Suche:glory b

Re-issue alert!

Whirlpool Productions "Fly Hi/Gimme" appeared first in 1993 on the one time and made up label 5th&Madison. The fascination that a young Justus Köhncke had for the then bubbling sounds, strictly rhythms and nu grooves of New York house music sparked the idea to join in the chant with a production of his own. Add his co-producer Fred Heimermann, the buzzing DJ and brilliant music journalist Hans Nieswandt and a visitor from San Francisco named Eric D. Clark, the singer Heather Sachs and samples by Mel Tormé to the flamboyant picture and you know why the records sounds like it does: swinging house music through the lenses of a colorful cast or how some German people thought New Jersey's Zanzibar would sound. Fly Hi embodies the sophisticated deep and soulful approach, while Gimme satisfies the more hysteric approach. Favoured and championed by DJs like Tony Humphries at the time, officially released by Snap's Logic Records and never vacated from Move D's record bag, it's re-issued in all its glory for the first time on Running Back. Additionally, Move D puts his fingerprint on it with a disco leaning and upbeat remix of "Gimme". Extensive liner notes by Hans Nieswandt upon request. Life is still in hi-fly!

Blue and orange Stardust vinyl, limited to 500 copies. Since 2016, Indiana's Wraith have been emitting their incendiary brand of blackened thrash and speed metal into the world. Summer 2024 will see them release their debut full length under the Prosthetic Records label banner; prepare for Fueled By Fear. What started as a one-man band many moons ago has evolved into a propulsive beast of a band. Channeling a reverence to classic metal from a bygone era, Wraith incorporate their distinctively blistering sonic signature to create something urgent and contemporary. The band have previously described their collective mission as follows: a war of aggression on the dour confines of the modern metal scene and total sonic annihilation. Fueled By Fear captures the raw punk edge of their previous releases; a sound that will already be familiar to converts who have caught the band live in all their full-throttled abrasive glory. The album was self-produced by the band in Griffith, Indiana -, with engineering, mixing and mastering handled by CJ Rayson. Each member brings their own influences and stylistic flourishes to the table, combining to create a tightly wound, cohesive collection of scorching tracks that reflect their individual personalities and tastes.

Bon Jovi has used great hooks, epic-sounding productions and stadium-sized passion to forge a sound that combines a pop sensibility with a heavy-metal attitude.

Sardinia-based heavy psych and power stoner
rockers Bentrees’ sound is a vibrant mix of fuzzy
power blues and hard rock influences, drawing
from the 70’s and wrapped in the glory of 90’s and
early 2000’s stoner rock.
 Bentrees create a wild ride of addictive and heavy
riffage into psychedelic wonderlands. They have
been continuously looking for an authentic and
genuine formula, often represented by
introspective lyrics - a reference to their homeland
and connection with nature.
 Following the band’s 2017-debut, ‘Psychollage’,
and countless live shows with acts such as
Yawning Man, Black Rainbows, The Cosmic Dead
and The Spacelords, Bentrees are now ready with
their new opus, ‘Two Of Swords’.
 For fans of Lowrider, Celestial Season, Atomic
Vulture, Kyuss, Nebula, Spirit Caravan, Monster
Magnet, Acrimony, King Buffalo.
 LP pressed on blue vinyl.

Warpathis the second studio album by American death metal band Six Feet Under.Tracks on this album include "Death or Glory", which is a cover of a song originally done by Holocaust, and "4:20", a song four minutes and twenty seconds in length which,according to theliner notes, was recorded at 4:20 PM on April 20, 1997.The last album to feature founding guitarist Allen West.

John Prine's 2005 release, winner of the Grammy Award for Best Contemporary Folk Album.

John Prine's 2005 release, winner of the Grammy Award for Best Contemporary Folk Album.

VSION 02 is the soundtrack to when the club's heartbeat matches yours; the first sip of water while cavernous drums engulf you. Kasra V's latest offering appeals to the glory days of the tribal side of 90s electronic music: sacred rhythms that echo influences from NYC clubs of past times and the freaky side of abstract dance music, while still retaining a unique flavor from his creative V-sion. Drawing a direct line from the shadowy corners of late 90s club culture to the avant garde, Kasra's world building is on full display, calling to mind both the full-bodied spirit of Victor Calderone's primal grooves and the voodoo beats of Exquisite Corpse. His most dancefloor oriented work to date, Kasra infused the energy of spontaneous jams into refined and layered sonic alchemy, utilizing vintage gear and pedals to evoke spiritually timeless flavors. The record is artistically represented by a Pierrot-esque visual, a perfect symbol for the playful psychedelia that is still entrenched in a hedonistic flair. There's more time in our ritual dance, take another sip.

