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HAPPY MONDAYS - The Factory Singles LP 2x12"

2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.

To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.

The release will be available across multiple formats, appealing to collectors and fans alike.

Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.

This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations

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Pedro Vian & Mana - Cascades

On 9th December Modern Obscure Music presents Cascades, the new album from Pedro Vian & Mana, which premiered during their immersive live set at the most recent Sonar Festival in Barcelona.
Cascades was recorded over a three-day studio session in Turin during the winter months, which is reflected in the musical narrative, as the eleven tracks flow gently like an icy river, filled with a mixture
of hazy melancholy, uncanny dream-states and euphoria.
Various recording techniques and instrumentation was utilised, including the Lyra-8 organismic analogue synthesiser, which takes principles from living organisms to produce sounds resembling a
conversation between nature and technology. The result is a spellbinding ambient odyssey that features a luminous synthesis of neo-classical strings and orchestral drones, together with strange
voices, and abstract passages designed to evoke Dante’s Inferno, which represent the soul’s journey.
Pedro Vian is a renowned Catalan artist who has released three solo albums (Beautiful Things You Left Us For Memories, Pedro Vian and Ibillorca) and a collection of singles on his Modern Obscure
Music imprint – a multi-disciplinary platform based on deep listening and music research. The ‘PRSNT’ compilation, which Pedro curated in 2021 and featured Laurie Spiegel, Ryuichi Sakamoto, and Visible Cloaks, received support from Pitchfork, Crack, Brooklyn Vegan, The Quietus, The Wire and Metal. Pedro has been remixed by Inga Copeland and Pye Corner Audio, and has recorded mixes for of Bleep, Self-Titled and Juno Daily.
As part of a new generation of Italian electronic music artists, Piedmont born composer and producer Mana has released two full length albums (Seven Steps Behind and Asa Nisi Masa) on Kode 9's
Hyperdub imprint, plus an EP on Nicolas Jaar's Other People label under his Vaghe Stelle alias.
Earlier in his musical journey, Mana supported Laurent Garnier, James Holden and Skream across the Torino club scene, and in 2011 teamed up with Italian friends Lorenzo Senni and A:RA to form
the experimental group One Circle.
Pedro Vian & Mana’s previous work as solo producers has pushed the limits of electronic music, and together they’ve garnered critical acclaim from the likes of Pitchfork, The Quietus, The Vinyl
Factory, Resident Advisor and more. They now join forces to traverse new sonic territories between electronica, ambient, drone, and trance-inducing soundscapes.

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The Natural Yogurt Band - Red Sky At Night LP

The Natural Yogurt Band returns from the Derbyshire hills with another trippy record. We find again his signature sound
of raw neo-library and exotica grooves, with an electronic twist. Soulful string synths, modular chirps and crunchy electric
pianos will bring you in a colourful soundscape that only The Natural Yogurt Band can paint.

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HU VIBRATIONAL - VIBE RIDE

HU VIBRATIONAL

VIBE RIDE

12inchND015
NEW DAWN
09.12.2025

Vibe Ride is the sixth release of Adam Rudolph's Hu Vibrational project and marks his 60th release as a leader or co-leader. Comes with insert and download code.

“With every record, the goal is to explore new creative territory,” explains Rudolph. Vibe Ride continues a deeper exploration of a trance-like groove and a conceptual framework known as Sonic Mandala. This album marks the most complete realization of that idea, partly due to the group's experience touring beforehand. That time on the road helped to refine ideas and strengthen musical chemistry. The recording process unfolded organically—likely due to the long-standing collaboration within ensembles like Go: Organic Orchestra and Moving Pictures, where the musicians have developed a deep familiarity with the shared musical language.

Sonic Mandala refers to a musical approach distinct from traditional linear structures of theme and development. Found in cultures across the globe, it may represent one of the oldest forms of musical expression—predating written history by tens of thousands of years. Today, it is most vividly preserved in the music of the Ituri Forest peoples (Aka, Baka, Ba Benzele, Mbuti), whose sound traditions revolve in cyclical, orbit-like patterns. Vibe Ride seeks to bring that ancient sense of circularity into a contemporary—and perhaps even futuristic—context.

The ensemble of Vibe Ride—Alexis Marcelo, Jerome Harris, Harris Eisenstadt, Neel Murgai, Tim Kieper, and Tripp Dudley—brings exceptional creativity and skill to the project. While grounded in the sonic languages of today, their performance channels an ancient vibrational lineage, connecting with ancestral sound makers who were attuned to the rhythms of the sun, moon, stars, and seasons. Human beings have always been deeply responsive to natural cycles.

Like a mandala, where the circle reveals itself as a spiral—always returning, but never to the exact same point—the Sonic Mandala musical experience spirals through motion. Refined signal patterns emerge through overtone-rich instrumentation. The groove becomes a threshold, shifting the listener from passive observation into active, even transcendent, participation. With open ears and an open mind, the sound spirals inward—toward a primal center—and outward into the cosmos. When this elevated state is shared among participants, it creates what mystics describe as resonance.

Vibe Ride thrives on the distinctive sonic voices of its players, interwoven with care and nuance into the compositions. Hu Vibrational merges elements of world music, electronica, and improvised jazz into something both funky and spiritual, intense and soothing.

Using signature techniques of organic orchestration, layered arrangement, and electronic processing, the compositions are sculpted from percussion, electronics, and ethereal textures. Rhythmic foundations drawn from diverse traditions serve not as endpoints, but as building blocks. As the saying goes, “Orchestration is the key.” In shaping the sound, the aim was to discover fresh ways of balancing structure and sonic color. As Don Cherry once said: “The swing is in the sound.”

The audiophile LP was carefully recorded, mixed, and mastered by James Dellatacoma—longtime engineer for both Bill Laswell and Rudolph—at Laswell’s Orange Studio.

“This crew artfully blends together to create a seamless tapestry of rhythm… the end results are mesmerizing. Hu Vibrational is all about communing with the groove spirits and creating worlds where earthy rhythms and other-worldly sounds are one.”
— Dan Bilawsky, All Music Guide

“You can be sure that when Adam Rudolph and an ensemble of breathtaking drummers get together mystical and wonderful things will happen.”
— Raul da Gama,

“A stunning effort, enjoyable and grows with repeated listening.”
— Stefan Wood, Freejazzcollective

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Nervio Cosmico - Singing Vessels LP

12” vinyl, full sleeve artwork with Mordançage front cover artwork by artist Jo Torres, design & centre labels by Ciaran birch. Limited run of 300.

