Cerca:dot

A journey to the center of tinnitus and inebriation! TJSA's debut album
caterwauled like a drunk banshee through the final decade of the most
prosperous century on Planet Earth
A local rock band that conquered the world in its own modest fashion, Bait And
Switch perfected a homegrown approach to making raw, truly no-frills rock n' roll
culminating in the uproarious minute-and-a-half blitzkrieg of "RnR Hall Of Fame."
First ever reissue, pressed on Clear color vinyl!

anno returns with a 5 track ep from NYC's K Wata, resident DJ at NYC's Slink party.

Big one for us at RAD combining the energy of producers like Batu, Equiknoxx with some timeless Gescom / Autechre soundscapes.

250 copies only, stickered sleeves.

Nick Walters returns to his D.O.T. Records imprint with a suite of forward thinking, cosmic, electronic-jazz experiments, inspired by NASA & the concept of gravitational singularity. Each track on “Singularity”, his first home studio produced album, is built around an audio sample recorded by NASA in space, then expertly transported back to earth by Walters via some magical trumpet and synth work on his newly purchased Juno-106. The album features key contributions from Ruby Rushton drummer Tim Carnegie, 22a Music’s Tenderlonious on flute and some sublime guitar work from Thibaut Remy.

After humble lo-fi beginnings in the Australian Art-Pop Underground, Donny Benet has expanded his cult-like following across the Globe with a resonant Array of danceable Repertoire dealing with Love- and Affection. New album "Mr Experience" marks a new chapter, informed by a wealth of musical- and personal development.

For Mr Experience, Donny envisioned a Soundtrack to a Dinner-Party- Set in the late 1980's. While his earlier Recordings drew Inspiration from DIY Pop Conspirators such as Ariel Pink & John Maus, Donny channelled the Stylings of Bryan Ferry & Hiroshi Yoshimura as the Impetus for new Material, evident on the Intimacy found on ‘Girl Of My Dreams’ and it's lush production- with a soothing whistle-along Chorus for good Measure!

Sincerity has been a key component of Donny Benet’s output since the beginning. His songs deal with genuine Emotion served on a kitsch Platter. An alter-ego manifested in the beginning of the 2010's, Donny has blurred the Lines of Artifice to create a back- Catalogue that can embrace- and challenge, often simultaneously, - the notion of Irony in Art.

"Mr Experience" moves further away from ironic Notions as Donny explores lyrical- and musical themes which embody Observations of Maturation in his audience, his tightknit musical Community- and himself. While ‘mature’ is a term that often rings hollow as an album descriptor, the term couldn’t be more apt for Mr Experience.

Previous album The Don was created with the luxury of time. The phenomenal Response to that Album across Europe- and the United States - fuelled by accompanying Music Videos clocking in Views in the Millions- meant that there were scant Windows of Opportunity to write- and record a follow-up.

With a legacy in Sydney’s music community, working with Sarah Blasko, and tightknik collaborators Jack Ladder & Kirin J Callinan, Donny Benet is accustomed to collaboration on the Stage- and in the Studio, mostnotably on the 2014 full-length release Weekend At Donny’s.



“There is such immense talent evident in every aspect of the Donny Bene experience - the vision of the character, the steadfast adherence his narrative and the musicality of Benet himself all combine to makesomething truly genius.” - Double J, Australin.

“Donny Benet makes feminine music for everybody” - Vice, Netherlands.

“The Don does not sound like amusical copying machine”. - 3voor12 National, Netherlands.

“The set was punctuated with virtuosic solos and exquisite harmonies, and added another layer of genius to the show.
We almost couldn’t handle it... Donny for president!" - Indie Berlin.

“Everyone loves Donny Benet” - Feature in Gonzai, France.

“Phenomenal Australian Showman... Offers Top-Class Dance Music with Virtuose-Bass Guitar- and Keyboard Parts & incredible Sound-Colour feel.” - Podujatie.sk, Slovakia.

