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Velferd - The City That Drowned Ep

With Bjoern Torske, Skateboard, Telephones and last not least the Sex Tags label all hailing from Bergen, the City ´s not been exactly short on world leading 'd.i.s.c.o' , but it´s Geir Hermansen aka Velferd that recently cought our ear with his keys. In 'The City that Drowned' it´s unlikely only ever so wet, there´s bliss, sun, warmth, heat - all painted bright with skyrocketing masterful synths over very neat and dry bass. great! Laid back and somehow dreamy the whole thing catches you by the ear and lingers on but then there´s so much dedicated kick and an almost extatic groove in each track - irresistable string hooks made in heaven! 'Never' and 'Through the Valley' add on to where the title song just left and this give the 3 track ep so much perfectly arranged strength... Bergen might well have given birth to another disco standard-bearer.

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Последний логин: 8 г. назад
Placid One - C Balloon Ep

Placid One

C Balloon Ep

12inchR$N#8
Ransom Note
26.07.2017

The good ship Ransom Note sails on!

Continuing our commitment to releasing the finest dance music from planet Earth, our latest missive comes from fresh-faced Belgian kit freak Placid One. Squeezing out analogue techno from a studio full of synths that burble and shimmer and croak, Placid's lead track 'C Balloon' is a drum-less masterpiece, an arpeggiating ascent into a chrome-plated future. The track belongs in the lineage of the emotional best of Detroit, as mysterious as it is melancholic, it's a vision of computer blues for the 21st century.

It's followed by 'Bombay Persuasion', a jitter of broken tech-funk building to a rumbling throb of bass, and 'Life', which chops up classic breakbeats with late night acid secrets. All three tracks combine Placid One's youthful exuberance with a yearning for the hardware mentasm of early Brit pioneers, the ghosts of Aphex Twin, Orbital and Kirk Degiorgio can be heard echoing through their grooves.

On remix duties we have Deutschland's finest Cass. who provides a blissed out reimagining of 'C Balloon', unravelling its synths into an epic of found sounds and ambient drift. This is followed by a floor ready refix from Ransom Note favourite Timothy 'Heretic' Clerkin, who rolls 'C Balloon' into a warm house jam, all classic synth hits and sun-rising acid bubbles.

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Последний логин: 8 г. назад
Tommes - A.r.l.t. Ep

Tommes

A.r.l.t. Ep

12inchMDM39-001
MODEM:39
25.07.2017

"MODEM:39 is booted and connected. Main task: Linking components like friendship, art and communication. This sustainable mixture results in label artist Tommes' first release on solid 180g black gold. The A.R.L.T. EP represents a thoughtfully crafted selection of analog sounds, inspired by classic house music. Tommes, being a part of eastern Germany's underground scene since 20 years, demonstrates his unique style with four timeless tracks. His passion for dubby sounds and chords echoes through the whole EP - solid deepness incoming!
"McDrive" is a bass line driven tune, full of versatile, warm synthie-melodies and catchy percussions. Its length offers great mixing possibilites. Let's get smooth and dreamy on the - StendalSunsetBoulevard'. A beautiful piece for any occasion.
Side B features two more linear and straightforward tracks. "Deeples' hypnotic dub-groove creates a very profound depths. Club approved!
Cheerful house roller - Deemin Goes" glares with atmospheric pads and a punchy bassline - perfectly rounding off an honest Solo-EP. The EP is limited to 300 editions with a handcrafted cover artwork - 50 of them comes in a special black and white edition, 250 copies in decent black artwork."

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Последний логин: 7 г. назад
Shoc Corridor - A Blind Sign

Shoc Corridor was the London post-punk quartet of Paul O'Carroll (Voice, Synth), Andy Garnham (Synth, Drum), Chris Davis (Guitar, Bass, E-Bow) and Nogi Prass (Synth) named after the Sam Fuller film from 1963. Chris met Nogi shortly after moving to London in 1979 - they started playing music together, fell madly in love, and decided to form a band. They recruited Andy, who had previously played in a band with Stephen Luscombe of Blancmange, and lyricist and vocalist Paul. Their influences were wide reaching: Kraftwerk, Neu, Cabaret Voltaire, Brian Eno, PIL, and Joy Division.

The group recorded a 4-song demo during 1981 in a tiny flat Chris shared with Nogi in Notting Hill. As their collection of instruments grew they set up studio a few blocks away in Andy's flat at 20 All Saints Road. There they re-recorded Sargasso Sea' along with On Reflexion' on a TEAC reel-to-reel 4-track machine. In the summer of '82, the band was booked into Decibel Studios in Stoke Newington for two and a half days with Mark Easton of Shout Records, where they reworked the two songs. The group usually worked through studio experimentation rather than constructing their songs in a conventional way. Their equipment list included a Korg MS-20, Wasp, Pro-One, Roland TR-808, WEM Copicat, guitars, bass, e-bow and an assortment of effects pedals. On Reflexion' began as a Blancmange backing track, since Stephen Luscombe would sometimes use Andy's 4-track, Korg MS-20 and drum machine. Chris has memories of Paul disappearing from time to time to the neighboring graveyard for inspiration, where they had to procure him from to lay down vocals. Their debut 3-song 12' single, A Blind Sign', was released in October 1982 on Shout Records. For this re-issue we've included the original skeletal Sargasso Sea' 4-track demo from 1981. Evocative and dreamy, the music escorts you on a tour of icy landscapes, with Paul's rich vocals guiding the way.

All songs have been remastered for vinyl by George Horn at Fantasy Studios. Each EP comes in an exact replica of the original jacket, designed by Chris Davis with artwork by Paul and Jerry Neal. Each copy includes an 8x11' 2-sided insert with liner notes, lyrics and photos designed by Eloise Leigh.

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Последний логин: 8 г. назад
Anton Kubikov - Whatness

Anton Kubikov

Whatness

12inchKOM372
Kompakt
18.07.2017

(en) While the last Kompakt offering from legendary Russian synthesists SCSI-9 dates back to 2008, when the duo released their album Easy As Down' (KOMPAKT CD 068), co-founder and techno/house virtuoso ANTON KUBIKOV kept himself busy cultivating his own label Pro-Tez Records - and establishing a career as solo artist with a clear penchant for dub-infused soundscapes and ambient music. WHATNESS is Kubikov's first solo full-length under his proper name, weaving airy and iridescent sonic tapestry that takes up where his excellent contributions to our Pop Ambient compilations left off.
ANTON KUBIKOV's special ear for ambience and tonal spaces was always an integral part of SCSI-9's musical DNA that would alternate between tight dance workouts and vast melodic range - but it's as a solo artist that he truly started to explore these spaces, following mysterious sonic trails into foggy, reverb-heavy territory. Kubikov's contributions to the several instalments of our Pop Ambient compilation series announced the arrival of a promising new project in our talent pool - a promise more than satisfied with the immersive sound bath of first solo outing WHATNESS.
Going from the richly layered electronic drones of LIQUID MIRROR or ENTRANCE to the lush ambient dub of OTHER THE SEA and KURT'S FOREST, or the minimalist, evocative piano of OKTOBER and PIA, the album covers lots of stylistic ground, but remains committed to its overall aesthetic of misty mountains and serene valleys. With the endearing APRIL, a true Pop Ambient classic from the 2016 compilation (KOMPAKT 345 CD 128) makes a welcome return, priming the canvas for the subtle bass throb of NORTH and its charming synth bell orchestra. Masterfully refining and extending his sonic pallet on WHATNESS, ANTON KUBIKOV can claim his spot among the very best of today's ambient composers.
(de) Obwohl die letzte Kompakt-Offerte aus dem Studio der legendären russichen Synthesizeristen SCSI-9 schon eine Weile zurückliegt - 2008, um genau zu sein, mit dem Album Easy As Down' (KOMPAKT CD 068) -, hat Co-Gründer und Techno/House-Virtuose ANTON KUBIKOV nicht auf der faulen Haut geaalt, sondern sein eigenes Label Pro-Tez Records gepflegt - und eine Karriere als Solo-Künstler mit klarem Drang zur verdubbten Tonlandschaft und Ambient-Musik in die Wege geleitet. WHATNESS ist seine erste Solo-Album-Veröffentlichung unter eigenem Namen und webt einen luftigen wie schillernden Klangteppich, der genau da weitermacht, wo Kubikovs exzellente Beiträge zu unserer Pop Ambient Compilation-Reihe aufgehört haben.
ANTON KUBIKOVs besonderes Ohr für Ambientes und tonale Räume war schon immer integraler Bestandteil von SCSI-9s musikalischer DNA, die gerne zwischen fokussierter Tanzathletik und ausufernden Melodieräumen changiert - doch erst als Solo-Künstler macht er sich daran, diese Räume wirklich auszuloten und geheimnisvollen Klangspuren in neblige, hallende Gegenden zu folgen. Kubikovs Gastspiele auf mehreren Ausgaben unserer Pop Ambient-Serie deuteten auf ein vielverprechendes neues Projekt im Talentpool hin - ein Versprechen, das mit dem mitreissenden Klangbad von WHATNESS mehr als erfüllt wird.
Von den reichhaltig verschichteten elektronischen Drones von LIQUID MIRROR oder ENTRANCE zum üppigen Ambient-Dub von OTHER THE SEA und KURT'S FOREST, oder dem minimalistischen, andeutungsreichen Klavierspiel auf OKTOBER und PIA erstreckt sich das Album über viel Stilgebiet, bleibt aber der eigenen Ästhetik dunstiger Gebirgszüge und einsamer Täler true. Mit dem überaus reizenden APRIL macht ausserdem ein echter Pop Ambient-Klassiker von der 2016er Ausgabe (KOMPAKT 345 CD 128) seine Aufwartung und bereitet den Boden für den subtil pochenden Bass von NORTH nebst charmantem Synthieglockenorchester. Meisterhaft veredelt und aufgebohrt, ist ANTON KUBIKOVs Klangpalette auf WHATNESS Grund genug ihm einen Platz zwischen den besten Ambientkomponisten unserer Tage zu sichern.

