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Crimson Glory - Transcendence

Crimson Glory

Transcendence

12inchMOVLP2015B
Music On Vinyl
17.04.2026

The heavy metal band Crimson Glory formed in Florida in 1982 and wore metallic silver face masks on-stage, for all photo shoots and public appearances. Front man and vocalist Midnight was an astoundingly powerful vocalist, so in addition to their identifiable look, they were easily identifiable in sound. After the success of their self-titled debut album, they released the follow-up album in 1988, titled Transcendence. It was received with great critical acclaim and is considered to be their finest work. The album features the popular tracks “Lady Of Winter”, “Painted Skies” and “Lonely” amongst others.

Transcendence is available as a limited edition of 1500 individually numbered copies on “Cool Blue” coloured vinyl and includes an insert.

pré-commande17.04.2026

il devrait être publié sur 17.04.2026

DJ Minx - Energy

DJ Minx

Energy

12inchREKIDS281
Rekids
04.02.2026

Detroit’s DJ Minx debuts on Rekids with the ‘Energy’ EP. The First Lady of Wax completed 2025 with a remix for Radio Slave and Kameelah Waheed following her appearance at Rekids’ Panorama Bar takeover. Release Date: 13th February 2026.
Legendary Detroit House and Techno pioneer and Women on Wax founder, DJ Minx, drops her debut ‘Energy’ EP for Rekids 13th February 2026. She follows her 2025 appearance on the House of Rekids mix series, and at the label’s Panorama Bar showcase in Berlin, before closing the year remixing Radio Slave & Kameelah Waheed’s ‘All Rize’. Known for championing women in the music industry, particularly Detroit DJs and producers, Minx recruits Florida-native, two-time Grammy Award-winning singer-songwriter Kendra Foster for a larger-than-life, jacking title cut. Robust drums, bright synth stabs, and Foster’s uplifting vocal bring the energy before Minx’s ‘You Can’ features an inspirational spoken word vocal, while low-slung rhythm and a deep, crawling bassline drive the track forward.
DJ Minx has been a central figure in Detroit’s musical history since the 90s. Minx has hosted radio shows on WGPR and CJAM, held a residency at Club Motor, and performed at every edition of Movement since 2000. Her contributions have been recognized with the Spirit of Detroit Award and honors from Mixmag and Time Out. Recent highlights include her ‘Queendom’ EP on HE.SHE.THEY., a BBC Radio 1 Essential Mix, releases on Planet E and Rules Don’t Apply, collaborations with Kevin and Dantiez Saunderson as e-Dancer, and continued headline performances worldwide.

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Jubilee - Main Character

Jubilee

Main Character

12inchNMBRS79
Numbers
13.11.2025

Numbers welcome New York’s Jubilee to the Glasgow based label - Main Character EP features ‘Trippin’’, a collaboration with Jersey club Queen UNIIQU3. One of the most vital voices in American underground dance music for over a decade, Jubilee brings her South Florida rave roots and East Coast sensibilities to the imprint.

Born from the dizzying emotions of love and grief, the EP opens with the cheeky cackle of UNIIQU3 on ‘Trippin’’. Marking their hotly-anticipated first collaborative release, ‘Trippin’’ bridges Jubilee’s Miami bass heritage and UNIIQU3’s Jersey club sound to create a playful lead single featuring tantalizing vocals.

Starting to work on Main Character in 2019, Jubilee revisited the project during an intense period of change and loss. Bringing in further influences from electro, Baltimore club, 90’s dance and techno to create her signature sound, Jubilee channels the fun, drama and chaos that comes hand in hand during challenging times. A deeply personal release, Jubilee looks to her friends and family for inspiration, including a sample of her parents on ‘Lucky’.

Jubilee’s debut on Numbers continues a stand-out year for the dynamic artist who released two stellar EPs earlier this year alongside celebrating 10 years of Magic City - her party series and record label which was awarded DJ Mag’s ‘Best Record Label’ in 2023 - with a run of records, merch and events across the States.

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Destin Conrad - Love On Digital

Destin Conrad

Love On Digital

12inchERE1141
EMPIRE
22.08.2025

DESTIN CONRAD, is a sultry R&B singer hailing from Tampa, Florida. A newcomer to the music industry, DESTIN actually got his start on Vine, amassing over 1M followers. Years later he received his first major writing credits on Kehlani's Billboard #2 album, It Was Good Until It Wasn’t. DESTIN’s debut project, COLORWAY, was released in 2021 and has surpassed over 120 million streams. He spent 2022 on the road opening for artists Syd and Kehlani on their respective tours.

DESTIN CONRAD did his first headlining tour in EU and UK in 2023, where he sold out shows in Amsterdam, Paris, and three nights in London. His sophomore project, SATIN, was released November 2022 and has been just as successful as COLORWAY. Fader described his catalog as, "lush, intimate earworms infused with a gentle touch." The following releases, SUBMISSIVE, & SUBMISSIVE2, showcased a new era of growth for DESTIN, landing major features on both projects and embarking on a massive 47 show global tour.

All of this has culminated in the release of DESTIN CONRAD’s debut album, LOVE ON DIGITAL, setting himself up as one of the new promising voices in R&B. Previously released singles include “The Last Time (feat. Teezo Touchdown),” “KISSING IN PUBLIC,” & “DELUSIONAL.”

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bad lsd trips - ultrafest

Bad Lsd Trips

ultrafest

12inchENMB-17
enmossed
24.02.2025

Oversized custom cut LP jackets (13” / 33.02 cm width)
Silkscreened with bespoke iridescent citrus green ink by Mark Rice
Short story by Natalia Zuluaga

Flexi 7”:
steaming mescaline (extended mix by bad lsd trips)
Citrus green metallic foil stamp
Pressed in full stereo
Edition of 150

I.

bad lsd trips is the collaborative duo of makers doris dana and domingo castillo flores. Respectively the two have fostered practices that have sprawled out through various approaches and, whether in the lanes of the musical or the contemporary arts, the phenomenology of the social and inclusive prevails. On ultrafest, this motif continues through the psychedelia of its eight time-defying recordings, welcoming the listener into an open temporal architecture of the stereo field as a signifier of environment. It is worth noting that the group began collaborating in Miami, Florida with longer form improvisations recorded to a stereo cassette deck. In these recordings, the paved geographical sprawl and oceanic view permeated the approach to amassing long swaths of sound material. Listening back on that work at the time of this writing, each track feels as though one is walking into an active space, arriving to an event already in full swing and finding your place inside of it. On ultrafest (this album) something different occurs. The space and events are built around you as you move through the record.

II.

The name of the album is ultrafest, which should effectively provoke your mind's eye the imagery of young people dancing, salivating, grinding, and imbibing chemical compounds to the perversely formalized musical genres of “Electronic Dance Music” and latter-era Dubstep often heard in European Uber rides and energy drink commercials. A far distance from the icy and machinic reverie of Techno’s finest rave eras or the notable historical contributions of Miami’s cerebral producers to IDM’s global output, ultrafest is a libidinal catharsis as festival scaled to a multinational corporation of hedonistic excess. The festival has been a hallmark of Miami cultural industry production and optical enticement for tourism, purportedly bringing in nearly a billion dollars in revenue to the city since 2012. Scores of documentation exist wherein this decadent escapism leaves the concertgoer, usually in some neon garment on a near nude body potentially adorned with fluffy faux fur leg warmers, facing a comedown from the combination of volume, sun, dehydration, and methylenedioxy-methylamphetamine. This MDMA experience characterizes an aspect of the way bad lsd trips employs vocals and pitch on this album. The detached, high octaved longing of a high pitched vocal is decoupled from its typical auditory body of song. High-pass clicks and pops touch the (h)air on the back of the neck, promising goosebumps and teasing towards euphoric rushes of dopamine, yet also exist decoupled from the body of song. As the dopamine depletes and the sun imposes itself, Miami’s downtown of skeleton real estate is your company as you meander towards your parked vehicle to rest your fatigued senses, elevated heart rate, and quench the need for air conditioning on your skin. The immediacy of bombastic social immersion to architectural alienation palpable here.

III...

- Nick Klein

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TAYLOR SWIFT - The Tortured Poets Department LP 4x12"
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DILLON & TOM CARUANA - RUSSSHHH!!! / LET’S GO BACK

New joint artist and label project from 3 underground Hip Hop heavyweights, Dillon (Full Plate) and Tom Caruana (Tea Sea Records) with a little help on turntables on ‘Russshhh!!!’ from Mr Fantastic (AE Productions).
2 different yet perfectly complementary songs – the main cut ‘Russshhh!!!’ is a fast rap burst of adrenaline – a somewhat scarce beast this side of the 1980’s and only the most capable of MC’s have the breath control to do the style justice. The flip-side is a much more introspective and laid-back Jazzy number to bring the listener back down to earth – Duval County, Florida to be exact.
Both artists have released projects with AE previously – Dillon along with Paten Locke on their Rap Safari J-Zone Remix single and Tom Caruana produced Oxygen’s Age-Appropriate album. This one is not from a larger album project (although we did hint to Dillon and Tom Caruana to do some more!) so both tracks are currently exclusive to this 7” release or download.
The sleeve artwork by Mr Krum features striking photography captured by Mr Krum during a taxi ride in Japan which sat waiting for the suitable project until now. The inclusion of the fast forward symbol is a stroke of genius as when flipped it works as the rewind symbol ideal for the B-side – Let’s Go Back, creating a crisp sleeve design.