Donny has toured Europe five times since the start of 2018 and has played in the UK, Austria, Germany, Slovakia, France, Netherlands, Spain, Portugal, Belgium, Denmark, Switzerland, Czech Republic, Greece and Sweden. The Don will revisit Europe twice in 2020, once for his own headline shows in May then back again in August for festivals!

Limited edition of 12′ vinyl release. Presents its sixth vinyl release with an interesting collaboration between a contemporary project such as Dot Product, the tandem formed by Adam Winchester and Christopher Jarman, and the Japanese legend of experimental rock and noise Kazuyuki Kishino. Known as KK Null, this artist had a first stage as a guitarist in several bands, it is worth remembering that at that time he collaborated with Merzbow in several albums and that years later he changed the guitar for electronic devices. 404 Not Found opens side A with a first cut by the English duo. Error Message combines grainy, strummed textures with a humanized sonic profile in which a beautiful melody makes its way in the face of bleak adversity. The second cut of this side is by KK Null, in this track the Japanese artist shows a high dose of metallic sounds that travel at the free will of the author to end up yielding in front of a complex and disorderly structured rhythm. Unlike side A, side B of this EP shows a work created jointly by Dot Product and KK Null. Pause Frames is an industrial cut, with hard percussion and numerous sound patterns such as pads, strong resonances and highly saturated components. 10-4-10-409-Conflict is the fourth and final track on the release, again employing a hard-hitting rhythm with a series of crunchy textures and a harmonic conjugation of dissonant chords. Picture: Stefan Alt / Salt (Ant-Zen) Mastered: Daniele Antezza / Dadub Written: Kazuyuki Kishino, Adam Winchester and Chris Jarman

Sounds for a late nightdrive through the city.

Vaal announces the release of debut album 'Nosferatu' via new label Pale Blue Dot.

A dark, cinematic triumph, title track 'Nosferatu' was the first song to be released from the record, following a huge few years of touring and underground releases, including one of 2016's most ubiquitous tracks 'Wander To Hell' and 'Monument' on Afterlife.

Vaal has established a sterling reputation as one of the key members of the Afterlife family. Steadily cultivating a strong identity and sound, merging a crossover of techno and breaks, traces of 'Bachian' melodies and UK rave culture.

* The second in Joker's trio of special releases to commemorate 10 years of his Kapsize label is to release this coming May.
* Over the past decade, Kapsize has put out some of Joker's most defining work, including the iconic 'Purple City' (produced with Ginz) — a track widely recognised as ground zero for Joker's purple dubstep aesthetic — and 2015 album, 'The Mainframe', as well as early records from Asa & Sorrow and L-Wiz.
* To be released both on special edition vinyl, A-side 'Marching Orders' features legendary grime MC and producer, Footsie, who goes hard over Joker's monstrous instrumental — think relentless, hyper-distorted club hydraulics — even acknowledging him on the hook; 'Oi Joker this beat's sick, crazy'.

* On the flip, B-side 'Polka Dot' is equally as tough, despite the dizzying melodies and gentle tones of the track's opening throws, landing as a crunching melee of textbook Joker sounds.

Drum & Bass duo The Prototypes, AKA Chris Garvey and Nick White release their much anticipated debut album 'City of Gold' on Viper Recordings. Already one of the hottest acts in the UK Drum & Bass club scene, The Prototypes are reaching new heights with their debut LP which showcases their trademark club sound, vocal anthems plus a few masterful tempo variations which will leave the listener wanting more.

This vinyl album sampler contains two of their biggest hits from last year with 'Pale Blue Dot' backed with 'Humanoid', both of which went #1 on the Beatport D&B charts.