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Последний логин: 5 г. назад
Tony Anthem Feat. Doctor - I Love It / Tears Of Mine

Norwegian producer Tony Anthem is well known and respected for his solo work as well as his contributions to both Gunman and the legendary Drum & Bass dup Future Prophecies... For his latest offering, Tony teams up with London based vocalist Doctor for a couple of Jungle flavoured dance-floor slayers in the form of 'I Love It' & 'Tears Of Mine'
'I Love It' is an uplifting and bass heavy dedication to the beautiful art form we all love... Music.
Jungle vibes and sweet vocals make this one a perfect fit for the airwaves!
'Tears of Mine' again utilises Doctor's sublime vocals and Tony's rolling beats to full effect as the duo come with a grittier image this time of inner city life. Pure FIRE!
The combination of Tony's lazar sharp production and Doctor's awesome voice make this a must play on the both the dancefloor and the FM's all over the globe!

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Последний логин: 4 г. назад
Mathew Ferness - Internet/dreams/deception

Beat X Changers comes back to you with our new release, introducing young and gifted Canadian producer Ferness.
Matthew joined the Beat X crew following what has become a classical path to the producers of the labels.
After joining the forum in 2015, he shared a collab with Frakktale on 'Speed Luanda' which got our attention with its deep, broken and melodic structure. Today we can proudly introduce you to his first release - Internet/Dreams/Deception - which will take you in a soft and beautiful daydream tinted with a 80's grain.
You'll be guided all along of this trip by a strong and powerful rhythmic, full of House, Broken Beats & Bass influence. Beat X Changers at its best!

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Последний логин: 6 г. назад
Gotshell - Quarkcima

Gotshell

Quarkcima

12inchAS008
ATROPHIC SOCIETY
10.07.2017

Following releases on Detroit Underground, Nachtstrom Schallplatten, Planet Rhythm and BluePrint Records, Gotshell releases his first EP on Atrophic Society.

The Colombian aficionado has been making waves across the world for his uncompromising take on the darker side of techno. His new EP 'Quarkcima' is no different, with a thick slice of bass-heavy machine music made for late night body moving.

'Quarkcima' follows a bleepy lead with layers of bass, building to a satisfying and tasteful crescendo, which steers clear of the tropes and uses frequencies to their fullest. It invokes a dark and foreboding atmosphere like a creeping black fog.

First on remix duty is Xhin, who takes the bleepy synth lead and twists it into a heavy-but-funky robotic jam, stark and cold on the surface but with plenty of heat underneath.

Jeff Derringer takes the reins for the second remix, wielding the original parts masterfully into a dense, bassline-driven triplet groove that takes the vibe up a few notches.

Finally, label head Vohkinne adds punch and percussion to his charged and clanging remix, which rounds out a fierce package in style.

'Quarkcima' is four cuts of essential techno that will never leave your crate.

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Последний логин: 2 г. назад
Dj Stoner Dad - Raw Romatics Ep

With his new release the polish Transatlantyk sails into - as yet uncharted - waters of the 'lol- fi' breakbeat house scene to bring you the debut of DJ Stoner Dad.

Not much is known about the man behind the nickname, except that he is a DJ, a dad and that he likes getting his hits from the bong on during the infamously long Warsaw afterparties.
The "Raw Romantics EP" showcases his own take on the deeply saturated, smokey and breakbeat-infused house genre.

'Fake Strings' is a certified banger alluring the dancefloor with a great combo of rolling bass, squashed kicks and hats, grimy, atmospheric pads and a bits of spoken word thrown in.
'Magic Phunk' brings THAT break again and for a good measure. Drums are floating over an ocean worth of blazing pads, liquid synths, acid riffs, pillowy, yet dirty chords and whatever else DJ Stoner Dad could lay his hands on at the time.

'IV' is a full frontal ambient jam, with little bits of wandering drums coming into the picture at the very end.
Finally 'V' brings cinematic influences over slightly uneasy slow groove.

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Последний логин: 8 г. назад
Various - Coop Presents: Selectors Assemble

First Word Records are very proud to present a heavyweight EP in collaboration with seminal groove collective, CoOp: 'Selectors Assemble'.

It's been almost two decades since a bunch of music makers, bored of the genre constraints of their time, began toying with time signature and syncopation to birth what is now known as broken beat. Summer 2017, the 'Selectors Assemble' EP is in our laps and we have a fitting reminder and long-overdue renaissance of one of London's most valuable musical movements.

IG Culture and Alex Phountzi were integral to this movement, the focal point being the CoOp club night, which ran predominantly on the famed floors of Plastic People, up until 2007. CoOp remerged late in 2015 as a Boiler Room session, in which the originators linked effortlessly with new school players such as K15 and Alex Nut. The following day, a session was inspired between an assortment of artists, and the seeds were planted for the 'Selectors Assemble'.

Here we have the first offering. The steady-paced roller of 'Gangz' (IG & Seiji), the dutty wine-ready getdown of Henry Wu's 'Substance', the heads-down low-end theory of '2nd Intention', the dominant soundclash call-out of the 'Spartan Riddim', riding out with the garage-flecked jam 'Can't Hold It', also featuring Sonar's Ghost (Domu). Five tracks deeply rooted in groove and as beautifully diverse as Bruk ever was.

Pressed up lovingly onto 140g vinyl, this release is accompanied with a fully-printed insert, featuring an extensive piece on the history of Bruk, written by Andwot (Touching Bass), classic photography by Sarah Ginn, and full-colour artwork by Mitchy Bwoy, a legendary artist to the original scene in his own right. This is an essential artefact for followers of the sound, new and old.

First Word prides itself on its ethos of musical diversity, and we're ecstatic to welcome aboard the CoOp foundation to the stable. A crew of British dance music pioneers, sound-system legends, and now-school heavyweights, this is but a taste of what's to come. Lead by the don IG Culture, the family spirit has quickly formed, the selectors have assembled.

The stage has been set for bruk's second wind. Be ready.

A A1 | Henry Wu - Substance (IG Culture & Alex Phountzi Remix)

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Последний логин: 4 г. назад
Monosoul - Monument Street Ep

Monosoul is back on Tieffrequent with 4 timeless and classical cuts focussed on the important elements of housemusic...with love for the dancefloors, clubs and basements of this universe...
On the A-side you have - Make 'Em Match', a rough and steady house-groove containing a constantly bouncing bassline, a deep chord-pattern, a complex percussion-cluster and a well infixed electric piano...all elements are perfectly balanced, finalized and formed to a completed floorfiller. Then there is - Monument Street' after which the EP was named. Starting really deep and minimalistic it developes to an impulsive und powerful song. Organic pads, pulsating deep chords, a rhythmic bassline and well arranged drums make - Monument Street' flowing impressively from start to finish.
The B-side starts up with - Hot Concrete', a blazing, drum-driven basement-groover. With a sharp deepchord which is wrapped-up in several padsound-patterns, Monosoul creates a very own athmosphere. In combination with an impulsive bassline and a distinct percussion- ensemble - Hot Concrete' beats time on the floor noticeably. Finally - Life On The Red Island' as the perfect final track brings the - Monument Street EP' to an end. It builds up by adding small bits and pieces very subtly to a point you recognize a pulsative deephouse beauty. The remarkable bassline and the concise and bouncing kickdrum are casted in a flowing deep sounded carpet full of hope. - Life On The Red Island' disappears to where it came from and leaves you with strong impressions.
The - Monument Street EP' gives an insight into Monosoul's impressive understanding and definition of house music which you can hear on 4 tracks loud and clear...Thank You!