“Singing Vessels” draws inspiration from the sonorities and aesthetics of Amazonian medicine ceremonies and traditional Andean music. At its heart is a collection of clay whistles from ancient South America, whose timbres conjure the vibrant soundworld of the Andes. The piece also incorporates shamanic instruments from the Amazon, such as the shacapa — a bundle of dry leaves whose rustling produces a deep, soothing texture with remarkable sensory resonance.

Interwoven with generative electronics, live looping and synthesisers, these organic timbres create evolving psychoacoustic spaces where the mystery of nature meets inner realms of perception and consciousness. The piece unfolds as a ceremonial passage through a shamanic ritual: beginning in a dense jungle of sounding entities, rising into moments of cathartic purging, dissolving into states of blessing and communion, and finally returning to the here and now with renewed awareness.

Nervio Cosmico is an electroacoustic experimental duo based in Bristol, formed by Chilean composer Daniel Linker and Italian sound artist Matteo Amadio. Blending acoustic instruments from ancient South American shamanic traditions with live looping, generative sound design, and live electronics, they craft sonic journeys that explore perception, consciousness, and a spiritual connection with nature.

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LUTTO LENTO - 2568 EP

LUTTO LENTO

2568 EP

7"-VinylMEA058
Meakusma
09.12.2025

"I have two new records, just full of smells. "
from Scanners Live in Vain by Cordwainer Smith

Lutto Lento's new 2568 E.P. is an album in 7-inch single form. Lutto, real name Lubomir Grzelak, has for years been one of the most acclaimed sonic storytellers around. His first outing on Meakusma is another trip beyond the constraints of musical logic, interweaving elements from industrial music, early avant-garde influences, post-club tendencies, and more, conjuring up a mini-album of huge scope.

Not unlike The Residents, 2568 E.P. touches upon stories from the deep, with an absurdist touch that is at the same time forgiving and inviting. It has a hauntological feel to it, but contradicts it at the same time. It is purring and cold, whispering and layered. Beatific and up close. There is a space ship in the swimming pool, but the cocktail party goes on, kind of. On the edge of industrial music, with a choir thrown in for good measure. On the fringes of club music. Toss the wire-sphere into the air and pay the price for space. Fake composure and dive in.

Lutto Lento is Lubomir Grzelak, a sound artist, composer, music producer, and DJ. Known for his idiosyncratic productions and eclectic sets that break barriers between genres, he has steadily built a reputation for adventurous electronic music that resists easy categorization. Beyond records, he composes for theatre, film, and contemporary dance, weaving diverse influences into a distinctive sonic language.

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KANYON VS. B.ROD - FLOORSPEED 004

KANYON VS. B.ROD

FLOORSPEED 004

12inchFSPD004
Floorspeed
09.12.2025

Coast-to-coast stripped back hypnotic techno with a funky edge.

Words from the label:

NYC’s premiere live techno maestro, Kanyon dials in three cerebral melters on the A-side that resemble the spiraling sound design of early Surgeon releases with his signature locked groove approach. Headbanger cuts from a hardware rockstar.

B.ROD hits the B-side with a Sterac-like touch that showcases the ease of his West Coast finesse. Both “Exit” and “Down With It” will be a TIP! for all long-blend DJs and perfectly molded for the turntable jugglists too. Vinylists take note!

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Samson A.K - Heavy Birds Drop

fter a series of long-form cassette releases on MAL Recordings, Berceuse Heroique, and his own Ideal State imprint, Samson A.K shifts focus to the club with Heavy Birds Drop - his first 12” EP. Mastered by Rainy Miller and pressed in a limited run of 150 copies, the record distills the grit and atmosphere of his tape work into a direct, floor-focused form.

Opening with the heaving distortion and low-end churn of Frog Bite, the EP moves through the fractured percussion of Forever Cold, then the hypnotic, deep-hours roll of the title track Heavy Birds Drop, before closing with Ballast, stripped back to skeletal dread and tense negative space. Across all four cuts, Samson A.K shapes a sound that is raw, functional, and uncompromising, setting the tone for the future of Ideal State.

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Andre Butano & Chinonegro - From The Vaults Vol. 2

From the Vaults 002 ist endlich auf Vinyl eingetroffen!

Die zweite Ausgabe dieser Serie auf 8bit Records stammt von niemand Geringerem als dem Chilenen Andre Butano und dem aufstrebenden Newcomer aus Peru, Chinonegro, der momentan einen Hit nach dem anderen abliefert.

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Various - NICOLA CONTE PRESENTS VIAGGIO

Blue note / Schema / Far Out recordings artist shares a new compilation of golden age italian library music.

Following his acclaimed five-part Viagem compilation series celebrating Brazil's forgotten bossa nova and samba jazz, Far Out, Blue Note and Schema recording artist and international DJ Nicola Conte turns his curatorial attention homeward with Viaggio, an extraordinary exploration of Italy's library music renaissance 1970-79.

The 12-track compilation spotlights the remarkable creative explosion that occurred during the seventies: when some of the greatest yet most historically overlooked composers, including Amedeo Tommasi, Alessandro Alessandroni and Max Rocci, were composing and recording huge amounts of original music for film and television libraries.

Unlike commercial releases designed for mass consumption, library music was created specifically to accompany images on screen. This meant creative freedom for composers who imagined scenarios, feelings and worlds to soundtrack. Pressed in limited quantities, these recordings were distributed only to internal circles of music supervisors, journalists, and television professionals – making them virtually invisible to the general public for decades.

"This is a journey through a largely forgotten world," explains Conte. "While major jazz recording opportunities were scarce, an incredible network of small labels owned by publishing companies – often created by the composers themselves – began to flourish. This created an open space where musicians could express more experimental and free thinking sounds."

At the heart of Viaggio stands Amedeo Tommasi, the sophisticated jazz pianist who emerged in 1960 backing international stars like Chet Baker, Bobby Jaspar, and Jacques Pelzer. Tommasi was among Italy's earliest artists to introduce Black US modal jazz influences, and when traditional recording opportunities dwindled, he pivoted to soundtrack and library music, helping define a distinctly Italian sound that bridged experimental jazz with the emerging possibilities afforded by developments in synthesizer and recording technologies.

The compilation features rare gems from small label outputs, namely the Cenacolo and Rotary label catalogs. Tommasi's contemporaries include the great Alessandro Alessandroni and his vocalist wife Giulia De Mutiis (Kema), Stefano Torrosi (under the alias Farlocco - meaning fake/phony), and Belgian composer Joël Vandroogenbroeck. The recordings capture the technological evolution of the era as beguiling synthesis often combines with global influences spanning Brazilian rhythms, jazz-funk explorations, and Middle Eastern scales.

