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Theo Nasa makes his debut on Rekids this December with ‘Worldwide Ravers EP’.

The Alien Sound Trax boss, who has previously appeared on the likes of World Unknown, Suara, and UNCAGE, makes his mark on Radio Slave’s imprint with the hard-hitting and distinct ‘Worldwide Ravers EP’.

Deeply infused with the unmistakable sound of the UK, Nasa draws from his broad range of influences for his EP, distilling elements of Jungle, Rave, and Hardcore into his own brand of meticulously crafted, difficult-to-pigeonhole techno. Opener ‘Dubska’, clocking in at over ten minutes long, is a relentless and fast-paced affair, bubbling along at breakneck speed with the help of classic vocal samples, while ‘World Dance (Rinse Out Mix)’ fuses breakbeats and droning bass to create a high energy track that twists and turns at 140bpm. Field recordings of birds in ‘Summertime Raving In London’ sit alongside classic drum kits and emotive chords while living up to its titular character.

From Norway via Berlin, O.M.Theorem debuts with an EP rooted in 160BPM sub-heavy atmospheric soundscapes, that explores connections between different tempos and time signatures. Side A presents two percussive driven polyrhytmic explorations while side B steps into slightly more familiar dubstep / UK Garage territory.

One of the two great chapters in reggaes history was the DJ phenomenon that conquered the Sound Systems in and around Kingston town in those heady 1970's, the other was the dub plates specials that allowed the DJ's to explore a tune in the first place. Giving some fine question and answers to its original vocal, emphasising its meaning or taking it into another subject matter altogether. When you have these two styles and add to it that original vocal, dubbed in at various points you get a fantastic melting pot that lifts a tune and can take it almost anywhere it likes.

Although DJ's were operating in Jamaica in the 1950's and 1960's with the likes of Count Matchuki and Sir Lord Comic, their role was that of mainly selector with a few vocal embellishments to instrumental tracks to gee up the crowd. 1969 saw the art form broaden with the likes of DJ King Stitt (Winston Spark) who scored a couple of hits for producer Clancy Eccles with 'Fire Corner' and 'Herbsman Shuffle'. But it was Clancy Eccles next releases with a certain U Roy (Ewart Beckfort) in the same year that saw the style explode. When hearing the DJ holding the crowd’s attention on King Tubby's Home Town Hi - Fi Sound System, the producer rushed the DJ into the studio and cut 'Wake the Town' and 'Rule The Nation'. Which would top the Jamaican charts in the soon to follow 1970.

In true Jamaican musical style when a new sound hits on the radio waves, many would soon follow. With an abundance of already tried and tested hits, producers would get the new
toasters of which there were many and revamp and breathe new life into their back catalogues.

But what makes this set of cuts, chosen for this release that little bit more interesting, are the working of the dub plates and effects alongside these vocal talents. Adding another layer to this musical cake.

A fine selection of tunes worked over by the cream of the 1970's DJ circuit.U Roy, I Roy. Jah Stitch, U Brown, Dillinger, Prince Jazzbo, Dennis Alcapone and the vastly underrated Shorty the President alongside some classic King Tubby dubs surely a match made in heaven...

Hope you enjoy ride…….

More heat from the Escort back catalog pressed to 7” for the first time ever! On the A side it’s the electropop banger ‘Body Talk’ and on the flip Metro Area’s Darshan Jesrani dubs out ‘Temptation’ for a tasty build of synths and percussion climaxing in a huge vocal chorus.

Leroy Smart the self-proclaimed ‘Don’, carries much respect in the Jamaican musical community. His attacking vocal style gives his lyrics and tunes that extra meaningfulness.

Born in Jamaica and orphaned as a young child, Leroy was sent to Maxfield Park children's home and educated at the famed Alpha Boys School. The school was run by nuns who encouraged musical talent and would provide the world with the cream of Jamaica’s artistic talent. Such legends as Don Drummond, Tommy McCook, Johnny’ Dizzy’ Moore, to name but a few, all learnt their musical trade in this strict environment.

Leroy worked with many Jamaican producers, but seemed to find his feet working with Bunny ’Striker’ Lee. With whom he cut many of his greatest tunes. It is from this period that we have compiled this album. Featuring lost to now dubs to many of his classic tunes, like ' Wreck up my Life’, featured here as ’Dub Wrecker’. ’God Helps the Man’ Help yourself to Dub, Pride and Ambition If I should Dub. Fittest of the Fittest Dub for the Fittest and the title track of this selection his self-affirming Mr Smart Mr Smart in Dub.