'Pale Blue Dot'
Kicking off with a mysterious, immersive space-themed introduction, 'Pale Blue Dot' transports the rave into the far reaches of the universe. Building up the anticipation with rising synths, 'Pale Blue Dot' transforms into a dancefloor weapon. Crash landing with a stripped back, infectious melody and churning bass, the alien sounds of 'Pale Blue Dot' are sure to get the rave moving.

'Humanoid'
The B-side stays true to The Prototypes' heavy hitting, galactic-inspired sound, with the whirring 'Humanoid'. Exciting and rhythmical use of synth patterns alongside vocal interjections make this the ideal follow up to the hugely popular 'Pale Blue Dot.'

MELT BANANA'S TEENY SHINY LP GETS REPRESSED FOR THE FIRST TIME IN AGES ON VINYL. THIS PRESSING ONLY WIL LBE A BLUEY/GREY VINYL They are headlining the Raw Power festival in london at the end of may.

"La Di Da Di" ist Antrieb, Aufschrei und Rätsel zugleich, nachdem die Battles die heillos verworrenen Drähte ihrer beiden Vorgänger "Mirrored" und "Gloss Drop" ausstöpselten und gegen die Wand schleuderten. Wie der Titel schon andeutet, ist "La Di Da Di" ein spriessender Monolith aus Repetition. Ein organisch-technoides Soundgeflecht aus fast unendlichen Loops, die sich der Einheit und Gleichmässigkeit verweigern. Geblieben ist allein das rhythmische Genie der Battles - frontal, überhöht, unversöhnlich: der Spießrutenlauf, den Melodie und Harmonie zurücklegen müssen, während sie bei jeder Drehung attackiert werden.

Envee is well known producer not only in Poland.

He is releasing music since 2001.

You may know him from remixes for Compost, Jazz & Milk, Sonar Kollektiv, Wah Wah 45, GAMM and many more.

Now he is back with first album since 2008!

Come on journey from ambient, broken beat, dub to swing, spoken word or some hip-hop.

16 unreleased tracks on two vinyl records with poster inside. Only 300 copies worldwide!

All things come from and return to the same source - such is the theory of Monism; an ancient philosophy, but also accounting for the music of Jeroen Search. Dictated by an ethos of exclusively recording live takes and the only ever editing happening while a tune is being created, each finished track is imbued with that unique magic of the moment. Such too is the nature of Monism, Search's first LP in over two decades of electronic explorations and personal as well as artistic growth. As with any of his music that has been released so far, the tracks on here hold a timeless quality, existing within their own frame of reference than - that is their immediate experience. Across a carefully arranged course, the album naturally unravels its many ideas, ranging from moments of pensive ambient pieces to thick washes of dub echo and layers of modulated synths, all while providing an endless array of hypnotizing bare-bone grooves in the process. A true Figure mainstay, Jeroen Search upholds his artistic relevancy without any reinventing or switching up the formula - rather by simply keeping true to his accomplished craft.

Spread across two 180g discs, spanning 24 cuts and served in a gatefold sleeve designed by members and affiliates, the Young Echo LP is a capsule intended for cementation through time.
It's been almost five years since their last album. As a group, extended radio submissions, prolonged studio sessions and notorious club nights make up the cogs of time. Over the course of these years, the network has grown continually, both as one, and with singular, multi-directional paths from each of the 11 artists that make up the Young Echo collective, counting Jabu, Vessel, Kahn, Neek, Ishan Sound, Ossia, Manonmars, Bogues, Rider Shafique, chester giles and Jasmine towards the crew, with projects such as Bandulu, FuckPunk, O$VMV$M, Gorgon Sound and ASDA adding to the table in their individual ways.However, this record aims not to be judged on any single producer or vocalist. It is most effective as a whole, simply titled Young Echo. Of course each of the artists has an important part to play, but it is very much about the act of balance, accepting individualism to form a greater whole.A good example is the welcome addition of new energy coming from Jasmine (1/3 of Jabu) who injects endless space with her vocals, perfectly answered by the cool-killin' wordplay of Manonmars - who makes his long awaited debut here - sharing stage with the immediate poetry of ASDA's very own chester giles, along the mighty sound of Rider Shafique, and Bogues' versatile style that can flit between rap & song within seconds. Five very different vocalists that could've tried to find a compromise, but instead choose to connect in different ways, finding their niche in the equal range of rhythms and sounds that sprawl in this shared space, the juxtaposition.
Detuned soundsystem stylings, love songs swaying in hacked up ambience, skeletal dancehall, microphone technique, dread electronics, outsider pop, this record manifests the outcome of the shapeshifting anarchy which rears it's head when no one idea can rule, embracing the diversities when one path must be made up of many.

