Cerca:fröst

DJ Support: Axel Boman, Coyote, Rune Lindbaek, Dr Rob (Ban Ban Ton Ton), Lefto, Johan Blende, Feel Fly, Marco Gallerani and many more

Secret Soul Society, aka South Wales's Cal Gibson, continues his red-hot streak of form with four original jams for Hell Yeah that effortlessly weave decades of influences into intimate, unusual sounds that go from Balearic daydreams to after-hours soul burners.

Gibson was one-half of Nottingham's deep house and downtempo outfit Neon Heights back in the 2000s, a collective that label head Marco has long admired. He has landed here before with the superb Keep The Mystique in 2023, a 15-track collection of brand new curveball cuts built from lovingly sourced samples. Since then, he has continued to collide jazz, funk, Afro, beats, dub, soul and reggae on Paper Wave and Magic Wand.

'To Be Happy' opens with gentle, sun-soaked grooves, swirling keys and dreamy pads that evoke a hazy Mediterranean sunset. Nostalgic soul samples tug at the heart while the track’s laid-back vibe is perfect for golden-hour moments. 'Orange Surprise' is a magical slice of downtempo bliss with hints of romantic vocals. It's built on soft broken rhythms and drifts between ambient soul and laid-back electronica, perfect for introspective moments or late-night winding down.

'Keep On Trying' flips the script with more texture. The synths are crystalline, the pads are sugary, and the meandering bassline unfolds in wonky fashion while soft male vocals bring a steamy edge. Last but not least, 'What You Do To Me' is funky and slow motion disco with 80s synths and reverb that drowns you in good vibes.

This EP is Secret Soul Society at his most expressive and emotive.

Four years on from their landmark Grassroots, visionary half-time heavyweights The Untouchables return with their third album, Lost Knowledge. The duo of Kate McGill and Ajit 'Nitrox' Steyns have carved out a space in modern D&B all their own, building on a legacy that reaches back to the late 00s to keep pushing into unexplored terrain with an assured and deadly line in rhythmic intrigue and atmospheric immersion.

Lost Knowledge launches into action instantly with the high-pressure drum science and dubby splashes of 'Drunken Bells', capturing the loopy techno propulsion and rolling intensity that drives so much of the output on Samurai Music. Where The Untouchables excel is in finding variety and nuance in their relatively forbidding, pared down sound. The heads-down groove of 'Mafia Town' owes as much to dembow and dancehall as D&B, while 'Lost Knowledge' spirals out into psychoactive flurries of synth strafes and organic percussion slathered in tight-locked delay trails. There's no light relief from strident hooks or riffs, just a pure, unshakeable commitment to the power of the beat and deeply designed layers of sound shaping out the space around.

'Busy Bones' makes space for carefully deployed hints of pad tone while the snares snap out of the mix with a sharp set of teeth. 'Four Eared Demon' baits the gabber crowd with its rapid-fire 4/4 hats atop seasick creaks across the midrange, keeping subtlety and patience in the lower frequencies to maintain the signature elegance readily associated with The Untouchables. 'Phase Correlation' teases an artfully unhinged ripple of synth that stands out amongst the murky murmurs filling out the middle distance, but it's still exercised with brutal precision.

Nothing happens by accident or feels out of place - McGill and Steyns are in total control, and they demonstrate incredible range and inventive approaches within their focused style. The accent of the grooves shifts, and individual sounds carry all kinds of artefacts, yet everything gets folded into the exacting Untouchables sound with a liberal dubwise sensibility. Brimming with inspiration and immaculately produced, on Lost Knowledge their one-of-a-kind sound is stronger than ever.

Support by Green Velvet, Rebolledo, Dr. Rubinstein, Cormac, DJ Hell and many more! Summer 2013, Comeme label's studio - The District Union. Behind the analog console and hardware - 20-year-old Philipp Gorbachev and Djs Pareja from Buenos-Aires. No plugins, reels, or LTE. Sweltering heat, peak of summer EU tour, the musicians had just a few hours to record. The track drops on the label's compilation and immediately lands in a mix by Chicago legend Green Velvet. It spreads afterwards in all possible ways - Do You Believe in House Music? is blasting in bars, DIY spaces, raves, cars and street parties, the lyrics get sprayed on walls or inked as tattoos System 108 proudly presents the official reissue of the original, boosted with brand-new remixes from shining artists of the Russian dance scene - those whose journeys also began in the 2010s and who, in some way, crossed paths with either the track itself or that very vibe of faith and love, without which a dancefloor can hardly pulse with life. A house is not a home, when there's no one living there

