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Shuffle Valley kicks off its vinyl journey with a debut EP from label head Donnie Cosmo, presenting three original cuts that move through groove, breaks, and deeper sonic moods—plus a refined remix by Christopher Ledger.

The A1 sets the tone with a warm, groove-driven track aimed squarely at the dancefloor. Elastic basslines and shimmering percussion give it a rolling energy, while subtle psychedelic flourishes invite a kind of movement that’s both physical and inward.

Let Yourself Go ventures into the breakbeat territory, playing with loose, broken rhythms before smoothly transitioning into a steady 4/4 pulse. It’s a shape-shifter—fluid, unpredictable, and full of momentum.

The third original dives deeper. Hypnotic and introspective, it leans into a more mental space—spacey yet grounded, contemplative yet still groovy.

Closing the EP, talented Christopher Ledger offers a sleek rework of A2, adding space, clarity, and emotional weight. His remix floats with precision, enhancing the atmosphere while staying true to the original’s mood—a fitting final note for Shuffle Valley’s first vinyl chapter.

Spiritual Rhythms by Mix’Elle, the fourth release on Portuguese label angel, is particularly special for a couple of reasons: it’s the artist’s first record (a true triumph at that) plus she is a resident at the night series that originated the label itself. It’s truly an all-connected type of affair. This EP taps, in a personal and intentional way, into the very foundations of jungle and drum n bass, taking us on a soulful ride permeated by Mix’Elle’s influences while incorporating her artistic vision, one that was shaped through hours behind the decks in underground drum n bass parties for well over a decade.

The record opens with title track ‘Spiritual Rhythms’, a 174 bpm mantra-like roller clocking in at 6 minutes with the textured pads and the realness you could expect from a Rufige Kru classic. A fat sub underpins it, urgent spoken words remind us what we’re here for: ‘it comes from the drum. and the drum is something spiritual’ as congas play briskly into the groove.

Things slow down significantly for the second track, ‘Angel nights drop tha bass’ - a signature floaty pad and a drum break maintain a steady continuum. A hopeful chord progression is offset by the sharpness of the drums, the bass gluing it all together with the help of an archetypal stretched vocal. Everything is in its right place - a genre veteran is very clearly at work.

‘Touring’ features a mischievous low end, as if a jazzy double bass were played by a dub experimentalist. The funkiness is infectious, with off-tempo string stabs and a mutating filtered breakbeat that feels alive - a vocal pad chants throughout, adding a layer of wide-eyed enchantment.

Percussion never falls short in this record, and the closing track begins with nothing but a shaker, toms and congas - evolving to an elegant, dreamlike yet crisp piece, led by a prominent bassline, its washes and wobbles re-arranging our chakras. Spiritual Rhythms indeed.

angel is a label run out of Lisbon by Violet. A sister label to naive, angel tries to portray the party series of the same name - a bass-led, smoke-drenched celebration where the main room is dedicated to dnb and the second explores adjacent stylistic fringes like dubstep, trip hop, dub or jazz.

Ricardo Tobar returns to MUSAR with Knitting — a four-track EP blending dancefloor intimacy with raw, analog spirit. A two original cuts from the Chilean producer are joined by standout remixes from synth sorcerer Pye Corner Audio and cosmic rave
queen Nightwave.
The EP opens with Los Siblings, a distilled snapshot of Tobar’s current sound: intricate arrangements, ethereal melodies, heavyweight bass-line and a vintage edge shaped for the club. “I’m embracing the dancefloor,” he says. “This is me doing tunes
I would like to dance to.” On the flip, Knitting unravels from a simple arpeggio into lysergic ‘’Stereolab’'-techno chaos — alive, imperfect, and deeply personal. “It sounds like it wants to eat itself,”
Tobar reflects. Layers on layers of psychedelia and cosmic melody turn this into a trippy journey track like no one else does. Architect of foggy club rituals, Pye Corner Audio transforms Knitting into an eerie, trance-tinged club weapon, while Nightwave turns Knitting into a high-gloss, dreamy club stormer

Limited remastered official reissue of a boogie masterclass from 1983, mixed by the legendary Morales and Muzibai (M & M Productions), this grabs you from the off with its super-funky bassline, tight double handclaps and compulsive cowbells before Andrea Stone's dreamy falsetto vocals jab funk shaped holes all over the heady groove. Flip over for the mind-blowingly tasty full dub mix including full intros and reprise (for some reasons unavailable on the original and promo releases), a big favourite of many in-the-know disco DJs and hugely in-demand since being one of the standouts on Dimitri from Paris' Nightdubbin' compilation.

London-based producer, vocalist, and DJ System Olympia is set to unveil her latest project, M3 Opera,
a five-track EP that fuses her signature sensual synth soundscapes with a bold conceptual twist.

Dropping on April 25th 2025 via her own Okay Nature Records, the EP features a unique collaboration with five distinct female vocalists, each lending their voice to a standalone "act" in this sonic drama.