Sublime compilation of long-lost Australian indie-pop, acoustic jangle and beat happenings gathered by Melbourne-based collector and DJ Bayu and label head Moopie. Twelve tracks of singular vision spanning up- and downbeat pop, post-punk and minimal synth rarities recorded between 1982 and now. Australian twee pop royalty the Cat's Miaow shares the stage with the Cannanes and the Particles; Ya Ya Choral with Sarah Records' own Even As We Speak. Included is the previously unreleased 'Dot', by Mutant Sounds cult band Maestros and Dipsos. Full colour reverse-card sleeve with printed insert and lyrics sheet.

10 track double gatefold album
Mastered at half speed for stunning audio quality
The Desecration Of Desire is the first album in 14 years from Techno heavyweight Dave Clarke. The follow up to his acclaimed 2013 album 'Devils Advocate' the new album is a dark, ruthless journey including features by Mark Lanegan, Mt. Sims, Gazelle Twin, Anika and Louisahhh and reinforces his title as the Baron of Techno, a moniker given him by the late, great BBC Radio DJ John Peel.

Hotflush are proud to welcome an exciting new talent to the roster. Her name is Or:la and she arrives at her debut 12' already boasting a formidable reputation as a DJ and promoter in the UK - her long-standing Meine Nacht party is Merseyside's finest and her appearances on WHP line-ups are turning heads. The 12' in question is 'UK Lonely' - a four track EP that flaunts enviable range and seems to contradict the producer's youthful years. In it she covers a broad spectrum of past and contemporary influences spanning garage, Afrobeat, breaks and dubstep.
The A-side is punchy yet elegant: vocal cut-ups drift through off-beat percussions in title track 'UK Lonely', while riddims and melodies weave in and out of each other on an exotic 'Limbosoup'. The B-side is more contemplative: 'X & O' recalls the wistful vocals and layers them over aughties breakbeats before 'Jaipur' rounds off this opening salvo in delicate and playful fashion, hinting at things to come.

Speedy Ortiz is proud to announce their sophomore album, Foil Deer, which will be released via Carpark Records on April 20th.

'Major Arcana' released in 2013 won them glowing reviews , features and several UK tours (highlights below):

- 4 PAGE NME FEATURE

- 9/10 LEAD REVIEW IN NME: 'One of the reasons 'Major Arcana' works so well is because it's addictive and fun. The guitars and bass sound incredible, like the last Deerhunter album without the Yankee Doodle Dandy'

8/10 Drowned In Sound : ' Speedy Ortiz are way too euphoric and glorious to suffer for their artfulness. Stripping away the frills, at heart Major Arcana is a mournful treasure that asks to be celebrated.'

*NME RADAR FEATURE: 'What's miraculous, though, is that Major Arcana doesn't sound at all self-pitying; it's torrid Slint-meets-Pavement rattle bolsters Sadie's relished words so that yelling along is an exercise in gleefully exorcising your own demons'

8.4 ON PITCHFORK: : 'There's the squalling, guitar-on-guitar carnage of Archers of Loaf, the grungy mysticism of Helium (Dupuis lifted the title Major Arcana from a book she was reading on black magic), and of course the deadpan wit of vintage Liz Phair ('I was never the witch that you made me to be,' Dupuis tells a burnt-out old flame on 'Plough', 'Still you picked a virgin over me').

