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After the success of the previous three chapters, Cristian Cosignani, also known as 5UNIVERSOS, presents a compelling fourth volume, a richly layered album infused with rhythmic elements that are perfect for the dance floor. With a distinctive blend of sophisticated house and minimalist dub, the Mantra EP is crafted to immerse the listener in the elevated vibrations of its four tracks, each serving as a meticulously designed groove instrument.

The journey begins with "Mantra," featuring a sequence of syncopated bass lines and deep vocals laid over a strict, minimalist drum pattern. "Thastha" follows with a funky bass progression, complemented by a sensual female chorus and a retro drumbeat, evoking a sunrise at sea.

On the B-side, "Greet" delivers a dry, rhythmic punch with a bassline that aims to make listeners smile with their eyes closed, as the filter opens and closes.

The EP concludes with "Tolerance," which introduces a Balearic string arrangement, adding a deeply spiritual and introspective layer to the overall experience.

This album is undeniably a pure expression of rhythm and the club atmosphere - an essential addition to any collection.

Chileans Are Playing

Master by Claudio Solis

2025 Repress

DJ Quik is a giant of West Coast hip-hop. With 1995’s Safe + Sound, he scaled new levels of musical magnificence with his signature new age P-Funk/laconic G-Funk. A quintessential, sun-scorched LA album, this is pretty much essential. Typical for mid-90s albums the original vinyl copies are now rare so here’s the Be With re-issue, complete with “Tanqueray”, the hidden track from the original CD release.

A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.

By the time of his third album DJ Quik was a household name on the West Coast - California’s premier rapper/producer not named Andre Young. Released on Profile in 1995, Safe + Sound was certified gold. Less reliant on samples and more focused on live instruments, it elevated him from producer to fully-fledged composer. This sound — the quick, winding basslines, tinny high hats, smooth instrumental solos, soulful pipes, and Roger Troutman’s talkbox — defined him. This is an album of full-blown masterpieces. Rich soundscapes and masterfully arranged orchestrations with dense layers of sounds, intricate rhythms, and well-balanced songwriting.

The first track proper, “Get At Me” samples Cameo whilst Quik takes aim at the Judases in his life, the horn-laced chorus providing a triumphant feel. On the horizontal “Diggin’ U Out”, the soulful electric piano of Warryn Campbell lays a relaxed groove for Quik to talk over about one of his favourite topics: sex. Title track “Safe + Sound” chronicles Quik’s formative years over a slick instrumental. The moody bass locks a laidback infectious groove, the hook is catchy and Quik’s delivery is in fine form. On the uber-chilled “Somethin’ 4 Tha Mood”, Quik cooks up a breezy, feel good track of sparkly keyboards, syncopated claps, shuffling hi-hats, woozy synths and a floating two-minute flute solo courtesy of Robert “Fonksta” Bacon. Analysing the highs and lows of an average day in the hood, it echoes Cube’s “It Was a Good Day”.

“It’z Your Fantasy” is a silky smooth soundtrack to Quik’s detailed retelling of a sexcapade with a young lady and whilst “Tha Ho In You” is musically perfect for that midsummer family BBQ, its lyrical content is unsurprisingly decidedly less family-friendly. A real highlight, the infamous “Dollaz + Sense” is one of the most ruthless diss tracks of all time. The brutal lyrics ride a laidback West Coast beat, flipping a sample from Young & Company’s “I Like (What You’re Doing To Me)” as Quik fires lyrical shots at his arch Compton nemesis, MC Eiht. On the loping, hazy “Let You Havit”, Quik is again in gangsta mode, with more bars of barbs aimed at Eiht, rhyming over sun-kissed synthy-rollerskate funk.

Some of the finest tracks on Safe + Sound are those designed to de-stress. The evocative “Summer Breeze” is a classic warm-weather jam, anchored by a twangy funk guitar, breezy string arrangement, and a soulful hook delivered by Dionne Knighton. Quik’s nostalgic lyrics are not far from DJ Jazzy Jeff & The Fresh Prince’s “Summertime”, reminiscing over barbecues at the park, young love, and the brevity of halcyon youth. The relaxed and jazzy “Quik’s Groove III” is another highlight, as bass, guitar, piano and flute combine to create a smooth, soulful instrumental.

The swaggering “Shack Up”-sampling “Sucka Free” features a cameo from Playa Hamm, all funky braggadocio and over much too quikly (pun thoroughly intended). The jazz-flavoured “Keep Tha ‘P’ In It”, again featuring Playa Hamm but this time extending the cameo invitations to Hi-C, 2nd II None and Kam, is pure laidback P-Funk. The deep bass and industrial drums make sure the groove hits hard.

“Tanqueray” was originally a hidden track on the CD version of the album, but it’s too good to hide. This wild party samples Brass Construction’s gigantic “Get Up To Get Down” and soars in its drunk-ebullience. An apt way to close this party-driven set.

This 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Safe + Sound was originally pressed as a double, so all that was missing was the CD’s hidden bonus track “Tanqueray”, so we’ve fixed that. The original vinyl release never got a picture sleeve, so we’ve recreated the original’s promo-style silver-sticker and plain black jacket. A subtle cover for a wonderfully unsubtle record.

Embark on a timeless musical journey: "Overture", one of the most iconic works from the golden era of progressive trance, is making a grand return.