These work alongside less known cuts that he also puts his musical stamp on .’No Love’ No Love In Dub. which sees him working over the ‘Zion Gate’ rhythm, made famous by Mr Horace Andy. The ‘My Conversation’ rhythm originally cut by Slim Smith but made into Leroy’s own ‘Jah Jah Forgive them’ For They Know What They Dub. All portrayed in his enviable style.

Such was Mr Leroy Smart’s stature in his homeland Jamaica, that when the ‘One Love’ peace concert line-up was put together for the 22nd of April 1978. The best of Jamaica’s Reggae stars was picked to play alongside Bob Marley & the Wailers. Such greats as Dennis Brown, The Mighty Diamonds, Peter Tosh and Inner Circle were chosen alongside the Don himself, Mr Smart. Whose stage shows were always colourful and to say the least eventful..

Mr Smart has continued to release music during the 80’s & 90’s, most notably with ‘She Just a Draw Card’ & ‘I’m the Don’. But as a set we feel this stands up with the best of them. Hope you enjoy the ride...

Respect Jah Floyd.

New MEDi from outer space: welcome Two Rangers!

Following their debut release on Next Level Dubstep, Two Rangers are landing on DEEP MEDi with their self-titled EP.

Exciting sounds from "the two intergalactic space rangers experiencing adventures out of this world"

Following the labels 150th release, Will's teamed up with Paul Woolford to rework the original. A good friend who's spent the past two decades redefining a sound to move dancefloors. Paul's signature piano chords and reworking of Gill's vocal creates the type of big moment he's well known for. A watershed moment for the label. Your Time Is Up.

"...while I like to think that creations are a 'moment in time', this, for me, is much more than just a moment."

Truenoys 2020

"Depression is not just for those with painful traumas but it can lurk in everyone who is willing to live in truth... this album can be a cure or a helping hand...soundwise and lyrically."

Amos 2020

A/T/O/S, pronounced 'A Taste Of Struggle' is a project by Amos & Truenoys.

Introduced by a mutual friend, A/T/O/S started creating music together. Their first creation, 'A Taste Of Struggle' was quickly picked up by dubstep pioneer Mala, who signed them to his label DEEP MEDi. Their debut release received an early spin by BBC 6 Music's Mary Anne Hobbs and impressive remixes by Skream and Commodo.

Their upcoming album 'waterman', is the 3rd on DEEP MEDi, following their self-titled debut 'A/T/O/S' and the follow-up 'Outboxed'.

'waterman' once again sees A/T/O/S exploring new territories with their formula of exciting beats and powerful vocals, accompanied by Michiel De Malsche (@MIDM) on the keys as their 'secret, not so secret' member in the studio & on stage.

Infernal Sounds welcomes Cluekid back to the fray, returning to release two of his most sought after dubs in 'Electric Avenue' & 'Horizontal'. The legendary producer throws you right back to the '08 days on the A side, taking you in with straight junglist sampling and a low-end wobble of a freshly set blamanche. 'Horizontal' displays the same sort of traits, but gives you an added dub-flex through the backdrop melody, and a low-end you'll feel right down in your stomach. It's an ultimate double XL.

East London-born music legend and all round boundary-breaking innovator, Dizzee Rascal, today announces the release of his 7th studio album, entitled ‘E3 AF’ and new single ‘L.L.L.L (Love Life Live Large)’, out via Island Records.

This new release marks the genesis of a new era for Dizzee and is the first album wholly written, recorded and produced in the UK in over a decade. ‘E3 AF’ is a 10-track layered, purposeful statement of intent, rooted in Dizzee’s inedible ties to both east London and Black British music’s legacy. He sound is sharper, stronger and more self-assured than ever, and it is obvious that he has poured the creative energy of the past few years into ‘E3 AF’ as a body of work. First single, L.L.L.L (Love Life Live Large), features Tottenham born MC Chip and kicks open the door with the force of a steel toe capped boot. Chip, adds another thwack of bravado to the rumbling, Dizzee-produced beat. ‘E3 AF’ confirms Dizzee’s status as an artist still very much in his prime, sonically it draws on the infectious pace of grime and resolutely forward-thinking UK rap. From one song to the next, you are taken on a journey through Black British musical excellence. Ice-cold UK drill drips on Smoke Boys-featuring ‘Act Like You Know’ (produced by MK the Plug) and Eastside pulses with pure grime courtesy of Chubby Dreadz and Platinum 45. Self-produced opener ‘God Knows’ (featuring P Money) and high-octane ‘You Don’t Know’ pull from dubstep, grime and drum ‘n’ bass while threatening to wreak havoc with your speakers. By the time Alicai Harley’s warm up vocals float over sunny syths on the deeply personal ‘Energies + Powers’ (produced by Steel Banglez), the album practically radiates heat. Dizzee Rascal is a unique artist that has inspired many for multiple generations. From his 2003 debut album release, the Mercury Prize-winning ‘Boy In The Corner’ to date, Dizzee has continued to push expectations and boundaries. He is British musical royalty. Every album that followed stacked up another marker of success. Between 2004 and 2017 all album releases blasted firmly into the Top 10 Official album chart, won awards, critical acclaim and amassed Dizzee a huge following of devoted fans. ‘E3 AF’ is set to confirm Dizzee Rascal’s status as the master at the top of his game.

