island of Singapore, by one of the pioneers of the local electronic music industry.

Case himself states: „I was introduced to the Deep House genre in 1999 and it was love at first listen, pure magic! What began as a spark of inspiration soon led to a month of self-imposed studio isolation - a journey of immersion, expression, and devotion to a newfound sound. The outcome of that creative dive is „A Deeper Shade“.“

The tracks „Polyester Cookies“ and „Subliminal“ were picked up by transport recordings for TSP008 in 2000/2001 and are getting rare & expensive these days. Now you can get the whole album on wax for the first time - 65 minutes of pure deepness that stood the test of time!

goodbye.

Picnic 012 lands with the first split EP of the series. A 4 tracker from Croatian artist Grenco and Ukrainian artist Kurilo. The EP is in many ways a stark contrast between the lighter and darker shades of house and techno with Grenco’s A side touching on a more playful, progressive house tip and Kurilo’s B side diving into the depths of early UK tech house and electro.

The duality of "man" is a subject that has been explored in art for centuries, from writings of the Bible to Descartes, all the way up to filmmakers like Lynch, Cronenberg, & Carpenter. Who is your "true self" & what do they want? With their sixth studio album "Wish Defense" (again for longtime home Trouble In Mind Records), Chicago trio FACS take a good, long look in the mirror to face themselves. The return of original member Jonathan Van Herik - who stepped away from the group just before their debut album "Negative Houses" was released in 2018 - replacing longtime bassist Alianna Kalaba brings renewed vigor & a marked angularity from the band's more recent output. The songs still hit hard, but the approach is sideways - the roles have changed since Van Herik's original tenure & his previous time with Case & powerhouse drummer Noah Leger in Disappears; now on bass, Van Herik was originally the group's guitar player and features on the debut, while current guitarist Brian Case played bass. This role reversal has helped the band's dynamic, offering up a different musical perspective than before, now revisiting the trio's long-going collaboration with some distance and time. Case notes that the lyrics on "Wish Defense" revolve around doppelgängers or "doubles", tackling the idea of facing yourself and observing your ideas and motivations. Look no further than the album's title track; "Enter the mirror / Double walker / An intimate / Wish defense / Is it real? / You beside me / The detail / Terrifying / Abject self / Your grief / A public / Performance". Case lays out the entire album's theme in one stanza; Are your actions & emotions your true self? Or are they a performative aspect of that "other" person you put forward? Case says that ultimately the sentiment is "_don't let the bastards get you down, there's something beyond this moment, like hope - but not in the naive belief that ultimately people are good". "Wish Defense"s artwork is also a subtle reference to "Negative Houses"' art, returning to that album's black & white starkness & minimalism. The album's checkerboards everywhere are offset reflections of themselves, mirrored with the album's lyrics printed front & center on the cover. Everything is out in the open. A final note; "Wish Defense" is the last album engineered by Steve Albini. Two days were recorded at Electrical Audio in early May of 2024 before Steve's untimely passing, with renowned engineer & friend Sanford Parker stepping in to finish the session 24 hours later, tracking the last bits of vocals and overdubs. Longtime collaborator John Congleton mixed the album as Albini would have; in Electrical Audio's A room, off the tape, using Albini's notes about the session.

KEKOA THE ARTIST's second 7" EP features a cover of the 1991 dancehall smash "HOUSECALL" by SHABBA RANKS FT. MAXI PRIEST!

KEKOA THE ARTIST's second 7" EP from Mahalo Unlimited features a ragga hip-hop cover of the 1991 dancehall smash "HOUSECALL" by
SHABBA RANKS FT. MAXI PRIEST!

One of the most famous covers in the history of Hawaiian reggae is DIANE & DA BOYZ's cover of the same song, which has been updated for
2025 by California dub master Josh Cardinali (Stoney Eye Studios)!

Side B features a limited edition double-cider red vinyl version of the smokin' "FEEL GOOD" (Produced by Patrick Hizon)!

New York-based Patrick Sullivan AKA P-Sol has a terrific track record when it comes to refined re-edits and classy, sample-rich mash-ups. Even so, his latest effort, delivered on a tidy and must-check seven-inch, is particularly potent. On the A-side, he takes us into immersive, seductive and ultra-deep territory via the mid-tempo house headiness of 'Everybody' - a kind of 'quiet storm goes deep house' affair featuring warming electric piano chords, heady bass and selected vocal samples from a soulful classic. On 'Walk Away', he provides a warming, percussion-rich new take on R&B classic 'Don't Walk Away', adding her familiar vocals to a head-nodding instrumental full of mazy solos, rubbery bass guitar and handclap-heavy beats.

