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released limited edition 150 copies 150 gr colour black

Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Platinum-selling, Grammy-nominated album featuring the No. 1 smash title track! Tip-on old style gatefold double pocket jacket by Stoughton Printing Female R&B singers were expected to be forceful, big-voiced divas (like Aretha Franklin) or come-hither seductresses (like Diana Ross), but, as AllMusic says, Roberta Flack had her own unique approach. Flack's voice is vast, deep, and stately — where some singers confuse frenzy with passion, she is confident, majestic, and unhurried, intense in a profound yet reserved manner.

The title song of this 1973 masterful eight track album, "Killing Me Softly," was her second No. 1 hit, establishing her as a major modern R&B stylist. Killing Me Softly reached No. 3 on the Billboard Top LPs & Tape and No. 2 on the Soul LPs chart. The Recording Industry Association of America (RIAA) certified the album gold on August 27, 1973, and double platinum on January 30, 2006, denoting shipments of 2 million copies in the United States. It was nominated for a Grammy Award for Album of the Year, which it lost to Stevie Wonder's 1973 album Innervisions. The album's title track was released as a single and topped the Billboard Hot 100. The title track won the 1974 Grammy Award for Record of the Year. This deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic Series) reissue of Killing Me Softly is a true audiophile gem and a worthy addition to your music collection.

Supergroups existed before Emerson, Lake & Palmer formed in 1970. And, as we all know well, many came after. But few, if any, matched the English trio’s chemistry and its elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP’s prowess was obvious from the start. The band’s self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after its original release.

Mastered at MoFi’s California studio, housed in a Stoughton jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity’s numbered-edition 180g 33RPM LP of Emerson, Lake & Palmer presents the benchmark album in audiophile sound. Clear, dynamic, and balanced, this collectible edition honors the perfectionist approaches that both informed the playing and recording of the record.

Distinguished with black backgrounds, this reissue brings to light the epic scope, tonal depth, and mind-bending degrees of musicianship on display. Aspects — textures, nuances, effects, melodies, tempo changes — that go hand-in-hand with the trio’s compositions and interplay are rendered amid broad soundstages and delivered with pinpoint detail. Whether you’ve owned multiple copies of this touchstone or seeking out your first version, you’ll relish the presence, separation, imaging, and crispness that help make every song come across as if the group has set up shop in your listening space.

Opening the door to the seemingly infinite possibilities of progressive rock while steering clear of excess, Emerson, Lake & Palmer achieved a rare feat in that its complex, cerebral music didn’t prevent it from attaining mainstream success. The gold-certified effort launched the career of a band that would sell tens of millions of records. It also landed a Top 50 single in the form of the ballad “Lucky Man,” whose vocal harmonies, folksy strumming, multi-tracked instrumentation, and breakthrough Moog solo almost feel quaint in the face of the other fare on the album.

Comprised of genre-defying originals and hybrid arrangements of two classical pieces, the album Rolling Stone originally and rightly said is “best heard as a whole” matches outrageous ambition with the otherworldly skills of three musicians who remain among the finest to ever pick up their respective instruments. While Emerson soon drew the lion’s share of headlines for his ability on keys — clavinet, Moog, piano, Hammond organ, and pipe organ included — Greg Lake’s aptitude on guitar and bass, along with well as Carl Palmer’s monster talents behind the kit, created a three-headed hydra that devoured everything in front of it.

That extends to the radical reinterpretation of Bela Bartok’s “The Barbarian” that begins the LP, a performance that in less than four-and-a-half minutes runs the gamut from distorted to churchy to angular and blustery. More classical flourishes, keyboard wizardry, hard-rock heaviness, and gothic signatures emerge throughout “Knife-Edge,” which reimagines music by Leos Janacek and J.S. Bach — and ultimately invites you to explore a cathedral of sound teeming with separate bursts of keys and percussion.

And did someone say “drumming”? Check out Palmer’s monster salvo on “Tank,” a rhythmic showcase that marches out with knee-bent notes and mirror-reflected passages. Or dive into the mythological suite “The Three Fates.” Replete with three parts and Emerson playing the pipe organ at Royal Festival Hall, it shoots off sonic fireworks via sophisticated arpeggios, jazz improvisations, dancing counter-meters, sizzling chords, and a few explosions. Please don’t hold anyone at MoFi responsible if your system cannot handle it; this is heady stuff.