Released in 1999, this Dutch masterpiece quickly established itself as a quintessential classic, starting in Belgium before taking dance floors across the globe by storm. A resounding success, played not only by club and trance DJs but also by those with a broader musical range, "Overture" is a track with a unique aura. Over 25 years after its release, it continues to electrify retro parties and remains an elegant, timeless standard.

To celebrate this legendary track, we are proud to present a special reissue, elevated by an exceptional remix from the talented Maxim Lany, the mind behind the iconic hit "Renaissance". The Belgian DJ and producer, renowned for reimagining classics with his modern touch, delivers a 2025 version that will resonate with both nostalgic fans and a new generation of listeners.

Maxim Lany shares:

"Reworking this epic classic has been an exciting creative journey. Inspired by the depth of the vocals and the power of the original strings, I set out to transform this track into a version worthy of 2025's dance floors while staying true to its timeless essence."

This exclusive vinyl release is a must-have for collectors, progressive trance enthusiasts, and DJs seeking a centerpiece for their collection. And as always, the Serious Beats touch ensures the original has been fully remastered to deliver an incredible sound, especially for vinyl purists.

Don't miss this chance to relive history while looking to the future. Act fast before it's too late!

2026 Repress

Gems is a brand-new label dedicated to unearthing the seminal and original tech-house cuts from the 90’s and early noughties from the producers that birthed the genre term. Label boss Paul Still was a music industry don and has proud connections with the trailblazers of the scene from his Croydon roots, the OG home of the sound, where he sourced and sold these vinyl bombs from the back of his van around London and beyond during that time. The rare and choice cuts he has uncovered are now remastered and reissued, offering this legendary sound life to a new fanbase all over again.

The first in the series see the one and only Terry Francis take the remix reigns on the Radical Chic classic; a bomb that changes hands for upwards of £50. An essential tech-houser of the day and THIS was the mix that is in demand. Flipped with the equally brilliant Space Bunny jam, The Key, of which OG copies would cost between £50-£100.
2 of the original tech-house jams on one essential slice of wax.

Unex Pected Records, the advanced sub-label of Mixcult Records, is proud to present its first release compiled by none other than Ultranoise, a master. The “Color Filters EP” UNX001 is a sonic tour that conveniently merges the current and past of electronic music offering an enthralling amalgam of progressive, tribal and garage influences in today’s jazzy wrapping.

From the moment the first beat drops until the closing note, it is clear that every Ultranoise composition has been crafted with love and attention to details, meaning that this album will not only make you feel nostalgic but also excited about what lies ahead. Each track on this record aims at attracting all those who love dancing; they come with entrancing melodies that are backed up by pulsating beats which can either be deep or infectious making one respond by simply moving.

Rediscover the old school essence of electronic music in new colours. If you are already a seasoned collector of vinyl records or if you want to attract more beauty into your ears as a beginner, then this piece should never be out of your shelves. Don’t be left out when Unex Pected Records’ debut ever comes calling.

This is a highly recommended album for any serious collector interested in adding some new life onto their dancefloor.

The Dancefloor Records reissues on Emotional Rescue comes in the form a true House classic. Produced and released by the Chicago legend Andrew Komis, It’s You is an original Deep House bomb and an education to those increasingly misusing the term today.

Essentially a cover / updated version of the all-time early House classic in ESP’s Its You, this 1989 update shows how much the scene was progressing in just 3 years with a tougher, heavier and deeper 12” that was all about rocking club sound systems.

Coming out on Komis’ own (Dancefloor subsidiary) Big Shot Records, this might not of been as big as Dionne’s Come Get My Lovin’, but has long been an ‘in the bag’ record for the likes of Derrick Carter and Solar. Just one listen spread across the time-defining “Mixes” and it’s clear why.

The stepping bass of the New York – London Mix was so indicative of the time. As the latter’s ascent as a clubbing capital took hold, ears were pinned to what was emanating from across the seas, especially the clubs of NYC and ‘Windy City’. Trademark Komis bass and hats ride are all here to allow the breathy vocals space to do their magic.

However it is the Free House Mix that really shows where things were at. Skipping hats, electro-meets-Belgian bass and a dark synth line pull the track down before acid touches take the song to a much deeper place and has long been the favourite version for the discerning DJ.

Ending with what was indicative of the time, the title says it all with the NU Style Mix. A drum heavy work out, taking in elements of successful records of the time, we get Break 4 Love percussion arranged around a NYC influenced Konder’s style quick cut-up editing for a more 'freestyle' mix to round out what is simply, an underground bomb and therefore, worthy of what this label has always been about, bringing great records to new ears.

After organizing a series of club nights in Nuremberg under the banner “Get Closer,” Homebase and Jürgen Kirsch are going to launch a music label under the same brand.



Their approach is to release timeless electronic music pieces on vinyl, get back to the essence of things and focus on what truly matters: good and straightforward music! For the label’s debut, they signed two tracks from Pokerflat & 8Bit artist Markus Homm, getting remixed by the Labelowners himself.



marbled Vinyl !! comes in different Colors

Karen Souza’s third album ‘Essentials II’ has been a top seller in Music Brokers’ catalog since its release in late 2014. Now, finally it gets its vinyl release.