The Wire: his most satisfying collection to date Resident Advisor: return to minimalist roots on a noise rock-influenced new live record Support from: Barnt, Ben UFO, Vladimir Ivkovic, Boris, OPTIMO 180 gr. colored vinyl pressing incl. art poster and sleeve - limited edition of 50 copies available via distribution Philipp Gorbachev is back at it with a new conceptual album. KGC Radio is all about returning to music-making roots - choices are raw, minimalist and different from the sonic industry environment. The flow is kept simple but deadly, using only the bare essentials to blow up the rave and festival scenes: analog synths, drum machines, a mic, and some sick percussion. The whole album was recorded in one take, like some kinda secret radio wave you stumble on in the middle of the night. Catch it, and you're diving headfirst into a maze of vibes and meanings you ain't seen coming. On the visual side, KGC Radio is a collab with Zhanna Maliti, this dope Moscow-based artist and photographer. Her one-of-a-kind style and imagery are a perfect match for the music, bringing the whole vibe to life. Sounds Like: Underground Resistance, Daniel Maloso, NIN, Broken English Club Mastering by: Beau Thomas

On "The Afrodub Experience," Umberto Echo takes us on a ride across four continents, exploring 50 years of Afro-Caribbean music history with numerous collaborators.

The inspiration is the Afrobeat of the 1970s, which he discovered through original musicians from Fela Kuti's "Africa 70" band in the Berlin project "Afrobeat Academy" which he began to fuse with dub and reggae.
Mitwirkende
wird veröffentlicht am 17. Oktober 2025

Recorded by Umberto Echo and the musicians in Berlin, Hamburg, Munich, New York, Melbourne,
Kingston Jamaica & São Paulo between 2008 and 2024

Mixed by Umberto Echo & Silvan Strauss, November 2024 at Apollo Studio Berlin
assisted by DJ Tobi Neumann & Robin Ludyga

Produced by Umberto Echo, co-produced by Silvan Strauss

Mastered by Umberto Echo

Artwork by aDUBta

Umberto Echo published by KKBB Publishing/Edition Dubvibes


Drums: Silvan Strauss, Giuseppe Coppola
Drum Programming: Silvan Strauss, Gengis Don, Umberto Echo
Bass: Daniel Stritzke, Oghene Kologbo, Patrick Frankowski, Giorgi Kiknadze
Percussion: Samuel Wootton, Nicholas Ado-Nettey, Umberto Echo, Djakali Kone, Giuseppe Coppola
Guitars: Umberto Echo, Mandjau Fati, Ferdinand Kirner, Oghene Kologbo, Giovanni Agostini
Cora: Sebastian Cuevas, Djakali Kone
Saxes: Ben Abarbanel-Wolff, Florian Riedl, Giovanni Pecorini, I Sax
Trumpets: Benny Brown, Philip Sindy, Sebastian Kölbl
Trombone: Roman Sladek
Keys: Barney McAll, Lionel Wharton, Markus Kuczewski, Umberto Echo, Silvan Strauss, Milo Winter
Vocals: Lenna Bahule, Gengis Don, Vimbai „Vee“ Mukarati, Mark Wonder, Tydal Kamau
Backing Vocals: Runtendo Machiridza, Tariro neGitare, Erica Nevell

Mario Biondi is a singer and composer, born in Catania, Italy. In 1988 he had an important opportunity as support act to Ray Charles' Italian dates. His love for soul music helped shape his particular vocal styling that takes its cue from great vocalists like Lou Rawls, Al Jarreau and Isacc Hayes. His first big break came in 2004 with the original release of the single "This Is What You Are". Originally planned for release only in Japan, the cool and irresistible song gets noticed by European radio.

Well-known DJ, Norman Jay begins to feature the song on his BBC1 show playlist and Mario's incredible voice crosses the European continent ahead of the artist himself. His album "If shot up the charts and went triple - platinum. 'This Is What You Are' is one of the most important and iconic Italian jazz vocal tracks of the last decade

Mangabey presents “Hopeful Color”, his debut album, set for release on October 10 on DSP and October 31 on vinyl, via Cracki Records !

Fourteen tracks composed over nearly two years, blending the polished house of his early days (Moula Si) with genres such as Bicep-style electronica (Ampex Both), punchy acid (Attente Instable – Green Sphere), alternative R&B (Dumble Face), hip-hop (Six Figures Check), and neo-soul (Hopeful Color – Deep Breath).

The album reflects Mangabey’s sonic curiosity: between hypnotic grooves, percussive rhythms, and atmospheric flourishes, he creates the perfect bridge between club music and introspection. A generous record in the image of the artist himself, it multiplies collaborations to complete this vividly colorful patchwork of influences, with contributions from Ghanaian collective ALL MY COUSINS, Brazilian-Parisian group PPJ, producer and DJ Goldie B, and Franco-Congolese singer Amaru — each adding to the album’s rich and ever-evolving identity.

At the crossroads of genres and influences, Mangabey’s debut album showcases his multifaceted talent and his ability to turn each track into a distinctive sonic experience.

