quête:ess ep 2

"Blood On Canvas" ist das bislang wütendste Album der Essener Thrasher DARKNESS. Die Songs sind aggressiver und härter als alles, was bisher in der DARKNESS Diskographie zu finden ist.

Obwohl es sich nicht um ein Konzeptalbum handelt, ist "Blood On Canvas" nicht eine bloße Kollektion von neun Songs, die in einer Epoche entstanden sind, sondern ein facettenreiches Klanggemälde, gemalt mit den Farben des Zorns.

Musikalisch liefern DARKNESS den kompromisslosen und schnellen Thrash Metal, für den sie seit ihrem Debutalbum "Death Squad" (1987) bekannt sind. Die Kompositionen auf diesem Album sind jedoch komplexer und detailreicher als bisher gewohnt, ohne dabei an Aggression, Härte und Authentizität zu verlieren.
Die Texte sind nicht mehr nur eine Beschreibung des Irrsinns, der den Lauf dieser Welt bestimmt, sondern bringen ohne Umschweife und kompromisslos die Dinge auf den Punkt.

Noir Brésil is the debut album from Franco-Brazilian artist, composer and producer Yndi. Formerly known as Dream Koala, she decided to retire the moniker back in 2017 and began writing what ultimately became Noir Brésil, a modern pop album where afro-Brazilian percussion meets French and Portuguese poetry to create an immersive soundscape. As Dream Koala, Yndi released EPs Odyssey (2013,) Earth. Home. Destroyed. (2014,) and Exodus (2015,) as well as popular single "We Can't Be Friends", gaining her international success and garnering multi-millions of streams across platforms. In 2020, there were so many images of black people suffering on social media. After that traumatizing year, Yndi needed images showing that being black wasn't only about suffering, she wanted healing images. It's exactly what the Afro-Brazilian culture has been doing for centuries, it conveys a strength that keeps us alive in a dehumanizing society. The title track "Noir Brésil" is a poem for her ancestors. Yndi wrote "Amazona" on an atabaque (Afro-Brazilian percussion) rhythm inspired by the myth of the Amazons, warrior women, and Douanier Rousseau's painting La Guerre. The violence of the lyrics contrasts with the melancholic harmonies. The song pays tribute to the anger and strength required by women to live in the contemporary world. The song "Novo Mundo" and its animated video directed by Nina-Lou Giachettia are a reflection of Brazil, through luminous and colorful landscapes. Here the evocation of the divine, the beauty and the violence of nature reflects perfectly the essence of Yndi'sdebut album.

This record was on our radar for quite some time, but we didn’t know who the artist actually was as it was incorrectly credited on Discogs. But as luck would have it, whilst speaking about this release to our artwork guy at the label, Diplomat, he said that he knew them! So, a few emails and phonecalls later and we had arranged this repress.

Originally this only came out as a white label in 1993 on Dance Bass Records out of Essex which was part owned by Battery 03! A highly sought after EP like all releases on Vinyl Fanatiks, these four tracks perfectly encapsulate the sound of the early 90’s Essex scene.

Only 350 pressed on an incredible marbled vinyl.

Repress!

For the upcoming release on KNTXT, label boss Charlotte de Witte announces a dual EP release. “The Selected EP and Pressure EP, to me, are the perfect reflection of the music I have been playing over the years.” says Charlotte de Witte. “On the Selected EP people will find the straightforward Techno sound with the Acid twist, that I love to bring to the floor when I’m touring.”
“It’s counterpart, the Pressure Ep, is an extension of the mixes that I assemble for my BBC Residency.

A more ambient approach, that’s rougher around the edges.” “Both releases can be seen as an ode to the techno I love and cherish.” concludes de Witte. On the subject of the dual release Charlotte says “For me this duality is essential to explore my interests both as a producer and DJ. Therefore it also made sense to me to release them simultaneously, as we also combine our label releases with events and our weekly radio show.”

DJ 3000 Drops "Work In Progress" from the Album "Mezë" – An Ode to Detroit's Unique Sound

DJ 3000, the trailblazing figure in electronic music, unveils "Work In Progress," an electrifying track extracted from his latest album "Mezë." This song is a testament to the essence of Detroit's music scene, where the bassline reigns supreme, and less is indeed more.

"'Work In Progress' is all about that bassline," explains DJ 3000. "I wanted to capture the raw energy and infectious groove that defines Detroit's sound. The combination of a captivating bassline with a catchy vocal creates an irresistible vibe that's impossible to resist."

As the track evolved during production, DJ 3000 felt compelled to introduce stabs, adding an extra layer of Detroit funk that elevates the song to new heights. This infusion of elements reflects his deep-rooted love for Carhartt and Carhartt WIP, paying homage to both fashion and music in a seamless blend of urban culture and sonic innovation.

Joining DJ 3000 on the EP are two Detroit icons, Jon Dixon and DJ Godfather, each offering their unique take on "Work In Progress" through exhilarating remixes. Jon Dixon infuses soulful melodies and driving beats, while DJ Godfather injects his signature energy, resulting in remixes that push the boundaries of sonic exploration.

In addition to "Work In Progress," the EP features an exclusive unreleased tune titled "Kazani,” showcasing DJ 3000's commitment to delivering fresh and innovative sounds to his audience.

"Work In Progress" is not just a track; it's a celebration of Detroit's rich musical heritage and DJ 3000's dedication to pushing the boundaries of electronic music.

Die pure Essenz von A Certain Ratio!

'It All Comes Down to This' ist das brandneue Album der Manchester-Legenden A Certain Ratio, produziert von Speedy Wundergrounds Dan Carey.

Mit diesem Album kehren A Certain Ratio zu ihren Wurzeln zurück. Es enthält 10 geradlinige Tracks mit einer Prise Elektronik als Zugabe. Es ist das erste Mal, dass die Band in der Stammbesetzung von Jez Kerr, Martin Moscrop und Donald Johnson aufgenommen hat, ohne weitere Mitstreiter oder Mitglieder der Live-Besetzung. Nach dem hochgelobten ACR-Album '1982' und der elektrisierenden 2023er EP setzt 'It All Comes Down to This' die kontinuierliche Entwicklung der Band fort.

