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Tauchen Sie ein in das glitzernde Lebensgefühl der 1970er Jahre! Mit „70s Disco Hits Vol. 3“ holen Sie sich die größten Dancefloor-Klassiker einer unvergesslichen Musikära direkt nach Hause – energiegeladen, zeitlos und voller Groove.

Diese exklusive Vinyl-Compilation vereint ikonische Künstler und Welthits, die die Disco-Welle geprägt haben:
• Donna Summer – Die „Queen of Disco“ begeistert mit ihren elektrisierenden Hymnen und unverwechselbarer Stimme.
• Barry White – Samtweiche Soul-Vibes und unverkennbarer Groove.
• Blondie – Disco trifft New Wave mit ikonischem Sound.
• Stevie Wonder – Funkige Rhythmen und musikalische Meisterwerke.

„70s Disco Hits Vol. 3“ bringt das Gefühl von Spiegelkugeln, Plateauschuhen und durchtanzten Nächten zurück – eine musikalische Zeitreise in die goldene Ära der Disco.

Let the music play – und machen Sie Ihr Wohnzimmer zur Tanzfläche!

c Urge feat. Abdominal & DJ Robert Smith - Brainwashed Shortcut

"AVEX REGGAE SYSTEM" is a series of gems of reggae covers of classic AOR and pop songs that were in heavy rotation on dance floors and FM radio from the late 70s to the early 90s. This is the fifth 7-inch single cut project from the series!

"Upside Down" is an 80's dance classic by Diana Ross, produced by Nile Rodgers and Bernard Edwards, who were flying by the seat of their pants at the time, and features Mareen's cute vocals and electric sitar tones, just like the original. The cover features Mareen's cute vocals, electric sitar and a bouncy shuffle beat." Smooth Operater" was released in 1984 and was one of Sade's early hits that made her a worldwide sensation, and it was a longtime seller in Japan at the time, playing in cafes and bars.

THY WILL BE DONE is the newest album from $uicideboy$, delivered as a raw, unfiltered gift to the G59 fanbase. The 10-track album blends the duo’s signature hard-hitting, gritty sound with deeply personal reflections on life before and after sobriety, before and after finding God, and the ongoing tension between fame, money, and family. The focus track “BLOODSWEAT” anchors the project with brutal honesty and intensity, and will be accompanied by an official music video following the album’s release.

A veteran touch meets fresh intent on this pair of cuts for CA, where decades of experience translate into effortless groove. Best known as part of Sugar Ray, American DJ, musician, rapper, singer, record producer and radio personality DJ Homicide_ shows his range here with two confident, club-ready jams. 'Wild Mary' leans into a smooth 90s hip-hop and r&b feel, all creamy vocals and soft-focus chords riding an easy swing. Flip it over and 'Get Up Steez' digs deeper into early hip-hop attitude, driven by tougher drums, crunchy low end and soaring falsetto hooks.

Two of the most iconic Dexter Wansel recordings are being issue for the first time in the UK back-to-back on 7” single. “The Sweetest Pain” features singer Terri Wells who will be in the UK to perform it live for Dexter with his 33 piece MFSB tribute orchestra on Sunday 12th April at the Eventim Apollo. “Theme from The Planets” opens with a drum break that became one of the most sampled beats in hip-hop history—heard in tracks by Kanye West, Lil Wayne, Drake, Rick Ross, J. Cole, Ice-T, and many more.

VA – Parallel Sequences continues MixCult Records’ tradition of curating forward-thinking soundscapes for refined dancefloors. This four-track compilation brings together the finely tuned craftsmanship of Kirill Matveev, Genning, Overt, and Dawn Gab — producers with surgical precision and a deep understanding of space, groove, and sonic narrative. Together, they present a multi-faceted EP rooted in dub techno and tech house, designed with intention and built to navigate a wide emotional range throughout the night.