To close the 3 EP reissue series of Neville King and Lee Laing's King & City label, the all female group Charisma are presented with their summer infused Lovers cut, Everything Is Fine.

Three Lewisham friends, Angela Richardson on lead vocals, with Geselle and Janie backing, were active from 1982 to 1990, but are really remembered for the early recordings made with Neville King. Their debut, Everything Is Fine rides the Lovers sound at its peak. Written with One Blood's Lloyd Robinson, with the rest of band of Robinson brothers providing the rhythm section, this is pure South London sound system music.

Recorded again at TMC (Tooting Music Centre) Recording Studios - working alongside the likes of Dillinger, Tradition and New Musik - Everything Is Fine rides a beautiful soul reggae rhythm as Trevor (Drums) and Lloyd (Bass) Robinson set the foundations, while One Blood provide the Dub mix.

A true love's lament, a song of hope, serenity and pure vibes. Label head Chuggy slides behind the mixing desk for an extended Discomix that stretches, loops and dubs the vocal and dub back forth, to close a glimpse at this uniquely British phenomenon, taking reggae closer to it's heart and soul.

Our third release of the decade comes from another new signee, Barcelona-based Kodama, who teams up with Dubstep OG LX One for the heavyweight A side.

Cronauer
Uplifting bells and pad harmonies pave the way to a gritty bass assault, striking with the power of a meteorite coming from outer space. Cronauer unfolds as these contrasting yet complementing parts engage and interwine, driven by heavily-swung hard-hitting drums which turn the track into a club weapon.

Piranha Plant
Time to turn page and enter the next chapter: Piranha Plant is a sublime oneiric journey of lush harps and heavenly bells, joining into masterfully composed layers of melodic bliss and. New sections keep introducing instruments like new characters in this dreamy fairytale.

Dorsia
A brisk intro catapults us straights into Dorsia, a high-energy introspective roller which joins two sides of Kodama's multifaceted output. Melancholic melodies dance over a powerful bass & drum synergy, until the second drop comes in with stomping weight, beautifully delivering our fix of bass-Nirvana.

Growing up in Milton Keynes, the largest of the "new towns" outside of London designed and built in the 1960s, perhaps explains why producer Nicholas Worrall is subconsciously drawn to clearly delineated sonic structures and flawed techno utopianism, two concepts that are ever present in both his sound and aesthetic approach to music.

Wordcolour was formed just two years ago, at a time when Worrall was habitually cutting up and splicing human voice samples ripped from YouTube memes, film dialogues and musique concrète tapes.

The first artistic demonstration of these ideas arrived in 2019 via his mixtape “I Want To Tell You Something” for the Blowing Up The Workshop platform. This unique set immediately grabbed the attention and support of the specialized music press and media, including Pitchfork and Resident Advisor.

“Tell Me Something” is Wordcolour’s official debut EP and heads straight for the dance floor. It is comprised of an unusual melting pot of influences that fuse the UK club sound, post-dubstep and a style akin to Paul Lansky's ‘90s musique concrète. “Tell Me Something” offers a vibrant leftfield, avant-garde techno and edgy electro, all immersed in the vast cosmos of the human voice.

B•O•M is the fifth album by freak electronic producer NCHX (NOCHEXXX). A percussive planet of acid-techno, UK bass, house and electro-phonk, hosed down with a chemical wash of post-dubstep and UK bleep contaminants.

Departing with a tube station screech, HUNTING HIDES signals a lone defender’s ride through the underground - trace amounts of musique concrete dart around the tunnel walls, while sub-low cushions the rumble. ENTERCOL is perfect 3am mix fodder; saturation hot-points push beneath a middle eastern theme, whilst SEVENTH GUN TERRITORY is pure rapid-fire bongo bizness - a concrete terrain punctuated with corrugated metal grids and moving shadows: distorted poly-metered brutalism! CYBERTUSH is the perfect OST to a club littered with vape pens, while B-Boi bots flirt with promiscuous A.I.

