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Max Aruj, Alfie Godfrey - Mission: Impossible - The Final Reckoning
  • 1: We Live And Die In The Shadows
  • 2: Another
  • 3: Come Home Ethan
  • 4: The Final Reckoning (Main Titles)
  • 5: Martial Law
  • 6: It's Only Pain
  • 7: It Will Change You (Ça Te Changera)
  • 8: The Entity
  • 9: I'll Be Waiting
  • 10: This Is Where You Leave Me
  • 11: I Know You
  • 12: Mt. Weather
  • 13: Checkmate
  • 14: The Eye Of The Storm
  • 15: Nothing Is Certain
  • 1: The Icecap
  • 2: Ascending
  • 3: Consequences
  • 4: Your Final Reckoning
  • 5: We'll Figure It Out
  • 6: Lift Off
  • 7: Decisions
  • 8: This Is Not Good
  • 9: Problems
  • 10: Ten Seconds... Maybe
  • 11: Good Luck
  • 12: Descending
  • 13: A Light We Cannot See
  • 14: Curtain Call
  • 15: For Those We Never Meet
  • 16: Final Reckoning - Sacrifice Trailer
pré-commande26.09.2025

il devrait être publié sur 26.09.2025

Bloodbath - Survival Of The Sickest

Bloodbath

Survival Of The Sickest

Pict-Vinyl840588167029
Napalm Records
26.09.2025

Survival Of The Sickest offers no respite from the horrors of reality. Instead, BLOODBATH’s latest and greatest album gleefully confronts the slavering ghoul lurking in the shadows, and treats him to ten songs of ripping death metal frenzy. In contrast with their last album, Survival of the Sickest goes straight for the jugular in true old school fashion. With strong echoes of everything from Morbid Angel & Death through to Deicide & Obituary. Survival Of The Sickest boasts a smattering of irresistible cameos from the great, and ghoulish of the metal underground, including Barney Greenway (Napalm Death), Luc Lemay (Gorguts) & Marc Grewe (Morgoth). On Survival Of The Sickest, BLOODBATH evoke their most horrifying sonic scenarios to date.

pré-commande26.09.2025

il devrait être publié sur 26.09.2025

Various - Pasé Bél Tan : Francophonies & Creolities in Louisiana LP 2x12"
  • Elby "Bee" Deshotels - Dessus Le Natchitoches
  • Alma Barthélémy - Jamais Je T'oublierai (La Claire Fontaine)
  • Alma Barthélémy - Ma Bonne Créole
  • Alma Barthélémy - Tu Peux Pas Mettre Ce Macaque Dessus Mon Dos
  • Caesar Vincent - Vive Le Vin
  • Caesar Vincent - Travailler C'est Trop Dur
  • Caesar Vincent - La Chanson De Ma Jolie Maîtresse
  • Caesar Vincent - Oh Les Trains Quand Ils Jubutaient
  • Raywood Morvant - La Cravate
  • Chalvin Godar - Ma Négresse M'a Quitté
  • Chalvin Godar - Allons Au Bal, Colinda
  • Raywood Morvant - J'ai Passé Devant Ta Porte
  • Burton Lemaire - La Marseillaise
  • Clifton Chenier - Laissez Les Bons Temps Rouler
  • Clifton Chenier - Les Haricots Sont Pas Salés (Zydeco Sont Pas Salé)
  • Clifton Chenier - Jolie Blonde
  • Isome J. Fontenot - J'ai Traversé La Mer Et Les Montagnes
  • Isome J. Fontenot - La Banane À Nonc Adam (Club 73 Special/Acadian Two-Step)
  • Isome J. Fontenot - Rythmes De Triangles
  • Gabriel Broussard - Train À Vapeur
  • Gabriel Broussard - Train À Vapeur Avec Un Chien Qui Essaie D'attraper Un Prisonnier Qui S'est Échappé Du Train
  • Chalvin Godar - Oh Oui, Dans La Triste Vise
  • Gabriel & Emeline Broussard - J'ai Engagé Ma Promesse Au Baptême
  • Cyril Cyril - Evangelione Bebop
  • Radio Hito - Bonne Créole
  • Yama Warashi - Librement
  • Herandu - Jungle Blonde
  • _Thesmoothcat - Systems Everywhere
  • Juu - Ride Out
  • Nappynappa - Fear Of Freedom
  • Deafkids - A Travessia
  • Madteo - From The Boot To Tap (Foot Version)
  • Chimère Fm - Train À Vapeur Avec Un Chien (Hobo Des Limbes Retouche)
  • Tanz Mein Herz - Le Natchitoches 06:11
également disponible

Vinyl + Book


The songs of Louisiana's Francophone and Creole heritage have flowed through the bayous for centuries, shaped by African, Native American, French, and Caribbean influences. Combining a vinyl record and a bilingual book, Pasé Bél Tan: Francophonies and Creolities in Louisiana celebrates this cultural legacy. It pairs historical recordings with contemporary reflections, inviting artists and scholars to explore this ever-evolving soundscape. Bridging a vibrant present with a painful past, it creates a space for dialogue around identity, memory, and the ongoing transformation of Louisiana’s musical traditions.



The double vinyl compilation and its OBI strip features a staggering 34 songs, ranging from French ballads and Creole renditions to zydeco hooks and reinterpretations by a wide array of contemporary artists such as Madteo, Tanz Mein Herz, Radio Hito, Cyril Cyril, and Deafkids, among others. With archival recordings and contemporary creations side by side, it serves as a bridge across the vast bayou of Louisiana music.



The book is a 272-page bilingual (French/English) publication that seeks to encapsulate the far-reaching implications of Louisiana’s musical heritage within both Louisianan and American society. It explores how this culture has shaped—and been shaped by—its surroundings. With contributions from many key figures of the scene—musicians, researchers, club owners, and other vital witnesses—it aims to present the intricate and singular relationship that exists between Louisiana and its music.



The book only is not available through distribution but only as a bundle with the 2LP version.

pré-commande19.09.2025

il devrait être publié sur 19.09.2025

Various - Pasé Bél Tan : Francophonies & Creolities in Louisiana LP 2x12"
 
34
également disponible

Vinyl


The songs of Louisiana's Francophone and Creole heritage have flowed through the bayous for centuries, shaped by African, Native American, French, and Caribbean influences. Combining a vinyl record and a bilingual book, Pasé Bél Tan: Francophonies and Creolities in Louisiana celebrates this cultural legacy. It pairs historical recordings with contemporary reflections, inviting artists and scholars to explore this ever-evolving soundscape. Bridging a vibrant present with a painful past, it creates a space for dialogue around identity, memory, and the ongoing transformation of Louisiana’s musical traditions.