"You can hear both the haunting melodies and sun-kissed atmospheres so typical of Italian culture from that era," Conte observes. "Some of these albums could have been proper artist releases, while others were specifically designed for accompanying images on screen, yet all were crafted with exploratory creativity that still resonates powerfully today."

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Dynamic Bones - Coordinates of Silence EP LP

SWIFT005 brings you the latest from Dynamic Bones, the project of Romanian producers Georj & Obrini. Their EP, Coordinates of Silence, reveals a new direction in their sound, with all mixing done by the duo themselves. Vlad Caia handled the mastering at CAW, giving it a clean, precise finish. The record contains three original tracks that explore fresh soundscapes, accompanied by a remix from Kozo. The artwork was created by their friends Bog and Didier, with Didier taking care of the illustration. Grab your copy!

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Star_Dub, Gradient, Tm Shuffle - Split Dubs Vol 2 LP

The Finnish imprint Vuo Records continues its exploration of deep dub techno textures with Split Dubs Vol. 2, an essential follow-up to the series that bridges timeless atmospheres and dancefloor-focused grooves. This time, Gradient, Star Dub, and label-head Tm Shuffle join forces for four heavyweight cuts that perfectly capture the label’s raw, analog spirit.
Gradient opens the record with “Stone Jungle”, a masterclass in restraint and tension, the kind of dub techno that feels alive in its own pulse, crafted from only the bare essentials yet rich in texture and movement. Tm Shuffle’s Housedubreshapes the original with reverb-soaked accents and elastic low-end energy, turning it into a deep, head-nodding trip tailor-made for late-night systems.
On the flip, Star Dub delivers “Rubber Dub”, a funk-infused roller driven by breaky percussion, floating echoes, and a deep-rooted bassline that vibrates straight through the chest. Once again, Tm Shuffle takes the controls for the remix, pushing the dub dimension even further: thick layers of delay, washed-out atmospheres, and sub-heavy pressure built for those endless outdoor jams and sweaty basement sessions.
Split Dubs Vol. 2 embodies everything Vuo Records stands for, authentic, handcrafted dub techno from Finland’s underground. Warm, analog, and irresistibly groovy, this record continues the label’s commitment to pushing deep frequencies into new, soulful territory.

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DUKE STRANGE - 12 INCH

DUKE STRANGE

12 INCH

12inchLIES-221
L.I.E.S.
09.12.2025

A special 15 year anniversary record celebrating L.I.E.S. Records! L.I.E.S. and Nation join forces on this huge release.

New collaborative project out of Chicago from "DuKe" and The Stranger!

Two sided-12 inch housed in a full picture sleeve, once again we hear and see the scope of the broad range of what is, and can be "dance music" through the adventurous production of DuKe & The Stranger.

Two eight minute versions alternating in time space and rhythm..this is the future, past and present wrapped into one from the visionaries.

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M.O.H. - Reason EP

M.O.H.

Reason EP

12inchDISCARDED-110
Discarded Gems
09.12.2025

The Italian project M.O.H. makes its debut on Discarded Gems with a striking first EP — a blend of progressive-infused, EBM-rooted cuts that unfold across different atmospheres. From the pulse of peak time to the hazy glow of early morning, this record traces a journeydesigned for both intensity and reflection. It captures the raw energy and timeless spirit of the dancefloor.

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Thomas Barnett, Cloud Young, Suburban Knight, Biblical Proportion - Comeback City LP

Straight from Detroit! With BP004 “Comeback City”, Biblical Proportion assembles a dream-team of Motor City pioneers and torchbearers: Thomas Barnett, Cloud Young, Suburban Knight and Biblical Proportion themselves. The result is a deeply rooted EP that feels like Detroit through and through – equal parts techno blueprint, house soul and street poetry.
Comeback City isn’t just a title, it’s a narrative. It’s about rebuilding, reimagining and reclaiming space, framed in crisp drum programming, thick low-end and shimmering synth work. Every track feels like a love letter to Detroit: tough but emotional, functional yet full of character.

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Darius Syrossian / Harry Collett - Moxy Musik Editions Vol 9

As Moxy marks an incredible seven years as a trailblazing label, The label unveils Moxy Editions 9 — a four-track collection that captures the spirit of his DJ sets and the global energy of his dancefloor community. Already a highlight of the summer season, these records have been making serious waves across Ibiza and beyond.

At the heart of the release is “Gypsy Woman (Moxy Edit)” — a track that started as a spontaneous edit for Darius’s own sets and quickly took on a life of its own. With re-recorded vocals from Holly Jazz and official publishing clearance, the track has become a defining anthem of the year.

From DC-10 to clubs across Europe, the record has been met with full-room singalongs and explosive reactions. Early support from DJs including Prosper and Liam Palmer has further cemented it as one of the most in-demand edits on the circuit. Now officially released, “Gypsy Woman” arrives on vinyl, just in time for the label’s milestone birthday.

Next up comes a standout comes from Harry Collett “Check up”. A longtime Moxy fan and emerging talent, Collett’s production has already earned support from MK and a growing roster of influential selectors. “Harryette” has been a staple in Darius’s summer sets, marking Collett as one to watch.

Also featured are two more highlights from the summer — “Tengo La Musica (Crackazat Remix)” and “Never Let You Go”, both driven by irresistible samples and undeniable grooves. These cuts embody the energy and emotion of Darius’s signature club sound — upfront and built for the dancefloor.

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Ori Lichtik - Half Life

Ori Lichtik

Half Life

12inchVAX0001
Vax Records
08.12.2025

These tracks were produced by Ori Lichtik between 2006 and 2017.
Half Life and Bill are precise cuts of extensive productions, tailored for the club, while Nu secretly hits everyday dance training routines. Dim the light.
Lethal. Minimal. Timely.

Press quote from Göteborg Opera

'The uniqueness of Lichtik's work lies in the combination of different musical worlds into a sophisticated and refined soundtrack, full of passion and groove, which, together with the choreography, provides the audience with a hypnotic experience. Lichtik's music is influenced by various styles and sounds, from industrial recordings and African indigenous music, through hip-hop, to baroque music. Ori's music is one of the most prominent and distinctive features of Sharon Eyal and Gai Behar's dance works.'