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Последний логин: 2 г. назад
Arttu - Walking On A Fine Line

Repress!

Berlin based Arttu has been dropping his dusty fat beats across numerous techno labels including Philpot, Clone and 4Lux for a few years but it was 2016's track 'Hoodies' on Arttu's own imprint Cyblo that caught the attention of Accidental label boss Matthew Herbert (and which remains firmly in Herbert's record bag). Arttu was invited onto the Accidental Jnr roster and has delivered a chunk of techno with so much swing it made Donkey Kong blush.

Arttu takes the most simple of jazz bass hooks and loops across a rigid kick, it's when those hats kick in that the groove goes fucking wild. The presence of US native Roberto Q Ingram on vocals brings a full Detroit gangster flavour to the party. Initially Arttu and Roberto had an idea to record a simple and sweaty track with Roberto on the mic and Arttu at the control of some dusty old machines. The result, 'Bass Trakk' is exactly that: Roberto dropping lyrics over a raw beat and a massive bassline. The EP is rounded off with a deep bit of techno 'Debris' with all the trappings of the darkest hour of a Berlin winter in which it was recorded.

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Последний логин: 5 г. назад
Parris - Your Kiss Is Sour Ep

In a brief time Parris has not only engineered but fully-stabilised an otherworldly sound of unique resonance. Through leadership of cult label Soundman Chronicles and his own work on Idle Hands, Tempa and Ancient Monarchy, his research and publishing has attracted fervent interest in the UK Bass community and is rapidly gaining wider international recognition.

Measured with due diligence, he has propagated and influenced key research topics and industry best practice standards through regular transmissions on Rinse FM and the recent C90 Cassette 'TX280916 / TX111116'issued on Keysound.

Hemlock is honoured to present his most recent work exploring low frequency encryption and optimisation. HEK028 contains some of the most sophisticated and realistic models we have manufactured thus far.

'Your Kiss is Sour' a slow release payload observed from inception to destruction through decay. Malic tones are exposed, individually suspended then vacuum sealed allowing multiple strains to be dissected and ranked according to their sonic weight and availability.

'Flowering in Threes' introduces technology sensitive enough to detect and harness resonance from long-submerged sub frequency transmissions. The available models can be layered across several axis concurrently with minimal phase or gravity distortion.

'My Beautiful Fantasy' explores and challenges several popular weightless theories in an engaging and controversial tone sequence.

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Последний логин: 7 г. назад
Profusion - Where Do I Begin

Profusion (noun): an abundance of something rich.

The sonic partnership of K15 and Emeson originated in the days of MySpace. A future of combining their skills was inevitable, and now in 2017, it's time to unleash their debut studio album into the ether.

The solo-projects of Tottenham-raised Kieron Ifill (aka K15) date back a decade, but were truly kick-started on labels such as Kyle Hall's Wild Oats and WotNot Music, with a number of genre-crossing releases dropping ever since, including the WU15 project (along with Yussef Kamaal's Henry Wu, on Eglo Records). Additionally to his production work, he has established himself internationally as a DJ, from the Jazz Cafe to the CoOp parties.

Partner in Profusion, Emeson, has many skills to his bow - singing, songwriting, producing, promoting, DJing (under the alias Ed Nice) and acting. As a musician, his varied skill-set has seen him work with Chico Hamilton, Carla Duke, Karmasound, Uzo Madu and Chris Jerome. A frontman for soul-jazz groups LifeSize, The One and Saturn's Children, he has featured on releases for BBE and Tokyo Dawn, and appeared live on stage at the likes of Ronnie Scott's.

The debut single was supported by tastemaker blogs Wonderland, XLR8R and Stamp The Wax, has been bumped by selectors such as Lefto and Jazzie B, and played on NTS, Worldwide FM, Mi-Soul, LeMellotron, Balamii Radio, Itch FM, Invader FM, Soho Radio and various stations across Europe and the US.

This album is full to the brim with summery sun-soaked synths, drifting across the warmest of basslines and heavyweight beats. Emeson's rich vocals gracefully ride atop of K15's delectably bruk twist on neo-soul sonics and electronics, this is some seriously classy contemporary London soul music, that manages to incorporate flashes of various dance music techniques, sound-system etiquette and jazz-tinged rhythms. As future-thinking as it is subtly retrospective, it doesn't lend itself to one genre, it intentionally embodies the best of many. An array of everything that is great about British black music in 2017. The message the album conveys itself couldn't have come at a more poignant time. Where do we begin

Profusion - an abundance of something rich indeed.

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Последний логин: 6 г. назад
Various - De-noize Records Volume 1

The one and only Joey Beltram delivers a remix of Jungle Love with a techno electrifying spinoff complete with strong drum basslines and favoured by the industry's best.
Techno - Matt Sassari gets deeper and darker than ever in this classic techno must have.
Audio KoDe is a beast calling to the signatory sound of De-Noize with driving techno, heavy drums and bass, and raw heart-stopping beats that have appealed to Richie Hawtin and the likes.Additional PR info to follow.
All tracks promoted through Press N Play distribution and Strikeforce Media, along with RuntheScene PR (Brooklyn, NY) and radio play across Europe. Tracks also featured within DJ Charts on Beatport and Traxsource.
Joey Beltram's Remix reached Beatport's Top charts at #47 and stayed there for almost a month, boosting both Audio KoDe and De-Noize Records. Support from Joseph Capriati, Richie Hawtin, Marco Carola, Danny Tenaglia, Paco Osuna, MonkiDJ, DMC WorldMagazine and plenty more!!
Matt Sassari's track met with early success reaching #29 on Beatport's Top 100 in techno and climbed to #19 Traxsource's chart, staying there for over a month. Support From Richie Hawtin, Romanolito, Marco Carola, Paco Osuna, Joseph Capriati, Skober, Hollen, DFormation and more..
Richie Hawtin played this track on his livestream several times and at Space Ibiza Opening party during Hawtin's ENTER Event. This was followed by plays by notable DJS during the summer festivals and numerous related tweets to Richie Hawtin and tons of support by his followers.
Track fully supported by more including Skober, Hollen, DubFire, Dj Boris, Danny Tenaglia, Nicole Moudaber, Tocadisco, Mark Antonio, Meat Katie, Anderson Noise, Angy Kore, Tom Laws, Tiga and more.

На складе от23.04.2026


Последний логин: 8 г. назад
Nick Höppner - Work LP 2x12"

Nick Höppner

Work LP 2x12"

