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Solid Snake Series is the new VA line showcasing the next generation of cutting-edge electronic music, combining dancefloor functionality with multifarious layered sonic exploration. It debuts the collaboration of label boss Phase Fatale with Falling Ethics owner P.E.A.R.L., as well as fellow KHIDI resident Yanamaste, with a rare outing. Label mainstay Unhuman brings his sound directly into the techno realm alongside Nørbak and the first track together by Ne/Re/A and Clarisa Kimskii from New York City.

Classonix are back with another red-hot delivery of smart edits designed for maximum club impact. 'Lilith' marries deep house beats and dreamy roads with exotic international vocals that lend it plenty of spice. 'Coute' is a UK street soul and Afro disco collision with 80s pads that shine bright. 'Hala Hala' is another international delight with summer-ready vocals and an old-school bassline that never quits. 'Shabakni El Hawa' classes out with candied disco-pop and hypnotic vocals over some fresh synth work. A colourful package of sure-fire winners.

'Don't Turn Your Back On Me feat. Pauline Taylor' originally featured on US house innovator and Basement Boys co-founder Teddy Douglas's ‘I’m Here’ album in late 2024. It's a true soulful house anthem with funky bass and a glorious vocal that was primed for a A-list remix package. Douglas himself opens up this package with joyous organ chords and soft melodies lighting up the smooth, seductive drums. Swiss DJ and producer Shaka goes next as an artist who has spent decades blending acid, Chicago, and Detroit influences into his own tunes on top labels like Nervous, GooD MooD, and Mister Bear Records. His 12-inch Club version strips things back to go deep and dubby before rebuilding with sunny melodies, expressive organs, and proggy guitar licks that bring joyous energy and real dance floor unity.

Next is NYC DJ Tedd Patterson, a true originator, resident at Ladyfags’ Battle Hymn party and a regular at Horse Meat Disco, Berghain’s Panorama Bar, and Glitterbox, as well as releasing on Strictly Rhythm, Nervous, Defected, and more. His sophisticated remix boasts a warm and bouncy sound, complemented by soulful vocals that lend richness. Then it's seminal NYC favourite Danny Krivit, who is part of the cult Body and Soul crew, is a renowned remixer and editor with hundreds of credits to his name on the most important labels in the scene, and is resident DJ at New York’s legendary 718 Sessions. He draws on his vast experience to edit the original into a playful disco stomper, complete with neat guitar riffs and zippy synths, all bursting with joy as the funky beats roll on and the lush vocals soar to new heights.

Since his earliest days, Ben Frost has been fascinated by the cinematic qualities of the guitar. His output to this point has hinted at this, but with »Steel Wound« he makes a bold statement of intent.

Finding his way to a deserted stretch of Johanna Beach along the Great Ocean Road (Victoria, Australia) in early 2003 Frost set up a remote studio at a derelict cabin overlooking the icy waters of Bass Strait. With a constant wind flowing off the sea his only companion, Frost started work on a series of improvisations that would eventually become »Steel Wound«. A few months go by and Frost has made his way back to civilization. He begins editing the masses of treated guitar from the Johanna Beach improvisations and before long a theme takes hold - one that very much reflects the isolation of the environment where the tracks were created.

Each of the pieces on »Steel Wound« is a epic journey, coloured with a deep sense of filmic narrative and suggested dialogues. The textural quality of the works, laced with field recordings and lost vocal fragments, sketches out the emotional soundscapes Frost had unwittingly gathered during his time at Johanna Beach. Each piece is a splintered fragment in time – a forgotten memory beautifully rediscovered in a moment of introspection.

‘BORN LIKE THIS.’ is MF DOOM’s last solo album. Featuring Ghostface Killah, Raekwon and seminal American poet and writer Charles Bukowski with beats from J Dilla, Madlib and ol’ Metal Fingers himself. “I’ve been a fan of Bukowski for a while. It was a friend of mine – damn, I forget the n*gga name – from Life Sucks Die, it’s a graffiti magazine but it’s real kinda edgy, out of Minneapolis. They did an interview with me and then me and Andrew Broder was friends ever since then. He said, ‘Your shit reminds me of this dude Bukowski, you gotta read his stuff.’ I was a little apprehensive at first, ‘cos I was like, ‘What kinda weird shit is this?’ Then he gave me a book, The Most Beautiful Woman In Town, and after that I just got into it. “So for this album, to celebrate all us writers, emcees, if you look at it, it’s a lot of words that we say, and we all write those words: if it was written down on a piece of paper it could be a short story or like a good book. So I saw where Andrew was coming from where he sees the similarities. In tribute to Bukowski I said let me get him as a guest appear ance…” DOOM as quoted in HHC. “Whatever caused DOOM to scale back his output and go off the grid, he’s only come back from it sharper, stronger, and more powerful than before.” Pitchfork “DOOM still has the sickest vocabulary, broadest frame of reference, and densest, most quotable rhymes in hip-hop… he has created an album of sublimely half-assed super-genius.” Onion AV Club