Standard LP is gatefold, single black LP with chapbook, plus digital download card.
Deluxe LP Is as above but with metallic gold coloured vinyl, and sticker.(200 ONLY FOR UK)
CD comes in digipak with a folded poster approximating the chapbook in the LP.

Speedy Ortiz said they would get the flowers themselves. What a lark! What a plunge!

When considering Massachusetts' Speedy Ortiz, that line from Virginia Woolf comes to mind. Not only for the obvious echoes to DIY, a form and function that's characterized the band's nascency, but in the proto-feminist undertones driving much of their sophomore album, Foil Deer. "I'm not bossy, I'm the boss," Sadie Dupuis sings on "Raising the Skate," invoking in spirit one half of the Carter-Knowles clan and echoing the other's wordplay. And wordplay makes sense, considering Dupuis-the band's songwriter, guitarist, and frontwoman-spent the band's first few years teaching writing at UMass Amherst. She's drawn to the dense complexity of Pynchon, the dreamlike geometry of Bolaño, the confounded yearning of Plath-all attributes you could easily apply to the band's 2013 debut Major Arcana, which fans and press alike have invested with a sense of purpose and merit uncommon in contemporary guitar rock.

The group, including Mike Falcone on drums, Darl Ferm on bass, and new addition Devin McKnight of Grass is Green on guitar, have spent the last year on an almost endless cross-continental touring jag, tagging along with the likes of The Breeders, Stephen Malkmus & the Jicks, and Thurston Moore. That shift into full-time musicianship brought with it an attendant reordering of priorities when it came to songwriting, and the band members' lives in general. They would get the damn flowers themselves.

Dupuis wrote much of Foil Deer at her mother's home in the Connecticut woods, where the songwriter imposed a self-regulated exile and physical cleansing of sorts, finding that many of the songs came to her while running or swimming alone. "I gave up wasting mental energy on people who didn't have my back," she says. "Listening to our old records, I get the sense I was putting myself in horrible situations just to write sad songs. This music isn't coming from a dark place, and without slipping into self-empowerment jargon, it feels stronger." Many of the songs deal with a similar sense of starting over, editing out the unnecessary drama. "Boys be sensitive and girls be, be aggressive," she sings on "Mister Difficult."

And while their debut album was recorded on the fly, Speedy Ortiz spent almost a month in the studio on Foil Deer. Falcone's drums are taut, mechanistic; Ferm's bass ranges from the aggressive rattle of an AmRep classic to smoother, hip-hop inspired lines. McKnight, meanwhile, lends spacier, textural riffs to complement Dupuis' wiry, melody-driven guitar style. "The demos for our songs have always had tons of small details and production experimentation, but we never had any money to pay for more than a couple days in the studio, so the songs came out very live-sounding and guitar heavy," Dupuis says. It was recorded and mixed at Brooklyn's Rare Book Room with Nicolas Vernhes (Silver Jews, Enon, Deerhunter), with the record mastered by Emily Lazar (Sia, Haim, Beauty Pill), lending a more polished sound and a pop sensibility that will stand out to existing fans and new converts alike. For all the lyrical complexity and guitar-based excursions Speedy Ortiz have built their reputation on to this point, Foil Deer has a sense of light-footed fun. What's the point of doing things yourself if you're not going to enjoy the trip

Standard LP is gatefold, single black LP with chapbook, plus digital download card.
CD comes in digipak with a folded poster approximating the chapbook in the LP.

A surprisingly unified fusion of classic psychedelic rock, Krautrock rhythms and proto-hip hop beats.

“Lonesome for a Storm” is the result of a felt sense in the summer of 2024.