Spiritual jazz fans are going to rather excited about this new one from the hard working people at P-Vine over in Japan: Chicago saxophonist Prince Billy Marge Wright's finest work, 'Summer Love', is now arriving on its own 7" for the first time ever. It is previously lost material that showcases his next level sound though here featuring mainly keyboard instruments as opposed to his more usual saxophone, but that only makes it all the more uplifting. On the flipside is a remix that is just as rare so this one really is an essential record for your collection.

Garden of Eden is more than just a music label, it’s an exploration of natural sounds, raw emotions and the essence of humanity translated into electronic music. Inspired by the bond between man and nature, the label champions an organic and authentic sound dedicated to those who feel music on a deeper level. With each release, we strive to create something truly distinctive, push boundaries, and shape new musical genres within the electronic landscape.

The debut release marks the beginning of this journey, featuring two original tracks by Costin, complemented by a remix from Priku, one of the most respected artists of the underground scene.

A must-have for any collector, this exclusive release is limited to 200 copies, encased in a stunning gold cover, delivering timeless tracks perfect for both the main party and the after hours.

2025 Repress

With Moving Pressure 02, Rene Wise allows us to dip into a psychedelic undercurrent, yet maintaining a very grounded mentality. Its an effortlessly rolling type of minimalism, but lets be clear; its a type of minimalistic spirit backed up by a rich, kaleidoscopic sound design. MP02 is an immersive batch of mystical dance floor journeys which, in four steps, navigates the realms of gaseous sound design to more subaquatic dynamics, working with a palette of serpentine rhythms that pull us into his distinctive, subtly hypnotic world.

A1 Silo Cybin opens the release with the artists unmistakable kick drum pattern, the heartbeat of his sound. Theres a trippy, swampy energy here, enhanced by robotic vocals and broken claps that weave polyrhythms into the track. The minimalist core pulses with playful energy, while detailed textural elements softly emerge like a waves bubbling foam. Up next we have Complicated, which offers a more minimalist composition, yet injected with rich rhythmic structures. Small circular modulations swirl in the background, filling the air with a delicate yet persistent energy, while his signature vocal snippets further enhance the groove. On the B side, Rough Escorts taps into a brighter psychedelic dimension, conjuring the ethos and trademark of Moving Pressure as a whole. Listen closely a fine connection to Wises previous work on MP01 shines through, maintaining the sonic coherence of the project while pushing further into a lush space. B2 Bleep Police, dives into dystopian bleep territory. Here, the artist strips techno down to its essence, intertwining bleeps with percussion into a hyper rhythmic whole.

A living organism composed of intricately layered sonic structures. A variegated interplay of texture and rhythm. Multi dimensional sound. Welcome to Moving Pressure 02.

‘FAIXA’ is the eponymous debut LP from rural Valencian group FAIXA, emerging from a desire to fuse their curiosity for electronic sounds with experiences of living immersed in the folklore that resonates through the Valencian regions of l’Alcoià and el Comtat.

This atmospheric album speaks to a sound not often heard in the wider Spanish electronic music scene, but reminiscent of other modern revivals of traditional music fused with electronic sounds across Spain right now.

The sound of the album is a constant dialogue between the roots and the future of Valencian generations; traditional vocalists play an essential role in connecting oral traditions such as the “cant de batre” and marches of the “moros i cristians” with leftfield electronic, influenced by sounds typical of dubstep, jungle, or footwork. This historical quality resonates profoundly through songs where vocalists Noelia Llorens “Titana”, Carles Dénia, and Josep Aparicio “Apa” act as channels to a new sonic dimension of traditional music, where the classical and the modern intertwine.

Receiving great feedback across the country in a short period of time, FAIXA’s unique approach to electronic music has gained them mentions and interviews on national and local radio & TV.

INHERIT proudly unveils its latest Various Artist compilation, available digitally and on vinyl a powerful showcase of the labels distinct sound and vision. This release embodies INHERITs essence, delivering a curated selection of cutting-edge techno that reflects the energy of techno.

With tracks from Parallx, Ferdinger, Introversion, OFF/GRID, Insolate, Alex Ranzino, Leon Schanzenbach, Echion, Disguised, Daniel Heinrich, FANK, and Isaiah, this compilation highlights each artists unique contribution while painting a cohesive sonic picture that is unmistakably INHERIT. From industrial grit to deep, hypnotic rhythms, the VA captures the spectrum of sounds that define the label.

This release is more than a collection of tracks its a statement of INHERITs dedication to pushing the boundaries of modern techno.

"Existences" is the highly anticipated first album by Neurocore, a talented French artist known for his thought-provoking compositions. This album is a culmination of years of introspection and exploration into the complexities of human existence. During the Covid lockdown, Neurocore found himself with the precious gift of time, allowing him to delve deep into his creative process and tackle profound questions through music.

Each of the 13 tracks on the album tells a story, evoking emotions and painting vivid sonic landscapes. The cover art, meticulously crafted by URRU, captures the essence of the album's concept - a mesmerizing blue vortex symbolizing the unknown and the powerful energy that draws us towards it.

Neurocore breaks free from the confines of being labeled solely as a "speedcore producer." Instead, he presents a diverse array of electronic compositions that transcend trends and embrace the full spectrum of human emotions. Rejecting the notion that hardcore music is only dark and brutal, Neurocore sees it as a representation of the inner beauty within every human being.