The double vinyl compilation and its OBI strip features a staggering 34 songs, ranging from French ballads and Creole renditions to zydeco hooks and reinterpretations by a wide array of contemporary artists such as Madteo, Tanz Mein Herz, Radio Hito, Cyril Cyril, and Deafkids, among others. With archival recordings and contemporary creations side by side, it serves as a bridge across the vast bayou of Louisiana music.



The book is a 272-page bilingual (French/English) publication that seeks to encapsulate the far-reaching implications of Louisiana’s musical heritage within both Louisianan and American society. It explores how this culture has shaped—and been shaped by—its surroundings. With contributions from many key figures of the scene—musicians, researchers, club owners, and other vital witnesses—it aims to present the intricate and singular relationship that exists between Louisiana and its music.



The book only is not available through distribution but only as a bundle with the 2LP version.

pré-commande19.09.2025

il devrait être publié sur 19.09.2025

GODEN - Beyond Darkness

GODEN

Beyond Darkness

2x12inchSVART222
Svart Records
19.09.2025
  • A1: Glowing Red Sun
  • A2: Manifestation I: Tolling Death Bells
  • A3: Twilight
  • A4: Manifestation Ii : A New Order
  • A5: Cosmic Blood
  • A6: Manifestation Iii: The Spawn Of Malevolence
  • B1: Komm Susser Tod
  • B2: Genesis Rise
  • B3: Manifestation Iv: The Progeny Of Goden
  • B4: Dark Nebula
  • B5: Manifestation V: The Epoch Of Goden
  • C1: I Am Immortal
  • C2: Manifestation Vi : The Beginning And The End
  • C3: Ego Eime Gy
  • C4: Manifestation Vii : Gaja Rejuvenated
  • C5: Night
  • D1: Manifestation Viii: A New Age
  • D2: Thundering Silence
  • D3: Winter
pré-commande19.09.2025

il devrait être publié sur 19.09.2025

WEDNESDAY - BLEEDS

WEDNESDAY

BLEEDS

12inchDOCLP428
Dead Oceans
19.09.2025
  • Reality Tv Argument
  • Bleeds
  • Townies
  • Wound Up Here (By Holdin On)
  • Elderberry Wine
  • Phish Pepsi
  • Candy Breath
  • The Way Love Goes
  • Pick Up That Knife
  • Wasp
  • Bitter Everyday
  • Carolina Murder Suicide
  • Gary's Ii
également disponible

LTD. ECO MIX VINYL


Can a self-portrait be a collage? Can empathy be autobiographical? What's the point of living if we're not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of Wednesday's new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that_like many of the most arresting passages from the North Carolina band's highlight reel so far_thoughtfully explores the vivid link between curiosity and confession. Bleeds is not only the best Wednesday record_it's also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman_founder, frontwoman, and primary lyricist_credits Wednesday's tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that's been both rewarding and relentless. "Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential `Wednesday Creek Rock' album," Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they've refined the formula that makes them one of the most interesting rock bands of their generation. "This is what Wednesday songs are supposed to sound like," she said. "We've devoted a lot of our lives to figuring this out_and I feel like we did." Just like Rat Saw God, one of the defining rock & roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who's been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates _X andy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake "M.J." Lenderman (guitar) _ worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism_not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman's masterfully subjective approach to detail selection. Every image or scene is filtered through Hartzman's agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman's specific obsessions and vulnerabilities, about the fragmented way she processes the world. Maybe sometimes the best way to locate truth or pain or dignity within your own life story, Bleeds suggests, is by crawling into someone else's.

pré-commande19.09.2025

il devrait être publié sur 19.09.2025

WEDNESDAY - BLEEDS

WEDNESDAY

BLEEDS

12inchDOCLPC1428
Dead Oceans
19.09.2025

Can a self-portrait be a collage? Can empathy be autobiographical? What's the point of living if we're not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of Wednesday's new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that_like many of the most arresting passages from the North Carolina band's highlight reel so far_thoughtfully explores the vivid link between curiosity and confession. Bleeds is not only the best Wednesday record_it's also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman_founder, frontwoman, and primary lyricist_credits Wednesday's tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that's been both rewarding and relentless. "Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential `Wednesday Creek Rock' album," Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they've refined the formula that makes them one of the most interesting rock bands of their generation. "This is what Wednesday songs are supposed to sound like," she said. "We've devoted a lot of our lives to figuring this out_and I feel like we did." Just like Rat Saw God, one of the defining rock & roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who's been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates _X andy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake "M.J." Lenderman (guitar) _ worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism_not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman's masterfully subjective approach to detail selection. Every image or scene is filtered through Hartzman's agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman's specific obsessions and vulnerabilities, about the fragmented way she processes the world. Maybe sometimes the best way to locate truth or pain or dignity within your own life story, Bleeds suggests, is by crawling into someone else's.

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Last In: 7 months ago
Soul Sugar meets Dub Shepherds - Blue House Rockin' LP

Blue House Rockin’ is the result of a unique collaboration between Soul Sugar and Dub Shepherds — two projects united by a shared love for roots reggae, vintage studio gear, and warm analog sound.

The album was recorded live over two intense days at Blue House Studio by Christophe “French kiss” Adam, using ribbon and tube microphones from the ’50s and ’60s from the ’50s and ’60s, a Hammond organ, upright piano, Fender bass and Gibson guitars, classic amps and preamps, along with drums, syndrums and percussion. The sessions were transferred to a 24-track tape machine, and final mixes were crafted the old-school way by the Dub Shepherds at their own Bat Records Studio, using analog consoles and hardware vintage effects.
The tracklist brings together deep cuts, timeless classics, and original compositions. Curtis Mayfield’s Give Me Your Love and Aaron Frazer’s My God Has a Telephone (Colemine Records) — two soul gems, one vintage, one modern — are reimagined in reggae style, both featuring the great Jolly Joseph on lead vocals, working wonders with his falsetto. He also shines on Hold My Hand, a sweet and mellow original composition with lovers rock flair, written on the spot during the session.
Other standout moments include the soulful fire of UK singer Shniece McMenamin, who lights up Family Affair (Mary J. Blige / Dr. Dre) — flipped into a fiery hip-hop-meets-reggae version packed with energy and attitude.