A1. Kirill Matveev – Never Losing That Track (Overt Remix) is a masterclass in momentum. It rises patiently yet confidently — perfect for steering the atmosphere toward something uplifting, with each element unfolding with deliberate purpose.

A2. Genning – Parallel shifts the energy into shadowy territory. Deep, dubby, and melancholic, it acts as a reset moment — cooling the air while preserving depth, tension, and forward motion.

On the flip, B1. Dawn Gab – Call Of The Wind moves between melodic phrases and swinging percussive patterns, offering a graceful push-and-pull that feels fluid, textured, and inviting.

Finally, B2. Genning & Kirill Matveev – Blueberry brings the release to its emotional peak with bright, expressive energy. Melodic and high-spirited, it is engineered precisely for a euphoric moment on the floor.

This EP is a toolkit for thoughtful selectors — designed to glide through introspection, propulsion, and release with clarity and finesse. Whether opening a night, shaping the arc, or closing with warmth, Parallel Sequences delivers depth, agility, and emotional charge in perfect balance.

11 artists. 11 tracks. 1 city.

From the heart of the most vibrant French city, Marseille, comes a project that redefines the enthusiasm, energy and growing talents around the underground music scene.

Consisting of eleven djs/producers bound to the Phocaean city, this 2x12LP is not just an ordinary album: It is a cultural marker in a city deeply rooted in urban music, reasserting its young and strongly emerging electronic landscape. It is a celebration of Marseille’s musical identity through house, techno and electro.

Originally a record shop, Mindtrip has been promoting and advocating for the electronic movement for 4 years. Olivier aka HI.lo now invites you to deep dive into Marseille’s sonic uproar with his new born label, an extension of the music he has been playing and representing through his shop, putting marseille on the map with an essential first release gathering the city’s finest: MAN/IPULATE, TIBAHUULT, LAMALICE, PRINCE DE TAKICARDIE, JO’Z, CURTIS OD, DJONN BULL, BWI-BWI, DYNASTY OF DREAMS, NICO BELIC & AYO’B.

Sekhem opens a new portal. We are pleased to welcome Multivoq’s debut as Omega Tribe. He delivers four cuts engineered for the dancefloor, driven by razor-sharp grooves and strong basslines, with every element precisely tuned. Analog machines bring warmth, sequences pulse like coded transmissions, vocals drift through the mix as signals from space... Each detail shapes a journey built for powerful sound systems.

Geoglyph is the new duo project by Alohn and Khey Mysterio, a convergence of two deeply singular practices into a single subterranean signal. Their debut album arrives as the eighth reference on Organic Signs, not as a collection of tracks but as a carved artifact: six inscriptions pressed into vinyl, mapping a sonic territory where time, rhythm and texture are no longer linear, but layered like geological memory.

Through Geoglyph, Alohn and Khey Mysterio convey a message from below, or beyond. A pulse engraved from forgotten times in the basement of reality, reactivated by abyssal basses, vibrating layers and fractured textures. Exhumed from the subterranean strata where psychedelic dub, mineral techno and fractal dubstep fuse into raw energy, their music becomes a point of contact: every beat, every silence, every oscillation acting as a coordinate toward another perception. What unfolds is not simply sound design, but an invocation, rhythms as sigils, timbre as gnosis, signals that seem to arrive already charged with intention.

Across the album, Alohn’s guitar notes fall like cascades through the mix, dissolving at times into controlled feedback and crystallizing into melodic fragments that hover between tension and release. These organic gestures are interwoven with Khey Mysterio’s dense low-end architectures and rhythmic frameworks, creating a constantly shifting terrain: from weightless transmissions and ritualistic voices to moments of overwhelming propulsion where the music suddenly breaks open with tectonic force. The record moves fluidly between meditative suspension and explosive motion, never settling into a single state for long.