Arguably the most fierce cut is TEFLONTUAN - an ode to NCHX’s favourite pro Antuan Dixon - the Deathwish skater lands bolts with the illest of steeze. Side-chained 303 squelch rattles alongside x0x sequenced drums as wavetable pads float above kinked rails. A nights gallop over city curbs. The LP signs off with LOCATION SCOUT, a SpaceX sample-return mission heading back to earth with a fistful of deep house red planet crumble.

“A dance floor’s dream and a mixing engineer’s nightmare” - Resident Advisor

Repress

René Pawlowitz presents himself in many different forms; whether it’s as Head High, EQD, Wax, WK7, The Traveller or more recently as Hoover - he consistently, and without any fuss or hype - produces some of the most effective, quality techno you can find on the planet. The Shed alias is usually reserved for his best work.

With this in mind, it really is a special event to announce this amazing new EP from Shed on Tectonic, showcasing 3 distinctive and highly effective techno cuts.

‘Try’ takes a broken-beat techno rhythm for it’s spine - reminiscent a little of the 2008/9 dubstep/techno crossover period. Tension is set with dissonant elements pulsing around swooping subs until we are saved by the heroic pads that ease in, building ever upwards to a lush finale. Close your eyes and be transported back to the rave.

‘Box’ is a darker, more percussive affair - claustrophobic and industrial. 130bpm 4/4 distorted kicks set the stage as frantic drum machine hats and claps crash about heavily reverb’ed ghostly samples.

Lastly we come to ‘Sweep’, a hypnotic bleepy roller with a bass heavy presence. As the riff loops up and over, drums build and a dissonant synth part creeps in. The not-quite 4/4 kick drives you ever forward with a gentle stumble as rattling hi hats flair about over head. Great finish to a great EP.

- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD SLEEVE
- ALBUM FEAT. SKRILLEX, EXCISION, DATSIK, NOISIA,
KILL THE NOISE, AND 12TH PLANET
- FIRST TIME ON VINYL
- LIMITED FIRST PRESSING OF 2.500 INDIVIDUALLY
NUMBERED COPIES ON COLOURED (SILVER AND
BLACK MIXED) VINYL

The Path of Totality is the tenth studio album by American nu metal band Korn. Originally released in 2011, the album finds Korn shifting gears and exploring new territory.

On The Path of Totality band collaborated with some of the leading dubstep and electronic producers in the world, including Skrillex, Excision, Datsik, Noisia, Kill the Noise, and 12th Planet. This resulted in something completely new, yet utterly and definitively Korn.

The title The Path of Totality refers to the fact that in order to see the sun in a full solar eclipse, you must be in the exact right place in the exact right time,' Korn frontman Jonathan Davis explained.

The album includes the singles Get Up!', Narcissistic Cannibal', Way Too Far' and Chaos Lives In Everything'.

The Path of Totality won Album of the Year at the 2012 Revolver Golden Gods Awards. This was Korn's first victory at the Golden Gods Awards, a ceremony that celebrates the best in hard rock and heavy metal music. Korn was also inducted into the Kerrang! Hall of Fame during the 2011 Kerrang! Awards.

Available on vinyl for the first time, the first 2500 individually numbered copies are pressed on coloured (silver and black mixed) vinyl! Strictly limited!

Following a stellar run of recent releases including best-of-year EPs from the likes of DJ Plead and DJ JM, Nervous Horizon are back with their first record of 2020 — a unique new collaborative EP by object blue and label co-head, TSVI. Out on September 25th, ‘Hyperaesthesia’ details four sweltering new club tracks — described by the pair as “body music” — that mesh together object blue’s widescreen, experimental club tones and TSVI’s borderless percussive styles. “I was curious to see how TSVI and I could merge our sounds, whether we could supplement each other without eclipsing one another, and I'm so happy with the result”, explains object blue. “I never thought I could write with somebody else but this happened so easily. It's been a liberating process, just a pure pursuit of fun, yelling in our chairs when we dropped the beat.” Inspired by ‘ever-present conversations about machines and sentience’, the EP’s mechanical crux plays out in the narrative of the tracks too; from a sense of machines ‘waking up’ on near 8-minute opener ‘Thought Experiment’ to the frantic, processing energy of ‘Turing Machine’. The record also comes complete with a special remix by Loraine James and vinyl-only bonus track, ‘Syntax’. ‘Hyperaesthesia’ follows a fruitful 12 months for both object blue and TSVI: Following the release of her breakthrough debut EP, ‘Do You Plan To End A Siege?’, for Tobago Tracks back in 2018, object blue has since become one of dance music’s most crucial new artists. As well as releasing her third, critically acclaimed EP last summer (‘FIGURE BESIDE ME’), she’s turned in remixes for everyone from Murlo to Seb Wildblood, been invited to record a BBC R1 guest mix for Benji B and performed live at Paris Fashion Week, after composing the music for Andreas Kronthaler for Vivienne Westwood SS20. object blue was also announced a SHAPE artist for 2020 earlier this year, alongside artists like Afrodeutsche, Rian Treanor, Jay Glass Dubs, Oli XL and more. TSVI’s upward trajectory shows no sign of slowing down either. From the release of his enchanting debut album ‘Inner Worlds’ in 2018, he’s since gone on to put out a series of game-changing records under his Anunaku moniker for both Nic Tasker’s AD93 label and Martyn’s 3024 imprint, including July’s ‘032’ — a joint EP written with DJ Plead. Alongside fellow co-heads Wallwork and Federico Ciampolini, he’s also overseen the rise of Nervous Horizon since the label’s inception in 2015, moulding it into of the UK’s trailblazing new-school dance labels.