This release will come in 10 alternative sleeves limited to 100 copies of each so the bedroom design of the front cover has been painstakingly adapted for devotee’s of; 1. Sex Pistols 2. The Clash 3. The Jam 4. Buzzcocks 5. The Damned 6. The Stranglers 7. Siouxsie & the Banshees 8. Generation X 9. Ramones and 10. Blondie… and that design comes with a signed and stamped print of that design inside…
Mal-One’s new five track 12’’ offering has broached the tender subject of the bedroom wall and what as a teenager we would cover it with, as we revelled in our teenage glory. During what we now fondly remember as the Punk Rock period, this would have been the promo posters, gig tickets, flyers, badges, t- shirts anything we could find to extend our allegiance to the Punk Rock cause. Track one of this extended play covers this dilemma in fine style:

Side One
1. Punk Rock Pictures on my Wall …from floor to ceiling and ten feet tall !!!
2. JJ’s Alright relates a true story of Mal-One’s run in with the Euroman Cometh himself and finding out first hand that
even if his band The Stranglers were to become Punk’s social outcasts that in fact JJ was Alright and so in fact was
Hugh….
Side Two
1. The Buzz-Cocks Are Coming tells the Buzzcocks connection to this movement and their entry point into the affray.
2. Damned Disciple tells what is required to become a Damned devotee. Which includes amongst other requirements
and as stated on one of their early badges ‘skipping off school to see them play’
3. The Satellite Kid tells the engaging story of Mr Paul Weller coming to London seeing the Sex Pistols for the first time
at the Lyceum Ballroom on The Strand. In doing so he found some likeminded souls and more importantly people the
same age that he could relate to and forge an identity with.
Hopefully to hang on your bedroom wall… it’s never too late Punk….

Vintage George Benson vocals on vinyl & CD, float over orchestral reimagining of beloved American Standards & Soul Classics in this incredible collaboration with renowned composer and conductor, Robert Farnon.

The brand new 10-track collection, once thought to be lost to history, was recently discovered in Benson's personal vaults and remastered to their original glory.

With this new release, Benson marks a musical return to the Warner Family --a Homecoming to the place where he had his most profound commercial success.

Originally released in 1979 and long-out-of-print, Nick Lowe's Labour of Lust album has been remastered to its original glory and now includes both the U.K.-only track "Endless Grey Ribbon" and the U.S.-only track "American Squirm," along with the bonus B-Side "Basing Street." Hailed by Trouser Press as "a brilliant piss-taker that pairs sprightly pop and savage lyrical wit" and by Rolling Stone as "...a hookfest full of barbed wit," the album features Nick Lowe's worldwide mega-hit "Cruel to Be Kind" amongst other fan-favorites. This green vinyl pressing is limited to 1000 copies worldwide and features liner notes from Will Birch, pub-rock historian and author of Cruel to Be Kind: The Life and Music of Nick Lowe.

Beyond the Valley of the Murderdolls is the debut studio album by American horror punk supergroup Murderdolls. It was released in 2002. The album reached number 40 on the UK Albums Chart, and sold over 100,000 copies in the U.S.

Murderdolls are a side project for Slipknot drummer Joey Jordison and Static-X guitarist Tripp Eisen.

The music on the album is fast and macabre, stuck in a time warp that hurtles them backwards to the decayed sounds of the '80s. Call it gutter-punk, glam rock, or hair metal, every style is displayed here in its despondent glory, bearing close comparisons to shock-punkers the Misfits. The Murderdolls draw inspiration from movies such as Friday the 13th, Night of the Living Dead, and Phantasm. The 15 tracks found here are full of tongue-in-cheek horror clichés.

Beyond the Valley of the Murderdolls is now available on black vinyl and contains a 6 panel insert.