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The Brooks - Anyday Now LP 2x12"

Named "best kept secret of Canadian funk" by the Quebecois newspaper La Presse, The Brooks are a band of accomplished musicians, well-known in the soul/funk scene across the Atlantic. Expert instrumentalists led by Alexandre Lapointe create a dazzling combo with frontman Alan Prater— an incredibly energetic showman who has worked alongside some of the biggest names in the music industry. This passionate and experienced band fan the sacred fire every time they perform! Thanks to a solid realization, their musical message comes across beautifully. The Brooks go beyond mere interpretation and style exercises: they are a powerful groove machine and a driving force in their sector. 50 years of African American music are condensed in the band's aesthetic. In their live shows and in their records, you can hear James Brown's meticulousness, D'Angelo's delightfulness, Fela Kuti's radiance, Herbie Hancock's intergenerational openness, and J. Dilla's innovative spirit. These heroes of music didn't let rules and trends dictate their messages, and neither do The Brooks. Just like these history makers, they built their reputation with sweat and rigor, outside of conventional channels. The Brooks are incredibly hard workers united in a project where pleasure and complete artistic freedom are the only key words. After 8 years of existence, with an EP and two albums, they have already won many awards and nominations (GAMIQ, Independent Music Awards, ADISQ...) and built a solid reputation in the Quebec indie world.

Who are The Brooks? First, there's the icon, Alan Prater! This Florida-born musician can boast that he shared the stage with the Jacksons! Thanks to his many trips and experiences, he became a key member of Montreal jazz. He is the band's biggest asset: if The Brooks were a sports team, Alan Prater would be captain. Then, at the drums: Maxime Bellavance, one half of the Beat Market duo, whose "dancy and retro futurist" groove can be heard in several major and underground projects in Canada. Philippe Look aces guitar and vocals. His experience as a session musician working with famous bands for 20 years allowed him to take part in different projects: rock, downtempo, trip hop, electro… As one of the founding members of The Brooks, he also wrote many of the band's songs. Keyboardist Daniel Thouin is an integral part of the Montreal jazz scene. He is both an accomplished acoustic piano player and synthesizer player, well versed in writing as well as in improvising, in organic sounds as well as in the latest technologies. Thouin possesses a double vision, which allows him to both exalt and lead productions. Composer Sébastien Grenier wows us with his saxophone. Thanks to his theoretical knowledge and his 20 years of experience, acquired through continuous training all around the world, he is a true guiding force. French trumpetist Hichem Khalfa begun learning the instrument at 7 years old. He attended a musical conservatory before going to the Haute École de Musique and finally pursuing his studies at McGill University. He won prizes at Rimouski International Jazz Festival and received the François Marcaurelle prize at Montreal Off Festival. His successful jazz projects allowed him to work with famous musicians like Blitz the Ambassador, Nomadic Massive, Rhonda Ross and Kalmunity. Philippe Beaudin can be considered an apostle of Afro-Latin percussions, which he teaches and practices with great passion. Thanks to his participation in several projects, you can discover his talent both on stage and onscreen. The Brooks' philosophy is based on art in its rawest form, on perfectionism in musical practice. The choices they make and the directions they take are motivated mostly by instinctive feelings. This is how The Brooks recently crossed the path of Underdog Records during a trip in France. It was love at first sight for the two groups who share a passion for soul. Their chemistry allows them to be completely free in their creative process and natural as ever in their conception-creation-communication approach.

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Jonas Blue & Malive - Edge of Desire

Jonas Blue & Malive

Edge of Desire

12inchDFTD751
Defected
03.04.2026

Following a huge wave of global support since its digital debut, ‘Edge Of Desire’ from Jonas Blue & Malive finally lands on 12" vinyl. A fitting format for one of the most talked-about house records of the past twelve months.

Since its release in July 2025, ‘Edge Of Desire’ has become a genuine streaming and club phenomenon. The sun-drenched house cut built on shimmering guitar riffs, bubbling synths and an irresistible vocal hook quickly took on a life of its own, topping Beatport Overall Chart and spending weeks in the Top 10 while racking up 100 million streams worldwide and over 100,000 global radio plays. From major playlists to festival stages, the track’s uplifting energy has made it a staple for selectors and listeners alike, with early DJ support from tastemakers including Adriatique, Adam Ten and Carlita.

Now, ahead of summer 2026, the record arrives on a special 12" vinyl edition bringing together the original alongside standout reinterpretations from some of house music’s most respected names. Dutch favourite Franky Rizardo delivers a groove-heavy club workout, Florida legends Jazz-N-Groove add their unmistakable soulful house touch, while Grigoré & Serve Cold transform the track into a deep, rolling dancefloor weapon.

With the original continuing to dominate playlists and dancefloors around the world, the vinyl release of ‘Edge Of Desire’ feels perfectly timed. Ready to soundtrack open-air sets, beach parties and late-night club moments throughout the season. For DJs, collectors and house music fans alike, this pressing captures the record at the peak of its momentum: a modern Defected anthem finally given the wax treatment it deserves.

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Derniere entrée: 7 jours
Olde Outlier - From Shallow Lives to Shallow Graves LP

In many ways, OLDE OUTLIER rise from the legacy of Australia’s late Innsmouth — a cult band whose 2014 debut Consumed by Elder Sign endures as an underground classic. The connection is more than symbolic: guitarist Askew, vocalist Appleton, and bassist Greenbank all passed through Innsmouth’s ranks, while Beau Dyer now leads this new incarnation after years spent shaping the sound of Innsmouth and the earlier project Grenade.

From Shallow Lives to Shallow Graves marks OLDE OUTLIER’s recorded debut, a four-track, thirty-five-minute descent into their own cavernous realm. While faint echoes of Innsmouth’s inspirations — Armoured Angel and early Samael — linger, the band draw from a broader and far more obscure constellation. Shades of Amon Goeth, Martyrium, Head of the Demon, and Florida’s Equinox collide with the spectral drift of Ophthalamia and early Katatonia and Tiamat, all eroded and blackened into something untraceable.

Despite these depths, OLDE OUTLIER avoid any sense of technical indulgence. Their sound carries a rough, deliberate simplicity — a raw and smoky power that pushes each of the four long tracks forward with unhurried certainty. The songwriting unfolds through patient repetition and subtle shifts, allowing motifs to seep into place and gradually hypnotise. Appleton’s low gutturals bring a grim, expressive edge reminiscent of early Septic Flesh or Thou Art Lord, while the more open, lead-driven riffing imparts a distinctly archaic heavy metal aura that separates this band from their origins.

At many moments, that union of grit and atmosphere surpasses even Innsmouth’s achievements. Accented by well-placed clean and chorused guitar lines, From Shallow Lives to Shallow Graves becomes an immersive and strangely timeless work — a glimpse into an ancient, dimly lit world where OLDE OUTLIER feel less like a new formation and more like something unearthed from a forgotten past.

pré-commande26.03.2026

il devrait être publié sur 26.03.2026

Autopsy - Shitfun (30th Anniversary) LP
  • 1: Deathmask
  • 2: Humiliate Your Corpse
  • 3: F**Kdog
  • 4: Praise The Children
  • 5: Birthing
  • 6: S**T Eater
  • 7: Formaldehigh
  • 8: I Sodomize Your Corpse
  • 9: Geek
  • 10: Brain Damage
  • 11: Blood Orgy
  • 12: No More Hate
  • 13: Grave Violators
  • 14: Maim Rape Kill Rape
  • 15: I S**T On Your Grave
  • 16: End To The Misery
  • 17 24: Public Mutilations
  • 18: Bathe In Fire
  • 19: Bowel Ripper
  • 20: Burnt To A F**K
  • 21: Excremental Ecstasy
  • 22: Slaughterday
  • 23: Friend For Blood
  • 24: Fleshcrawl
  • 29: Dead
  • 30: Spinal Extractions
  • 31: Twisted Mass Of Burnt Decay
  • 25: Torn From The Womb
  • 26: S**T Eater
  • 27: Charred Remains
  • 28: Death Twitch

Frontman Chris Reifert was already a well-known force on the underground through his time as drummer with Florida's highly respected death metal combo Death. After playing drums on the band's debut album, the much acclaimed 'Scream Bloody Gore', Chris moved back west to the more open climate of San Francisco & formed Autopsy. The band released the demo 'Critical Madness' in 1988 & it wasn't long before Peaceville Records snapped them up in a deal initially spanning 4 albums.