A strong undercurrent of what has come to be known as “druidstep” runs through the album, a term coined within the 95 Open Tabs universe to describe a form of dubstep untethered from genre convention, rooted instead in bass as ritual, in groove as invocation. Here it meets dub-techno pulse, psychedelic echoes and high-velocity 4×4 pressure, drawing subtle influence from underground bass cultures without ever becoming referential. The result is a body of work that feels both ancient and forward-leaning, cyclical rather than linear: a living geoglyph that reveals different meanings depending on how (and where) it is read.

As the final movement accelerates into its closing phase, the album releases its energy outward, with frequencies stretched toward their limits, leaving behind the trace of a completed ceremony. In this sense, Geoglyph’s debut stands as a defining moment within the Organic Signs continuum: a record that unfolds rather than explains, offering an experience to be entered, absorbed, and carried. With this release, the label continues to explore new sonic spaces, evolving and expanding while giving deeper meaning to its own essence. A message from beneath the surface, waiting for those willing to tune in.

Más de este género

System is back with UK based Shacklo and his "Magia EP". This record is very much designed to echo early ’90s Italo house aesthetics, that slightly nostalgic, almost “sunset on the Adriatic” feeling is very intentional.

**CASSETTE

Colombian artist Nicolás Vallejo, performing under the moniker Ezmeralda, has officially joined the roster of the Swedish electronic label blundar.

Known for his deconstruction of traditional cumbias, Ezmeralda has become a defining voice in the Latin American ambient scene. His arrival at blundar marks an exciting cross-continental fusion, bringing his signature "post-impressionistic" soundscapes—a blend of fluid textures, synthesizers, and loops—to the Swedish imprint's curated electronic catalog.

Vessel Recordings line up US producer Jason Merle for the fourth instalment in his Vessel Recordings Group series, where across four tracks - including the nearly ten-minute opener 'I'll Be Gone', 'Sumthin Bout', 'The Nature of Love', and 'Actin Like' - we've deep, atmospheric textures and propulsive house momenta. Merle's signature approach to layered electronic production shines brightly here; B-sider 'The Nature Of Love' opts for deeply echoic, tunnelling sonic tribalisms, countering the A-side's shinier 4x4 allure.

For the 10th Anniversary of the iconic and unique For Honor, Kid Katana Records teamed up with Ubisoft to bring you this high quality album on an exclusive double vinyl. With over 35 million players since its release, For Honor has kept on bringing new content in the game, enriching the players’ experience with new Heroes, Factions and Music to keep the battle for survival and honor alive.


The physical edition is a premium 2LP designed in close relationship with the game's creative team:


● Track selection handpicked by For Honor team, including 2 new tracks (Year 10 exclusive) and a track never released before from Y1 Season 7
● 2 Golden vinyls
● Exclusive cover art with glossy effect on the logo
● Exclusive 16-page booklet with insights on each faction’s music, liner notes
from the game’s creative team and composers Luc St-Pierre, Danny Bensi and
Saunder Jurriaans



The tracklist is a selection of music from the 10 seasons of the game, one side per faction:

Kid Katana Records teamed up with Digital Eclipse / Atari to bring the legendary Wizardry remake game OST, for the first time on vinyl. Winifred Phillips crafted a unique soundtrack, which was recognized by the 2025 Grammy Award Winner for Best Score Soundtrack for Video Games and Other Interactive Media.


This OST is steeped in ancient history and culture, with Phillips using authentic period instruments from around the world, including gitterns, nyckelharpas, dulcimers, and bone flutes, and a choral battle anthem in the ancient language of the Wizardry spellbook.