2x12inchOSTGUTLP26
Ostgut Ton
09.06.2017

Panorama Bar resident Nick Ho¨ppner gets to Work on his second solo album on Ostgut Ton, connecting the territories of House music with the ease of Alt-Pop.
Work as in labor. An axiom that fuels the capitalist system just as the Techno/House scene economy says that one needs to keep oneself busy to make a living. As a musician, things are complicated of course. It's a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. Those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. After leaving his full time job as Ostgut Ton's label manager in 2012, Nick Ho¨ppner went fully freelance, focusing on his musically diverse, deep and dynamic DJing in and outside Berghain's Panorama Bar, but more importantly spending more time in the studio. The result was his critically acclaimed debut album Folk (Ostgut Ton, 2015), various 12' releases and remixes, and now his sophomore LP, Work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.
Work as in body of work. A record is more than the sum of clocked up hours at the studio, but the result of an artistic-creative process. On Work, Ho¨ppner shows his everlasting lust for musical detail, his increasing technical skills and compositional finesse. Work is a very personal, soulful and deep record that breaks through the usual club/dancefloor narrative by documenting Nick's interest for hybrid sounds and combining elements from varying musical genres. Work's lead single 'All By Themselves (My Belle)' is a very atmospheric, intimate and steadily unfurling IDM piece with ethereal synth and vocal pads; on the album it's contrasted by 'Clean Living' with Tram 78, a modern Ho¨ppner club classic: powerful, kick-heavy, muscular, cheerful and uplifting. It's a very personal track resulting from a recent reencounter with an old friend. Having spent countless hours together in Berlin's clubs in ever changing states of mind a decade ago or longer, things have since changed for both towards a more - clean living'. Connecting to this musical vibe 'In My Mind' follows with a slightly darker tone putting emphasis on bassline, percussion and squeaky sound detailing. 'Hole Head' pays tongue-in-cheek homage to Nick's love for UK club music, when a dashing melody of synths and vibraphone is matched with clattering breaks and syncopation. The dubby, mesmerizing 'The Dark Segment' not only impresses with its hypnotic synth figurines, but also by morphing to a shuffling Jazz rhythm towards it's middle part; 'Forced Resonance' uses Oberheim synth brass stabs to dramatic effect; the percussion- and clap-laden 'Fly Your Colours' comes with an irresistible piano melody atop an energetic kick; and finally the album-closing, shuffling but rhythmic, noisy yet bluesy 'Three Is A Charm' featuring the duo Randweg on clarinet, cajo´n and acoustic guitar is a coherent departure heading towards Indie Pop territory. It sees Nick collaborating with acoustic instrumentalists for the first time in his ten-year- spanning Ostgut Ton release catalogue.
Work as in artwork. Staying in line with the Folk album, the visual companion for this record comes from German collage artist Frank Bubenzer. As with the artwork at hand, Bankentsunami, and his other works, Bubenzer cuts up print magazine advertisements and recontextualizes them into new motifs, removing all human depiction from the source material, here as a commentary on the world of business, big money and the banking crisis.
Work as in work it. As a slogan 'work' has always been one of the genre's most utilized paroles, coined and put on wax by pioneers like LNR, Blake Baxter or Steve Poindexter, to name a few. Not only calling for the crowds to get moving on the floor but also to fully express themselves and their unique individuality inside an all embracing environment. A mindset rooted in House Music that has been an integral part of Nick Ho¨ppner's identity as a DJ and producer from the beginning and all through his decade-spanning residency at Panorama Bar. Work it!

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Последний логин: 11 мес. назад
Cold Colors - Leave This World Behind 12"

A very expected release is finally unveiled, cold colors new ep 'leave this world behind'. this one-man project is without any kind of doubt one of the leading synthwave acts of france, frédérick barbe proved himself as a truly master into create hypnotic soundscapes on his fully analog recordings. 'leave this world behind' represents his fourth ep and again shows us what 'minimal melodic synth' music should be; perfect bass sequences, clear drum stems and that catchy cold colors pads. all tracks mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

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Последний логин: 6 г. назад
Various - Aleatory Chaos

A very expected release is finally unveiled, cold colors new ep 'leave this world behind'. this one-man project is without any kind of doubt one of the leading synthwave acts of france, frédérick barbe proved himself as a truly master into create hypnotic soundscapes on his fully analog recordings. 'leave this world behind' represents his fourth ep and again shows us what 'minimal melodic synth' music should be; perfect bass sequences, clear drum stems and that catchy cold colors pads. all tracks mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

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Последний логин: 8 г. назад
Ekoplekz - Bioprodukt

Ekoplekz

Bioprodukt

2x12inchZIQ386
Planet Mu Records
03.06.2017

Ekoplekz returns with his fourth album for Planet Mu, in the shape of 10-tracker "Bioprodukt". The unique lo-fi, woozy sound of Bristol's Nick Edwards stays intact while he veers towards the nineties for inspiration: the bleep and bass sound of the north of England is one touchpoint and the acid gurgles of the 303 are another. While the murky lo-fi production levels and evocative melodies remain, they are now bolstered by a more muscular rhythmic chassis. Snappier kicks and snares mingle with dense layers of percussion and deep undulating sub-basslines adding a funkier edge, as typified by opening track "Elevation" where playful beats interlock with breezy keyboard flourishes to create something uncharacteristically upbeat. Similarly, the gentle, fluid motion of "Slipstream" and "Calypzoid" represent some of the most appealingly chilled grooves in the Ekoplekz canon to date. But the darker-edged material remains. "Expedition" has a pensive, percussion-heavy feel whilst "Acrid Acid" is a dirt-encrusted slow-mo techno meltdown. "Transcience" displays the Ekoplekz trademark dub-fx in full flight over a driving lo-end, before "Descent" leads down to the final section, where the beats fade out, replaced by rippling layers of spectral ferric ambience on the epic "Low-X Over", before finishing with the radiant looped stasis of "Denier Daze". The albums shifting, mperfect patterns and muted colours are visually mirrored in the beautifully realised sleeve by the Print Project.

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Последний логин: 6 г. назад
Pisetzky - Tears Of A Rough Machine

Pisetzky's full debut album on Just This includes adventures into contemporary Techno music, fines ambient works, and unique broken pieces. An intense mixture of incredible warmth, weird fluffiness, mystic trumpets and high uplifts, the album is interspersed with short ambient and fragmentated interludes, each just a few minutes long: 'State of consciousness' and 'Tears of a rough machine' are serene and reflective tracks that give the listener time to breathe and bringing him/her back to more dancefloor focused tracks of the LP like Viridis, Bakwas and Wand. The result is a magic story, a history in eleven chapters that the listener is guided through, like the landscapes of a mystic journey, with a twist on the melodies and hidden effects behind every deep bass sound.

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Последний логин: 7 г. назад
Rumbleton - Pressure // Ultramagnetic

Damon Yates, AKA martianMan, set up 4th Planet Recordings to release music by people which includes some of his more favorite artists. Artist that simply need to have more music released. It involves the same basic idea that he had when starting up the martianMan volumes which is to release original, high quality jungle with a completely underground feel. Not only the bass and drums are important for the vibes but the whole feel of the music is in play. It can be completely futuristic sounding or full of old school vibes though out. However it's served up just know that it is underground.

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Последний логин: 8 г. назад
Shonky - Tyrolien Ep

Shonky

Tyrolien Ep

12inchAPO028
Apollonia
22.05.2017

One of the core members of the Apollonia family is the mastermind behind the label's latest release. Shonky steps up with his first solo EP since 'Plombiére' which dropped in July 2016. Full of funky flavours and that distinct 'Shonky style', the new EP consists of four brand new tracks produced exclusively for Apollonia. Each track emanates its own unique vibe, while reppin' Shonk's irresistible groove. On side A we have 'Tyrolien', a jaunty number with bright tones and a tight, rolling groove. Shonky injects it with a series of unusual FX and what sounds like an wizened old creature, speaking about 'the foulest stench in the air'. It's a superb combination and sets the EP off to a great start.Next up is 'Beat Street' which has a heavier set of beats, which stomp down as a marauding b-line gets to work. Tiny fizzes and cheeps in the background add depth, sounding like robotic birds at play in the wild. The track is minimal in its make up, but deep and engrossing, classic Shonky material.Flip the vinyl over and we have 'Torro Rosso', a bold, stomping workout with fresh percussion and a jovial analogue riff. As the bubbly low end percolates way down below, the beats pump the track along and an extra layer of analogue funk enters the fray midway through. The final track is titled 'Serpent a` Sonnette' and swithes the vibe. It's loose, meandering and twisted, with a hypnotic bassline and super sharp percussion. This one is going to get the dance floor locked into a groove, as it progresses a sweet, chirpy melody brightens the mood. Feel the glow!Once again Shonky demonstrates his ability to produce groovy dance floor cuts that have their own unique fingerprint; danceable, unusual and utterly captivating. Grab the new EP now!

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Последний логин: 7 мес. назад
Quiroga - Viaggio A Tulum

Hell Yeah is proud to present a new EP from an artist that has been on their radar for a while. That artist is Napoli's Quiroga aka Walter Del Vecchio, the Italian DJ and producer who also runs his own Really Swing label and has been given props by the in the know Test Pressing blog, as well as having all his tunes dropped by
Balearic Gabba Sound System at every opportunity.

One of the finest talents to come from Italy in recent times, Quiroga cooks up hypnotic and trance including sounds from a myriad of diverse influences from opiate jazz to shuffling funk beats, from shifty landscapes to library music.

First up is Viaggio a Tulum, a perfectly loose and jumbled mix of sunny vibes, feel good chords and clipped vocals full of soul. The sort of thing that has you day dreaming of lazy afternoons and drunken BBQs, it's perfect example of Quiroga's efforts style.
Non Dire Notte—featuring Acido and ReallySwing act 291Out members Luca "Presence" Carini on electric bass and Vincenzo "Warren" Ciorra on electric guitar—is even more lazy and elongated, horizontal and blissed out. Twanging guitars off set pixelated synths, squelchy chords and Afro signifiers bring the heat and overall you cannot fail to get lost in the groove.