Indeed, everything on Emerson, Lake & Palmer is there for a purpose. Whether you aim to attempt to dissect all of the notes, shifts, and polyrhythmic bluster or just want to absorb this album as one living, breathing organism, this version invites you to do both as many times as you desire.

2025 Repress in Gold Vinyl

'End Beginnings', das neue Album von Sandwell District, ist die erste neue Musik des Kollektivs seit dem tragischen Tod von Juan Mendez (Silent Servant) im Januar 2024. Mendez‘ atemberaubende Kunstwerke und Visuals waren immer eine zentrale Säule von Sandwell District, tatsächlich arbeitete er an einem Kunstwerk mit dem Titel 'End Beginnings' - nun der Titel des dritten Albums und eine Hommage an den verstorbenen Freund. 'End Beginnings' bringt gewaltigen Techno und umwerfende Dancefloor-Dynamik zusammen, eine meisterhafte Kombination von Innovation und Ekstase. Nach dem tragischen Einschnitt, steht nun wieder der Spaß im Vordergrund: „Eine gute Zeit zu haben ist so ziemlich der Grund, warum man überhaupt damit anfängt. Und es macht Spaß. Ich denke, wir fühlen uns jetzt viel glücklicher, besonders nach dem, was mit Juan passiert ist. Wir sind dankbar“, sagt Regis. '

The world tour, including Hungary's OZORA Festival, has culminated in the completion of a new album packed with all the experiences and energy gathered
along the way － a masterpiece vibrating at the highest frequency!
A collaborative work created by KENTA HAYASHI, who plays high-vibration instruments, and Dragon Sound's inventive equipment that supports music by adding
the energy of meteorites and crystals to electricity.

Metalheadz and Quartz present Interloper, a body of work years in the making that captures the evolution and persistence of a truly singular producer. Sparked by an invitation from Goldie in 2018, the project developed organically into a statement piece, shaped by shifting environments and a relentless drive to refine his craft. Quartz, also known as Elliot Garvey, has long stood apart from the noise. A Welsh producer with little interest in visibility or self-promotion, he has built a reputation on substance alone. Interloper reflects that focus: textured, brooding, and meticulously detailed, balancing grit and clarity while maintaining the looming tension that defines his sound. The album’s title hints at Garvey’s place within the culture - present but never fully belonging - and the music carries that same sense of quiet defiance. Intense without theatrics and deeply personal without pretence, Interloper is a record that doesn’t ask to be seen, only to be felt.

Metalheadz and Quartz present Interloper, a body of work years in the making that captures the evolution and persistence of a truly singular producer. Sparked by an invitation from Goldie in 2018, the project developed organically into a statement piece, shaped by shifting environments and a relentless drive to refine his craft. Quartz, also known as Elliot Garvey, has long stood apart from the noise. A Welsh producer with little interest in visibility or self-promotion, he has built a reputation on substance alone. Interloper reflects that focus: textured, brooding, and meticulously detailed, balancing grit and clarity while maintaining the looming tension that defines his sound. The album’s title hints at Garvey’s place within the culture - present but never fully belonging - and the music carries that same sense of quiet defiance. Intense without theatrics and deeply personal without pretence, Interloper is a record that doesn’t ask to be seen, only to be felt.





e B3. One Last Word ft. Selena Jones (Posthumous) Outro





e B3. One Last Word ft. Selena Jones (Posthumous) Outro





e B3. One Last Word ft. Selena Jones (Posthumous) Outro





[e] B3. One Last Word [ft. Selena Jones] (Posthumous) [Outro]





[e] B3. One Last Word [ft. Selena Jones] (Posthumous) [Outro]





[e] B3. One Last Word [ft. Selena Jones] (Posthumous) [Outro]





[e] B3. One Last Word [ft. Selena Jones] (Posthumous) [Outro]





[ft. Selena Jones] (Posthumous) [Outro]





[ft. Selena Jones] (Posthumous) [Outro]

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Getting massive support from Robag Wruhme, this one's already turning heads in the right circles. Chris Wolter & Emmrich join forces on ODDEVEN048, delivering a stripped yet powerful techno statement. Topping it off: a relentlessly grooving remix by Andre Kronert that pushes things into overdrive – no compromise, just pure movement. A must-have for techno DJs and vinyl collectors. Limited edition vinyl.