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Marshall, Donovan, Broomfield - Since I Found My Baby/B1 Let Me Down Easy B2 That’s Love (7")

In 1978 a newly formed Augusta, Georgia group Marshall, Donovan and Broomfield chose to record cover versions of two songs previously recorded in 1973 and 1974 respectively by Florida siblings group Cornelius Brothers and Sister Rose. These Eddie Cornelius penned songs “Let me Down Easy” and “Since I Found My Baby” would form both sides of Marshall, Donovan and Broomfield’s first 45 single, released on group founder John Marshall’s own Augusta label. The flipside “Since I Found My Baby” would eventually gain popularity across the pond with aficionados of the UK modern soul scene of the early 1980’s and beyond.

John Marshall began his musical career in a high school group called The Fabulous Gardenias who recorded the doowop ballad “It’s You, You, You” backed with the up-tempo R n B mover “What’s The Matter With Me” released on Tommy Brown’s local Liz label (named after his wife future Motown recording artist, Liz Lands) in 1961.The Fabulous Gardenias featured John Marshall, the late Atlanta alumni Calvin Arnold, “Little” Joe Jones Jr (later of the Tams) and a fourth guy only remembered as Harold. John Marshall later sang with another Atlanta group The Tams of “Hey Girl Don’t Bother Me” fame from 1970 through to 1978.

Later in 1978, John Marshall having relocated to Augusta, GA the previous year was casually emptying the contents of his mailbox outside his home when a car suddenly pulled up. The driver called out “Hey I recognize you, you’re John Marshall you used to be with the Tams!” The driver continued to introduce himself as John Donovan stating that he too was a singer, followed by an impromptu performance, and hey! sure enough he could sing! A later introduction to Charles Broomfield (John Marshall’s next-door neighbour at that time) would lead to the formation of the group Marshall, Donovan, Broomfield with the addition of Mary Marshall and Pat Donavan (the then, two John’s respective wives) as backing vocalists. The previously mentioned group’s first release the John Donovan led “Let Me Down Easy/Since I Found My Baby” was recorded at the now defunct Jam Studio’s in Atlanta. Upon release, the “Let Me Down Easy “side received considerable local radio play but only led to the group performing a handful of local shows. On the strength of the group’s first release a second 45 release followed in 1980 “Let’s Dance/That’s Love” both sides of this 45 were penned by Charlston, South Carolina native, Harold Thomas who John Marshall knew from his time with the Tams, Thomas having once been part of Bill Pinkney &the Original Drifters and later the Tams management teams. This second 45 never gained the same local attention of “Let Me Down Easy” and after three years together the Marshall’s, Donovan’s and Charles Broomfield went their separate ways. John Marshall lost contact altogether with his former group members and left the music business taking up employment at International Paper Mill until his retirement in 2013.

Due to the current resurgence in popularity of “Since I Found My Baby” with copies regularly selling for four figure sums, Soul Junction have reacquainted ourselves with John Marshall to you bring you “Since I Found My Baby” backed with “Let Me Down Easy” with the addition of the excellent and lesser, known stepper “That’ Love” making this an excellent value 45 release.

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Senbeï - Rêves LP 2x12"

Senbeï

Rêves LP 2x12"

2x12inchBLAB112SENLP
Banzaï Lab
08.12.2025

An album like a film, a childhood like a journey.



With Rêves, Senbeï unveils the most intimate and ambitious work of his career. Known for his unique blend of electronic music, hip-hop, and Asian sounds, the beatmaker reinvents himself here in an orchestral and cinematic universe, a far cry from his previous albums.


Inspired by the great soundtracks of children's adventure films—The Goonies, The Neverending Story, Charlie and the Chocolate Factory—Rêves is a sonic immersion where childhood nostalgia meets the emotional power of an orchestra.



A unique symphonic production.



For the first time, Senbeï has called upon a 15-piece orchestra, recorded in conditions close to those of film music. Strings, wind instruments, and electronic textures echo each other to create a rich, evocative universe, filled with luminous melodies and magical tension. This album is not just a collection of tracks: it is an adventure to be listened to like reading a story or watching a film.

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Makyo - Things Ah Get Tuff

Makyo taps into his love of roots reggae for this deep, dark and dreamy cover of Things Ah Get Tough by the legendary Bristol band Talisman. The Tokyo-based producer transforms the original, while keeping true to the essence of the original, whose lyrics meditate on the greed and destruction caused when corporations benefit from a nation’s downfall.

Makyo has charted his own course through the world of dub, often with an eastern or tribal twist, since the early 90s, working with collaborators like Bill Laswell, Natacha Atlas and Muslimgauze, but with this release, he’s entering a new phase.

“I’ve listened to this song for years,“ notes Makyo, “and it just felt more relevant than ever when I started working on it in 2024, with all the wars, election madness, wildfires, inflation and nuclear posturing. The mood just seemed to reflect where people were at.”

Having overcome crippling tinnitus and hyperacusis (to the point that he couldn’t even listen to music for several years), Makyo’s finding joy in the past whilst looking to the future, with this sparse and bittersweet version of Talisman’s tune the first in a series of contemporary covers he has planned.

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DONALD DUST & GALA - THE MUSCLE AND THE SINEW

ENTER PLANET DUST goes full 80s Chicago for label head DONALD DUST’s new collaboration with Buenos Aires’ expert slinger of 12”s, knowledge-dropper of all things House, New Beat and dark Disco, and increasingly decorated Dance record vocalist GALA.

Working together halfway across the globe, the two have crafted a compelling single touching on the early sounds of icons like Matt Warren and Razz, with a healthy dose of Euro-Disco and heartbreaking threnodies from the mouths and minds of both parties. Flip the record over for a devilish dub and stomping beat-a-pella courtesy of the ‘Wicked Dub’ and ‘Beat This’ mixes.



Engineered and mastered by Loom Sound Studio’s KARL BARNES. Expect smouldering Spanglish vocals, tweeter-baiting fuzz and slamming synths, demand nothing less!

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Various - Kunda 09

Various

Kunda 09

12inchKUNDA09
Kunda
08.12.2025

9th release from the Madrid-based label Kunda Records.

This time, it features the participation of “El-y”, aka Techno, and the well-known French artist AcidUPDub (co-founder of Dune Records, 2008).

On the A-side, we’re treated to two heavy-hitting tracks:

- “Andromeda”, a dancefloor destroyer with an intriguing rhythmic progression that builds into a climax of sinister melody, leaving a repeating echo resonating in our heads.

- “Torpedo”, a projectile of pure hypnotic techno.


On the B-side, we find two aliases behind which stands the same person: José María Moreno Vega (Granada, Spain):

- C-system, presenting “темный век” (Dark Ages), a pure Tekno track with pounding kicks and a martial rhythm.

- And Spectrums Data Forces, bringing us “Revenant” and “Space Crucifix”. Both tracks will take us on a spacey, robotic journey full of electro rhythms and broken beats.

