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Model/Actriz - Pirouette (LP)

Model/Actriz

Pirouette (LP)

12inch39158901
Dirty Hit
02.05.2025

Nach ihrem von der Kritik gefeierten Debütalbum 'Dogsbody' (Pitchfork Best New Music, Rolling Stone Future 25, NME The Cover) präsentiert sich das Model/Actriz-Quartett aus Brooklyn auf seinem zweiten Album 'Pirouette' sexy und divenhaft. 'Pirouette' ist inspiriert von Lady Gaga und Grace Jones bis hin zu klassischem Ballett und dissonanter Dance-Musik. Wie eine gut geölte Maschine gibt sich die Punk-Aggression von Model/Actriz dem Queer-Pop hin und findet dabei verblüffende neue Wege, frei zu sein.

pre-ordina ora02.05.2025

dovrebbe essere pubblicato su 02.05.2025


Last In: 2026 years ago
Various - Passion Of The Christ OST

- 180 GRAM AUDIOPHILE VINYL
- PVC PROTECTIVE SLEEVE
- SCORE BY JOHN DEBNEY
- CONTAINS A 8-PAGE BOOKLET
- LIMITED 15TH ANNIVERSARY EDITION OF 500 INDIVIDUALLY NUMBERED COPIES ON TRANSPARENT RED VINYL

Passion Of The Christ (2004), composed by John Debney, is the original score for Mel Gibson's controversial film The Passion Of The Christ. The soundtrack received an Academy Award nomination for Best Original Score and it was on the first place in both Top Christian Albums and Top Soundtracks in 2004. In 2005, the album won a Dove Award for Instrumental album of the year at the 36th GMA Dove Awards.

The soundtrack succeeds as a coherent, moving, well-executed musical statement whether or not has seen the film. The album is a combination of folk instruments, Eastern-tinged harmonics, solo, and choral voices. Debney has used the Indian master violinist and vocalist L. Shankar, and singer/double-violinist Gingger Shankar.

Debney's soundtrack is an interesting and highly recommended work. It will offer those who choose to encounter it a far-reaching and deeply affective listening experience that is as aesthetically beautiful and unsetting as it is evocatively familiar.

Available as a limited 15th anniversary edition of 500 individually numbered copies on transparent red vinyl.

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Last In: 11 months ago
Masters Of Reality - The Archer
  • The Archer
  • I Had A Dream
  • Chicken Little
  • Mr. Tap N' Go
  • Barstow
  • Sugar
  • Powder Man
  • It All Comes Back To You
  • Bible Head

Chris Goss is one of the elusive geniuses of American music As the singer, guitarist and driving force behind Masters Of Reality, he's spent more than 40 years charting his own musical journey, travelling from mystical blues to desert rock to psychedelia-edged beauty via all points in between.

Now Goss has returned under the Masters Of Reality banner with The Archer, their frst new album in 16 years.

Since the start of the 21st century, Goss has balanced his work as a producer with his Masters Of Reality output. There have been three more studio albums under the Masters Of Reality name: 2001's Deep In The Hole, 2004's Give Us Barabbas and 2009's Pine/ Cross Dover. Each was a self- contained musical universe, reafrming Masters Of Reality as a band outside of the mainstream music industry.

Now, 15 years after his last release under the name, Chris Goss has fnally returned with Masters Of Reality. Like everything they've released since their inception over 40 years ago, it's another step on a journey that has continuously moved forward, never repeating itself or being swayed by external infuences.

First Masters Of Reality album in 16 years
Chris Goss is considered "The Godfather Of Desert Rock" having produced records for Kyuss and Queens Of The Stone Age among many others. Extensive touring in 2025

pre-ordina ora11.04.2025

dovrebbe essere pubblicato su 11.04.2025


Last In: 2026 years ago
Damian Lazarus - Magickal LP 3x12"

Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’.

Renowned for his unparalleled ability to craft transformative sonic journeys, Damian Lazarus is a master of rhythm, melody, and vibration—a true pioneer among his generation’s visionary artists. Damian’s broad depth of experience encompasses a variety of disciplines: tastemaker, selector, label owner, A&R and a Grammy-nominated artist in his own right - each informed by his unique ear for sound. He is chief wizard of the hugely influential and culture-defining Crosstown Rebels label, a globally renowned DJ with a penchant for exotic outdoor locations and a highly regarded recording artist with four albums and a plethora of solo cuts, collaborations and remixes in his sprawling discography.

With his fifth album, ‘Magickal’, Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic.

Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise.

Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

In a suitably aligned instance of serendipity, the arrival of ‘Magickal’ comes at a pivotal period in Damian’s life, just as it has been with previous album concepts. Albums made and released during big shifts in his life speak to the correlation between growth, personal evolution, creativity, catharsis and sharing that process musically. The last album ‘Flourish’, for instance, was recorded and released in the space of a few months during the first summer of the global pandemic. As a result, there’s a kind of vulnerability in the music, a subtle story that’s being told with emotional touchpoints that will be relevant to anyone listening. The universal human experience and spectrum of emotions are things almost everyone can relate to. With the enhanced clarity of his sobriety, Damian’s compositions embody the uplifting nature of simply being alive, connected and unified in our love for music and one another.

Day Zero, Damian’s iconic annual festival, is intrinsically linked to ‘Magickal’. It’s the setting for his imagination when producing the music, it’s the launchpad for each year’s kaleidoscopic adventures around the world, and this year’s edition will be the backdrop to the release of ‘Magickal’. As the pinnacle of Damian’s annual experiences, Day Zero marks a vital milestone for his artistry, an extension of his inner realm, carefully curated and created for his global family of lovers and dancers to revel in the awe-inspiring beauty of Mother Nature. Central to the ethos of Day Zero is its sustainability practices and deep consideration for the locality within which it is held. Connections with local elders embolden its depth, cultivating a strongly aligned purpose with the ritual, customs and energy of the land and its people.

‘Magickal’ will be released in the same week as Day Zero, tying the two projects together in a neat dovetail. 12 years since it started, Day Zero continues to play a significant role in the music Damian makes, curates and plays. For him, it’s the epitome of his vision: a stunning natural setting, the very best party people from around the world, an unparalleled lineup of friends and family, high production values, eco-centric policies and music from another dimension. With these interdimensional transmissions, Damian channels his inner alchemist, which, in turn, permeates into the vibrational framework of ‘Magickal’.

Never one to adhere to convention, Damian has opted for a disruptive album release. ‘Magickal’ is to be kept under wraps and then announced and released on Crosstown Rebels on 8th January 2025, bypassing the modern trend of prolonged single drops and ‘tombstone’ album releases. ‘Magickal’ is the embodiment of Damian and his intentional, against-the-grain approach and reinforces the album as a complete artistic statement, offering listeners the full cohesive experience from the very beginning. This is a return to the album as the pinnacle moment and not the afterthought. Singles, edits and remixes will follow the ‘Magickal album’ release, and, of course, there will be a world tour to promote the album (including Glastonbury and Coachella) and a chance to present the album in exciting, innovative and unique ways.

Forever dreaming, a sincere student of magic, new and old, social sorcerer, lover of nature and master of musical wizardry, Damian Lazarus is a potent force. With ‘Magickal’, he reaffirms his place as one of electronic music’s most influential figures, taking listeners on a profound journey into sound, spirit, and connection.

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Last In: 3 months ago
Joe Smooth - Promised Land LP

Joe Smooth

Promised Land LP

12inchARMA496V
Armada
10.04.2025

Joe Smooth’s 1987 house anthem 'Promised Land' is arguably one of the most recognizable records of its time. While touring in Europe with Farley 'Jackmaster' Funk, Joe Smooth noticed the growing popularity of house music across the continent. Inspired by his love for Motown records, he wrote a track that expresses themes of positivity and inclusion, resonating with ravers worldwide. This record is an essential addition for ravers and music lovers alike—it's a significant piece of history now available once again on LP, and also includes the previously unreleased and forgotten gem from '87, 'Inside My Mind', which has now been dug from the vaults and remastered for this new pressing. This version is only available for RSD, on 'dove white' vinyl, in celebration of the title track and house anthem, Promised land.