Mysterious, multifaceted collective i Häxa have unveiled their epic self-titled, full length debut; a ground-breaking conceptual double album shaped by a collision of ancient gods and bleeding-edge technology_ Released as four distinct Parts over the course of the year, `i Häxa' now comes together as a singular vision that weaves together genre-defiant soundscapes, abstract cinema and ancient meteorological mythologies from singer-songwriter and visual artist Rebecca Need-Menear (also of electronic alt-rock duo Anavae) and forward-thinking producer Peter Miles (Architects, Dodie, Fizz). i Häxa is a ritualistic dissection of the world as we know it, a forceful separation of the monotony of modernity from the rites and rituals that for centuries formed the foundations for who we are, how we came to be and where we claim to belong. Disjointed fragments of time collide. Two sides, one of logic and one of chaos, seeking unity and balance through an expression of freedom. This is i Häxa. Whilst the album is composed of four distinct movements, each consisting of four distinct tracks themselves; pulling them apart into easily digestible, standalone singles isn't an easy feat and, as is now clear from the project's sprawling cyclic nature, was never the intention. In an age of fast fun and instant gratification, the ties that bind these works together are intended to transcend tracklisting. With aural, visual and lyrical themes freely intertwining, i Häxa is something to be consumed whole; just as it will, in time, consume you. Charting an existential journey to the very depths of what makes us who we are, with every dark corner illuminated in glitched out, discordant glory; i Häxa is a project years in the making that draws simultaneously from rituals for old gods and the modern day deification of data. i Häxa is both heartwarming and horrifying; i Häxa is ancient history and hyper-real; i Häxa is everybody and no one at all. Check out if you like Radiohead, Julie Christmas, Agnes Obel, Bjork, Fever Ray, Massive Attack, Dead Can Dance, Emma Ruth Rundle, Jenny Hval, Cult of Luna, Eivor, Zola Jesus, Marissa Nadler, Soft Moon

"Live in the Midnight Hour" is a legendary album by Wilson Pickett, capturing the energy of his live performances.

2024 Reissue

The syndicate manifests its sonic potential in full glory. Giving rise to this collection of colossal heavyweights, Sentry demonstrates its spotless record of selecting certified heavyweights for the discography once again, twenty-fold. Stepping into the ring are some of the scene's most prolific artists alongside a plethora of promising, choice newcomers.

Boasting more than an hour of supercharged sound system pressure with names like Caspa, Truth, Bukez Finezt, Nomine and Youngsta himself on the controls - the subsequent inferno proves to be an authoritative display of quality bass music, that is sure to reach roaring stacks of speakers all around the globe for years to come."

"Vintage flavours transmute into fiery low-end excursions in 'Sun Ra' as Onhell reigns with fire and brimstone and makes way for what's to come. Rolling on, Taso lays waste with dimly lit half-time flows as we enter the smoke-filled mansion of Argo's meticulously crafted 'Since Then' - a prime cut of hip-hop infused breakbeats and bass.

Abstrakt Sonance & Substance set the heater into overdrive and blunts aflame as we proceed into the shelling of 207's 'Gypsy Dub' - then promptly being crunched to bits by 'Crocodile' - encapsulating Dayzero's cold-blooded dance floor armaments. Brace yourself for battle as we step to the drums of Caspa's tribal warfare, full-frontal assault engineered for the club.

Unrestrained power surges propelling us onwards in Coltcut & Ourman's decidedly high-grade collaboration as listeners march through Khiva's haunting sound system belter 'Teeth' and a zealous dosage of Dubstep as envisioned by Truth. Led through eerie alleys and pressure-ridden environments with LSN on the buttons, the onslaught proceeds with the relentlessly driving 'R U Broke' in Mr. K's signature style.

Opus merciless injects straight fury in an auditory form in the spiked 'Lime Pickle' - Bukez Finezt keeping pace with a murderous Cembalo-ridden thug anthem, lunacy! Minimal instrumentation to its fullest effect, Sukh Knight's 'Modulate' keeps it spicy - as does the claustrophobic sub-bass chiming by Leftlow. Thanom ignites what's left of the residual air in 'Tumble It' - dangerous goods.

The subsequent time bomb armed by A:Grade & Feonix, cast into the abyss that is Nomine's space-bending 'Judas' - big speaker business. The clock strikes its final hour - Youngsta & Cimm finish off the survivors with a no-holds-barred showdown, the 'Last Judgement' executing its massive verdict.