- Ltd. Col. LP: (Neon Pink Bio Vinyl)

On their eponymous debut, Super American Eagle deliver manna for heavy rock fans craving ergine detours into noise, psych and sludgy dank, herbal grooves. A union delivered via chance, Brent DeBoer of The Dandy Warhols, Dave Mudie from the Courtney Barnett band and Bob Harrow of Immigrant Union, played an impromptu Immigrant Union NYC show as a three-piece. That night the chemistry was undeniable and so Super American Eagle soon took flight. Known for the individual talents they bring to other’s bands, the trio take control of the destination, reveling in the creative liberty that beats at the heart of the project. From a lightening moment of musical connection Super American Eagle have built a thrilling, fuzz-filtered debut of urgent and essential psych and super heavy rock vibes.

Limited To 140 Copies Worldwide*

This is the first release by Essex warrior Diplomat, who would later go on to making some serious noise on the hardcore/gabba label Deathchant as well as running Electro Avenue Records. He is still at the top of his game when it comes to production, recently releasing two EP’s on the Vinyl Fanatiks sister label, Amen Brother.

This EP originally came out on Vinyl Fanatiks in 2020, just as the whole covid thing happened. Due to everyone being at home, the record sold out quickly and only a box was saved for distribution at the time. A proper slice of UK hardcore rave – intense, plenty of stabs and crazy samples with a good dishing out of hip hop vocals. This one really is for the 1993 heavy stompers, a classic slice of the nice. Originally released in 1993 on Diplomat’s Immunity Records.

Only 140 have been pressed on 180g pink marbled vinyl.

Octave One stride into 2024 with a fresh four-track EP that once again showcases their unique take on techno with three new versions of classic tracks alongside an all-new cut.

Detroit's legendary Burden Brothers had a big 2023 that saw them release their superb Never On Sunday album, which was a nod to their 90s downtempo project of the same name. The bumper collection traversed deep techno, house, and tech in their usual inimitable style while the pair themselves continued to push techno forward with their incomparable live show at the world's most notable clubs and festivals. They now show that their creative reserves continue to run deep with four more essential tracks.

The first one is a new Mothership Remix of 'Price We Pay' with long-time vocal collaborator Karina Mia. The original appeared on Never on Sunday and this version comes on strong with vast rubbery kicks powering a deep and seductive groove. Muted synths roam down low while twinkling melodies fall from above next to the controlled, soulful vocal. The superb 'Mirror Image' is a new track that rides a heavy broken beat. Downtempo chords are melancholic but stirring and have a dramatic sense of finality to them.

'A Better Tomorrow' also gets a new Mothership Mix following its original release on the Burn It Down album back in 2015. Here it is a surging cut with funky guitar riffs and bleeping synth sequences that bring to life the thundering low end. It's a hi-tech and soulful fusion of the organic and the synthetic that will blow the roof off.

Last of all is a Mothership Instruments version of 'Price We Pay' that powers along on thudding drums with edgy synth stabs riding up and down the scales. Deft keys shine and twinkle and signature Octave One arps break out at the midpoint to take things to a higher level.

These are four more classic techno sounds steeped in great synth craft from The Burden Brothers.

Merge Now in Friendship is about death and impermanence. It is a wilting flower beheld from a passing vehicle. It is neither lament nor declaration. The three songs that comprise this EP share a kindred thread - All arising events and phenomena; people, dreams, songs, even worlds, are all transitory in nature. We are all going to die. Someday there will be no record of any of this. It is this very truth that allows for beauty. The impermanent nature of all that arises is the apparent aspect of the essence of being. It is this essence that lends infinite openness to our experience. It is ultimately all we are about. Music is the language of this inscrutable, sublime essence. This record is a joyful attempt at music. Vulture Feather is an unconventional three-piece from the mountains of Northern California, featuring members of the Baltimore band, Wilderness and the early post-hardcore group, Don Martin Three. Merge Now In Friendship follows up the 2023 debut album, Liminal Fields.

Monika Enterprise welcomes a new act to her roster with Berlin based experimental pop duo Post Neo releasing their new EP. Individually known as Nicole Luján and Pauline Weh, both musicians pursued their own solo projects before forming the duo Post Neo. On “Alles Immer Wieder” they combine as more than the sum of their parts to produce 5 songs of dark and powerful experimental avant- pop which is released as an exclusive 10” vinyl.

Pauline and Nicole met making music in Berlin during the summer of 2019 and kept collaborating online, until Nicole moved to Berlin in 2022. The musicians' different musical backgrounds result in diverse intuitions which complement each other perfectly when producing tracks together - Nicole was more into synthesis and electronic music production in Mexico City while Pauline received a classical piano education in Munich before she started doing electronic music.

In 2022 they released their first EP, «do you?», which consists of five tracks that were composed and produced as an inter-continental project between Berlin and Mexico City. In autumn of that year Post Neo received a residency at Sternhagen Gut from Musicboard Berlin where they caught the ear of monika head Gudrun Gut who was so taken with their compelling mix of techno beats and dreamy melancholic atmospheres she immediately signed them to her label.

The EP’s opening and title track “Alles Immer Wieder” (trans. Everything again and again) is a reflection on repetition and monotony as transcendence in the form of sleep, dreams, work and other daily cycles. The rhythmic juxtapositions and tempo shifts make for a captivating opening track. “Ganz Schön Was Los” (trans. A lot happening) has a proper synthwave electro pop vibe while the vocals lend a little light hearted humanity to the otherwise calculated computer music aesthetic. With its fusion of synthesizers and drum machines track B1 “Die Verwirrung” (trans. The confusion) brings a sense of melancholic doom. The flow of B2 “Wenn Wir Wüssten” (trans. If we knew what would happen) is a future-focused reflection on the unidirectional movement of time's arrow. Sampled harmonies and instrumental breakdowns make it possibly the most emotive track on the EP. And the record comes to a close with “Dreh dich” (trans. Turn around) which lures us in with delicate vocals before menacing synthesizer sounds blast us into oblivion. It is an invitation to turn the record over and start listening from the beginning again.

Post Neo’s music is steeped in minimalism: at once managing to be hugely expressive and evocative while still retaining a sense of privacy and mystery for the listener to decrypt. Like all great pop music their songs are musically captivating while also conveying a strong message. As their band name suggests, Post Neo are essentially futuristic and with live shows at some of Berlin’s hottest underground venues under their belt as well as in their hometowns of Munich and Mexico City, plus the release of „Alles Immer Wieder“ in 2024, great things are in store for the electronic pop duo.