In stock dal01.04.2026


Last In: 7 days ago
John Debney - Passion of the Christ
  • The Olive Garden / Night Sky
  • Bearing The Cross
  • Jesus Arrested
  • Peter Denies Jesus
  • The Stoning
  • Song Of Complaint
  • Simon Is Dismissed
  • Flagellation / Dark Choir / Disciples
  • Mary Goes To Jesus
  • Peaceful But Primitive / Procession
  • Crucifixion
  • Raising The Cross
  • It Is Done
  • Jesus Is Carried Down
  • Resurrection

The Passion of the Christ is a 2004 biblical drama film by Mel Gibson with music composed by John Debney. The soundtrack received an Academy Award nomination for Best Original Score and it was on the first place in both Top Christian Albums and Top Soundtracks in 2004. In 2005, the album won a Dove Award for Instrumental album of the year at the 36th GMA Dove Awards. The soundtrack succeeds as a coherent, moving, well-executed musical statement whether or not one has seen the film. The album is a combination of folk instruments, Eastern-tinged harmonics, solo, and choral voices. Debney worked together with Indian master violinist and vocalist L. Shankar, and singer/double-violinist Gingger Shankar. The Passion of the Christ is available as a limited edition of 750 numbered copies on gold coloured vinyl and includes a 4-page booklet.

pre-ordina ora04.04.2025

dovrebbe essere pubblicato su 04.04.2025


Last In: 2026 years ago
Penelope Trappes - A Requiem
  • Bandorai
  • Platinum
  • Second Spring
  • Sleep
  • Anchor Us To Seabed Floor
  • Red Dove
  • Caro
  • A Requiem
  • Torc
  • Thou Art Mortal
disponibile anche

Black Vinyl


On April 4th, Brighton-based Australian vocalist, producer, and multi-instrumentalist Penelope Trappes will release her fifth full-length album ‘A Requiem’. It comes alongside news of her signing to London imprint, One Little Independent Records. ‘A Requiem’ collects ten haunting, ambient soundscapes - incantations of dreams and nightmares, of death and grief, as well as power and autonomy. Carnal, transcendent cello drones are used to exorcise historical and generational traumas in an evocative and macabre piece of gothic experimentalism.

Seeking solitude for what she knew would be an intense and cathartic writing experience, Trappes travelled to Scotland and isolated completely. Amidst meditative and psychedelic states, she channeled demons and accessed parts of herself she’d long desired to cleanse. During candle-lit recording sessions she found herself drawn to cello, an instrument she has no formal training in, she explains, “I always felt an affinity toward the cello, I embraced it, held it, and became one with it as a way to accompany my voice. The nerve-like strings of the cello became external chords of my vocal folds… I scratched on them, leaned into them, and conjured all of the textures I could muster”.

‘A Requiem’ is a musical service in honour of the dead, a sanctuary Trappes built for herself to explore familial chaos and history. “I was looking for an equilibrium between a ‘heaven' and a ‘hell’” she explains, “screaming out to the wisdom of our foremothers - surfacing and leading me into true strength and beauty. I listened to the sorrow closely. Death is a part of our reality. Inevitable. Omnipresent. But nightmares can be beautiful”.

She continues, “This album is my personal requiem for my parents, my ties to the land where I was born, along with all of my epigenetically connected ancestors before them. The songs helped me summon up the strength to move through my own awareness of mortality, death, and impending loss. This album is a living funeral. It’s a ceremonial collection of music. It’s an externalising of the power and strength to fight the generations of abuse and darkness that my parents self-admittedly played out in their parenting and to keep it away from my own social patterns and my psyche. It’s not an uncommon thing in the world and this lamented warcry goes out to everyone to help exorcise patriarchal, political, and religious systems of abuses of power”.

pre-ordina ora04.04.2025

dovrebbe essere pubblicato su 04.04.2025


Last In: 2026 years ago
De La Soul - The Grind Date LP 2x12"

Diese Sonderveröffentlichung feiert den 20. Jahrestag von The Grind Date. Die LP ist als Splatter-Vinyl
in limitierter Auflage erhältlich und enthält neben dem Originalalbum 4 Instrumentalversionen der Haupttitel. Die 2CD enthält außerdem 2 brandneue Titel, die während derselben Sessions wie The Grind Date
aufgenommen wurden. Diese noch nie zuvor veröffentlichten Titel mit den Titeln „Respect“ und „Bigger“
ergänzen dieses bereits bekannte Album perfekt.
De La Soul ist eine einflussreiche Hip-Hop-Gruppe, die Ende der 1980er Jahre gegründet wurde. Das
Trio, bestehend aus den Mitgliedern Kelvin Mercer (Posdnuos), David Jude Jolicoeur (Trugoy the Dove)
und Vincent Mason (Maseo), ist für seinen einzigartigen Sound und seine innovative Herangehensweise an
Hip-Hop bekannt. Ihnen wird oft zugeschrieben, dass sie mit ihrem eklektischen Stil, ihrer Verwendung
von Sampling und ihren positiven Botschaften die Landschaft des Genres mitgestaltet haben.
„The Grind Date“ ist das sechste Studioalbum von De La Soul und wurde 2004 veröffentlicht. Das Album markierte eine bedeutende Rückkehr der Gruppe nach einer Pause seit ihrem letzten Album im Jahr
2001. „The Grind Date“ zeigt De La Souls charakteristische Mischung aus cleveren Texten, innovativer
Produktion und einer Mischung aus verspielten und introspektiven Themen. Das Album enthält eine Fülle
spannender Gastauftritte von Künstlern, darunter MF Doom, Ghostface Killah, Flava Flav und Sean Paul.

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Last In: 11 months ago
Various - Eccentric Soul: The Dynamic Label 2x12"
  • A1: Commands – Hey It's Love
  • A2: Little Jr. Jesse & The Tear Drops – Give Your Love To Me
  • A3: Tonettes – I Gotta Know
  • A4: Doc & Sal – Can't Get You Offa My Mind
  • A5: Commands – I've Got Love For My Baby
  • A6: Willie Cooper & The Webs – You Don't Love Nobody
  • A7: Little Jr. Jesse & The Tear Drops – Ain't No Big Thing
  • B1: Commands – No Time For You
  • B2: Webs – Little Girl Blue
  • B3: Tonettes – My Heart Can Feel The Pain
  • B4: Doc & Sal – Cry & Wonder Why
  • B5: Commands – Don't Be Afraid To Love Me
  • B6: Willie Cooper & The Webs – I Can't Take No More
  • B7: Don & The Doves – Together
  • C1: Webs – Don't Ever Hurt Me
  • C2: Commands – Must Be Alright
  • C3: Bobby Blackmon & The Soul Express – She's Gotta Have Soul
  • C4: Doc & Sal – Laughing To Keep From Crying
  • C5: Webs – Try Loving Me
  • C6: Commands – Too Late To Cry
  • C7: Doc & Sal – My Dream
  • D1: Little Jr. Jesse & The Tear Drops – If You Don't Love Me
  • D2: Webs – Can't Let You Go
  • D3: Commands – A Way To Love Me
  • D4: Little Jr. Jesse & The Tear Drops – It Keeps Rainin
  • D5: Don & The Doves – I Need You
  • D6: Bobby Blackmon & The Soul Express – You'll Find Another
  • D7: Commands – Around The Go-Go