Inspired by the sleek power of the BMW M3 and the theatrical grandeur of opera, M3 Opera reimagines the EP format as a multi-act narrative.
Each song accelerates through a different emotional gear—romance, tension, liberation—while the lush pads, gritty drums, and dreamy melodies System Olympia is known for provide the horsepower. "This is about motion and drama," System Olympia explains. "The M3 is that late-night drive, the pulse of the road. The opera is the story unfolding with every voice, every act."

The EP showcases an all-female lineup of vocalists, each bringing their own flavour to the journey. From sultry confessions to soaring crescendos, the tracks weave together a tapestry of feminine energy that’s both intimate and expansive—think *Delta of Venus* meets horsepower under green neon lights.

Following the success of 2024’s *Sanctified* EP with Working Men’s Club and her acclaimed NTS Radio residency, M3 Opera solidifies System Olympia’s reputation as a visionary who blends retro-futuristic
sounds with raw emotion. The EP promises to be a ride worth taking, whether cruising the streets or losing yourself on the dance floor.

Following on from 2024's ''Elektronically Minded EP' the father and son duo The Advent and Zein Ferreira return to CE for the second instalment. The pair turn in 3 stomping electro bombs aimed strictly at the dance floor. The EP is rounded off with a heady, trippy remix from CE head honcho Sync 24.

Grisline is a fresh-born label exploring the balance between light and shadow — a sonic playground where genres blend, bend, and collide. Rooted in the pulse of electro, techno, and house, we’re drawn to contrasts, emotions, and movement, always in search of unexpected harmony.

Our first release comes from Fabrega & Christian, delivering four original tracks that chart a dynamic journey across the dancefloor. The title track, Dark Chai Bowl, opens with a groovy electro cut full of harmonic twists and crisp synth work, setting the tone for the ride ahead. Onda Vampiresca dives into darker territory, layering driving rhythms with flickers of brightness — a hypnotic blend for losing yourself in the moment. On the flip, Lilac Lebal ramps up the intensity with a percussive, floor-focused tool built for peak-time energy. Finally, Lampin’ (featuring Ku$h) winds things down with a smooth, atmospheric break — perfect for the after-hours or sunrise sets.

We reunited for this second EP two best friends who have been shaking up the South of France techno community for a few years now. They started as a duo named Flyov before exploring their solo projects. Tibahuult has since been touring all over Europe with his explosive live set, blending Techno, Electro, and Punk music. Nathanaël, on his side, has grown into one of the DJs you don’t want to miss when partying in Marseille.

We’re thrilled to bring them back together on this project, where you can witness how a shared universe can evolve in two very different ways as each artist grows. To highlight this evolution, we selected for each of them one track produced a few years ago and one track created more recently with this project in mind.

On the A-side, Nathanaël opens the EP with a mysterious, trippy, jazz-infused house track, revealing all his finesse as the bass comes to embrace you like a big warm morning hug. For his second track, Cosmic Messenger, Nathanaël dives into a much darker space with a banger designed to destroy any dancefloor it hits

With Bass in the Sound, Tibahuult expresses his love for Punk music and flawlessly merges both worlds into an addictive ear-worm that will stick in your mind all day long. Tibahuult closes the B-side with one of his all-time festival anthems—the track that made me fall in love with his music. This high-energy piece will make anyone dance like the devil has taken over their body.

Italy’s Tuccillo is back on Kaoz Theory this July with his ‘First Summer’ EP, once again showcasing his widely lovely interpretation of stripped-down, groove-led house. Making his start in the 90’s and still as relevant as ever, Tuccillo, has become highly sought after both for his records and as a DJ, his name is synonymous with gritty, groovy and dance floor focused jams which have found a home on many reputed imprints such as Visionquest, 20/20 Vision, Free-range, his own House Of Tucci and of course Kerri Chandler’s Kaoz Theory where he returns here. Tuccillo also operates as one half of the Doublet duo alongside Holic Trax boss Tomoki Tamura amongst many other sonic side ventures. Opening is title-track ‘First Summer’, perfectly setting the tone with Tuccillo’s distinctive style which utilises, fluttering stab sequences, bouncy bass tones, choppy vocal cuts and a bulbous bass groove atop a raw, reduced rhythm. ‘One More’ follows next and leans heavily into dub house realms with gritty, echoing dub chords, ethereal pad textures and murky bass swells delicately ebbing and flowing around a saturated swinging drum groove. ‘People For The People’ follows next and lays down organic percussion with filtered funklicks, a snaking bass line and jazzy keys before ‘Gotta Be Free’ concludes the release, heading back to a more stripped-back aesthetic courtesy of twitchy acid-tinged bass hits, fluttering synth melodies, crisp drums and an amalgamation of processed vocal chants throughout.

