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Neon green vinyl, limited to 300 copies. REPRESS. Greenferno is the second studio album by the Polish stoner doom band Belzebong. Recorded in early 2015 and the first release to feature second drummer Hexy Dude. Belzebong are a stoner metal band from Kielce, Poland. Since the band's formation in 2008 they currently have three albums under their belt and have toured Europe on multiple occasions. Along with their weed-themed instrumental doom the band is best known for their "Dude" pseudonyms, keeping their faces obscured whether by hair or fog and tongue-in-cheek nature to their music as implicated in many interviews. All of their music to date, barring samples, is instrumental.

Hardware is the fifth studio album by Swiss hard rock/heavy metal band Krokus, originally released in 1981.

The album charted in the US, UK and other European countries and went on to become gold certified.

Engineered by acclaimed British studio professional Mark Dearnley (known for his work with AC/DC and Def Leppard),
the record emphasizes energetic guitar work from Fernando von Arb and Tommy Kiefer. The singles on this album are "Rock City", "Winning Man" and "Smelly Nelly".

Hardware is available as a limited edition of 666 numbered copies on red coloured vinyl and includes an insert with lyrics.

Liquid Stella, an up-and-coming instrumental band with an average age of 24, formed in 2019.
Their jazz-rooted sound and catchy, mellow melodies have been generating buzz, especially through digital releases. A rising star, they're garnering attention
as a rising star on digital music charts, and now they're releasing a 7-inch single with a "sea" theme!

Side A's "twilight" is inspired by the image of a sunset over a beach at dusk. The track evokes the crimson sky and horizon, a pleasant evening breeze, a
groovy medium beat, nostalgic electric piano, and mellow guitar reminiscent of 70s city pop, creating a groovy and mellow sound.

Side B's "Fleeting" is an incredibly refreshing and soothing piece, perfect for a morning beach day. The electric guitar's cutting and lead sounds, groovy 16-beat
rhythm, and the electric piano's mellow melody are the perfect complement to a drive by the sea.

A single cut from the surf music compilation "SALT... meets ISLAND CAFE -Sea of ​​Love-", supervised by the magazine "SALT...", which proposes new values ​​
for beach lifestyle and surf culture.

Born in the sewers of Montreal in 2018, it all started with a simple goal : blending old fashioned death metal and modern hardcore together in a city where technical death metal reigns supreme. It didn't take long for the band to make a name in the underground tho. Fast, old school riffs, pummeling mosh parts mixed with energetic stage presence quickly earned ST attraction, especially in the hardcore scene. Initially formed by tattoo artist Vincent PL on vocals and axeman Philippe Leblanc, ST has now its hardest lineup to date by adding Miguel Lepage (ex- Blind Witness, ex- Obey the Brave) on bass and Émile Savard (Profane Order, ex- Malebranche) on drums, turning the band from another local act into an absolute fucking weapon. The time has come to follow the path of Cryptopsy, Quo Vadis and Despised Icon and show the world that Montreal is still to this day a reckless, unrelenting force of death metal.

How To Save A Life, the debut studio album from Grammy-nominated pop-rock band, The Fray has been reissued on vinyl, featuring hit songs, “How To Save A Life,” and “Over My Head (Cable Car).” The album held the title for best-selling digital album of all time until 2010, selling over 4 million copies. The album continues to find popularity among new and long-time fans alike. A x12 trk Yellow LP Vinyl. Marketing.

Kreisch! The Lemonheads kehren mit ihrem ersten Studioalbum mit ausschließlich Originalmaterial seit fast 20 Jahren zurück. Nach Jahren des Schreibens, des Umherziehens und des Neuanfangs sowie der Veröffentlichung der Single "Fear Of Living" kehrt Evan Dando mit 11 Original-Lemonheads-Songs zurück. Seit langem in Arbeit, geprägt von wechselnden geografischen Gegebenheiten, entstanden mit einer Reihe willkommener Gäste, ist es eine kühne, melodische Bestätigung einer der markantesten Stimmen des Alternative Rock. Dandos Wohnsitz in Brasilien, wo ein Großteil des Albums aufgenommen wurde, hat ihm in den letzten Jahren einen ruhigen Perspektivwechsel ermöglicht - eine Chance, sich neu zu orientieren, sich wieder zu verbinden und seine Songs endlich in den Fokus zu rücken. Das Ergebnis ist ein Album, das sowohl frisch als auch vertraut klingt: verwurzelt in den Merkmalen der besten Arbeiten der Lemonheads, aber erweitert durch jahrelange Lebenserfahrung und eine neue Umgebung. Love Chant wurde von dem brasilianischen Multiinstrumentalisten Apollo Nove produziert und bringt alte Freunde und neue Partner zusammen: J Mascis (Dinosaur Jr), Juliana Hatfield und Tom Morgan sind wieder mit an Bord, zusammen mit dem Produzenten Bryce Goggin (Pavement, Antony and the Johnsons), Erin Rae aus Nashville, John Strohm von den Blake Babies und Nick Saloman von The Bevis Frond. Und Adam Green von der New Yorker Kultband The Moldy Peaches ist als Co-Autor an dem lockeren Country-Abstecher "Wild Thing" beteiligt. In den letzten Jahren hat sich der Einfluss von The Lemonheads noch verdeutlicht, Acts wie MJ Lenderman, Courtney Barnett und Waxahatchee haben Dandos Songs gecovert und loben die emotionale Klarheit, den melodischen Instinkt und die ironische Intimität, die seine Texte auszeichnen. Diese generationsübergreifende Resonanz macht Love Chant zu mehr als einer Rückkehr - es ist eine Erinnerung an das, was diese Band in erster Linie ausgemacht hat und jetzt noch um einen späten Höhepunkt erweitert wird. Inklusive der Vorab-Singles "Deep End" und "In The Margin". "The Lemonheads' ability to merge punk rock's energetic simplicity with lush, melodic hooks is both timeless and influential." Pitchfork. CD (Digipak) oder LP (embossed vinyl sleeve artwork)