Prati Bagnati is a serene ambient interlude that feels like laying on your back and looking into a deep blue sky and second ambient cut Bava is more textured and intense, with shifting drones and muffled voices bringing a sense of filmic unease to the table. Overall, this is a perfect window into Quiroga's most intoxicating musical world.

Support by Alexis Le Tan, Aficionado Djs, Coyote, Ibiza Sonica, Reza Athar, Gonno, Noema, Fabrizio Mammarella, Riccio, Bill Brewster, Private Agenda, Soft rocks, Tim Love Lee...

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Последний логин: 6 г. назад
Gas - Narkopop

Gas

Narkopop

3x12inchKOM371
Kompakt
25.04.2017

3xLP+CD Artbook
(en) - Nearly two decades after the last official GAS album release, Wolfgang Voigt returns to his iconic Ambient project with a brandnew full-length.
- NARKOPOP continues the classic GAS aesthetic of symphonic scope and subtle variation, taking the listener on an otherworldly journey to the depths of rapture and reverie.
- Available as luxurious hardcover CD incl. 24 pages booklet.

In the body of work of Cologne artist Wolfgang Voigt - who, like few others, has informed, shaped and influenced the world of electronic music with countless different projects since the early 1990s -, GAS stands out in particular as a saturnine sound cosmos based on heavily condensed classic sequences. Even after nearly 20 years, the sound of GAS doesn't seem to have lost any of its luster, as shown by the commanding success of Kompakt's fall 2016 re-release of the essential back catalogue as a 10xLP/4xCD box set.

The overwhelming feedback from a loyal international fan community and worldwide media outlets attests once again to the sheer timelessness of GAS. Which is why it will feel like hardly a day has passed since the release of the last official album 'Pop' nearly two decades ago, when Wolfgang Voigt resumes this specific creative path with the upcoming new full-length NARKOPOP.

Even in the here and now, the unmistakable vibe of GAS immediately hits home, taking the listener on an otherworldly journey with the very first sounds, drawing him or her into an impervious sonic thicket, down to the depths of rapture and reverie. From wafts of dense symphonic mist emerges a floating and whirling feeling of weightlessness, before the listener steps into an eerily beautiful forest of fantasy, pulled in by the allure of a narcotic bass drum.

While earlier GAS tracks were often based on the hypnotic effects of looping techniques, the 10 new pieces on NARKOPOP unfold their magic in a more entwined manner, sometimes with the sonic might of an entire philharmonic orchestra, sometimes as subtle and fragile as the most delicate branch of a tree with many. A main characteristic of Voigt's oeuvre, the coalescence of seemingly contradictory stylistic aspects such as harmonious and atonal, concrete and abstract, light and heavy, near and far is also a decisive feature of NARKOPOP.

In accordance with the transgressive spirit of his collective work, Voigt carries the aesthetic conceptions of his music over to the realm of the visual. Based on his abstract forest pictures, the GAS artwork addresses Voigt's artistic affinity to romanticism and the forest as a place of yearning. For the first time, a closer look at the cover of NARKOPOP reveals signs of architectural fragments which hint at another, maybe parallel world behind Voigt's forest. Truth is the prettiest illusion.
(de) - Fast zwei Jahrzehnte nach dem letzten offiziellen GAS-Albumrelease kehrt Wolfgang Voigt mit einem brandneuen Langspieler zu seinem legendären Ambientprojekt zurück.
- NARKOPOP setzt die klassische GAS-Ästhetik zwischen symphonischer Grösse und subtiler Variation fort, eine Reise zu den Untiefen von Rausch und Entrücktheit.
- Erhältlich als luxuriöse Hardcover CD- Erhältlich als luxuriöse Hardcover CD inkl. 24-seitigem Booklet.


Aus dem Gesamtwerk des Kölner Künstlers Wolfgang Voigt, der mit seinen unzähligen unterschiedlichen musikalischen Projekten seit den frühen 1990er Jahren wie kaum ein Zweiter die elektronische Musikwelt geprägt, gestaltet und beinflusst hat, ragt sein Projekt GAS, ein auf stark verdichteten Klassiksequenzen basierendes, düsteres Klangkunstwerk, in ganz besonderem Maße heraus. Dass der Sound von GAS auch nach fast 20 Jahren scheinbar nichts von seinem Zauber und seiner Kraft verloren hat, zeigte eindrucksvoll der große Erfolg des im Herbst 2016 als 10xVinyl/4xCD Box auf Kompakt wieder veröffentlichten Backkatalogs.
Die überwältigende Resonanz, sowohl seitens der treuen internationalen Fangemeinde als auch der weltweiten Presse, bezeugte einmal mehr die schiere Zeitlosigkeit von GAS. Daher fühlt es sich auch an, als sei kaum ein Tag vergangen, wenn Wolfgang Voigt nun mit NARKOPOP genau da den künstlerischen Faden wieder aufnimmt, wo das letzte offizielle Album »Pop« ihn vor fast zwei Jahrzehnten hat fallen lassen.


Auch hier und heute verfängt der unverwechselbare Geist von GAS unmittelbar und nimmt den Hörer bereits mit den ersten Tönen mit in eine andere Welt, zieht ihn hinein in ein undurchdringliches Dickicht aus Klang, hinunter in die Untiefen von Rausch und Entrücktheit.
Aus dichten sinfonischen Nebelschwaden entsteht ein Schweben und Taumeln, ein Gefühl der Schwerelosigkeit, bevor der Zuhörer von der Anziehungskraft einer narkotischen Bassdrum wieder hinunter in den schaurig-schönen Fantasie-Wald gelockt wird.

Während frühere GAS Tracks oft auf der hypnotischen Wirkung des Loops basierten, entfalten die 10 neuen Stücke auf NARKOPOP ihre Magie auf verschlungeneren Pfaden, mal mit der klanglichen Wucht eines ganzen Philharmonieorchesters, dann wieder so zart und zerbrechlich wie der feinste Ast eines weit verzweigten Baumes. Das für Voigts Arbeiten so typische Ineinanderfließen scheinbar widersprüchlicher stilistischer Aspekte wie harmonisch und atonal, konkret und abstrakt, leicht und schwer, nah und fern ist auch auf NARKOPOP essenziell.

Im Sinne seines grenzüberschreitenden Schaffens, überträgt Voigt die ästhetischen Konzeptionen seiner Musik auch auf die Ebene des Visuellen. Das auf seinen abstrakten Waldbildern basierende GAS Artwork thematisiert Voigts künstlerischen Nähe zur Romantik und dem Wald als Sehnsuchtsort. Wer einen genaueren Blick auf das Cover von NARKOPOP wirft, der wird erstmalig Andeutungen architektonischer Fragmente entdecken, die eine andere, vielleicht parallele Welt hinter dem voigt'schen Wald erahnen lassen. Wahrheit ist der schönste Schein.

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Последний логин: 4 г. назад
Synthek - Transitions Of Life

Synthek

Transitions Of Life

2x12inchNTCLP02
Natch Records
24.04.2017

In this space between chaos and conformity disorderly moments welcome new phases into existence, leading to the awakening of an elevated version of the self. Between highs and lows, Transitions of Life remain; the concept behind Synthek's first solo full length sound narrative on his Natch Records imprint. Unfolding across a vexing two-year transformation phase, Synthek's crossings along rough roads are the tribulations to reveal this intimate personal journey of reve- lation through emotional downshift, spiritual upheaval and cerebral quandary. In this dominion, Synthek shapes the eleven track escapade along a sophisticated array of synths and warm analog drums, while contrasting the build and decline of atmosphere through deep bass soundscapes.
Pivotal turning points execute the programming of the album's three part sound design; beginning from darkness and repression, evolving to a more colourful aerial majesty of lucid dream state, morphing into the developed nature of life lessons learned; Transitions of Life making its incarnation into the discovery of the self and re-entry into reality.

*Transitions of Life is a 2x12' release made available through Natch Elements, intro- spective extension to the Natch Records imprint. Visual embodiment of the project artfully presented with photographic time capsule by Salar Kheradpejouh of Berlin, Germany with graphic work curated by Jacopo Saveritano, co-founder of Natch Records.

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Последний логин: 8 г. назад
Kito Jempere - Sea Monster

Acclaimed Russian producer, DJ and live musician Kito Jempere is back with a stunning second album, this time on Italian label Hell Yeah. Entitled Sea Monster and due for release in early 2017, the nine track album is a fantastic fusion of live instrumentation and electronic production.