The partnership kicked off in April 1989 with their debut album 'Severed Survival'; a brutal explosion of heavy riffs, tight drumming & a screaming vocal, rounded off with concepts of death, disease & diabolica. This was swiftly followed up with the equally genre-defining 'Mental Funeral' opus in 1991. Released in the autumn of 1995, Autopsy's then fourth & final album before splitting, 'Shitfun', was a glorious scatological gross out & exercise in the limits of extremity & a fitting end to one of the finest bands of a Doomed generation before their return from the grave in 2009 which has continued to go from strength to strength to the current day. This thirtieth anniversary vinyl pressing of 'Shitfun' is presented on bowel- busting limited brown marble- effect vinyl, including the original cover art & printed inner sleeve.

pré-commande28.11.2025

il devrait être publié sur 28.11.2025

Cold - 13 Ways To Bleed On Stage

Waiting 25 years for your breakthrough album to come out on vinyl in the States? That’s Cold. All kidding aside, it really is a puzzle why it’s taken this long; as the album title suggests, 13 Ways to Bleed on Stage shifted to darker subject matter and sound than the self-titled debut of this Jacksonville, Florida band, and the move paid off with a Gold record and four hit singles including “Just Got Wicked,” “End of the World,” “No One,” and “Bleed.” Scooter Ward and crew are joined by Sierra Swan and Aaron Taylor of Staind for extra vocal firepower…bloody good fun! For its 25th anniversary, we’re pressing 13 Ways to Bleed on Stage in blue smoke vinyl, with a full-color insert inside the ingenious “scrapbook” album art featuring the first appearance of Cold’s signature Spider logo. Remastered for vinyl by Mike Milchner at Sonic Vision…early-Aughts awesomeness!

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

Betty Harris - Soul Perfection

Betty Harris

Soul Perfection

12inchCHARLYLP618
CHARLY
18.07.2025
  • 1: Ride Your Pony
  • 2: What A Sad Feeling
  • 3: Bad Luck
  • 4: I'm Gonna Git Ya
  • 5: Show It
  • 6: Can't Last Much Longer
  • 7: I Don't Wanna Hear It
  • 8: Sometime
  • 9: Mean Man
  • 10: Lonely Hearts
  • 11: Hook Line 'N' Sinker
  • 12: What'd I Do Wrong
  • 13: Trouble With My Lover
  • 14: Nearer To You
  • 15: I'm Evil Tonight
  • 16: 12 Red Roses

Betty Harris (born 1939, in Orlando, Florida) is an American Soul Singer with a reputation that far exceeds her commercial success of the 1960s. Her recordings for the Sansu record label are highly sought after by fans of both Northern and Deep Soul.
In 1964, Betty Harris switched record labels from Jubilee to Sansu, a New Orleans label, where she was introduced to and produced by the legendary New Orleans producer Allen Toussaint. Her recordings with Sansu produced 20 singles. Of those, only "Nearer to You" charted (Billboard Hot 100 # 85), an atmospheric, dramatic soul ballad, now considered one of the milestones of deep soul. However, practically all of her recordings for Sansu featuring Allen Toussaint's raw yet sophisticated Southern Soul arrangements are considered prime specimens of the classic soul era. Notable recordings include "I'm Evil Tonight"; “Show It”; "I Don't Want To Hear It" and "Twelve Red Roses", favored among Northern Soul fans, plus "Can't Last Much Longer" and "What'd I Do Wrong".
In 1969 her Sansu recordings were compiled into a U.K. album—Soul Perfection—now highly prized around the world and reissued here in its original form for the first time.

pré-commande18.07.2025

il devrait être publié sur 18.07.2025

Memory Operators - Dialogues EP (Incl. Dani Labb remix

From Buenos Aires, Argentina, Dialektica Records presents its first release by Memory Operators, the duo formed by Mich & Vinz.

Dialogues EP is a creation born from communication. Each track is the result of a deep exchange of words, sounds, and emotions. The record dialogues between genres such as Synthwave, New Beat, Electro and Techno, exploring sampling, mysterious melodies, high-energy arpeggios, and a
nostalgic sensitivity.

The EP closes with a remix by Dani Labb, who true to his style, managed to give it a fresh twist without losing its essence.

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Derniere entrée: 86 jours
Milton Wright - Keep It Up

Milton Wright

Keep It Up

7"-VinylALSTON3716
ALSTON
16.07.2025

Milton Wright's perfect deep Soul classic "Keep It Up" has always been a top shelf record, everything about it is almost flawless! Whether it's Milton's silky vocal delivery, the incessant guitar driven back beat or the total space Funk vibe of his omnipresent ARP-2600 synthesizer this record has it all. Originally released on TK Disco's more Soul and Funk orientated Alston label which was home to many legendary artists and records, this 1975 sunshine classic never fails to make people move. A classic rare groove indeed. "The Silence That You Keep" takes up side-B, a jazzy, flute driven love song that again features Milton's perfect voice and some fantastic arrangement. A real gem of a record, with the original 45 changing hands for over £100 a time in used condition.

This is the first time "Keep It Up" has been re-issued in it's original 45 rpm format with the original Alston label artwork. It's been re-mastered, re-pressed and made available again with the permission of TK Disco / Alston Records, Miami Florida, USA.

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Last In: 9 months ago
Fat Produce - No Way/54-46 Was My Number
  • A1: No Way
  • B1: 54-46 Was My Number

From the sunny shores of Miami, Florida, Fat Produce is leading the charge in today's soul-jazz scene. Their latest release features two classic tracks, "No Way" and "54-46 Was My Number," which are beautifully molded into Fat Produce's unique sound led by guitarist Addison Rifkind and drummer Michael Duffy. This limited 7" single offers a preview of what’s to come from this rising trio.

The influence of Boogaloo Joe Jones is undeniable, so incorporating his 1970s classic "No Way" into their repertoire was a fitting tribute for the band. With a deeper sound and an infectious groove, Fat Produce pays homage to this musical giant, guaranteed to get everyone moving on the dance floor. On the flip side, "54-46 Was My Number" is a reimagination of a Toots & The Maytals original, transformed into the instrumental style of a soul-jazz guitar trio. Rifkind's lyrical guitar work breathes new life into Toots' original vocal melodies, embodying the essence of soul-jazz and crossing genres to keep the spirit of feel-good music alive.

Both tracks were recorded on a Tascam 388 at Studio Del Sol in Boca Raton, Florida, by Travis Acker and mixed at The F-Spot HQ in Los Angeles by D.M.C. With upright bassist Nestor Del Prado joining the duo on this album, Fat Produce's forthcoming sophomore LP is set to be released in October 2025.

pré-commande11.07.2025

il devrait être publié sur 11.07.2025

Coke - Coke LP

Coke

Coke LP

12inchMRBLP314
Mr Bongo
09.04.2025

Presenting an official reissue of Coke’s audacious, engrossing self-titled album from 1972, originally released on Manuel J. Mato’s collectible Sound Triangle Records imprint. It’s a heavy hit of Miami Latin-funk, dosed up with psychedelic garage rock and gritty soul excellence, making for an intoxicating blend of styles and genres on this highly sought-after LP.

Predominately sung in English, Coke’s only album under this moniker is a sumptuous melting pot of influences, tied together with bright funk drumming, flavourful organs and zesty horns. With a garage band attitude and sensibility, the lineup consisted of Paul Garcia on guitar, Ariel Hernandez on bass, Ruben Perez on drums, Jose Rubio on the keys, a host of guest horn players and Peter Fernandez on vocals, whose tone and delivery was often mistaken for that of a woman.

Produced by Mato, the record and band were well-received in Miami and Southern Florida at the time. Due to a lack of promotion outside of Florida and the threat of a lawsuit from the Coca-Cola corporation for usage of their name, the band fell into relative obscurity, becoming Opus following the dispute.

They say the cream always rises to the top though, with Coke being rediscovered by diggers and collectors searching for a rare groove. One of the standout cuts on the album 'Na Na' was recently featured on the soundtrack to the Netflix drama 'Griselda' (a biopic of Miami/Cuban crime boss Griselda Blanco). Other highlights include the crooner-jazz-rock ‘Got to Touch Your Face’, the psych ballad 'You Turn Me On' with a guitar line reminiscent of The Doors, and the Latin-rock groover, 'Te Amo Mas'.

Coke is a sensational crossover record, that draws from a sea of different influences. Fans of early Santana, garage-pysch, Nu Yorican and Latin-funk productions should all investigate this cherished album - it will have something for you.