Kreisch! The Lemonheads kehren mit ihrem ersten Studioalbum mit ausschließlich Originalmaterial seit fast 20 Jahren zurück. Nach Jahren des Schreibens, des Umherziehens und des Neuanfangs sowie der Veröffentlichung der Single "Fear Of Living" kehrt Evan Dando mit 11 Original-Lemonheads-Songs zurück. Seit langem in Arbeit, geprägt von wechselnden geografischen Gegebenheiten, entstanden mit einer Reihe willkommener Gäste, ist es eine kühne, melodische Bestätigung einer der markantesten Stimmen des Alternative Rock. Dandos Wohnsitz in Brasilien, wo ein Großteil des Albums aufgenommen wurde, hat ihm in den letzten Jahren einen ruhigen Perspektivwechsel ermöglicht - eine Chance, sich neu zu orientieren, sich wieder zu verbinden und seine Songs endlich in den Fokus zu rücken. Das Ergebnis ist ein Album, das sowohl frisch als auch vertraut klingt: verwurzelt in den Merkmalen der besten Arbeiten der Lemonheads, aber erweitert durch jahrelange Lebenserfahrung und eine neue Umgebung. Love Chant wurde von dem brasilianischen Multiinstrumentalisten Apollo Nove produziert und bringt alte Freunde und neue Partner zusammen: J Mascis (Dinosaur Jr), Juliana Hatfield und Tom Morgan sind wieder mit an Bord, zusammen mit dem Produzenten Bryce Goggin (Pavement, Antony and the Johnsons), Erin Rae aus Nashville, John Strohm von den Blake Babies und Nick Saloman von The Bevis Frond. Und Adam Green von der New Yorker Kultband The Moldy Peaches ist als Co-Autor an dem lockeren Country-Abstecher "Wild Thing" beteiligt. In den letzten Jahren hat sich der Einfluss von The Lemonheads noch verdeutlicht, Acts wie MJ Lenderman, Courtney Barnett und Waxahatchee haben Dandos Songs gecovert und loben die emotionale Klarheit, den melodischen Instinkt und die ironische Intimität, die seine Texte auszeichnen. Diese generationsübergreifende Resonanz macht Love Chant zu mehr als einer Rückkehr - es ist eine Erinnerung an das, was diese Band in erster Linie ausgemacht hat und jetzt noch um einen späten Höhepunkt erweitert wird. Inklusive der Vorab-Singles "Deep End" und "In The Margin". "The Lemonheads' ability to merge punk rock's energetic simplicity with lush, melodic hooks is both timeless and influential." Pitchfork. CD (Digipak) oder LP (embossed vinyl sleeve artwork)

Elektro Guzzi return with their 11th studio album, Liquid Center - more focused than ever, yet moresonically open. The album presents the trio on a new level: their sense of precision and structuremeets an unexpected depth and warmth.The sound is more restrained, more subtle - and in this way,it gains even more presence. What stands out: this album sounds different. And it feels different too.Over the course of a year, the band developed a recording technique that translates their analog liveenergy into a sonic image that captures both the physicality of a band in space and the coolabstraction of techno.The result is a sound that doesn’t seek loudness, but detail - clear, warm, deep,and with an almost artificial precision. Liquid Center is not a loose collection of tracks but a coherentalbum experience.With every listen, it opens up a little more: a new texture, a shifted perspective,another layer emerging from the space between groove and sound. Maybe it’s the music that’schanging. Or maybe it’s just the way you hear it.

Ramirez returns with THA PLAYA$ MANUAL II, the long-awaited sequel to his cult classic that helped solidify his place as one of underground rap’s most distinctive voices. Steeped in Southern-fried funk, Bay Area swagger, and Memphis-style menace, this new chapter finds Ramirez sharper, smoother, and more seasoned—delivering game like a streetwise sage with a gold grill grin.

Where the original Playa$ Manual was gritty and raw, THA PLAYA$ MANUAL II sounds like a player who's leveled up. The beats knock harder, the flows glide slicker, and the game is deeper. Ramirez weaves tales of betrayal, come-ups, late-night drives, and cold-hearted reality with the same charismatic cool that made him a standout in the $uicideboy$-adjacent G59 movement—but this time with a more refined, cinematic approach.