Whipped up in the dust of Rene & Rene’s Tejano tornado “Angelito,” the Dynamic label was just one among San Antonio record and real estate mogul Abe Epstein’s enterprises. Dynamic’s flagship outfit, the Commands, marched “No Time For You” up to the middle of the charts in 1966 with performance chops honed jet-sharp by the demanding Air Force Base circuit. That take off paved a runway for 20 more soulful Dynamic singles over an impressive 30-month campaign. Epstein’s open-door policy brought a diverse cross-section of Texas talent into convergence within his General McMullan Drive studio, as whites, blacks, and Latinos alike suited up for service in whichever new group the call of duty called for. Epstein’s Alamo City melting pot is ladled out here in 21 (28 on the 2LP) of Dynamic’s most intriguing dishes by the Tonettes, Little Jr. Jesse & the Tear Drops, Don & the Doves, Willie Cooper & the Webs, Bobby Blackmon & His Soul Express, and Doc & Sal. Lone Star pic sleeves, full-color dancehall photography, and rich ephemera plant a new flag for soul in soil that’s seen its share of hoisted banners.

pre-ordina ora28.03.2025

dovrebbe essere pubblicato su 28.03.2025


Last In: 2026 years ago
DEVO - Recombo DNA LP 4x12"

Devo

Recombo DNA LP 4x12"

4x12inchFTRSMO53A
FUTURISMO
21.03.2025
  • A Necessary Response With Gerald Casale
  • Recombo Dna (Demo)
  • The Words Get Stuck In My Throat (Live)
  • Sloppy (I Saw My Baby Gettin’) (Demo)
  • Be Stiff (Alternate Mix)
  • Pink Pussycat (Demo)
  • Goo Goo Itch (Alternate Version)
  • Strange Pursuit (Demo)
  • Sequence (B)
  • The Day My Baby Gave Me A Surprise (Demo)
  • Bushwacked (Prosthetic Version)
  • Girl U Want (Demo Alternate Version)
  • Turn Around (Demo Alternate Version)
  • Snowball (Demo Alternate Version)
  • Luv & Such
  • Conscious Mutation With Mark Mothersbaugh
  • Sequence (C)
  • Gates Of Steel (Demo Alternate Version)
  • Planet Earth (Demo Alternate Version)
  • Whip It (Demo Alternate Version)
  • Cold War (Demo Alternate Version)
  • Time Bomb
  • That’s Pep (Demo Alternate Version)
  • Mental Warfare With Gerald Casale And Mark Mothersbaugh
  • Make Me Dance (Labeled ’Make Me Move’)
  • Gotta Serve Somebody (Live) By Dove
  • I Saw Jesus
  • Psychology Of Desire (Demo)
  • Pity You (Demo)
  • Sequence (E)
  • Beautiful World (Demo)
  • Race Of Doom (Demo)
  • I Desire (Demo)
  • Big Mess (Demo)
  • Pink Pussycat (Demo)
  • The 4Th Dimension (Alternate Rough Mix)
  • Here To Go (Alternate Rough Mix)
  • Sequence (F)
  • Some Things Don’t Change (Rough Mix)
  • Big Adventure (Rough Mix)
  • No Noise (Rough Mix)
  • Love Is Stronger Than Dirt
  • Faster And Faster
  • Modern Life
  • We Are Unique With Gerald Casale And Mark Mothersbaugh
  • Sequence (G)
  • The Only One (Demo) With Vocal By Toni Basil
  • Baby Doll (Demo)
  • Some Things Never Change (Demo)
  • Plain Truth (Demo)
  • Sequence (D)
  • Happy Guy (Demo)
  • Sequence (H)
  • Before Baby Doll There Was Satan With Mark Mothersbaugh
  • Satan (Pre-Baby Doll)
  • Red Alert (Unreleased)
  • Sad Song (Unreleased Instrumental)
  • Mind Games (Demo)
  • Later Is Now (Instrumental)
  • It’s Not Nuclear Bombs You Must Fear With Booji Boy
  • Sequence (I)
  • The Somewhere Suite (Studio Version Demo)
  • Ton ‘O Luv (Instrumental Demo)

Also includes a large double sided poster , colour inner sleeves and liner notes by Gerald V Casale.

Spuds rejoice. After years of requests, Futurismo are thrilled to announce a brand new limited pressing of the DEVO’s incredible Recombo DNA 4xLP with Mini CD Set, plus also available is a brand new 3xCD version.


For decades Devo have been working non-stop at Recombo DNA Laboratories on a new kind of research to keep up with the mutating world around us. That extensive research is now ready for public consumption once again. Futurismo were the first to bring you this on vinyl and now they present unhindered access into Devo’s labs, documenting the scientific analysis and demonstrations as conducted by the band between the years 1977-2008.



This tireless research has manifested itself in Recombo DNA…an unmissable collection of studio demos and unreleased rare tracks that span Devo’s entire recording career, from their original basement days to their famed ’Freedom Of Choice’ era, right the way through to unused demos from their last studio album. You may know the track ‘Baby Doll’ but do you know it’s original incarnation as ‘Satan’? If you submit to the findings of Recombo DNA Labs you will, Futurismo’s version of this compilation includes six bonus tracks taken from the archives that had never been released, or even heard before.



This limited edition 4xLP set is a sonic fusion of demos, alternate versions and outtakes, demonstrating the true breadth and talent of one of America’s most important bands. But this set doesn’t stop at four beautiful slabs of mutated vinyl, also included is ’The Somewhere Suite’ served up on the format it was originally intended to be back in the May of ‘89, advertised although never released, it’s contained here in all it’s full length glory on a 3” Mini CD. Recombo DNA is also coming on a 3xCD digipak version for the very first time from Futurismo, including all the wonderful artwork and bonus material. Devo’s Recombo DNA is an essential addition to the collection of any science fearing spud, and the perfect sister release to last years Art Devo. The original 2017 pressing of Recombo DNA sold out in less than 48 hours, so grab this while you can. Each set includes 4xLP on limited edition coloured vinyl and includes a Mini CD. This fantastic collection of devolved recordings and bonus tracks are contained within the gloss laminated wide spined sleeve, with newly tweaked artwork, a huge A1 poster, full colour inner sleeves and liner notes by Gerald V Casale. A 3xCD digipak version is also available. Submit to these findings and witness audio mutation in action.

pre-ordina ora21.03.2025

dovrebbe essere pubblicato su 21.03.2025


Last In: 2026 years ago
VARIOUS - ECCENTRIC SOUL: THE DYNAMIC LABEL LP 2x12"
  • Don't Be Afraid To Love Me
  • I Can't Take It No More
  • Together
  • Don't Ever Hurt Me
  • Must Be Alright
  • She's Gotta Have Soul
  • Laughing To Keep From Crying
  • Try Loving Me
  • Too Late To Cry
  • My Dream
  • If You Don't Love Me
  • Can't Let You Go
  • A Way To Love Me
  • It Keeps Rainin
  • I Need You
  • You'll Find Another
  • Around The Go-Go
  • Hey It's Love
  • Give Your Love To Me
  • I Gotta Know
  • Can't Get You Offa My Mind
  • I've Got Love For My Baby
  • You Don't Love Nobody
  • Ain't No Big Thing
  • No Time For You
  • Little Girl Blue
  • My Heart Can Feel The Pain
  • Cry & Wonder Why

Whipped up in the dust of Rene & Rene's Tejano tornado "Angelito," the Dynamic label was just one among San Antonio record and real estate mogul Abe Epstein's enterprises. Dynamic's flagship outfit, the Commands, marched "No Time For You" up to the middle of the charts in 1966 with performance chops honed jet-sharp by the demanding Air Force Base circuit. That takeoff paved a runway for 20 more soulful Dynamic singles over an impressive 30-month campaign. Epstein's open-door policy brought a diverse cross-section of Texas talent into convergence within his General McMullan Drive studio, as whites, blacks, and Latinos alike suited up for service in whichever new group the call of duty called for. Epstein's Alamo City melting pot is ladled out here in 21 (28 on the 2LP) of Dynamic's most intriguing dishes by the Tonettes, Little Jr. Jesse & the Tear Drops, Don & the Doves, Willie Cooper & the Webs, Bobby Blackmon & His Soul Express, and Doc & Sal. Lone Star pic sleeves, full-color dancehall photography, and rich ephemera plant a new flag for soul in soil that's seen its share of hoisted banners.

pre-ordina ora28.02.2025

dovrebbe essere pubblicato su 28.02.2025


Last In: 2026 years ago
Max Cooper - On Being LP 3x12"

Max Cooper

On Being LP 3x12"

3x12inchMESH0100V
Mesh Records
27.02.2025

Powerful works of art have traditionally sprung from some source deep within an artist and, if they strike the right tone, resonate with an audience to leave a lasting mark. But what if that equation were reversed: what if an artist were to draw their inspiration from deep within their audience, and use that to reflect those ideas, emotions, hopes, fears, pains and aspirations back to us?