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Last In: 12 months ago
Denzel Curry - King Of The Mischievous South Vol. 2

Denzel Curry's forthcoming King Of The Mischievous South Volume 2 finds him presenting a sequel to the project, and bringing back the sound, that helped launch his career. While the first installment of King Of The Mischievous South was performed from the perspective of his Raven Miyagi persona, a name bestowed upon him by Raider Klan founder SpaceGhostPurrp, Volume 2 finds Curry operating under his Big Ultra persona -- an elevated version of Raven Miyagi that is bragadocious and revels in the success that Curry has seen over the last decade of his career. Creating King Of The Mischievous South Volume 2 has been a goal of Curry's for some time, though his earliest attempts to do so ultimately morphed into other projects, namely his 2016 album Imperial and 2020's 13LOOD 1N + 13LOOD OUT. It wasn't until he stopped overly attempting to create Volume 2 that its songs started to emerge naturally. 

Given the project's sound, which pays homage to the great musical heritages of the South -- from Memphis to Houston and Curry's own South Florida -- its features include the region's greats, both old and new, as well as others whose style is indebted to the South's musical legacy. Features include fellow former Raider Klan member Key Nyata, Memphis stalwarts Juicy J and Project Pat, Texas' Maxo Kream, That Mexican OT and Mike Dimes, North Carolina’s TiaCorine, Atlanta's 2 Chainz and Kenny Mason and South Florida's Ski Mask The Slump God and PlayThatBoiZay, as well as ASAP Ferg and ASAP Rocky, among others. The project more broadly and the intentional inclusion of Rocky and Ferg is Curry's attempt to show what could have been had relationships not soured with SpaceGhostPurrp, fulfilling the promise that existed at the rise of their respective careers in the early 2010s.  

With all of the otherworldly adventures Denzel has taken listeners on over the course of his last few conceptually-driven albums, this project serves as a showcase for the fun, spontaneity and technical mastery that has made him one of rap's most in-demand talents over the course of the last decade. 

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Last In: 12 months ago
Dead Prez - Let's Get Free LP 2x12"

Dead Prez

Let's Get Free LP 2x12"

2x12inch19802826781
GET ON DOWN
21.03.2025

Repressed for the first time in 2 years, Note price change. Sermonizing Black Nationalism, Pan-Africanism and the benefits of a healthy and just lifestyle during the height of the Bad Boy/Roc-AFella era of nihilistic excess in the late 90's, Dead Prez also signed to a major label (Loud/Columbia) despite leaning much more towards the burgeoning indie aesthetics of the day. But this was a good thing – using major label muscle to wake up righteous hip-hop fans who might have fallen asleep at the wheel. The group itself – consisting of MCs stic.man and M-1, who produced or co-produced most of the duo’s music – was formed in Tallahassee, Florida in the early 1990's.

By later that decade, the duo had started making significant waves, having their music heard on the soundtracks to “Soul In The Hole” and “Slam,” as well as appearing on albums by Big Pun and The Beatnuts. By 1998, they released their first official single, the serious, stark “Police State,” on Loud, appropriately brought to the label by Lord Jamar of Brand Nubian. After building a solid rep over the next two years with fiery live performances, in 2000 they unleashed their debut album, Let’s Get Free.

The album was a welcome return to provocative and often radically political rhetoric that hearkened back to hip-hop forebears including The Coup, Public Enemy and KRS-One (as well as poetic descendants like the Last Poets and Watts Prophets). Let’s Get Free was critically acclaimed and benefited from multiple singles, including the infectious, thick analog drive of “Hip-Hop” “It’s Bigger Than Hip-Hop,” with a remix co-produced by a young Kanye West; “Mind Sex” (with Abiodun Oyewole of the Last Poets); and the poignant “I’m An African.”

But the singles weren’t the only worthy songs, as just about every cut here has deeper meaning than most full albums by their early 2000's peers. Highlights: the thought-provoking, anti-drug album opener “Wolves”; “We Want Freedom” “They Schools” and “Propaganda” . All in all, this is one of the more underrated and possibly Top 5 fully-realized political hip-hop albums of all time.

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Last In: 3 months ago
NEIL YOUNG - OCEANSIDE COUNTRYSIDE

Neil Young

OCEANSIDE COUNTRYSIDE

12inch93624858980
Warner UK
14.02.2025
  • A1: Sail Away
  • A2: Lost In Space
  • A3: Captain Kennedy
  • A4: Goin’ Back
  • A5: Human Highway
  • B1: Field Of Opportunity
  • B2: Dance Dance Dance
  • B3: The Old Homestead
  • B4: It Might Have Been
  • B5: Pocahontas

Oceanside Countryside is the latest of Neil Young’s great “lost” albums to be released as part of his Analog Original Series (AOS). The album was recorded from May to December 1977, preceding the release of Comes A Time in 1978. The two albums share the same country/folk sound, and three songs (“Goin’ Back,” “Human Highway” and “Field of Opportunity”) appear on both albums.

The vinyl release of Oceanside Countryside includes some tracks that are on the CD of the same name in Neil Young’s Archives Vol. III. However, this track list is how Oceanside Countryside was originally planned to be released and finally will be made available on vinyl for the first time ever. Recorded on tape, these are the original mixes done at the time of recording.

As Young states, “This analog original album, recorded in 1977, was unreleased at the time. These songs are the original mixes done at the time of the recordings. I sang the vocals and played the instruments on Oceanside, in Florida at Triad studios and Malibu, at Indigo studio. I sang the vocals and recorded with my great band of friends at Crazy Mama’s in Nashville on Countryside. I hope you enjoy this treasure of an Analog Original recording as much as I do.”

pré-commande14.02.2025

il devrait être publié sur 14.02.2025

Secret Boyfriend - Listener's Guide LP

Secret Boyfriend

Listener's Guide LP

12inchENMB-16
enmossed
Release unknown

“My introduction to “noise” came from a record shop in Lake Worth, Florida ran by a musician named Kenny 5. Kenny had left Detroit sometime in the mid nineties and had begun selling used records and CD’s from the downtown strip of this tiny southern Florida city in a humble shop sandwiched between a deli and a dog grooming business. Kenny previously was on labels like Amphetamine Reptile and timeSTEREO, and the records and videotapes that would be on repeat at his shop were a vast sonic expanse that spoke to the eclecticism of his experience as a touring musician participating and adjacent to American noise culture through the early to late 90’s. In 1998, I was eleven years old and I would order a pizza with him and watch VHS tapes of Japanese noise and deathmatch bootlegs, as well as any other sonic and subcultural rarities that far outstripped my age to comprehend (notably the RRR “Journey Into Pain” compilation and various Vanilla Tapes videos). This widecast net of information formed an introduction to a reality that did not fall deaf on me, but it took many years later for me to reorient the specific freedoms of what this dense and cathartic sound culture had imparted on my life and would continue onward to.

What does this have to do with this selection of choice recordings from the Secret Boyfriend catalog for the enmossed label? For the uninitiated, Secret Boyfriend is the long running moniker of Ryan Martin, North Carolina musician and label proprietor of the Hot Releases imprint. For over a decade from this writing I have watched Secret Boyfriend, and Hot Releases by extension as a curatorial and archival effort, embodying the multiplanal capacity that noise loosely functions from as an umbrella ideology and formalist avenue for sound creation. For anecdotal purposes, from (before) 2006 until roughly 2023 the East Coast of the United States showcased a vibrant network of eclectic regional festivals that saw wide swaths of artists addressing and negotiating the notion of what qualified “noise” from a conceptual and ideological perspective. Some festivals honed in on particularities in aesthetics and tropes, and others had a kind of “catch-all” implementation that allowed for a salvation of the sort of alienated and singular artistry that was amassing throughout these territories. While clear guidelines had been set from regional predecessors as to how noise with a capital “N” should maneuver, Secret Boyfriend is emblematic in the spirit of fluidity that was either implicitly coupled to the notion of the genre, or grew to evolve towards or devolve from.

Within Secret Boyfriend performances, I have seen and admired a mirroring from a ravenous appreciator of this culture at large back towards itself. Typical of a Secret Boyfriend set is an interchangeable narrative arc wherein blistering feedback laden scrap metal improvisations are forayed into naive ambient or “pop” songs, or skipping CDs, or mixer feedback play, or delayed Roland 707 drum workouts all at once and in a unique hegemony. Secret Boyfriend's stylistic mastery of each endeavor is at once an homage to a history of loving listening and enacting, while a brave step into the realm of actualizing the unique fluidity of his own practice. In performance and the action of network engagement, Secret Boyfriend operates a survey of that which he sought to hear and that which he cultivates around his work. His operations are mirrors, and the project (alongside his other peers) is a reflection on the ethos of his time.