Just when you thought you had Kasper Bjørke figured out he comes back with another great musical surprise. His new album Puzzles, which will be released April 5th on hfn music, follows two recent collaborative EPs on Live at Robert Johnson and Mule Musiq as well as his second Kasper Bjørke Quartet neoclassical/ambient album Mother on Kompakt.
Puzzles is Kasper’s love letter to the sound of early 2000s New York - merged with his Scandinavian sense of producing songs that goes beyond conventional club music; combining disco tinged instrumentations mixed with elements of 80s funk, jazz and contemporary pop songwriting, creating something familiar yet, something very fresh and innovative at the same time.
The album includes collaborations with a wide range of musicians and vocalists. From California based indie-disco troubadour Woolfy (DFA, Rong, Permanent Vacation etc.) to the Icelandic dream-folk trio Systur aka Sísý Ey (who also featured on Kasper’s 2014 single Apart, where the Michael Mayer remix became a timeless club anthem), as well as other longtime collaborators and artist friends: Toby Ernest, Jacob Bellens, WhoMadeWho’s Tomas Høffding on bass, Posh Isolation affiliate Frederik Valentin on guitar and the young, rising jazz star Oilly Wallace on saxophone and flute. Essentially, the majority of Puzzles is played and recorded live, including the drums by Rasmus Littauer (School of X, MØ). Many of the songs emerged from chord progressions written during studio sessions between Kasper and Toby - which Kasper then produced into a colourful and effective album, rooted in an expressive live feeling far from programmed patterns.
Puzzles is a new step for Kasper as a producer and artist, showcasing his ability to move and flow freely between genres and expressions, however still deeply rooted in his love and affection for the classic disco groove - which is only natural after more than two decades as an active DJ.
Another piece has been added to the musical puzzle of Kasper Bjørke

Having built a loyal local Antwerp following off of the success of their 2019 debut self released album, ‘Forgotten Kingdom’, and growing reputation for electrifying stage performances, Kolonel Djafaar achieved worldwide recognition in 2021 for the ‘Cold Heat’ EP on Batov Records, attracting praise from Music Is My Sanctuary (“triumphant), and support from Gideon Coe on BBC 6 Radio Music, and DJs across Worldwide FM, Soho Radio, Le Mellotron, and KEXP.

The group overcame busy schedules and frequent quarantine periods to hit the studio in February 2022 to lay down four tracks. However, the creative itch persisted, leading to an intense writing session in August, deep in the heart of a tranquil forest. From noon until midnight, the band immersed themselves in the creative process, embracing the freedom to make noise without restraint.

Fueled by hearty breakfasts, unwavering focus, and the ambient clucking of chickens roaming the studio, Kolonel Djafaar crafted the majority of ‘Getaway’. This period marked a pivotal shift as a number of new band members joined just in time for the August sessions.

Membership changes, including Emiel Lauryssen joining on trumpet, alongside guitarist Philip Matthhijnssens, the band's palette has broadened and new sounds are able to break through. From psychedelic rock and soul influence of the Daptone Records’ affiliated Budos Band, surf rock (“Urban Dweller”), Morricone Spaghetti Western guitar, and Afro Cuban (“Kelmendi”), alongside the brassy Afrobeat and Ethio jazz vibes the group have been known for.

The broader dynamics of ‘Getaway’, and the band’s more cinematic and experimental approach, is particularly apparent on "Siren’s Glitch" and "Phil’s First Tear". The latter, first conceived by drummer Anton Van Hove, features the lead guitar doubling up with the bass guitar for added impact. Whilst the origins of "Convoi Exceptionnel", a brass & synths stomper of a march, trace back to a jam session during the band's Hungarian tour, another vital period of prolonged time together, capturing the organic essence of their experiences on the road.

Each track on ‘Getaway’ holds a unique connection to at least one band member, and all benefit from a collaborative approach to songwriting. "Sparking Clover'', an Ethio-inspired psych & soul groover penned by tenor saxophonist Doyin Smith, carries a poignant undertone inspired by personal loss, while psych rock leaning tracks like "Apologies in Advance" showcase the band's evolution and increasing professionalism in crafting a distinct sonic experience.

The curious cover art depicts a lone individual heading down an empty city street towards a large mysterious glowing object, evoking the common emptiness and struggle of urban life, and the search for meaning or just something better. The band envision the object to represent this album, offering a beacon to like-minded listeners. Kolonel Djafaar invite music enthusiasts on an immersive journey, to ‘Getaway’ from the daily grind of life, on an album reflecting diverse influences and marking a new chapter in their musical exploration.

Stockholm boys Ari Bald & CJ Scott strike again on Studio Barnhus, following up their much lauded 2023 EP for their hometown label. Once again we're treated to a fabulously fuss-less four-pack of house music goodness, this time with a special ode to Västertorp, encapsulating the essence and soul of the Stockholm
suburb in this collection heartfelt, club-ready cuts.

Limited edition 12” vinyl of 400 copies

The Nomads remastered reissue of their album Solna, recorded by the Swedes in 2012, limited edition of ww 500 copies. The tracklist here is following the 2013 US release of the album, comprised of nine original album album tracks, but cutting three tunes to have those replaced with three songs culled from the Loaded Deluxe EP. After many years of career, The Nomads produced their strongest album to date. The group perfected their sound, live and in the studio. Solna is the distilled essence of what Nomads are known for. The Nomads deliver hair-raising authenticity of rock and roll with unsurpassed purity. Nobody coughs on them or will cough on them. They are still as good as ever. The formula is simple: a strong frontman, Nick Vahlberg, a guitar hero, Hans Ostlund, a powerful drummer, Joakim Werning, and a multi-talented bassist and composer, Bjorne Froberg. The Nomads are an institution in Europe after more than 40 years of career. Their last album, "Solna" was named after the Stockholm neighborhood from which they emerged in 1981, paving the way for the garage rock scene of the time. "Aside from the Pebbles compilations, not much was known about the garage bands of the 60s and many people first heard those great songs in The Nomads version," according to Chips K (famous Swedish producer - Hellacopters, la Secta_- and member of Sator). "But one thing that distinguishes the band from many other revival bands is that they never just copied the sound of the originals. They added extra influences such as punk, power pop and hard rock. That special recipe is what still makes their sound unique." Bands like The Hellacopters, Maharajas and Sator are direct descendants of what The Nomads created. They were closer to Australian punk rock and took varied influences to create something completely their own.

Embark on a sonic odyssey with DÍAS DE CAMPO RECORDS as we unveil "REGIONAL GROOVE," an EP personal work by the brit amigo, Jack D. Delve into 4x4 contagious house DUB aromas of the four enchanting tracks – "Regional Groove," "Dub Traveller," "Magic Pipe," and "Congo Experiment." Crafted with unparalleled passion, this vinyl journey promises to transport you to forbidden corners of the planet, epitomizing the essence of the 6th edition of Spain's premier music festivals for vinyl enthusiasts.