Over a two year journey, audio-visual artist and electronic innovator Max Cooper has inverted the creative process by collecting hundreds of anonymous quotes, posing deep but open questions such as "What would you like to express which you cannot in everyday life?" and "What is it like to exist inside your head?"

The goal: to understand what it is truly like to be human right now. The result: his new album On Being, to be released in February 2025 with the first single "Sun In A Box" coming this September 4th.

With On Being, Cooper aimed to probe under the synthetic surface of social media to "create a snapshot of our minds these days," as he puts it by asking people to share anonymously what they dare not ever say publicly. The result is an emotionally raw and shockingly honest kaleidoscope of confessions, ranging from suicide contemplations to miserable marriages to simple pure loneliness, contrasting with hundreds of anonymous confessions of love and longing.

"I was interested in the way I interact with people for my writing process, which usually involves a one-way communication of feelings and ideas that I later find out whether they resonate with others or not," says Cooper.

"With this I could start instead with people's thoughts and feelings, what resonates for them, and make my own interpretations of those musically and visually, and then send those back out to everyone. It's more of a collaborative approach to making an album, and more intense."

Grief, hope, regret, joy, hurt and love form the basis for each track, taking Cooper's ever-evolving creative process in a completely new direction - with profoundly intense results.

"Rendering the experience of being is at the core of what I do musically - but I hadn't realised the impact that other people's words on being would have on me until I started reading the database of thoughts," he says.

"It was like finding a secret window into everyone's minds, and discovering amongst the chaos, pleasure and pain, the experiences that we all share at different times of our lives, and overwhelming emotions and connections that call out to be explored."

Despite what we see in the maelstrom of rage in the echo chambers of society ‘On Being’ reveals that humans still have an innate need to trust one another and express communal generosity - more easily done from the safety of an anonymous portal.

"The quotes carried so much weight for me - I interpreted them with my usual musical tools, but as you can hear in the music, everything got more extreme as I dove into the depths of what everyone had to say later in the record," says Cooper.

The result is a unique work of art that demonstrates unequivocally not only the power of using music without words to express emotions, but the power of words to express what seemed to be inexpressible.

On Being will continue to evolve as Cooper gathers more confessions to feed into this ecosystem of emotions and to create a new range of art projects and other accompanying works which hopefully will speak truthfully to humanity today - and of who we are and who we can become.

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Last In: 9 months ago
ALL SEEING DOLLS (ANTON NEWCOMBE & DOT ALLISON) - PARALLEL
  • That's Amazing Grace
  • Kaleidoscope
  • Blossoms In Her Mind
  • Sirens Echo In An Iron Lung
  • Non Waltz
  • I Believe You About The Moon
  • What Do Dolls Dream?
  • Time
  • Lady Buzz Killer

Neue Musik von Anton Newcombe von BRIAN JONESTOWN MASSACRE und DOT ALLISON (u.a. ONE DOVE, Solo, Sonic Cathedrals). Eine Zusammenarbeit zwischen den beiden Soundtüftlern. Während des Lockdowns in Berlin und Schottland aufgenommen, arbeiten Dot Allison und Anton Newcombe als All Seeing Dolls zusammen. Produziert von Anton Newcombe in Berlin, schickten er und Dot sich gegenseitig Gesangs- und Musikideen, um Dots eindringlichen Gesang mit ihren Fähigkeiten als Multiinstrumentalisten zu vereinen. Auf dem Album finden sich Gitarre, Ukulele, Klavier und Autoharp, gespielt von Dot, sowie zusätzliche Beiträge von Hakon Adalsteinsson (Gitarre) und Uri Rennert. Im Interview mit Clash Magazine sagte Dot über den Entstehungsprozess: "Wir haben unseren Weg gefunden... viele der Songs wurden während des Lockdowns geschrieben... wir sprachen über Musik, das Leben, was wir für wichtig halten und teilten Songs, die wir mögen und sprachen über Künstler, die wir mögen... wir beschlossen, Ideen auszutauschen... also schickte ich etwas mit Autoharp und Stimme oder Akustik und Stimme, und er schickte mir tolle Ideen zurück... wir haben uns gegenseitig unterstützt und gestärkt... und ich sagte zu ihm, dass es ein bisschen wie ein kleines Weihnachten ist, die Tracks zu hören, nachdem er sie zurückgeschickt hatte." Auf erstem hören musikalisch näher an DOT ALLISONs letzten Sonic Cathedral-Output, finden sich hier die eher BRIAN JONESTOWN MASSACRE-typischen Ideen in den klanglichen Tiefen wieder.

pre-ordina ora21.02.2025

dovrebbe essere pubblicato su 21.02.2025


Last In: 2026 years ago
ALL SEEING DOLLS (ANTON NEWCOMBE & DOT ALLISON) - PARALLEL

Neue Musik von Anton Newcombe von BRIAN JONESTOWN MASSACRE und DOT ALLISON (u.a. ONE DOVE, Solo, Sonic Cathedrals). Eine Zusammenarbeit zwischen den beiden Soundtüftlern. Während des Lockdowns in Berlin und Schottland aufgenommen, arbeiten Dot Allison und Anton Newcombe als All Seeing Dolls zusammen. Produziert von Anton Newcombe in Berlin, schickten er und Dot sich gegenseitig Gesangs- und Musikideen, um Dots eindringlichen Gesang mit ihren Fähigkeiten als Multiinstrumentalisten zu vereinen. Auf dem Album finden sich Gitarre, Ukulele, Klavier und Autoharp, gespielt von Dot, sowie zusätzliche Beiträge von Hakon Adalsteinsson (Gitarre) und Uri Rennert. Im Interview mit Clash Magazine sagte Dot über den Entstehungsprozess: "Wir haben unseren Weg gefunden... viele der Songs wurden während des Lockdowns geschrieben... wir sprachen über Musik, das Leben, was wir für wichtig halten und teilten Songs, die wir mögen und sprachen über Künstler, die wir mögen... wir beschlossen, Ideen auszutauschen... also schickte ich etwas mit Autoharp und Stimme oder Akustik und Stimme, und er schickte mir tolle Ideen zurück... wir haben uns gegenseitig unterstützt und gestärkt... und ich sagte zu ihm, dass es ein bisschen wie ein kleines Weihnachten ist, die Tracks zu hören, nachdem er sie zurückgeschickt hatte." Auf erstem hören musikalisch näher an DOT ALLISONs letzten Sonic Cathedral-Output, finden sich hier die eher BRIAN JONESTOWN MASSACRE-typischen Ideen in den klanglichen Tiefen wieder. Exklusiv für den Indie-Handel: Transparentes mit farbigen Splatter Vinyl

pre-ordina ora21.02.2025

dovrebbe essere pubblicato su 21.02.2025


Last In: 2026 years ago
DIN - Fantastic Planet LP 2x12"

Next on Coming from... Returning to... DIN - Fantastic Planet. Originally released on DOVe records in 1992 gets it’s long awaited reissue.