Limited edition transparent vinyl pressing of Tom Rowlands' first release on Phantasy. ‘Through Me’ is an all-cylinders, propulsive elasticated house track while ‘Nothing But Pleasure’ is eight-plus minutes of unstoppable Metallic KO disco. Both tracks reiterate the point that Tom is unarguably one of the greatest producers of club music around.

Clear vinyl comes in a stickered heavyweight reverse board sleeve..

DMA debuts its new series with a vision to showcase the music that shaped their path while fostering a sense of community around the label. The first release is a two-track EP featuring Twovi and Sixam, blending Italo house roots, progressive house textures, and that distinctive touch of nostalgia that runs through the DMA sound. Pressed in a strictly limited edition, DMA & Friends is a platform for music, friendship, and memories.

Berlin-based Japanese DJ and producer Hisashi presents his debut EP on Snapout, The Snapout's Squad Day3 called The Place 2 B. A sonic snapshot of his unique world, the release blends deep grooves, playful textures, and emotive layers that reflect both the dance floor and the introspective moments beyond it. This EP marks Day 3 in the ongoing Snapout’s Squad series — each edition capturing a new chapter in the evolving narrative. Joining him is long-time friend and fellow artist Riku Sugimoto, who contributes a warm and trippy remix, adding his own perspective while staying true to the original spirit. A heartfelt first step, crafted between Berlin nights and nostalgic memories of home.

Originally recorded as an unreleased demo aer Love 4 Love and later recovered by Stefano
Colombo and Davide Romani, For Loving on You has become one of the highlights of the
Embrace project.
This limited vinyl edi on features three brand new versions by Dave Lee, including a vinylonly instrumental bonus track. With contribu ons from Ma$ Cooper, Michele Chiavarini,
Julian Crampton, and Mark Beaney, the remix keeps the soul of Change alive while bringing
it to today’s dancefloors.

Veronica Electronica, eine acht Tracks umfassende Begleitung zu Ray of Light, wurde ursprünglich 1998 von Madonna als Remix-Album konzipiert. Das Projekt wurde jedoch durch den überwältigenden Erfolg des Original-Albums und die zahlreichen Hit-Singles, die über ein Jahr lang im Fokus des Interesses standen, zurückgestellt. Ray of Light verkaufte sich weltweit über 16 Millionen Mal und brachte Madonna vier GRAMMY® Awards ein, darunter den für das beste Pop-Album.

Mehr als 25 Jahre später wird dieses lange kolportierte Konzept nun endlich Wirklichkeit. Die Sammlung enthält neu bearbeitete Versionen von Club-Remixen von Sasha, BT und Victor Calderone, zusammen mit dem Original-Demo von „Gone, Gone, Gone“ – einer bisher unveröffentlichten Aufnahme, produziert von Madonna und Rick Nowels. Veronica Electronica erscheint am 25. Juli als limitiertes Silver Vinyl und digital, und ist eine weitere hochwertige Ergänzung zu Madonnas Silver Collection.

Introducing Small Great Beats – a boutique vinyl series born from the legacy of our flagship release, Small Great Things. The SGT Series offers collectors and music lovers an exclusive dive into curated sounds that blend anthem-worthy melodies, emotive grooves, and floor-focused energy. Each release is strictly limited to 200 hand-numbered vinyl copies, making every edition a true collector’s item. The second chapter SGB002 in the Small Great Beats journey is Luca Olivotto’s spellbinding 4-track EP, Say Who?!, pressed on a stunning light turquoise vinyl. This release showcases Olivotto's diverse sonic range, with the A-side delivering two melodic highlights – the title track Say Who?!, with its anthemic atmosphere, and Work, a groovy cut infused with disco flair, while the B-side shifts the focus to the club, featuring the driving bass of I’ll Show You and the deep, dub-influenced closer, Love Spreader. A must-have for fans of timeless dance music with character and depth, Small Great Beats is where collectibility meets curated quality.