Light in the Attic präsentiert die lang erwartete Neuauflage von ,Synthesizing: Ten Ragas to a Disco Beat", dem revolutionären Album von 1982 vom Komponisten und Musiker Charanjit Singh. Er hat klassische indische Ragas mit den damals modernsten Roland-Synthesizern und Drumcomputern kombiniert und so ein elektronisches Meisterwerk geschaffen, das seiner Zeit weit voraus war. Bei den Live-Aufnahmen in den HMV-Studios in Mumbai verband Singh die Vergangenheit mit der Zukunft - er mischte die alte indische Tradition der Ragas (ein melodisches Gerüst, ähnlich einer Tonleiter, aus dem Musiker improvisieren oder komponieren können) mit pulsierenden elektronischen Dance-Beats. Das Album wurde ohne großes Aufsehen veröffentlicht, geriet in Vergessenheit und Singh zog sich aus dem Musikgeschäft zurück, um sich auf private Konzerte zu konzentrieren, aber damit fängt die Geschichte erst richtig an...

"Black & 'Pearlescent Transcendent Future'"-farbiges Vinyl. Light in the Attic präsentiert die lang erwartete Neuauflage von ,Synthesizing: Ten Ragas to a Disco Beat", dem revolutionären Album von 1982 vom Komponisten und Musiker Charanjit Singh. Er hat klassische indische Ragas mit den damals modernsten Roland-Synthesizern und Drumcomputern kombiniert und so ein elektronisches Meisterwerk geschaffen, das seiner Zeit weit voraus war. Bei den Live-Aufnahmen in den HMV-Studios in Mumbai verband Singh die Vergangenheit mit der Zukunft - er mischte die alte indische Tradition der Ragas (ein melodisches Gerüst, ähnlich einer Tonleiter, aus dem Musiker improvisieren oder komponieren können) mit pulsierenden elektronischen Dance-Beats. Das Album wurde ohne großes Aufsehen veröffentlicht, geriet in Vergessenheit und Singh zog sich aus dem Musikgeschäft zurück, um sich auf private Konzerte zu konzentrieren, aber damit fängt die Geschichte erst richtig an...

‘Future Quiet’ signals a striking new chapter for one of electronic music’s most enduring and visionary artists. Across fourteen tracks that encompass modern piano minimalism, immersive ambient soundscapes and a smattering of vocal collaborations, the album finds Moby reflecting on the tension between hyper-connected modern life and the deep human need for stillness.

2026's Brightest Hope Confirmed: “Kabutomushi”!
In their 7th year since debut, an unprecedented best album is released on CD, Cassette Tape, and LP!
Formed in 2019 as a music production team or conceptual four-piece rock band comprising a pianist, avant-garde composer, painter, and percussionist.
J-POP, hip-hop, new wave, prog rock, techno, house, free jazz, contemporary classical, folk music－all sublimated into an elusive avant-pop.
It could be called the 2020s reimagined version of Yura Yura Teikoku.

The monumental 2006 live recording of mama!milk, which laid the foundation for their current performance style, is now available on CD and LP!
mama!milk, hailed worldwide as “Japanese New Exotica,” praised for their “music that entices you on a journey” and “soundtracks to unseen films.”
This site-specific, one-day-only performance, unique to the 21st Century Museum of Contemporary Art, Kanazawa, is packaged here.

2026 Repress

Two formidable producers deliver an absolute weapon of a release, each taking charge of one side of the vinyl.

Already on his second release with the Time Passages family, Tal Fussman needs no introduction.
For Skatman, this marks his first appearance on the label, though he has been on the radar of the label boss for quite some time.
His music is hypnotic, subtle, and deeply rooted in the dance floor — perfectly aligned with the timeless aesthetic of Time Passages X.

As sublabel of Time Passages, TPX continues its strictly limited approach: only 300 copies, untitled, and with no digital release.
Two tracks that speak louder than words.