Remastered Pink Vinyl 2LP

Jane Removers Debütalbum "Frailty" (2021) entstand mitten im fegefeuerhaften Sommer nach ihrem Highschool-Abschluss, kurz vor ihrem 18. Geburtstag im September. Der Text ist das eigensinnige Coming-of-Age-Tagebuch einer LGBT+-Teenagerin, die in den Vororten eines verwirrenden, gesellschaftspolitisch turbulenten Amerikas festsitzt. Die LP wurde begeistert aufgenommen: Platzierungen auf der Album-des-Jahres-Liste von Pitchfork und TheNeedleDrop, begeisterte Kritiken von Paste, Insider und FADER und breite Resonanz bei einem jungen Publikum, das das Album als kathartisch und nachvollziehbar empfindet. Doppel-LP auf Pink Vinyl, remastered.

Occupying a unique space where folk, rock, pop, country, and jazz elements intermingle, Kenny Rankin (1940-2009) - whose golden voice was once described by jazz saxophonist Stan Getz as "a horn with a heartbeat" - was a genre-blurring singer whose soulful sound defied categorization.

VERVE ACOUSTIC SOUNDS SERIE: Stereo, komplett analog von Ryan K. Smith bei Sterling Sound von
den Originalbändern gemastert, QPR-Pressung (180 g), stabiles Tip-On-Gatefold (Stoughton Printing),
wattierte Innenhülle.
Ein absoluter Nina-Simone-Klassiker feiert seine audiophile Vinylpremiere in der VERVE ACOUSTIC SOUNDS
SERIE: ”In Concert“ war ihr erstes Album für das Philips-Label und wurde 1964 in der Carnegie Hall in
New York City mitgeschnitten. Es markiert den Beginn von Simones explizit auf Bürgerrechte ausgerichtete
Musik mit eindeutig politischen Songs wie „Mississippi Goddamn“, aber auch Liedern wie „Old Jim Crow“,
„Go Limp“ und „Pirate Jenny“, die auf metaphorische Weise politische Botschaften beinhalteten.

HitSquad Records bringt die Größen des deutschsprachigen Musicals endlich dort hin, wo sie hingehören : Auf die
schönsten Vinyl-Schallplatten. Nach dem handsignierten Solo-Album von Everybody’s Darling Pia Douwes, einem von
den Fans-kurierten Best-Of der Songs aus Elisabeth, und einer Kompilation der Tanz Der Vampire Melodien, die die
Show unsterblich machen, erscheint nun ein weiteres KUNZE-LEVAY Meisterwerk auf WEISSEM Vinyl: Auch die
größten Hits aus MOZART! glitzern schon bald auf 12 hochwertig präsentierten Zoll.

Cross merchandise with Rhymesayers, KMD, Viktor Vaughn, Madvillain, JJ DOOM, King Geedorah & Dangerdoom. LP packaging: Case wrapped tip-on gatefold vinyl jacket, new purple vinyl colour double vinyl, 2000 only for the UK. In celebration of the album’s 20th anniversary, MM..FOOD has been repackaged with all new artwork by Sam Rodriguez! Produced by MF DOOM, except "One Beer" produced by Madlib, and "Kon Queso” produced by PNS of the Molemen. Guest features include Count Bass D, Mr Fantastik, Angelika and 4ize. QR-activated immersive AR experiences with album artwork. Brand new music video for "Hoe Cakes" planned for album street date. Originally released in 2004, MF DOOM's MM..FOOD is hailed as a classic hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebrated for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world of food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the album’s subjects. Throughout MM..FOOD, DOOM embeds complex ideas within seemingly simple narratives. Album opener “Beef Rapp” is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. “Hoe Cakes” borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, DOOM uses the Madlib-produced “One Beer” to fold layers of depth about escapism and ego, while the popular “Rapp Snitch Knishes” critiques the self-incrimination and contradictory behaviors of some rappers. Overall, MM..FOOD is both a social commentary and a piece of social satire, showcasing MF DOOM’s ability to blend serious themes with his unique, playful lyrical style. MM..FOOD album sales history over 820K+ units sold (RIAA-certified gold). MM..FOOD streaming history over 1.2M+ streams. MF DOOM’’s catalog sales history over 1.7M+ units sold. MF DOOM’s catalog streaming history over 3B+ streams.

Late 90’s golden R & B SOUL classic gets a limited reissue on the Infamous Classics imprint. Jam Hot ! Get it while you can !

Honouring Belgian dance acts, ALLSOUND proudly presents a special vinyl release dedicated to La Luna. It was 25 years ago when they stormed the charts, now it’s time to relive that magic on wax.