The Rituals series rises again, a fresh strike carved deep into black wax. RITUAL12 summons an international assembly of techno insurgents from the OMEN roster, each delivering their own sonic rite. Across two sides, the intent is absolute: raw, unfiltered power pulled from the shadows and unleashed on the dance floor.
RITUAL12 is not a compilation, it’s a convocation. Forged in analogue heat, drenched in distortion, and aimed directly at the heart of the floor, this record demands full surrender. Step in. There is no turning back.
SIDE A
Swarm Intelligence – Inexorable
Berlin’s Swarm Intelligence ignites the record with precision-tooled percussion and fractured basslines. Polyrhythmic tension winds tighter with every measure, industrial grit locking into a cybernetic march toward total hypnosis.
B.A.R.K – Shikijitsu
A bone-rattling invocation of distorted low-end and ceremonial drums. B.A.R.K drives forward like ancient machinery grinding to life, a Japanese primal energy sharpened to a deadly edge.
Axkan + Duellist – Resilence
Mexico meets Scotland for a brutalist assault: hammering kicks, serrated synth textures, and walls of analogue saturation. No safe passage here, only forward momentum into the heart of chaos.
SIDE B
EAS – Honored One
From Los Angeles, EAS delivers a tense, ritualistic construction where a subterranean EBM bassline pulses through metallic drones. Hypnotic, uneasy, and charged with controlled dissonance.
Ha†elove + Ogmah – Hanged Bodies
A dark ceremonial groove, heavy with ritual percussion and spectral synth chants. The layers rise to a fever pitch, blurring the line between transcendence and collapse.
Crystal Geometry + Axkan – Kratom
France’s Crystal Geometry joins Axkan for a militaristic strike of modular chaos and pummeling drums. EBM infused basslines drive beneath razor-sharp synth fire, rallying the midnight faithful to the front lines.

Joaquin Joe Claussell readies the ‘Raw Tones’ LP on Rekids this June.

The first LP since 2008’s ‘Corresponding Echoes’ on his Sacred Rhythm Music, Joaquin Joe Claussell arrives on Radio Slave’s Rekids for ‘Raw Tones’, a nine-track excursion through the sound of his exquisitely soulful house music.

Originally released on uber limited cassettes, the music within ‘Raw Tones’ caught the ear of Radio Slave, aka Matt Edwards, who messaged Claussell, a friend since remixing Edwards’ Machine project in 2012, and convinced the legendary producer that the music needed a wider audience and, so, ‘Raw Tones’ the LP is here.

Introspective opening cut ‘Lock Down’ draws for breathy strings and swirling pads, followed by the hypnotic and low-slung ‘The Blame Game (Table Top Idea)’, which sees jazzy keys float around carefully crafted dubbed-out ambience and subtle, whispered vocals.

‘Break Free’ ups the energy, bringing a wonky bassline under decisive, machine-like drum hits while both spoken and sung vocals interplay throughout. ‘You Mutha Fuka’ brings rock-solid drums and thick bass underneath delayed vocals before the dreamy chords and twinkling keys of ‘Way Back Then’ close out the B-side.

The gorgeous ‘Air We Breathe (Revisited Cassette Demo)’ marries rolling percussion across live bass and softly drawn-out pads, followed by an instrumental version of ‘Break Free’. The final side of vinyl sees the extended trippiness of ‘If It's All In Your Mind Let It Out’ lead into the floaty low tempo closer ‘Hallucinations Ejaculations’.

Joaquin Joe Claussell, co-founder of Body & Soul with Francois Kervorkian and Danny Krivit, continues to run his Sacred Rhythm Music record label and curate the Cosmic Arts community centre in his hometown of Brooklyn, NYC.

Following a string of sought-after singles, a twice-pressed debut LP and previous remixes from artists including XL Middleton and Qrion, Japan-based indie funk duo Milk Talk returns with “Medusa”, a tape-tinged track anchored by a fat Minimoog bassline. Milk Talk vocalist Q.i’s sensual Japanese lyrics seemingly emerge from a smoky cloud of phased-out guitars, courtesy of multi-instrumentalist Hair Kid. On the vinyl-exclusive instrumental flipside, the track’s vocoder layers come out on display.