Sukh Knight's DAKU imprint comes strong again with its 3rd vinyl release, this time with some of Sukh's classic tracks getting the remix treatment. The title track is Cimm's much sought after monstrous remix of 'Diesel Not Petrol', with Cimm adding his trademark crisp drums, and extra riffs and stabs to give this classic track a modern vibe. This one has been in constant rotation in both Dubstep & Grime scenes getting instant reloads. On the B-side, finally getting a release after being a treasured dub for 12 years, is the VIP mix of Diesel Not Petrol, this one also still sounding as fresh and heavy as it did all those years ago. To top it all off, Mystic State come with their deep, heavy meditation vibes on the remix of 'Shutdown', guaranteed to take you on a journey. Timeless music!

Tectonic is very proud to welcome Lamont to the team!

Bristol’s bendy-beats whizz kid is mainly known for dropping jaws with his releases on Swamp 81 and it’s various offshoots. This time, he’s been chipping away at 4 fine-cut gem, especially for Tectonic - bringing some darkside vibrations in addition to his usual bounce.

‘Hold Dat’ runs at 135bpm, sitting in-between grime, dubstep and housey/techno/whatever that thing Lamont usually does! Charged with a disgusting, totally greasy bassline, this one drops hard and keeps going - quality moves for (now, mostly imaginary) dancefloors.

‘Push’ takes it down a notch, to 130 for a more heads-y work out, laden with crackling, fizzing sonics - and heavily punctuated by sub bass hits. The energy levels step back a touch, while building intensity.

‘Brain’ sees Lamont working more familiar territories - sending a pounding 4/4 kick drum out to hold together a series of collapsing percussive hits and warping melodies - as a ‘brain’ sample, simply haunts your brain.

The EP closes off with ‘Open Letter’, taking things into a dread-space; dub wise, deep and dangerous. The lurching bass hits take charge and push you through layers of echo’ed hits and micro-melodramas, to round off this great EP in fine style.

Brand new release from Turbo Guidance Entertainment! We deliver a compilation with 4 versatile dubs cooked by our wizards ! Pablo Bozzi (half of Imperial Black Unit and half of Infravision) signed "Sangria Sound System N°1", a slow burner italo-disco track. Perfect to close a cosmic set in the afternoon drinking pepper-mint lemonades! Cowbells everywhere and powerful arpeggiator. Watch out the guy, this year is going to his year! In the second position we have a reggae-disco remix from the man Androo; part of NS Kroo and also well known on the label Music From Memory. He totally switched the
original dub techno track of Babe Roots into something sweet and bouncy. Lobster for you ears. You can even ear autotune on the vocal! Awesome! Coming at the third place, here come Komodo from Indonesia! "Funky Buzz" is a perfect blend of tribal and dub rhythms with a repetitive bassline. Big delays and full effects to rock iguanas. Komodo is a rising star of South Asia, look at the sky to see him shining like a Telsa soon ! And last but not least, we serve you a sweet downtempo riddim from Mali-I aka Z Lovecraft (Rhythm Section). He built a hip-hop influenced track with aerial chords. Perfect music if you want to take the mic and try to toast like a real badboy. Only 400 copies for the world. Sleeve visual is gently printed in risography 3 colors at Shift Studio (Tunisia) - DIY each and everytime.

Music Mania and Indica Dubs is proud to present the 18th release: The Sacred Art Of Dub! Featuring two of the UK Dub top legends and pioneers; Alpha & Omega and The Disciples! This killer album was originally released only on CD format in 1998, and now on vinyl for the first time - over 20 years later + 2 bonus tracks!

This album includes the killer ‘Roaring Lion’ known by everyone across the Dub and sound system scene! Played heavily by all top sound systems!

This release will be a one-time limited edition on white colour vinyl for Record Store Day April 2020.