Straight-up bombs!

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Various - 15 Years of Leng Records (2010-2025) (2x12"+10")

When Leng Records founders Paul ‘Mudd’ Murphy and Simon Purnell marked the imprint’s 10th birthday, they did so via a celebratory compilation that mixed classic catalogue cuts, remixes and exclusives. Five years on, and with the label’s 15th birthday upon us, they’ve decided to look to the future via a compilation made up entirely of fresh productions from Leng’s roster of current and new artists. Presented on limited-edition gatefold double vinyl with a bonus 10” single, the collection offers an updated showcase of Leng’s much-loved trademark sound, a distinctive fusion of mid-tempo sleazy-disco, Balearica and chugging house interspersed with elements of electronic psychedelia and synth-powered space disco. Fittingly for a compilation that wholeheartedly looks to the future, you’ll find first contributions from a handful of label newcomers.

Fast-rising duo Flying Mojito Bros give their spin on ‘Smoke Signals’ by label debutants Joe HarveyWhyte and Bobby Lee, turning in a heady and inspired revision that sits somewhere between dusk-ready cosmic disco and flash-fried desert blues. There’s also an appearance from Swedish producer Bo Wosticz with the dreamy and ultra-deep nu-jazz of ‘Bs As’. Naturally, you’ll also find plenty of heat from those who have already proved their mettle through prior releases on Leng. Danish duo Liminal, who made their debut earlier this year with the much-played ‘Keep Coming Back To Me’, open proceedings with the tactile, slow-disco flex of ‘Tzatziki Bay’ where sweet synth melodies and a heady electric piano riff ride a warming groove.

Roberto Intrallazzi and Dario Piana from Italy’s original Afro-cosmic movement return with ‘Plutos’, a typically deep dubbed-out cosmic chugger. Then there’s Rose Robinson AKA Tigerbalm, whose ‘Mexicana’ featuring singer Joi N’Juno is presented across the package in two different forms. Pete Herbert, who contributed to some of the earliest Leng releases, drops a driving dub disco take on the main compilation, while Robinson’s original mix – a more organic, percussive and horn-heavy affair blessed with plenty of hallucinatory intent – opens the bonus 10”.

There’s a welcome return to Leng for the brilliant Payfone, whose ‘Dime Algo’ is a typically classy, analogue-rich affair in which attractive Rhodes riffs, atmospheric female vocals and pitched-down house pianos rise above shuffling drum machine beats and a slow-motion bassline. Long-serving label contributor Lex (Athens) delivers the loose-limbed nu-disco breeze of ‘Stolen Dance’, while the imprint’s San Francisco connection – the ever-brilliant 40 Thieves collective – drop the dubbed-out Bay Area brilliance of ‘Such A Great Trip’.

Then there are the contributions of the label’s most storied artist, Andrew Meecham AKA Emperor Machine with ‘Eumig’, a deliciously slow, synth-rich chugger full of colourful chords, bubbly electronic melodies and jaunty electronic bass. Then, to round off the bonus 10” single, Meecham joins forces with Paul Murphy (as Mudd) on ‘Road To Nikko’, an extended, Japanese musical culture-influenced slab of pitched-down alien-funk packed to the rafters with squelchy synth sounds, effects-laden percussion, chiming melodies and rubbery bass guitar.

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Various - Five (5 Years Of Fuse) Part 1

Since its inception in 2011 the Fuse label has grown to be one of the leading voices in the dance music underground, originally kicking off with co-founder Enzo Siragusa's 'The Sagamore EP', subsequent releases were kept strictly in-house with productions from the roster of resident DJs that feature at their London based daytime raves (Seb Zito, Rich NxT etc). In 2013 offshoot label 'Infuse' was initiated as a way of harnessing production talent from around the globe.

As a celebration of reaching 5 years of releases, a three part vinyl only EP is to be released featuring tracks from the established Fuse roster as well as a few new additions.

EP one features tracks from Enzo Siragusa, Dan Farserelli, Ferro & Makcim and Fabe. Seb Zito, Romanian talent Iuly.B, Ben Rau and Joseph Williams feature on EP two whilst Rich NxT, Rossko (making his production debut), Archie Hamilton and Sam bellis round things off with the EP 3...

STRICTLY VINYL ONLY!

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Bhairavi Raman & Nanthesh Sivarajah - Syncretic LP

Syncretic marks the debut full-length from Australian duo Bhairavi Raman, a Western and Carnatic violinist, and Nanthesh Sivarajah, a mridangam player and versatile percussionist. Both artists share a Tamil heritage, a current that hums across the album. Raman, from South India, and Sivarajah, from Sri Lanka, draw lines that connect Western practice and Carnatic tradition. This hybrid is central to Raman’s approach as a violinist, an instrument itself caught between East and West since the late 18th century. Her playing folds history, lineage and experimentation into music that acknowledges inheritance while gently rewiring its circuitry.

Expanding on traditional music can be a precarious practice, but Syncretic never feels heavy-handed. Raman and Sivarajah exercise measured restraint, letting the Carnatic framework breathe even as it is refracted through contemporary tools. Delays, looping, subtle layering and synthesized harmonies tilt tradition into a new light without disguising it.

Even within a contemporary framework, Raman’s rigorous Carnatic training under gurus Sri S. Varadarajan (India), Sri Murali Kumar (Australia) and Sri Gopinath Iyer (Australia) is unmistakable. She captures the spiritual and emotional essence of each raga: on Seven, the playful raga Bahudari becomes both centrepiece and conduit, while on the traditional piece Thunbam Nergayil, drawn from a Tamil poem, we hear a deeply personal iteration, a weeping euphony of mixed emotions hitting all at once. Tradition here is absorbed, expanded and reframed.

Sivarajah’s command of the mridangam, honed by his gurus Sri Jambunathan (Sri Lanka), Sri Balasri Rasiah (Australia) and Sri T. R. Sundaresan (India), is central to his original composition Guardian. He sustains tradition while extending it through layering and sound-spatialisation. The mridangam here functions as both a structural and ornamental force, mapping continuity between inherited form and contemporary sonic architecture.

Syncretic resonates as a space where Tamil heritage, diasporic memory and contemporary practice coalesce. Culture, like sound, circulates, transforms and persists. Tradition is not an archive but living material, a soundworld that lingers in the ears and the imagination.

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JKriv - Bedits Volume 1

JKriv

Bedits Volume 1

12inchBDTS001
WHITE LABEL
05.12.2025

Kriv’s much-loved Bedits series is now getting the vinyl treatment with a few choice selects from previously digi-only releases, as well as some fresh unheard heat. From 90s dance to low-slung R&B, loopy disco and bouncey house, this 4 tracker is a party from beginning to end. Straight from the bed and into the bag!