Dive into the soul-stirring depths of Snowgoose's latest album, "Descendant."
"Descendant" is crafted with their exquisite blend of folk and psych. Featuring the guitar of Raymond McGinley (Teenage Fanclub) the keys of Chris Geddes (Belle and Sebastian), the bass of Stevie Jones (Arab Strap), the pedal steel of Tim Davidson (Tracyanne & Danny), and the drums of Stuart Kidd (BMX Bandits) and Adam Stearns (Trembling Bells), this album is a testament to the collaborative spirit of Scottish indie royalty.
Following their acclaimed psych folk albums "Harmony Springs" and "The Making of You," Snowgoose continues to enchant with narratives of love, loss and the ephemeral beauty of life.
Praised for their "spellbinding" sound (Uncut Magazine) and vocals that evoke "the spirit of Sandy Denny" (The Scotsman),

Feiern Sie die Weihnachtszeit mit der beliebten Weihnachtssammlung von Sufjan Stevens, ,Silver & Gold: Songs for Christmas, Vols. 6-10", die jetzt zum ersten Mal seit ihrer ursprünglichen Veröffentlichung 2012 wieder auf Vinyl im Handel erhältlich ist. Dieses umfangreiche Set enthält fast drei Stunden festliche Musik, darunter 18 Eigenkompositionen und kreative Interpretationen von Weihnachtsklassikern. Die 6-LP-Kollektion (vier Einzel-LPs und eine Doppel-LP) im Schuber zeigt Stevens' einzigartige Herangehensweise an Weihnachtsmusik, die Folk, Indie-Rock und experimentelle Klänge miteinander verbindet. Von intimen Weihnachtsliedern bis hin zu ausgedehnten Orchesterarrangements zeigt ,Silver & Gold" Stevens' künstlerische Vielseitigkeit und seinen kollaborativen Geist, was es zu einer unverzichtbaren Ergänzung jeder Weihnachtsmusiksammlung macht.

F.F.O.: Black Label Society, HELLYEAH, Five Finger Death Punch, Pantera, Lynyryd Skynyrd, Pride & Glory, Molly Hatchet, Blackfoot, The Black Crowes
Eine Gruppe von fünf gottesfürchtigen Außenseitern kommt mit Gitarren und Verstärkern in die Stadt, und sofort beginnt eine Party... Mit
eingeschenkten Drinks, erhobenen Fäusten und einem breiten Grinsen wissen die TEXAS HIPPIE COALITION (THC) immer, wie man eine gute Zeit hat.
Das texanische Quintett - Big Dad Ritch (Gesang), Cord Pool (Gitarre), Nevada Romo (Gitarre), Rado Romo (Bass) und Joey Mandigo (Schlagzeug) - ist
ein Kollektiv aus bewährten Pöblern und eingefleischten Geschichtenerzählern, die arschtretenden Hardrock mit einer Prise Country und einer Menge
texanischer Härte und Lebensfreude spielen. Mit zehn Millionen Streams, Tausenden von Kilometern auf der Straße und zahllosen Fans liefern sie auf
ihrem achten Album Gunsmoke zehn Hymnen, die wie maßgeschneidert sind, um zu kochen und zu brennen. Im Jahr 2024 zogen sich Ritch und Co.
für einen Monat in ein Airbnb zurück und schrieben das, was Gunsmoke werden sollte, um es dann in Dallas und in den Bell Labs in Nord-Oklahoma
mit dem Produzenten Trent Bell aufzunehmen. Diesmal ließen sich die Musiker voll und ganz auf ihren Country- und Southern-Rock-Stil ein, aber
auch auf ihre lebenslange Leidenschaft für Western. „Ich war schon immer ein Western-Typ“, bekräftigt Ritch. „John Wayne ist einer meiner
Superhelden. Man versucht, sich an Leuten zu orientieren, von denen man glaubt, dass sie eine gute Moral und einen guten Standard haben. Wenn
ich als großer Kerl reinkomme und wie ein Mann aussehe, der alles im Griff hat, heißt es: 'Hier kommt der große Mann'“, lacht er.

Cobblestone Runway (Originally released 2002) was produced by Martin Terefe and features several of Ron"s most poignant songs including "God Loves Everyone", "Former Glory" and Ron"s biggest hit "Gold In Them Hills", which features a duet with Coldplay"s Chris Martin and was chosen by Richard Curtis to feature on the soundtrack to his film "About Time".