Steve Bicknell returns to KR3, once again unleashing his mastery of power electronics!
Following his two reinterpretations of last year's "JK Flesh Remixes" and four years after his solo EP "A Day In The Life" in 2021, Bicknell takes us deep into the realms of his sonic mysticism, marking a significant milestone in the fifth anniversary of the label.
Several Streams of Thought LP - is an unrelenting and immersive odyssey, presented through nine tracks, seven of which will be available on a double 12-inch vinyl, with two exclusive cuts in a limited 7-inch format.
The album hits hard, straight to the brain, with no warning, across sides A, B, and C. Each side is a raw, untamed techno experience, with Bicknell's unmistakable signature dominating throughout, delivering unwavering intensity and relentless impact.
However, on side D, a transformation takes place: a 15-minute soundscape that turns the embedded waves into breath - a blinding light emerging from the darkness. It's a moment of tribalism and evocative magic, offering a refreshing pause, a return to balance after the intensity of the shadows.
The 7-inch, available in a limited edition under the title "the eye of the invisible world", contains two tracks - one on side E and the other on side F.
The mystical sounds complete this dual experience: one part filled with dark, untamed energy, while the other brings a sense of mental lightness, emphasizing breathwork and emotional self-
healing.
S | B is back, stronger than ever!

With a steely sound matching fathoms-deep echo chambers with metallic textures and precision drums, Sciama arrives on Samurai Music to press into the inspiring hinterland between techno and drum & bass.

Sciama is the production alias for Michael Watters, a producer who since 2019 has carved out a formidable reputation across a stellar run of releases on ASC's Auxiliary label. While his music references UK bass, transcendental techno and industrial, the end result is a taut, focused journey through fractured, weighty rhythms and vast, ranging atmospherics tilted towards the darkness.
Between Veils is testament to Watters' refined production, steeped in intensely detailed and layered sound design in constant fluid motion, whether locked to the grid or shifting across the surface of the track like grayscale snow drifts. Noise becomes a subtle tool in his hands, capable of delicacy as much as abrasion, and discord evokes a haunting beauty if you listen past the clangorous overtones he elicits from his pads.

For all the writhing, artful sonics, there is still ample weight in the Sciama sound to hold court over a sound system. 'Figures In Mist' rests on a constant half time cycle underpinned by monolithic bass pulses and 'Ghost Trail' finds deadly energy in the faintest flicker of double-time hats above the slow march of a 4/4 kick clocking around 85BPM. Restraint is paramount, even in the fuller rhythm section that drives 'Anima Trace', creating tension through what isn't sequenced as much as what is. 'Veil Of Mirrors' has an especially punchy kick propelling the cavernous echos and ripples that shape out yet another vivid soundscape, but at all times Watters keeps a tight grip on his arrangement to keep the energy simmering just below boiling point.
Moving well beyond the boundaries of any specific genre, Between Veils winds upas a strong, independent statement on the meeting point between broad influences and clear intentions - a formidable addition to Samurai Music's explorations beyond drum & bass and Sciama's steadily evolving, singular style.

2025 repress !

I walked away from the mirror.
It was morning, it was afternoon,
it was night.

Nothing changed,
it was locked in place.

I was born for this.
Shot like a flower in the dance.

***

Early support by: Blawan, Perc, Clouds, James Ruskin, Truss, Pfirter, Chris Liebing, Adam Beyer, Drumcell, He/aT, P.E.A.R.L., Slam, ROD, Lucy, AnD, Gary Beck, Paul Birken, Exium, Ansome, Sawf, Henning Baer, Dustin Zahn, Objekt, Adam X, Rebekah, Norman Nodge, Markus Suckut, Jonas Kopp, Marcel Dettmann, Takaaki Itoh,...

Saint Seiya returns with a 7th vinyl, once again featuring the legendary composer of the series: Seiji Yokoyama



Synopsis: The god of the seas, Poseidon, threatens to submerge the Earth beneath the waves. To counter this threat, Saori Kido, the reincarnation of Athena, travels to Poseidon's underwater sanctuary, where she is imprisoned within the central pillar, absorbing the waters to delay the flood. The Bronze Saints, led by Seiya, dive into the undersea realm to rescue Athena. They must face Poseidon's Generals, each guarding a pillar that supports the oceans. Through intense battles, they uncover that Kanon, the twin brother of Gemini Saga, is secretly manipulating Poseidon from the shadows.

This vinyl adapts the third arc of the series, the Poseidon Arc.


Seiji Yokoyama continues to captivate us with the sound of the mandolin, while the Mediterranean accents of this OST give it a distinctive and highly recognizable character that perfectly matches the third season of Saint Seiya.

A name that breathes, a voice that whispers and howls in soliloquy. Collecting the echoes that follow—field recordings from Colombia, murmured poems, the spectral songs of birds—she stitches together a sonic diary, an audible thread between past and present.



Like the shifting landscapes of Colombian magical realism, she bends nature as memory bends truth. From this alchemy arises Un Pensiero Intrusivo: seven folk incantations, captured live in Cagliari, Italy.


A new genre, steeped in something unnameable—a haunted flamenco, spectral invocations, a piano unmoored from time.



The air thickens, the horizon tilts. A slow descent into vertical tropics, where distant sensibilities collapse into a single, hypnotic pulse.

Big Disco Dub 12″ on the obscure Jahtari spin-off Jahmiga, exploring the sweet spot between funk bass and echo chamber with two certified heaters produced by LA axe master Dubsworth and disrupt.