Aphex Twin’s ‘Xylem Tube’ EP arrived in the summer of 1992 on R&S Records, coming hot off the heels of his landmark ‘Digeridoo’ release, and an audacious follow up from the then 21-year-old Richard D. James. Out of print for nearly two decades, this long-awaited vinyl reissue restores one of the pivotal early works in his catalogue.

Where ‘Digeridoo’ pushed the endurance of the rave floor to its limits, the ‘Xylem Tube’ EP stretched the Aphex Twin sound into new dimensions with ‘Polynomial-C’ becoming an enduring classic with its spiralling arpeggios, shattering breakbeats and alien melodics. Tracks like ‘Phlange Phace’ and ‘Tamphex (Hedphuq Mix)’ pushed distortion, humour and rhythm into uncharted territory, while ‘Dodeccaheedron’ acts as a bold signifier of James’ radical ideas of how dance music can sound, with its ominous and brooding synth work over a cacophony of eerie, broken beats.

Three decades later, the EP stands not only as a key chapter in the Aphex canon, but also as a statement of intent from an artist set on reshaping electronic music’s DNA. Now faithfully reissued on vinyl for the first time since a 2006 pressing, this edition returns one of the most in-demand Aphex R&S titles to circulation after nearly twenty years out of print.

Driving, hypnotic, groove-laden techno with Detroit-inspired elements. Jeton Records proudly unveils its first-ever vinyl release, crafted by label founder and visionary Ferhat Albayrak. The Velodrome EP delivers four meticulously produced tracks that shift between peak-time energy and atmospheric depth, blending timeless influences with a modern edge. A vinyl-only exclusive rounds off the package, making this milestone release a must-have for collectors and DJs alike. With Velodrome, Ferhat redefines Jeton’s legacy and affirms his role as one of techno’s forward-looking voices.

New split release — 4 tracks of raw underground sound.
Two sides, two visions — pressed together on one record.

Direct from Eastern Europe and the US underground.
Strictly limited edition, no repress, each copy unique.

Naya Beat Records reveals Volume 2 of its critically acclaimed series dedicated to South Asian dance and electronic music. Label founders Turbotito and Ragz have curated an exceptional 13-track compilation with a focus on an overlooked era of house and electronic music released between '88 and '94.
While Volume 1 explored early 80s Balearic, synth pop, and disco, Volume 2 uncovers lost or forgotten future classics from later in the decade. The release spotlights a unique era in the late 80s and early 90s when fertile cross-cultural collaboration abounded in diasporic communities in cities like London and New York and when South Asian music was infused with acid house, New Beat, and dub.
There is a true wealth of sounds here, from The Jets Orkhestra’s organ-fuelled house workout ‘X-290’ to the downtempo splendour of the Asha Bhosle fronted West India Company. Lady M lends the Hindi house track and arpeggiated wonder of ‘Kali Raat’ and Mantra’s eponymously titled cut is a hypnotic gem. Featuring other scintillating Balearic house, dub, and street soul from the likes of Asha Puthli, Bappi Lahiri, Johnny Zee, and Kuljit Bhamra, this double album is a treasure of never-before-reissued and previously impossible-to-find holy grails.
Often "too Asian for mainstream success in the West, and too Western for success in Asia," the pioneering music from this time was frequently released to short-lived success or relative anonymity. Naya Beat founders Filip Nikolic (aka Turbotito) and Raghav Mani (aka Ragz) have spent the last four years endlessly hunting through dusty records, obscure cassettes, and unreleased studio tapes to deliver a reference release for contemporary collectors, tastemakers, and bold selectors looking for fresh sounds.
Featuring an incredible gatefold package with Naya Beat’s trademark stunning artwork and exhaustive liner notes, the 2LP release has been cut to vinyl for the discerning DJ and listener by Grammy-nominated Frank Merritt from The Carvery, London.
Naya Beat Records is focused on uncovering foundational dance and electronic music from the subcontinent and South Asian diaspora through reissues, remixes and compilations. Success came immediately with ‘Naya Beat Volume 1’, which was named Vinyl Factory’s number 1 reissue of 2021, and has been followed up with more fascinating releases such as a two-part remix project with disco-jazz legend Asha Puthli, a scintillating bhangra acid house EP with Mr. Scruff, a reissue of Pinky Ann Rihal’s 1985 Hindi new wave album, and the superb Bollywood compilation ‘Awaaz Series 1

Acclaimed British artist Leon Vynehall presents is highly anticipated third album, In Daytona Yellow, via Ooze INC. Marking the next stage in the Ivor Novello-nominated producer and DJ’s evolving sound, In Daytona Yellow showcases Vynehall’s experimentations with fringe electronics, pop, and R&B, and his growing confidence through collaboration and live vocals. Across 10 hypnotically off-kilter tracks, we hear Vynehall at his most deft and diaristic.