"Existences" invites listeners to interpret and create their own stories, as music has the power to evoke personal experiences and emotions. With this remarkable album, Neurocore celebrates the diverse facets of existence and invites us to embark on a profound sonic journey.

3x12" album + digital release
Including an A5 insert with a personal note from Neurocore

Collecting orders for 2024 Repress

The last Drexciyan storm... 6 Drexciya tracks for the life aquatic. Essential!!!

Besides achieving a very personal and characteristic sound, John Coltrane opened the way to free jazz.

American soulstress Phyllis Hyman gets two of her much loved anthems officially reissued on 180g vinyl.

"You Know How To Love Me" is a 7 and a half minute lesson in love. It's got that full bodied production of this golden era - layering strings seamlessly with a busty brass section and a flute line that even the most hardened can't help but smile at. Couple this with Phyllis' sultry yet powerful vocals bolstered by a backing group containing, amongst others, the mighty Gwen Guthrie.

On the flip, "Living Inside Your Love" hits you with a soul jam, heavy on the funk - complete with hands in the air chorus. Just as perfect to close out a set, as it is to warm up the floor.

Two essential tracks for any soul & disco aficionado!

Dutch electronic no-wave outfit Baby Berserk is making a thrilling return to Bongo Joe Records this Fall with their highly anticipated album, "Slightly Hysterical Girls WithPearls." Following the release of two compelling 7'' singles—"What I Mean/Sleepless"and "Toxic Kisses/Wartime"—and a real world tour, the band is back with a full-length record that pushes the boundaries of their eclectic sound.

Known for their seamless blend of music and fashion, Baby Berserk captures the essence of contemporary nightlife, balancing the raw energy of a live band with the infectious pulse of club music. Their latest work offers a refreshing and invigorating boost for the mind, body, and soul.

"Slightly Hysterical Girls With Pearls" isn’t just an album; it’s a statement. It’s about embracing who you are, kicking out the negativity, and finding power in the primal urge to live life on your own terms. With a sound that mixes slow, groovy beats with sharp, slithering synths and a relentless rhythm, Baby Berserk invites you to lose yourself in the music and emerge stronger, more vibrant, and unapologetically yourself.

Subtil Records welcomes newcomer Stoi to the imprint to release his second EP, "No Drugs". This understated (yet powerful) three-track EP embodies Stoi’s signature style — minimalistic arrangements, hypnotic grooves and immersive soundscapes — blurring the lines between dancefloor energy and reflective listening.

"No Drugs (featuring Pae)" (A1), the first track of the EP, clocks at a whooping 10:45 minutes and is a genuine exercise of trance-inducing music. Here, Stoi crafts minimal pulsing beats and intricate modular rhythms, on top of a morphing, massively visceral bass, constantly roaring through the entire track — purpusely making you feel like you are in some kind of altered state of mind. On the B-side, "Ro Id (featuring Cclah)" (B1) brings fresh rhythmic complexity to the EP. Deeply melodic melodies, rich textures and subtle progressions embody a minimalistic charm that unfolds with each beat, making it the most warm and contemplative track on display. The last track of the EP, "Latibulate" (B2), sees Stoi further showcasing his allure for barebones, minimal arrangements where the groove is locked and relentless. And between the wonky bleeps, dissonant melodies and sneaky basslines, there's an undeniably eerie vibe that, through repetition, manages to catch you.

Perfectly suited for both club dancefloors or deep listening sessions, "No Drugs" by Stoi radiates the subtle power that defines minimal techno at its finest, and an essential addition to the Subtil Records catalog.

Santos’ first release for Matt Edwards’ Rekids imprint, the four-track ‘We Were All Kids Once’ EP, is a continuation of the experienced producer’s output on his own Let Me Understand Records, which has seen a staggering amount of support from DJs since it’s launch in 2018.

Traversing rugged, tracky, Relief-influenced House/Techno (‘One Day’), drummy grooves (‘Don’t Touch’ and ‘Rollercoaster’) and cosseting beat-down Deep House (‘Someone’), ‘We Were All Kids Once’ is one of those genuinely essential EPs that provides exceptionally consistent dancefloor ammunition across it’s breadth.

With the likes of Ryan Elliott, Honey Dijon, Ame, Raresh, Luke Slater, Enzo Siragusa, Ben Sims and more supporting his output over the past few years, Santos is in the form of his career. While releases like the breakthrough ‘Camels’ and the anthem ‘Hold Home’ mark Santos as a producer of note at the turn of the century, his four solo albums and, most recently, his Let Me Understand Records EPs have proved he’s an artist that is constantly pushing forward.

Santos’ EPs regularly fall into the ‘if you know, you know’ category of various tastemakers across Disco, House and Techno and ‘We Were All Kids Once’ neatly displays why.