Conversely his recording practice narrows in on these moments and allows for a different kind of intimacy or alienation for the non live listener. This record of selected “pop songs” (let's call them that) is particularly poignant at a time when the culture Martin mirrors is at a strange crossroads with itself. The aforementioned festival networks necessarily change and shift. The onlookers become the artists, the artists find new horizons, and the spaces for these cycles fade into locales of a distant memory. It seems, from my perspective, that audiences currently yearn for a more bottlenecked experience, searching for some ontologically vetted manifestation of an idea, of a sound and less for an experience that functions in opposition to our collective banalities. This makes sense in the face of general global catastrophism that plagues us. We need certainty of what something is somewhere, don’t we? Noise as an idea has expanded and contracted to so many iterations of itself it is hard to tell what it even is, and it is particularly difficult to identify in the absence of solid network activations a moment to reflect on its own complexities and nuances. In the face of so much change, I argue that the language of noise culture at large has on one hand become increasingly didactic and predictable, and laughably inclusive and non linear on the other. Probably has always been this way, but now we are in the midst of a moment of extreme access and indexicality, which somehow cauterizes expansion and naivety and chance.

This record highlights the Secret Boyfriend that obscures didacticism by highlighting output that opens up for more challenging catharsis and emotive signal processing. It provides an entry to the materialism of a cultural field full of ecstatic complexity and beautiful inconsistency. In these muted moments Secret Boyfriend has given us over his career we have an argument for evolving languages that further challenge our notions of what is supposed to happen and how it is supposed to be presented. In his more song oriented expansiveness, we can punctuate the ability to think in new modalities. Listening to these recordings reminds me of the polarity of sitting in the record store as a kid and understanding that His Name Is Alive is on 4AD and (gasp!) timeSTEREO. This trite early impression that nothing is really as different as our imaginations might want them to be, and that we can do whatever we want mostly within the creative realms we work through is an important filter to look through Secret Boyfriend as a project and a vessel. If we can achieve abandon and vulnerability through our artistic endeavors, then we have a sound model for, maybe, new potentialities. If that’s too much projection, or just complete liberal bullshit, I am fine with that. Secret Boyfriend's oeuvre at best offers us moments of reprieve to ponder these complexities, or at least a moment to zone out on a drive through North Carolina Highway 54.

You have one pocket of life that you must do whatever you want to inside of. Secret Boyfriend does it affectionately, in a variety of forms, and always with deep sentimentality. These recordings are a wonderful set of songs to begin further investigation from. Thank you Ryan for allowing as many avenues as possible to continue a broad cultural exchange and conversation that intersect and refract while being the kind of artist that is brave enough to not phone in the effort.”

- Nick Klein , May 2024

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Christian Rowell - Rapp Snitch Knishes

A cover of MF DOOM's "Rapp Snitch Knishes" from his 5th album "Mm..Food" released in 2004! Includes a cover produced by Mac DeMarco.

This release, by pianist Christian Rowell based in Florida, was released in 2021. With vocals that show respect for Quasimoto and a jazzy touch added to the boom-bap, this is a amzing cover. The B-side includes a version produced by Mac DeMarco, a Canadian treasure and a key figure in the indie scene of the 2010s, and an instrumental version that has been streamed close to a million times on Spotify. This 7-inch release is now available!

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Last In: 18 months ago
The Shake and Bake Band - Shake and Bake
 
2

Tramp Records International proudly presents: The 1975 Baltimore Colts Glenn Doughty and his All-Pro Shake & Bake Band! In 1975 Glenn "Shake & Bake" Doughty Wide Receiver for the Baltimore Colts formed the Shake & Bake Band. Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history!

Doughty is a Detroit 'Motown' native and All-American from the University of Michigan, that was recently crowned national champion and the winningest college football program in NCAA History. Doughty and his four world-class athletic teammates formed the heart of the band. The Shake & Bake Band in the mid 70s played live at Baltimore's hottest Clubs with teammates in attendance on Monday nights after Shakin' & Bakin' their opponents on Sunday at Memorial Stadium. Doughty's sports hero was Muhammad Ali. He originated the popular Shake & Bake athletic movement scoring touchdowns. He recited Shake & Bake poetry like Ali to make predictions after games on local and national TV to celebrate Colts victories. His lyrics in his music were used to fire up thousands of his Colts fans and his teammates. Many fans felt the group sounded like WAR the popular funk group from California. Members of the Shake & Bake Band were: Glenn "Dr. Shake" Doughty #7, All-Time Colts leading Wide Receiver, producer, lead singer, congas and lyrics, Ray "RC Cola" Chester, All-Pro Tight End, Super Bowl Champion, Bass, Baltimore, Maryland, David "DT" White, Wide Receiver Lead Guitar, producer, sound technician. Buffalo N.Y., Lloyd "The Bullet" Mumford, Defensive Back Harmonica, Miami Florida, Freddie "Bones" Scott, All-Pro Wide Receiver on percussion, Grady Arkansas, and Bruce "Turn it Loose" Barnett, Drummer and shoe salesman. Randallstown, Maryland. This group of talented stars lead the Colts to its first ever three consecutive Eastern Division Championships.

Between 1975 and 1977 they also became the first group of pro athletes to create two records while playing football together for a NFL team. Their debut 7-inch single from 1976 was cut at 33 1/3 RPM due to the length of the songs. "Shake and Bake Pt.1" lasts for 4:30 minutes while Part 2 stretches out to an incredible 7:00 minutes!

Additionally, "Shake and Bake Pt.1&2" will be featured on the forthcoming "Movements Vol.12" compilation album, due September this year.

Key selling points:

- limited to 500 copies!

- deluxe picture sleeve edition!

- official re-issue, done in cooperation with Glenn Doughty!

- Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history!

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Last In: 19 months ago
Denzel Curry - King Of The Mischievous South Vol. 2

Denzel Curry's forthcoming King Of The Mischievous South Volume 2 finds him presenting a sequel to the project, and bringing back the sound, that helped launch his career. While the first installment of King Of The Mischievous South was performed from the perspective of his Raven Miyagi persona, a name bestowed upon him by Raider Klan founder SpaceGhostPurrp, Volume 2 finds Curry operating under his Big Ultra persona -- an elevated version of Raven Miyagi that is bragadocious and revels in the success that Curry has seen over the last decade of his career. Creating King Of The Mischievous South Volume 2 has been a goal of Curry's for some time, though his earliest attempts to do so ultimately morphed into other projects, namely his 2016 album Imperial and 2020's 13LOOD 1N + 13LOOD OUT. It wasn't until he stopped overly attempting to create Volume 2 that its songs started to emerge naturally. 

Given the project's sound, which pays homage to the great musical heritages of the South -- from Memphis to Houston and Curry's own South Florida -- its features include the region's greats, both old and new, as well as others whose style is indebted to the South's musical legacy. Features include fellow former Raider Klan member Key Nyata, Memphis stalwarts Juicy J and Project Pat, Texas' Maxo Kream, That Mexican OT and Mike Dimes, North Carolina’s TiaCorine, Atlanta's 2 Chainz and Kenny Mason and South Florida's Ski Mask The Slump God and PlayThatBoiZay, as well as ASAP Ferg and ASAP Rocky, among others. The project more broadly and the intentional inclusion of Rocky and Ferg is Curry's attempt to show what could have been had relationships not soured with SpaceGhostPurrp, fulfilling the promise that existed at the rise of their respective careers in the early 2010s.  

With all of the otherworldly adventures Denzel has taken listeners on over the course of his last few conceptually-driven albums, this project serves as a showcase for the fun, spontaneity and technical mastery that has made him one of rap's most in-demand talents over the course of the last decade. 

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Last In: 19 months ago
NZM - The Best Of NZM

Nzm

The Best Of NZM

12inchMVD15879LP
FireRock Music Group
02.08.2024

NZM features the incredible vocals/keyboardist Nick Marino. NZM is high energy Power Metal band
with strong melodic vocal lines and edgy riffs. NZM is based in South Florida and was formed in 2010.
Artists such as Yngwie Malmsteen, Symphony X, Deep Purple, AC/DC, Dio, Iron Maiden, Queen and
Scorpions had a strong influence on NZM's music.

pré-commande02.08.2024

il devrait être publié sur 02.08.2024

Dead Prez - Let's Get Free LP 2x12"

Dead Prez

Let's Get Free LP 2x12"

2x12inchGET51311LP
GET ON DOWN
30.06.2024

Repressed for the first time in 2 years, Note price change. Sermonizing Black Nationalism, Pan-Africanism and the benefits of a healthy and just lifestyle during the height of the Bad Boy/Roc-AFella era of nihilistic excess in the late 90's, Dead Prez also signed to a major label (Loud/Columbia) despite leaning much more towards the burgeoning indie aesthetics of the day. But this was a good thing – using major label muscle to wake up righteous hip-hop fans who might have fallen asleep at the wheel. The group itself – consisting of MCs stic.man and M-1, who produced or co-produced most of the duo’s music – was formed in Tallahassee, Florida in the early 1990's.

By later that decade, the duo had started making significant waves, having their music heard on the soundtracks to “Soul In The Hole” and “Slam,” as well as appearing on albums by Big Pun and The Beatnuts. By 1998, they released their first official single, the serious, stark “Police State,” on Loud, appropriately brought to the label by Lord Jamar of Brand Nubian. After building a solid rep over the next two years with fiery live performances, in 2000 they unleashed their debut album, Let’s Get Free.