DÍAS DE CAMPO RECORDS, the beating heart of Montanejos' boutique music scene, invites you to surrender to the allure of Jack D's creation. From the pulsating beats of "Regional Groove" to the hypnotic allure of "Magic Pipe," each track encapsulates a freedom of thinking that extends beyond musical boxes. Immerse yourself in a rich tapestry of sound, where the needle drops on an EP that transcends boundaries, leaving an indelible mark on the soul – a timeless wax that elevates the legacy of both the artist and the festival. The groove awaits; let the vinyl spin and transport you to the extraordinary.

Holsten marks his arrival with his debut 'All Talk EP' on Rupture LDN.

Dark and menacing from the bass to the atmospherics, Holsten takes no prisoners with four tracks of dystopian pressure, including a collab with Overlook (for his first return since 'Gumshoe' in 2015).

Essential selections for the late night warriors from Holsten, with tight breaks and swarming lows, without ever losing the groove.

Introducing BinarySound's 8th vinyl release, a sonic journey into the dimension of analog machines mastery.

On the A side, Future Buddha, the latest alter ego of the renowned Italian artist Riccardo, now weaving sonic tales from the mystical landscapes of India.

On the B side, hailing from the vibrant Canadian scene, Cosmic JD brings his soundscapes, steeped in the raw essence of analog synthesis, promising an interstellar voyage for the listener.

INVOLUCIJA is an experimental post-industrial collaboration with artists from ex-Yugoslavian countries, started by Michel Morin (Sneak-Thief / Polygamy Boys) and Lucija Invo.

This 2×12″ on their new Berlin label expands on their 2023 debut EP on aufnahme+wiedergabe with even fiercer inspiration from EBM, techno & Balkan musical traditions.

“Involution” is a metaphor for the ever-entangling depth of our situation – the world falls apart then re-organizes itself with unexpected and sometimes distressing connections. Increasing effort is demanded for our “productivity” and our only reward is diminishing returns. Enough is enough!

INVOLUCIJA is envisioned as a noise abrasive enough to resonate with and overcome this ever-increasing discomfort from which we try to dissociate.

We call this euphoric deprogramming.”

It's exactly one year since Aeon Four made their debut on vinyl with the still in-demand "Pure White EP". Their follow-up on Straight Up Breakbeat SUBB1996 series is another four track EP of explorations into the original jungle sound but with a modern twist.

High energy vocals of "Silence", the heavy rolling "Babylon", deep excursions of "Essence" and the original junglism of "Lion Awakes" make this another essential Aeon Four release. All tracks hand crafted in Turku, the original rave capital of Finland. Early support from Coco Bryce, FFF, Digital, Dj Flight and more.

DJ Support
Coco Bryce, Om Unit, Aries, FFF, Moresounds, Flight, Sweetpea, Two Hungry Ghosts, Digital +more

Ivy Falls, the alias of singer-songwriter Fien Deman, will release her first full album in the spring of 2024. 'Sense & Nonsense' sounds mature, with a clear vision and direction. Fien wrote the album after a breakup and leaving her home; she witnessed cracks appearing in her life and found herself in a whirlpool of insecurities. Writing turned out to be the way to reorient herself and discover what she could fill her empty 'house' with. Everything changed: a new life, a new place, new people, and a new view of herself as a musician and writer. Bram Vanparys, aka The Bony King of Nowhere, makes his debutas a producer on Ivy Falls' first release. This unreleased duo impresses with 'the best coda for the confusing time that your twenties can be.'

Sometimes hitting a wall is inevitable. This occurred, partly even literally, in 2020: a broken nose, a painful breakup, and a series of chaotic events shook Fien's foundations. Losing her job, ending her relationship, leaving her home, and returning to her parental home, she hit rock bottom and started her quest to rebuild everything from scratch. After the tumult, Fien decided to shed the oppressive norms and ideas learned as a child and wholeheartedly pursue her own choices and projects.

In the years that followed, each aspect of her life gradually fell into its right place. This extended to her musical identity, themes, and sound. Acquiring some guitars and an upright piano, she endeavored to master them as a self-taught artist. Devoting ample time to her self-made home studio, she returned to the essence, distancing herself from the polished pop sound of her initial work and reconnecting with her first musical love - the singer-songwriters who had colored her teenage years. This rediscovered inspiration marked the first time in her musical career that everything felt perfectly aligned.

The album's artistic approach aligns with a fresh, expansive outlook on life and the future. Fien aims to challenge rigid societal concepts, including the notion of 'golden years.' She questions what and when exactly should be considered the most significant, joyful, and vibrant moments of life. The album delves into topics like the perceived superiority of extroverts, narcotic materialism, and toxic positivity. It's not a lament but rather an ode to what truly matters-the essence, love, and beauty. Fien's perspective encourages finding your inner child and immersing yourself in timeless and profound feelings.

Musically, Fien discovered her perfect match in Bram Vanparys (The Bony King of Nowhere), her newfound love. She wrote the songs, and he took on the role of album producer and co-arranger. Together, they crafted a metaphorical space where every small musical idea has room to flourish, and each insight and effort carries significance. Influenced by indie folk luminaries such as Julia Jacklin, Amen Dunes, Feist, Sharon Van Etten, Sufjan Stevens, and Nick Drake, Ivy Falls has set a high standard for her sound.

The main constant? Fien's distinctive voice commands every song, now revealing greater depth and nuance than ever. In live performances, Ivy Falls is joined by a talented ensemble: Trui Amerlinck (Tsar B, Mayorga), Jasper Morel (Black Box Revelation), Simon Raman (Steiger), and Anton De Boes (Philemon).

In the past, Ivy Falls has launched two EPs, received airplay on Studio Brussels and Radio 1, and shared the stage as supportfor artists like Balthazar, Jessie Ware, Sigrid, and Mabel.