Reissue of Future Sound of Melbourne's iconic "Melodia" EP. Originally released in 1992 as a maxi two song record, and now added two extra bonus tracks, this timeless collection of tracks, meticulously remastered by Damian Schwartz, promises to ignite dancefloors festivities with its infectious blend of techno, rave house, and breakbeat piano anthems. Bursting with retro-futuristic energy, each track transports listeners to the golden era of electronic music while retaining an undeniable contemporary allure.

Formed in 1990 by bass and drum producer Davide Carbone, bass guitarist and vocalist Josh Abrahams, and acid house DJ Steve Robbins, Future Sound of Melbourne crafted a sonic legacy that continues to resonate with audiences worldwide.

The EP kicks off with "Alien," a high-octane journey through techno's upbeat 90s soundscapes, setting the stage for an exhilarating sonic adventure. "Heaven" follows suit, delivering a euphoric rave house anthem guaranteed to lift spirits with its infectious energy. Next up is "Melodia," a breakbeat piano banger that harkens back to the glory days of underground raves, its infectious rhythms and haunting melodies captivating listeners from start to finish. Rounding out the EP is "Melodia 95," a reimagined version that offers a fresh perspective on the timeless classic, showcasing FSOM's versatility and innovative spirit.

Heated Garage is a sonic snapshot of what happened when boundless musical energy and middle American moxie combined to create a cultural phenomenon. The tracks are drawn from a vast archive of Kay Bank master tapes - some are ultra rarities you’d be hard pressed to snatch from the collectors’ market without mortgaging a kidney. Others are alternate versions and outtakes never before released in any form! “The joke was, some bands didn’t become garage bands because it was too damn cold...you can’t go outside when it’s 25 below zero. So, a lot of people are honing their craft in their basements.” High Spirits guitarist Owen Husney explains. Knowing more about them is not only unnecessary, it would mar their mystique. They exist forever in a moment of raw rock ‘n’ roll glory that transcends time, a space shared by their Heated Garage brethren. Looking back on The Pagans’ songs, for example, Kip Sullivan says, “They feel sacred to me.” Recollecting his High Spirits adventures, Owen Husney sighs, “I would go back to those heydays in a minute.” Now he can. And we can all come along.

High Roller Records, black vinyl, ltd 150, lyric sheet, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in May 2016

High Roller Records, Galaxy Vinyl, 425gsm heavy cardboard cover, insert

High Roller Records, Galaxy Vinyl, 425gsm heavy cardboard cover, insert

Black Pus is the guttural, raw, freeform project of singular drummer, vocalist, & artist Brian Chippendale. A heavy drum foundation and distorted electronics anchor Black Pus" sound, and remain directly connected to the intensity of Chippendale"s legendary duo with Brian Gibson, Lightning Bolt. Recorded at Machines with Magnets by engineer Seth Manchester, Terrestrial Seethings is pure energy, pure Black Pus, capturing the precision, frenzy, and ecstatic performance in all its glory. After more than a decade playing and improvising, Chippendale"s imagination and curiosity continue to push his world of twisted joy in expressive new directions. While known primarily for his iconic style of drumming with Lightning Bolt, Chippendale has also worked alongside artists such as Björk, The Flaming Lips, Boredoms, Andrew W.K., and Lee "Scratch" Perry. Outside of music related endeavors, Chippendale has made a name for himself as a renowned painter and painterly silk screen artist. Known for his frenetic color work, for Terrestrial Seethings Brian created striking black drawings that, like its title, pervert assumptions. Chippendale"s approach to crafting music as Black Pus mirrors his restless and indomitable spirit as a creator. His daily practice of making music and art on his own is both as meditative and cathartic, as it is inquisitive and spontaneous.

Black Pus is the guttural, raw, freeform project of singular drummer, vocalist, & artist Brian Chippendale. A heavy drum foundation and distorted electronics anchor Black Pus" sound, and remain directly connected to the intensity of Chippendale"s legendary duo with Brian Gibson, Lightning Bolt. Recorded at Machines with Magnets by engineer Seth Manchester, Terrestrial Seethings is pure energy, pure Black Pus, capturing the precision, frenzy, and ecstatic performance in all its glory. After more than a decade playing and improvising, Chippendale"s imagination and curiosity continue to push his world of twisted joy in expressive new directions. While known primarily for his iconic style of drumming with Lightning Bolt, Chippendale has also worked alongside artists such as Björk, The Flaming Lips, Boredoms, Andrew W.K., and Lee "Scratch" Perry. Outside of music related endeavors, Chippendale has made a name for himself as a renowned painter and painterly silk screen artist. Known for his frenetic color work, for Terrestrial Seethings Brian created striking black drawings that, like its title, pervert assumptions. Chippendale"s approach to crafting music as Black Pus mirrors his restless and indomitable spirit as a creator. His daily practice of making music and art on his own is both as meditative and cathartic, as it is inquisitive and spontaneous.