Instrumentals like Disco Jack, Choice of Music, and Drum Song — all originally composed by Jamaican organ legend Jackie Mittoo — bring Guillaume “Booker G” Metenier’s Hammond work to the front. The playful exchange between organ, guitar, and a rock-solid rhythm section is elevated by swirling spring reverb, dub echoes, and filter sweeps.
The album’s explosive title track — Blue House Rock — was composed and recorded on the spot at the end of the session. A raw, greasy groove that sounds like The Meters jamming at Studio One or a lost instrumental from a Beastie Boys B-side.
Blue House Rockin’ is a vibrant blend of soulful roots reggae and funk, wrapped in the deep, dusty tones of analog tape. A joyful and authentic studio experience, captured live — and played loud.

pré-commande19.09.2025

il devrait être publié sur 19.09.2025

Deo Cadaver - Zombie Radio (LP 2x12")

Infoline proudly presents a compilation of tracks by Deo Cadaver on double 12' inch vinyl LP! Active from 1987 to 1993, Geneva-based trio Deo Cadaver stood at the vanguard of Switzerland’s electronic body music scene. Formed at just 17 years old, the group drew early influence from the visceral intensity of acts like The Young Gods, Front 242, Laibach, and Skinny Puppy—but quickly forged a sound and performative presence entirely their own. Their live shows became infamous: loud, theatrical, and uncompromising. Covered in grey-green clay and fake blood, suspended from chains, or locked in cages wired with sensors, projections, and video monitors, Deo Cadaver unleashed chaotic storms of samples, distorted drum machines, live percussion, and seismic basslines. At the center stood a vocalist whose voice and energy pushed the limits of physical endurance. Despite their undeniable force, Deo Cadaver remained largely unknown beyond their immediate circles. “There was no support structure—barely any venues, press, or labels for what we were doing,” they reflect. “Apart from our parents and a few community associations, we were completely on our own.” The internet, still confined, offered no relief. Connections were built face-to-face, and tapes were copied by hand. Still, the band found kinship in the Swiss experimental collective MXP, alongside other likeminded outliers pushing electronics beyond the dancefloor. Their spirit was one of invention, defiance, and independence.
While Belgium reveled in its New Beat wave and the UK fell into euphoric ecstasy, Deo Cadaver raged in the shadows—loud, isolated, and ahead of their time. This compilation finally brings their work into the light: a long- overdue snapshot of an uncompromising force from the margins of EBM history

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Last In: 6 months ago
NEWTON FAULKNER - OCTOPUS

Newton Faulkner

OCTOPUS

12inchCOOKLPI944
Cooking Vinyl
19.09.2025
  • Alright Alright Alright (Feat. Bloom Twins)
  • What Took You So Long
  • Spirit Meets The Bone
  • Snakes & Ladders
  • Honest To God
  • You Make It Look So Easy
  • Don't Make Me Beg
  • Dear Life
  • Better For Me
  • Gravitational
  • Tic Tac Toe
  • Hunting Season (Feat. Lissie & Los Bitchos)
  • Better For You
  • Gratitude
également disponible

White Vinyl


Newton Faulkner"s eighth studio album, OCTOPUS, marks a bold new chapter for the multi platinum selling singer-songwriter - his most authentic and adventurous to date. Over five years in the making, the album sees Faulkner stepping into a new era with a refreshed sense of artistic freedom, blending unexpected influences from funk and R&B to soul and Latin grooves. Swapping his trademark acoustic guitar for a distortion-charged Hofner Violin Bass, he unlocks a fresh songwriting approach that fuels standout tracks like the anthemic lead single "Alright, Alright, Alright." Rich in collaboration, OCTOPUS features contributions from Lissie, Los Bitchos and Bloom Twins, bringing new textures to his sound. It"s a record that celebrates creative reinvention, grounded by moments of heartfelt reflection and driven by a renewed passion for making music.

pré-commande19.09.2025

il devrait être publié sur 19.09.2025

NEWTON FAULKNER - OCTOPUS

NEWTON FAULKNER

OCTOPUS

12inchCOOKLP944
Cooking Vinyl
19.09.2025

Newton Faulkner"s eighth studio album, OCTOPUS, marks a bold new chapter for the multi platinum selling singer-songwriter - his most authentic and adventurous to date. Over five years in the making, the album sees Faulkner stepping into a new era with a refreshed sense of artistic freedom, blending unexpected influences from funk and R&B to soul and Latin grooves. Swapping his trademark acoustic guitar for a distortion-charged Hofner Violin Bass, he unlocks a fresh songwriting approach that fuels standout tracks like the anthemic lead single "Alright, Alright, Alright." Rich in collaboration, OCTOPUS features contributions from Lissie, Los Bitchos and Bloom Twins, bringing new textures to his sound. It"s a record that celebrates creative reinvention, grounded by moments of heartfelt reflection and driven by a renewed passion for making music.

pré-commande19.09.2025

il devrait être publié sur 19.09.2025

HUMAN LEATHER - HERE COMES THE MIND, THERE GOES THE BODY
  • Intro
  • Dark Depths And Surface Tension
  • Existence Is Not A Solo Sport
  • It's A Shit Business, Glad I'm Out Of It
  • Ain't No Such Thing As Civilised, It's Man So In Love With Greed
  • Lore Of The Land
  • Qvc Hands
  • Momentary Masters Of A Fraction Of A Dot
  • The Enclosed The Common Land And Built A Fucking Lawn
  • A Birthright Sham, A Downright Shame
  • Spare Me The Pleasant Trees
  • Outro