Aitcher Clark steps out from his work as one half of LOFN (Veyl, 2021) with a first solo long-player that draws a sharp line between the club and the cinema.
The 6-track LP moves with intent across ambient space, industrial techno frameworks, and restrained neoclassical harmony. It favors patience over peaks, detail over spectacle, and a narrative arc that rewards a
start-to-finish listen.
The campaign begins September 19th with the lead single “Improperly Planned Experience”, an industrialleaning cut driven by a relentless drum pattern and an eerie, immersive atmosphere. Stark and physical, it sets the tone for the album with its focus on tension, texture, and shadow rather than melody. On the same day, Clark will debut a new live and visual show at Lunchmeat Festival in Prague in collaboration with visual artist OXOO, translating the record into an immersive set where sound design and reactive visuals lock to the micro-gestures that run through the album. The performance is built around custom stems, live resampling, and dynamic lighting cues that mirror the music’s push and pull.
Across the LP, Clark threads field-recorded texture with precision drum programming and layered harmonies, avoiding predictable drops in favor of pressure that accumulates over time. The palette is cool and tactile: detuned pads, clipped low-end, and percussive details at the edge of audibility. Moments of clarity, strings, voice-like synths, negative space, arrive as structural markers rather than ornaments.
For Veyl, the album sits comfortably within a catalog that values forward motion and atmosphere, while opening a more composition-driven lane. For listeners who followed LOFN’s 2021 release, this solo debut widens the frame: less collaborative call-and-response, more solitary architecture, with the same focus on tension and timbre. The live show with OXOO extends that idea beyond the record, using visual rhythm and color to render the music’s internal logic in real time.

Volume 2 locks the formula: brand-new remixes up front, original Sub-Urban classics on the flip. Micky More & Andy Tee uplift Platinum Doll ft. P.Y. Anderson - “Believe In A Brighter Day,” while Michael Gray brings sleek, peak-time finesse to Key To Life ft. Sabrina Johnston - “Forever.” Flip for two original staples from back in the day: Deep Zone ft. Ceybil Jefferies - “It’s Gonna Be Alright (Help Is On The Way) (The Mike & Matty Show)” and Jazz-N-Groove - “Keep Givin’ Me Love (The Groove Mix)”. Authentic USG swing and organ glide.

The second instalment of SCHNRZ formed by LI & ZOL gathers resources from the thermal baths of Budapest. Exquisite blend of field recordings, floating dub athmospheres and fullfilling bass-adventures balanced out on mid-tempo minimalism. Shapeshifting series of releases by the two local heroes under the flag of Budapest-based SCHNRZ, that refers to Schonherz, the name of the neighbour dormitory of their basement studio - forged by Berlin-like mid-tempo minimalism with a pinch of Balkan, developed to the next level by dub carpets of the north.

The third and last in Void+1's "Convergence" vinyl-series, "Chapter 3", is a unique, must-have, mini-compilation with a variety of crossover-styles by Cora Novoa, Yuji Kondo, Scalameriya & Sorcery.
"Convergence Chapter 3" includes tracks from V+1024D, V+1025D, V+1026D & V+1027D.

The Chisa Years: 1965-1975 (Rare and Unreleased) is a compilation album by South African jazz trumpeter Hugh Masekela. The album consists of 14 rare or forgotten tracks recorded by Stewart Levine and Hugh Masekela from 1965 to 1975 when they ran their own Chisa Records label.Thom Jurek of Allmusic wrote 'In sum, there isn't a weak moment on this entire collection. It's appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. BBE Records has done a stellar job in making this slab available.' Dan Nishimoto of the Prefix Magazine stated 'The compilation focuses on Masekela's original idea of 'African American Music.' From the early experiments of the Zulus (a group featuring M'Bulu) in mixing doo-wop, rhythm & blues and South African gospel and the mbaqanga/'Grazing in the Grass'-style work of the generically named Johannesburg Street Band to the clearly Fela-influenced Ojah (Masekela's band in the mid-'70s, consisting of players from Ghana and Nigeria) and the readyfor-primetime belting of M'Bulu, each track reveals a multi-pronged effort to find and challenge the notion(s) of how African and American cultural forms could interact.'

"The machine looms—it watches you from within. The finger points, but the face is missing."

The Bristol/Amman connection just got even deeper… following DBL's impressive string of Avon-infused heaters (check the recent scorchers from Nzumbe, Content Provider and 2023's 'Weld'). And we're well informed there's even more of this cross-continental greatness to come…

But first...

Kinlaw & Franco Franco. ATC's original prodigal sons. A two-headed nephilim with an ever-growing tally of near-biblical performances – leaving shook audiences coughing dust for months after. Resurrected for 2025.

Those familiar know their hallowed-dogma – brimming with cyberpunk prophetics, surveillance state paranoia and rusted gothic futurism. Each chilling sermon accompanied by a bespoke blend of crusted sonics, taut future-concrète prangers and only the finest industrial-trappist beats.

Back with renewed precision. 11 hot-kneelers for your mental.

On 'Faith Elsewhere', they lead the congregation into uncharted waters with pop-confessional, 'Pitstop 2024'. There's a fresh revamp of the beloved feudal anthem, 'Crocs on the Plough'. Next, a long-fermented, yet still refreshing, kind of chamber-wave on the album's self-titled track. And there's even a touch of the devotional in the final ethereal reprise… Plus, there are plenty more teachings to be found elsewhere…

The writing's on the wall. Accept no false idols. Now pull up your cushion and kneel at their altar. It might just be their best yet….