From trunk-rattling bangers to syrupy smooth cuts that soundtrack late-night escapades, THA PLAYA$ MANUAL II feels like a ride through Ramirez’s world with tinted windows up and the bass on max. It’s a record for the hustlers, the heartbreakers, the loners, and the legends in the making.

This is more than a sequel—it’s a statement: the playa’s still active, and the manual’s been updated.

The Lemonheads tease new material with this super limited 12" single. Rekindling the near-perfect pop for which they're famed, the single focuses on the light and dark balance of their impending new album Love Chant that will be released on Fire Records this Fall. Beautifully ill-balanced, `Deep End' and `Sad Cinderella' traverse the highs and lows of life, perfectly illustrating Evan Dando's esoteric musical taste. `Deep End' is a churning riff monster with light-the-blue-touch-paper guitar breaks by J Mascis of Dinosaur Jr, a compulsive fist-in-the-air piece of timeless punk pop, the perfect soundtrack for bumming a cigarette. Co-written with Australian sparring partner Tom Morgan of Smudge, featuring J. Mascis and Juliana Hatfield! Meanwhile, the exclusive flipside is straight out of the Gram Parsons and Emmylou Harris songbook; a cover of the late, great Townes Van Zandt's `Sad Cinderella', it's a song for the romantics, a tearjerker that could have made its way onto Neil Young's `Harvest', or any aching George Jones opus; filled with regret and remorse, it's a beautifully brittle duet between Evan and Erin Rae. So, two slices of the born-again Lemonheads - a mature phoenix rising from the ashes of this legendary band who've been away way too long.

One of the most exciting voices in modern soul returns with Lilly - a deeply personal new album from Amsterdam-born singer, songwriter, and producer Danny Kuttner.

Blending 90s neo-soul, ECM-inspired jazz, and leftfield electronics, Lilly will resonate with fans of Hiatus Kaiyote, James Blake, and Billie Holiday – which Kuttner cites as some of the album’s key influences.

An emotional tour-de-force, the album is shaped by raw introspection and inspired by the passing of her grandmother. A stunning record that invites listeners into a world of vulnerability and sonic depth, and a must-have for vinyl lovers seeking soul, story, and standout production.

50th Anniversary Reissue on limited edition 180g Yellow Marble. Recorded in front of a live audience at the Record Plant Recording Studio in Los Angeles in 1975, Nighthawks at the Diner debuts some of Waits" greatest classics like "Warm Beer, Cold Women" and "Eggs and Sausage" with a crack jazz ensemble backing him up and some of the greatest stage patter ever committed to record.

Machine Girl haben sich stets als eigenständiges und kreatives Klangphänomen gezeigt. Das Trio, bestehend aus Matt Stephenson, Sean Kelly und Lucy Caputi, verbindet eine punkbasierte Grundlage mit elektronischen Elementen und cineastischem Anspruch. Rave, Metal, Punk und elektronische Klänge treffen aufeinander und ergeben ein facettenreiches, energiegeladenes Soundbild. Mit einer stetig wachsenden Fangemeinde sowie lobender Besprechungen führt die Band ihren Weg mit ihrem siebten Studioalbum Psycho Warrior (MG Ultra X) konsequent fort.

2xLP schwarzes Vinyl im vollfarbigen Sleeve mit bedruckter Innenhülle

"Originally released in 1990 on the legendary Australian label Extreme, The Annihilating Angel stands as one of Paul Schütze’s most visionary and cinematic works — a dark ambient masterpiece rooted in mystery, decay, and metaphysical beauty. Blending slow-burning soundscapes, processed field recordings, and abstract industrial textures, this album explores the sonic equivalent of sacred ruins and distant, imagined geographies.


Now officially reissued by Everland Music, this long out-of-print classic returns on vinyl with restored audio and updated packaging. The new brilliant remaster was handled by Miroslav Piškulić, a radio sound maestro renowned for his subtle approach to psychedelic electronic music. The result received praise from Paul Schütze himself — who called it the most faithful reproduction of his original vision to date."

Recorded at the same time as I and Then C93 were channelling Swastikas For Noddy, Imperium was the BackSide GrimStory to the Bright ’n’ Breezy (Locust) SummerTime Whistles of Swastikas For Noddy. I was very ill whilst making both records, and my main memories (along with Speed And Vodka, ThankYou, ThankYou) were lying sick on a grimy couch at the long-gone IPS Studios in Shepherd’s Bush. There was a heavy leak in the kitchen and the water was running over the studio floor and up my distressed, distressing leather jeans (with button-fly) and Into My Very Soul. Remastered from the original tapes by The Bricoleur at Bladud Flies!, and with the original artwork refreshed and reborn by Rob Hopeye, this 12” vinyl picture-disc comes in a full-colour die-cut sleeve, which is printed on both the outside and inside. This is one of the second group of 4 reissues of the entire back catalogue of C93 on picture-disc and standard vinyl, in the lead-up to the publication of my autobiography at the end of 2026, whilst I also work on many other recording, publishing, and painting projects, and Watch And Pray! Each release in the picture-disc vinyl reissues series is limited to 1,000 copies, and the titles will not be repressed as picture-discs once they have sold out.