Human Leather have always been a ferocious live act, unbelievably loud for a 2 piece. Their gigs are often an overwhelming wall of sludge, howls and amphetamine-addled drums, with spectators flying joyously around the pit. Previous recordings did full justice to the impact of the live show; however, the second helping is something else. On Here Comes the Mind, There Goes the Body the sludge is still present, rising, and lapping at your ankles, but there's a new clarity showing off exactly how f*cking good those riffs are. There are ear worm riffs for days, shout along vocals that roar, shriek and reform into a Greek chorus, drums that thump you repeatedly in the chest and then the whole thing vanishes in just under 30 minutes, leaving you bruised, deafened and with Some Questions about your life. Squint your ears a bit and you'll hear the influences of bands like Karp, Torche and Big Business but they're thrown into a much crustier stew. The lyrics span a variety of political issues, not limited to the landed gentry, global warming and consumerist harbingers of doom. Importantly the songs are also not afraid to discuss class issues (unlike many political bands who you suspect have a much sturdier security net). While this could easily feel preachy, every line is delivered with the knowing wink of the underdog and good humour (I am going to smile every time I think of "clod damn" or "QVC Hands" staring up at me from the lyric sheet), and the vibes are as they've always been in difficult times - "we know we're fucked, tonight we mosh, tomorrow we march". And what is the point of a revolution you can't dance to? Speaking of dancing, the final track features an honest-to-god dance beat, acid squelches and disembodied vocal samples, pointing to an alternative universe in which Human Leather are a heavy electroclash band. Here comes the record of the year, bring what is left of your eardrums. You didn't need that body anyway

pré-commande19.09.2025

il devrait être publié sur 19.09.2025

STEVIE SALAS COLORCODE - BACK FROM THE LIVING LP 2x12"
  • Tell Your Story Walkin
  • Crack Killed Apple Jack
  • Tell Your Story Walkin
  • Crack Killed Apple Jack
  • I Once Was There
  • Wonderin
  • Start Again
  • Born To Mack
  • The Lying Truth
  • Without Love
  • Amelia
  • God I'm Going Down
  • Much Ado About Buttin
  • I Need You
  • I Think You Need To Think
  • Shake This Town
  • Show Me Some Emotion
  • A Journey Into The Middle Ages

A guitar player, writer, producer, and composer, Stevie Salas has recorded on over 70 different albums with artists as diverse as George Clinton, Justin Timberlake, Buddy Miles, T.I., Mick Jagger, and Rod Stewart. Having sold over two million solo albums around the world, Stevie has been cited as one of the top 50 guitarists of all time. Dreaming of a career in music, Stevie left the small town of Oceanside, California in 1985. Eight months later he was discovered by funk music legend George Clinton as the lead guitarist for Clinton's albums. Stevie received his first major label producer credit with Was (Not Was) when he co-produced the UK hit "Out Come the Freaks" from the album "What up Dog?" Rolling Stone Magazine listed "What up Dog?" as one of the top 100 records of the decade. With an extensive solo career, Stevie has now teamed up with Deko Entertainment to reissue some of these albums starting with the 30th Anniversary of "Back From The Living (Deluxe Edition)"













k MUCH ADO ABOUT BUTTIN' [SUCKERMANGRUBBY MOUTH MIX]





[q] TELL YOUR STORY WALKIN' [MUG MASHER REMIX]
[r] CRACK KILLED APPLE JACK [GRAVY BOOTY REMIX)











[k] MUCH ADO ABOUT BUTTIN' [SUCKERMANGRUBBY MOUTH MIX]





[q] TELL YOUR STORY WALKIN' [MUG MASHER REMIX]
[r] CRACK KILLED APPLE JACK [GRAVY BOOTY REMIX)

pré-commande19.09.2025

il devrait être publié sur 19.09.2025

Proscription - Desolate Divine LP
  • 1: Gleam Of The Morningstar
  • 2: Bleed The Whore Again
  • 3: Entreaty Of The Very End
  • 4: The Midnight God
  • 5: Behold A Phosphorescent Dawn
  • 6: Heave Ho Ye Igneous Leviathan
  • 7: Desolate Divine
  • 8: The Great Deceiver
  • 9: Not But Dust
pré-commande19.09.2025

il devrait être publié sur 19.09.2025

Tithe - Communion in Anguish
  • 1: Nostrum
  • 2: At The Altar Of Starving Children
  • 3: Ostiary
  • 4: The Fruits Of Spiritual Apartheid
  • 5: Infected Blood
  • 6: Shallow Grave Of Karmic Retribution
  • 7: Burn The Throne Of God
pré-commande19.09.2025

il devrait être publié sur 19.09.2025

Varathron - The Crimson Temple
  • 1: Ascension
  • 2: Hegemony Of Chaos
  • 3: Crypts In The Mist
  • 4: Cimmerian Priesthood
  • 5: Sinners Of The Crimson Temple
  • 6: Immortalis Regnum Diaboli
  • 7: To The Gods Of Yore
  • 8: Shrouds Of The Miasmic Winds
  • 9: Swamp King
  • 10: Constellation Of The Arches
pré-commande19.09.2025

il devrait être publié sur 19.09.2025

TYLER BATES & CHELSEA WOLFE - X (ORIGINAL MOTION PICTURE SOUNDTRACK)
  • My God
  • Maxine Meets Pearl
  • Theda
  • Pearl's Lullaby
  • Fucking Finally
  • Pearl's Rapture
  • Dolls
  • Pumping Gas
  • Our Secret
  • Use Your Telephone
  • We Talked About This
  • Headlights
  • Sorry To Disturb You
  • The Cellar
  • What Is It Baby?
  • I Was Young Once
  • Tell Me I'm Special
  • Maxine Grabs The Gun
  • Oui Oui Marie
  • Bring Our Daughters Home

Tyler Bates and Chelsea Wolfe's original score for X , featuring Chelsea Wolfe's single "Oui Oui Marie."

pré-commande19.09.2025

il devrait être publié sur 19.09.2025

TIN FINGERS - ROCK BOTTOM BALLADS LP

Tin Fingers takes on a darker, melancholic direction on their second full album. Felix Machtelinckx' weeping vocals, preaching, searching, and trying to understand God, form the leitmotif. With rich melodies, haunting piano sounds, improvisations, first takes and no overdubs, Tin Fingers is searching for pureness and keeping things human and simple. The band is playing together intuitively, without a computer, without ego, just for the sake of music

The creation of the album was very fluent and spontaneous. Singer Felix wrote the backbones of the songs and the lyrics on acoustic guitar and piano. He wanted to have songs ready in order to be able to record and write arrangements fast. With an eye for details but without overthinking, keeping the ideas fresh. 'I wanted to stay in love with the music.' he explains. 'It needed to go fast, very fast, in just two weeks the entire album was recorded and ready to be mixed.'

In the studio, the band especially focused on picking the right mood rather than playing the right notes.