Over the past 13 years, Vynehall has built a formidable reputation through his genre-defying artistry. From his early days as a leftfield house producer releasing on labels like Aus Music, Running Back, 3024, and Rush Hour, to his critically acclaimed debut album Nothing Is Still (2018) and the boundary-pushing Rare, Forever (2021), he has continually redefined his creative limits. While Rare, Forever was a bold step away from dance music—melding post-punk textures with experimental electronics—In Daytona Yellow pushes these experiments into a more traditional songwriting framework, inspired by both contemporary and 80s avant-pop.

In Daytona Yellow is set to be a career-defining release, cementing Leon Vynehall as one of electronic music’s most innovative and thought-provoking artists, part of a vanguard expanding the ambition of electronic music.

Torpedo are back and firing again!

Another 4 high octane, main room club bangers from a don of the UK house scene over the last 30+ years. Essential peak time gems perfectly merged for today's energetic dancefloors. Vinyl only act fast!

London-based DJ duo, producers, and curators Earthly Measures announce their debut EP FROM EARTH, out October 3rd via Oath. The six-track release is a statement of rhythm, collaboration, and borderless sound.
Leading is the single 'QUE?' (feat. OKRAA), a fusion of Afro-Latin percussion, live textures, and UK breakbeat energy, anchored by a looping Fela Kuti sample.
Across FROM EARTH, Earthly Measures move through deep grooves, organic instrumentation, and global club culture. 'THIRD TRY' with DJ Raff blends warped synths, heavy bass, and Latin rhythms. 'EARTH GROOVE' with Balam hums with ancestral echoes and future-facing energy.
The EP also includes three remixes: Olsvanger's dubbed-out QUE?, Sun Sone's bright THIRD TRY, and Jinje's euphoric EARTH GROOVE.
With FROM EARTH, Earthly Measures step into the spotlight, weaving global rhythms into a cohesive release - a reflection of connection, community, and sound rooted in nature.

Chloe Qisha makes her vinyl debut with Modern Romance: The EPs, a special 12" gatefold edition that brings together her acclaimed first two EPs in one beautifully crafted package. A rising figure who featured as one of British Vogue's 25 most important women this year & on the covers of NME & Rolling Stone, Chloe blends 80s art-pop with Abba melodies and Troye Sivan attitude. Selling out her debut show in 4 mins and after only 5 shows has supported both Sabrina Carpenter & Coldplay alongside slots at All Points East, Latitude & Pitchfork.

Housed in a striking gatefold sleeve with full lyrics and original artwork, the vinyl also includes an exclusive fold-out poster with printed lyrics all housed in a screen printed overbag.

We re very happy to present you Rick Wade on RAWAX MOTOR CITY EDITION again!
This time we have the special honor to re-issue Rick's "Deep House Monster"
called "Night Trackin" which came out originally on Elevate - the label from Daniel Bell in 1997!
Don't feed the Discogs Sharks!

A few years in the making, Dauw finally announces the reissue of the humble bee’s quietly classic morning music. Now, for the first time, the remastered album is available on vinyl, presented as a double LP, alongside a digital edition.

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:30 am, before leaving for work — to write, record, mix, and document a piece of music. This daily ritual resulted in 28 pieces, accompanied by drawings of his tape-looping systems and photographs of his setup and the snowy January view from his window.

For many listeners, morning music served as a first introduction to his music and sparked a lasting interest in both this alias and his wider body of work. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. As such, this reissue aims to bring renewed attention to morning music - and with it, the hope that it will find its way to new ears as well.

ESSENTIAL ITEM

KSmooth da Programma, a veteran of Chicago recording sessions, produces this highly soulful LP for UK label Love Universal. Vocal and Instrumental Versions, House Music with a Deep RnB edge. Essential.