The album was a welcome return to provocative and often radically political rhetoric that hearkened back to hip-hop forebears including The Coup, Public Enemy and KRS-One (as well as poetic descendants like the Last Poets and Watts Prophets). Let’s Get Free was critically acclaimed and benefited from multiple singles, including the infectious, thick analog drive of “Hip-Hop” “It’s Bigger Than Hip-Hop,” with a remix co-produced by a young Kanye West; “Mind Sex” (with Abiodun Oyewole of the Last Poets); and the poignant “I’m An African.”

But the singles weren’t the only worthy songs, as just about every cut here has deeper meaning than most full albums by their early 2000's peers. Highlights: the thought-provoking, anti-drug album opener “Wolves”; “We Want Freedom” “They Schools” and “Propaganda” . All in all, this is one of the more underrated and possibly Top 5 fully-realized political hip-hop albums of all time.

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Last In: 5 years ago
YOUBET - WAY TO BE LP

Youbet

WAY TO BE LP

12inchHAR176
Hardly Art
10.05.2024

Nick Llobet (they/them) was ready to throw in the towel. Llobet, who grew up in South Florida, learned to play guitar at a very young age, dabbling in everything from classical, blues, classic rock, and flamenco. They’d spent much of their early 20s searching for their voice as an artist and as an individual, as well as for a musical community. Llobet would eventually move to Brooklyn, but after three years of looking for a hopeful artistic breakthrough, they spent much of their time in seclusion, consumed by social anxiety and imposter syndrome—and they were considering abandoning songwriting completely. One day, while commuting through Penn Station en route to their partner’s family home in Virginia (that would also lead to the crucial purchase of a secondhand Tascam cassette recorder), they noticed Patti Smith sitting alone, waiting for a train. The typically shy Llobet decided to approach the icon, who was, in turn, delighted to see that Llobet was carrying a guitar. At the end of their interaction, Smith offered some parting wisdom: “She wished me luck and said, ‘Practice hard, Nick.’” Llobet took her advice to heart, and this chance encounter kicked off a personal and artistic rebirth. They started performing as youbet, a play on their last name, and began “changing their vision for what a song could be.” youbet’s debut, Compare & Despair, a delightful gem of a record that showcases Llobet’s propensity for freewheeling whimsy and emotional intensity. In May 2019, inspired by a song-a-week writing group that produced Compare & Despair, Llobet started a second club in which contributors would upload that week’s song to a private Bandcamp. Invigorated by this small musical collaboration, the feedback, and the accountability, Llobet wrote 18 songs throughout the duration of the club, twelve of which became Way To Be. After this songwriting marathon, Llobet spent 2020 focusing on instrumental guitar work and political engagement. By the summer of 2021, they were ready to revisit the Way To Be tracks. Over the next year-and-a-half, Llobet worked on the record relentlessly, refining the lyrics, recording, and arrangements from their apartment. Llobet self-produced Way To Be and describes the process as an enormous, labor-intensive undertaking that felt akin to “making a whole film.” Along the way, Llobet was joined by collaborators, including Julian Fader (Ava Luna), Adam Brisbin (Buck Meek), and Daniel Siles. Across Way To Be’s 12 delightfully off-kilter tunes, Llobet uses wordplay and tongue-in-cheek humor to obliquely explore dysfunctional relationships, regret, self-confidence or the lack thereof, queerness, and self-discovery. Fuzzy at the edges and filled with playful, kinetic arrangements, Way To Be is a bridge into the entrancing world of youbet. You won’t want to leave.

pré-commande10.05.2024

il devrait être publié sur 10.05.2024

YOUBET - WAY TO BE LP

Youbet

WAY TO BE LP

12inchHARLP176
Hardly Art
10.05.2024

Nick Llobet (they/them) was ready to throw in the towel. Llobet, who grew up in South Florida, learned to play guitar at a very young age, dabbling in everything from classical, blues, classic rock, and flamenco. They'd spent much of their early 20s searching for their voice as an artist and as an individual, as well as for a musical community Llobet would eventually move to Brooklyn, but after three years of looking for a hopeful artistic breakthrough, they spent much of their time in seclusion, consumed by social anxiety and imposter syndrome-and they were considering abandoning songwriting completely. One day, while commuting through Penn Station en route to their partner's family home in Virginia (that would also lead to the crucial purchase of a secondhand Tascam cassette recorder), they noticed Patti Smith sitting alone, waiting for a train. The typically shy Llobet decided to approach the icon, who was, in turn, delighted to see that Llobet was carrying a guitar. At the end of their interaction, Smith offered some parting wisdom: "She wished me luck and said, 'Practice hard, Nick.'" Llobet took her advice to heart, and this chance encounter kicked off a personal and artistic rebirth. They started performing as youbet, a play on their last name, and began "changing their vision for what a song could be." youbet's debut, Compare & Despair, a delightful gem of a record that showcases Llobet's propensity for freewheeling whimsy and emotional intensity. In May 2019, inspired by a song-a-week writing group that produced Compare & Despair, Llobet started a second club in which contributors would upload that week's song to a private Bandcamp. Invigorated by this small musical collaboration, the feedback, and the accountability, Llobet wrote 18 songs throughout the duration of the club, twelve of which became Way To Be. After this songwriting marathon, Llobet spent 2020 focusing on instrumental guitar work and political engagement. By the summer of 2021, they were ready to revisit the Way To Be tracks. Over the next year-and-a-half, Llobet worked on the record relentlessly, refining the lyrics, recording, and arrangements from their apartment. Llobet self-produced Way To Be and describes the process as an enormous, labor-intensive undertaking that felt akin to "making a whole film." Along the way, Llobet was joined by collaborators, including Julian Fader (Ava Luna), Adam Brisbin (Buck Meek), and Daniel Siles. Across Way To Be's 12 delightfully off-kilter tunes, Llobet uses wordplay and tongue-in-cheek humor to obliquely explore dysfunctional relationships, regret, self-confidence or the lack thereof, queerness, and self-discovery. Fuzzy at the edges and filled with playful, kinetic arrangements, Way To Be is a bridge into the entrancing world of youbet. You won't want to leave.

pré-commande10.05.2024

il devrait être publié sur 10.05.2024

THE TYDE - SEASON 5

The Tyde

SEASON 5

12inchSPIRITUAL029
Spiritual Pajamas
15.04.2024

In Season 5, the long-awaited fifth full-length by beach-pop project The Tyde, frontman Darren Rademaker unveils his vision of an ’80s-inspired Suave Nouveau, with a clutch of sweet, melancholic love songs evoking lush mustaches, mellow macho, the ghost of Jimmy Buffett, white sand beaches, flamingos swooping across a cerulean sky, speedboats cutting through the bay and pastel linen suits billowing in the breeze as the sun dips beneath the horizon. “Spanish conquistador Juan Ponce de León ‘discovered’ Florida in 1513, naming the peninsula La Florida, the flowering land. In Season 5, Rademaker reflects on his own return to the flowering land, and the artistic diaspora that caused him to quit California in 2020 in search of a New World of his own. ‘I lived in Florida from the ages of ten to twenty-five, but never really got to explore it,’ he says. ‘When I came back, I decided to really embrace the whole Florida aesthetic. I moved into an art deco home in Sarasota with pink seashell lamps. I visited Key West, like seven times. I also quit smoking weed and cigarettes, and stopped saying shit like LOL and amazeballs. It felt different. It felt good.’ “The record features the talents of many good friends, including Dan Horne, Colby Buddelmeyer, Matt Correia (Allah-Las), Clay Finch (Mapache), Albert Hickman, Derek James (The Entrance Band), Alex Knost (Tomorrow’s Tulips) and Adam MacDougall (Circles Around The Sun / Black Crowes), with artist / musician Matt Fishbeck (Holy Shit) designing the deco-inspired album artwork. “And as much as they are inspired by the past, these songs are keenly aware of an uncertain future—because there is no such thing as a time machine, and there is no going back. Ultimately, Season 5 asks the question—where do we go after the sun sets on our dreams? Where the fuck is the New New World? In Rademaker’s eyes, it no longer exists in any specific American geography—rather, all hope remains in the timeless, unending power of music, and its power to take us to the places we wish we could be. Even if they don’t exist anymore.” — Caroline Ryder

pré-commande15.04.2024

il devrait être publié sur 15.04.2024

Something Weird - Hey Folks! It's Intermission Time!
 
39

Welcome to the sweet-but-savory, suspiciously sticky, and slightly sinful world of old-school movie theater intermission messages. It’s where big-band jazz, psychedelic rock, sequin-bedecked disco, virgin vanilla orchestrated pop, and more are pressed into service, with your satisfaction as the solitary goal! Features CD only bonus tracks!