They were fed up with working on a computer for many hours, overthinking production choices, and adding instruments on top of each other as if they were Lego blocks. This time they decided to work in a more traditional way, going for first takes, jams, and essentially working with analog gear. No computers, no screens, no distractions. Only four humans in a studio trying to make a sound together by keeping things spontaneous and raw. They said goodbye to perfection and worked towards an unfinished product, a snapshot.

Tin Fingers also didn't want to sound like any other artist on this record. They decided not to listen to music during the sessions, and to never express ideas by referencing other bands. Just before the studio session, however, bass player Simen Wouters broke the rules and shared Bonnie 'Prince' Billy's, I See Darkness. Its dark and searching sound ended up inspiring the band unmistakably.

Once the recording was finished, the band decided to keep the volatile rhythm going and asked reputable NYC-based mixer and producer D. James Goodwin to finish the job. Goodwin, known for his analog folk productions with a real American punchy sound but a tender touch, proved the right man for the job. He opened up the songs and kept things poetic, minimal but impressive.

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Last In: 7 months ago
FLOORPLAN X ROBERT HOOD - ETERNAL LIFE EP

"Eternal Life EP" is a double A-side release featuring two mixes of the title track by father-daughter duo, Floorplan alongside two new solo tracks by Robert Hood.


The glorious "Eternal Life" is an infectious track to raise the roof as only Floorplan can, whether it's Lyric and Robert's tough House A1 version or the more stripped back Mix 2. Flipping to the AA-side Robert delivers his signature "real" minimal Techno sound on the shimmering "God Flow" before closing out with the darker tones of "The Throne". It's an essential release that can take you all the way from daytime festival fields through to late night warehouse dance floors on one EP.

Floorplan x Robert Hood "Eternal Life EP" will follow the vinyl release of Robert Hood's "Art Project EP" which will hit record stores from 13 June.

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Last In: 4 months ago
James Horner - Back to Titanic

James Horner

Back to Titanic

2x12inchMOVATM343Y
Music On Vinyl
12.09.2025
  • 1: Titanic Suite
  • 2: An Irish Party In Third Class
  • 3: Alexander's Ragtime Band
  • 4: The Portrait
  • 5: Jack Dawson's Luck
  • 1: A Building Panic
  • 2: Nearer My God To Thee
  • 3: Come Josephine, In My Flying Machine
  • 4: Lament
  • 5: A Shore Never Reached
  • 6: My Heart Will Go On
  • 7: Nearer My God To Thee
  • 8: Epilogue: The Deep And Timeless Sea

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

Gruff Rhys - Dim Probs LP
  • A1: Pan Ddaw’r Haul I Fore
  • A2: Cân I’r Cymylau
  • A3: Saf Ar Dy Sedd
  • A4: Taro #1 + #2
  • A5: Dos Amdani
  • B1: Chwyn Chwyldroadol!
  • B2: Cyflafan
  • B3: Dim Probs
  • B4: Adar Gwyn
  • B5: Gadael Fi Fynd
  • B6: Slaw
  • B7: Acw
également disponible

Orange Vinyl

Cassette


Der legendäre Gruff Rhys kehrt mit "Dim Probs" zurück, seinem neunten Soloalbum, dem vierten walisischen Longplayer und der ersten Veröffentlichung über Mogwais Rock Action Records.

Mit den walisischen Künstlerkollegen Cate Le Bon und H. Hawkline an den Backing Vocals und produziert mit seinem langjährigen Kollaborateur Ali Chant (Yard Act/PJ Harvey) in dessen Studio in Bristol, UK, erinnert "Dim Probs" an die Wärme und Nähe von Gruffs karrierebestimmendem ersten Soloalbum ("Yr Atal Genhedlaeth" von 2005) und die sternensuchende Melancholie von "Seeking New Gods" von 2021.

Auf „Dim Probs“, das komplett in Walisisch/Cymraeg geschrieben und eingesungen ist, sitzt der Hörer Seite an Seite mit einem der größten und nachdenklichsten Songwriter des Landes in einer Ecke des Studios, während die Songs sich aufbauen. Das Ergebnis ist eine intime und hypnotische Platte, die akustischen Folk mit dem Sound verkratzter, primitiver elektronischer Maschinen mischt.

"Dim Probs" ist Gruff Rhys' erstes komplett walisischsprachiges Album seit "Pang!" von 2019 und der Nachfolger seines gefeierten Albums "Sadness Sets You Free" von 2024, das bei Rough Trade Records erschienen ist und vom Mojo Magazine (UK) als eines der 20 besten Alben des Jahres bezeichnet wurde.

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

Gruff Rhys - Dim Probs LP
  • A1: Pan Ddaw’r Haul I Fore
  • A2: Cân I’r Cymylau
  • A3: Saf Ar Dy Sedd
  • A4: Taro #1 + #2
  • A5: Dos Amdani
  • B1: Chwyn Chwyldroadol!
  • B2: Cyflafan
  • B3: Dim Probs
  • B4: Adar Gwyn
  • B5: Gadael Fi Fynd
  • B6: Slaw
  • B7: Acw
également disponible

Black Vinyl

Cassette


Der legendäre Gruff Rhys kehrt mit "Dim Probs" zurück, seinem neunten Soloalbum, dem vierten walisischen Longplayer und der ersten Veröffentlichung über Mogwais Rock Action Records.

Mit den walisischen Künstlerkollegen Cate Le Bon und H. Hawkline an den Backing Vocals und produziert mit seinem langjährigen Kollaborateur Ali Chant (Yard Act/PJ Harvey) in dessen Studio in Bristol, UK, erinnert "Dim Probs" an die Wärme und Nähe von Gruffs karrierebestimmendem ersten Soloalbum ("Yr Atal Genhedlaeth" von 2005) und die sternensuchende Melancholie von "Seeking New Gods" von 2021.

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

Gruff Rhys - Dim Probs (TAPE)
  • Pan Ddaw’r Haul I Fore
  • Cân I’r Cymylau
  • Saf Ar Dy Sedd
  • Taro #1 + #2
  • Dos Amdani
  • Chwyn Chwyldroadol!
  • Cyflafan
  • Dim Probs
  • Adar Gwyn
  • Gadael Fi Fynd
  • Slaw
  • Acw
également disponible

Black Vinyl

Orange Vinyl


Der legendäre Gruff Rhys kehrt mit "Dim Probs" zurück, seinem neunten Soloalbum, dem vierten walisischen Longplayer und der ersten Veröffentlichung über Mogwais Rock Action Records.