Dublin City, 1998. Prepare to be transported back in time to the vivid streets of Dublin. A city in social, economic and artistic transition.Set against an evocative sonic backdrop of jungle, drum and bass and breakbeat, SK83 weaves an elaborate narrative that captures the essence of adolescent life in Dublin in the late 1990’s.Delve into a captivating sonic journey that explores the bevy of emotions and events that colour a teenagers journey to adulthood - from love and loss, first-time experiences, the pitfalls of peer pressure and the unmistakable pull of the city's intoxicating rave culture.''My ambition for SK83 was to create an immersive musical and visual universe that brings the listener on a journey that captures the essence of adolescence. I wanted to reflect and re - live my own teenage experiences, and bring to life what is a shared universal experience for us all - but in this instance is told thru the lens of a young man in Dublin in the late 1990’s.'' — MathMan

Released Summer 2024

This Incredible new EP by Fred P brings a definitive futurist vision of Dance floor mayhem of the late night variety. Singular Point of Focus is a ep packed with weapons of mass euphoria for the discerning selector and enthusiast alike. Incorporating augmented vocals by the Artist himself with a character that can’t be pinned to his natural rich deep voice yet an exact fit that represents the current moment in time. Fred P seems to be entering a zone most dare to tread boldly going beyond in service of the music that he so dearly loves to provide the everlasting sonic voyage for the people who understand there is more than meets the eye.

Always endeavoring to drop it a little way different, Ital Counselor Records once again stretch things in a forward direction while paying full and forceful tribute to that which has come before. This heartical 7" is a tribute to the late great Prince Lincoln Thompson in the form of a reimagined take on his composition "Kinky Money Game."

It is with great honor that ITAL COUNSELOR records has been able to work with two legends of the music business on this slab of plastic. Firstly, Jeb Loy Nichols comes with a storied history in music and the visual arts. He first came to ITAL COUNSELOR’s attention upon discovering the 1981 compilation, “Wild Paarty Sounds” via Cherry Red/On-U Sound. Later would be greater, with projects skirting the realms of country, soul, reggae, and leftfield. Bands like the Fellow Travelers, solo albums with Adrian Sherwood, and more recently writing songs for Horace Andy’s latest On-U album have all contributed to an impressive body of work.

Over the years when Jeb is not making music, he can be found writing books or churning out block prints of birds, leaves, pithy phrases, and the odd sleeve art for labels like Pressure Sounds, and, yes ITAL COUNSELOR. His sleeve work on this 7” indeed captures the essence of the music hiding under the cardboard exterior. Lo-fi, retro while poignantly on time. Social commentary manifested auditorily and visually.

Jeb’s reinterpretation of Thompson's original bubbles over a slow burning one drop built by none other than Studio One, Riz Records, and Tuff Scout Records alum Gil Cang. In yet another musical first brought to you by ITAL COUNSELOR, this piece of wax represents the only time Jeb and Gil have worked together. The results are a magical mix equally at home in the hands of a sound system operator unconstrained by the current ‘steppers’ norms as it is on a home stereo where one can deeply sit with the lyrics of depth and significance. An old time something feel for these nowadays times. An ITAL COUNSELOR Records essential.

Feel the vibes…

After showcasing intense, edgy breakbeats on previous releases with Scuffed Records, FeverAM, and early reflex, Kyoto-based producer Naco returns with "Snakey," his first release in two years and a long-awaited comeback on his own label, 85acid. This essential collection features four cutting-edge bass mutations that push boundaries once again.

The EP opens with the title track “Snakey,” a minimal piece featuring a relentless, serpentine bassline that slithers beneath, grounding the sound in a hypnotic groove. It’s followed by "Anolon", a potent and minimal dubstep mutation, pulling the listener back to a sense of calm. In “Ows,” the energy intensifies with a stripped-back, industrial breakbeat that takes the BPM up to 155, where raw machine-like precision takes center stage. Finally, the EP closes with “Mappy,” a dancehall and hardcore-inspired offering where a simple yet addictive rhythm is layered with amen breaks and echoes of raves past.

Embracing a dangerous yet lush minimalism with an intentionally restrained sound, this release also marks a first for 85acid with the label's first vinyl pressing!

“The upcoming release is about the ‘Interconnection’ between different senses, for example sound and touch: when sound becomes vibration our perception enhances,” says Enrico. “The track creates a metaphor of the concept using a voice and a synthesizer that playfully evolve and merge into each other to become one, while still keeping their distinctive identities. ‘Interconnection’ is a track made for the dancefloor, a place where all our senses come together and go beyond the auditory experience, becoming a multisensory experience where we're all... interconnected.”

As a producer Enrico Sangiuliano has done it all, from remixes of classics to chart topping techno tracks that range from deep and dark to more melodic and euphoric. His creativity knows no bounds and after 'Can U Feel It' explored the connection between auditory perception and physical sensations with fresh and emotive rave sounds, this new sound impresses once more.

The brilliant 'Interconnection' is a pulsating cut that locks dancers into the hypnotic drums as flashes of acid synths spray about up top. Edgy vocal stabs add to the pressure as trance-infused pads change shape through various filters. They range from smooth and smudged to sawtooth and make the trip all the more dynamic. Each element has plenty of room to breath and make its mark and a spine-tingling breakdown offers a moment to set before the groove kicks in and oscillating pads take dancers to the next level.

Enrico Sangiuliano's Interconnection EP is another essential work from this revered talent.

Francesco Farfa's first contribution to the early 90's italian electronic music scene, ranging from proto house sample based sounds to early progressive and techno nuances this EP is not easy to label in terms of genre, characteristic of most of the material on the legendary Interactive Test label. Undoubtedly a pioneering sound for its time, void of any major label artistic limitations, purely focused on underground dancefloor stimulation. Essential piece in any electronic music record collection.