High Roller Records, Galaxy Vinyl, 425gsm heavy cardboard cover, insert

On October 18th, Twisted Pine releases its joyous third LP, Love Your Mind. Dubbed “a band to watch” by NPR, the band’s first album in four years is the long-awaited follow-up to Right Now, which No Depression praised for its "sheer pop glory, funky all-day grooves, and spacecraft sonics.” The title represents the quartet landing after several years of touring, serious introspection, glorious bursts of creativity, and many after-hour festival jam sessions that had them pickin’ ‘til dawn. What started as a (semi-)traditional bluegrass band in the trenches of the storied Massachusetts Americana scene a decade ago has bloomed into an ensemble gleefully ready to race down any artistic detour. This is the sound of Twisted Pine now —experimental production, fearless songwriting featuring input from each member, finely-crafted collaborative arrangements, playing that is sometimes virtuosic, always visceral. The sound of a band that demands you Love Your Mind.

Caroline Says' haunting new album, The Lucky One, is a poignant exploration of how the ghosts of past relationships linger, sometimes holding more sway over our hearts and minds than our current connections. We revisit these ghosts through evocative landscapes of our memories - hometown bars, road trips, and late-night swims. Through a series of fractured and persistent memories these songs capture the bittersweet realization that the past, though imperfect, can sometimes be a more comforting and meaningful companion than the present. Opening track, "The Lucky One," confronts death's role in shaping our memories head-on, as it ponders the way death freezes a person in time, forcing us to confront the complexities of grief and its lasting impact on our relationship with the one we lost. Other tracks delve into the complexities of relationships that naturally grow apart as life takes us in different directions. For example, "Faded and Golden" reflects on the bittersweet nature of reunions with old friends, where the idealized memories of youth can clash with the realities of the present. Then, "Actors" takes this a step further, acknowledging the influence of perception and desire in friendships, and the idea that in many ways "all friendships are imaginary friendships," as it confronts the disappointment of inauthentic connections, and the facades we sometimes put on in relationships. "Roses" began when Caroline was looking through her grandma's collection of commemorative Kentucky Derby glasses, each one etched with the name of a winner. The song delves into the story of "Sunday Silence," the horse that won the year Caroline was born. Researching the horse's journey from near-Triple Crown glory to retirement in Japan sparked a metaphor - a pressured being (the horse) desperately trying to please but ultimately disappointing. The owners eventually selling the horse becomes a relatable symbol of unmet expectations, and the sting of falling short despite our best efforts. Album closer, "Something Good," revisits Caroline's Alabama childhood. Lost on a recent trip to Birmingham, unable to find the familiar path to a riverside hangout, the experience becomes a powerful metaphor; we can't always retrace the paths in our memories, but those memories, however unreliable, continue to shape us. In the end, The Lucky One celebrates this enduring power, acknowledging how past relationships and experiences, even those lost to the haze of time, continue to inform the stories we tell ourselves, and the way we navigate the present.

Multi-instrumentalist and synth wizard Paul White readies his third album for R&S Records, offering up a cinematic journey on ‘Peace In Chaos’ that captures the current mood with its shadowy electronic prowess. With an unabashed love of 80s synth music and film scores, the South London based producer presents an album of perhaps his most pop leaning tracks yet, following on from 2018’s ‘Rejuvenate’ and 2014’s ‘Shaker Notes’. Across eleven tracks, White delves into a world of esoteric electronic pop, as waves of melodic synths wash over towering drum patterns and majestic bass, with White adding his own enigmatic vocals to many of the productions.