"In the holiness of their temples, unsuspecting worshippers were being observed by indiscreet eyes."

Numbers welcome New York’s Jubilee to the Glasgow based label - Main Character EP features ‘Trippin’’, a collaboration with Jersey club Queen UNIIQU3. One of the most vital voices in American underground dance music for over a decade, Jubilee brings her South Florida rave roots and East Coast sensibilities to the imprint.

Born from the dizzying emotions of love and grief, the EP opens with the cheeky cackle of UNIIQU3 on ‘Trippin’’. Marking their hotly-anticipated first collaborative release, ‘Trippin’’ bridges Jubilee’s Miami bass heritage and UNIIQU3’s Jersey club sound to create a playful lead single featuring tantalizing vocals.

Starting to work on Main Character in 2019, Jubilee revisited the project during an intense period of change and loss. Bringing in further influences from electro, Baltimore club, 90’s dance and techno to create her signature sound, Jubilee channels the fun, drama and chaos that comes hand in hand during challenging times. A deeply personal release, Jubilee looks to her friends and family for inspiration, including a sample of her parents on ‘Lucky’.

Jubilee’s debut on Numbers continues a stand-out year for the dynamic artist who released two stellar EPs earlier this year alongside celebrating 10 years of Magic City - her party series and record label which was awarded DJ Mag’s ‘Best Record Label’ in 2023 - with a run of records, merch and events across the States.

'Acid Reaction' is the first in a series of new releases from Danilo Plessow (MCDE).

This marks his return to electronic music - having spent a lot of studio time in recent years recording on own, disco oriented, Space Grapes label.

'Rude Futures' serves as a meta commentary on the realities of the modern digital age, the dawn of AI and its impact on art and society. Musically, it's a darker, more twisted turn to Danilo’s studio experiments - with a nod to early house and techno.

Big Thief will release their sixth studio album, Double Infinity, on 5 September 2025.

Double Infinity is the follow-up to 2022’s Grammy-nominated album, Dragon New Warm Mountain I Believe In You, recorded last winter at the Power Station, New York City. For three solid weeks, the trio would ride bicycles on frozen streets between Brooklyn and Manhattan, meeting in Power’s Station’s warm wood-panelled room. Together with a community of musicians (Alena Spanger, Caleb Michel, Hannah Cohen, Jon Nellen, Joshua Crumbly, June McDoom, Laraaji, Mikel Patrick Avery, Mikey Buishas) they would play for nine hours a day, tracking together – simultaneously – improvising arrangements and making collective discoveries. Double Infinity was produced, engineered and mixed by longtime Big Thief collaborator Dom Monks.

“How can beauty that is living be anything but true?” Adrianne asks as she drives nose against the future with childhood mementos on ‘Incomprehensible’. She understands, “everything I see from now on will be something new.” The silver hairs on her shoulders are new as well. Yet fear of aging is cracked by proof. If a life is shaped by living, “Let gravity be my sculptor, let the wind do my hair.” Being born, then staying a while, remains the greatest mystery. Adrianne claims her place and time. “Incomprehensible, let me be.”







g 7. Grandmother ft. Laraaji







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[g] 7. Grandmother [ft. Laraaji]







[g] B2. Grandmother [ft. Laraaji]







[g] B2. Grandmother [ft. Laraaji]

Otto Taimela returns with his second album for London ambient free divers SWIMS, following 2024's celebrated "Inner Beauty".

"Uncommon & Fragile" departs from Otto's meadowed, ivory-centric introspections, reaching further into binaural sound design, trance pointillism, and groundswells of angular percussion. This is less a club record, more something to soothe post-rave tinnitus on the bus home.

For fans of Lorenzo Senni, Lusine ICL, Huerco S., Shinichi Atobe...

2025 Repress
Powerhouse performer Gretel Hänlyn today releases her highly anticipated second EP Head Of The Love Club, via VLF Records. Premiering as Clara Amfo’s Hottest Record in the World on BBC Radio 1, focus track ‘King Of Nothing’ is a rollicking revenge track, cementing Gretel as one of this year’s most exciting breakout stories.

Gretel Hänlyn has spent the last year stamping her ground as one of female guitar music’s new frontrunners, imbued with a singular vision and wickedly unique voice. Inspired by 90s alternative artists like The Pixies, Smashing Pumpkins and PJ Harvey, Head Of The Love Club is a suitably contemporary stride forward in the hotly tipped artist's sound and marks a definitive departure from the indie-folk textures of her breakthrough debut EP Slugeye. A heady mix of hi-fi grunge, goth-pop and alt/indie ballads, the EP features previous singles ‘Drive’, ‘Today (can’t help but cry)’ and ‘Wiggy’ alongside five other tracks that candidly display Gretel’s exceptional storytelling.

Last year was vital for the rising star: she released her debut EP Slugeye to critical acclaim, collaborated with Mura Masa on his headrush of a single ‘2gether’ (9M+ streams on Spotify alone) and was also playlisted multiple times across UK radio - a rare feat for a fiercely independent artist. This year is set to be her breakout – Hänlyn has already been included in NME’s coveted NME100 list, performed live as part of DIY magazine’s ‘Class of 2023’ series and was dubbed one to watch by The Sunday Times, Metro, Time Out + more.