Recorded whilst I was starring as H.R. Pufnstuf in the titular US documentary of the same name, Earth Covers Earth followed up the apocalyptic SingSong Sounds of Swastikas For Noddy with another clutch of classic C93 chimes, none of which bothered the Hit Parade In Any Way Ever. Many of the songs on this beautiful album have been tattooed on the inner thighs of the Illuminati. The drugs had stopped working, and I was staring into several voids, as I couldn’t focus on anything, whilst Moving Waves played in the foreground and background and in the underground tube too. Remastered from the original tapes by The Bricoleur at Bladud Flies!, and with the original artwork refreshed and reborn by Rob Hopeye, this 12” vinyl picture-disc comes in a full-colour die-cut sleeve, which is printed on both the outside and inside.This is one of the second group of 4 reissues of the entire back catalogue of C93 on picture-disc and standard vinyl, in the lead-up to the publication of my autobiography at the end of 2026, whilst I also work on many other recording, publishing, and painting projects, and Watch And Pray! Each release in the picture-disc vinyl reissues series is limited to 1,000 copies, and the titles will not be repressed as picture-discs once they have sold out.

Limited edition GRAPE CRUSH vinyl 1000 copies worldwide. Remastered by Bob Weston at Chicago Mastering Service. Originally released in 1988 vinyl reissue includes 4 bonus tracks. "Plenty of bands can claim Naked Raygun as an influence, from post-punkers to hardcore acts. All of them could learn a thing or two or three by studying the whoas. With Jettison... Naked Raygun achieved creative bliss. Here is an album that successfully combines dissonant instrumentation with supremely catchy vocals." - Punknews.org - // Naked Raygun were an extraordinary staple in the Chicago music scene - beginning in the early 80's and continuing until their quiet demise in the early 90's. Their music showed the world that punk rockers could play and be really good at it. Founded in Chicago in 1980, by Marco Pezzati, Jeff Pezzati and Santiago Durango, Naked Raygun released six albums during their eleven year career that would change the sound of punk rock indefinitely. The band is widely recognized as being one of the most influential punk bands of the 80's. Their anthemic style incorporated politics in a uniquely accessible way, melding pop and hardcore into one cohesive sound, that would later be dubbed, "The Chicago Sound". Shortly after their first release, Basement Screams, Durango left to join Big Black permanently, and was replaced by John Haggerty, whose unique style of buzzsaw guitar would define Raygun's sound for their next four albums. Additionally, Pierre Kezdy replaced Camilo Gonzalez and Eric Spicer took over drums for Jim Colao. In 1990, Haggerty left the band to start Pegboy. Bill Stephens joined the band for their final studio release entitled, Raygun...Naked Raygun.

Limited edition ORANGE SWIRL vinyl 1000 copies worldwide. Remastered by Bob Weston at Chicago Mastering Service. Originally released in 1990 vinyl reissue includes 3 bonus tracks. "We drove up there and my cousin Tracy had turned punk rock. And she said, 'I'm going to this show tonight. Come with me.' And so I went to this club called The Cubby Bear - it's right across the street from the baseball stadium - and a band called Naked Raygun were playing, and they're this legendary Chicago punk rock band. But I'd never seen live music. So my introduction to rock and roll was in a club that held about 150 people that was half full and I was belly up against the stage watching this incredible live band, like, sweat and spit and bleed in front of me." - Dave Grohl interview, The Record, 2011- // Naked Raygun were an extraordinary staple in the Chicago music scene - beginning in the early 80's and continuing until their quiet demise in the early 90's. Their music showed the world that punk rockers could play and be really good at it. Founded in Chicago in 1980, by Marco Pezzati, Jeff Pezzati and Santiago Durango, Naked Raygun released six albums during their eleven year career that would change the sound of punk rock indefinitely. The band is widely recognized as being one of the most influential punk bands of the 80's. Their anthemic style incorporated politics in a uniquely accessible way, melding pop and hardcore into one cohesive sound, that would later be dubbed, "The Chicago Sound". Shortly after their first release, Basement Screams, Durango left to join Big Black permanently, and was replaced by John Haggerty, whose unique style of buzzsaw guitar would define Raygun's sound for their next four albums. Additionally, Pierre Kezdy replaced Camilo Gonzalez and Eric Spicer took over drums for Jim Colao. In 1990, Haggerty left the band to start Pegboy. Bill Stephens joined the band for their final studio release entitled, Raygun...Naked Raygun.

Jazz saxophonist Hank Mobley’s 1957 album Jazz Message #2 was originally released on Savoy in 1957. Featuring five cuts, including three Mobley compositions, the album features an ensemble of players, including Lee Morgan (trumpet), Hank Jones (piano), and Doug Watkins (bass). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analogue mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.

Clocks and Barometers is a collaborative project between veteran Limbo artists Seán Lee (Dive Reflex Service) and Alex Lupo (Lupo). All the source material for this album was recorded in one morning at Lupo's studio in the summer of 2023. They chose twelve one-minute acoustic improvisations and processed them that afternoon through granular eurorack units.