Die niederländische Gospel-Soul-Sensation Michelle David & The True-tones feiert eine triumphale Rückkehr nach ihrem 2022er Werk "Truth & Soul", das von BBC Radio 6 zu einem der Alben des Jahres gekürt wurde. Mittelpunkt der Combo ist die ehemalige New Yorker Kirchenchorsängerin Michelle David, bekannt durch erfolgreiche Musicals/Shows (Mama, The Sound Of Motown, Glory Of Gospel, Mahalia) und als Backgroundsängerin (Diana Ross, Michael Bolton). Auf dem live im Studio aufgenommenen Album "Brothers & Sisters" gelingt es der Band wieder meisterhaft, die rohe, dynamische Energie und die gefühlvolle Atmosphäre ihrer Live-Auftritte im Studio einzufangen, wo sie mit peppigen Grooves, kraftvollen Vocals und starken Melodien, inspiriert von altem Gospel über Curtis Mayfield und Bobby Womack bis zu Klassikern des renommierten Stax-Labels, das Publikum in den Bann ziehen.

Remastered for the first time since its release in 1960, Paul Anka’s Sings His Big 15 is the definitive collection of the legendary crooner’s biggest hits. In the original sleeve notes, a prominent newspaper record reviewer confidently declared, "When the current era of Rock 'n' Roll fades and our musical tastes return to normal, only two of today's recording idols will continue on the glory road. Of these two, the surest bet for consistent and long-lasting stardom is young Paul Anka." This assertion has proven prophetic, as Paul Anka continues to thrive in a successful career, surpassing 50 years since those words were first penned.

"In July of 2023, Neil Young released the OFFICIAL RELEASE SERIES VOLUME 5, a stunning collection comprised of four classic albums that begins with the exciting renaissance that came with the release of FREEDOM in 1989, and continues on the unequaled exploration of collections RAGGED GLORY (1990), WELD (1991) and ARC (1991). In many ways, it is a musical travelogue of how Young saw the future and opened up creative worlds for the use of sound and originality which had not been used before.

Now, each of these titles from ORS 5 will become available once again as stand-alone albums on both
vinyl and CD. When these four albums were released in the box set last July, it was the first time they had
been remastered for vinyl."

"In July of 2023, Neil Young released the OFFICIAL RELEASE SERIES VOLUME 5, a stunning collection comprised of four classic albums that begins with the exciting renaissance that came with the release of FREEDOM in 1989, and continues on the unequaled exploration of collections RAGGED GLORY (1990), WELD (1991) and ARC (1991). In many ways, it is a musical travelogue of how Young saw the future and opened up creative worlds for the use of sound and originality which had not been used before.

Now, each of these titles from ORS 5 will become available once again as stand-alone albums on both
vinyl and CD. When these four albums were released in the box set last July, it was the first time they had
been remastered for vinyl."

Ltd Double Silver Vinyl, Monochrome edition artwork, DL card. Originally released in 1990, Royal Trux’s ‘Twin Infinitives’ is being re-issued in all its (yet to be translated) alien glory, by Fire Records. A dismantled overture that sprawls out over two records, an avant-garde masterpiece that was the spark for Drag City Records and generations of new sound seeking musicians. Hailed in the same immortal breath as Beefheart’s ‘Trout Mask Replica’, the Velvets’ at their frenzied peak and Ornette Coleman at his most avant-garde, the duo of Pussy Galore’s Neil "Michael" Hagerty and Jennifer Herrema recorded ‘Twin Infinitives’ while imbibing all kinds of mind-altering substances to create an inadvertent blueprint for what the duo was building with Moogs, guitars and melodicas to name a few ingredients. It is the legendary second album from the masters of the genre mashup - long before “genre mashups” even existed. Arguably, the term “mashup” was coined to describe what Trux, as they subconsciously scrolled through the radio stations of their lives. The album’s chaotic sound and offbeat construction laid the foundations for a string of Royal Trux albums that spiralled between genres, tunings, and noise. Through the 90s they would re-invent the rock ‘n’ roll ethic, straddle alien surf music, re-align boogie rock, not to mention 80s hair metal, and confound critics by their wildly meandering and courageous rites of passage. Remastered as part of a career spanning catalogue deal with Fire Records. The infamous and influential duo of Jennifer Herrema and Neil Hagerty will be delving into the archive with a comprehensive reissue series, unearthing the vaults and revisiting what made them such a compelling benchmark for their contemporaries and imitators. Reawakening their prolific output within a new monochrome vinyl series covering 1988-1993, they begin with their seminal deconstructed rock masterpiece Twin Infinitives. “Sounding like a subway ride inside a television inside an earthquake inside the end of the world and a pounding death rhythm of apocalyptic now.” Pitchfork. Track List: Disc One: A1 Solid Gold Tooth A2 Ice Cream A3 Jet Pet A4 RTX-USA A5 Kool Down Wheels B1 Chances Are The Comets In Our Future B2 Yin Jim Versus The Vomit Creature B3 Osiris Disc Two. C1 (Edge Of The) Ape Oven D1 Florida Avenue Theme D2 Lick My Boots D3 Glitterbust D4 Funky Son D5 Ratcreeps D6 New York Avenue Bridge