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Johan Blende - Recess EP

Swedish DJ, producer and songwriter Johan Blende debuts on Hell Yeah with a journey to the heart of a grown-up dancefloor in the Med.

Blende is a master of mixing up retro 70s and 80s sound into modern dancefloor delights. He's been doing it for two decades on a wide range of cultured labels from Studio Barnhus to Eskimo, always with a rare charm and leftfield perceptive. With this EP, he taps into the magic of hazy afternoons turning into euphoric evenings by the sea.

'Off To Mallorca' jangles with taught bass notes and sunburnt vocals. Distant synths glow, the jumbled percussion injects just the right dose of ass-wiggling funk and this playful yet sophisticated cut builds toward a blissful rapture. 'Television' ups the ante with prickly acid panning about the mix over sleazy, low-slung drums. Tension simmers as edgy synth motifs stalk the groove and anticipation builds before the whole thing explodes into a cosmic disco payoff. It's raw, unpredictable, and perfect for when things start to get a little weird.

'Como No Brasil' gazes skyward and basks in a wash of shimmering melodies and breezy, wordless vocals that drift like clouds over layered, sun-drenched rhythms. It’s a dreamy, tropical float until a surprise acid storm rolls in and moves things from tranquil paradise to dancefloor hypnosis. Finally, 'Carousel Bagatelle' is a layered, late-night trip that feels both playful and introspective. Hypnotic synths swirl around screwy acid lines and supple, dubbed-out house drums that spin you into a daze.

Blende’s debut on Hell Yeah lands like a postcard from a perfect party - sun-dazed, acid-kissed and endlessly replayable.

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Aerofunk - Who's That 001

Aerofunk delivers 4 Funk fuelled tracks to get the dance floor moving. Made with love from his studio in Liverpool. Early support from Junki Inoue (Cartulis), Hamish Cole (Butterside Up) & Jacob Husley (WYS/FABRIC).

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Cornell Campbell - My Destination LP

2025 Repress

The mighty Falsetto voice of Mr Cornell Campbell is another we believe, unsung hero of the Jamaican music scene. Who in our opinion should have broke through to a wider audience, than his cult status currently provides. We have unearthed straight from the master tapes an album that was due for release around the mid 70’s. A few of these cuts, found their way out on limited 7”s, that were mainly for the domestic Jamaican market. But as a complete body of work, never found a release until now. We hope like us, once you have played the tracks, you will feel that this set of cuts, stands up amongst Cornell’s finest work. Cornell Campbell (born 1948, Jamaica), made his first recordings in the early 1960’s for Coxone Dodd at Studio 1. Tracks like ‘Under the Old Oak Tree’, ‘My Treasure’ and later as a duo with Roy Patton ‘Salvation’ and ‘Sweetest Girl’, were local hits on the Jamaican Sound Systems. A short spell with the Uniques was followed by his roll as lead vocalist with the Eternals, under the monicker of Don Cornell. Their finest moment being the classic ‘Stars / Queen of the Minstrels’ cuts which still stand up today as some of Jamaica’s finest.

The 1970’s saw Mr Campbell move on to work with producer Bunny ‘Striker’ Lee, for whom he cut most

of his big tunes. He and fellow singer Johnny Clarke, would become Bunny’s 70’s equivalent to his 1960’s stable of singers like Slim Smith, Pat Kelly and Ernest Wilson. They would provide the voice to his many hits of the day. Bunny not being called ‘Striker’ for nothing. Cornell also had a series of hits around his theme as the ‘Gorgon’. The mighty figure unbeatable at the dances in the Greenwich Town district of Kingston. ‘The Gorgon’, ‘The Conquering Gorgon’. ‘Natty Dread in a Greenwich Farm’. These were all firm favourites at the dances in Jamaica. He also worked with other notable producers around this time. Winston ‘Niney’ Holness “I Heart is Clean’, Tappa Zukie ‘Follow Instruction’

and culminating in a massive hit ‘Boxing’ in 1979 for producer Joe Gibbs. But it was his time with Bunny Lee that set the levels for his record output. This unreleased album is from this period in time, when Cornell Campbell never sounded sweeter......

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Jasper Van’t Hof’s Pili Pili - Selected Works 1984 to 2002 LP

DJ Support: Antal, I Cube, Noel Watson, Colleen Cosmo Murphy, Sean Johnston, San Soda, Takaya Nagase, Tina Edwards, Pete Herbert, Kenneth Bager, Severino, Aaron Paar, Felix Joy, Harri Harrigan, Laroye, Telford, Darker Than Wax, Rocky (X Press 2), Shane Johnson, Dan Tyler, Felix Dickinson and many more

Having previously released selected retrospectives focused on the musical output of Ryo Kawasaki and Joan Bibiloni, NuNorthern Soul has now turned its attention to the vast back catalogue of Jasper Van’t Hof’s pioneering electro-acoustic, Afro-fusion collective, Pili Pili.

The band was established in 1984 by Van’t Hof, a Dutch pianist who began his career in Europe’s jazz scene of the late 1960s, as a way of combining his love of jazz-fusion and the music of North-West Africa. Van’t Hof already had a reputation for combining roles in traditional jazz combos with more experimental and abstract projects. These included a spell in violinist Jean-Luc Ponty’s first band, years spent masterminding jazz-rock outfit Jasper Van’t Hof’s Porkpie, the recording of an all- electronic album (1982’s Visitors), and a celebrated collaborative live album with the great Archie Shepp, Mama Rose.

Pili Pili, though, was another step forward for Van’t Hof. Working with percussionists and vocalists from Benin and Mali (including the now legendary Angelique Kidou) and a string of adventurous jazz soloists (saxophonist Tony Lakoto and trumpeter Annie Whitehead included), Van’t Hof’s collective frequently combined live and programmed percussion, electronic and acoustic instrumentation, and the talented improvisor’s own memorable melodies and impactful solos.

NuNorthern Soul’s retrospective focuses on the most productive and celebrated period of Pili Pili’s near three-decade history, showcasing tracks originally recorded and released on studio albums released between 1984 and 2002. The six tracks on show offer an essential glimpse into the musical gold to be found across the Pili Pili catalogue.

In keeping with NuNorthern Soul’s previous retrospectives, the vinyl version of Selected Works 1984-95 comes with extended liner notes telling the remarkable story of this most unusual of cross-cultural collaborations. These feature extensive quotes, reflections and memories from Jasper Van’t Hof and were written by music historian Matt Anniss.