This absolute classic gets a remix from legendary old skool and jungle master, and Infrared owner, the one and only J Majik. Keeping the feel both modern and traditional, J Majik has created a perfect remix of this timeless classic.

Meanwhile, Dj Stephano has stepped his already considerable game up a level, and brought a new depth and perspective to the lesser known, but equally essential track "Field of Dreams".

Pressed in red and white split colored run just in time for the holidays. Re-issue of the 1987 Profile Records holiday compilation in a red and white split colored pressing, with songs by Run-DMC, Dana Dane, Sweet Tee, The Showboys, The Surf M.C.s, Spyder-D, and more. Leading off with the Run-DMC smash, "Christmas In Hollis," this classic Christmas compilation features some of the hottest rap artists of the era, celebrating the holidays, hip-hop style. Highlights include Dana Dane’s "Dana Dane Is Coming To Town," Sweet Tee’s "Let The Jingle Bells Rock" and even the Surf MC's' "A Surf MC New Year," adding a California surfer (and, ahem, Beastie Boys rip-off) twist to the proceedings. Not to be overlooked is the classic front and back cover artwork, featuring a gift-wrapped B-Boy. It remains an essential, evergreen (pun intended) holiday album to this day.

Peppermint Jam is proud to present Mellow Man’s latest release, 'In A Flow', an EP that takes you on a sonic journey through time. With three distinct tracks, this release captures the essence of three different eras of groove: the 70s, the 90s, and today.

Mellow Man has been with us since our founding days in 1994 and is a master of THAT old school sound.

First up, 'In A Flow' throws you straight into the golden age of 90s house music. With its smooth grooves, uplifting melodies, and driving bassline, this track embodies everything we love about classic house.

Next, 'Rumpshaker' brings you right back to the present. This track is all about today’s sound—fat beats, tight production, and a bass to die for, designed to keep the dancefloor moving.

Finally, 'Ghettoblaster' takes you even further back to the early 70s. Featuring the soulful sounds of Artist Locmelis on the tenor sax, this track is a nod to the funk-infused, boombox culture of the era.

Mellow Man produced these tracks using a mix of vintage and modern gear, including the Korg MS 20, Akai samplers, and a Rode NT1000, to name just a few. The result is a rich, textured sound that honors the past while still feeling fresh and relevant today.

With its blend of eras and styles, "In A Flow" is a must-listen for anyone who appreciates the evolution of house music.

Misto Kay is a rising artist/producer from Amsterdam aiming to combine jazz elements and electronics into a sonic listening pleasure. His first appearances were on the Super-Sonic Jazz compilation and on Mo Wrights' 'things2proof' EP with a feature and a remix. Being a multi-instrumentalist, with a focus on jazz piano, you will find playful and melodic elements join forces with surprising rhythms in his music. His broad musical interest is clearly expressed in his productions, given that they can vary heavily in mood, tempo, and genre. House, broken beat are at the core of this debut solo release, but soulful hip-hop grooves are present as well.

NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

DJ’s Project was a collaboration between Italian vocalist Silvano Pulignano and German DJs/composers André Schmechta, Bernd Schöler, and Claus-Christian Pesch. In the 1980s, the group released three singles that garnered quite a success, with production by the legendary Mike Mareen and distribution through his Night’n Day Records label.

The standout track from their catalog remains the highly sought-after single “Vision Of Love.” This breezy, well-crafted euro disco gem captures everything that defined the genre in its heyday, with its light melody and polished production.

During the recent digitization of Night’n Day Records’ original master tapes, unreleased material was unearthed, including the previously unheard instrumental version of “Vision Of Love.” This fresh reissue not only includes that rare version but also features a special DJ Edit, making it an essential addition for collectors and DJs alike.

Prepare to embark on an immersive sonic journey with Rites of Passage, the self titled debut album from the enigmatic duo Atiq and dreadmaul.

Released on vinyl and digital, this album delivers an overwhelming and hypnotic interpretation of the age-old concept of transformation and initiation.
With each track, the listener is invited to delve deep into an otherworldly soundscape where mysticism and archaic rituals blend seamlessly with the pulse of modern electronic music.

Crafted with meticulous attention to detail, Rites of Passage transports you to a pre civilization era, incorporating organic elements like bone flutes, haunting throat singing, and shamanic invocations.
These sounds are woven into the fabric of intricate electronic arrangements, creating a unique atmosphere that feels timeless yet contemporary a delicate balance between the ancient and the modern.

This concept album is not just a collection of tracks its an experience, a ceremonial rite that transcends the listener from one state of mind to another.
The vinyl format, with its warmth and physicality, only heightens the immersion, making it an essential addition for collectors and audiophiles alike.

Whether youre a fan of experimental music or simply seeking something transformative, Rites of Passage delivers an unforgettable journey through sound.
A ritual in itself, this album truly earns its name.
Dont miss your chance to own a piece of this alchemy Rites of Passage on vinyl is a musthave for those ready to enter a new sonic dimension.

