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Introducing the new release of "Bang It" imprint! Courtesy of ulderico tarasconi aka Valerio Vaudano, the well known man behind the project "Steamy Pizza Box".

4 tracks Ep with italo-house vibes and deep grooves. This release is a must-have for collectors and music lovers.

Rumbleton makes a welcome return to Rupture, cooking up some essential flavours with the 'Right Ingredients EP'.

Toronto connects with London once again as Rumbleton makes his first appearance on the label since 'The Fifth Column' in 2018 - it has been worth the wait as four cuts are exported in all the correct measures.

Lead track 'Right Ingredients' has been one of Rupture’s most sought after dubs. A totally unique track with elements of dub, soul, drumfunk and a chest rattling bassline that cuts deep.

Heavy artillery follows on 'Raw Deal' in a surge of amen pressure that continues into 'Just A Dream'.

Rumbleton never loses sight of the musicality however; his collaboration with Dodz, ‘Island Cream’ is filled with warm pads, tough breaks, groove & heart.

Repress!

Two classic cuts from the Kaoz Theory vaults get released for the first time on vinyl, with a fresh remaster for the modern mind, body and soul. First up, Dam Swindle ‘Ballin’ a sumptuously smooth, groove-laden yet chunky house heater with the flip housing a late-night deep delight from Ben Rau titled ‘Be Who You Want To Be’.

After his woozy dark disco EP debut on NEIN records, Clouzer returns with LMNTL, a fine collection boasting 4 massive tracks tailored for the “big room” stage. Listening to Clouzer’s cosmic textures, layered abstractions and futuristic soundscapes on LMNTL feels like connecting to an extraterrestrial world.

The Berlin-based musician blends electro, broken beats and dirty bass lines, creating immersive and hypnotic environments for people to dwell in. The EP also features a beautiful remix by Sestrica, one of the most vibrant and unique female live acts on the Breakbeat scene.

The invasion from outer space continues! Timothy J. Fairplay plays regular live shows at festivals like Digital Tsunami’s Camp DT or the Intergalactic FM Festival in The Hague. His new EP Why Are They Here? is the follow-up to Chariots In The Sky on Archaic Future Sounds that was supported by Lauer, Jennifer Cardini and Curses! Cosmic and cinematic Acid House produced only with synthesizers and drum machines. Analog mastering by Grey People.

Pleasure Zone welcomes Brizman to the label family!
We are very happy to present you "Takes Its Tool EP" on our 42nd edition.
A beatuful warm-grooved, fluffy and silky peace of music!
Highy recommended!

Australian label Lunatic Music’s second release (LM002) comes from London-based, Tokyo-born producer, DJ Himitsu. The first EP from Himitsu, Three Acid’s A-side offers up percussive dance tracks entangled with solid acid lines – a generous offering perfect for the party’s deepest hours.

When it’s time to relax, the B-side delivers with a balearic track full of looping organic samples. Complementing the release is renowned lunatic, Dexter Gregg, going hard with his take on B3 – Squid Friends (Solid State Remix.)

The fourth EP from HOMO-CENTRIC Records presents GIDEÖN's broad musical vision, with tracks that span genres such as house and techno, as well as other influences, and includes his latest offering, “A Road Called Destiny”, his headiest offering yet and hot on the heels of previous anthem “Brighter Day”. This latest gospel belter has been tearing up dancefloors all summer and the track reaches euphoric heights comparable with the Baptist sermons featured in the house classics from the likes of Kerry Chandler and Robert Hood. "Hector’s Revenge" is a dark sleazy queer techno anthem already slaying Berghain’s main floor, "Vasquez Goes East" is a "raw basement cut that tips its hat to Junior Vasquez’s Sound Factory classic "Get Your Hands Off My Man” whilst “Fridays” serves up classic Swing 52 style chopped-up vocal cuts straight from vintage 90s NYC. Scope, range and diversity, but all quintessentially GIDEÖN

The White Series continues after a little pit stop. Tankwart is at the start with four tracks of wave, triphop and kraut and leads us into a cosmic slipstream. As one half of Dâdalus & Bikarus he is already known to us and now shows a more danceable side of his productions. Tankwart is known around here for his versatile DJ sets, which always surprise us with a pinch of the unexpected. We also find this in his music – Tankwart gives the supposedly familiar a new and sparkling twist.