Mit den walisischen Künstlerkollegen Cate Le Bon und H. Hawkline an den Backing Vocals und produziert mit seinem langjährigen Kollaborateur Ali Chant (Yard Act/PJ Harvey) in dessen Studio in Bristol, UK, erinnert "Dim Probs" an die Wärme und Nähe von Gruffs karrierebestimmendem ersten Soloalbum ("Yr Atal Genhedlaeth" von 2005) und die sternensuchende Melancholie von "Seeking New Gods" von 2021.

Auf „Dim Probs“, das komplett in Walisisch/Cymraeg geschrieben und eingesungen ist, sitzt der Hörer Seite an Seite mit einem der größten und nachdenklichsten Songwriter des Landes in einer Ecke des Studios, während die Songs sich aufbauen. Das Ergebnis ist eine intime und hypnotische Platte, die akustischen Folk mit dem Sound verkratzter, primitiver elektronischer Maschinen mischt.

"Dim Probs" ist Gruff Rhys' erstes komplett walisischsprachiges Album seit "Pang!" von 2019 und der Nachfolger seines gefeierten Albums "Sadness Sets You Free" von 2024, das bei Rough Trade Records erschienen ist und vom Mojo Magazine (UK) als eines der 20 besten Alben des Jahres bezeichnet wurde.

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

Star Feminine Band - Jusqu'au Bout Du Monde

Star Feminine Band

Jusqu'au Bout Du Monde

12inchBBLP185
Born Bad Records
12.09.2025

Star Feminine Band, hardest working women in Beninese show business, are releasing their third album on Born Bad, who went all out for their first. Some get malaria at the sight of that sticky world label : rest assured, the world is all they deserve after nine years of hard work. These eight young women, from a village that even Beninese can't quite place, started out in hard mode.

They had to convince themselves that it was worth a shot, but also their family, their village and an entire continent.

André Balaguemon, composer, manager and lyricist, does a lot, while remaining in the background. He put the group together, included his three daughters, houses everyone with his wife Edwige who also manages dances and costumes. He gave them a musical training, and created the framework for them to continue school while rehearsing hard. From local heroes to UNICEF ambassadors, the group has made it. The very existence of this new album is a testament to the perseverance of Grâce, Anne, Urrice, Bénie, Angélique, Sandrine, Julienne and Ashley. The personnel of this family affair has changed a bit : two new women have joined the group, which conquered bigger stages (Glastonbury in the summer, the X-mas BBC special).



This new album brings simple joys : watching them grow from Benin's first girl band to a band in its own right. And never forgetting why they took to the stage in the first place. Star Feminine Band makes straightforward music, taking no detours to express what's missing in the country. When Grâce advocates for kids getting a chance to get to school it's because there's nothing else more important to say that day. Teachers, don’t leave the kids alone, after all.



As they said on their first album, « music is our job », let them be that : musicians having a lot of fun on this album. It wanders through the vast territory of the countless West African styles. They even make a quick foray into reggae to talk about marriage (with a little rap thrown in), and interweave their voices in multiple languages (Waama, Ditamari, Bariba, Fon, Yoruba). And boy do they have hits. To each is own, but “L'enfant c'est un don de Dieu » (Child is god’s gift) is a mighty steamroller, methodically smoothing out the ground for dancing together to its final chorus, singing « debout-les-en-fants / get up, kids ! » along.



Smoother than the first two albums, supported by fine arrangements, ambitious keyboard parts and more complex vocal harmonies without losing any of their spontaneity, this third opus quietly adds to Benin's musical heritage. As they make clear in « Jusqu'au bout du monde », clever little number that we can already hear swelling up on stage: « oui, c’est Star Feminine Band qui a gagné - o / Star Feminine Band won».

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

BARRENS - CORPSE LIGHTS

Barrens

CORPSE LIGHTS

12inchPELV292
Pelagic Records
12.09.2025
  • Memory Eraser
  • The Derelict
  • Sorrowed
  • Periastron
  • Apastron
  • No Light
  • Collapsar
  • Remnants
  • A Nothing Expands
également disponible

LTD PERIASTRON ED


Gothenburg/Malmö-based post rock power trio Barrens return with Corpse Lights, the band's second full-length release following their critically-acclaimed 2020 debut Penumbra. Five years in the making, Corpse Lights sees Barrens strike a breathtaking balance between light and dark, beauty and brutality. Corpse Lights, Barrens' sophomore album, is somehow deeper, richer and headier; imbued with an alluring compositional patience that serves as unspoken testament to the combined creativity of the trio in their element, as something so much greater than the sum of its parts. Recorded and produced by Kristofer Jönson, who also helmed Penumbra, and mixed and mastered once again by Cult of Luna's Magnus Lindberg, shimmering synthesizers and sprawling guitars lead the charge propelled by exhilarating drums and percussion but Corpse Lights also finds Barrens using space, silence and atmosphere as another instrument if not as another band member entirely. `Corpse Lights' is the name given to the folk belief that small coloured lights often appear near the home of someone about to die, leading them along the path to their eventual resting place. Often considered to be evidence of the soul leaving the body, the concept of corpse lights embodies Barrens' approach to creating music as a cathartic release; not just writing music because they want to but because they have to. Their writing process is one of joy, light and release as much as it is dark, heavy and tense. The result is Corpse Lights, a collection of nine pieces that guide us through five tumultuous years of highs and lows, of loves and losses and victories and defeats without ever needing to say a word. FOR FANS OF Mono, PG.LOST, Caspian, Mogwai, This Will Destroy You, Russian Circles, Pelican, Scraps Of Tape, God Is An Astronaut. Vinyl is a gatefold, the sleeve comes with metalic ink