The results were bought to Bristol where DRS and Lupo shaped the album over the next year in several recording and mixing sessions at DRS’s home studio.

The name Clocks and Barometers is taken from a mysterious shop of the same name on the east Bristol/South Gloucestershire border which appears to never be

open. The title “Learning Through Investigation” as well as some of the track names refer to both artists’ experience as music educators.

Body Clinic joins us for our next 12” release with four tribal tech-house cuts, recalling the sound of early-2000s Pacha. With E-Talking on Papa Nugs’ label running the festival circuit this summer, he’s already become the talk of the scene—and this EP makes clear why.

Each track is driven by drums at the highest grade—rugged, weighty basslines locking in with sci-fi warped FX, keeping the floor in constant motion. Trippy vocal cuts thread through the grooves, getting deep into our heads and sending minds off into nearby dimensions. And that’s just the a-side.

Flip it over and Bongo Loco comes rolling in—a true cruiser. Built around a huge breakdown of layered bongos, it kicks back in with the kind of chest-rattling low end that have become Body Clinic’s signature. It’s the moment where hands shoot in the air, the rhythm carrying you further into the night. On b2, My Mate Dave shifts gears again—jumping off the old-school tech foundations and landing closer to the progressive sound we know BC for. It’s a peak-time anthem through and through.

Promo downloads have quickly come in from Chris Stussy, Josh Baker, Christopher Ledger, Roza Terenzi, and East End Dubs, marking it as one of the most anticipated releases of 2025.

"Waves of Desire" from Canadian Singer/Songwriter Jerry Leger is the perfect follow-up to his previous studio effort, "Donlands". Produced by Mark Howard (known for his work for such as Lucinda Williams, Bob Dylan, and Tom Waits), it is a record full of vulnerability, space and atmosphere. "Waves of Desire" expands on this but with more pop sensibilities and textures. One of the most respected singer-songwriters around, Ron Sexsmith says, "Leger has that spark in him that all the great songwriters have. He"s the real deal."

Mit Agoniepositur liefern die österreichischen Blastbeat-Extremisten DISTASTE ihr bisher härtestes Statement ab. 14 neue Tracks zwischen wütendem Grindcore, frostigem Black Metal und schwerem Death Metal - kompromisslos, direkt und gnadenlos auf den Punkt. Diese 14 Songs reißen dein Hirn in blutige Fetzen, schreddern jede synaptische Verbindung bis aufs Mark. Die Blastbeats schlagen ein wie ein Messerstich in deinen Darm, entknoten ihn brutal und lassen dein Innerstes in einem wütenden Crescendo aus Schmerz und Ekstase explodieren. Ein musikalischer Albtraum, der dich zerreißt - schön morbid, messerscharf und gnadenlos. Aufgenommen wurde das Album im DeepDeepPressure Studio, gemixt und gemastert von Lukas Haidinger, der dem Sound rohe Brutalität und messerscharfe Präzision verpasst hat. Das fleischig-düstere Cover stammt von Armin Schweiger (Todt & Deibel Ink, Linz) und trifft den Kern der Musik auf den Punkt. Agoniepositur erscheint am 24.10.2025 als wunderschöne CD, LP und digital über FDA Records (Cargo). Die erste Single und der Vorverkaufsstart werden am 31.07.2025 gemeinsam mit euch gefeiert - haltet Augen und Ohren offen! DISTASTE sind zurück - ehrlicher, wütender und zerstörerischer denn je.

On H008 Len Faki goes back to his crate for a unique journey through synth-led landscapes, carefully selected and bolstered up for the dancefloor.
Starting with 2000 And One - Edge Of No Return from the mid 2000s, when it was just a standout synth-line - no beats. The Hardspace Mix takes this masterclass in building tension, adds a driving beat and searing percussion while keeping the iconic synth-play intact -layered with big, booming bass for that full-bodied, dancefloor-ready energy.
The flip boasts two of longtime Figure-collaborator Viers' productions. Re-L, released almost 10 years ago, it delivered that unmistakable pulse of deep, dubby, shimmering synths. Hardspace picks up these potent elements and injects them with a new low-end, dramatic rises and tight rhythms, creating a high-energy yet hypnotic flow.
Equally energetic but much more brooding in atmosphere is the Hardspace version of Free Your Mind. An elusive original, this mix builds on dense percussion, subdued vocals and droning horns while carrying some seriously spaced-out acid synth textures. One for the wee hours and those special memorable moments in a set.

Yazmin Lacey returns with Teal Dreams - her soulful, fearless second album, rich with real-life storytelling and sonic flair.

Following the breakout success of her debut album Voice Notes, praised by Billboard, Fader and Pitchfork (who likened her to Erykah Badu and Lauryn Hill), Yazmin’s star continues to rise. Last year saw her headline London’s Village Underground and KOKO, as well as perform with Ezra Collective on Strictly Come Dancing and Radio 1’s Live Lounge, the unforgettable voice behind firm festival favourite “God Gave Me Feet for Dancing.”

With Teal Dreams, she builds on her signature sound blending soul, ska, lover’s rock and indie into a vivid, emotionally sharp record shaped by real life, late-night reflections, and a last-minute trip to Thailand.