Abstrakt Sonance makes his return to Aufect for the labels's first 12" release in a decade! Enlisting the likes of Crowell and legendary Grime MC, Killa P on the title cut "New Style", together they deliver a smackdown with a skippy Grime-Dubstep hybrid banger in a mood fitting for the status quo.

Label owners Greazus step up to flip "New Style" with a remix leaning heavy on 808's and an infectiously animated piano-esque hook.

"Lay It On" turns up the vibes and dips into R&B vocals chops and loose drums that seem to be melting into each other.

Fans of deep, heavy Dubstep will love "Squad Up". This one is meant to push soundsystems - minimal dubby chords, deep dubs, rolling drums, nuff said.

For Farsight, California’s bucolic San Geronimo Valley was the space that allowed for the creation of this handpicked selection of artistic output. Following a period of deep interest in abstract painting and its relationship to music, the artist found this lush and sparsely populated region to be an ideal location for contemplation and composition.

Although the majority of the work was executed in the first two months of 2020 in this forested setting, some of the pieces were based upon drafts created as early as Summer 2017. United in their eclecticism, the six cuts that comprise “Not Here, But Somewhere'' reveal a broad spectrum of musical influences. They are statements in an age in which influence is omni-directional, and in which the pace of artistic invention outstrips the ability of observers to identify and reify sub-genres. Although each track presents a unique approach, “Cadena,” “Sans Titre,” and “Door to the River'' reflect the continuing global suffusion of Latin American and Carribean styles such as reggaeton and dancehall. Simultaneously, the duo of “While” and “Hot Half” suggest the ongoing dialogue of techno, electro, and industrial music and the interstices between them. “Mid-Winter Burning Sun”
invokes the intensity of American trap music with its booming bass while touching equally upon the feel of early dubstep.

Ultimately, the idea that there is a “space for each artist” can be taken both in a literal sense— One’s physical environment— And also in the figurative sense that there is room enough for the ideas of all artists, who are kindred spirits in the endeavor of radical self-expression. In this way, “Not Here, But Somewhere” exists as an acknowledgement and gesture of goodwill towards every artist daring enough to explore the unknown.

The far west has long been known as hollowed ground for Dub Reflective arts, from the birth of Reggae and subsequent Jamaican diaspora to the more recently developments that ultimately informed Dubstep. Many key figures have emerged on the left coast of the USA throughout these developments in Culture and Roots-centric Dubstep, with key among them being the surfacing of LoDubs, and its rise near the advent of the sound in 2006 serving to inform and cement Dub's true DNA at a time when the field of those carrying the torch throughout the region could be counted on a single hand.

Syberian "Raver's Guide to Love" series now in physical. Everything that you want to drop on the floor is here. Chopping peaceful tekkno acieed and Dj1985's Polivoks electrobeat coupling with chilly swampy dubs. Always phreshh cuts from the Russian masters.

Strictly limited 150pcs fleshed out to transparent yellow slime heavy handy vinyl.

Until Now, All Is Well is the latest track to be shared by The Nix, a loose collection of uniquely talented musicians corralled together by Nick McCarthy (ex Franz Ferdinand) and Seb Kellig around their Sausage Studio in east London.

Based around the original composition ‘Warm Canto’ by Mal Waldron, the track features founding member of the avant-pop band Stereolab Laetitia Sadier.

Out on Moshi Moshi Records, Seb of The Nix said about the making of the track:

A night at Sausage Studios and nothing falls into place...we talk, we laugh, we mess about. But the 'record' button remains un-hit.
Time is not on our side, we need inspiration, and we know where to find it:
We saddle our bikes and ride into the mild London night. Down to Homerton, along the Canal, passing Springfield, we end up in Tottenham.

The mighty Jah Shaka tears the place apart. Low ceilings, the place is filled with smoke and bass. One love, unity, another version....the mids, the tweeters - in perfect harmony. Familiar riddims, unknown dubs. Shaka on the wire.

We get back to Sausage as the sun rises. Our senses are numb. We can't hear, don't want to see, how good it feels not to be guided by ears but by the heart. We close the curtains and plug in.

Young gun and badman producer Retina returns to Foundation Audio for his debut vinyl release and quite frankly it slaps!!!!

‘Dusted’ kicks things off with a hyper 4x4 beat and an eratic bassline – this one comes flying straight out of the gates! ‘Nameless and Nothing’ a meaner, beast with its eerie atmospheres and plodding bassline takes the A2 spot. Flip the record and we have ‘No Fear I’ a subby monster best described by the word SUB. ‘If Not The Orb’ closes proceedings with a 07-08 old skool antisocial kinda vibe wrapping up the ep perfectly. Dubstep goodness from front to back and solid proof that Americans can also do the dubstep.