This collector’s edition brings you 4 extended versions plus 1 exclusive bonus track, guaranteed to spark pure nostalgia and take you straight back to the dancefloors of the late ’90s.

Don’t miss this chance to own a timeless piece of Belgian dance culture!

T.O.Y.'s new album, The Prophet, is passion, history, a vintage museum, and full of great songs that are waiting to be heard. T.O.Y. is a German synthpop and futurepop band founded in 2001 by Volker Lutz. Highlights include collaborations with Alphaville's singer Marian Gold ("Turn On!") and FAITHLESS drummer Andy Treacey ("Silent Soldiers"), blending T.O.Y.'s atmospheric sound with iconic voices from the electronic music scene. "The Prophet is something truly special. During the Corona pandemic, wrapped in isolation, we all needed consistency, a sense of comfort, and security. I found that feeling through sounds--the sounds I have known my whole life: the music of the 80s. Courageously and full of ideas, one song after another emerged. Motivated by the wonderful collaboration and friendship with Alphaville frontman Marian Gold, who kept encouraging me with words about how good this record was, the pandemic passed, and so did one year after another. Through my friendship with Faithless drummer Andy Treacey, I got in touch with Jonathan White, also a member of the Faithless family. A true genius on bass in live performances, he became part of the album as well." - Volker Lutz

Winner of the Gold Medal at the 2024 Jazz Audio Disc Awards, a jazz critic magazine!
This best-of album features selections from three of Alessandro Galati's most talked-about albums!
Alessandro Galati, a master of Italian jazz who has released numerous albums on Terashima Records, released his standards collection "Plays Standards" series
at the end of 2024, following "European Walkabout," a collection of European traditional music, and "Portrait in Black and White," a collection of Jobim's classic
bossa nova works. All three albums (23 tracks) of Galati's standards collection, released at the end of 2024, are now being released simultaneously! The album
won the Gold Medal at the 2024 Jazz Audio Disc Awards, a jazz critic magazine magazine, and caused a stir. This long-awaited best-of album, featuring selected
tracks from the three albums, is finally being released on limited-edition vinyl. Enjoy this collection of gentle, warm, and beautiful standards, woven with a touch
that evokes the warmth of human skin and refined phrasing.

Alessandro Galati - piano
Ares Tavolazzi - bass
Bernardo Guerra - drums

Project Pat, the older brother of Three 6 Mafia’s Juicy J, is a legend in the Memphis rap scene. He began rapping in the 90s with Killa Klan Kaze and released several independent mixtapes. In 1999 he released his debut album Ghetty Green via Hypnotize Minds/Loud Records. In December of 2000, he released a new single and video “Chickenhead” which blew up on the charts and led to the release of his second album Mista Don’t Play: Everythangs Working. Mista Don’t Play produced by Three 6 Mafia’s DJ Paul and Juicy J was certified Gold a mere two months after its release.

DJ Popinjay balances fresh cuts with beloved favourites on his new one for the irrepressible Blur. The title track opens with silky keys and mellow percussion that capture the warmth of golden hour, while 'Whyalla' brings breezy pads and crisp beats to organic percussive. Reissued highlights like opener 'Take U' have filtered soul magic, and 'Not Too Shabby' brings dusty funk and jazzy cool, while 'So Much Fun' bursts with disco-fueled joy. The closer, 'Soul Searching' has swinging, Chic-style grooves and layers up endlessly playable house vibes.

"Petrichor" ist eine Reise durch die Klangwelt von Klangkarussell – von euphorisch bis introspektiv, von filmisch bis intim. Das Werk verbindet organische Wärme mit elektronischer Präzision und fängt die gesamte kreative Bandbreite und emotionale Tiefe des Duos ein, die durch fantastische Vocalfeatures vollendet wird.