His fresh, delicate playing has captivated countless listeners, and his debut album Scenery has come to be highly acclaimed around the world. Fukui, who began playing the piano at the age of 22, recorded this album when he was just 28. The earnest passion of his youth resonates throughout the music, gently stirring the emotions of those who listen. The spacious, confident swing of “It Could Happen To You”, the refreshing joy radiating from “Early Summer”, the late autumn coolness imbued in the title track “Scenery” each embodies the uniquely expansive yet nuanced “Hokkaido sensibility” that flowed naturally from Fukui’s artistry.
Within this album, the beautiful landscapes that Ryo Fukui crafted his Scenery continue to breathe eternally.
text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY)

Who could have imagined that Ryo Fukui had left behind a recording like this? Captured on June 8, 1977, this previously unreleased live session was recorded at the Sapporo jazz club Vidro by Masataka Ito, the producer behind Fukui’s albums Scenery and Mellow Dream. It is unmistakably the Ryo Fukui Trio of that era, yet the performance possesses an overwhelming intensity and freshness that far surpass any studio recording—excitement in its purest form.

The 16-minute, searing performance of “Mellow Dream” is just the beginning. The propulsive energy of “Speak Low”, the beautifully woven lyricism of “Body & Soul,” the blistering drive of “Love For Sale”, the weighty depth of “Mr. P.C.”, and the crystalline fragility of “My Foolish Heart”—each track is delivered with feverish brilliance. It was this very live recording, excerpts of which were evaluated at the Trio Records headquarters at the time, that ultimately led to the production of Fukui’s second album Mellow Dream. In every sense, this is an extraordinarily precious document.

Cut The With The Cake Knife was recorded by Rose McDowall in 1988/89 following the break up of her group Strawberry Switchblade. Produced with the aid of several musicians in several studios, the album features songs written for the fabled second Strawberry Switchblade album. More importantly perhaps it showcases the honest, direct and life-affirming songs of one of the greatest unsung songwriters of the modern pop era at a tumultuous time in her career.

Tibet opens the set and could be one of the best pop songs you've never heard. The innate sadness of the songs' content - the loss of a friendship, impending sorrow - is heightened to heart-melting level by McDowall's pop nous and melodic sensibility. Choruses and hooks are everywhere on Cake Knife, from the outsider take on stadium 80s pop in Wings Of Heaven to the spiraling, ecstatic So Vicious, a glorious anthem that highlights the human fragility in McDowall's vocal performance, an instrument that has never lost the naïve purity it first exemplified in Strawberry Switchblade's early 80s recordings. The centerpiece of the album, the title-track, is the greatest Switchblade pop chart hit that never was. Like the veiled melancholy of her former group's hits, Cut With The Cake Knife hints at a darkness beneath the gloss, a darkness that saw McDowall delve into more esoteric territory with her subsequent recordings and collaborations. Cut With The Cake Knife serves as the bridge between the pop music McDowall had been making with her friends Jill Bryson, Lawrence from Felt and Primal Scream to what became a more extreme, deep sound informed by neo-folk and post industrial music.

Rose McDowall's role in the canon has always been one of an outsider. Beginning in Glasgow's East End in the avant proto-noise group The Poems, achieving fame briefly in the 80s and then disappearing into counter-cultural folklore, the emphasis in the internet-age has been skewed towards her image and cultural significance. Unseen to many, her solo work, her groups Sorrow and Spell and her collaborations with a whole host of underground luminaries have still touched lives. As McDowall elucidates: 'They're real sad songs, about real life. I've had people come up to me to say I'd connected with them and helped them. I remember a gig in America when we made a whole room cry. It was bizarre. A couple at the front of the stage started crying and then these two boys beside and suddenly everyone was crying. And I thought, "that's power."

Night School's issue of Cut With The Cake Knife includes unpublished photographs, extensive sleeve notes from Rose McDowall and 2 bonus tracks culled from the bootleg 7' 'Don't Fear The Reaper.' First vinyl pressing is Clear w/ Black swirl; 500 only / has DL card and booklet, with a poster
CD has extensive booklet and is packaged in anO-Card.