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

BARRENS - CORPSE LIGHTS

BARRENS

CORPSE LIGHTS

12inchPELVC292
Pelagic Records
12.09.2025

Gothenburg/Malmö-based post rock power trio Barrens return with Corpse Lights, the band's second full-length release following their critically-acclaimed 2020 debut Penumbra. Five years in the making, Corpse Lights sees Barrens strike a breathtaking balance between light and dark, beauty and brutality. Corpse Lights, Barrens' sophomore album, is somehow deeper, richer and headier; imbued with an alluring compositional patience that serves as unspoken testament to the combined creativity of the trio in their element, as something so much greater than the sum of its parts. Recorded and produced by Kristofer Jönson, who also helmed Penumbra, and mixed and mastered once again by Cult of Luna's Magnus Lindberg, shimmering synthesizers and sprawling guitars lead the charge propelled by exhilarating drums and percussion but Corpse Lights also finds Barrens using space, silence and atmosphere as another instrument if not as another band member entirely. `Corpse Lights' is the name given to the folk belief that small coloured lights often appear near the home of someone about to die, leading them along the path to their eventual resting place. Often considered to be evidence of the soul leaving the body, the concept of corpse lights embodies Barrens' approach to creating music as a cathartic release; not just writing music because they want to but because they have to. Their writing process is one of joy, light and release as much as it is dark, heavy and tense. The result is Corpse Lights, a collection of nine pieces that guide us through five tumultuous years of highs and lows, of loves and losses and victories and defeats without ever needing to say a word. FOR FANS OF Mono, PG.LOST, Caspian, Mogwai, This Will Destroy You, Russian Circles, Pelican, Scraps Of Tape, God Is An Astronaut. Vinyl is a gatefold, the sleeve comes with metalic ink, the Periastron edition is transparent "white" Vinyl

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

WHITNEY K - BUBBLE

Whitney K

BUBBLE

12inchFIRELPW786
Fire Records
12.09.2025
  • Heaven
  • Something Strange
  • Jolene
  • Freud Estate
  • Tv Dreaming
  • The Ocean
  • Sunshine2
  • Beetlejuice
  • Morning After
  • Apocalypse Rock
  • We'll See
  • Rosy
  • Lately

Whitney K returns with 'Bubble', his first album for Fire Records and follow-up to 2022's acclaimed 'Hard To Be A God'. Whitney K continue his migrant mind games, summoning up a series of intriguing characters, littered with everyday foibles and fantasies. Along the way, he pens a journal of possibilities as he travels further into transient America, touching on everything from bar room chatter, rumour and distortion to misinformation, daydreams, misunderstanding and self-realisation; with anecdotes lifted from the paperback in his back pocket and his half-forgotten past. 'Bubble' is a 13-part cerebral mystery that unravels on songs that bring to mind the gruff sentimentality of the late Kris Kristoferson, Lennon's 'Jealous Guy', Eels at their most troubled and the American Gothic sketches of David Ackles; the perfect soundtrack for a Raymond Carver book club. Recorded in Montreal, it's self-produced by band members Josh Boguski and Michael Halls at their home studio. This stripped back release is Whitney K's most raw yet refined work to date-an honest, sonically paradoxical collection that finds fresh possibilities in the familiar shapes of rock, pop, and folk with the same unfiltered energy and poetic gravity we have come to expect from this modern-day troubadour whose descriptive storytelling is filled with sketchy characters and rudimentary comment. RIYL Bill Callahan, Silver Jews, Leonard Cohen, Lou Reed, Cate LeBon, Kurt Vile, Wilco, MJ Lenderman, Waxahatchee, Cass McCombs, Giant Sand...

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

NEW BRUTALISM - REQUIESCAT RECORD
  • 088:
  • 087:
  • 089:
  • 088:
  • 087:
  • 089:
également disponible

DELUXE EDITION


Requiescat Record is the new EP by New Brutalism, a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch. The three-track release - "088," "087" and "089," in keeping with their strict numerical naming convention - was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston at Chicago Mastering Service in 2025. For the band, "less is more" became a guiding principle - channeled through an unwaveringly raw, direct, and honest approach to sound. Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itE¼s lighter than steel, more consistent than wood, and easy to machine. Above all, itE¼s precise - and thereby, can produce precise music. In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to AlbiniE¼s memory. The band acknowledges that so much of the aesthetic, interests and sounds they admired are a product of his influence and the circle of artists around him. His death instigated a state of urgency. A desire to act became more pressing, to strike more often, and usher in a new era of productivity. Shattered and kinetic, forgedby time and tragedy, with god-given sonicquality, Requiescat Record may acknowledge the dead, but this music feels ever so alive.

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

NEW BRUTALISM - REQUIESCAT RECORD

NEW BRUTALISM

REQUIESCAT RECORD

12inchCSB12
Computer Students
12.09.2025
 
6
également disponible

Standard


Requiescat Record is the new EP by New Brutalism, a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch. The three-track release - "088," "087" and "089," in keeping with their strict numerical naming convention - was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston at Chicago Mastering Service in 2025. For the band, "less is more" became a guiding principle - channeled through an unwaveringly raw, direct, and honest approach to sound. Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itE¼s lighter than steel, more consistent than wood, and easy to machine. Above all, itE¼s precise - and thereby, can produce precise music. In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to AlbiniE¼s memory. The band acknowledges that so much of the aesthetic, interests and sounds they admired are a product of his influence and the circle of artists around him. His death instigated a state of urgency. A desire to act became more pressing, to strike more often, and usher in a new era of productivity. Shattered and kinetic, forgedby time and tragedy, with god-given sonicquality, Requiescat Record may acknowledge the dead, but this music feels ever so alive.

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

Calum Scott - Avenoir

Calum Scott

Avenoir

12inch7590678
Capitol Records
12.09.2025

Mit seiner kraftvollen Stimme und seinem gefühlvollen Songwriting kreiert Calum Scott die Art von Songs,
die tief in uns nachhallen und die bedeutungsvollsten Momente in unserem Leben begleiten.
Seit seiner Single „You Are The Reason“ hat der in Großbritannien lebende Künstler von unzähligen Fans
auf der ganzen Welt gehört, die seine Musik als Soundtrack für wichtige Lebensereignisse oder als Trost
beim Ertragen von großem Herzschmerz und Verlust nutzen.
Sein drittes Album „Avenoir“ enthält die Singles „Roots“, ‚Lighthouse‘, „At Your Worst“, „My World“
und „God Knows“ - eine beeindruckende Sammlung von Songs, die ein herzliches Plädoyer dafür sind, das
Leben in vollen Zügen zu leben.