“Fantastic Planet represents the first international release by DIN, the disko project of Pupka Frey, formed in 1987. Inspired by the surreal Czech animated film. Fantastic Planet is an artificial soundtrack to a space-horror fantasy. Albeit predictably, the music is completely electronic, with emphasis on analog textures reminiscent of the 70’s electronic movement. New elements have been added, most notably the very fashionable tekno sound. “

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Last In: 12 months ago
DOVS - Psychic Geography LP

Dovs

Psychic Geography LP

12inchBALMAT14
Balmat
19.02.2025

DOVS are the duo of Vienna’s Johannes Auvinen, aka Tin Man, and Mexico City’s Gabo Barranco, aka AAAA. Psychic Geography is their second album together, but it differs considerably from both their respective solo work and their 2019 debut LP together, Silent Cities: Where that album’s hardware-based acid kept its gaze focused squarely on the dancefloor, Psychic Geography is a strictly ambient affair.

The album has its roots in a trio of beatless tracks that peppered Silent Cities; this time, the duo decided to try making an entire album with no drums. “It opened up the chance to make a different, more narrative style of music with more complex structures,” Auvinen says. Ambiguity and uncertainty are key watchwords for their music, which moves with eerie, liquid grace. Untethered from 4/4 kicks, their music drifts and morphs; familiar acid sequences give way to surprising shifts in tone and mood. And with no drums to distract the ear, the seeming simplicity of their silvery synth lines opens up to reveal remarkable depth and dynamism.

Barranco and Auvinen recorded the album together in the studio utilizing machines like the Roland TB-303, Juno G, Prophet 5, Elektron Octatrack MKII, Make Noise DPO and René, Mutable Clouds, Roland SH-101, Behringer TD3, and Sherman Filterbank. Listen on good speakers or headphones, and you can tell: Their gear yields a tonal richness that recalls the ambient and cosmic music of decades earlier. You can practically feel the heat from their circuits warming the air.

The meaning behind the name DOVS is as ambiguous as the duo’s music. (Dig, if you will, the picture of Picasso’s dove of peace—or, perhaps, the outline of a bird pressed into a small white pill.) But Psychic Geography needs little explanation. DOVS’ album is a collection of mental maps of imaginary places. Set your coordinates for the mirage on the horizon and prepare to dissolve.

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Last In: 33 days ago
Doves - Constellations For The Lonely

Die Doves melden sich nach über 4 Jahren zurück mit ihrem neuen Album „Constellations For The Lonely“,
ein neues, intensives, filmisches und doch klassisches Doves-Album. Es enthält zehn neue Tracks des
mehrfach für den Mercury-Award nominierten Trios aus Manchester, die mit ihrer akribischen Stimmungsmanipulation in die Zukunft blicken.

pre-ordina ora14.02.2025

dovrebbe essere pubblicato su 14.02.2025


Last In: 2026 years ago
Camp Lo - Uptown Saturday Night LP 2x12"

Remastered from the original tapes & pressed on loud double vinyl! Hot of the success of Jay-Z’s Reasonable Doubt, producer extraordinaire Ski was on fire when he flipped Dynasty’s “Adventures In The Land of Music” for Camp Lo’s breakout 1996 smash single “Luchini aka This Is It”. The same year saw Camp Lo opening shows for De La Soul during their Stakes is High tour. Combine that with the fact that Ish aka Butterfly from Digable Planets had cosigned for the group’s reputation and would appear on of the tracks (in addition to Trugoy from De La), there became a huge buzz around their debut album Uptown Saturday Night. Fast forward a few months to January 1997 and the heavily anticipated release of Camp Lo’s first record, which did not disappoint. It struck the perfect balance between club tracks and underground bangers for the mixtape crowd. Critically acclaimed and fan approved, this late 90s must-have was complimented by the incredible cover art illustrated by legendary NYC graffiti artist Dr. Revolt that paid homage to Marvin Gaye’s 1976 classic I Want You. It’s hard to believe in the time of Puffy’s heyday, Camp Lo had developed and delivered a style of Hip Hop that was not only fresh and creative, but also straight up dope. Flipping intricate rhyme styles over some of Rap’s finer beats, the fact that Camp Lo got main stream radio play and love from big time club DJ’s is a testament to the essence of what Hip Hop was once about: raw talent and originality!

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Last In: 3 years ago
MEREBA - THE BREEZE GREW A FIRE

Southern-bred, alternative R&B singer-songwriter Mereba artistically embodies self-understanding on The Breeze Grew a Fire, her grandest work and first release on Secretly Canadian. To hone in on this latest album, it was necessary for Mereba to reconnect with her whole many-sided self, from her inner child to her inseparable relationships. Mereba peacefully transmutes her beginnings, looking upon her closest kinships and friendships with a keen understanding of their steadying, inspirational force. Surrounded by the gentle Breeze of these relationships and recollections, Mereba is empowered as both an artist and mother, while also being reminded to nurture her childlike wonder. Mereba gracefully shines on the follow-up to her bounteous 2019 debut, The Jungle Is the Only Way Out. In escaping the Jungle, Mereba faced the paradigm shift of birthing a son in 2021 and getting accustomed to a rapidly changing self-outlook. Mereba's creative output has always relied on her innermost reflections and ideas on whatever was happening around her; but in motherhood, the singer's perspective widened while her inspiration became more focused, and more individually powerful. "Even though I'm fully an adult, I had to grow up in a way overnight when he my son came," Mereba explains. "The process of watching him open up to the world, learn how to engage with the world, it is very tender. I feel like it's the most reminded I've ever been of when I was a child and the first memories I have of life." The transformation brought Mereba to the intimacy of DIY recording sessions, providing an honest and organic foundation to Breeze. Mereba tapped her longtime production collaborator Sam Hoffman to co-assemble the album's rich production, which parallels its folk-like warmth. Although Mereba is a true double Earth sign-Virgo and Virgo rising-the development of Breeze was anchored by experiences and memories that span from Atlanta to L.A., Addis Ababa to Greensboro, an intention that speaks to the album's fluid nature. While nowhere near the end of her musical trek, The Breeze Grew a Fire is a loving, inspiring return to origin, one where Mereba frees a painful past, eases into future possibilities, and goes with life's flow.

pre-ordina ora14.02.2025

dovrebbe essere pubblicato su 14.02.2025


Last In: 2026 years ago
MEREBA - THE BREEZE GREW A FIRE

Southern-bred, alternative R&B singer-songwriter Mereba artistically embodies self-understanding on The Breeze Grew a Fire, her grandest work and first release on Secretly Canadian. To hone in on this latest album, it was necessary for Mereba to reconnect with her whole many-sided self, from her inner child to her inseparable relationships. Mereba peacefully transmutes her beginnings, looking upon her closest kinships and friendships with a keen understanding of their steadying, inspirational force. Surrounded by the gentle Breeze of these relationships and recollections, Mereba is empowered as both an artist and mother, while also being reminded to nurture her childlike wonder. Mereba gracefully shines on the follow-up to her bounteous 2019 debut, The Jungle Is the Only Way Out. In escaping the Jungle, Mereba faced the paradigm shift of birthing a son in 2021 and getting accustomed to a rapidly changing self-outlook. Mereba's creative output has always relied on her innermost reflections and ideas on whatever was happening around her; but in motherhood, the singer's perspective widened while her inspiration became more focused, and more individually powerful. "Even though I'm fully an adult, I had to grow up in a way overnight when he my son came," Mereba explains. "The process of watching him open up to the world, learn how to engage with the world, it is very tender. I feel like it's the most reminded I've ever been of when I was a child and the first memories I have of life." The transformation brought Mereba to the intimacy of DIY recording sessions, providing an honest and organic foundation to Breeze. Mereba tapped her longtime production collaborator Sam Hoffman to co-assemble the album's rich production, which parallels its folk-like warmth. Although Mereba is a true double Earth sign-Virgo and Virgo rising-the development of Breeze was anchored by experiences and memories that span from Atlanta to L.A., Addis Ababa to Greensboro, an intention that speaks to the album's fluid nature. While nowhere near the end of her musical trek, The Breeze Grew a Fire is a loving, inspiring return to origin, one where Mereba frees a painful past, eases into future possibilities, and goes with life's flow.