2025 Repress in Yellow Green Vinyl


Bondage-Music is excited to announce the new vinyl EP from Markus Homm, titled “Twingo.” Following the momentum of his 2022 album “After Dark” on Bondage-Music, Homm delivers four tracks that epitomize his deep, grooving sound. “Great music should get you in the mood,” says Markus Homm. “That’s what I aim to do.” Homm blends influences from classic house with techno textures, continually evolving his sound across releases and DJ sets.

Twingo showcases Homm’s signature sonic palette, balancing uplifting grooves with a precise edge. The EP highlights his ability to fuse organic house vibes with driving techno energy, creating a cohesive journey for both dancers and listeners.

Two of the tracks on the EP are vinyl-only, reinforcing Bondage-Music’s commitment to offering exclusive material for vinyl enthusiasts.

180g Black Vinyl Half-speed Remaster by Miles Showell at Abbey Road Studios, includes a sleevenote featuring quotes from Alan Parsons & Eric Woolfson. The Alan Parsons Project debut studio album was originally released in June 1976. The lyrical and musical themes of the album are retellings of horror stories and poetry by Edgar Allan Poe. Musicians featured on the album include vocalists Arthur Brown of The Crazy World of Arthur Brown on "The Tell Tale Heart", John Miles on "The Cask of Amontillado" and "(The System of) Dr. Tarr and Professor Fether", and Terry Sylvester of The Hollies on "To One in Paradise". The complete line-up of bands Ambrosia and Pilot play on the record, along with keyboardist Francis Monkman of Curved Air and Sky. The album was a worldwide hit selling almost a million copies and achieving platinum status in a number of countries including Germany and Canada.

Following his bold 1983 solo debut 'Walk Into Light', Ian Anderson - the legendary flautist, songwriter & frontman of Jethro Tull - returned in 1995 with 'Divinities: Twelve Dances With God', a richly textured & wholly instrumental work that showcased a different side of his musical imagination. A sweeping, genre- defying suite in twelve parts, 'Divinities' draws deeply on Anderson's lifelong love of classical music, world traditions & pastoral folk. Conceived as a continuous orchestral journey, the album weaves influences from Celtic airs & Middle Eastern motifs to Indian ragas & Baroque counterpoint, all anchored by Anderson's unmistakable flute.

The result is one of his most ambitious & evocative projects - a spiritual, cinematic exploration of faith, nature & the divine. Now 'Divinities: Twelve Dances With God' returns to vinyl in a stunning half- speed remastered edition, expertly mastered by Grammy-winning engineer John Webber at London's AIR Studios using audio sourced from the original tapes. Pressed on black vinyl & housed in a faithful reproduction of the original artwork, this new edition stands as the most detailed & dynamic presentation of the album to date. Originally premiered live in its entirety with orchestral accompaniment before its release, 'Divinities' remains a singular work within Anderson's catalogue - a testament to his restless creativity & compositional range beyond the bounds of progressive rock.

Slinging back on the electric guitar, ditching the job, upping the BPMs, and falling in love again has resulted in Pete embracing his fuzzed up dream- pop past but also throwing in elements of pop and electronica.

The first fruits of this new-found labour is a brand new single "LOVE'S COMING BACK" which sums up the ethos for his new project all squeezed into 136 amp-frying seconds. Pete first burst onto the scene in the early 90s as the frontman and guitarist of postshoegaze / pre- Britpop band Adorable, whose 1993 album Against Perfection, released on Creation Records, is regularly referred to as a lost indie classic, with the band picking up multiple 'Single of the Week' awards in the NME, and topping the Indie charts. Noel Gallagher once told Creation Records' Alan McGhee that dropping Adorable from the label was one of his biggest mistakes, whilst other artists such as Ash, Slowdive and Brian Jonestown Massacre amongst others have all expressed their admiration for the band. Following this he joined up with his brother Krzys to form One Little Indian band Polak (Swansongs 2000 / Rubbernecking 2002) which took in influences from the likes of Sparklehorse, Radiohead and dEUS, and led The Independent to call him "the most gifted lyricist since Jarvis Cocker last put pen to paper".

There then followed a musical exile, after having what Pete now describes as 'a musical breakdown' before re-emerging alongside celebrated House of Love guitarist Terry Bickers to release two critically acclaimed albums as Pete Fij / Terry Bickers on 2014's Broken Heart Surgery, and 2017's We Are Millionaires, winning the Roundtable 'Single of The Week' on Steve Lamacq's BBC 6Music show - "Beautiful" (MOJO) "Unfailingly lovely" (UNCUT) "Stunning" (OHM) "Beautifully constructed" (Q). Adorable then reformed for a few weeks in 2019 for a series of one off dates that sold out in record time, playing bigger venues than they did in their heyday - and then broke up again.