The album Greatest Hits - Wonder is more than a collection - it is a musical journey, bringing together the 10 most treasured songs Invisible Hands Music releases that have touched hearts worldwide. Invisible Hands Music is proud to have enjoyed a dynamic and enduring partnership with Libera, spanning six acclaimed studio albums distributed across more than 200 territories. Each song on embodies the passion, artistry, and collaboration that have driven remarkable achievements - from multiple No.1 chart positions to "Album of the Week" features in major markets including the UK, Japan, and the USA. This definitive collection celebrates Libera's most beloved recordings and offers longtime fans and new listeners a memorable one-stop experience.

Muse are a culturally-attuned, genre-defying band who channel the anxieties of each era—technology, power, rebellion, and identity—into maximalist, stadium-ready rock that evolves with the times while staying unmistakably Muse.


Kicking off with new single “Be With You,” this next era of Muse is rooted in electronic experimentation and an insatiable curiosity. ‘The WOW! Signal’ represents a world of cosmic mystery, existential hope, and the exhilarating possibility of contact with something far greater than ourselves.

Downtown Boys have pushed relentlessly forward as an artistic and political project since their founding. Singer Victoria Marie and guitarist/singer Joey La Neve DeFrancesco first met at union meetings while working together at a hotel in Providence, RI, writing many of the band's early songs about labor organizing and exploitative workplaces. The quintet is completed by Joe DeGeorge (sax/synth), Mary Jane Regalado (bass), and Joey Doubek (drums). Over years of touring, and three acclaimed albums, Downtown Boys have continued to grow as artists, musicians, and organizers. Now, the band has arrived with Public Luxury, an enthralling album that keeps politics front and center while summoning the band's most urgent and powerful sound to date. The definition of Public Luxury falls very much in line with that of the title of the second Downtown Boys LP, Full Communism. Straight up, Public Luxury means, "everything for everyone." It's the stubborn insistence that a better world is possible, while fully recognizing the horrors we witness daily, and the individual and collective responsibility to resist the nihilism and hopelessness we all feel. Sentiments like "everything for everyone," and "we will have it all" perfectly represent the cathartic, communal live experience this cadre of multi-instrumentalists create. These sentiments also encapsulate the inclusive, joyful sonic fusion that defines the album: anthemic punk and indie rock mix with Latin traditions, drum machines blend with acoustic drums, saxophones punctuate riffs, and layers of synths add flourishes from new-wave to industrial. The amount of ground covered on Public Luxury can't be overstated, and yet the album feels totally vital and cohesive. Public Luxury is a revisitation of the band's past for the sake of their future. It was co-produced by DeFrancesco with recording engineer and longtime Downtown Boys supporter Seth Manchester (Lambrini Girls, Lightning Bolt, Model/Actriz) at the Pawtucket, RI studio and arts space Machines With Magnets, not far from the band's first home of Providence, RI. Victoria Marie's grandmother-a monumental figure for the band throughout their existence-passed away in May of 2025, and her influence looms large over the album; the songs "No Me Jodas" and "Sirena" are crystallized representations of the love between a woman and her ancestor. Beyond the loss, rage and frustration of the present, Public Luxury points boldly towards a vibrant, open-hearted vision of both music and the world: "Our music is simply for anyone and everyone who believes in the new future we can make together," Victoria Marie declares. "A world that will be awkward, inconsistent, yet truly free when it comes to all that matters."

2026 Repress.


There is with Tour-Maubourg an eternal desire to translate the feeling of love into music. Sometimes cheerful, sometimes melancholy, always exhilarating, the producer, native of Brussels and expatriate in Paris, has continued for 3 years to attract the praise of his peers and the support of a growing audience. The man who was described by Trax Magazine upon the release of his 1st EP as ‘‘one of the most promising producers of the French house scene’’ has revealed himself in this hyperactive new scene to become one of its best standards.

After several EPs released in France on Pont Neuf, FHUO (ie. Folamour’s label), as well as Happiness Therapy or in England and Germany on FINA and Salin, Tour-Maubourg unveils his first album, Paradis Artificiels. The Parisian producer refers to Charles Baudelaire’s poem, to which he links his melancholy music, who wrote:

‘‘common sense tells us that the things of the earth exist very little, and that the true reality is only in the dreams’’.