Kito Jempere is a musical polymath. The Russian artist, producer, multi-instrumentalist and band leader has been involved in many projects over the last ten years plus. These range from rock to acid jazz to electronic bands and often call upon a rotating cast of other members who are all equally talented.

From playing in small bars to headlining big shows for thousands of people in Saint Petersburg, he has put out a number of albums and singles on labels like Freerange, Room With A View and Hell Yeah and DJs around Europe.

Jempere plays live as the Kito Jempere Band, and here he calls upon his bandmates for their many skills to lend the album a richly musical feel.

Mixed and co-produced by band member Roman Urazov, the album features Artemiy Gunbin aka Noteless, the voice of the Kito Jempere Band and front man of his own rock band Videatape, as well as Ruslan Gadzhimuradov, a long time drummer on many projects, plus Matvey Averin, the bassist but also co-producer for cult group Manizha and finally Sergey Lipsky who here plays guitar and is also half of Simple Symmetry as well as having played for Kito's other project Saint Petersburg Disco Spin Club group.

Sea Monster kicks off with Lifetime Theme, a heavenly groove with loose drums and percussion and gorgeous keys. Form there, Artemiy Gunbin's ethereal and crystal clear vocals take centre stage amongst balearic guitars on album single 'Ampa', and then 'To Talk' is a deeper cut with bumpy drums, long tailed pads and shiny synths all making for a curious and whimsical atmosphere.

'Grid Cells' is a lush instrumental track with clever revel and echo adding a sense of grandeur to the freeform jazz drums and frazzled synths, 'Uohha' is as sunny and laid back as an afternoon on the beach and 'Puzzled' then layers up scuzzy basslines, popping hits and suspenseful synths into something smooth and seductive.

The final third of the album closes out with blissful guitar licks, lazy broken beats and brilliant drum playing that all have you wishing it was summer again.

This is an album with elements of jazz, house, disco, balearic and many more sounds all smoothly blended into one coherent and captivating album full of soul and musical skill.

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Последний логин: 8 г. назад
Awanto 3 - Gargamel

Awanto 3

Gargamel

2x12inchDKMNTL042
Dekmantel Records
13.04.2017

Amsterdam's cult producer and DJ Steven van Hulle a.k.a. Awanto 3 likes his samples vibrant, his drums wobbly and his synths sweaty as a Detroit summer breeze. The MPC wizard returns to Dekmantel delivering his second, full-length album. Gargamel is arguably his most compelling piece of work. Spread over the course of nine tracks, van Hulle shows he's capable of serving up many different styles and genres in his ever-expanding arsenal.
.
The Rednose Distrikt affiliate kicks things off with his friend and co-producer Darling. 'Azrael' builds over shuffling, infectious rhythms, a cluster of vocal stabs and heartfelt keys.
'This Is When We Met', 'Why Don't You' and 'Gargamelancholia' on the other hand, are aggressive, batty-jackin peak-time tracks embracing classic acid aesthetics, while 'Positive Negative' is a stretched-out house jam incorporating the tussle of wonky boogie and tribal bumps.

Van Hulle drops the tempo on 'Hooli Goose', taking slow release hypnosis turns while making a marching band sound cool. The dry drum machines, melted bass and schizo sounds of 'Ride The Dragon' will appeal to the freaks, and the dreamy 'Happy Bird' is a tripped-out set of ambient and lo-fi themes. Last but not least, Dexter enters the stage to do what he does best with 'Thick': showing who's boss of the 808 with a straight-up electro essential.

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Последний логин: 6 г. назад
Fabrice Lig - Border 2 Border E.p.

the label say: What is soul really The answer to that is a various as the music that claims it. We here at WPH HQ do not know the answer either, but we do know an exceptional piece of music when we hear it. Enter Fabrice Lig, Belgian techno legend with his roots in our little country and his ears definitely in that place called Detroit.
Respected by his techno peers and his Detroit inspirations alike, Fabrice's music is always full of funk and emotion. These two qualities are very much in demand in WPH circles, so it was only a matter of time before Fabrice joined the family.
On 'Border 2 Border' Fabrice brings us two tracks, the title track funkin' and swingin' like nothing else and with a big dose of Motor City chords, making for a true mental dancefloor anthem. Word has it that label boss Red D wrote lyrics on the spot when he heard this one out loud...so who knows what's coming in the near future... On the flip side 'Ocean Rising' goes for arpegiatted bliss and a bass line to rumble you out of your bras or pants. Welcome to WPH Mr Lig!

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Последний логин: 12 мес. назад
Verdo - Little Blue Ep

After sending out these tracks last summer and getting great reactions from DJs and dancers alike, Hell Yeah is pleased to finally officially release virtuoso musician Verdo's Little Blue EP, complete with a remix from Lauer. Fully remastered for vinyl, the likes of Lexx, Chris Coco, Soft Rocks, Leo Mas and many more have all be playing these tunes with great results.

The talented Verdo runs the famous Gratis Club in Senigallia on the Italian east coast. It is a place he calls home, and that has really allowed him to hone and sharpen his DJ skills so that now he is a slick, unpredictable and singular DJ with many tricks up his sleeve. Bjorn Torske, DJ Fettburger, Prins Thomas, Kenji Takimi, Glenn Underground and more have all played there in the last decade and Verdo himself is a skilled pianist who has played for Zero7 singer Mozez in the past. He has worked with Hell Yeah before now, as well as releasing on Danny Was A Drag King, and here serves up his biggest bit of dance floor dynamite to date, including his previously digital only cut 'Big Fish' (mixed by DJ Rocca).

Opener 'Little Blue' is a perfectly sunny track with hip swinging claps, bobbling bass and boat party vibes that soothe your soul. Rich with instrumentals and golden synth lines, it's a perfect beat that gets followed up by the retro disco pump of 'Sazerac', another tropical cut with loose drums and rubbery bass to get you up on your toes.

The massive 'Big Fish' then hits hard with its tin pot percussion and wild synths all making you flail your arms like you just don't care. Jumbled jungle vibes and big chords all swell your heart as your feet skip about down low.

Closing out the package is Phillip Lauer (Tuff City Kids), one of the most in demand stars of the day, and his version is a direct house jam with percolating and rugged synths and slapping hits, all demanding you ditch your cocktail and get up and groove.

"all good stuff here! OG for early / mornings and Lauer for peak. really nice release! " Piers - Soft Rocks

"Big fan of Verdo! great tunes here as expected. Sezarac fav at first listen." - Dream Chimney

"Little blue is super nice!!" - Phil South (Golf Channel)

"Yes, some great stuff here. Sezerac and the Lauer mix are really great, perfect sunshine session material." - Chris Coco

"I love Big Fish's keyboards! strong!!! Arigato!!!" - Chida

"Little Blue and Big Fish are fun for sure, def will play em on a rooftop sooooon" - Jacques Renault

"Yeah, feeling Little Blue, heavy rotation this Summer! " - Jason Boardman (Aficionado)

"Little Blue, i like." - Lexx

"This is tremendous. Driving peak time track that you can imagine Joe Claussell really working the dancefloor with." - Andrew Pirie

"killer ep guys!!!" - Discodromo

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Последний логин: 8 г. назад
Iron Curtis - Maple

Iron Curtis

Maple

12inchOFFICE10
Office Music
07.04.2017

Versatility has got to be Iron Curtis' second name. There are only few other producers on the electronic scene who are able to display such a variety of musical facets as this talented man from Berlin. With his 'Maple EP' he underlines his reputation of an artist with many faces as his new release is quite a box of surprises: rarley have we heard Iron Curtis in such a dubby mood.

Beginning with the straight and bass centered title track 'Maple' Iron Curtis moves on to the almost beatless and moody 'Collision' and the chord driven Dub House of 'Entago Entery' and finishes the EP with the delicate, Ambient encore 'Reset Me' on B2. With its impressive display of variety this record is a celebration of reduced, understated Dub Techno performed with a distinct musical flair and a clear artistic vision which perfectly fits label owner Baaz' direction of his Office imprint so far. What's surprising is how effortless and 'natural' Iron Curtis' appearance on his long-time friend's record label feels. In such good shape his 'Maple EP' is a definitve tip for the lovers of sophisticated and detailed Dub Techno full of suspense.