UK dancehall veteran Speng Bond spins a big heart-shaped tale with ‘Empress’ on the A side, meshing his signature ragga-comedy flow with uplifting lofi jazz funk vibes into a sexy anthem that will put a big smile on faces and Reggae sound systems alike.

On the AA-side the enigmatic voice of Domino Slims takes you to an all too familiar scene: the DJ drops your favourite song – but suddenly someone tries to chat you up! ‘Don’t Talk To Me Now!’ can be the only answer when this thumping slap bass epic hits the floor.

Also watch out for the hypnotic Dub cuts, two groove-focused percussive workouts layered with mystical vocal haze by Kimchi Shocka and plenty of Space Dust sparkled on top.

A trippy and shadowy journey through leftfield techno and off-centre club territories. Pletnev crafts hypnotic, off-grid rhythms and analog textures soaked in psychedelic tension. Twisted grooves and eerie atmospheres collide in a sound that’s danceable, distinctive, and built for adventurous late-night floors.

The label say:

"Guts unearthed this afro-caribbean gem "Vini Ouais" by Djingo Typical Band for his Straight from the Decks compilation. Inspired, Art of Tones created an unofficial remix—a heartfelt tribute to this French Guiana treasure. It quickly lit up dance floors, shared among DJs like GUTS, Antal, Radio Meuh... and many more...
Here comes the official release, the remix is set to become a dancefloor banger.

Guts a déniché cette pépite de biguine-zouk signée Djingo Typical Band, "Vini Ouais", et l’a aussitôt intégrée à sa compilation à succès Straight from the Decks. Séduit à son tour, le talentueux producteur et remixeur Art of Tones en propose un remix non officiel, véritable déclaration d’amour à ce bijou venu de Guyane française.
Très vite, le titre revisité enflamme les dancefloors, circulant discrètement entre quelques DJ privilégiés, comme un secret bien gardé. Face à l’engouement et aux nombreuses demandes, le remix sort enfin officiellement, pour le plus grand plaisir de tous. Il est désormais joué par Antal, Laurent Garnier, Radio Meuh, Guts, Art of Tones, et bien d'autres, révélant un groove irrésistible qui met tout le monde d’accord."

We are very happy to announce the re-issue of this new age / synthpop masterpiece from the early nineties. An uptempo and timeless floorfiller with extra unreleased mixes on vinyl: Low Spirite Remix and the German lyric version of Golden Dreams.
The band come up with a totally new cover design making this release truly special. Limited copies.

Welcome to Club Partenopea — a masterclass in understated elegance and deep, introspective grooves.
Side A: Sunset Sessions – The Soundtrack Toward Night
A1. “Smooth Rides”
An energetic yet fluid track, “Smooth Rides” blends warm analog synths with a swinging groove, creating an immersive listening experience. It invites the listener to drift into its layered soundscapes and lose themselves in the rhythm.
A2. “Hope Is the Refuge”
The ultimate soundtrack for relaxation and good vibes. This soft-textured piece weaves shimmering pads with subtle piano flourishes, while hushed, ethereal vocal samples float in and out—not as a lead, but as an ambient layer—adding to its dreamy, gently melancholic mood.
________________________________________
Side B: Blending Into the Party-Time Pulse
B1. “Club Partenopea”
A deep house groove that shines with infectious piano riffs, acting like rhythmic exclamations. Joyous and unifying, it’s made for the dancefloor — pure, celebratory energy wrapped in elegance.
B2. “Timer Groove”
Your late-night companion. “Timer Groove” fuses the lush, immersive tones of deep house with a buoyant, uplifting bassline. It’s the perfect 1 AM tune—when the crowd gets intimate, the energy softens, and the music becomes a trusted guide through the night.

Ewan's Makati EP, named after his birthplace and dedicated to his mother, draws inspiration from his earliest memories of life in the Philippines. As a house music producer in Perth (now Melbourne) for over 25 years and releasing dozens of records ... this one hits close to home and his heart as a positive, affirming set of cuts for your ears and feet.

The record starts by jumping onto the mechanical funk of JEEPNEY. A roving mural of quirky synth rhythms riding on a solid stomping house groove.

PELOTA finds the beat and bass marking firm lines of a game of call-and-response. Bouncing from wall to wall, the melodies trade licks while a stoic flute tops out the dance.

On the flip, SEREMONYA mixes spritely conversing synth lines on alternating chord stabs and sustains. With the erratic bass and matching snare guiding both anticipation and reflection as equal partners.

SKYFLAKES encourages the listener's mind to run away with a simple mind-object of the past. As a downtempo hymnal of chords, pads, strings and bells it leaves us high in altitude and higher in hope.

Archeo Recordings is a record label.

Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene mostly from Italy but also from all over the world for a wider audience of collectors, DJs and music lovers. All releases are limited edition.

This release is a Limited Edition 12" (100 on Sun Orange Marbled vinyl). New life and an expanded treatment of Feel Fly's epic Balearic / Italo House Sole (Flexi Cuts 2024), with the Extended Versione Tramonto (previously unreleased on vinyl) and 3 new Remixes by none other than Radiomarc (Popcorn Groove), Issam Dahmani and Amarcord.