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Extrawelt - DYSTORTION (LP 3x12")

DYSTORTION
Extrawelt's Latest and Longest-Brewing Album Lands This December on Cocoon

In this beautiful world marked by rising chaos, sometimes the simplest way to escape its troubles is through sonic relief. Germany's renowned electronic duo Extrawelt will offer exactly that with their 5th full-length album, DYSTORTION, via Cocoon Recordings this December.

For over two decades, the humble duo behind Extrawelt, who shy away from making music for clicks, have been a steadfast presence in electronic music. Known as serious studio and tour-focused artists who craft timepiece albums, each a work of enduring craft, that go on to create atmospheric, out-of-the-box live acts, they've been shaping and redefining electronica since their first release.


DYSTORTION is their most diverse and evocative album to date. Imagined over six years and shaped by a world in flux through COVID, political upheavals, social media, and AI, it reflects the contrasts and twists we've all felt while offering surges of serenity and hope. From brooding tension to playful relief, it moves through different states in an evolved Extrawelt manner.

The album's opening credit, "Grand Départ," as if a cinematic prelude, invites us into a world of creeping bass, an explicitly Extrawelt sound that's synonymous with the "anti-genre genre" they work within. The album's second track, "Clapland," sees Extrawelt joining forces with Jimi Jules, a name synonymous with excellence in electronic music, creating a rare collaboration that is felt in every note. Soon, the mood shifts into softer melodies as heard in "Surrounded By Miracles," "Hope Sounds Good," and "Sir Stringalot," which bring bright euphorics to balance the darker moments in an album echoed by industrial influences. Later, as "Dystortion" (the album's title track) unfolds, we're drawn into something few electronic artists can create: raw emotion. This is a gritty landscape as reflective as it is pulsing, glitchy, intense, and richly textured.

DYSTORTION is a reflection of a complex, divided world, carried through dramatically with Extrawelt's signature techno tension. Like the world right now, it is full of contradictions, surprises, and moments of introspection, an essential listen for fans of mature electronic music that may or may not need a reminder of why, after 20 years, we're still listening.

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Borgesian Term - False 06

Borgesian Term

False 06

12inchFALSE06
False Aralia
05.12.2025

as in, a borgesian term of imprisonment in which you come to learn that stasis is an illusion. you attune and collect evidence. long shadows swing from the room’s sharpened edges, contracting and rotating with each passage of the sun, cumulatively tilting toward the next season. the cyclical heating and cooling of the concrete inscribes what you eventually recognize as an insistent rhythm onto your skin. it feels as though you’re preparing yourself to haunt the place. the first visitation comes in winter. sound bubbles from a crack in the wall, a conversation you can’t follow and hardened repeating codes that splash off the walls like rain. it had to be, and you’re looking away.

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ASC - Magnetic Fields

ASC

Magnetic Fields

12inchSPTL044
Spatial
05.12.2025

Ever developing his evocative style and dynamic sphere of influence, ASC's latest EP is afurther evolution of the atmospheric legend's repertoire that simply cannot be missed.

A1 - Everybody

ASC opens his latest Spatial EP in subtle fashion, classic genre effects punctuating anunsettling intro before deliciously crisp drums seize the stage and build continually with hi-hats generating an urgency to the vibe. A series of micro melodies delivered withtrademark technical flair float across stunning breaks, before a rousing baseline caps off asuperbly evocative mix which delights the listener and dancer in equal measure.

A2 - Seconds To Midnight

Straight in with a purposeful 808 bassline, ASC delivers another powerhouse display ofbreakbeat fluency, jumping between chunky, juddery drum patterns with a choppedversion of a lesser-used but very effective break sample last heard on ASC's very ownclassic, Polaris. Epic vocal effects surround Seconds To Midnight with a tense aura whilesuitably pitched strings and synth work are dusted liberally throughout the piece.

AA1 - Restless Dreams

Amen fans unite! ASC's love for the most classic of breaks shines through once againwith an enthralling workout for the ages. Introduced with eerie pad work and a solobassline, the atmosphere is crafted through a plethora of pads and samples while theamens thunder on with a detailed array of editing skills on show - thumping kicks andsnares keep the energy levels high bar after bar leaving nothing in their wake.

AA2 - Core Memories

A gorgeous female vocal opens Core Memories, a track which uses the classic breakfeatured on the first ever Spatial release, Force Majeure. Here, a refreshing set oftechniques are on show from ASC as he carves and chops the break to the tune ofcautious horns, highlighting the serene yet uncertain backdrop to a wonderfully varied anddetailed collage to close this distinctive and progressive EP from the label head.

Words by Chris Hayes (Spatial / Red Mist)

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William Djoko - Dirty Talk

A song about Colostomy - from the opening bars you might think so. but it gets worse. 'X rated' stuff.
the label say 'Djoko is no stranger to Voyage Direct. Having first appeared on the label way back in 2012, he's returned numerous times since, becoming an integral member of the imprint's growing family of artists. Elsewhere, he's delivered material on Tuskegee, Mobilee and Leftroom, amongst others, developing an approach that takes inspiration from numerous styles of house and techno. However, little he's previously released can match the raw, eyebrow-raising lust and sexually charged funk of Dirty Talk'.

Driven forward by Djoko's sleazy, whispered spoken word vocal, the original version combines the rubbery, bass-heavy rhythms of classic, Dance Mania-style ghetto house, the delay-laden guitar flashes of vintage NYC proto-house, and the kind of darting, funk-fuelled keys - provided by fellow Dutch producer Kid Sublime - that recall the glory days of '80s electrofunk. Djoko provides an alternate version in the shape of the thrusting, stripped-back Club Dub', with his breathy Accapella' rounding off the A-side.

On the flip, two Voyage Direct stalwarts take it in turns to rework the track. First up is label boss Tom Trago, who builds on Djoko's elastic percussion with some dense new drum hits of his own. These are combined with spacey synths and sharp string stabs, giving Dirty Talk' a more classic techno/house fusion flavour. In contrast, Werner uses the opportunity to turn in a triple-X-rated interpretation full of bounding, Chicago-influenced beats, intergalactic pads, sleazy acid lines, and sweaty, surging drum fills. It's a fittingly breathless remix.'

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Secretsudaze - Flashlight EP

Secretsundaze lands on Echocentric’s 20th release with Flashlight EP, a breakneck blend of UK breakbeat, Italian prog house and sound system heat. From the raw drive of Flashlight (Stripped) to ODF’s tech-garage rework and the balearic shimmer of Style (VIP), it’s a full-circle nod to 1980s Blues Dances. the hidden roots of UK club culture.