Skylax Records Proudly Presents the Arrival of Riccardo Teri A.k.a. Quasar, Hailing Straight From Firenze, Italy! Introducing "Tyrrhenian Dream" - an Enchanting Vinyl Ep That Embraces the Captivating Spirit of Early '90s Italian Dream House. This 12-Inch Masterpiece Showcases Four Mesmerizing Tracks: "Tyrrhenian Dream," a Melodic Opus That Transports You to Heavenly Realms; "Joyful Town," a Vibrant and Uplifting Anthem That Resonates With Pure Bliss; "Velathri Pipers," a Hypnotic Groove Pulsating With Irresistible Rhythms; and "Aithalia," a Dreamlike Exploration of Ethereal Melodies. Immerse Yourself in Quasar's Musical Wizardry as He Pays Homage to the Timeless Allure of Italy's Euphoric Dream House Legacy. Let Your Turntable Transport You Back in Time With "Tyrrhenian Dream," Embarking on a Sonic Journey That Captures the Very Essence of That Golden Era. It Stands as a Testament to the Unparalleled Charm and Magic of Italy's Dream House Phenomenon, Unlocking a World of Sonic Enchantment....

"As Bill Orcutt’s most mature and exhilarating LP to date, Music for Four Guitars was a slab of undeniable Apollonian beauty. Its approachability and obvious novelty landed it not only on the year- end lists of every key-pushing codger in the underground in 2022, but also on NPR in the form of the Bill Orcutt Guitar Quartet, an ensemble assembled to perform this music and featuring Wendy Eisenberg, Ava Mendoza, and Shane Parish in addition to Orcutt. But while their Tiny Desk Concert gave a whiff of the quartet’s easy intimacy, the sterile confines of the virtual recital medium still left a puzzle unsolved: how might these brutally mannered bricks of minimalist counterpoint sound on a stage in front of actual breathing bodies?" "This was the question foremost in my mind when I first saw the quartet in San Francisco a few months before this double live LP was recorded. I was already familiar with the prowess of Eisenberg and Mendoza, two of the most technically intimidating shredders to blast out of the noise/improv underground, and knew Parish as the mastermind behind the epic translation of Orcutt's quartet recordings into a fully notated score. I was ready to be 'blown away'—and I most assuredly was. The quartet navigated Orcutt's jaggedly spiraling right angles into the shining core of the compositions with joyous ease, faithful to the originals in nearly every way (though their tempos were slightly ramped up, Blakey style, to communicate their breathless rush). The renditions were flawless, stellar and inspiring. I had expected nothing less." "Which leads us to this album, Four Guitars Live, recorded in November of 2023 at Le Guess Who? festival during the quartet’s first European tour. The true essence of this set is not simply in its faithfulness to the source compositions, but in the group's easy familiarity (no doubt the result of weeks on the road) and the generosity of their improvisations, both collective and solo. Orcutt, clearly cognizant of both the caliber of his collaborators and the singularity of their voices, has given everyone room to stretch out, and all have delivered some of their most moving passages to date." "One of this record's great thrills for me is imagining a listener, perhaps unfamiliar with the outer limits of contemporary guitar improvisation (or the Tzadik catalog), slammed into catatonia by Mendoza's liquefying lines on Out of the corner of the eye, then revived and healed by the languid, breathy lines of Parish's unaccompanied, spaced-out breakdown of the track's main theme, finally only to be crushed by Eisenberg’s staggering extended solo on Only at dusk (somehow channeling both Eugene Chadbourne and Buck Dharma)." "There's another peak, which begins at the end of side B, in Orcutt's own languid solo, encapsulating the flowing focus of his recent solo LPs, and serving as an introduction to the next side's ensemble tour de force, the psychic heart of the album, On the horizon: its melodic core passing first to Orcutt, launching into a sublime solo turn by Eisenberg, a duo of Parish and Mendoza, before parachuting back into the ensemble for a smashup rendition of Barely visible and Glimpsed while driving (renamed Barely driving) knitted together with an softly bubbling ensemble improvisation. The transfer is orchestrated yet seamless, its tonal form undeniable even in the presence of obvious dissonance." "The breadth of Four Guitars Live gives lie to the false notion that agile, polytonal improv is necessarily without soul, is necessarily inaccessible. Rather, Four Guitars posits a human avant-garde music that the most conservative will recognize as virtuosic and revel in its classic intervals, boiling counterpoint, and precisely- layered facets. Even the rockers in your life might dig it, so why not pass it on?"—Tom Carter

Anastasia Zems lands on Alzaya with a new EP resulting from a self-reflective journey marked by hypnotic electronic rhythms that echo the passage of time and the change of life.

ALZC03 – Atlantika EP is a rolling cycle of inspiration, mirroring new experiences and sonic explorations that oscillate from warm memories to dark atmospheres aligned to current events. The EP ends by inviting us to slow down, reinterpreted in a separate track by Eklektique, who uplifts its essence and message.

Pastel de Nata is a track resonating with trance-tech rhythms to evoke warm and welcoming memories in a new home that smells of the Atlantic Ocean.

With Bairro Alto, the piece evolves, wandering and experimenting with old-school trance soundscapes across borders—a memento of the past days spent in local record stores searching for new rhythms.

Casa Amarela tunes into a dark, oppressive atmosphere pronounced by classic acid and arp-bass sounds. A symbol of sorrow and pain tuned to the current times.

The hypnotic, acid, mid-tempo sound in Push The Tempo Down stands high in the sky to remind and invite us to slow down before rising again.

Push The Tempo Down Remix is a unique reinterpretation by Eklektique, injecting hypnotic and acidic components crossed with a groovy bass line to reinforce the track’s essence and message.

Diese einzigartige Zusammenstellung vereint die Essenz der Original-Soundtracks der drei 'Batman' Filme von Christopher Nolan, komponiert von zwei der größten Filmmusikkomponisten der Gegenwart, Hans Zimmer und James Newton Howard, und eingespielt von Londons besten Filmmusikern, London Music Works.

Marius Circus is well known and loved for a signature analogue sound and once again that is laid out for us all to enjoy here on a new EP that comes with a remix from men of the moment Jazxing. First up is the deep, unhurried and dubbed out 'Lost On A Path To Nowhere,' a subtle late-night sound with wispy synths and a muted bassline that grows ever more prominent. The Jazxing Pathfinder remix is more tropical and steamy, and on the flip 'No Way Home' douses you in more blissed-out chords before the downbeat boogie of 'Space Crumbs Trail'. This is yet more essential summer goodness from Is It Balearic.

Repress!