Als nächstes erscheint bei BPitch eine neue 4-Track EP mit ungefiltertem Techno und tadellosem Sounddesign des Turiner Duos Boston 168. Nach drei Veröffentlichungen auf dem Label und einem Beitrag auf dem vielversprechenden Sublabel UFO Inc im Jahr 2019 begibt sich das Duo mit der EP Gigantia, die am 14.07.23 digital veröffentlicht wird, in industrielle Gefilde und in lebhafte psychedelische Trips. Sergio Pace und Vincenzo Ferramosca, die seit 2014 gemeinsam Musik produzieren, haben sich mit einer besonders räumlichen Form von Techno einen Namen gemacht, der ihnen bis heute eine illustre Karriere beschert hat. Auf "Gigantia" greift das Duo auf die industriellen Wurzeln ihrer Heimatstadt zurück und verschmilzt eine Reihe von Einflüssen mit einer ausgesprochen melodischen Version von Acid Techno.

The fifth release of Eclectic Beats Music is a collaborative project between Ruben Estevez (Bruk Boogie Kru + Afro Bruk Band) with Damian Botigue (Karmasound) and Rui Fradinho (Fradinho).

Based on their Iberian Peninsula origins and upbringing, they get together to revise and rework some of Ruben's beats and tracks, into an Afro Brazilian flavoured EP with Broken Beat and Bruk rhythms.
Ruben unveils some "lost" beats and tracks for Diamante, where Karmasound delivers some lush keys and Fradinho complements with synth bass and additional production (and a Bruk Remix from Fradinho too!). BBK's "Ile" gets a darker Peninsula Ibrukica Re-edit and Afro Bruk Band's "Vem Vai" a Fradinho Bruk Remix!

Original tracks produced by Ruben Estevez
Keys on Diamante (A1) by Damian Botigue
Bass, Editing, Remixing and Additional Production by Rui Fradinho

Ethos Records is a new vinyl only record label based in Athens,GR.
It’s aim is to present music from carefully curated artists that are consistent & true to their sound regardless the current trends or hype.
For the first release Leonid delivers a deep & dubby, Detroit influenced 4 track EP.

The release will be a limited pressing with each record featuring a hand stamped number on the label.

With 2 trace Tribe exercises from Hesed , the flip offers one long Vikkei Banging hardfloor killer and a little Rap Bonus from Neuroleptika on a Claudio Hesed Instrumental. Newskool !

Under the alias 4E, producer Can Oral created his own unique sound of raw, futuristic acid-electro. The A-Side tracks "Ask Isadora" and "Conga Banana" first appeared on the album, Blue Note, released on Home Entertainment in 1996. On the flip are two unreleased tracks picked from his extensive archive and edited by FIT Siegel. These were also recorded during this era, which Can describes below:

"In the 90s I moved to NYC to start a band with Jimi Tenor. I had a small flat in the East Village with the apartment number 4E and that became my artist name for the downtempo and electro material I was working on. The style I called Futuristic Electro because I didn't want to relate to the old school with this. I had my studio on the kitchen floor and pretty much only used EMU SP-1200, TB-303, TR-808 and SH-101 by good ol’ Roland. In a way NYC was still developing because it was all about house music. In 1995, I opened Temple Records in Manhattan with Dr Walker from Air Liquide and DJ DB from Smile Communications. The record shop was inside the Liquid Sky clothing store. After a fire in the shop, along with a falling out with the owner I decided to talk to a fortune teller to find out what the future held. Her name was Isadora, and she had a TV show called "Ask Isadora." She told me on live television to move out, have my own shop and be independent, so I did. Thanks Isadora!"

RAWAX welcomes Reboot to the family! We are very happy to present you Frank's first release on our RWX-series in July!

Shall Not Fade sister imprint Lost Palms returns with another luscious cut of feel good, dusty house music from label mainstay Subjoi!

Rotary drops September 1st via Lost Palms.

What began as a sunny San Francisco dorm- room duo in early 2015 by frontwoman Sabrina Mai, quickly evolved into a band as Marisa Saunders and Nat Lee entered the fold.

Psychedelic basement techno vibes on the 8th release of ROD's hardware only project Rod20.

RAWAX welcomes Ferdinand Steinbacher aka Brevis Bounce to the artist family! We are very happy to present you this great talent HOUSEWAX. After joining a RAWAX micro GARDEN FESTIVAL with Move D, Ferdinand went home and started (impressed from David's set) to jam. He uploaded the video on social media. Luckily we saw it and asked him to make us some tracks - the result is his first vinyl release called "Vibrant Remedy" which will be out in January.
Highly recommended!