The Berlin-Hamburg duo, Session Victim bring their celebrated Sidequests trilogy to a close with Chapter Three on Delusions Of Grandeur,

wrapping up the series in signature style—full of warmth, groove and left-of-center touches that remind us why their music has remained so enduring over nearly two decades.

And a remix from Ian Pooley to boot!

Second Circle is very excited to announce ‘In Dream’, the eight-track debut album from Tokyo-born, Berlin-based producer and DJ Courtney Bailey.

Sonically, 'In Dream' unfolds as a rich, lush soundscape, woven together with expansive digital synth pads, Fairlight-esque stabs, and vibrant acid bass lines. At times the EP leans back horizontally to evoke the balearic spirit of Yello ('Burnt Moon'), at other times it leans more upright towards to dancefloor ('In Heaven'), but what remains throughout is a sense of intimacy, gracefully guided by Bailey’s whisper soft spoken vocals and gentle melodic vocal lines.

Building on an initial spark of inspiration that arose when listening to the work of Japanese artist Dream Dolphin aka Noriko Kodera, ‘In Dream' is Bailey’s direct creative response to new feelings, energy and emotions. Time spent in the outdoors, specifically in the natural landscapes of Australia also had a profound influence on the making of the record; opener ‘Kodou’ was directly inspired by a moment in Melbourne watching rainbow-colored parrots in a pink-flowering tree. Similarly, 'Burnt Moon' captures the essence of watching moonlight shimmer on ocean waters. At its core, 'In Dream' embraces a child-like wonder for the beauty of nature, an act which infuses the music with a radiant, luminous sense of positivity.

Capturing the essence of stepping into the unknown and more importantly, doing it with curiosity and optimism, ‘In Dream’ paints a vibrant, multi-colour vision of life, with Bailey inviting us all to immerse ourselves in it’s wonders.

Sleeve art and design by Michael Willis.

Another boom bap sure shot from back in the day as KRS One attacks the wax alongside Channel Live on the hard hitting "Free Mumia". On the flip, a stripped back neck snapper - real DJs need doubles

After two years of silence, whispers and speculation, the enigmatic junglist known only as San emerges once more from the underground, returning to Rua Sound with a third strike of ice-cold, precision-engineered jungle.

No other junglist delivers this kind of power — ruthless breakbeats, sinister atmospherics, and sub-bass that haunts the night itself.

San was forged in the smoke and grit of the dancefloor, born of a need for jungle futurism, breakbeat terrorism, and hardcore sub-bass gangsterism. He doesn't just make tracks — he leaves warnings, coded messages in rhythm for those tuned to the right frequency.

This isn't just music. This is the return of the anti-hero, the lone gunman in the rain-soaked streets of jungle's future.

Polar Park – Three Producers, One Unique Sound ! Stefan Müller, Andreas Thoma, and Ralph Grieco - united by a deep passion for electronic sound. Drawing from decades of experience, their music blends Minimal and House, driven by rich textures and hypnotic grooves. Each track is created
with analog synthesizers in their private Studio in Switzerland, capturing an unmistakably warm and organic tone. With all future releases coming out on vinyl, Polar Park stands for authenticity, quality, and the timeless appeal of handcrafted music in a digital world.

Effortlessly charming, inquisitive and generous in spirit: 'Total internal reflection' is the beautifully crafted debut album from DJ ojo, returning to Blank Mind, following his acclaimed 2023 EP ‘Coiled up’.

The vivid sound design, irreverent flourishes and elastic rhythms of his past work remain, yet here he leans further into his enduring love of house and techno music. An impressionistic take on the forms, with a light, considered touch that allows his idiosyncrasies to shine through. There’s a synaesthetic quality here, that implies a gestural play between sound, colour and form.

It is functionality that is the key embrace: eight tracks, two discs, two tracks per side. A cohesive body of work purposefully presented to be played out. These guiding principles complement the uniquely skewed style of ojo: there’s always a groove, but it might trip over itself; there’s always a sense of cohesiveness, but it’s never clear; there’s always a dancefloor, but it’s slippery when wet.

The record features art by photographer Thomas Steineder, who interprets the record visually, by bouncing light through analogue film wrapped around a prism, capturing a reflection turned inward.

With ‘Total internal reflection’, ojo has somehow become even more himself, refining his vision into something playful, profound and enduring.