Epitomising the very best of their hometown’s unparalleled musical heritage, Detroit’s Dames Brown are the vocal trio you may not yet know by name but are sure to know by voice. Lending their exquisite range to a number of modern house essentials, including Sophie Lloyd’s ‘Calling Out’, The Vision featuring Andreya Triana ‘Heaven’ and David Penn’s ‘Nobody’ in recent years, Athena Johnson, Teresa Marbury and LaRae Starr now release ‘What Would You Do?’ on a special 12” package. Produced by long-time collaborator of the group and fellow Motor City native Amp Fiddler and Mahogani Music regular Andrés, this slick, funk-filled and typically soulful vinyl release features the exceptional original version alongside house icons Louie Vega and Josh Milan’s Two Soul Fusion Remix and Expansions NYC Dub Vocal. Closing out the package Lyon house superstar Folamour provides his remix, with his signature groove a perfect match for the Dames exceptional vocal. A powerful combination of Detroit’s finest, and with remixers of the highest order involved, this 12” package is not to be missed.

The Second House Crew Box Set contains a full set of absolute classics. Including the enormous hits "Euphoria (Ninos Dream) and "Super Hero" alongside epic remixes from The Criminal Minds, Nookie, Isotonik and three brand new House Crew tracks, this box set is an essential for every old skool and jungle vinyl addict!

Sangre Voss returns with the idiosyncratic ‘Brogkl EP’ this March, marking five years of Third Place.

In the five years since his debut ‘Dance Class’ 12” on Will Hofbauer’s Third Place in 2019, London-via-Devon producer Sangre Voss has continued to melt minds and confuse dancefloors with his singular, head-turning productions. Having featured on Rhythm Section and Fabric Records, he’s also appeared on The Wire’s Below The Radar compilation series and on labels Control Freak, International Extraterrestrial Music, and more.

Here though, the label’s main gun returns with four curious and brilliant productions. ‘Smyyre Myyrgu’ leads with folky strings and stabs as chunky percussion and mystical pads unfurl throughout. ‘Ersatz Terrasse’ is a floaty slow-fast affair, sliding through bright keys, skippy drums, and otherworldly effects.

On the flip, ‘density of aha’ sees trippy, sluggish vocals and punchy drums combine, forming a bedrock for twisted, randomised synths. The title track ‘Brogkl’ turns up the heat with wonky leads, heavy low end, and wild guitar-like twangs to close out the record, ending another essential offering from the thrilling and always unique musical mind of Sangre Voss.

Younger Than Me announces his debut full length "The Golden Age Of Love", to be released on 90's Wax this coming March 2024. The record is the perfect example of the breadth of his irrepressible and unique sound. Featuring collaborations with Massimiliano Pagliara, Brame & Hamo and Pablo Bozzi. The artist is an Italian native known for a modern interpretation of '90s club music' - a dynamic blend of Progressive House, Trance, EBM, Breakbeat, and Techno ideas. This first album is a love letter to a deep-rooted passion for the idiosyncrasies of rave culture and the crossover points with contemporary electronic music.

Younger Than Me, an artistic project by Francesco Mingrino that is steeped in the nostalgia of ‘90s rave, yet not at all trapped in that past. A project that has cemented a special place in the electronic music scene with a string of records on labels like Bordello A Parigi, Amsterdam-Utrecht based platform XXX, Rotterdam’s Bar and Jennifer Cardini’s Dischi Autunno. To this point Francesco has pushed his fun yet forceful sound, with many releases on his own 90's Wax, and collaborations with people like Skatebård, Francesco Farfa, Timothy Clerkin and Curses (as Y2C).

"The Golden Age Of Love" as a package is curated in Younger Than Me's characteristic style. Opening with "Long Life Death", a track that sets the stage with a cinematic soundscape in a classic Carpenter vibe. Picking up the tempo "Zarathustra Dance" takes you right into the golden age itself, its low slung beat and carefully sequenced lead line pushes an ever building tension designed to crack any dancefloor. The track with Massimiliano Pagliara, "Eternal Sunshine Of Solitary Mind", is one of the highlights, perfectly building around a catchy lead with tight arpeggio and sequenced acid. Leading us into the 2nd half of the record "Sadness Is The Only Way To Happiness" is a proto-trance beast, inspired by that period in the early 90s when Trance was less bright lights and big stages and more dark rooms and smoke filled spaces, an ever building progressive run of haunting vocals, rave stabs and rolling bass.

Whilst YTM is at home presenting dancefloor focussed material, we see him explore the other side too, with "Memory Is A Clock" like the earlier "Vortix", he ditches the 4x4 for breakbeat territory. Whilst the bass keeps the solid metronome you would expect, "Memory Is A Clock" is a track that takes a few moments, contemplative melody and trademark arpeggios take the lead. When it comes to the other collaborations on the record, the appearance of Brame And Hamo on "Raver's Heart Is A Mess" sees them lean into the Progressive nature both artists love so much. Then Pablo Bozzi lends his own unique outlook to "We Don't Know The Way, We Just Stay" in one of the standout tracks, epitomising Younger Than Me’s ability to create profound experiences.

The album concludes with "Music Will Never Stop, Heartbeat Will Never Fade, Party Will Never End", less of a title and more of a personal philosophy – the perpetual essence of rave culture and its timeless impact on music. A rhythmic belter, juxtaposed with incendiary synth-lines and staple catchy sequence work, finishing the record with one of the true highpoints. In addition the release also features four digital bonus tracks, including "The Other Face Of Loneliness" and a Prog Dance Reshape of one of the records more eclectic cuts "Zarathustra Dance" all offering an extended exploration into the creative landscape YTM inhabits.

"The Golden Age Of Love" is a debut album that ticks all the boxes; it's a celebration of a bygone era through the lens of the contemporary. Younger Than Me stands as a testament to the enduring spirit and evolving nature of the music that began in the ‘90s rave scene, with an LP that pushes Love, Progression and Fun to the forefront.

"Seasoned Greetings" (DR008) marks the inception of the DE RIO split-release vinyl series. Collaborating in this inaugural installment are resident artist Plastique01 and Ukrainian techno luminary Stanislav Tolkachev. Originating from an encounter in Florence, where the duo not only shared the stage but also exchanged personal narratives, the EP delves into their unique interpretations of the techno genre. The result is a mesmerizing collection of four tracks, characterized by hypnotic melodies, unconventional sequences, detuned synthlines, and the pulsating rhythm of raw drums. The collaboration encapsulates the essence of their artistic synergy, promising a sonic journey that captivates and transcends boundaries.

"L'idée nous est venu lors d'une conversation un peu arrosée dans un pub du sud de Londres avec Philippe du label Tapeworm" dixit François Kirmann Gamaury alias Franz Kirmann alias Dj Salinger – producteur français établi à Londres depuis plus d'une vingtaine d'années.