pre-ordina ora14.02.2025

dovrebbe essere pubblicato su 14.02.2025


Last In: 2026 years ago
Midding - Nowhere Near Today
  • Clem's Crime 05:08
  • Synth Love 04:32
  • Silver Skin
  • Good Boy
  • Will Not Dance

. The idea for the band was originally conceived by singer-guitarist Joe Woodward whilst writing and recording songs in his kitchen on a 4-track recorder, and over time eventually found help from like-minded friends, Elliot Roberts and Cam Wheeler. The three of them would spend their nights experimenting with cassette recording with the admirable if not challenging aim to recreate the symphonic sounds of Phil Spector on a DIY budget. With growing confidence and having amassed a small catalogue of songs, a few aborted attempts were made to get a live band together before they found help from a second guitarist, Eli Allison, who had recently relocated from Cornwall. As necessity would dictate, the first shows as a quartet made use of a drum machine, but the ideal formation for the band wasn’t truly complete until meeting Nia Abraham, whose live drumming would add a more physical quality to the band’s sound. At the beginning of 2024, they began working more purposefully towards an end goal with the writing and recording of the five-song Nowhere Near Today EP. Though retaining some of their home recording practices, they also made use of a studio facility based in a disused shopping centre basement that was made available through SHIFT, a local artist collective connected to the band. The acquisition of an 8-track Tascam 488MKII, along with the natural reverb of SHIFT’s empty concrete space allowed for further opportunity to experiment with both cassette recording techniques and their still developing live sound, the two environments permitting an all-too-rare creative freedom. The process was transformative for the group, their Spector-inspired ambitions now taking on a more defined shape that skirted around the edges of psych, noise-rock and industrial-pop in a way that increasingly became their own. For a debut EP, the results are impressively realised, a confluence of expansive tremolo guitars, a deliberately primordial rhythm section and a contrasting vulnerable vocal performance that’s both melodic and bracing. It’s a record born both of private experimentation and public performance, who they are on stage and what they express on record informing the other but still distinctly each their own thing, shifting then dovetailing like the waves of feedback that wash through Nowhere Near Today. Still a young band, it’s tomorrow they feel a lot closer to.

pre-ordina ora07.02.2025

dovrebbe essere pubblicato su 07.02.2025


Last In: 2026 years ago
Omar - Lovey Dovey / This Thing called Life

Impressive Collective & BBE Music announce an exclusive vinyl 45 single by Omar Lyefook MBE to celebrate signing the legendary UK soul star.

This new partnership continues Omar's long standing collaboration with Impressive Collective’s Greg Boraman, which began in 2013 on Freestyle Records with the critically acclaimed 'The Man' album and continued with 'Love In Beats' and 'The Omar Anthology'. To mark this auspicious news, we proudly announce the release of this limited-edition vinyl single featuring 2 tracks that is only available on this exclusive 45.

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Last In: 13 months ago
Javonntte - The Jamesey Mars Project EP

Makin’ Moves kick of 2025 with four hot tracks from Detroit producer Javonntte that will certainly warm you up from your winter slumber !
Detroit native Javonntte Garrett, better known simply as Javonntte.

Javonntte has been producing music and DJing since the early ’90s. Having had a love for music since he was a child growing up, he turned himself into an independent singer, songwriter, producer and even a dancer, where he once toured with Aretha Franklin’s troupe.
Having collaborated with legendary producers Blake Baxter, Amp Fiddler and Andres in his formative years, Garrett has since spread his wings as a solo producer, with a steady string of releases on such labels as Traxx Underground, Quintessentials and Kai Alce’s NDATL.
This fresh four tracker, has been hand selected by us and each track brings something different to the dance floor, from the soulful vibes of WHAT? to the the bouncier and more melodic sounds of Good Vibration and Chicago.

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Last In: 8 months ago
CHARLOTTE DAY WILSON - CYAN BLUE LP

Today, the Toronto-born-and-raised singer, songwriter, producer, and multi-instrumentalist Charlotte Day Wilson announces her highly-anticipated sophomore album Cyan Blue out May 3rd via Stone Woman Music / XL Recordings

Along with the announcement of her new album comes the release of first single, "I Don"t Love You", a stark and devastatingly beautiful confessional, highlighting Wilson"s immaculate production skills and chill inducing vocals laid atop smooth groove piano chords and soft drums. The track also arrives with a visual directed by Dani Aphrodite featuring layered low fi footage of the artist and producer performing at home, living every day life and having moments of solitude in her car, a theme that comes up throughout the album. Cyan Blue finds Wilson crafting a smoothly woven cyan tapestry of her eternal influences; thumping gospel piano, warm soul basslines, atmospheric electronics, and penetrating R&B melodies. Yet, it possesses a sense of vastness that rings in a new era for Wilson, one in which she"s embracing collaboration and newfound creative openness tinged with wistfulness and yearning and a reflection on youthful innocence. "I want to look through the unjaded eyes of my younger self again," Wilson explains of making Cyan Blue. "Before there wasn"t as much baggage, before so much life was lived. But I also wish that my younger self could see where I am now. It would be nice to be able to impart some of the wisdom and clarity that I have now onto her.

" Working with producers like Leon Thomas (SZA, Ariana Grande, Post Malone), and Jack Rochon (HE.R, Daniel Caesar), Cyan Blue demonstrates Wilson´s sonic expertise while also showcasing the next evolution of her time-bending songwriting. Through 13 hypnotizing tracks, she continues to use music as a vessel for unpacking relationships, which in turn allows her to meet and understand herself in life-spanning, panoramic focus.

But, on Cyan Blue, she challenged herself to kick her perfectionist tendencies. "Before, I was extremely intentional about creating music with a strong foundation, a bed of artistic integrity," Wilson reflects. "But that was a bit stifling, like, "Let me just make a great piece of art that will stand the test of time, no pressure." Now, I think I"m getting out of this frozen state of needing everything to be perfect. I"m more interested in capturing feelings in the moment as they happen and leaving them in that moment."

While this is only her second album, Wilson"s influence in music has made a major mainstream impact. Wilson broke out in 2016 with her critically acclaimed EP, CDW, followed by 2018"s Stone Woman and made her debut studio album an official coming out moment in 2021 with the critically acclaimed, self-released Alpha.

Over the past decade, she´s been sampled by Drake, John Mayer, and James Blake, while Patti Smith has recently praised and covered Wilson´s 2016 breakout single "Work." Additionally, she´s collaborated with artists like Kaytranada, BADBADNOTGOOD, and SG Lewis, demonstrating that there´s no sound Wilson can´t adapt to and sprinkle her cyan-colored magic over.

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Last In: 14 months ago
Nora Orlandi & Franco Tonani - Sfere Luminose LP

Sfere Luminose is a rare and breathtaking masterpiece that stands as a pinnacle of Italian Library music. Featuring the mesmerizing vocals of Nora Orlandi and the legendary jazz drumming of Franco Tonani, this album is an essential gem from the cult label Record TV - Firmamento, a name revered for iconic releases from the late 1960s to early 1970s. The album is produced by maestros Giancarlo Gazzani and Roby Poitevin, with contributions from the acclaimed studio group I Marc 4 and Alessandro Alessandroni.