After so long it becomes harder to say new things about older things you now just do. Some things you've become. Some things you simply (never simply) are. The thing becomes a slippery notion. The self slides along with it. After this long, the story is whatever are the songs. A Self-portrait at two decades. Here are 11 new ones, from the current constellation, and a future still to come. The cement is still wet on that one. From the forest near where I now live you can hear a chorus of different birds in voice at once, competing but each defined, in defence of a territory or to attract a mate. There's an app that tells you so. I wonder, too, what that app doesn't reveal, if their nature need not share those same purposes. This is simply (never simply) how it exists. If we can't speak to the mysteries of these strategies, they at least persist, regardless of who picks up the frequency. Singing to itself, and there will always be these kinds of songs. 1. Ulrika Spacek - 'Interesting Corners' 2. Empty Country - 'D3SP4IR' 3. The Reds, Pinks & Purples - 'New Market Space (Down the Stairs Ver.) 4. Cindy - 'The Thousand First' 5. April Magazine - 'U Bop' 6. Index For Working Musik - 'Going to Heaven On the End of A String' 7. Midding - 'Do As You Would' 8. Luft - 'My Third Eye' 9. Hospital - '25 Jade Place' 10. William Doyle - 'The Sun Ain't Doing It For Me Lately' 11. Daily Toll - 'Begin Again'

- 2025 repress

We are very proud and honoured to present our next release from one of the scene's most respected artists. Seba blesses Inperspective Records with 2 slices from his diverse repertoire and they do not disappoint.

'No One Dies' harks back to an earlier time in Seba's catalogue. A simple, effective amen rinse out with atmospherics that lend themselves to a dystopian sci-fi epic is truly sublime and has been smashing down dances across the planet.

'Island Dub', the more subtle of the 2 tracks is blissed out lo fi underground jungle of the highest order and something of a departure for both artist and label, however still maintaining the integral ethos of Inperspective Records.

Early support from Timo Maas, Paco Osuna, Ilario Alicante, Just Her, Adriatique, and more. Igor Vicente joins forces with Dka for the ‘Ecstatic’ EP this November, released via Belgian imprint Move Recordings, including a remix from Gregor Tresher.



Move Recordings is a Belgian electronic music label founded and helmed by veteran DJ/producer End-Jy (Jérôme Naujoks), known for his roots in the 1990s techno scene of Tournai and major collaborations with acts like Marco Bailey. Now reborn in 2025, the label returns with more powerful electronic music for the modern-day discerning listener. This time, it welcomes fellow Belgian DJ and producer Igor Vicente, renowned for his genre-blending style and releases on labels such as Mobilee, Hot Creations, and Visionquest, once again in collaboration with fellow Belgian DkA, who’s racked up releases on labels like Get Physical, Constant State, and Mau5trap Recordings—a striking sign of his ability to explore a variety of genres and styles.



The original version of ‘Ecstatic’ leads, featuring subtly blooming atmospherics, a nuanced synth hook, oscillating percussion, and raw drums, all building towards a climatic breakdown and a powerful drop in the latter stages. Gregor Tresher reshapes the original with his signature twist, extracting fragments of the track and fusing them with elongated bass grooves, heavily shuffled, crunchy drums, and intricately intertwined melodious elements.



‘Planets’ opens the B-side, a nine-minute excursion through squelchy acid bass notes, cinematic pads, robust drums, and chuggy arpeggio synth lines. The ‘Ecstatic (Dub Mix)’ then concludes the EP, shifting focus solely onto the raw groove and hypnotic melody of the original composition, as the name suggests.

Updated remixes of two big Balearic classics on Best Record! "Describing Linda Di Franco is no easy task: a reserved, sometimes elusive artist with a career that is difficult to define. From an early age she was interested in various artistic fields. Working as a DJ in clubs, then on the radio, she took the opportunity to record her first musical demo, Stage, obtaining international recognition which quickly took her to England and to the States, where she recorded her first compositions, My Boss and T.V. Scene. The songs are of great value and achieve unexpected success, also included in The Rise Of The Heart, a milestone in the nascent revolution of club culture, a Balearic classic supported by DJs in love with the indefinable sound of Ibiza. But Linda is extraordinarily ahead of her time and despite the enormous fame has gained with her songs she is already oriented towards a career as a music video director. For this reason the Turin singer-songwriter turns out to be one of the least fruitful artists of her time, while her CV in Hollywood is impressive in various roles which she holds, in addition to that of actress and director, that of impeccable sound technique. Intelligent artist, full of good and positive feelings and certainly also ambitious, but extremely scrupulous by subjecting sounds in cinema to careful review. Yes! The "sound" is an investigative tool for her, a way of understanding art. Linda Di Franco is - willy-nilly - still the undisputed queen of the Balearic sound today. So, she decided to produce Redux, a limited edition album published by Best Record, in which her most intrepid and famous songs are re-proposed in the jazz versions edited by her friends from Turin and Los Angeles. Then she had to give in to the boundless passion of Danilo Braca, the Italian DJ based in New York, who deserves credit for the successful combination of refined and ethereal songs with the disco genre. TV. Scene - Epic Remix, TV. Scene - Costa del Sol Mix and My Boss - Remix are Danilo's pearls, created with the help of excellent international musicians who with more defined and current sounds have added their art to that of Linda."