"Voyage voyage voyage" est une mixtape. Mais pas dans le sens traditionnelle du terme. Kirmann l'appelle une mixtape subjective, où les morceaux ne sont pas joués tels quels mais présentés tels qu'ils sont ressentis par l'artiste.

Un peu comme le DJ Vladimir Ivkovic qui ralentit certain morceaux sur ses platines pour en révéler un autre aspect, Kirmann zoom dans l'étoffe même des enregistrements, étire les notes et les sons à l'infini, pour en mettre à jour un sens caché, altérer notre perception de ces chansons qui peuvent parfois sembler un peu désuètes. Ici elles sont transformées en nappes fantomatiques et envoutantes qui évoquent un souvenir d'une période de sa vie, une trace sonore d'une époque un peu naive, qui revient aujourd'hui sous forme d'echo, une musique nostalgique trempée dans la reverb et la distortion.

Kirmann a grandit au Sénégal pendant les années 80 et il se souvient des étés de son enfance passé chez ses grand parents, les chansons à la radio, dans le bus du centre aéré, dans un Prisunic en Dordogne, où une fête de camping en Alsace: Catherine Lara, Elsa, Veronique Jeannot et bien sûr Desireless et son fameux tube "Voyage voyage".

Les chansons sélectionnées pour la cassette ont toutes en commun une incitation au départ, une recherche de l'ailleurs, un amour perdu, un souvenir, les thèmes de predilection d'une certaine pop française que l'on nommait variété.

Ces idées d'évasion sont accentuées ici par le traitement sonore qui leur est appliqué. Les chansons sont paralysés dans le temps, figées dans le son, comme si l'on avait souligné certain passages dans un roman pour les détacher du texte intégral.

Distortion, écho, réverbération et autres effets sont appliqués et donnent à la musique et au son une qualité rêveuse et distante. Certains passages reconnaissables se dévoilent et sortent de la brume sonore, ils se révèlent plus net, d'autres sont noyés dans un brouillard imprécis, une musique proche de l'ambient qui enveloppe l'auditeur.

Kirmann: "Chaque track est basé sur une chanson de variété française des années 80, je voulais re-créer une impression de distance, quelque chose de lointain. Les morceaux deviennent des sortes de tapisseries sonores mais dont l'essence de la chanson originelle est toujours présente. Il y'a un roman de Patrick Modiano où les personnages lancent des avis de recherche pour la France à partir d'une station de radio d'un pays lointain. Le son est brouillé, les voix étouffées. J'avais un peu cette idée en tête de faire quelque chose de similaire, comme si les chansons étaient entendus sur un vieux poste de radio mais émises d'une station lointaine et d'un autre temps."

Le résultat est un voyage nostalgique, une musique ambient et nébuleuse façonnée à partir de tubes synthétiques 80's. Imaginez Fennesz ou My Bloody Valentine jouant des reprises de Laurent Voulzy et vous y êtes presque…

Loveless non, Desireless oui!

DJ Salinger. Voyage Voyage Voyage – Disponible en cassette uniquement. 100 exemplaires sur le label Tapeworm.

—

Franz Kirmann is a French music producer living in London. He has made albums for various labels including Denovali, Bytes, Mercury KX. He also writes music for film and TV and is a lecturer in music production at Point Blank Music school.

The legendary Thelonious Monk's appearance at the legendary Newport fesval in 1963 when the so-called 'High Priest of Bop' brought one of his greatest quartets featuring master Charlie Rouse on tenor sax, Butch Warren on bass, and Frankie Dunlop on drums. This is a great performance based on five of Monk's classic composions: 'Criss Cross', 'Light Blue', 'Epistrophy', 'Nu2y', and 'Blue Monk'. This is pure Monk's essence,


don't miss it.

The newly reborn Danish label, tech-nology, is reintroducing its first two releases.

The second release on tech-nology back in 2003 by El Far, alsoknown as Bjorn Svin, stands as a true techno masterpiece andis now rereleased as the label has been relaunched in 2023. Bjorn Svin has taken the lead again, contributing a remix that kick-starts the label in 2023 with TN EDITS 02 Lotte kaersa:"Prov og gor li'som jeg" - played by Luca Bacchetti at Burning Man 2023.

Additionally, the track gained attention on the latest Michael Meyer podcast,

But this is all about the beginning of the label and the beginningon the dancefloor Bjorn Svin was one of the first electronic musician in Denmark spearheaded an uprising Scandinavian rave scene, developinga unique, recognizable sound inspired by Detroit techno and British early IDM pioneers: playful and melodic but simultaneously groovy and entrancing.

In 1997, April Records released Bjorn Svin's debut full-lengthalbum Mer Strom; the opening single became an unofficialanthem for the entire generation of Scandinavian ravers.

Tech-nology captured a mature Bjorn Svin in 2003 and releasedwhat is arguably his best techno track ever produced, featured on this EP that highlights his techno skills under the moniker El Far. This authentic techno experience transports you back to theorigins of electronic dance music, going back to the old abandoned warehouses where social and casual dancing defined the essence of the scene.

Yet, the record captures what it is still all about, the love to themusic, the love on the dancefloor, this is him, her and wet area.

Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York. The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legendary self-titled LP for Factory in 1982. They disbanded within a year, frustrated by the slow pace at which the industry was able to release their increasingly challenging music. 1982 features 10 tracks which likely would have become the band’s second LP - only four of these songs have previously seen release on 2006’s 1980-82 Collected via Acute Records. Following the release of Ike Yard, they continued down their tortured path of hybrid electro-acoustic music with an arsenal of now-classic analog instruments, including the Korg MS-20 and the Roland TR-808. Skittering rhythms teeter on the verge of collapse while seasick synth warbles threaten to push us overboard. Electronic washes devolve into waves of feedback. Sneering basslines threaten dancers to move, but how can the body obey? This is dangerous music, gliding along the brink. The album features a live photo of the band by Makoto Iida and includes an insert with liner notes from Stuart Argabright. 1982 is essential for fans of post-punk and caustic electronics from Liaisons Dangereuses to Beau Wanzer.

Longtime friends and musical collaborators Max Essa and Eddie C join the RNT fold with a 4 tracker of melancholic and exquisitely produced chilled out disco. Begun as a lockdown project, the We Live In The Hills EP explores a vast palette of sonic soundscapes, from the shimmering guitars and acid lines of Melon Stepping, to the insistent rolling bass and whimsical synths of Save Me, the deep funk of the EP’s title track, and the late nite driving soundtrack stylings of Sixth Bridge. This EP tells a hopeful story of emerging from isolation and doubt, like a lovely musical sunrise after a long dark night.