Collaborating with some of the best in class Miles James (Lotus), Barney Lister, Matt Maltese and more, Yazmin has expanded and elevated her sound on this album. Teal Dreams is a bold, honest evolution, and proof that Yazmin Lacey is only just getting started.



Classic and timeless, the Teal Dreams 12” black vinyl LP comes housed in a beautifully designed sleeve with a foldout lyric booklet. Artwork shot by Wukda brings the album’s mood to life with bold, striking design from Lauren Harewood.

Teal Dreams eco-friendly digipack CD, featuring an 8-page lyric booklet. Elegant photography by Wukda and striking design by Lauren Harewood complete this elevated package.

The now-classic duet of ‘Peace On Earth / Little Drummer Boy’ with David Bowie from Bing Crosby's 1977 television special, ‘Merrie Olde Christmas’ is back on a brand new, collector's edition, picture disc 12” vinyl.
The picture disc features the iconic image of David Bowie and Bing Crosby at the piano. "Peace on Earth/Little Drummer Boy" is a Christmas song performed by David Bowie and Bing Crosby. Recorded on September 11, 1977 at ATV Elstree Studios near London for Crosby's television special Bing Crosby's Merrie Olde Christmas, the song features Crosby singing the 1941 standard "The Little Drummer Boy" while Bowie sings the counterpoint tune "Peace on Earth", written by the special's musical supervisors Ian Fraser and Larry Grossman, and scriptwriter Buz Kohan, specifically for the collaboration.
The duet was one of Crosby's final recordings before his death in October 1977. Following the special's broadcast during the 1977 holiday season, ‘Peace on Earth/Little Drummer Boy’ went unavailable for many years. It was eventually released as a single by RCA Records in November 1982 and was a commercial success, peaking at number three on the UK Singles Chart. It was Crosby's final popular hit. It became one of the best-selling singles of Bowie's career, with total estimated sales over 400,000 in the UK alone.
The song has since become a Christmas classic in the United States, Canada and United Kingdom and has been referred to by The Washington Post as "one of the most successful duets in Christmas music history“.

Hailing from the northern city of Oulu and featuring members of esteemed Finnish outfits such as Haapoja, Dart, and Renate/Cordate, TRYPANON have steadily emerged as one of the most compelling and unorthodox underground acts in recent memory. Their 2021 debut "Amentia" earned widespread acclaim for its suffocating intensity and bleak atmospheres, establishing the band as a vital force in the realms of extreme music. With "Through the Portal of Flesh to Achieve Divinity", TRYPANON push their vision even further into the void. The album is a nightmarish fusion of down-tuned sludge, chaotic death metal, and dissonant black metal, woven together with progressive flourishes and hypnotic melodic fragments. The result is a deeply immersive and punishing listening experience that recalls the extremity of bands like Lord Mantis, Coffinworm and Cobalt, while retaining a sonic and conceptual identity entirely its own. Where "Amentia" was a descent into psychological collapse, "Through the Portal..." drags the listener through a ritualistic transformation - an existential death trip that explores themes of corporeal transcendence, spiritual ruin and ecstatic suffering. The record was conceived not only as an artistic evolution, but as an act of purification through sound: hostile, enveloping and uncompromising. This release marks a significant step forward for TRYPANON, both in scope and execution. Expect a record steeped in raw emotion and relentless aggression, but also rich in nuance and disturbing beauty.

Originally released in 2009, Céu"s Vagarosa is a landmark of 21st-century Brazilian musicc- a lush, genre-blurring journey that weaves samba, dub, psychedelic soul, and electronic textures into a sound cboth timeless and futuristic. Now reissued on vinyl, this essential album invites listeners to rediscover its warm, analog charm. From the opening track "Sobre o Amor e Seu Trabalho Silencioso," with its cavaquinho and vinyl crackle, to the dub-infused "Cangote," where organ swells and basslines intertwine, Vagarosa showcases Céu"s ability to blend traditional Brazilian rhythms with global influences. Her reinterpretation of Jorge Ben"s "Rosa Menina Rosa" transforms into a psychedelic swirl of reverb and phasing effects, maintaining its breezy essence. The album"s closing track,"Espaçonave," features rainforest sounds and multi-tracked vocals layered over fuzzed-out guitar, reminiscent of the art-pop sensibilities of artists like Natalia Lafourcade. Critically acclaimed upon release, Vagarosa reached No. 2 on the US Billboard World Music chart and was nominated for a Latin Grammy Award for Best Brazilian Contemporary Pop Album in 2010. Its innovative production and Céu"s ethereal vocals have cemented its status as a modern classic in Brazilian music. This vinyl reissue captures the album"s rich textures and sonic depth, offering both longtime fans and new listeners an opportunity to experience Vagarosa in its full analog glory. Remastered by Colorsounds Paris.

180 Gram Vinyl Celebrate the holiday season with this fiery collection of vintage R&B, gospel, and soul, guaranteed to bring the Christmas spirit to life! This vinyl release features a handpicked lineup of legends like Chuck Berry, Sonny Boy Williamson, and Charles Brown, delivering everything from foot-stomping hits to soulful serenades. Highlights include Freddy King's heartfelt "Christmas Tears," Lightnin' Hopkins' gritty "Merry Christmas," Carla Thomas' soulful "All I Want For Christmas Is You," and the lively classic "Run Rudolph Run." With rare holiday gems spanning raw blues, swinging gospel, and smooth soul, this album is the ultimate soundtrack for a cool Yule.