Hey Folks! It's Intermission Time! by Something Weird includes the following tracks: "Popcorn And Candy, Yum Yum", "Lots Of Pretty Pickles", "Oh The Time Is Now, The Time Is Here", "James River Smithfield BBQ" and more.

This version comes as a 1LP on brown vinyl.

pré-commande12.04.2024

il devrait être publié sur 12.04.2024

MAGNOLIA PARK - HALLOWEEN MIXTAPE II LP

MAGNOLIA PARK, the Florida based genre-bending alternative rock band who play more than 200 shows a year, are releasing their third album, entitled HALLOWEEN MIXTAPE II. The band"s following has grown substantially in the past year (with over 710k TikTok followers/63M views, 187k Instagram followers), as they move from opening slots on tours with everyone from Sum 41 to Simple Plan, to sold out headline tours and top slots at festivals including When We Were Young (LV /Oct 23), Reading / Leeds Festival 2023 (UK). It"s no secret that Epitaph Records has been the breeding ground for some of the most legendary bands in existence and MAGNOLIA PARK carry on in that tradition. Since forming in Orlando, Florida, in 2019, the five-piece act-vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, drummer Joe Horsham and keyboardist Vincent Ernst-have released two albums, three EPs, and a handful of singles, bringing their upbeat brand of alt-rock to the masses. While MAGNOLIA PARK"s music is at times lighthearted, the ethnically diverse band are also serious about spreading a message of inclusivity and inspiring other kids like them to start bands as a form of creative expression. "Our goal when we"re together is to make sure the next generation doesn"t have to face as much racial backlash for being a rock band," Torres explains. "In the industry, people look at us a certain way and try to impose things on us-and we want to make sure the next generation of rock bands don"t have to go through what we"ve been through."

pré-commande05.04.2024

il devrait être publié sur 05.04.2024

Tommy Tate - I Can´t Do Enough For You Baby / Hold On (To What We´ve Got)

Tommy was born in 1945 in Homestead, Florida, and after his first foray into music in a church choir, he launched his secular recording career in Jackson, Mississippi, working mostly with Tim Whitsett and his Imperial Showband in the latter half of the 1960s. After a short stint with the Nightingales, he signed with KoKo in 1971 and had six impressive singles released, followed by records on Sundance, Juana and Urgent Records.

“I Can’t Do Enough for You Baby” is a mellow and melodic slow-to-mid-tempo song that sounds almost inspirational, while “Hold On” is a beautiful waltz-time ballad which James Carr released on Atlantic in 1971. Both of these songs were cut as demos probably in 1969 after Tommy and Carson Whitsett had signed a deal to become staff writers with Malaco Records.

Tommy was a magnificent singer and songwriter, who never got the credit he deserved mainly because of poor business choices and unfortunate incidents throughout his career. However, he was a beautiful person, gentle and humble.

pré-commande01.03.2024

il devrait être publié sur 01.03.2024

SOCIAL DISTORTION - Poshboy's Little Monsters LP

Formed in Fullerton, CA in 1978, Social Distortion were one of the original LA punk groups and their first single was released on legendary LA punk label Posh Boy. But far more rare than that first single ("Mainliner" b/w "Playpen") is the unreleased EP Posh Boy's Little Monsters. This EP only made it to the test pressing stage back in 1981, and featured those two tracks from the first single along with "All The Answers" and "Justice For All." This is the absolute holy grail for Social Distortion fans and it's finally available in commercial form on two limited edition pressings for RSD 2019, black vinyl available worldwide and a Europe only red vinyl limited edition. Includes 2 bonus tracks.
“Of the 3 teenagers who recorded for me, one has died, another was believed to be dead and one became immensely wealthy from playing music. The one who did hard time in prison was not Mike Ness. It was the drummer Carrot, better known as John Stevenson, now living a very ordinary life in rural Florida.
I now count John as a dear friend. Apparently, he was only l6 years old when he rolled into the studio that day in April l98l, armed with a taped up pair of drumsticks. He played great as did both Mike and Dennis (RIP). This time there was no fighting in the studio over production values. I had promised Ness that we would not fight so once there was a minor disagreement over the artwork for the proposed l2", I dropped the project in favor of the Playpen/Mainliner 7" which sported iconic artwork from the band.”

pré-commande09.02.2024

il devrait être publié sur 09.02.2024

THE  DRAFT - IN A MILLION PIECES LP 2x12"

In 2006, THE DRAFT was formed by Hot Water Music members Jason Black, George Rebelo, and Chris Wollard shortly after singer/guitarist Chuck Ragan's departure. The three remaining members of the band wanted to continue making music together but chose not to continue under the Hot Water Music name, opting for a fresh start instead. The initial writing and demo sessions included the legendary punk rock guitarist Brian Baker (known for Minor Threat, Dag Nasty, Bad Religion). However, due to conflicting schedules, Baker couldn't commit as a full-time member, leading fellow Florida resident and former Discount member Todd Rockhill to join the band. After releasing their debut album "In a Million Pieces" (produced by the esteemed Brian McTernan) on Epitaph Records in 2006, the band embarked on extensive tours with acts like Samiam, The Gaslight Anthem, and Paint It Black. They also released several singles on the renowned No Idea Label before disbanding in 2008. With both "In a Million Pieces" and all 7" records being out of print for years, THE DRAFT has now teamed up with End Hits Records and Equal Vision Records to release a deluxe vinyl version on double vinyl. For the first time, you can find every track ever recorded by THE DRAFT: Included are the twelve album tracks, six songs featured on three 7" records, two unreleased demo versions, as well as four songs recorded during a radio session in the UK that have never been released before. Not only were all songs remastered specifically for vinyl by Brian McTernan, and detailed liner notes have been added to tell the band's history from beginning to end, but the packaging has also been completely overhauled. A special feature for collectors: the European and American versions come in different gatefold covers, which together form a complete work of art.

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UH HUH - S/T

Uh Huh

S/T

12inchTER104
Telephone Explosion
Release unknown

Telephone Explosion proudly presents the self-titled debut LP from Toronto’s UH HUH, out physically and digitally on April 14, 2023. The album features eight tracks of dub-damaged art rock which conjure a potent vision of spaced-out 1980s post-punks feeding their angular rhythms and bass-heavy grooves through layer upon layer of grime-spattered spring reverb.

There is a palpable sense of discovery and exploration throughout UH HUH’s 37 heady minutes. Elastic basslines and serpentine guitar phrases throb and glide, cutting through dubwise reverberations like hands moving through an opaque cloud of reefer smoke.

Formerly known as Teenanger, the reconfigured (and reinvigorated) group’s newfound sense of sonic identity is put on display the moment the door kicks open. The percolating spaciousness of opener “Somewhere Beyond” is followed by the cyclical grooves of “Redemption Pause.” Vocalists Christopher Swimmings and Melissa Ball each take respective turns at lead vocal duties, showcasing their contrasting yet complimentary styles.

“Babylon”, a slab of overcast, loping funk features both singers on the same track, alternating between Swimmings’ stoned syncopation and Ball’s saccharine melancholy. This juxtaposition leans against a backdrop of reverb-soaked drums, watery guitar chords and rippling trumpet.

The slinking, fractured grooves of “Rain (In The Afternoon)” and “Citrus Song” call to mind the deranged minimal dub-wave of Naffi or Vivien Goldman. Both songs feature lyrical content heavily inspired by the Florida swamplands, although the aural landscape on these tracks is decidedly more brutalist than Boca Raton. Two of the songs included here are reworkings of previously released Teenanger numbers. “Blinds Drawn” is reduced to its core elements of bottom-heavy rhythm, spliced guitar shanks and Swimmings’ murmured ruminations. “Good, You”, on the other hand, is completely re-imagined as a blissed-out melt of opiated bossa nova.

After countless hours of experimentation during the album’s recording sessions at Toronto’s Studio Z, the band decided to send their drum machines, snare drums and percussion through an obscure 1960’s Japanese Guyatone guitar amp with a notoriously ecstatic spring reverb sound. The result was immediately inspiring.

The dank, busted and clanking tones produced by the Guyatone evoke a muggy, humid atmosphere that mimics the photo on UH HUH’s cover. The process of re-amping is literally the means through which UH HUH found the sound of this record. UH HUH is a record that asks more questions than it does provide answers. This is searching music that requires that the listener lean into it, the more time you spend in between the beats, bars, notes contained within, the more vivid the picture becomes.

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S. Fidelity - Fidelity Radio Club LP

S. Fidelity

Fidelity Radio Club LP

12inchJAKARTA164
JAKARTA
15.12.2023

2023 Reissue

Berlin based HipHop producer S. Fidelity presents his sophomore and full packaged concept album “Fidelity Radio Club” via Jakarta Records.

Four years after his Jakarta Records debut “A Safe Place to Be Naked” S. Fidelity has matured as a producer and as an artist: working and recording in London, Los Angeles, Paris and Johannesburg while building up his Manolo Purple Studios in Berlin with longtime collaborator, labelmate and soul brother Bluestaeb.