Gold/schwarzes Marble-Vinyl. Die PORT SULPHUR BAND, die im Schlamm des Lawson Delta Bayou gegründet wurde, bewegt sich zwischen Fiktion und Realität. Die PORT SULPHUR BAND ist sowohl ein Meta-Element des Videospiels Hunt: Showdown 1896 als auch eine hauseigene Band der Spieleentwickler von Crytek. Sie wurde gegründet, um Geschichten aus der Welt von Hunt zu erzählen, einem übernatürlichen Shooter, der in den Anfängen des Blues und Jazz im Louisiana der 1890er Jahre spielt. Das neue Album ,Shadows Wake" der Band wird mit 20 neuen düsteren Western-Songs aus der Welt von Hunt: Showdown 1896 alle bisherigen Alben übertreffen. Jeder Song erzählt eine Geschichte aus dieser rauen Westernwelt, in der Verrat, Brutalität, Draufgängertum und Verzweiflung das Leben derer prägen, die es wagen, sich der sich ausbreitenden Korruption zu stellen und gegen die von ihr erschaffenen Monster zu kämpfen.In ,Web of the Empress" hört man die Geschichte einer Frau, die lebendig begraben wurde, nur um von Hunderten von verdorbenen Spinnen wieder zum Leben erweckt zu werden. In ,Beneath the Apple Tree" sinniert ein Mann über seine eigene Verzweiflung, während er seine unschuldigen Träume gegen eine Waffe und ein Grab eintauscht. Und in ,Curtain Call" laden verstörte Zirkusclowns den Zuhörer ein, ihnen in die Dunkelheit ihres eigenen Wahnsinns und ihrer Korruption zu folgen.,Shadows Wake" ist das vierte Album und die dritte Vinyl-Veröffentlichung von PORT SULPHUR BAND.

As genre conventions continue to morph and blur, there's a wealth of stunning
new music being made wherever groups of musicians have the imagination
and ingenuity to transcend the old boundaries and just play whatever comes
naturally
Sun Speak are such a group and their album Probiotic Orchestrations is full of music
that's urgent, powerful, accessible and humorous, pulling together sounds and
textures from the worlds of rock, jazz, electronica, Americana and the outer reaches of
progressive music into compelling whole. Guitarist Matt Gold and drummer Nate
Friedman first came together as Sun Speak ten years ago amid the white heat of the
Chicago experimental scene, where they'd worked with such luminaries as Makaya
McCraven and Patricia Barber.
On this, their sixth release, they continue to develop their own distinctive sonic world
with the aid of fellow Chicagoan Daniel Pierson who joined as engineer/ sound
sculptor and now increasingly takes a collaborative role as a third member of the
band on keyboards. Now the trio are dispersed and live in different corners of the USA,
but in 2024 they came together in a remote seaside cabin in New Hampshire, writing
and recording every day in an intense undisturbed whirlwind of creativity. Probiotic
Orchestrations is the result - a dazzling mix of improvisation and composition,
exploring rhythm, colour and texture with the directness of rock and the fearless
improvisatory flair of jazz.
Available on heavyweight black vinyl + 6-panel digipak CD editions.

NECK DEEP's second full lenght proper, originally from 2015, reissued in deluxe packaging for its 10 YR anniversary! The simple truth is "Life's Not Out to Get You" is the best Pop-Punk album ever released. December has become the (un)official Pop-Punk Christmas anthem. If it wasn't for this essential album - Blink 182 wouldn't have reunited. Featuring fan favorite songs "December," "Can't Kick Up the Roots," & "Serpents" - DIY wrote the "full-length feels both quintessential and refreshing, a modern classic_The hooks are glorious, the bounce is addictive and it's a little rough around the edges for good measure." In the the years since Neck Deep formed in the Barlow brothers' spare room in Wrexham, Wales, a lot has changed. From the scrappy, naively hopeful beginnings that define the starting of so many teenage bands, the pop-punks have gone on to be one of British Rock music's most successful global exports in recent memory: top 5 records in both the US and UK, global touring, viral hits and over a billion plays, just some of the fruits of ten years spent mastering their craft. - For fans of Blink-182, Green Day & State Champs - Blue coloured vinyl LP in embossed gatefold sleeve w/ cut out O-Card slipcase!

Razorbats unleash their fifth studio album, "Anthems of a Lost Century" - a sonic blast that throws you straight into the golden age of rock, while pushing the genre forward with power and attitude. This is not just another record - it's a statement. Recorded at Velvet Recordings in Spydeberg with producer Eiliv Sagrusten, and released by the renowned label Voices of Wonder, "Anthems of a Lost Century" is a tribute to the era 1974-1994 - packed with massive production, unforgettable hooks, and a sound that demands attention.