180 Gram, Yellow Vinyl Celebrate the holiday season with this fiery collection of vintage R&B, gospel, and soul, guaranteed to bring the Christmas spirit to life! This vinyl release features a handpicked lineup of legends like Chuck Berry, Sonny Boy Williamson, and Charles Brown, delivering everything from foot-stomping hits to soulful serenades. Highlights include Freddy King's heartfelt "Christmas Tears," Lightnin' Hopkins' gritty "Merry Christmas," Carla Thomas' soulful "All I Want For Christmas Is You," and the lively classic "Run Rudolph Run." With rare holiday gems spanning raw blues, swinging gospel, and smooth soul, this album is the ultimate soundtrack for a cool Yule.

Part 1 of 3 of the ‘A M.A.D 5 YEARS’ comp perfectly shows what label bosses Make A Dance are trying to achieve with their label. A broad selection of forward thinking cuts drawing inspiration from all corners of the electronic spectrum.

To mark the 20th anniversary of his cult classic debut album We Have Sound, multi-instrumentalist and creative iconoclast Tom Vek releases We Have Sound Remixed today via StrataSonic Records — a 10-track remix album in its original order that reimagines the influential original for a new era.

Led by remix singles from Dave Glass Animals, Everything Everything, and IS TROPICAL, the project is complete with a stacked lineup whose own sonic identities trace back to Vek’s genre-hopping, DIY spirit — including alt-J, Baths, Porij, and more.

We Have Sound is widely credited as one of the seminal albums that pioneered indie electronic music. Dave Bayley of Glass Animals calls the album “one of several responsible for us going on to make our music.” Gus Unger-Hamilton of alt-J adds, “I’ve loved this album since I was fifteen. Paul Epworth’s ‘Phones’ version opened my eyes to the art of the remix.”

We Have Sound Remixed, is a rare kind of tribute, curated by Vek himself, with each artist handpicked and invited to reinterpret the record that helped shape their creative DNA. The result is a celebration of We Have Sound not only as a pivotal album of the 2000s, but as a blueprint for the fusion of guitar music, DIY electronica, and sharp-edged pop that now defines a generation of UK and alternative acts. The project cements Tom Vek’s role as a cult figure whose music remains current — and deeply influential — two decades on.

With Michaela Melián's LP "music for a while", a-Musik is releasing the first album by the visual artist, co-founder of F.S.K., and solo musician since "Monaco", which appeared on Monika Enterprise in 2013. While her last releases, Electric Ladyland (2016), Music from a Frontier Town (2018), and Tania (2022) were created as part of exhibitions and sound installations, "music for a while" is Melián's fourth autonomous LP, characterized on the one hand by her unmistakable dreamlike sound along the interfaces between dark chamber music, solemn ambient techno, and cinematic sound art.

As with her previous albums, there is also a wonderful avant-pop cover version—this time of the track “My Other Voice” (1979) by the Sparks. On the other hand, music for while, whose cover is adorned with Melián's photographs of the clouds above her new home of Marseille, spreads a comparatively ominous mood – one that is nevertheless appropriate given the circumstances in 2025 – thanks in part to the sedate, almost ticking drum sounds of co-producer Felix Raethel. Once again, the multi-instrumentalist, supported by Ruth May on violin and Elen Harutyunyan on viola, weaves her recordings of various string instruments — cello, guitar, bass, and zither — into fascinating, lurching, looping, and almost hypnotic soundscapes, but atonal synthesizer sounds in tracks such as “traverse benjamin” and “märchenwald” open up the music to electroacoustic and experimental music. The concluding cover version of Irving Berlin's “they say it's wonderful” (1946) rounds off one of this year's most impressive releases in an incomparably groovy and melancholic way.

Specially imported from the UK Stay Up Forever office: a new Triple A release this time
with the Acid Anarchists (= Chris Liberator, Choci & Sam DFL) and is available in very
small amount of copies. No Repress ! High Quality Acid Techno on this one !!

Valencia-based band Wau y Los Arrrghs!!! is made up of five punk rock hooligans as raw and real as chaos itself - led by one of the wildest frontmen around, Juanito Wau. Yes, there's garage rock here, no doubt - but you'll also find blasts of punk, rock 'n' roll, pop, and even a splash of surf. After many years unavailable, we are now delighted to reissue their second album "¡¡¡Viven!!!" (2009) featuring new artwork by Mik Baro. It includes their classic originals 'Copa, raya, paliza' and 'Viva Link Wray!!!' as well as a bunch of wild cover versions of Los Mockers, The Lyrics, The Troyes, The Hatfields, Jonah & The Whales_ The album was produced by Jorge Explosion (Dr. Explosion) and Mike Mariconda (Raunch Hands, Devil Dogs), and recorded at the celebrated Circo Perrotti Studios in Gijón. Please welcome again the undisputed kings of garage punk!