Archeo Recordings is a record label.

Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene mostly from Italy but also from all over the world for a wider audience of collectors, DJs and music lovers. All releases are limited edition.

This release is a Limited Edition 12" (100 on Sun Orange Marbled vinyl). New life and an expanded treatment of Feel Fly's epic Balearic / Italo House Sole (Flexi Cuts 2024), with the Extended Versione Tramonto (previously unreleased on vinyl) and 3 new Remixes by none other than Radiomarc (Popcorn Groove), Issam Dahmani and Amarcord.

Strut proudly presents a new edition of one of Sun Ra's most celebrated albums, Sleeping Beauty, reissued in its original artwork for the first time.

Originally released in 1979 on his independent Saturn label, Sleeping Beauty captures Sun Ra and his Arkestra at their most soulful and serene. A masterclass in cosmic jazz, the album blends lush grooves, celestial soul, and meditative funk with Ra’s singular spiritual vision — a sound both grounded and otherworldly.

The album emerged during an extraordinarily fertile period for Sun Ra in late-‘70s New York. Between 1978 and 1982, Ra “occupied” Variety Recording Studios on West 42nd Street, often staging marathon sessions following late-night Arkestra gigs around the city — from the Village Vanguard to Sweet Basil and even a wedding in Central Park. These were not just recordings; they were rituals. Ra and his core players — John Gilmore, Marshall Allen, June Tyson, Michael Ray, and others — would begin sessions mid-morning, often continuing past midnight, much to the dismay of the studio owner. Out of this creative whirlwind came some of his most enduring work, including A Fireside Chat With Lucifer, On Jupiter, and Sleeping Beauty.

Across its three tracks, Sleeping Beauty showcases the Arkestra’s gentler side. From the dreamy sway of “Springtime Again” to the funk-deep uplift of “Door Of The Cosmos” and the title track’s meditative drift, this is music that floats, beckons, and unfolds. It’s a record of hypnotic beauty and quiet power — cosmic jazz for dreamers and seekers alike.

This new edition features a selected version of the hand-drawn original cover, embossed with the Sun Ra logo and housed in a heavyweight card sleeve. Liner notes come courtesy of Arkestra member Knoel Scott and Sun Ra authority Paul Griffiths. Remastered by Technology Works.

“Music is a language. You see, it’s not notes — it’s a language of the spirit. That’s why it’s so important.” – Sun Ra

Obrador originated from Olympia the capital state of Washington. A multifaceted group that consisted of many members over the years. They were together from 1976-2006 and was led by band leader Michael Moore. The members were, Steven Bentley ~ Drums, Connie Bunyer ~ Clarinet, Guitar, Vocals, Paul Hjelm ~ Guitar, Bass, Trap Drums, Piano, Steven Luceno ~ Bass, Guitar, Michael Moore ~ Keyboards, Michael Olson ~ Percussion, James Pribbenow ~ Saxophone, Vincent Soluna ~ Sax, Vincent Soluna ~ Sax

They recorded 5 albums over the period of 30 years. One track of which “Willow” you will find tucked on the B side of this lovely new release. We wanted you Kats to have great value for money and pack the record with two stone wall Dingwall style killer recordings.

The A side “Blink Samba” was recorded at Russian Hill Studios San Francisco in July 1983, after the group made the long journey down from Olympia and back to record a whole Lp that has lay unissued since 2023 only getting a digital release. We stumbled across the tracks whilst doing some research and was blown away. A few chats with member Michael Olson and we knew these had to be on vinyl. They are pure fire jazz with a slightly latin Esq vibe. We can almost see the sweat dripping from the Jazz dancers as they cascade to the rhythm of the percussion “Blink Samba”

Flip it over whilst the floor is still rocking to the track “Willow” Unlike “Blink Samba’s opening percussion this one kicks in straight away with a rasping baseline. You hold on to the bars like you been strapped into to a rollercoaster and get ready for the ride.

Im Sommer 1968 traf sich der 18-jährige Genesis P-Orridge (damals Neil Andrew Megson) mit Freunden in einem bescheidenen Dachgeschoss, um mit Klängen zu experimentieren. Das Ergebnis war "Early Worm", eine Sammlung von Aufnahmen, die die aufkeimende Kreativität eines Künstlers einfing, der später eine Schlüsselfigur der Avantgarde-Musik werden sollte. Diese Sessions, die 1969 auf ein einziges Acetat gepresst wurden, zeigen eine furchtlose Erforschung von Geräuschen, Improvisationen und Tonbandexperimenten, die Einflüsse von Psychedelia, Fluxus, John Cage und Beatnik Bohemia widerspiegeln. "Early Worm" ist ein Zeugnis für P-Orridges frühes Engagement, musikalische Grenzen zu überschreiten. Die rohen und ungefilterten Klanglandschaften des Albums bieten dem Hörer einen seltenen Einblick in die Gründungsmomente, die schließlich zur Gründung von COUM Transmissions, Throbbing Gristle und Psychic TV führen sollten. Remastered und in einer limitierten Vinyl-Pressung, mit Linernotes geschrieben von Genesis Breyer P-Orridge, die den Zeitgeist des UK Undergrounds der späten 60er Jahre in Erinnerung rufen. "If nothing else, (Early Worm) revealed that P-Orridge's approach to music was defiantly left-field from the start: noise, improvisations and tape experiments that sounded a little like a more chaotic version psychedelic folkies the Incredible String Band." . The Guardian