Einer der wohl bekanntesten Songs Udo Lindenbergs ist „Cello“. Die Ballade über einen jungen Mann, der
eine Cello-Spielerein anhimmelt erschien erstmals 1973 auf dem Album „Alles klar auf der Andrea Doria“.
1997 nimmt Lindenberg „Cello“ dann erneut auf. Diesmal zusammen mit dem Filmorchester Babelsberg.
Zusammen schaffen sie das Album „Belcanto“. Jetzt kehrt ein Stück Musikgeschichte zurück. Zusammen
mit den zeitlosen, emotionalen Balladen „Bis ans Ende der Welt“, „Du und ich – und dann ganz Lage
gar nichts“ und „Die kleine Zockerin“ in orchestraler Aufmachung, gibt es die Single jetzt erstmals streng
limitiert und handnummeriert auf 10“ Vinyl mit neuem Cover in Anlehnung an das kraftvolle originale
Album „Belcanto“.
Lindenberg besingt in „Club der Millionäre“ in alter Udo-Manier den Wunsch, reich zu sein. Der Song
war die erste Single-Auskopplung von Udos Hommage-Album an seinen Vater, „Gustav“. Die Single erscheint nun zum ersten Mal als 10‘‘ Vinyl in Gold, streng limitiert und handnummeriert. Neben dem
Titelsong sind auf der Single zudem mit „Die Augen zu“, sowie die Ballade „Niemandsland“ und der HipHop Track „Wo ich meinen Hut hinhäng“ enthalten.
Mit echten Raritäten, kraftvollen Balladen und sozialkritischen Texten erscheint „Der blaue Planet“ von
Udo Lindenberg am 12.12.2025, das erste Mal als blaue 10‘‘ Vinyl in streng limitierter und handnummerierter Auflage. Die B Seite bilden zwei Balladen über Freundschaft und Liebe, die die Single perfekt
abrunden.

Einer der wohl bekanntesten Songs Udo Lindenbergs ist „Cello“. Die Ballade über einen jungen Mann, der
eine Cello-Spielerein anhimmelt erschien erstmals 1973 auf dem Album „Alles klar auf der Andrea Doria“.
1997 nimmt Lindenberg „Cello“ dann erneut auf. Diesmal zusammen mit dem Filmorchester Babelsberg.
Zusammen schaffen sie das Album „Belcanto“. Jetzt kehrt ein Stück Musikgeschichte zurück. Zusammen
mit den zeitlosen, emotionalen Balladen „Bis ans Ende der Welt“, „Du und ich – und dann ganz Lage
gar nichts“ und „Die kleine Zockerin“ in orchestraler Aufmachung, gibt es die Single jetzt erstmals streng
limitiert und handnummeriert auf 10“ Vinyl mit neuem Cover in Anlehnung an das kraftvolle originale
Album „Belcanto“.
Lindenberg besingt in „Club der Millionäre“ in alter Udo-Manier den Wunsch, reich zu sein. Der Song
war die erste Single-Auskopplung von Udos Hommage-Album an seinen Vater, „Gustav“. Die Single erscheint nun zum ersten Mal als 10‘‘ Vinyl in Gold, streng limitiert und handnummeriert. Neben dem
Titelsong sind auf der Single zudem mit „Die Augen zu“, sowie die Ballade „Niemandsland“ und der HipHop Track „Wo ich meinen Hut hinhäng“ enthalten.
Mit echten Raritäten, kraftvollen Balladen und sozialkritischen Texten erscheint „Der blaue Planet“ von
Udo Lindenberg am 12.12.2025, das erste Mal als blaue 10‘‘ Vinyl in streng limitierter und handnummerierter Auflage. Die B Seite bilden zwei Balladen über Freundschaft und Liebe, die die Single perfekt
abrunden.