A fleeting feeling in the body meditated on and played through a restrained pallette of instruments and found sound . LFAS is Gustav Kemps’s first solo album under his own name, but he’s been a frequent behind the scenes coll- aborator in various other bands (if you can connect the dots, there’s a lot to find). Mystery can be fun, but this album of his feels tender and generous in what it conveys.

RIYL: Empress, Loren Connors, Penguin Cafe Orchestra, The Humble Bee, Yo La Tengo, Taku Sugimoto...

UK bass music mainstay and SK1 Records co-founder, Synkro, links up with composer and sound design specialist, Tom Jarmey, for their debut combined effort on Of Paradise, minting their new musical alliance with North Star, an emotionally charged and lushly melodic collection of detail-driven club cuts.

Deftly joining the dots between drum 'n' bass, jungle, and trip hop, the duo serves up three original numbers, backed by two exquisite remixes from none other than Pugilist and label co-founder Silent Era, who meticulously distil the source material to produce a mixture of swirling breaks, dub techno, and atmospheric ambient stylings.

Available as a limited edition 12” and digital EP, North Star sees Synkro and Tom Jarmey combine to lethal effect, pooling their diverse influences together to fashion a trio of wide-eyed, hypnotic, and high-grade gems that give a nod to the most potent of ‘90s gear whilst being 100% future proofed.

One year on from his first Samurai release, Vardae returns to plunge even deeper into his mesmerising strain of hyper-mobile drum mantras and textural intrigue. Cédric Arnous' prolific run over the past few years has rapidly positioned him at the forefront of a scene between scenes where the rhythmic intrigue of drum & bass collides with modern techno's hypnotic linearity. On The Energy Of Presence he relishes the flexibility afforded by this intersection to deliver four distinct, high-impact workouts made with his ever-evolving live set in mind. 'Grounded Attachment' leads with the sonar strafe and broken beat pulse readily associated with the Vardae sound, threading twitchy percussion and steely brushstrokes around the bedrock of low-end pressure. It's the slowly emerging drone sweeps that round out the character of the track, betraying a warmth encased within the metallic overtones that deepens the emotional weight immeasurably. By contrast, 'Magnetic Flux' swerves towards a more direct thrust with its high-tempo 4/4 undercarriage and a limber, acidic lead line that helps join the dots between Vardae's modernist sheen and the roughneck days of free party tekno. This is still charged, atmospheric dance music, but it has no problem showing its teeth, too. 'Electric Feelings' is similarly sprightly in its tempo, but as ever Vardae runs a tight game with the weight of his drums, finding lightness and dexterity even at 170BPM while the transcendental wormhole opens up around the rhythmic force at the centre. Ensuring there's no space for predictability on this release, 'The Energy Of Presence' plies its own trade in sumptuous dub techno chords and angular groove designed to make you move on a different kind of downbeat. The consummate title track, it's the most roundly melodic offering on the record, served as a crescendo to the whole listening experience comfortably nestled on the B2 of the physical edition. Capitalising on the hypnotic codes etched into the dub techno sound, Vardae dials up the delay feedback for a psychedelic release at the end of a record that covers a lot of ground without losing focus.

White Vinyl Repress!

Neon pink vinyl. Their first new music since 2019, 'Killing The Buzz' sees The Black Wizards entering a new era, with their first release via Hassle Records. Signalling a bold step forward in sound, they shift towards a raw, garage-driven sound, built around direct arrangements, live energy and a strong sense of urgency. The Porto-based trio lay down a striking first impression on the single: Joana Brito's wiry, spitfire vocals volley off José Gomes' gravelly replies, over a chugging, serpentine groove propelled by Helena Peixoto's restless percussion. "Do you print yourself out pretty to look better in banners?" Brito questions archly, referencing the political signage that dots the streets of their home country, Portugal. Speaking on the track, Brito comments: "Killing the Buzz came out pretty funny & sarcastic, while talking about a real subject. The song is about being fed up with people in power positions, be it economical, political or social."