Für echte Digi-Fans: Pures Cover-Feuer von Kim Mulligan auf 333, mit freundlicher Genehmigung von Winston Jones' Brooklyner Flames-Band. Der Rose-Royce-Klassiker wurde Ende der 1980er Jahre in Phillip Smarts legendärem Long Island-Studio neu interpretiert, mit geschickten Akzenten der New Yorker Reggae-Größen Computer Paul & Danny Marshall. Die Flipside enthält einen Dub, der balearisches Feeling mit Seetaucherrufen und rauschendem Wasser verstärkt.

Cataleya reach double digits with a very special cover of a Soulful House classic. Coflo freshens up 280 West’s Love’s Masquerade for modern audiences with the help of Canadian vocalist CEE. Their sparkling cover is backed by mixes from Vick Lavender, DJ Spinna and more from Coflo. Coflo’s Classic mix has the vibe of the 90s mixes, whilst Vick turns the track into a glorious synth addled bumper. Spinna offers his own version, where sturdy beats, vocals and free flowing keys combine. This is a fantastic update of a classic!

Repress

Get ready to experience the groove with your upcoming vinyl release, "I Enjoy You So Much"! This collection of house tracks has been meticulously crafted and rigorously tested on dance floors, ensuring every beat resonates perfectly whether in a club, at a picnic, or hosting any kind of party. Each track offers its vibe while staying true to house music's soulful and energetic essence.

A1 - I Enjoy You So Much
The title track features an emotive male vocal repeating the heartfelt phrase, "I enjoy you so much." Paired with uplifting melodies and a driving house rhythm, this track sets the tone for connection and joy. It's perfect for those peak moments on the dance floor or vibey listening sessions at home.

A2 - Volero
A dynamic and energetic groove, "Volero" carries an infectious rhythm that builds and swirls, pulling listeners into its hypnotic flow. It’s a track that thrives in the club but works equally well as a backdrop to lively gatherings and laid-back outdoor vibes.

B1 - Work Harder
Featuring a soulful saxophone solo, "Work Harder" brings a jazzy edge to the mix, blending smooth melodic lines with a deep, groovy bassline. It’s a versatile track that transitions seamlessly from dance floors to chill sessions, leaving a lasting impression wherever it’s played.

B2 - You Can, You Will
This track is a motivational anthem with a relentless beat, layered with empowering vocal snippets that remind you to push forward. The rhythm feels vibrant and energetic, making it a perfect pick-me-up for parties or workouts.

This vinyl is a celebration of versatile, heartfelt house music, bringing together soulful vibes and danceable beats. It’s designed for club settings, cozy moments, and everything in between.

naemi follows last year’s excellent Erika de Casier-starring »Dust Devil« with a genius new album of ultra-catchy, perfectly executed shoegaze diamonds, powered by Ulla on drums and additional vox, flutes and extra vocals by Baptist Goth, and fuzz guitar by Kouhei.

»Breathless Shorn« is the Berlin-based Kansas-born producer's most compelling move thus far, featuring 11 perfectly fuzzed songs that almost completely shake off any electronic remnants in favour of a light-touched act of MBV worship. naemi has long nurtured an obsession with vintage dreampop and shoegaze, but until now they mostly blurred those influences with dubby ambience and delicate, heart-slicing production. On »Breathless Shorn« they completely re-draw their outlines, bristling with a much looser energy in a mode that feels like a big step up - more impactful, full of easy swagger and a bona fide emotional resonance.

Distorted, tremolo-bent guitars, boxy drums, electric bass and delirious multi-tracked vocals are the backbone here, mostly sounding like they could have been lifted off Kevin Shields' »Ecstasy and Wine« sessions. naemi's attention to detail is remarkable; no longer leaning on electronic masking or the influence of '90s British slacker rawk or twee pop, instead deploying the genuine article, with ambient music left as just a faint note wafting in the background.

Another edition of mental dance floor demolishers cut to ribbons and reassembled from the mind of the one-and-only MEMBERS ONLY. In the hands of a skilled selector, stand out cut "THEM ROCKS" is capable of inflicting immense damage to even the most hardened dance floor. Use with caution

180g Repress

Friend MR005 arrive in world , this music killed all dance floors ! You love dancing ? take this this vinyl and do your best dance ! You love cook , play this wax and you will get best dish in your life !

Introducing Fleur Sauvage: A New Chapter Rooted in Emotion and Community

The idea for Fleur Sauvage first took shape in 2022, quietly evolving and shared only with a select few. It began with a desire to give new life to the spellbinding improvisations experienced at La Nature—those rare, unrepeatable instants that move us deeply and stay with us long after the sound has faded.