DaRand Land, who hails from the post industrial confines of Buffalo, NY was one of the leading figures of Deep4Life, a cult label known for submersible oriented, yet dancefloor-friendly productions. With ambient synth-driven tones and heavy funk basslines being at the center of his sound, DaRand Land’s music often evokes an introspective quality, without losing its groove fundamental. DaRand’s works, which span decades on deep house labels such as Downbeat, Confluence and Pulp have been described as “uncompromising” and has afforded him a passionate following of listeners who seek a more emotive, thought-provoking brand of underground music.
Teaming up once again with Scissors and Thread - the perfect fit for his sound - DaRand Land drops an album full of crafty, trippy house for the heads. Wander Being contains 10 tracks on the double vinyl release with a pair of additional tracks for the digital release. The vibe is deep and sleek, with a rough, bumping edge. The title track sets the tone, a smattering of percussion accompanying a thick, round kick drum and Rhodes chords, giving off a classic Detroit feel. Tracks like Turn to The Music ramp up the energy somewhat, but overall the tracks sit in the sweet spot between dancefloor burners and soulful, jazzy, deep cuts. Noticeable is the space given to each element across the tracks - the hi-hats sparkle, the snare snaps, and the basslines roll and rumble. Add to this the magic melodic flourishes provided by the pads and synths, reminiscent of the late Mike Huckaby in places, made this whole album a thoughtful, joyful experience.
„The genesis for the Wander Being LP”, says DaRand “was a desire to return to the essence of some of my original Deep4Life productions. How was this accomplished? Principally, through the exclusive use of hardware components, minimalist arrangement, and a minds-eye approach to source the musical elements. In particular, the single, The Nature of Reality was written to convey a sense of what it feels like to be in a state of suspended animation. There is a natural tension introduced via the organic, swirling pad progression juxtaposed against endless vocal echoes and the low-end groove of the bassline. Thematically, I wanted to carry this forward through the entirety of the album.
balancing subdued keys and strings with ethereal tones and atmospheres

For its eighth release, Phonotheque Records presents Juan Dairecshion, co-founder of MER and SOEN, and director of Osmosis Records. This double 2x12" vinyl features 11 tracks spanning a wide variety of styles: house, techno, tech house.

The album is marked by its powerful basslines and dystopian vocals, offering a diverse journey that showcases the Uruguayan producer’s broad creative range. From melodic club-ready rhythms to darker and more experimental moments, this selection captures the essence of his versatile style.

Perfect for DJ sets seeking both dynamism and depth in the mix.

Schlammpeiziger, who had previously only been known to us for his top hits and T-shirts, burst upon us like a wild boar in search of affection in the middle of the coronavirus lockdown. He nested in our fully vaccinated home, drank our Eversbusch, ate from our plates, slept in our bed (wait - wrong fairy tale) and repeatedly urged us to organise egg runs with his testicles (after some contortions, we gave up trying). Childish faecal humour, far-fetched obs(t)enities, juicing, a desire to dissolve, composting of thoughts. In excesses of lack of concentration, the chains of associations curled and meandered like Jo's famous curlicue drawings. Every evening, after we had forcibly levered him out of our flat, he would ‘walk’ home to put together very unique , dreamy pieces. In the blissful brainfog of those days, for example, ‘Handicapfalter’ was created, for which the congenial °Bär° made our flat into the corresponding video. Among other quirks of the little gut-breather, we were fascinated to observe his phobia of literature and books. Just hold a printed page in front of his face for a few seconds and he writhes on the floor crying. A level of phobia that only my own laughable disgust and fear of writing myself can compete with. Jo shudders at the thought of reading sentences that build on each other in a meaningful way, and I shudder at the thought of having to write them down because I have something ‘to say’. A certain affinity cannot be denied. We are much, much more pleased by snatched-up, misunderstood or misheard snippets, hollow but unforgettable phrases, the diamond stoner humour of our ancestors. ‘From one turn/ I stop/ to walk on/ in all directions’ (as it murmurs in “Selten Gesehenes”), describes the process quite nicely. After all, Jo is ahead of me in that he can simply break off every tedious sentence and let it fade into music. Back to the essentials. It's five to 12 for the Schlammpeitzger (scientifically Misgurnus). The shy goby is under threat from climate change, so perhaps this vinyl is the last expression of life of the specimen that we have been allowed to look after sporadically since the lockdown phase of the corona epidemic. And it's turned out pretty. Even the aesthetically gutted like me and my beloved husband can THINK about sex when they see these sublime, silvery fart bubbles! It's tender as a fart. Make love!!!!!

Schamlose Dubtöse: Do you have words. Do you have sounds. Impertinently harmless piano tinkling turns into tugging zounds of increasing severity. It is not dubbed (would be unethical) but dubbed. Sounds dubby, as you can imagine. (Instrumental)

Loch ohne Licht: Possibly vaguely misogynistic. Could also be that there was simply no light in the hole. The sparse snippet of lyrics (‘du biss mir och esu e Loch ohne Licht’) sounds like one of those stroppy Cologne replicas whose anti-charm is hard to resist. Buzzing and grooving.

Selten Gesehenes: Casual. Confident. Soft. Fragrant. Thoughtful but lively.

The Arabian Vietmanese (instrumental) is probably the food we trust in the case of the munchies we get when we watch other people smoking weed. Transcendental and psychedelic states casually permeate the humdrum of everyday life. Klar Knuspermarsch: Marches and floats at the same time. Klebt Runner: Soundtrack to the cult film of the same name. Tyrrell Corporation loosens up. Ungenutzte Sätze: Stinks somehow, because there is dangerous proximity to comprehensible and then also critical statements here. Instead, the sinister electronic cheapness of Carpenter soundtracks can be heard. Parzipan: Actually, the time of origin was not so roaringly funny and simple, but for Jo it was also a gruelling, slow letting go of his brother. Here he sends him off with a gentle nudge into the vastness of a hopefully happy beyond.