Christian Beetz aka FRWCTRL contributed to the „Edits for the common man“ label in
2017 already, and the master of Hanseatic Balearic is back now with two edits perfect for
summer time. Austro Funk and Brazilian Balearic House rarities that light up any digger's
heart!
Yours truly, Mr. Fonk, is back too of course. His two edits showcase the classic 1978
Disco popularity peak, as well as its demise into obscurity in 1980, with an Euro Disco
Boogie tune.

Tom Tom Tom’s Club return to Duca !

Honcho for Average Records, respected digger to You Tube to vinyl star.

Violette Szabo and Smutty Edits follow Duca in presenting his sound.

Four groovers of Cosmic, Disco and Italo adventures for all.

Pantera pumps, straight line, to the heart of the floor.

Spiel Mich, Fühl Mich is the K in Kosmik Space gem, flying high.

Si Si Lineas Blancas, di più. Grazie !!

Finale haha, Tom funny guy. Czech My Machine.

Go Go Go Bolas.

This is one of the “historical records” linked to the techno and progressive movement of the nineties; it was one of the most used records as the “last record” in the most important Italian clubs and included in all the sets of the most important European DJs. Available in original print and in a rare limited edition blue vinyl version.

Fresh off the Re-Disco-Ver 12" with SOULSIMMER here's the next selection from ALVARO, a must-have for your collection. Limited pressing featuring various disco styles, latin, jazz & fun. The first one sold out fast! Make sure you don't miss this one.

2025 Repress
Announcing the debut release of a new 'temporary/pop-up' limited edition and hand-stamped 12" vinyl
series aptly titled AFTER HOUR

BEATCONDUCTOR returns to 7" with 2 more heaters for his GATT series. A-side features an edit of an absolutely classic WILLIE HUTCH tune, while the B delivers a rework of JAY WILLIAMS' modern northern soul cut "TESTIFY" from 97.

We are so happy to have Christen Asante on Skyline recordings. Falsetto and grit, the guy's voice has a haunting, sexy pull that makes you want to hear it over and over. With its melodic vibes groove and lovely top line, this original music is superbly catchy. Limited edition vinyl run. Run to Me - a sensual melodic groove with wondeful soul vocal. Boogie - is a mid-tempo vocal soul dancer, fresh and funky, a must for the dancer floor 7" vinyl x 300 only...

Introducing Nazareno (Argentina) – Making waves straight out of South America, Nazareno marks his arrival on the global stage with a powerful debut on Unearthed Records. Known for his raw energy, deep musicality, and forward-thinking sound design, this release not only introduces his artistry to the world but also celebrates a milestone: his first-ever vinyl pressing. With this record, Nazareno captures the spirit of Argentina’s underground while pushing boundaries into new sonic territory – a statement of what’s to come.

Bunzinelli,the man behind Chambre Noir and member of the MOAB collective, with a recent release in Amsterdam’s Knekelhuis, presents Original Wisdom, a long-format EP exploring memory, experience, and spiritual awareness. A free rhythmic journey across a six-track format, resulting in a juxtaposition of droning ventures, spiritual journeys, and frenzy slow-burners.

Continuing the percussive-driven and emotive themes from his previous EPs, CAIN reaches beyond the boundaries of experimental electronic and Celtic music from the Scottish Highlands. "Lineage" is the result of a life-long goal to combine his passion and experience in these respective worlds. The album includes Brighde Chaimbeul on Scottish small pipes, James Mackenzie on flute and vocals by Katie Mackenzie.

The common thread that connects his discography is the intense rhythmic and melodic elements that convey his love of ‘infectious rhythm, ethereal beauty, or an otherworldly strangeness’. His productions have garnered support from DJs like Ben UFO, Gilles Peterson, Peggy Gou, Hunee, Haai, Erol Alkan, Ame, Oneman, and Midland, amongst others. Balancing rhythmic precision with profound harmonic depth, CAIN weaves evocative builders that ignite dancefloors at peak time and reveal intricate sonic tapestries in the intimate confines of headphones.

CAIN's musical background is rooted in traditional Scottish bagpipe music, which evolved through his competitive performances on an international level. His experience and knowledge enhanced CAIN’s understanding of how regional folk music reflects specific environments and cultures. Through the competition circuit he met Brìghde Chaimbeul, out on the scenic games fields of Uist, Glenfinnan and many others. He also competed against James Mackenzie, an amazing piper and flautist. James is a former member of the band Breabach. His wife, Katie Mackenzie is a superb Gaelic singer.