RAWAX proudly welcomes Mr. Brian Garrett aka Javonnte to the artist family!

Javonntte is the second artist after Los Hermanos aka Mr. Gerald Mitchell, with his own series on the RAWAX MOTOR CITY EDITION.

repress !

Since ancient times tribes commanded by shamans were experimenting with rituals in order to inherit higher states of consciousness.

We as descendants from those cultures disrupted their traditions by recording those sounds and reproduce it through a speaker. Although the principle remains intact.

AIROD and P.E.A.R.L. Are two contemporary artists well aware of that culture, as you can here through the 6 tracks of this EP that in good hands can catalice the ecstasy through repetitive drums, deep vocals and grinding melodies.

Every science starts as philosophy and ends as art.
Tribal science, for disc-jockeys and collectors.

Born out of an indefinite lockdown in 2021, LSS is a joint project from Naarm-based artists JXTPS and Edward Richards. Drawing on their shared love of complex rhythms, melancholic soundscapes and analog hardware, LSS blurs the lines between hypnotic techno, ambient dub and futuristic electro with Oneiric and EVJT, with transformative remixes provided by Sam KDC and Viels.

Kniteforce Prime continues to attract the very best in the business, with this EP from Liquid, under his new variation, LQUD. The chance to go back to the earliest rave sound, the one most of us were inducted with, is something most producers cannot resist. And as you can see with this EP, it brings out the very best in creativity. This is Liquid at the top of his game, playing with the sounds of the early 1990's in a way only he could. Top notch production and a musicality only he can bring, combined with the old skool techno elements and piano lines? Unbeatable.

After a bit of a hiatus, BLKMARKET MUSIC is back in action for it's 13th release 'The Beauty Of The Dark' featuring the sophomore release on the label by New York legend Reade Truth.

We are thrilled to have the veteran DJ, producer and label boss of his imprint Path Records, back for his follow up release to Violent Rose that was released in 2019 on the label.
This new 6 track EP, showcases the different realms of Reade's heavily influenced sci-fi productions, crossing Acid, House, Industrial and Techno territories.





d B1. TXM Trance Ecstacy Machine - 5m 33secs

Acen's Trip To The Moon series is simply unmissable, and these color vinyl represses are severely limited in number. Spanning all the original mixes, plus new material and new remixes from the likes of Pete Cannon, Danny Byrd, Phuture Assassins and Scott Brown, every EP in this series is essential.

Acen's Trip To The Moon series is simply unmissable, and these color vinyl represses are severely limited in number. Spanning all the original mixes, plus new material and new remixes from the likes of Pete Cannon, Danny Byrd, Phuture Assassins and Scott Brown, every EP in this series is essential.

Acen's Trip To The Moon series is simply unmissable, and these color vinyl represses are severely limited in number. Spanning all the original mixes, plus new material and new remixes from the likes of Pete Cannon, Danny Byrd, Phuture Assassins and Scott Brown, every EP in this series is essential.

After his acclaimed album for us released recently, Ribe comes again into the mothership with this modular madness EP, proving again his mastery of intelligent techno and sound design.

La penumbra is the first track, as the title suggests, darkness and shadows come immediately to mind when listening to it. A solitary bass drum joined by several drones and ambiences interleaving and mutating over the arrangement.

El Metodo follows, electric and sharp, with repetitive modular bleeps floating over a bass heavy groove. The only additional elements are percussive and come into the track progressively until the hypnotic climax.

Flipping the record, Las Raices introduce distortion and roughness on the equation, relying on a powerful groove soon accompanied by high pitched drones and electric synthetic washes.

Last Tune is Bajo el Olivo, liquid and elastic, with resonant bubbles going asymmetrically on top of the rhythm with occasional percussive details going on the back. A sci-fi sequence appears in the middle of the track adding additional sound hypnosis.

No doubt that Ribe has his own trademark sound and we are really proud of having him onboard.

Subterranean Odyssey returns with SO004, a release from the 2nd Slovenian producer on the label – Janko. His Zhutoklunac EP takes you on a journey through his style, with the A side kicking things off with Defnas – an ambient intro with dreamy vocals and a breakbeat which is very pleasing to the ears. Cleqtru carries you through to the B side with its sweeping pads and groovy bassline. The B side lightens the tone gradually with Massi which has a vocal that very appropriately asks you to “prepare for cyborg-isation” and Yecro ends the well thought-out release on a lighter note.