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Последний логин: 2 г. назад
Hunter/game - Dead Soul Ep

Hunter/Game

Dead Soul Ep

12inchJT013
Just This
07.04.2017

After releasing their debut full length Album on Kompakt last year, Hunter/Game return to Just This with another immersive offering.
On the ‚Dead Soul EP' the duo continue to refine their expressive yet subtly arranged sound. The title track unfolds slowly, sculpting the melody, texture and suspense. Joey Anderson's take on 'Dead Soul' is airy and atmospheric without losing it's pulsing flow. ‚Isolation' covers a broad spectrum and is filled with contrasts in which an intense bass interacts with a delicate and breathy melody.
Balance is key to Hunter/Game's music and this EP is no exception.

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Последний логин: 22 мес. назад
Pixelife - Chimeras In The Matrix 12"

Newly launced Samo Records is setting out to explore the depths of the dancefloor by celebrating the darker, moodier facets of electronic music.The NYC label's first release comes from Pixelife (Sean Dack), a highly accomplished visual artist and veteran of NYC's underground. In addition to releasing on such respected labels as Throne of Blood, Horn Wax, and Let's Play House, he also makes up half of GHOST COP, a band known for its textured synths, iconic vocals, dissonant beats, and captivating live sets. Incorporating the same expert sonic-layering techniques he employs in his live analog sets, he's created a dynamic EP that's both intimate in feel and broad in scope.'Omega Block' stomps out of the gate, all driving rhythms and throbbing basslines with an underlying element of frenetic foreboding — aptly reflecting these geopolitically tense times, while still remaining suitable for losing yourself on the dancefloor. The track gets the remix treatment by Bristol, U.K.-born, Berlin-based Antoni Maiovvi, a self-described 'electrodisco horror mindmelt DJ/live performer/film composer' who heads up Giallo Disco Records with Vercetti Technicolor. Here, he trades his trademark horror elements for successions of staccato beats and a stripped-down sensibility that successfully translates to perfect late-night-at-a-warehouse vibes.Chimeras in the Matrix' soars with gorgeous dystopian melodies overlaying squelchy undertones, revealing labyrinthine layers and anxious crescendos before building to a full-on acid frenzy. Producer/remixer/DJ Tronik Youth (who, like Maiovvi, also hails from the U.K. and currently lives in Berlin) is co-head of the prolific (averaging nearly a release a week in 2016) NEIN Records, which he founded five years ago with Ian Considine; the label has released music from the likes of Rodion, Curses, In Flagranti, Heretic, Man Power, Daniele Baldelli, The Emperor Machine, and Moscoman, to name but a few. He is also a member of Permanent Wave, a spooky, pitched-down, dark-wave-inspired disco project with French singer Justine. He brings a chuggy, bleepy edge to his take on 'Chimeras in the Matrix' with bouncy rhythms, multiple breakdowns, and echoing robo-vocals, taking the original's intensity down while upping the dancefloor quotient.

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Последний логин: 4 г. назад
Lagartijeando - El Gran Podor

Lagartijeando

El Gran Podor

12inchWONDERLP23
Wonder Wheel
27.03.2017

Lagartijeando is the name of producer, musician and DJ Mati Zundel. Born, raised and currently living in a small town on the outskirts of Buenos Aires called Dolores. From a very early age, he was musically curious- experimenting with percussion, charango, guitar, bass, voice, and beyond.

Strongly influenced by his travels through Latin America, Mati's signature psychedelic dance tracks latch onto everything from traditional folk sounds from the Bolivian altiplano to the jungle beats of Brazil. Mati hypnotically fuses his traditional influences (with an emphasis on shaman chant and charango loops) with contemporary electronic beats, creating a sound that once left NPR speechless.

Lagartigeando was signed to the infamous ZZK Records in 2009 (Chancha Via Circuito, Nicola Cruz, etc.) on which he released his first EP Neobailongo- a mix of cumbias with electro and dubstep elements. After releasing the EP, Mati soon took to the road and dove deeper into the music of the Andes, studying charango and various traditional folk styles. In 2012, under the name Mati Zundel, he released his first full length album Amazonico Gravitante, via ZZK as well as Waxploitation (Gnarls Barkley, Danger Mouse) in the U.S.

Some more miles later, Mati released his second LP Cardos Redondo also on Waxploitation, which featured 8 songs recorded across Latin America- an album he calls an 'imaginary sound map of Latin America,'

Freshly into 2017, Mati brings us El Gran Poder via Wonderwheel (Novalima, Alsarah & The Nubatones)- named after an important Aymara festival that takes place in Bolivia and Peru, purely to celebrate family. At these festivals, the community also celebrates their culture and the importance of the collective identity. Like these festivals, the album is a celebratory one, and will tempt any listener out of their seat. The album was recorded in Mati's town, Dolores, outside of Buenos Aires. Once again taking a huge variety of sounds- this time influenced by Brazilian house,afro-brazilian rhythms, and folkloric Andean music. All songs are written and produced by Mati, apart from Lunita, a danceable track written in collaboration with Barrio Lindo.

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Последний логин: 7 г. назад
Rumbleton - A New Day

Touching down for the inaugural release on the newly formed label, North of 7 Sounds, is the mighty Rumbleton - a true heavyweight with over 2 decades immersed in sound system culture, running the Stand Firm Hi-Fi label and releasing music on Scientific Wax, Rupture LDN, Outsider, and Samurai Music to name but a few. A true master of his sound, we are extremely proud to have Rumbleton set the bar for future North of 7 excursions. A New Day' takes you on a journey filled with haunting pads, razor-sharp drum kit clashes, and infinite amounts of low-end. Bottomless swathes of atmospherics respire in and out of the mix, culminating in a breathtaking breakdown - crafted with utmost devotion to the Godfather of Soul himself. A truly honourable homage to jungle's roots in sample culture and breakbeat science.Conscience' on the flipside is weightiness refracted in minimalism. Rumbleton fully submerges your mental space in a cavernous, dubwise fog, while militant, scorched-earth drums power the tune forward. A warm, subterranean bassline churns endlessly beneath, all the elements occasionally exhaling and collapsing under their own weight, only to regenerate once again...

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Последний логин: 8 г. назад
The Orb - The Cow Remixes - Sin In Space Pt. 3

We continue THE ORB's SIN IN SPACE remix EP series with a third volume focussing on the duo's latest full-length, the highly acclaimed COW / CHILL OUT, WORLD! (KOMPAKT 354 CD 134). The spontaneous, organic vibe and sample artistry of the album is reflected in three distinct reworks from highly respected Kompakt mainstays THE FIELD, DAVE DK and JÖRG BURGER - all of them informed with surprising twists and displaying a clear lineage to the source material.
THE FIELD's remix of 9 ELMS OVER RIVER ENO takes the original's percussive part and unfolds it to a swirling, tropical epic that alludes as much to The Orb's multifaceted sound collages as it does to the hypnotic, looping flow of The Field's own output. Meanwhile, DAVE DK turns in a club-friendly revamp of 4AM EXHALE with the fittingly titled ACCELLERATOR MIX, indulging in exquisitely lyrical glitches and the magic of the straight bassdrum. JÖRG BURGER takes a shot at the beatless 5TH DIMENSIONS with the excellent DSCHUNGELOPER MIX - its loose pop jam feeling and flirty shuffle rhythm recall Burger's lush lounge core efforts under his Triola monicker.

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Последний логин: 9 г. назад
Von D - Politricks

Von D

Politricks

12inchKHALIPHONIC07
Khaliphonic
02.03.2017

Jerome Meyer AKA Von D is a master craftsman, well-known for releasing dubstep and bass music since 2009. On an increasingly prolific trajectory since last year, recent 12's on Infernal Sounds, Trojan Audio and Scotch Bonnet have signaled his renewed focus on dubwise productions. We are proud to say that Von D's Khaliphonic debut sees him fully committing to reggae and dub - in his words, going back to my musical roots.'

Politricks' is a masterwork, cut from the same living rock as the classic Cuss Cuss riddim, a simply huge bass and drum workout that is truly one for the ages. Politricks is an anthem for now, a call to avoid the dead-end of politics-as-usual and a warning to beware of the lies politicians tell to keep themselves in power - full of promises but changing nothing. Von D says that working with Don Cotti was very natural,' and their easy relationship is audible - the tune fits the vocal like a glove, and Cotti's instantly-recognizable singjay style gives even more gravitas to an already heavy track. The dub version spools out Von D's signature saturated echoes even further, and opens up spectral chambers of reverb that shimmer and glow.

The B side Ygrec' is an equally massive tune, just as compelling if more meditative and mysterious, coming in both one drop and power-steppers mixes for maximum versatility and vibes. Both tunes and their versions feature an incredibly robust, warm, human sound - one that simply can't come from machines alone - live drums, bass, and kete drum among other instruments maintain the tradition of live musicians in dub - to say nothing of expert desk-based mixing and deployment of live analog effects the way the elders intended. Both tunes dial in at 140 making them perfect for roots and dubstep selectors alike.