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Vick Lavender  Feat. P.Jehrico - The L.O.V.E. Song

South Street International return with the house goodness once again, reissuing Vick Lavender’s house anthem “The L.O.V.E. Song (From Chicago To New York)”. Originally self-released on his label Sophisticado Recordings by the Chicago producer and musician, this is one of those timeless deep house gems that’s become an underrated weapon for discerning DJs worldwide.

Lavender – known for his work with Glenn Underground as part of the legendary Strictly Jaz Unit – has been shaping deep and soulful house for over three decades, blending world music, jazz fusion, R&B and more into a sound that’s both spiritual and deeply rooted in the dancefloor. Here he brings the best of both cities into one track: the soulful musicality of Chicago, the cosmopolitan polish of New York. Warm Rhodes, fluid percussion, and vocal refrains ride over a groove that’s equally at home in a dark basement session or a sunrise terrace set.

With originals changing hands for eye-watering prices on Discogs, this official reissue makes this must have record accessible again. Lovingly remastered by The Bakehouse and presented on South Street International, This record is a must-have for fans of deep house, and anyone who believes in the eternal conversation between Chicago and New York.

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Stallo - Mifepan EP

Stallo

Mifepan EP

12inchCBR-008
Casanova Bar Records
05.12.2025

Swiss-born, Berlin-based artist Stallo makes his anticipated vinyl debut on Casanova Bar Records with Mifepan EP.

After first appearing on the label in 2020 with a contribution to CBB007 a digital VA, he now returns as the main artist on CBR008, delivering two original tracks that define his signature sound.

The EP opens with Bleenthal, a hypnotic journey built on rolling drums and immersive textures. On the flip, "Wavoom" pulsates with a constantly evolving synth, pushing forward with relentless energy.
Elevating the release, Japanese techno legend Takaaki Itoh delivers a raw and powerful remix of Wavoom, while Italian innovator Fabio Florido reinvents Bleenthal with his cutting-edge sound design.
Mifepan EP is a bold statement from Stallo, an immersive exploration of deep grooves and evolving driving textures.





d B2 Bleenthal Reinvented (Fabio Florido remix)




Reinvented (Fabio Florido remix)

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Various - One Hundred Fifty LP 3x12"

Various

One Hundred Fifty LP 3x12"

3x12inchFIGURE X50
Figure
05.12.2025

Figure is celebrating its 150th release with a loaded triple vinyl compilation, showcasing artists both old and new to the label – a testament to what the Figure sound is today. The cover art has been commissioned from Berlin-based graffiti artist Erik Winkler, whose spray-painted work is adorning the thick triple-pocket sleeve housing three colored records.

The compilation features some important recent additions to our growing roster: both Jancen and Arthur Robert deliver their unique take on tunneling techno, be it searing or psychedelic. And Brazilian shape-shifter Vinicius Honorio carves out his own gliding bass frequencies while A-STS relies classic drum machine bleep hypnosis.

Label head Len Faki’s own energetic appearance echoes his versatile style found on his recent album release. The all-out production featuring strings and quirky synths sits in contrast with Jeroen Search & Decoder - a pairing of veterans, whose minimal hardware sound slowly builds over trippy acid loops. The flipside belongs to a younger generation of producers, namely IGLO turning out a superb techno roller teeming with life and lush with details. The duo of Munich brothers Glaskin already remixed Faki for his Fusion album, their first original release on Figure comes a skillful blend of distorted stabs and deep grooves.

Equally refined but with a harder edge to it, Scheermann practices a dark, minimalist approach where each element gets time to shine for maximum effect. His bleak track is aptly paired with a rare solo release of Obscure Shape whose fractures of a dreamy, twinkly melody make for one of the most emotional moments of the compilation. The final side holds Roman Poncet’s seasoned understanding of groove, balancing perfectly the dubby stabs and vocal chops for a dazzlingly perfect loop. The final tones to this milestone release come courtesy of another of Figure’s bright new voices: Arkan manages to conjure up a powerful sense of progression, where colourful synths converge in harmonies over an effortlessly bouncing beat.

It is a rare moment for an independent label to make to number 150. But to keep finding new talent who help re-shape the signature sound while expanding the family roster, that’s a true blessing. This package shows how Figure is growing and adapting as a label, staying relevant as one of the leading voices in modern techno.

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Various - Ethereal Techno #015

Various

Ethereal Techno #015

exclSYYKET015
Steyoyoke
05.12.2025

For the first time in Steyoyoke’s history, an Ethereal Techno album is presented as a complete body of work on double vinyl. A nine-track selection, crafted to reflect the essence of the label and the journey it has shaped over the years, becomes the label’s Christmas 2025 offering, a genuine gesture to the listeners who have grown beside this sound. This edition remains limited, created simply to exist as something special for our community.

The album opens with Soul Button - Noxic, followed by Nos Adieux reinterpreted by MPathy for 6RAJ & Audrey Vee, and continues with original works from Byrt, bod:mod & AIEOU, MPathy & 2Qimic, Talal Bazzi, Monarke, ZERO CONTACT & Bryce Kenneth, and DJ Geri. Each track represents a chapter of Ethereal Techno’s evolution — melodic, introspective and deeply atmospheric — now archived in a physical form intended to last beyond the moment.

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393AD - Singularities EP

393AD returns to his own Full Range Motion records with 'Singularities EP'! On this EP, 393AD continues to explore the grey-area in between introspective yet driving techno, an area in which 393AD's well-received debut 'Doctrine EP' left such an impression. The Amsterdam-based artist playful use of sound-design and storytelling adaptations of live hardware jams are once more an excellent foundation for his second release, solidifying the distinctive sound of the artist on this young label. Opener 'Gravitational' pulsating beats are a strong anchor for slowly unfolding harmonic stabs and a strong centrifugal energy. Glimmering patterns unfold as an umbrella; a projectile shoots past; the aftermath of a near-collision - there's no running from this mind-gazing adventure. On the same side 'Technological' pushes on with dramatic effect as noise interlocks with serenity. A devious and mesmerizing track. The flip starts off with 'Mechanical', the final clever contribution to this EP by 393AD. Propulsive kicks and startling low-end call & responses manifest infectious hooks and rhythmic interplay. This track is as serious as it is facetious. Finalising this EP is Maasym's remix of 'Gravitational'. Building on the urgent dynamics of the original, Maasym conjures a magical field of rhythm, intertwining the original with his own energetic pulses. Culminating finally in a compelling resurgence of the original's main stab.

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