"Justin Townes Earle released Kids In The Street, his first record on New West Records, in May of 2017. The album received critical acclaim and further cemented Justin’s legacy as one of the best active songwriters in music. Songs like, “Champagne Corolla” showcased his wry sense of humor as well as his deft ability to build upon the music that came before him while at the same time creating something unique and new. Familiar, inventive, creative, and clever.

Justin would release his second album with New West Records in May of 2019. The Saint of Lost Causes was hailed as one of the best albums of 2019 by Rolling Stone Magazine with “half a dozen or so career classics.” “I was trying to look through the eyes of America,” Earle says. “Because I believe in the idea of America - that everybody’s welcome here and has a right to be here.” Earle tells these American stories in detail and without judgement. While some songs cite historic events like “Flint City Shake It,” and “Don’t Drink The Water,"" other tracks present fictionalized narratives that are no less harrowing, or true-to-life , as heard in ""Appalachian Nightmare,” “The Saint Of Lost Causes,” and “Over Alameda.""

Justin Townes Earle was always a champion of the underdog and All In features in depth looks at the hopeful, and the hopeless. Fueled by empathy, baked in the blues, Justin was never without something poignant or humorous to say. Sadly, Justin passed away in 2020 at the age of 38. ALL IN: Unreleased & Rarities (The New West Years) is a fitting tribute to Justin’s legacy. The collection features many never heard before songs, demos, and cover tunes, spanning his time as a New West Records recording artist."

The debut album of the most important black metal band from Belgium finally re-issued! Noble gatefold lp (various colors) with double sided insert and 6-panel digipack with 12 page booklet including previously unseen pictures and exclusive liner notes by founding member Gunther Theys. An essential masterpiece of Morbid Glory!

Big Crown Records is proud to present Dave Guy’s debut album Ruby. Having lent his talents both on stage and in the studio to artists like Amy Winehouse, Lizzo, Pharrell, and Sharon Jones to currently playing every night on The Tonight Show as a member of The Roots, Dave steps out on his own with a jazz record that is both unique and modern. Ruby mixes his musical in­fluences with the energies of the city that raised him, capturing different moods and inviting the listener into the world as Dave Guy sees and feels it. Recorded in Queens at The Legendary Diamond Mine, the album is produced by Homer Steinweiss and Nick Movshon and features musical contributions from Leon Michels, Marco Benevento, Claire Cottrill, and more.

Ruby instantly sits with the classics as an album that is fully realized and not simply a collection of songs. Lead single “7th Heaven” opens the album with an anthemic energy as Dave’s horn lines soar over thundering drums, ethereal vocals, and dancing piano. Keeping the energy high, “Footwork” is a Latin inspired number that is sure to soundtrack many a dance fl­oor from SoHo to Harlem. The synth intro of “Pinky Ring” cleanses your palate for the mood shift when the track drops. Deep bass tones underline the impeccable drumming and

Dave effortlessly finds the pocket wasting no notes as the verses and choruses trade off. The record leans into spiritual jazz vibes on “Diamond Encore” with a dark and deep almost “Axelrodish” rhythm track then picks the energy back up with the stomper “Still Standing”. “Dave Wants You” has a bop all its own with an unorthodox drum pattern that Dave anchors with his trumpet hits. The otherworldly arrangement of “Drony Boy” puts the production on a pedestal. The first intro almost serves as an intermission on the album while the second

intro sets up the neck snapping track that is about to drop. A menacing guitar signals the builds and the whole thing is juxtaposed by Dave’s beautiful trumpet riffs. “Quesodillas” & “Green Door” begin the autumn of the album with their mellow & intimate energy and “Ruby’s Rubies”, the album’s closer is the perfect ending to the journey.