Marking his fourth full release on the label, leading UK talent Darius Syrossian returns to Hot Creations this July with Flashlight, a heavy duty two-track release influenced by the 90’s US house sound.
Flashlight embodies the warehouse sound with tough snares, a raw bass and thunderous kicks. On the flip Boujee B' takes inspiration from Darius’ love of the Strictly Rhythm house sound.“I said this year I wanna go back to my roots and focus more on house, those US house 'dubs' that were played by people like Sneak, Van Helden, Gemini, R Sanchez, Derrick Carter etc... this is inspired by that vibe…”

Selector, producer, label curator and radio host Darius Syrossian has dedicated his life to collecting and sharing the highest quality house and techno records. His productions have landed on respected labels including Get Physical, Drumcode, 8Bit, Moon Harbour, We Are The Brave and Defected, with whom his ethos is strongly aligned. Alongside his exploits in the studio and on the road, he has also launched his own record label - Moxy Muzik, which hit the ground running in 2019 with regular sold out Moxy Muzik events at 93 Feet East in London and South Nightclub in Manchester.

Luar Domatrix (Rudi Brito) is perhaps more recognizable as half of the artsy-duo Yong Yong that emerged in 2012. After a long season spent in Glasgow, and with editions by Naivety (Naive’s sublabel of Inês Coutinho aka Violet) , Sucata Tapes (Discrepant) and with a track inserted in a VA from 12th Isle, comes back to Lisbon (his hometown) clearly soaked by the sounds of the Scottish industrial center.

“Baía Stamina”, produced in Glasgow, is strongly inspired by the local club scene and evokes the utopia of a heavenly bay somewhere in Italy. Although always looking to bend the barriers of that “squarish” side of dance music, “Baía Stamina” is a dance record. It starts with “Bo Teias”, a track full of percussive elements and unusual sound effects that presents itself as a hymn of the “Baía Stamina” - pure boilling energy. “Take” is the least functional theme on the record. Metal percussion layers are overlapped over a string, creating a certain unrest and discomfort. A vocal incites consumption ("Take, Take, Take") to the point that a pad clears the way for liberation creating a more relaxing and dreamy ambience.

Closing the A side “Bo Teias” gets a remix from the Glasgow duo General Ludd, with whom Rudi used to live. In this version, and as the name implies, “Bo Teias (Gen Ludd Disco Problem Remix)” moves the focus away from the dance floor, ands transforms itself into a rhythmic exploration over the void, punctuated by some recognizable elements. “Outra Face” is a track made to blow up soundsystems! Anchored in distortion and in a broken beat led by the kick of the infamous TR-808 there is an almost epic vibe to it, that shows the confidence that Rudi Brito has acquired in his relaxed production style. “Heavven” closes the record in a completely British tone. The soulful vocal reminiscent of some garage tracks, echoes Bristol production and a time when dubstep producers decided to lower their bpms to something closer to the house. Without ever rushing the theme moves through different sonic landscapes and electronic glitches until a Portuguese voice announces “Acabou-se a brincadeira” (“Playtime is over”). This is peaktime; it's time to go dancing.

* A welcome repress of an essential dub set from Centry, originally appearing on the Conscious Sounds label in 1993.
* Featuring 10 varied-in-style rootical dubs from Centry consisting of Nigel Lake, Chris Petter and Dougie Wardrop, with the set mixed by the latter.
* Features some blazing horns and vocal snippets (from Danny Red, King General & Barry Issac) dubbed and phased to the max.
* Limited to 500 copies only.

Reggae On Top 10"- Stomp It Out w/ Dubs / Twinkle Brothers

King Earthquake 10". Hot Like Fire + See Dem A Come w/ Dubs - Joseph Lalibela

As witnessed in the preceding decades of electronic music fragmentation, it is a bit of a phenomenon that entire threads of sound exist elusively between the tempos and syncopation of rhythm and percussion of each respective genre. just as dubstep was evolved into & somewhat stumbled upon it is somewhat certain that many more areas of illumination lurk in the echoes & shadows of sound.

As has been hinted on sonically with Surface Tension I, Clubroot's previous release & first foray into the second decade of the new millennium, the elusive aforementioned producer from St. Albans has managed to alloy a new sound with the swing and BPM of uk garage, space, air and atmosphere of true dubstep, and with all the unparalleled virtuosity and unmistakable aural DNA of Clubroot, which we dare say is rarely equaled. in doing so, clubroot illuminates the realm of uk garage and electronic music in general towards a currently unforeseen future.