Following the success of the first vinyl release from the Moroccan label Sotor Records, featuring Zadig, Perc & Oscar Mulero, Sotor writes a new chapter in its discography with its second vinyl release. Meaning "lines" in Arabic, Sotor reflects its commitment to championing the diversity of the techno genre.
The label's ninth release, "Processing Range," is a musical ode to the lines of space-time. With four original tracks from the Portuguese producer, Sotor invites you on a techno journey between mental tension and physical release.
The album opens with DJ Dextro's "Controle," which delivers a massive, sharp rhythm, dystopian synths, and a true immersion into a techno black hole.
The journey continues with the second track on side A. This time, DJ Dextro unleashes an uncompromising version of "Blue Dot," achieving a precarious balance while showcasing his signature percussive style. The Portuguese artist delivers the perfect track to unleash a crowd.
On the B-side, DJ Dextro offers us the eponymous track, "Processing Range." We're quickly drawn into an allegory of this decadent modern world where humanity is rushing towards its own destruction. Expect dusty techno rhythms and that sumptuous synth that sounds like the end of times. Probably a future classic!
And you'll finish on a gentler but no less dynamic note from DJ Dextro. He concludes the EP with "31 Atlas," which will leave you weightless with its galloping bassline and abyssal synth.

DJ Support: Kerri Chandler, Folamour, Louie Vega, Jazzy Jeff, Dimitri From Paris, David Morales, Dave Lee, The Shapeshifters, Brian Tappert, Quentin Harris, Michael Gray, Terry Hunter, Hector Romero, Tedd Patterson, Dr. Packer, Marcel Vogel, Dj Pippi and many others

Groove Culture main men Micky More and Andy Tee are once again at the controls as the label presents its' Third collection of “Groove Is In The Heart”. As with the popular imprint's various EPs, the focus is on joining the dots between organic house, revivalist disco, uplifting dancefloor soul and colourful jazz-funk. There's much to admire from start to finish, a very strong bunch including MM & AT,Gianni Bini and Angela Johnson celebratory cover of EWF swirling disco-funk ‘In The Stone', a wonderfully rolling and funky-House joint titled ‘Let The Rhythm’ from Ralph Session & Djfudge, Memi P. And Gisele Jackson tasty Feel Good Classic-house Tune “Make It On My Own” and the soulful-house warmth of Audiowhores ‘Touch The Ground' Feat. Angela Johnson.

King Street Remixed – Dam Swindle revisits classic material from the legendary King Street Sounds catalogue, with Dutch duo Dam Swindle delivering three fresh interpretations of timeless house cuts.

Featuring vocals and productions from house mainstays Arnold Jarvis, DJ Pierre and 95 North, the EP blends classic King Street with Dam Swindle’s signature deep house sound.

Warm basslines, musical chords and groove-driven drums give these remixes strong crossover appeal between soulful house fans and modern deep house DJs, with all three cuts built for dancefloor play.

Importantly, this marks the first time these Dam Swindle remixes have been available on vinyl, making the release appealing for both DJs and collectors of the King Street catalogue.

Limited 12" sampler for the forthcoming Curses compilation: As much musical memoir as compilation of often impossible-to-find tracks, 'Next Wave Acid Punx TROIS' has joined the dots between industrial, post punk and EBM from the 70s and 80s with the emerging rave scene of the 90s and proven that this spirit is still alive by unearthing some of the best unreleased dark disco, techno and electro produced today. Extended versions only!

Coil T-Shirt Dots
Collaboration with Ateliers Dénudés.
One white with black print, the other black with also black print (really good).
To play and wear in the dark.

Shipping is available for presale orders only.

Available sizes: S/M/L/XL/XXL

Coil T-Shirt Dots
Collaboration with Ateliers Dénudés.
One white with black print, the other black with also black print (really good).
To play and wear in the dark.

Shipping is available for presale orders only.

Available sizes: S/M/L/XL/XXL