The 2017 groundbreaking debut EP for Tamino-Amir Moharam Fouad, Tamino in short. The grandson of Egyptian actor/musician Moharam Fouad stormed the charts with the brilliant single 'Habibi', a song that envelops itself in a mist of melancholy and gloom. Tamino's phenomenal voice, ranging from a deep croon to a towering falsetto, goes right to the bone. He combines the tradition of the greatest singer-songwriters with his own Arabic roots. Belpop history was made right there.

Deruta Records opens its catalog with “Dela Secu” ,a two- track EP from acclaimed Romanian producer Cezar Lazar. The EP stands out as a musical manifesto, challenging the techno-house scene’s drift into mainstream quicksand.

“Solo 2305” introduces the EP with orchestral strings and a polymetric woodwind theme anchored by a steady groove, crafting a soundscape where tension and release unfold with precision. The woodwinds’ evolving motif lends a lyrical contour that completes the arrangement. “Yaka Yaka” turns toward intricate syncopations, its rhythmic complexity enriched by subtle orchestral inflections. A central polyrhythm drives the track, heightening its tension while adding depth to the groove.

Mastered by Vlad Caia and cut to lacquer by Mike Grinser, the tracks are crafted for the dancefloor, shaped by Cezar’s signature lyrical motifs that define his standing in minimal and experimental techno.

This debut sets the tone for Deruta Records: boundary- blurring and unapologetically underground.

Remix Ep with a broad spectrum of styles and some big named remixers. Side A kicks off with Colin Dale's remix of Dark Male, which is a typically throbbing techno cut for the dance floor, the Second track on Side A is David Duriez pushing an acid house remix of fellow French act G-Prod. On the flip is MOY's step into big bass and fast based breaks led drums which will make your head explode as they build their intensity, the second track is Derek Carr remixing The Vast Profound, his house rework offers all you might expect from this veteran of the scene - looped hooks and deep pads. Lastly The Vast Profound digs into the deeper end of house music layering up pads, strings and lush melodies. Comes with an insert "Remix track selector" on coloured vinyl limited to 135 sale copies.

Western Australian label Hidden Liaison Recordings returns in 2025 for their second release. This EP kicks off with French producer Robotnik3000's deep, techy piano-laden jam. Local underground producers round out the rest of the EP, starting with sn33ze's blippy, dubby "Siofra River". On the B-side, things take a dark electro turn with Late Night Protocol's scifi-esque "Animus." Label-owner Ian Daniels closes the release with an ambient piece and the upbeat 2step "Soft Image." An amazing variety of electronic productions drawn from the Australian underground.

Immersive Patterns has quickly established itself as a label of rare quality, with the first three releases already proving its strong artistic vision and timeless approach. Each record blends hypnotic depth with precision and a clear sense of identity, making the catalog highly sought after among DJs and collectors alike.

For the fourth chapter, Jonas Orbiting returns with a striking four-tracker that adds a raw, Detroit-tinged energy to the label’s repertoire. Mastered by Thomas P. Heckmann at Schnittstelle, the sound is powerful, warm, and exact, while the new full-colour Pantone sleeve designed by Steve O Connell expands the visual language of the series.

Immersive Patterns continues to set its mark: refined, uncompromising, and built for both the floor and the shelf.

Techno stalwart Mike Vinyl from Austria returns with Bloodline – a timeless, high-energy techno track that masterfully blends warmth and raw power. It’s a track that breathes – deep, rolling, and relentless – fusing emotional depth with a driving, physical intensity. With RDL, the pressure builds even further, a no-compromise peak-time tool that keeps the heat on. The release closes with Fading Lights, a slow-burning downtempo piece that drifts into atmospheric, introspective terrain.

Respect The Craft.Legacy sub-label presents its second vinyl release.

Curated from the archives of Tripmastaz, these works were originally conceived between 2002 and 2004. After remaining unreleased for over two decades, a meticulous selection was made from hundreds of early unfinished drafts, with the final versions completed in 2025.

The lead track and artwork both pay tribute to the spirit of youthful mischief — the cover image was captured in 2002 using a face pressed against a scanner.

Musically, the record delivers a slice of classic early-2000s tech house, staying true to the sound and character of that formative era. Beware of the Strainjah. The saga continues.

Five Again is a striking debut from Mi Ya that spans just six tracks but makes a lasting impact. The album was crafted at Space Talk and reflects on childhood not as a stage to abandon, but as a spirit to protect. Its delicate compositions echo fleeting memories, candles that won't blow out, naps of escape, the quiet joy of rain. Mi Ya describes the work as a refusal to let go of the child within, a reminder of innocence that still whispers. Hazy ambient synths and delicate melodies shine on tracks like 'I Forget Things', while the understated beauty of 'Tickle & Naps' stands out with its sparse, intricate detail. 'My Mom Left Me At The Train Station' is all pensive chords and shimmering percussion - it's musically light but emotionally profound.

Ben Hixon hails from Dallas, Texas and has had a busy year in 2025. He's back once again on home label Dolfin with a new four tracker that features versions of tunes not previously available on wax or digital. '4M1_bh' is a patient, slow-burning dub house cut with glitchy Detroit aesthetics and dusty drums. '14M3_bh' is just as undercooked and raw with rickety kicks and knackered hits, making for a groove steeped in beautiful imperfection. '505.1_bh' allows a little more light in with some warm synth loops flickering above razor sharp hi hats and off-the-cuff drum patterns. '606dreams_bh' shuts down with heavy, trudging kicks and ticking hi-hats way up high to make for a cavernous architecture. A superbly designed EP.