pré-commande12.09.2025

il devrait être publié sur 12.09.2025

FJAAK - REMIX02

Fjaak

REMIX02

12inchFJAAKRMX02
Fjaak
12.09.2025

FJAAK return with a powerful remix package, delivering fresh takes on a selection of tracks from their unforgettable 2024 album 'FJAAK THE SYSTEM'. Welcoming three standout remixes from some of techno's most respected names, 'REMIX02' sees offerings from Robert Hood, Shed and West Code, as well as some surprise Bandcamp digital only remixes selected from the participants of FJAAK's latest remix competition. Kicking off the main remix package release, Detroit legend Robert Hood brings his unmistakable raw, relentless and pioneering sound to the table as he reimagines FJAAK's 'Breathe Underwater'. The genre-defining godfather serves up an undeniably signature cut flooded with euphoric energy, thumping grooves, rippling musicality and spaced-out vocal injections, carving out an authentic Floorplan-esque peak-time jam. Berlin-based artist Shed (one of the many monikers of established electronic stalwart Ren? Pawlowitz) is next to feature, delivering another impressive spin on FJAAK's work, this time exploring his vision on 'Micro Expressions'. An impressive blend of hypnotism and electricity, this bold remix echoes FJAAK's preference for cultivating huge dancefloor heaters that thrive on live instrumentalism and limitless energy. It's racy, groovy and raw, building around rolling rhythms, warping layers of analogue sound and intricate breaks throughout. Argentinian talent West Code was the winner of the 'Redemption' remix competition and rounds off the main package with a huge interpretation of FJAAK's original mix. Almost bordering into tribal techno in places, its emphasis on groove and subtle South American influences create a unique remix, overflowing with boomy low-end drive, piercing percussive drive and mind-bending melodics - a real gem for the height of the party and irresistibly sinister from start to finish. The remix competition of 'Redemption' drew an overwhelming response from producers worldwide, which made it very difficult to choose a winner. Even though West Code's interpretation was the chosen remix, four other interpretations were so good that FJAAK decided to showcase the talent of Helsmoortel, Genex, Ay Din and Your friend daao by including their reworks on an exclusive Bandcamp-only EP, highlighting the duo's ongoing commitment to to the underground.

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Last In: 7 months ago
GODSPEED YOU BLACK EMPEROR - Lift Your Skinny Fists Like Antennas To
  • A1: Lift Yr. Skinny Fists, Like Antennas To Heaven
  • A2: Gathering Storm / Il Pleut À Mourir
  • A3: Welcome To Barco Am/Pm
  • A4: Cancer Towers On Holy Road Hi-Way
  • B1: Terrible Canyons Of Static
  • B2: Atomic Clock
  • B3: Chart #3
  • B4: World Police And Friendly Fire
  • B5:
  • C1: Murray Ostril: "...They Don't Sleep Anymore On The Beach
  • C2: Monheim
  • C3: Broken Windows, Locks Of Love Pt. Iii. / 3Rd Part
  • D1: Moya Sings "Baby-O
  • D2: Edgyswingsetacid
  • D3:
  • D4: Attention...mon Ami...fa-Lala-Lala-La-La
  • D5: She Dreamt She Was A Bulldozer, She Dreamt She Was Alone In An Empty Field
  • D6: Deathkamp Drone
  • D7:

[b] A2 Gathering Storm / Il Pleut À Mourir [+Clatters Like Worry]
[c] A3 "Welcome To Barco AM/PM..." [L.A.X.; 5/14/00]





[i] B5 [...+The Buildings They Are Sleeping Now]





[o] D3 [Glockenspiel Duet Recorded On A Campsite In Rhinebeck, N.Y.]
[p] D4 "Attention...Mon Ami...Fa-Lala-Lala-La-La..." [55-St.Laurent]


[s] D7 [Antennas To Heaven...]

pré-commande08.09.2025

il devrait être publié sur 08.09.2025

Marchello - The Power of Money
  • 1: The Magic Comes Alive
  • 2: Boys Night Out
  • 3: Every Man's Lover
  • 4: Wall Of Paper
  • 5: The Power Of Money
  • 6: Rock Me
  • 7: All God's Angels
  • 8: Good Good Girls
  • 9: Sleazy Street
  • 10: Dancers
  • 11: Spitting Image
  • 12: Riot
  • 1: I Feel Good
  • 2: Running Man
également disponible

Gold Vinyl


pré-commande08.09.2025

il devrait être publié sur 08.09.2025

Gwen Mccrae - All This Love I'm Giving

Yet another solid Soul/Funk nugget lifted from the vaults of Miami's CAT Records (Another T.K. Disco subsidiary).

Often sampled, re-edited & re-jigged but never bettered! Gwen McCrae's all time classic "All This Love I'm Giving" finally see's a timely repress, just as God intended, on a dinked 45 with all original artwork intact! That's right, you may recognize this number from Cassius' 1999 hit "Feelin' For You" but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning DJ's & selectors clamoring for the original 45 at any cost.

Backed here with it's original b-side slow jam "Maybe I'll Find Somebody New" this rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

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Derniere entrée: 53 jours
Brbko - BRAK VS. BRAK ...?... (LP)

Brbko, one of the UK underground’s most enigmatic artists, shares his debut album ‘BRAK VS. BRAK’ via acclaimed label Scenic Route. The release is accompanied by new focus track ‘JOGA 07’ a bold, introspective moment marking a turning point in the project’s emotional arc.

BRAK VS. BRAK is a genre-fluid meditation on life, death, and duality, using the afterlife as a metaphor for ego, rebirth, and reflection. Its title nods to an episode of Samurai Jack, where the hero confronts a darker version of himself, a fitting metaphor for Brbko’s own exploration of internal conflict. “It’s about realizing that your demons aren’t always from outside,” he says. “Sometimes they’re of your own making.”

Written across Manchester, Lewisham, Paris, and New York, the album moves through raw vulnerability and surreal visions. It opens with ‘BONSAM 2’ a raw intro tackling power, appropriation, and immortality, before ‘POWER OF 6’ reflects on clout and connection. The title track pits Brbko against his own shadow, while ‘BUZZ LIGHTYEAR’ distills ego and isolation into a dreamy freestyle. ‘DARK CLARITY’ offers bittersweet closure through minimalist production and vivid intimacy. The mood shifts with ‘JOGA 07’, where faith and lightness emerge as redemption.

Manchester-born and Lewisham-based, Brbko has quietly shaped UK underground music: from pirate radio and stage curation to collaborations with Alice Glass, Zed Bias, and Andrew Aged. GQ calls him “an essential part of underground music,” while Dazed praises him as “a stir in the contemporary grime scene.”

With ‘BRAK VS. BRAK’, Brbko delivers his most personal and expansive work to date.

pré-commande05.09.2025

il devrait être publié sur 05.09.2025

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