The recordings with James and Katie were done on the island of Bernera, off the Isle of Lewis in the Outer Hebrides and recordings with Brìghde were made in Edinburgh.

Mastered by Sam at Precise, Design by Alexander Horne, Pressed and printed at Record Industry

Celebrated producer Tom Sharkett recently took it upon himself to do his own edit of LCD Soundsystem's ‘Home’, reworking the classic cut from 2010’s This Is Happening purely out of love for the track and LCD Soundsystem.

Sitting quietly online, Sharkett’s edit caught the attention of Flo Dill, Breakfast Show DJ on NTS Radio who played the track twice in one show.

This then caught the attention of the band and it wormed its way into their hearts and never left. As a result they felt there was only one thing they could do - make it official.

Shhh. The command to be quiet is not just part of the title of one of the two sprawling compositions on this pioneering album. It's also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis' first full-on fusion effort and part of his "electric" era, the 1969 landmark claims a Who's Who line-up that sends the music into an ethereal stratosphere.

Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the bevelled compositions melt away all preconceived notions of "jazz," ˜rock," and "ambience," following a loose theory Davis dubbed "New Directions."

Few albums are so delicately textured. And on Mobile Fidelity's meticulous reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams' inventive percussive touch – he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight – is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis' nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Holland's extrapolative bass, and the mosaic of keys.

If the record's only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons – not the least of which is the seemingly telepathic communicative methods employed by the group's members. The line-up is great on paper, but, if it's even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.

Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis' decorative spirals. And as colour is the primary unit of currency on Davis' Sketches of Spain, laid-back episodes, geometric spaces, and quiet sensuality reign here, with the set's maverick reputation attained via musings on solitude rather than explosions of noise.


Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producer's could attempt – and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.

MCRV017 – Transient States. Feedback is an evocative four-track compilation that captures the deep essence of dub techno—equally suited for the dancefloor and for immersive, focused listening. Label veterans Eric Louis, Genning, Osman Oz, SUBMINIMAL (with a Tvardovsky remix), and Etzu Mahkayah all contribute. From the very first listen, the EP draws in discerning ears with its richness and detail.

Each track unfolds smoothly, evoking deep emotional textures and building a sensuous, introspective atmosphere. The release moves from subtle cues to vast sonic terrains, weaving through warm harmonics and resonant low-end thumps that captivate the body as much as the mind.

These tracks are ideal for transitional moments in a DJ set, yet stand strong on their own. Whether elevating the narrative arc, introducing mid-set tension, or closing a journey with emotional depth, each piece functions as a zealous tool for navigating sensation—crafted not just for movement, but for lasting memory.

Transient States exudes quiet power beneath a deliberate veil of restraint. Emotionally charged, sonically rich, and full of nuance, this release is a standout addition to any selector’s arsenal.

Limited edition

Hot Piroski Boss Robin 12Tree Beams Back with “Interstellar Vibes Vol. 1” A Balearic Odyssey in 5 Tracks.. Strap in and sunscreen up - Robin 12Tree is back with Interstellar Vibes Vol. 1, a scorching 5-track EP of cosmic Nu Disco and Balearic goodness inspired by strobe lights, sunsets and surfside odysseys. Opening blast The Wriggler is a peaktime disco/house rocket, all teasing arps and synth liftoffs. Feelin Free glides into deeper territory, with lush strings giving nods to deep house royalty. Then comes Who Will Heal Us, a slo-mo sunset serenade featuring new Barcelona rising soul queen, MaYa. Things get extra-terrestrial with Need You In My Life, a deep-house jam born from a Barcelona afters with Soul Mekanik’s Danny Mekanik. Finally, Tupambame brings us gently back to Earth, dripping sunshine and jazzy warmth thanks to Tanzanian vocalist Miss Vivandra. Robin 12Tree launched Hot Piroski from his Barcelona bunker in 2018, scoring early BBC Radio 1 love with his N’Gwode edit. His studio passport is stamped by the likes of Jose Padilla, Stanton Warriors, Visage, Keith Flint and more. Whether as one half of Bubble Club, founder of The Backstage Sluts, or Slyde co-pilot, he’s brought Balearic vibes to Fabric, Bugged Out!, and far-flung festivals from Australia to South America - often as The Prodigy’s tour DJ. Check out this latest release from the man with disco in his blood and chorizo in his lunchbox… Interstellar Vibes Vol. 1 will be released in digital stores from July 14th with vinyl availability from July 30th.