Snips returns on his own Barbershop Records for the release of his latest "Nebuer EP". The project is a mix of sample heavy House and Hip Hop that Snips has become synonymous with. The EP was inspired and dedicated to his newborn son, with each track being a reference to a specific step in his journey into fatherhood. While its an extremley personal body of work it still doesnt shy away from being club ready and an essential addition to any DJs collection

The cinematic opening track Inthenever starts off as a film >> somewhere on a desolate coast, where everything has already ceased. This is going to be an album with a story and depth, a fearless tour of the barren shores of our days // or is it possibly just a mirage conclusion of their razor-sharp sound brutalism? Tittingur's third album, Epiphany, is here, pounding with waves they had not done before.

It seems as though this dyad has disposed of all the genre confines that had locked them in, and have grasped the sound of new subject matters, for which the moniker of experimental techno is finally too narrow. With utter urgency and candid to their emblematic, thunderous sound, Dominik's and Matus's deafening mallets collide in beats which are now, more than ever, drenched in a mass of palpable gloom and anguish. As though we could touch the rising levels of the oceans, and smell the melting of the glaciers themselves.

In one way or another, the music of Tittingur has always been about nature, its fierce essence, and its stark contrast with the post-era that we have found ourselves living in. However, whereas before, it was the sound of old, weather-stained concrete, and the pounding of abandoned, overgrown buildings, now it is, unavoidably, their most direct and honest return to nature landscapes, and to human, age-old traditions, referenced in the Slovak folk motives, recordings and found sounds.

On Epiphany, Tittingur's sound becomes yet more abstract, in a sound world that is ambiguous but also unified, and works on its own. The duality of nature and technology, of inland human folklore and the trenches of deepest oceans, invite us to come closer and observe the volatile obliteration taking place. Can we even attempt to re-assess our position with nature, or is this whole experiment doomed to fail?

Unsurprisingly, in the echoes, all the ingredients of the classic Tittingur sound are still present, distilled into new forms >> the ever-present over-saturation, the exaggerated, maximalist approach and megalomania >> the sound of impending climate change, doom, and near-apocalyptic visions, the scent of borovička mixed with the wild North Sea, the agony of contemporary urban life, and the adventure of wilderness: ferocious synths, monumental beats, aggressive basslines and crumbling noise-scapes built of a found-sound, music concréte-like, collagist approach.

At moments, it seems the means have changed. Just until you realise that the sentences of this story are spoken in a new language. If you dive deep enough, and listen to the essence that the music of Tittingur articulates, it's surprisingly easy to understand >> although the notions and emotions are difficult to put into words. The profound narrative of Epiphany is that of an endless inner struggle of society, anxiety, crises, and ambiguously easy // difficult solutions in the post-modern global chaos. It is the calm before a storm. It is the storm. Is it the calm. It is all of it, in itself. credits

Fire! have always been about finding the essence by getting to the core of the music. Their 8th album sees the trio - for the first time on record - stripped down to the bare-bones essentials; with no flutes, no electronics, no guests and no extras, recorded live in the studio to analogue tape - the Steve Albini way - with the master himself at the controls in Electrical Audio in Chicago. Thus, this album stands as a true testament to the group's expressive power and glowing intimacy. Musically, Testament can be seen as an extension of their previous full length album Defeat, released two years ago, to the month. A solitary bass figure from Johan Berthling, quickly joined by a stout drum groove, gets it all going in a familiar fashion before Gustafsson adds desolate cries and whispers from his baritone sax. This approach is even more honed on the second track, with the most simplistic groove you're likely to hear in jazz and Gustafsson shifting between extended, lonely, tortured lines, only once abrupted by a series of short bursts. The third track starts with loose and relatively lively drums that continue throughout, but the mournful saxophone maintains a subdued atmosphere. Track four is a real beauty with the trio slipping into a trance-like dream state before shifting gear halfway into its nine minutes. The final track is the most dynamic of the lot, shifting between bursts of energy and lyrical beauty. Fire's debut album, You Liked Me Five Minutes Ago, was released in 2009 to wide international acclaim. "The basic strategy of pairing the expressive energy of free jazz with a sturdy sense of groove has yielded something potent and self-contained" (New York Times). Between this and Testament there's been six albums, including collaborations with Jim O'Rourke (Unreleased?) and Oren Ambarchi (In The Mouth A Hand), as well as the Requies EP with Stephen O'Malley and David Sandström in 2022. Testament was recorded and mixed during a three-day stint at Steve Albini's Electrical Audio studio in Chicago in December 2022. Mats Gustafsson - baritone sax Johan Berthling - bass Andreas Werliin - drums.

Fire! have always been about finding the essence by getting to the core of the music. Their 8th album sees the trio - for the first time on record - stripped down to the bare-bones essentials; with no flutes, no electronics, no guests and no extras, recorded live in the studio to analogue tape - the Steve Albini way - with the master himself at the controls in Electrical Audio in Chicago. Thus, this album stands as a true testament to the group's expressive power and glowing intimacy. Musically, Testament can be seen as an extension of their previous full length album Defeat, released two years ago, to the month. A solitary bass figure from Johan Berthling, quickly joined by a stout drum groove, gets it all going in a familiar fashion before Gustafsson adds desolate cries and whispers from his baritone sax. This approach is even more honed on the second track, with the most simplistic groove you're likely to hear in jazz and Gustafsson shifting between extended, lonely, tortured lines, only once abrupted by a series of short bursts. The third track starts with loose and relatively lively drums that continue throughout, but the mournful saxophone maintains a subdued atmosphere. Track four is a real beauty with the trio slipping into a trance-like dream state before shifting gear halfway into its nine minutes. The final track is the most dynamic of the lot, shifting between bursts of energy and lyrical beauty. Fire's debut album, You Liked Me Five Minutes Ago, was released in 2009 to wide international acclaim. "The basic strategy of pairing the expressive energy of free jazz with a sturdy sense of groove has yielded something potent and self-contained" (New York Times). Between this and Testament there's been six albums, including collaborations with Jim O'Rourke (Unreleased?) and Oren Ambarchi (In The Mouth A Hand), as well as the Requies EP with Stephen O'Malley and David Sandström in 2022. Testament was recorded and mixed during a three-day stint at Steve Albini's Electrical Audio studio in Chicago in December 2022. Mats Gustafsson - baritone sax Johan Berthling - bass Andreas Werliin - drums.