Anlässlich des 40. Jubiläums von Clannads Album „Macalla“ (irisch für „Echo“) aus dem Jahr 1985, das
von Phil Kinrade in den Air Studios neu gemastert wurde, erschien das neunte Studioalbum. Es war ihr
erster internationaler Erfolg und markierte einen bedeutenden Meilenstein in der Karriere der Band. Es
präsentierte eine Mischung aus traditionellen irischen Folk-Wurzeln und einem eher Mainstream-, Popbeeinflussten Sound.
Aufbauend auf dem Schwung früherer Erfolge wie „Theme from Harry’s Game“ (1982), das internationale
Aufmerksamkeit erregte und sogar von U2 als Outro-Musik für Konzerte verwendet wurde, und dem preisgekrönten Soundtrack zur Fernsehserie „Robin of Sherwood“ (veröffentlicht 1984 als Album „Legend“),
stand Clannad kurz vor dem Durchbruch in Märkten wie Amerika. Macalla gelang dieser Durchbruch
vor allem dank des legendären Duetts „In a Lifetime“ mit Bono von U2. Bono, bereits ein Bewunderer
von Clannad, arbeitete mit Leadsängerin Moya Brennan an diesem eindrucksvollen Song, der ein großer
Hit wurde. Die Zusammenarbeit entstand durch gegenseitige Bewunderung und ihre gemeinsame irische
Herkunft.
„In a Lifetime“ war ein Charterfolg und erreichte Platz 5 in Irland und Platz 20 in Großbritannien. Auch das
Album „Macalla“ selbst schnitt gut ab und landete in Großbritannien und anderen Ländern in den Charts.
In Neuseeland erreichte es beispielsweise Platz 29. Während einige langjährige Fans ihres rein traditionellen
Folk-Sounds die eher pop- und elektronisch geprägte Produktion des Albums als Abkehr empfanden, gilt
„Macalla“ allgemein als eines der stärksten und prägendsten Alben von Clannad. Es verband erfolgreich
ihre Folk-Wurzeln mit einem zeitgenössischeren, atmosphärischeren und New-Age-beeinflussten Sound und
sprach damit ein breiteres internationales Publikum an. Das Album enthält Lieder auf Englisch und Irisch,
darunter „Caisleán Óir“ und „Buachaill Ón Éirne“, gesungen in ihrer Muttersprache Gälisch.

Clarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar.

He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence & Calvin but was not however very successful.

After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist.

Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R & B charts with "Looking For A Fox". His breakthrough came with "Slip Away", which sold a million copies and was awarded a Gold Record.

The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. "This Is…" begins with a contemplative, soft sound. "Do What You Gotta Do", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckett’s keyboard and smothered by lush, plaintive winds.

But the man is primarily funky here … as three danceable, finger-snapping tracks prove; "Wind It Up", with further witty improvisations and a fervid organ solo, the highly syncopated, playful "Thread The Needle", and the smoky, irresistible "Funky Fever" – all written by Carter himself.

Dan Penn’s and Spooner Oldham’s "Slippin’ Around" has an unorthodox bossa nova-like beat that is reminiscent of Ray Charles’s "What’d I Say", while Carter’s unmistakable chuckle is to be heard for the first time on the riotous funk-rock number "I’m Qualified", which has the very same unique, infectious groove as was to be heard on Wilson Pickett’s "In The Midnight Hour". "She Ain’t Gonna Do Right", composed by the same man, brings more Alabama Country to the mix, whereby Beckett contributes a catchy, persistent organ riff in the refrain.

Focusing on tracks released between the late 1970s and 1980s, the selection spans from major artists beloved by music fans—such as Terumasa Hino and Sadao Watanabe—to hidden gems.
Carefully curated not by fame or signature songs, but with an emphasis on "fresh-sounding tracks to rediscover now," it’s a collection tailor-made for fans of city pop and DJs digging into Japanese grooves.
The jacket design was specially illustrated by STEREOTENNIS, known for their popular 1980s-inspired graphics.

rstmals auf Vinyl erscheint das 2011er Album ""If You Want Loyalty, Buy A Dog"" von Little Axe, dem Blues-Alter Ego des Gitarristen Skip McDonald, Mitglied von The Sugarhill Gang, Tackhead und anderen, sowie Arrangeur eines Großteils des On-U-Sound-Katalogs. Für Vinyl editiert von Adrian Sherwood. Neu geschnitten von Frank Merritt im The Carvery. Schwarzes Vinyl in bedruckter Innenhülle. Design von Chris Bigg von v23. Limitierte Auflage.

"Ein wunderschönes, sanft funky und zutiefst trauriges Album – entgegen aller Erwartungen hat McDonald musikalische Elemente, die wenig mit Blues zu tun haben, aufgegriffen und daraus die tiefste Essenz des Blues herausgearbeitet. Es gibt keinen einzigen schwachen Track auf diesem Album. Es ist ein ungewöhnlich bewegendes und eindringliches Dokument von einem der unbesungenen Helden der amerikanischen (und, seltsamerweise, jamaikanischen) Roots-Musik." - Rick Anderson