Von D got his start as a drummer and engineer outside Paris, in the heady days of original jungle. Early releases on Disfigured Dubz, Hench, Boka, Black Acre and the seminal V Recordings, as well as his reggae-oriented Liquid Wicked project, cemented his reputation. Don Cotti is a prolific producer, DJ and MC with releases stretching back to 2006 on labels as varied as Bass Face, Studio Rockers, and Soul Jazz.

Mastered by Lewis at Stardelta. Art & design by Polygon Press.

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Последний логин: 8 г. назад
Joppy Mister & Hennie V - Bass Ik001

Joppy Mister&Hennie V

Bass Ik001

12inchBASS-IK001
Bass Ik
01.03.2017

Green Marbled Vinyl Vinyl Only!
great 1988 summer of love old school acid house release, recorded with analog machines tr909, tr808, tr707,
tb303, sh101, juno106, dr.boss220, korg ms2000. pressed in random acid colours, including full color info/cover sheet. recorded by Joppy Mister & Hennie V. from well known dutch vinyl acid label and former record shop boss.
marvellous oldschool acid house tracks in limited edition HQ vinyl pressing.
Bass ik Records vs. Dance Drugstore Records - Vinyl Only!

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Последний логин: 8 г. назад
Mudd & Pollard - N7 Odyssey 2x12"

Mudd&Pollard

N7 Odyssey 2x12"

2x12inchC56LP010
Claremont 56
27.02.2017

It was the spring of 2007 when Paul 'Mudd' Murphy and Kevin Pollard announced the arrival of the former's Claremont 56 label with Villa Stavros', a magical frst collaborative 12'. It
seems somewhat ftting, then, that Claremont 56's fnal release of its' frst decade will be N7 Odyssey, the frst collaborative album from Mudd & Pollard. By the time Villa Stavros' came out, the pair had already been regular studio buddies for a couple of years. Initially, Murphy had recruited Pollard - a hugely talented keyboardist and composer - to play on tracks he was working on for Rong Music. One thing naturally led to another, and soon they were joining forces to make music as Murphy's home studio in
Holloway, North London. As the years rolled by, further acclaimed singles followed Villa Stavros' - the bubbly, Rhodes-laden Balearic disco shuffe of Vincent', and the lilting, intergalactic dub disco of Scaffold', most notably - before the duo's other musical commitments began to take precedence. Murphy had his hands full running the Claremont 56 and Leng labels, while Pollard carved out a successful career as a soundtrack composer for both flm and television. Now, the album they set out to make all those years ago is fnally fnished and ready to be
released. N7 Odyssey - titled in tribute to the Holloway studio they recorded in for many years before Murphy moved - draws together freshly re-mastered versions of their previously released singles with a clutch of previously unheard tracks. Built around the duo's own fne musicianship, with Pollard handling synths, keyboards and electric piano, and Murphy guitar, bass and percussion, the album's ten tracks offer a musical journey through their shared love of shuffing grooves, sun-kissed soundscapes and
gentle positivity. Highlights come thick and fast. There's the swirling strings, futtering futes, jammed-out electric pianos and heady female vocals of Far Away', the enchanting new age ambience of December', and the rush-inducing Balearic disco breeze of Mawson's Walk', a former single blessed with sublime horn solos and rising, cinematic strings. Check, too, the head-
nodding beats, fuid electric piano solos and jazzy guitars of Inatin', the gentle Eastern mysticism and vintage ambient house aesthetics of Anura', and the ultra-deep house pulse of N7 Odyssey'. The album fttingly fnishes with a sublime ambient interpretation of Scaffold', arguably the duo's most celebrated track. It may have taken a decade to emerge, fully formed, but Murphy and Pollard have delivered an album that's beguiling, magical, and hugely comforting. Clearly, it's an odyssey worth
taking.

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Последний логин: 4 г. назад
Leo Woelfel - Heuweid Ep

Jump in your spaceship and join us on our intergalactic exploration, as we are happy to announce that our next vinyl release is from Blossom Kollektiv's very own Leo Woelfel . Making his debut last year with a digital only release we are very excited to present his first vinyl release for the label titled Heuweid EP. The four track EP features three originals and a remix from Matthias Vogt that will take you on a deep exploration of space so buckle up and get ready to blast off.

We start our journey with the Frizzante mix of 'Heuweider Mineral' the track features a deep brooding bassline but with deep and dubby pads that takes us to a universe that plays with the darkness but keeps the light in plain sight. Backed with a solid kick and percussion to give the track a fully rounded feel this is one track that will put a big smile on any lover of the deeper side of house music.

Next up we get Matthias Vogt's interpretation of 'Heuweider Mineral.' Bringing a more broken beat reconstruction of the original, Matthias brings a raw flavor with a roaring bassline, moving snares and a redevelopment of the dubby pads that transforms the track and creates a feeling of weightlessness while floating through space.

On the flip side we are presented with a more classic deep house vibe with Leo's original 'Elke Ueber Der Bruecke ' this track is careful crafted with the dance floor in mind. A strong kick paired with tightly woven percussion and a classic deep house pad keeps everything moving in this distant but familiar world.

Our final stop on our planetary adventure is 'Stahlgruber Andacht' speaking to us in echoes the pads gently intertwine with a detailed drum patterns until the moving acid like bassline comes in to create a whole new dimension of sound. This concept is something that isn't all together new but done in a new and forward thinking way to finish off the full package of a finely tuned deep house record.

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Последний логин: 4 г. назад
Black Flower - Artifacts

Black Flower

Artifacts

12inchSDBANULP02
SDBAN ULTRA
02.02.2017

Stirred up from deep within, from an abstract spiral of sound and movement, from a sensation of time and space absolving and converging at once, the Black Flower musicians have molded a tangible matter: the album Artifacts. Their second full album sounds international and ageless. Eastern influences, Ethiodub and jazz effortlessly merge. Fantasy and reality seem to fuse. In a word: nourishment for body and soul.

"Psyche-delicious and accessible 20th century Ethiodubjazz. As if John Zorn put on Fela Kuti's shoes and imbibed Mulatu Astatke's whirls."

Piloted by saxophonist /flutist /composer Nathan Daems (Ragini Trio, Dijf Sanders, Antwerp Gipsy-Ska Orkestra), this instrumental band aims for originality. Fellow musicians and 'brothers down the road' are Jon Birdsong (dEUS, Beck, Calexico) on cornet, Simon Segers (Absynthe Minded, De Beren Gieren, Stadt) at the drums, Filip Vandebril (Lady Linn, The Valerie Solanas, Antwerp Gipsy-Ska Orkestra) at the bass and Wouter Haest (Los Callejeros, Voodoo Boogie) playing keys.

For many of us, the Ethiopian aspect once made known to the world by Mulatu Astatke will stand out. Still, Black Flower further adds oriental scales, Afrobeat à la Fela Kuti, jazz in a John Zorn way and varied western music traditions such as rock and dub. The resulting melting pot is undoubtedly inspired by Nathan's distant travels and the multifariously colorful city of Brussels.

...Pretty legit if you ask me - LeFto, Studio Brussel

After their well-received debut album Abyssinia Afterlife (2014, W.E.R.F. / Zephyrus Records) that created an atmosphere of mythical figures and psychedelia, Black Flower now reflects on ancient and modern cultures. The album title Artifacts refers to centuries-old fragile objects or tools that empowered the development of human culture. The world today would look entirely different without those artifacts. The seemingly brittle suddenly becomes a powerful welding cornerstone. Add the musicians' personal musical backgrounds and the result is an album with an ageless mystique. Artifacts is the synthesis of different cultures, of the past and present, and personal and collective memories. It is the soundtrack to modern reality, based on the elements that connect us.

Brilliant - Gilles Peterson, BBC Radio 6

One of Belgium's Best Bands of these past years (...) Black Flower does not simply play a tune, they always groove! - Kurt Overbergh, Ancienne Belgique

Uncomplicated originality, plenty of space for fantasy and an organic tone: those are the ingredients for Black Flower to lay claim to an age-old human ritual: dancing! Still, Black Flower also stands out in various other settings. Their audience at a jazz club will have felt exalted, their audience at a late-night show will not have resisted dancing. The band wields influence over their surroundings in a way only heart-and-soul musicians can. This mastery has repeatedly taken them to United Kingdom, France, the Netherlands and Germany.

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Последний логин: 5 г. назад
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