In the spirit of that beginning, the label will open space for a variety of releases: expect intimate solo works, carefully curated compilations, and other sonic offerings from artists close to our he(art).

More than just adding a new label to the world, our purpose is to grow with our community. Community is everything. At the end of the day, what matters most to us are the relationships we cultivate—with artists, supporters, collaborators, and the many spirited souls who help us create these rare and radiant gatherings.

Katatonic Silentio – Live at La Nature 2023
Captured in the immersive cocoon of the Hypnose Room during the 2023 edition of La Nature, this debut release on Fleur Sauvage is a raw transmission of Katatonic Silentio’s improvisational live ritual.

Split into four parts across two 12” records, this work moves between experimental abstraction, textured noise, and cinematic ambient. Tension runs like a thread through each piece—sometimes humming beneath the surface, sometimes rupturing into visceral sonic peaks that leave you breathless. Deep low-end pulses and granular ruptures twist through fleeting moments of stillness, creating a sense of instability that is both electrifying and intimate.

The recording documents more than a performance—it holds space for something elemental, unpredictable, and deeply embodied. As always with Katatonic Silentio, the sound is not just heard—it is inhabited.

In 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi’s “Dry Bridge” flea market.The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of the USSR. It was through this process that the idea of Recollection was born, as Glonti aimed to create an album that would utilize samples from his growing collection.


Recollection III-IV marks the second in a planned series of 7” releases, each built from Glonti’s expanding archive of Soviet-era recordings. The artwork by Dmytro Nikolaienko (Day Night) once again reflects the utilitarian aesthetic of Soviet-era record design.

Dutch maestro Kettel (Reimer Eising) is back on Madrid's Analogical Force with Inmate Shuffle, his first full EP for the label since 2017's Alacasa (AF008). This release features five tracks straight from the heart of Reimer's universe, serving as a heartfelt reaffirmation of his unique identity. Kettel's artistry is a testament to staying true to oneself. Artists like Reimer are not bound by fleeting trends or rigid genres; instead, he carves his own paths, constantly reinventing his sound with honesty and passion. This is why his material is reviewed again and again and serves as a clear reference for many. While Dubio (2025), his recent full-length album inspired by the soundtrack of the acclaimed puzzle game of the same name, explored cinematic and conceptual landscapes, Inmate Shuffle takes us back to the playful, melodic, and rhythmically rich territory that first captivated his devoted audience. Five tracks, five parties. Inmate Shuffle will resonate in your head for a long time. MUST.

Dimi Angelis presents ANGLS 15, delivering four heavy, direct machine tracks with a punk
attitude.

The A-side opens with "The Lust of Flesh", a layered, psychedelic tool that gradually spirals into chaos. "Purgatory" on A2 takes a more spacious yet brutal approach - distorted percussion and a relentless, building clap create constant pressure and tension.

On the B-side, "Deadly Sin" ventures into sci-fi territory with a rolling low end, percussive
bleeps, and eerie atonal pads. The record closes with "Vanity", a hypnotic, straight-cut bleep
sequence fired on repeat, punctuated by classic 909 hats and sinister pads that rise and fall.

Repress

They say that good things come in threes... it must be true and Favorite Recordings also proudly presents the third edition of its acclaimed French Disco Boogie Sounds compilation series.

Like on prior volumes, the complete tracklist is selected by label head honcho, Charles Maurice (aka Pascal Rioux), who's unearthed 13 more forgotten and hidden tracks, all produced whether in France, in French, or by French artists between 1977 and 1987.

With most of these titles now very hard to find in their original edition and unknown by many, this compilation should be a must have for any Disco-Boogie-Funk music lover and collector.

Fully remastered from originals at The Carvery Cut (UK), French Disco Boogie Sounds Vol.3 (1977-1987, selected by Charles Maurice) is presented by Favorite Recordings in a gatefold vinyl double LP and as CD.

2025 Repress

Dom Dolla makes a triumphant return, with 'Take It', a deep, dark, heaving club mix that combines an evocatively catchy vocal, with a deep groove beat to create one hooky production. Off the back of his 2017 ARIA nomination for Best Dance Release for the huge collaboration with Torren Foot on 'Be Randy', Dom has been busy touring the globe, stewing away in the dark corners of clubs, tweaking 'Take It', until it reached tech-house perfection.

"I put the bones of this tune together in a hotel room while road tripping between gigs in Arizona earlier this year, feeling heavily inspired by the west coast club audiences I was playing to. The vocals were written and recorded while sick in bed, using my tour manager's iPhone earbud microphone and a duvet as my vocal booth. At the time I had planned on replacing my recording with a cleaner take when I got home to Australia, but was never able to recreate something I liked as much, so it stayed! It's been slaying it for me ever since.", Dom Dolla had to say on explaining the origins of 'Take It'.

Having received over 20 million streams and consecutive ARIA Club Chart #1s for the former and Define, his 2016 collaboration with Go Freek, it becomes obvious that perfection is a common occurrence for Dom Dolla. Also, giving reason to why Dom has been cherry picked for official remixes by the likes of RUFUS DU SOL, Flight Facilities, Peking Duk, Madison Avenue, Motez and Sneaky Sound System and ongoing festival slots at Beyond The Valley (closing out the festival 4 years running), Splendour In The Grass, EDC Las Vegas and Splash House Palm Springs.