Clara Drechsler

Schlammpeiziger, der uns bislang nur durch seine Top-Hits und seine T-Shirts bekannt gewesen war, brach mitten im Corona-Lockdown über uns herein wie ein wilder Eber auf der Suche nach Zuwendung. Er nistete sich in unserem durchgeimpften Zuhause ein, trank unseren Eversbusch, aß von unseren Tellerchen, schlief in unserem Bettchen (Moment - falsches Märchen) drängte uns wiederholt dazu, mit seinen Hoden Eierlauf zu veranstalten (nach Verrenkungen gaben wir den Versuch auf). Kindischer Fäkalhumor, weit hergeholte Obs(t)zönitäten, Entsaftung, Auflösungswunsch, Gedankenkompostierung. In Exzessen der Konzentrationsschwäche ringelten, kringelten und schlängelten sich die Assoziationsketten wie bei Jos berühmten Kringel-Schlängel-Zeichnungen. Jeden Abend, nachdem wir ihn gewaltsam aus unserer Wohnung gehebelt hatten, „ging“ er dann heim, um dort sehr eigene, verträumte Stücke zusammenzubasteln. Im seligen Brainfog dieser Tage entstand z.B. „Handicapfalter“, für das der kongeniale °Bär° aus unserer Wohnung das entsprechende Video machte. Neben anderen Marotten des kleinen Darmatmers beobachteten wir fasziniert seine Literatur- bzw. Bücherphobie. Halt ihm nur sekundenlang eine bedruckte Seite vors Gesicht, und er windet sich weinend am Boden. Ein Grad an Phobizität, mit dem sich nur meine eigene lachhafte Abscheu und Angst vor dem Selberschreiben messen kann. Jo schaudert beim Gedanken, sinnvoll aufeinander aufbauende Sätze lesen, mir wiederum beim Gedanken, sie hinschreiben zu müssen, weil ich irgendetwas „zu sagen“ habe. Eine gewisse Verwandtschaft ist nicht zu leugnen. Viel, viel mehr freuen uns aufgeschnappte, falsch verstandene oder misshörte Fetzen, hohle, aber unvergessliche Phrasen, der diamantene Kifferhumor unserer Vorfahren. „Aus einer Drehung/bleibe ich stehen/ um in alle Richtungen/weiter zu gehen“ (wie es in „Selten Gesehenes“ raunt), beschreibt den Prozess schon ganz schön. Immerhin hat Jo mir voraus, dass er jeden leidigen Satz einfach abbrechen und in Musik ausplempern lassen darf. Zurück zum Wesentlichen. Es ist fünf vor 12 für den Schlammpeitziger (wissenschaftlich Misgurnus). Die scheue Grundel ist von Klimawandel bedroht, vielleicht haltet ihr mit diesem Vinyl also die letzte Lebensäußerung des Exemplars in Händen, das wir seit der Lockdownphase der Corona-Epidemie sporadisch betreuen durften. Und die ist hübsch geworden. Selbst aus ästhetischer Erwägungen Entdarmte wie ich und mein geliebter Mann, können bei diesen sublimen, silberhellen Pupsbläschen DENNOCH an Sex denken! It´s zart as a fart. Make love!!!!!

Schamlose Dubtöse: Hast du Worte. Hast du Töne. Impertinent harmloses Klavierplätschern geht über in ziepende Zounds von zunehmender Strenge. Es wird nicht domptiert (wäre unethisch) sondern dubtiert. Klingt dubtig, wie ihr euch vorstellen könnt. (Instrumental)

Loch ohne Licht. Möglicherweise vage misogyn. Könnte auch sein, dass im Loch einfach kein Licht war. Das sparsame Textfetzchen („du biss mir och esu e Loch ohne Licht“) klingt nach einer jener pampigen kölschen Repliken, deren Anticharme man sich schwer entziehen kann. Schwirrt und groovt.

Selten Gesehenes: Lässig. Souverän. Softig. Duftig. Nachdenklich aber beschwingt.

Beim Arabischen Vietmanesen (Instrumental) gibt es wahrscheinlich die Speise unseres Vertrauens im Falle der Munchies, die wir kriegen, wenn wir anderen Leuten beim Kiffen zusehen. Transzendentale und psychedelische Zustände durchziehen beiläufig den schnöden Alltag. Klar Knuspermarsch: Marschiert und schwebt zugleich.

Klebt Runner: Soundtrack zum gleichnamigen Kultfilm. Tyrrell Corporation macht sich locker. Ungenutzte Sätze: Stinks irgendwie, weil hier gefährliche Nähe zu nachvollziehbarer und dann auch noch kritischer Aussage gegeben ist. Dafür klingt die sinistre elektronische Billigkeit von Carpenter-Soundtracks an.

Parzipan: Eigentlich war die Entstehungszeit gar nicht so brüllend lustig und einfach, sondern für Jo auch ein zermürbendes, langsames Loslassen des Bruders. Hier schickt er ihn mit sanftem Schubs hinaus in die Weiten eines hoffentlich schönen Jenseits.

Clara Drechsler
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