2025 Repress

DJ Support: Kerri Chandler, Chris Stussy, Archie Hamilton, Fabe, Groovesh, Vlad Caia, Andrey P Ush Krav, Thor, Masimillano Pagliara, Dubtil, Reboot, East End Dubs, IULY.B, Josh Wink

Chris Stussy ‘A Glimmer Of Hope’ EP in now being re-issued due to demand on LTD edition transparent red vinyl.

Amsterdam based producer and DJ Chris Stussy has become one of the most eminent figures in the contemporary house scene of the Netherlands and across the globe over the past 10 years, racking up releases on the likes of Eastenderz, Moscow, PIV, Contstant Sound and most recently his own Up The Stuss imprint.

Leading the release is ‘Central Frenzy’, laid out across six and a half minutes with skippy percussion, a snaking bass groove, intricate synth sequences and sweeping vocal chants. ‘Riva De Biasio’ follows and tips the focus over to airy atmospherics a jazz-tinged bass groove and squelchy acid licks atop swinging drums.

‘Deviant Shadow’ opens the flip-side and merges an amalgamation of expansive dub chords and bouncy sub bass tones with a robust 4/4 rhythm. Lastly to round things out is title-cut ‘A Glimmer Of Hope’, wrapping up the release on a deeper tip courtesy of ethereal pad swells, metallic synth licks and shuffled drums.

The album is made up of two sessions recorded for BBC Radio 1 at Maida Vale Studios, from 1973 and 1978 that feature vocalist Norma Winstone, trumpeter Henry Lowther, saxophonists Art Themen, Tony Coe and Alan Wakeman, trombonist David Horler, bassists Dave Green and Jeff Clyne, and drummers Trevor Tomkins and John Marshall. The material, all composed by Garrick, includes some favourites from the classic LPs 'Troppo' and 'October Woman'. He wouldn't record the tracks "River Running" and "Galilee" until decades later, so this is the first time these '70s arrangements have been released. Whereas "Robin's Rest" and the title track are exclusive to this album - providing a fascinating insight into this uniquely talented artist.

Garrick was at the forefront of British jazz from the mid-1960s until his death in 2011 aged 78. He was a key member of The Don Rendell / Ian Carr Quintet, composing the jazz gems "Dusk Fire and "Black Marigolds" and released a series of seminal 1960s and 1970s LPs including 'Cold Mountain', 'The Heart is a Lotus' and 'Black Marigolds'. Remastered by Caspar Sutton-Jones @ Gearbox Records, 'Late Autumn Sunshine' is available as a 2LP set housed in a gatefold sleeve (a limited edition of 600 copies) and 'mini-LP' gatefold CD, with sleeve notes by Daniel Spicer (Jazzwise, The Wire). 'Late Autumn Sunshine' celebrates Michael Garrick's memory and should introduce him to many new fans.

You can't fault the quality of the slabs of heavy house that Dungeon Meat puts out. The label headed up by Brawther and Tristan da Cunha is back with more wagyu-quality rhythms, this time from the Berlin-based Tripmastaz. He's a master of crafting the sort of muscular beats that get floors in a sweat and whether solo or next to heavyweights like Ricardo Villalobos and DJ Sneak. Here he shows his dubbed out signature sound with the swinging, garage-inflected 'Off Da Waxxx', raw New York thud of 'Double Trouple', percussive skip of 'NYC x LFO' and rough and ready 'Tres Cabezas'. Tasty stuff, as always.

LIMITED 300 ONLY TRANSPARENT SKY BLUE LP. HOUSED IN FULL COLOUR SLEEVE WITH POLYLINED INNER BAG & DOWNLOAD CODE
Two fields of existence collide as Nolla (Finnish psych/space rockers) & Mike Vest (Maximalist guitar guru, Bong, Blown Out, Drunk In Hell, Artifacts & Uranium, Modoki, Tomoyuki Trio, Mienakunaru etc) merge their creative visions for the third time.

Creating a steady and surreal exploration through astral planes. Nolla improvised the ground layer in their signature minimal space-rock style and MikeV wrapped everything up in lavish layers of fuzz, phased and U-Wah layered guitars.
Blending octaval tones, around an array of electronics & vocal harmonies. Resulting in a constant trance like psychedelic drone rock.
It's time to join the extraterrestrial communion, beyond the skies, convert into the mode of light and pay homage to his mighty eminence.

The album of the year – and the beginning of a new era at Gigolo Records.

Ten club tracks packed with pure impact, crafted by one of today’s most talented and innovative producers: Aziz Haddad from Tunisia.

His sonic fingerprint breaks all genre boundaries — impossible to categorize — and fits perfectly into the Gigolo Records family and history.

Aziz’s uniqueness lies in his anarchic definition of sound:
4-to-the-floor house, 80s synth pop, techno, and hypnotic beat programming merge into a cinematic, magnetic whole.