Einer der wohl bekanntesten Songs Udo Lindenbergs ist „Cello“. Die Ballade über einen jungen Mann, der
eine Cello-Spielerein anhimmelt erschien erstmals 1973 auf dem Album „Alles klar auf der Andrea Doria“.
1997 nimmt Lindenberg „Cello“ dann erneut auf. Diesmal zusammen mit dem Filmorchester Babelsberg.
Zusammen schaffen sie das Album „Belcanto“. Jetzt kehrt ein Stück Musikgeschichte zurück. Zusammen
mit den zeitlosen, emotionalen Balladen „Bis ans Ende der Welt“, „Du und ich – und dann ganz Lage
gar nichts“ und „Die kleine Zockerin“ in orchestraler Aufmachung, gibt es die Single jetzt erstmals streng
limitiert und handnummeriert auf 10“ Vinyl mit neuem Cover in Anlehnung an das kraftvolle originale
Album „Belcanto“.
Lindenberg besingt in „Club der Millionäre“ in alter Udo-Manier den Wunsch, reich zu sein. Der Song
war die erste Single-Auskopplung von Udos Hommage-Album an seinen Vater, „Gustav“. Die Single erscheint nun zum ersten Mal als 10‘‘ Vinyl in Gold, streng limitiert und handnummeriert. Neben dem
Titelsong sind auf der Single zudem mit „Die Augen zu“, sowie die Ballade „Niemandsland“ und der HipHop Track „Wo ich meinen Hut hinhäng“ enthalten.
Mit echten Raritäten, kraftvollen Balladen und sozialkritischen Texten erscheint „Der blaue Planet“ von
Udo Lindenberg am 12.12.2025, das erste Mal als blaue 10‘‘ Vinyl in streng limitierter und handnummerierter Auflage. Die B Seite bilden zwei Balladen über Freundschaft und Liebe, die die Single perfekt
abrunden.

Live music needs to offer you something that you cannot get on a studio recording. It's the sense of freedom and intimacy, wondering how the songs will be played and what the reaction will be. Live concerts give you the tingle where the hair stands up on the back of your neck. "Live audiences give you the tension and responsibility to be creative, for me that's the challenge I like," says the iconic Dutch guitarist. After all of these years, you ponder what keeps Jan going out there, night after night. "It's my love to play for people all around the world," he smiles. The supremely gifted guitarist is equaled by very few, and his legendary ability makes him impossible to pigeonhole. His position as Dutch royalty has been cemented; he received the Golden Harp Award in early 2005, Holland's most prestigious music prize, and in 2012, he was appointed Knight in the Order of Orange-Nassau. This royal honour recognized his contributions to Dutch music and his influence on musicians worldwide.

Celebrating 25 years since its original release, The High & Mighty's seminal debut album, "Home Field Advantage", returns in a special anniversary edition vinyl reissue. Originally launched under the iconic Rawkus Records banner, this album became a defining moment in underground hip-hop, showcasing the sharp wit and raw talent of Mr. Eon and DJ Mighty Mi. Now, in collaboration with Eastern Conference Records, RRC Music Co. revives this classic with the care and respect it deserves.

"Home Field Advantage” stands as a testament to the golden era of hip-hop, featuring an all-star lineup of guests who helped cement its legendary status. The album includes unforgettable appearances by Mos Def, Pharoahe Monch, Evidence, Eminem, Defari, Cage, Kool Keith, among others, each bringing their unique flavor to the project and amplifying its impact.

This 25th-anniversary edition is more than just a reissue; it's a revitalization. As a special treat for collectors and die-hard fans, this edition includes six bonus tracks, adding further depth to an already rich collection of tracks. Remastered for vinyl by the renowned Davide "Bassi Maestro" Bassi and packaged in a gatefold jacket with restored original artwork curated by Mr. Krum, this release pays homage to the album's legacy while celebrating its enduring influence.

This 25th anniversary reissue is not just a trip down memory lane — it's a reminder of why this album continues to resonate in the hip-hop community today. Don't miss the chance to own this piece of music history, reborn for a new generation.

Ston Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.
Initially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV &JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year.

Drawing upon a carefully honed attentiveness to the environments and experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides. Following two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 & 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Ston Elaióna’s two sides. John Also Bennett’s Ston Elaióna forms an elegantly rigorous world of electroacoustic sonority, bridging the expanse of time with the immediacies of environment and happening in the here and now: a profound sonic mediation on the countless dimensions unlocked by life in Greece.

Tom Carruthers’ talent lands on the beloved Orange Wedge Imprint. Drawing inspiration from the golden era of the early ’90s, Jealousy EP delivers five raw, floorfocused tracks that perfectly capture the spirit of classic house and techno — stripped-down, gritty, and irresistibly timeless

Da bossman Tripmastaz delivers two cuts of "Politics As Usual" a summer-themed track in classic golden-era house style – full of positivity and sunshine beams.

On the B-Side "Coffee Smack 4 Dat Azz" balances the EP with Tripmastaz’s signature crunchy beats and gutta flows for the real heads – hits like a perfectly brewed cup of coffee. "Scarp" wraps up the record nicely with proto-digger vibes and fun acid basslines.

And the cherry on top: for the collectors, this time around we pressed just 50 copies on green marbled vinyl – a true gem for the heads.
Summer is here.