This stunning work encapsulates the very essence of Italian Lounge music, offering a rich and diverse musical landscape. From cinematic soundscapes and Hammond organ-driven grooves to soft psychedelic arrangements, the album flows with impeccable soul-jazz and bossa nova influences, reminiscent of Piero Umiliani’s finest creations. The signature style of I Marc 4 shines through captivating drum work, while the enchanting interplay of scat vocals and choral harmonies adds a touch of ethereal beauty.



With its refined blend of jazz, lounge, and Morricone-esque beats, Sfere Luminose is an unmissable listening experience for aficionados of the genre. It's a collector's grail and a timeless treasure that captures the magic of Italy’s golden age of music, and we're proud to bring this back on vinyl, remastered from the original mono sessions, including 4 bonus tracks and artwork restoration by Luca Barcellona.

pre-ordina ora20.12.2024

dovrebbe essere pubblicato su 20.12.2024


Last In: 2026 years ago
Nausea - Extinction LP

Nausea

Extinction LP

12inchSRE715LPB2
Svart Records
13.12.2024

Nausea's sole full length offering 'Extinction' finally available on wax again after more than two decades via Svart Records in December. The band’s only full-length album, Extinction, was originally released in 1990 by Profane Existence in the US and Meantime Records in the UK.

Now, Svart Records is proud to present this cult album with remastered sound, gatefold covers, booklet, and new album artwork taken from the poster included with the original pressing of the Extinction vinyl.

pre-ordina ora13.12.2024

dovrebbe essere pubblicato su 13.12.2024


Last In: 2026 years ago
Nausea - Extinction LP

Nausea

Extinction LP

12inchSRE715LPB1
Svart Records
13.12.2024

Nausea's sole full length offering 'Extinction' finally available on wax again after more than two decades via Svart Records in December. The band’s only full-length album, Extinction, was originally released in 1990 by Profane Existence in the US and Meantime Records in the UK.

Now, Svart Records is proud to present this cult album with remastered sound, gatefold covers, booklet, and new album artwork taken from the poster included with the original pressing of the Extinction vinyl.

pre-ordina ora13.12.2024

dovrebbe essere pubblicato su 13.12.2024


Last In: 2026 years ago
T-Mirage - Flawless E.P.

As Odysee celebrates its 30th anniversary, the label’s original founder Atila Kemal (T-Mirage) steps up to deliver this jaw-dropping E.P.

In 1994, Tilla was just 17 years old, and an integral part of the original St Albans collective that comprised Jim Baker & Phil Aslett (Source Direct) and Rupert Parkes (Photek), when he set up the Odysee imprint and released the first Source Direct record (Future London/Shimmer). With a follow-up release from Photek (Phaze 1/Try A Style) and a second from Source Direct, the profile of the label began to grow exponentially.

It was the 3 Mirage releases however that really put the label on the map. These tracks were engineered by Jim Baker but heavily co-produced by Tilla himself with a major focus on his keen ear for dark 70’s Noire samples and eerie abstract electronica pitted against soulful R&B vocals. In hindsight, the impact of this rather different soundscape on the Source Direct material that followed is unmistakable.

The A side track Dark Rhodes is a showcase of T-Mirage’s production skillsets. From the opening atmosphere of utter menace and spacious percussion, to the trademark call and response between the different breaks and speaker shaking subs; this track will take the listener straight back to that infamous dark 1995/6 sound that emerged from both the Odysee & Source Direct studios. What is particularly noticeable is the distinctive pairing of sets of samples to form unique sections within the piece, whilst maintaining the consistent rolling energy of the drums & bass. This was a clear stylistic trait the earlier tracks like Feel My Dreams, and is very much on display in Dark Rhodes; leaving us in no doubt that we are listening to the work of one of the OG St Albans Jungle masters!

One of the most important aspects of each Odysee release was to demonstrate versatility on the B side tunes. As a label that was an important part of the mid 90’s Atmospheric scene, it would be remiss not to revisit that style on this seminal E.P. The first of the two B-side tracks is the incredible Existence.

Everything about this piece is a pure distillation of Tilla’s musical style; from the intricacy of the break work and the depth of the subs, to the masterful dovetailing of the 70’s Noire and Jazz samples that build a cohesive arrangement drawing the listener deeper into the tune’s narrative- “A piece of music that’s just a pure expression.... A celebration of existence!” There is no need to re-invent the wheel, or to force groundbreaking new tricks when the strength of this classic sound is so overwhelmingly persuasive!

With the final track Flawless, Tilla delivers an absolute heart-breaker of a tune that rivals the very best of the original Odysee & SD B-sides. Misty-eyed pads and Jazzy rides launch the crisp rolling Think breaks. The deep melodic sub line and haunting guitar riffs draw the listener in, then hold the listener in suspense for a moment before dropping down in the body of the track. The gorgeous guitar motifs are paired with achingly gorgeous vocal ad-libs and avant-garde electronica, emerging orchestral flutters with that unmistakable 70’s Noire flavour. Once again it is

Tilla’s ear for those ‘special sounds’ that really sets this track apart, and as if that wasn’t enough, some 4 minutes down the track Flawless nonchalantly unveils another primary motif; well worthy in of itself of being the tracks centrepiece!
Absolutely stunning heritage-style Atmospheric Jungle at its finest!

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Last In: 15 months ago
Prince and The Revolution - Hot Thing LP
  • A1: Sign Of The Times
  • A2: Play In The Sunshine
  • A3: House Quake
  • A4: Girls And Boys
  • A5: Slow Love
  • B1: Little Red Corvette
  • B2: Hot Thing
  • B3: Let's Go Crazy/When Doves Cry
  • B4: Purple Rain
  • B5: 1999

The song showcases Prince's signature blend of funk, rock, and pop, featuring catchy melodies and his iconic guitar work.

pre-ordina ora08.11.2024

dovrebbe essere pubblicato su 08.11.2024


Last In: 2026 years ago
GOLD CONNECTIONS - FORTUNE

In 2021, Will Marsh ditched his music career, packed his bags and headed to New Orleans to pursue an MFA. Pandemic brain had firmly set in, so while Marsh dove into his work with Habitat for Humanity, he also found himself dazed and confused amidst such a turbulent time. Music wasn't at the forefront of his mind_ but it chased him. Let's rewind a bit. Will Marsh started Gold Connections at the College of William and Mary, where longtime friend Will Toledo (Car Seat Headrest) produced and recorded Marsh's debut self-titled EP, released via Fat Possum in 2017. Two EPs followed on EggHunt, 2018's Popular Fiction and 2019's Like A Shadow. This leads us to Fortune, the band's brand new LP, out worldwide on October 25 via New Orleans indie Well Kept Secret. It's a record that sounds like "a conversation between old Virginia and the buzzy psychedelic world of post-COVID New Orleans," according to Marsh. The eleven tracks on Fortune deftly navigate a geographical and spiritual journey: remorse, intoxication, anger, mystery, destruction, and regeneration, delivered with the same approach that NPR hailed as "undeniably catchy" and Sterogum claimed was "an animal of it's own."

pre-ordina ora25.10.2024

dovrebbe essere pubblicato su 25.10.2024


Last In: 2026 years ago
Fleetwoods - The Very Best of

If a “sound” is unique, it can often expect a reasonable success. However, it takes a great deal more than just uniqueness to sustain this success. The Fleetwoods did this – and more. They became America’s top teenage vocal trio. Their sound was more than just different and identifiably their own. It was a perfect blend of young voices, just right for so many of the fine ballads they were singing. The Fleetwoods’ secret, if you can call it a secret, was sincerity. They simply gave each lyric they sang its truest and sincerest meaning. Over the years, many others have tried to imitate them, but none have come close to the overwhelming success they had. We hope you will enjoy this album of The Fleetwoods’ very best recordings.

pre-ordina ora18.10.2024

dovrebbe essere pubblicato su 18.10.2024


Last In: 2026 years ago
Deadly Headley Bennett - 35 Years From Alpha

Erste Vinylreissue eines Klassikers aus der On-U Sound-Frühphase: Das 1982er Solodebütalbum der jamaikanischen Saxofonlegende "Deadly" Headley Bennett, der seit den 1960ern Stars wie Bob Marley und Alton Ellis begleitete, mit Produzenten wie Coxsone Dodd und Bunny Lee arbeitete und eine Schlüsselrolle in Bands wie Sound Dimension, Aggrovators, Revolutionaries und Soul Syndicate spielte. Aufgenommen mit Musikern von Creation Rebel und Roots Radics, Adrian Sherwood am Mischpult und Bim Sherman on vocals auf 3 Tracks. Die CD erschien erstmals 1999 und enthält hier zwei unveröffentlichte Bonustracks. Das Vinyl wurde komplett neu geschnitten. Beide Formate kommen mit ausführlichen Linernotes und rarem Fotomaterial.