Dâm-Funk & Lorenzo Soria RETOUCH Elkin & Nelson's Balearic Classic "Vámonos". A Cross-Continental Tribute form the West Coast Funk to Andalusian Rhythms.
Hand stamped 10"

Two generations, two continents, and one timeless Balearic groove — “Vámonos”, the 1970s classic from Colombian-Spanish duo Elkin & Nelson, gets a retouch by the hands of Dâm-Funk and Lorenzo Soria. Infusing the track with new sonic energy while paying homage to its iconic roots, this version of “Vámonos” travels from the beaches of Ibiza to the sun-drenched streets of Los Angeles and Seville.

Together Dâm-Funk — a pioneer of modern-funk and longtime ambassador of the West Coast boogie-funk sound. Known for seminal albums like “Toeachizown” and “Invite the Light” on Stones Throw Records, as well as collaborations with Snoop Dogg, Ariel Pink and Christine and the Queens, Dâm-Funk brings his signature analog synths and laid-back groove to the mix. His unmistakable style draws deeply from Prince, Slave, and the golden era of 1980s funk.

Lorenzo Soria represents a new generation of global-minded producers reshaping the electronic landscape from Southern Spain. A native of Seville, Soria’s collaborations with, Califato ¾, draws from reggaeton, EBM, punk, and traditional Andalusian folklore, Lorenzo’s rhythmic palette is both eclectic and rooted. His contribution to “Vámonos” brings percussive depth and vibrant energy that pulse with Mediterranean warmth.

Together, Dâm-Funk and Lorenzo Soria have created a two versions of “Vámonos” that is both respectful — with lush keys, hypnotic percussion, and genre-defying flair, this collaboration reinvents a Balearic gem for a new generation of listeners and dancers.

Chicago's premier boogie purveyors STAR CREATURE dig deep with 4 extremely rare cuts, 3 of them being white whale level impossible to find & the 4th commanding big bucks online! Includes songs by TIGER JACK, SOUL INVADERS, MOTHERFOX, and PYRAMID PLUS. Heavyweight vinyl and heavyweight reverse board jacket. Due out Nov. 10.

“Let’s Bounce” was originally issued on Ajana as one of their only 2 releases, the first being earlier from Central Power System on Numero Group’s The Chicago Party compilation. Tiger Jack remained elusive, both Jack and a copy of his record until we stumbled upon a contact and were able to get in touch and stitch together the fully extended mix of this Punk Funk Boogie Bopper. Speaking of Numero Group, The 2nd track of Side 1 comes from an assist from the reissue Gods themselves as they blessed us with this never-sold-on-discogs soulful side of Boogie Slap issued on one-and-done label Magikal. When asked about the track, songwriter CA Williams said they recorded it for a restaurant jingle. Probably the best one we’ve ever heard.

Side 2 starts off with an absolute Modern Soul Monster with Motherfox’s Hot Shot. John Harris came by Star Creature’s South Side of Chicago HQ to chop it up and share some stories on Motherfox and his other passion project most deep funkers would known as Carver High. This record has reached insane demand the past few years as it’s a certified floor filler for all scenes - peak big budget sound packed into a small DIY package, total package. Track 2 delivers the full version of the ever mysterious Pyramid Plus providing the Titular Tune “Comin’ At Ya’” as vocoded talkboxed low slung, spaced out Boogie Banger.

Dutch record label, shop and club platform One Eye Witness presents a lively new entry in their V/A series with WITNESS08. Honing in on more fresh talent from across the globe, Amsterdam’s wandering eye gathers producers Sinqmin, Salomee, Kate08 and elusive duo The Evil B-Side Twins (DJ Tool & Yazzus) for another trip into tech house — and beyond!

Kate08’s “Sticky Toffee” is suitably viscous, burbling and oozing its way across shifting sections. The London artist delicately balances percussion atop warbling bass tones and synth lines that pop in and out. Salomee gets moody on “Night Behaviour”; lurking in the shadows, the track’s acid squelch and interlocking melodies point to the psychedelic, with a purring bassline that keeps things grounded.

The Evil B-Side Twins lay in wait on the flip, springing into action with the tightly-wound “Spindrift”. Propelled by a spiky break and cascading delays, its 303 lines sound like rubber, bouncing between the other synths deployed by the duo. All manner of FX trickery is woven into the production: the Twins layer up and load the track with intricate details. Supplying an unexpected respite from the club action, final cut “Aesthetics For Destination” marks the debut foray into hip-hop for OEW. Produced by Seoul-based Sinqmin and featuring the sultry vocals of 문선 (MOONSUN), the track’s sparse beat and ghostly samples make for a mellow, head-nodding end to another hit from the label.

WITNESS08 — More talent, more trax!