In 2021 S. Fidelity finally returns to the main program with his brand new solo album “Fidelity Radio Club” shaped in form of a genre crossing radio show exploring HipHop, R&B, Jazz, House and Funk in all their depths, creating the multi-layered album he always dreamt to do as he orchestrates a stoking line-up of equally talented friends and fellows like Bluestaeb, Melodiesinfonie, Suff Daddy, K, Le Maestro, Àbáse and many more while still delivering that very personal note every classic producer album needs and comes with. Or as the artist himself would put it: “17 different artists, producers and instrumentalists from all over the world helped me to bring this vision to life.”

According to that the albums 1st single features Singer NDO from Florida, giving life to the hard hitting R&B gem “Mixed Signals” where warm neo soul harmonies meet with classic R&B vibes of early 2000. The song made it to Spotify’s Butter Playlist right away and was picked for Deezer’s “Date Night” Playlist and Apple Music’s New Music Daily as well and received shout outs and further Playlist-placements by music blogs like Stereofox or MOW Mag.

The 2nd single comes as a double single featuring pianist, producer and main protagonist of Berlin’s prog-jazz scene Àbáse on “Me At The Zoo” (reminding its listeners of London’s new wave of jazz around Kamaal Williams or Yussef Dayes) on one side and the energetic, funk influenced disco tune “Something Good” on the other side.

The 3rd and final single “Love International Inc.” then comes with a bumpy up tempo drum beat, which develops into an energetic and jazzy lo-fi house/deep house loop, featuring none other than Zürich’s finest Melodiesinfonie as well as Paris-based Bluestaeb, marking this supergroup’s 2nd appearance and giving a glimpse of what’s yet to come.

Each of the album’s single cuts comes with a visual treatment by HipHop’s favorite photographer Robert Winter and his team (The Ottos), matching sound and artwork accordingly while the record’s amazing and unique artwork comes from the Swiss based creative studio HOMI. The record itself contains a sticker sheet with customized S. Fidelity and “Fidelity Radio Club” stickers as well.

The whole album campaign is further accompanied by the Fidelity Radio Show hosted by S. Fidelity himself, sitting down with his featured guests talking about the music they love and they draw inspiration from – broadcasted via S. Fidelity’s own youtube channel releasing its episodes in between the album’s single drops.

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Last In: 2 years ago
CHUCK RAGAN - BLUEPRINT SESSIONS LP 2x12"

Hot Water Music singer Chuck Ragan and End Hits Records will collaborate to release the sought-after THE BLUEPRINT SESSIONS of the country/folk singer for the first time in a deluxe double vinyl version. Originally, these recordings were only available through a monthly 7" subscription offered by Florida punk rock cult label NO IDEA. For over sixteen years, these singles have been out of print and have become sought-after collector's items. That's why Chuck Ragan and End Hits Records have decided to make these songs available again, combined on a double LP. The 16-track collection is packaged in a deluxe gatefold sleeve and comes with printed inner sleeves. All versions of the sixteen songs included are exclusive to this release and have been specially remastered for vinyl. The double album will be released worldwide through End Hits Records and will be available in four extravagant vinyl configurations. Additionally, End Hits and Chuck Ragan are excited to offer eco-friendly, recycled vinyl for the first time. Each recycled record is unique and will have an individual look due to the recycling process.

pré-commande11.12.2023

il devrait être publié sur 11.12.2023

Various - Big Time Lover - Soul On The Real Side LP

The architects of soul are back with “Big Time Lover”, a 12-track vinyl LP album with highlights from this year’s “Soul On The Real Side #15” CD collection Tracks here are the building blocks of modern soul with a play list of mid-tempo Northern and Crossover Soul – classics and rarities.
It's brought to you from the West Midlands – the stomping ground of Real Side Records founder member Mr Tee.
The LP is packed with modern soul gems all culled from the incredible Captipl Reords soul legacy. They need little introduction to the UK rare soul scene, but here is a snapshot of a few highlights.
Our show opens care of the million-selling group Cornelious Brothers & Sister Rose from Dania Beach, Florida. They shot to fame in 1971 with their hit “Treat Her Like A Lady” and the follow-up “Too Late To Turn Back Now”, both certified gold discs. Here we feature the title track of their 1973 album Big Time Lover.
Trk. 2, “The Game Is Over”, is by the short lived California girl group Brown Sugar featuring the one-hit-wonder Phyllis Nelson. The legendary Tavares Brothers perform trk. 3 while George Soule leads the way on trk. 4 with his #35 R&B hit “Get Involved”. Bettye Swann from Shreveport, Louisiana, delivers a heartrending performance on “My Heart Is Closed...” (trk. 5), her debut recording for Capitol in 1968.
The album closes with the fabulous C. M. Lord “Oh Mama
(Your Daughter’s A Woman Tonight)”

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Last In: 2 years ago
Cosmic Link - Cosmic Link LP

Cosmic Link

Cosmic Link LP

12inchHNLP004
High Noon
24.11.2023

A quietly funky collection that repays repeated play by creating a mesmeric, almost
hypnotic, cocoon to lose yourself in" Echoes
Examining our relationship with the cosmos as well as more intimate liaisons closer
to home; new transatlantic future soul duo Cosmic Link are set to release their
eponymous debut album on 24th November.
The duo consists of Florida based Jay Myztroh and Bristol based producer Ben
Dubuisson, best known for the Hundred Strong project. Citing influences of Erykah
Badu, Prince, Alice Coltrane, Stevie Wonder and Esperanza Spalding; the album
crosses cosmic soul/RnB, low-end weighted hip hop, and conscious jazz. While the
musical vibrations lay down a groove on a sensory level, the lyrics prompt deeper
subconscious thought.
Under a “Cosmic” header, side one of the album starts with ‘Let It Go’, a song about
releasing the things that no longer serve you in your life, before exploring
meditation (‘Quiet Time’), karma, and responsibility in the way you live your life
(‘Metaphysical’).
Side two of the album is grouped with the theme “Link” and as narrative, explores
the evolution of a relationship: ‘Cellphone’ expresses the desire to be close to
someone, ‘Shoot’ is the introduction to the courting stage, and ‘Show U Love’ is a
request to take a step into a committed relationship.
“All of these songs are personal,” says Jay. “They explore either my experiences or are
written to me as understandings to help me navigate this plane of existence. The
personal nature of the music is what makes it universal to all humans”.
The overall theme of the album is summed up in the lyrics of the closing title track,
“Our motion is perpetual/together we move/at the speed of life/ intertwined by our
timelines/which coincide”.
Jay explains, “There is no separating the all from the source. With all living things
being products of the Cosmos, we are forever linked to it. We all share a source, atimeline, a planet, air, a sun etc. We are linked by simply being and doing the things
beings do”.
Introduced by mutual artist friends, the catalyst for their collaboration was the 2017
album 'Black Diamonds' by Jay's previous project Stono Echo, produced by the late,
great Paten Locke. Over the course of a few years they began remotely exchanging
music and lyrics, building a catalogue of finished tracks. During this time, Myztroh
was also completing his Masters degree in choral conducting that focused on
discovering and promoting compositions from the African Diaspora. Run by Ben
Dubuisson, High Noon Music has been based in Bristol since the early 2000s,
releasing records by artists including Ben’s own Hundred Strong, plus Boca 45,
Joseph Malik, Kali Phoenix, One Cut, Mr Fantastic, and Numskullz.

pré-commande24.11.2023

il devrait être publié sur 24.11.2023

Gregg Kowalsky - Eso Es

Gregg Kowalsky

Eso Es

12inchMEX2641
MEXICAN SUMMER
10.11.2023

A thrilling immersion into FM synthesis and a puzzle of MIDI data, the Los Angeles based multi-instrumentalist Gregg Kowalsky returns to Mexican Summer with Eso Es, his sophomore outing for the label and first new music since 2017’s L'Orange L'Orange. Representing a significant creative leap for the veteran composer, Eso Es unfolds as a hypnotic journey into Kowalsky’s inner world, laced with a depth of emotiveness and vulnerability that’s rarely encountered in the electronic music realm. Raised in South Florida and trained at Mills College under Fred Frith and Pauline Oliveros, Kowalsky first came to prominence during the mid-2000s as a member of the thriving experimental music scene in the Bay Area, issuing a series of stunning albums on imprints like Kranky and Root Strata and contributing to a reinvigoration of American made Minimalist and electroacoustic music. In an addition to composing solo works, pieces for large ensembles, film soundtracks, dance performances, and site-specific installations over the past twenty years, during the 2010s Kowalsky concentrated his energies as one half of the critically acclaimed duo Date Palms, performing extensively and releasing three hypnotic albums, including 2011’s Honey Devash on Mexican Summer.

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Last In: 2 years ago
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