Surface Tension: II further explores these discoveries and further reinvents them in the process. starting with the expansive 'Infatuated'; with its gradual, intensifying movements towards the ultimate reveal, and supported by the equally singular 'Explorer' and 'For You', Surface Tension: II is as much an additional high watermark in clubroot's overall discography as it is a companion piece to Surface Tension: I in both its genre-straddling style and overall ethos, with the vinyl release being pressed on one-time 'solar flare' color vinyl featuring moving original art which stylistically continues the narrative through the as of yet not fully revealed tetraptych.

Clear Vinyl Repress

Timely re issue of Reese's cult classic 'Just Want Another Chance'. One of techno's classic basslines that inspired a generation of DnB, Garage and Dubstep producers.

Originally released on Detroit's Incognito label, this re issue on Kevin Saunderson's (Reese) own KMS imprint and has been re mastered for 2014. Contains the original, dub and accapella versions plus a whole host of 'Rhythm Tracks' written by Kevin Saunderson on the B side for creative DJ's to play with.

Debüt-EP des Londoner Duos Jockstrap (Georgia Ellery & Taylor Skye) auf Warp. Jockstraps Mixtur aus harten Dubstep/Industrial-Beats, klassischer Komposition und verdrehten, zum Teil perversen Fantasy-Erzählungen begeisterte die Fachmedien (Dazed, Pitchfork, BBC 6Music, The Quietus, The Face, The Guardian) bereits bei ihrem Einstand, der digitalen "Love Is The Key To The City" EP (2018, Kaya Kaya Records), woraufhin es Lobeshymnen hagelte und Warp Records das Duo vom Fleck weg signte. Die beiden Künstler kollaborierten einzeln und zusammen bereits mit Underworld, Dean Blunt, Injury Reserve und Damon Albarn's Africa Express, zudem spielte Georgia Ellery in dem mehrfach prämierten, britischen Film "BAIT".

- "My favourite avant-garde situationists." - Mary Anne Hobbs (BBC 6Music)
- "One of my favourite bands." - Matt Wilkinson (Beats1)
- "Jockstrap are giving classical romance a surreal twist." - The Face
- "Melodiously sweet and sophisticated yet tempered by bursts of naivety and caustically fucked up-ness." - The Quietus
- "I don’t know what kind of music Jockstrap are making right now, but I like it." - The Fader

Thatmanmonkz returns after his critically acclaimed and just damn good 2nd LP 'Non Zero Sum Game' with a heavyweight remix package !!

Favourite LP cut 'Them Thangs' anchors the EP, with Detroit superhero Waajeed laying down a typically high class interpretation, trademark Dirt Tech vibes abound, with equal parts motor city machine soul and tough rhythms taking the original straight to the floor.
Talking of which, the OG Dubstramental concentrates the irresistible groove into an effortlessly fierce afro-centric House jam.

After the PPF crew submitted their tearaway rewire of one of the LP's tougher moments 'Freaks 'N Prophets' its place on this 12 was assured.
A Chicago style slammer that extends and leans into the powerhouse groove with a nod to the forefathers.
Finally, a previous digital release highlight (which got a lot of love) finishes off the EP, a flute-laden romp for dancin' close.

Jamaican artist Asha B, features on observational Roots Reggae and Grounation style vocals, with Dubs mixed by Alien Dread. The tracks were recorded at Asha B’s studio, late 2018. The vocal tracks were produced by Asha B and the vocal tracks & Dubs have been re-mixed by Alien Dread…

Asha B has been a regular session musician, not only in Jamaica, but also when he moved to the UK and has worked with most of the ‘Reggae Greats’, in particular, Jackie Mittoo, IJahMan-on tour & studio work and also studio work for many others, both JA & UK. Asha B has had several single releases to date, and also an album: Hard 2 Smile (Quartz Music - 2005).

2x12"

Circle Vision proudly presents the anticipated debut album of Copenhagen producer and label head RDG aka. Ruben Nielsen.

"Planetary Sound Fiction" marks the Danish label's 10th release with a subbed-out panoramic trip deep into the current state and future of bass music, with sound allies Killa P, Rider Shafique, K Man, Ill Chill, Monti and Yaa Aisin all complementing the hands and ears of the accomplished Danish producer throughout the album.

Drawing on experience from decades of DJing, musical production, sound engineering and intergalactic excursions, RDG has thoroughly matured his undeniable skill of orbiting and perfectly blending the dimensions of jungle, dubstep, techno, DnB, experimental, leftfield and downtempo music into a coherent and captivating sonic journey.

Following more than 25 EP releases over the past 10 years, "Planetary Sound Fiction" is by far RDG's most exhaustive work to date and presents a sound, encompassing anything else released by the Danish producer so far.