With Chris Lake, Kyle Watson and Billy Kenny already jumping on board, 'Take It' will be sure to garner a solid amount of support from the big-dogs. This goes without saying when Pete Tong is your biggest supporter, playing a spate of Dom Dolla releases across BBC Radio 1, a guest mix on All Gone Pete Tong and chosen as support for Pete Tong's huge orchestrated Ibiza Classics show at Melbourne's Sidney Myer Music Bowl.

After being tried and tested, this track is 100% guaranteed to rip your heart out and 'take it' straight onto the darkest dance floor out there. Australia, hold tight for a tour announce very soon, otherwise you can catch Dom on dance-floors throughout the US from July.

11 million streams across Spotify, SoundCloud + YouTube
#1 ARIA Club Chart
#1 Beatport Overall
Named as Pete Tong's artist to watch for 2019

There is kind of a before and after when you wander into a Butthole Surfers show. That is a changing point in your life"" - Richard Linklater

"Butthole Surfers are the greatest live band of my lifetime" - Dean Ween

Live at the Leather Fly documents Butthole Surfers legendary live show. Mixed by guitarist Paul Leary, the album channels their ferocious stage energy into a speaker bursting cacophony across 21 unrelenting songs including fan favorites from "Human Cannoball" to "The Annoying Song".

As rRoxymore, Hermione Frank has been exploring the outer edges of the dance floor and producing music that goes beyond traditional genre boundaries for more than a decade. In that time she has covered plenty of ground from caustic and abrasive techno to long-form and immersive grooves, always with a focus on contrasting tempo, texture and tone. On previous albums she intertwined the electronic and the acoustic with elements of psychedelia and jazz. With Juggling Dualities, Frank takes a sideways look at New Age and Wellness culture.

Writing the album came about after many months of being unable to create during a complicated personal time which left her lacking inspiration, feeling creatively stuck yet emotionally uprooted. What helped was distance - taking time and space to disconnect from the struggle. That brought a different rhythm to life and a fresh perspective that allowed exploration without any expectations. A six-week surge of intense creativity followed in which the majority of the album was written. As she explains, "The record represents a journey of reconnection that conveys an underlying message of hope and healing at its core. I think it is my most honest
work to date."

Initially conceived as a New Age project but with a signature personal twist and some subtle humour, there is a familiarity to Juggling Dualities. It is warm and comforting with a sound palette that is refined but familiar - there are soothing signifiers and organic designs that nod to the motifs of New Age but passed through a more contemporary lens.

Juggling Dualities is an invitation to reconnect with yourself. It's music that encourages you to take a pause, be in the moment and reflect on the fact that no matter what challenges come your way, they shall eventually pass.

Teasing dread atmospheres and zooming in on microscopic details that bring every beat in every bar to life, Seb Uncles returns to Samurai Music with another deep dive into his exquisitely crafted, cinematic progression of the drum & bass tradition.

Even a cursory glance at the Eusebeia back catalogue tells you Uncles is an artist committed to the storytelling promise of breakbeat culture. His work has been heavily tipped towards albums since he first broke through around 2015, and across more than 10 long-players he's cultivated a strong line in moody, evocative jungle and drum & bass more concerned with world-building and subtle detail rather than aggression and intensity.

Following up on his 2023 LP for Samurai, X, on Undertones Uncles applies his signature meditative tones to a broad expanse. There's a consistent sound palette that leans on the warm snarl of monosynth low end and aqueous pads, delicately edited breaks and crisply sculpted synth percussion, but Uncles moves with dexterity around different tempos and structures within this considered sound world. The overarching notion is one of things lurking beneath the surface - a comfortably open theme to be approached and understood from any number of angles. It certainly chimes with the upfront detail and brooding tension that gives the Eusebeia sound such depth.

There are moments of direct drum pressure, such as fierce opener 'Undertones' with its diced-up breaks and icy chords, the boisterous jungle dread of 'Uncover' and chasmic roller 'Root Out', but on the likes of 'Beneath The Surface' and 'Out In The Open' it's the mellow elements that take precedence over the deft drum science. The motion is persistent and nuanced, but it's achieved without deferring to default dancefloor tropes.

'Emergence' marks a pointed shift towards a delicate strain of techno that maintains the album's sound at a mid-paced pulse, focusing on synth shapes and textures to achieve propulsion with only the lightest of drum parts. Alongside the energetic intrigue of Uncles' sonic choices, the melodic make-up of the track is a compelling showcase for his emotionally ambiguous approach, both rousing and chilling in the same curious chord shapes.

From the half-time prowl of 'Lifting The Veil' to the creeping textures and haunted phrasing of 'Brought To Light', Undertones is another stunning exercise in widescreen jungle. It flows naturally from the rich body of work Uncles has cultivated over the past 10 years while carving out its own unique pocket - a reminder if you needed one of the profound sound bedded into the Eusebeia project.