Selected Bangers rewrites the rules for 2025 —
every beat counts.

Vesu's goes dub!

Vesa-Matti Kivioja, aka Vesu's aka Torolf Stendik has been making waves as an integral part of the multi-faceted Ljudverket & Meltdown Deejays crews in his native Finland for many years. He is perhaps most recognised for his "List of Lizards" saga which began in 2019 on Brian Not Brian's Going Good imprint.

Tokage No Risuto, the third instalment in the lizard saga, sees Vesu's migrate deeper into the dub tradition. The beats have slowed down; the atmospheres thickened. Downtempo rhythms, ambient drifts, and dub-infused echoes weave through the landscape, joined at times by guest voices that shimmer and dissolve into the mix.

The 12-track album is available on a special edition cassette with a vibrantly riso-printed card housed inside a laser printed case, with a striking green cassette. Mastered for tape by Giuseppe Ielasi.

Tokage No Risuto has a number of guest appearances, most notably the legendary musical pioneer and woodwind instrumentalist Tapani Rinne of RinneRadio.

Harrison BDP stands as one of the true masters of that off-world deep house sound. Easily one of the most consistent producers, so having the Welsh wizard launch the first 12” on Jupiter’s Depth is iconic. The EP delivers it all — from deep, trippy journeys to pacey dub-techno rollers. No question, another Discogs relic in the making — 300 press, so move quick.

This is the origin of Chiemi Eri, who continues to enjoy immense popularity across generations and borders.
Seven vinyl titles focusing on jazz are released simultaneously! Chiemi Eri, at the height of her powers, performs with the Delta Rhythm Boys, America's
leading male vocal group. This is a happy, swinging, and heated live recording!

2025 has been the comback year of Borrowed Identity! Nearly a decade ago, this super talented producer and DJ from the German Black Forest was omnipresent. Crafty beats, driving basslines and a deep raw feel was his tradmark then. And still is! After his collab EP with the Mechanical Soul Brother some months ago, it’s now time for a full solo EP called „Reminisce“. 4 tracks of powerful and raw House music, Borrowed Identity style! He’s back to stay!

After a prolific run of off-centre house and acidic, proggy-techno on his new Globuli label, respected Germany based Brit Ed Davenport delivers the first instalment of GLOBULI LTD with 2 stand-out remixes.

Picking up heavy support from Massimiliano Pagliara, Ivan Smagghe, Call Super and the like, these two iconic remixes from the catalogue are now available on vinyl for the first time.

DJ Popinjay balances fresh cuts with beloved favourites on his new one for the irrepressible Blur. The title track opens with silky keys and mellow percussion that capture the warmth of golden hour, while 'Whyalla' brings breezy pads and crisp beats to organic percussive. Reissued highlights like opener 'Take U' have filtered soul magic, and 'Not Too Shabby' brings dusty funk and jazzy cool, while 'So Much Fun' bursts with disco-fueled joy. The closer, 'Soul Searching' has swinging, Chic-style grooves and layers up endlessly playable house vibes.

2025 Repress

Repress of original 1996 classic which has built up over recent years to be a cult house classic with select headsy DJs and players, especially championed by Chris Stussy whose set spins have pushed copies up to £100 on Discogs, support from Saint Lukez on his Instagram channel who now offers an exclusive bonus edit. This will be strictly limited with pre-sales essential. Buy of cry.

Ston Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.
Initially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV &JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year.

Drawing upon a carefully honed attentiveness to the environments and experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides. Following two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 & 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Ston Elaióna’s two sides. John Also Bennett’s Ston Elaióna forms an elegantly rigorous world of electroacoustic sonority, bridging the expanse of time with the immediacies of environment and happening in the here and now: a profound sonic mediation on the countless dimensions unlocked by life in Greece.

Meltdown Deejays Recordings welcomes Finnish producer Båssanova with Warrior, a 12" that blends deep techno energy, classic house drive and breakbeat motion.
Heavy basslines, dub textures and crisp percussion form the backbone of this record, powerful, hypnotic and built for big systems.
Each version takes the theme a little further, from straight club pressure to more spaced-out territory. A versatile and timeless EP for DJs who like their tracks raw and direct.

After appearing on the in-house series The Secret Sun under the moniker Sensefinite, Dan Piu once again graces OCD with pure aural bliss.
This EP took a long time to come to life—not for lack of material, but because the sheer volume of brilliantly composed, unique, and exciting productions to choose from turned the process into a literal “lost in music” experience: a psychedelic journey that at times seemed to have no end in sight.
Talk about first-world record label problems…
It’s techno, it’s trance, it’s house, it’s bleep—it’s all of that and more, seamlessly blended with the gentle finesse Dan brings to all his productions.