If the producer’s first EPs were mainly focused on club music, Paradis Artificiels oscillates between the atmospheres that made the success of these previous releases and those of a studio album. Composed of both house songs and downtempo sound researches, always flirting with the jazz sounds that have made the fame of the producer, this first album invites us on a journey in the lineage of St Germain, Massive Attack or Nicolas Jaar.

UTTU hits the 200 mark (officially) with DJ Haus in the command module navigating wild meteor showers, solar flares and of course WORMHOLES - along for the ride are fellow cosmonauts Legowelt (under his amazing new ZORLOK COMPRESSOR alias), Berlin legend SHED & Tokyo's 'modular dub enthusiast' YASSOKIIBA - each reworking EneGiZer into unique outer reaches of the sonic cosmos - absorbing DUBSTEP, REGGAE, TEKNO, BREAKZ and HOUZ!"

Reframed is Vitess’ third album, released on his own label Retro Futura, and marks a new turning point in his artistic journey. Unlike his previous albums — the first fully exploring the Retro aesthetic, the second embodying the Futura — Reframed brings these two worlds together within a single, coherent yet eclectic body of work. The album opens with sounds inspired by 90s progressive music and gradually moves toward more futuristic textures. This album format gives Vitess complete freedom: the freedom to build a full, living musical experience, introducing for the first time a strong instrumental dimension — most notably through the use of live drums — and allowing each track to interact with others, transform, or mirror one another, while maintaining a clear narrative thread that guides the listener throughout.

The title Reframed directly reflects this approach. The album is built around tracks conceived as Recto / Verso, offering a form of double listening experience. On the one hand, electronic, club-oriented and progressive versions, designed for energy and dancefloor movement; on the other hand, more introspective, pop and instrumental counterparts, created for listening and storytelling. Starting from the same musical foundation — a vocal sample, a percussion element, or a melody — Vitess develops two distinct interpretations of the same track, generating contrasting yet deeply connected sonic worlds. This method, central to his creative process, highlights his ability to explore a single detail in depth and let a micro-element lead him toward radically different sonic dimensions, while ensuring coherence and a strong identity across the album.

For Reframed, Vitess also collaborates for the first time with other artists: Stupid Flash, ATOEM, and Lucile, selected for their ability to enrich his universe and push it toward new aesthetics. These collaborations recreate a sense of collective energy reminiscent of his early days playing in bands, while remaining true to the essence of the Vitess project: a primarily solitary approach rooted in exploration, experimentation, and embracing the unexpected paths each idea can take.

SMIILE RECORDS launches its new vinyl-focused sub-imprint SMIILEWAX with a three-track EP from Jen Cardini, released March 27th, 2026. Marking Cardini’s first solo project since the 90s, ‘petit monstre’ delivers percussive, club-ready cuts built for modern dance floors. The EP moves from stripped, rhythm-led groove to raw acid pressure and a drum-focused homage to the New York underground. A bold, floor-tested statement from one of dance music’s most quietly influential selectors and curators.

In September 2024, Nacho Piek, Rapha Mundi, Odd Signals and Ibai Machín gathered for four days in a beautiful house in Etxeberri, a small village in Navarre with barely 50 inhabitants. Isolated from everyday rhythm and surrounded by nature, the goal was clear: to create a production camp dedicated exclusively to club music.

The result is Etxeberri EP, the debut of Buenobueno Soundsystem — a work that captures that coexistence in the form of direct and timeless music, designed for the dancefloor. An organic crossing of influences ranging from House, Techno and late-90s Minimal Trance to contemporary UK Bass.

Etxeberri EP will be released on March 13 exclusively on vinyl, in a limited edition of 200 copies. Each record includes an inlay with photographs of the creative process and private access to an audiovisual piece shot by Jesús Iriarte documenting the experience and the spirit behind the project