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Last In: 16 months ago
Jordan Feliz - Everything Good LP
  • A1: Joyful Noise
  • A2: The King Is Alive
  • A3: Let You Go
  • A4: Praise God For That
  • A5: Everything Good
  • A6: How Sweet The Sound
  • B1: Gallows (Oh What A Savior)
  • B2: Can't Lose
  • B3: Armor
  • B4: Somebody Loves You
  • B5: Love Is

Centricity Music recording artist Jordan Feliz quickly became a household name when his first radio single “The River,” the title track from his critically-acclaimed debut, became a smash hit. Spending an unprecedented 12 weeks at No. 1, the chart-topping single was named ASCAP’s “Christian Music Song of the Year” and garnered Feliz his first RIAA Platinum® certification. Thanks to his charismatic vocals and signature blend of soulful pop, each of his seven subsequent radio singles has landed in the Top 10 with “Witness,” “Glorify” and “Jesus Is Coming Back” notching three more No. 1’s for the singer. In addition, the California- native has been nominated for five Dove Awards, taking home the trophy for 2016’s “New Artist of the Year,” and has amassed nearly 500 million lifetime streams. Along with his heartwarming children’s hardcover book, Beloved, and his headline tours, Feliz has also shared stages around the country with some of the biggest names in Christian music, including TobyMac, Michael W. Smith, For KING & COUNTRY, Matthew West and Crowder.

pre-ordina ora04.10.2024

dovrebbe essere pubblicato su 04.10.2024


Last In: 2026 years ago
P.P. Arnold - Live In Liverpool LP 2x12"

“Live In Liverpool” was recorded during the last night of the “New Adventures” tour at Grand Central Hall, Liverpool, UK, on October 18th, 2019. It features true P.P. Arnold classics, like “The First Cut Is The Deepest” and “Angel Of The Morning”, as well as special live versions of the songs from “The New Adventures of... P.P. Arnold”, such as “I Believe”, “Hold On To Your Dreams”, Paul Weller’s “Shoot The Dove”, the Northern Soul classic “You Got Me”, and Steve Cradock’s “Still Trying” and “Magic Hour”. This special live performance is a true testament to P.P. Arnold’s versatility as a vocalist and her charisma as a performer, and shows just how effortlessly her rich, soulful voice lends itself to various genres, from soul to rhythm and blues to rock and pop. “Live In Liverpool” will be released as a CD Digipak edition and 180g black double vinyl, packed in a high- quality gatefold jacket on October 18, 2024, via earMUSIC.

pre-ordina ora02.10.2024

dovrebbe essere pubblicato su 02.10.2024


Last In: 2026 years ago
Ed Schrader’s Music Beat - Orchestra Hits LP

Aesthetically, Ed Schrader’s Music Beat hates to tread water. At the same time, the Baltimore-based two-piece of vocalist Ed Schrader and bassist Devlin Rice won’t force their songs to fit a preconceived style. “The next album’s always gotta be different from the last one. We’re different people from record to record. So, writing authentically to ourselves will always bring our work to a place that we haven’t been to yet,” Rice said. Schrader added, “We’re terrified of turning into AC/DC. We never want to be married to one scene or time or sound. We want to be the Boba Fett of bands! Constantly altering the way in which we make records has been pretty key in that process.”
For Orchestra Hits, the band’s latest, that alteration was welcoming longtime musical comrade Dylan Going into the fold as a co-writer and co-producer. A songwriter in his own right, a guitar sideman for ESMB on their last two tours, and a collaborator with Rice in the noise riffage band Mandate, Going had both a unique vision and an intimate familiarity with the ESMB vibe.
“Dylan came to every show we’ve ever played in New York—no matter how weird it was,” Schrader said. “He’d be standing there ready to move an amp or feed us barbecued cactus after the gig and toss on some Golden Girls so we could decompress. It felt like family as soon as we began working, but I honestly had no idea how damn good he was at tossing out these hooks.”
According to Schrader, the songs “just poured out of us” over the course of a highly caffeinated three-day weekend in a tiny room in Devlin’s house while his cat, Sandy Goose, screamed continually. “It was like three kids hiding from the world to get into some lovely mischief,” they said. The lack of external pressure in the process gives Orchestra Hits an almost paradoxical vibe. For all of the album’s layers, that mix live and sequenced instruments, it never loses the raw energy of a small handful of friends in the same room plugging in, cranking up, and playing until they pass out.
Lyrically, the album finds Schrader, now 45, meditating on experiences in their youth to make sense of the present moment. “We are not into the garden,” Schrader wails on the relentless “Roman Candle,” a song about the sad debacle of Woodstock ’99, and a direct response to Joni Mitchell’s “Woodstock,” a utopian ode to hippie idealism. A 19-year-old Schrader, having snuck into Woodstock ’99 through a hole in the fence, was there the night members of the crowd used candles intended for a vigil for victims of the Columbine High School massacre to set fires all over the grounds. Even before the fires, Schrader remembered feeling disconnected from the music, the nostalgic cash grab, and the meatheads in the crowd. After watching a press tower collapse, they boarded a random shuttle bus and were dropped off near a Denny’s. “It was a far cry from the Garden of Eden,” Schrader said. “That experience defined what I didn’t want to be a part of, and yet America is more like Woodstock ’99 than ever.”
With percolating synthesizer arpeggios, and climbing bass grooves, “IDKS” is the album’s dance-floor slapper. “’IDKS’ is a funny one,” Schrader said. “We already had a pretty satisfying suite of songs when Dylan was packing up to head back to New York, but he missed the train because of a freak snowstorm. Realizing he’d be stuck in town another day, he says to me, ‘Here’s this other weird thing I have.’ It was ‘IDKS.’ The hooks were so good I felt like Homer Simpson at a free donut convention. I just dove right in, and we cranked that baby out in like 20 minutes.”
Lyrically, “IDKS” is a letter from the true self to public-facing self. “It’s an angry song,” Schrader said. “Because the public-facing self is always looking for an easy escape, but it forces the true self into a cage. I honestly thought my lyrics were corny and was about to change them, but Dylan was digging it just the way it was. So that’s what you hear.”
With the soaring “Daylight Commander,” the band went against all of their musty-basement-bred instincts. “I went full High School Musical with the vocals,” Schrader said. “At first it felt almost embarrassing, but I remember reading somewhere that Bowie recommended always floating a little bit above your comfort zone, and that’s what we did here.” The song is part exercise in absurdity and part pop Trojan horse. “If ever we had a ‘Shiny Happy People’ moment, I guess this is it,” Schrader said.

pre-ordina ora20.09.2024

dovrebbe essere pubblicato su 20.09.2024


Last In: 2026 years ago
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