Cerca:dj unknown

Synaptic Cliffs is barely able to contain the excitement for the release of the 4-track EP "Maximalism" where pdqb collaborates with DJ Sotofett in the most effective way. pdqb's sleek and melancholic electro originals carry a sexy 1980s reminiscing vibe, not too unknown from classic US electro disco-styled pop music. They meet warehouse remixes from DJ Sotofett, known for his top-notch electro productions on Clone and Tresor, as well as funky breakbeat, afro-dub and all-things-house on his own labels Wania and Sex Tags Mania. The remix of pdqb's electrocognition-beauty 'Giallactrus' has heavier, almost p-funk styled electro beats, live scratching complementing the block party approach while retaining the vibe of the original. Elysiaamore, pdqb's sonic love letter to Tangerine Dream, gets a bit of melodic menace treatment by DJ Sotofett, turning it into an intensified breakbeat juxtaposition with Junglized B-Boy elements... again without taking away the energy from the original. The vinyl version was cut by DJ Sotofett with optimal club sonics at Manmade Mastering, Berlin.

Side A takes us across the pond for a British funk-rock classic: “Give It To You” from UPP’s 1975 self-titled LP. Already sacred in sample lore, its breakbeat (written by drummer Jimmy Copley) has fueled Eric B. & Rakim, Gang Starr, Jeru, Del, DJ Shadow & more. This edit amplifies the raw pocket — drums, fills, transitions — pushing them forward w/o losing grit. Produced by Jeff Beck, UPP’s LP fused funk, fusion & rock, giving the break shimmer & weight beyond pure drum programming. For DJs, this is precision-built: roomy enough to drop hats, scratches, or vocals, yet solid enough to ride raw.

On the flip, the S.S.O. Orchestra’s 1977 gem “Faded Lady.” Lush, cinematic textures — strings, vocals, bass, pads — laced in funk/soul arrangements. Sample lineage runs deep: Diamond D (“I Went for Mine”), Busta Rhymes’ “New York Shit,” Nas’ “Something Foul.” This edit doesn’t destroy or over-chop — it finds the sweet spots, letting the horns, pads & mood breathe. Not a break tune but a vibe: atmosphere & weight for DJs to lean into.

Together, these 2 sides deliver a powerful juxtaposition:

Second Circle is very excited to announce ‘In Dream’, the eight-track debut album from Tokyo-born, Berlin-based producer and DJ Courtney Bailey.

Sonically, 'In Dream' unfolds as a rich, lush soundscape, woven together with expansive digital synth pads, Fairlight-esque stabs, and vibrant acid bass lines. At times the EP leans back horizontally to evoke the balearic spirit of Yello ('Burnt Moon'), at other times it leans more upright towards to dancefloor ('In Heaven'), but what remains throughout is a sense of intimacy, gracefully guided by Bailey’s whisper soft spoken vocals and gentle melodic vocal lines.

Building on an initial spark of inspiration that arose when listening to the work of Japanese artist Dream Dolphin aka Noriko Kodera, ‘In Dream' is Bailey’s direct creative response to new feelings, energy and emotions. Time spent in the outdoors, specifically in the natural landscapes of Australia also had a profound influence on the making of the record; opener ‘Kodou’ was directly inspired by a moment in Melbourne watching rainbow-colored parrots in a pink-flowering tree. Similarly, 'Burnt Moon' captures the essence of watching moonlight shimmer on ocean waters. At its core, 'In Dream' embraces a child-like wonder for the beauty of nature, an act which infuses the music with a radiant, luminous sense of positivity.

Capturing the essence of stepping into the unknown and more importantly, doing it with curiosity and optimism, ‘In Dream’ paints a vibrant, multi-colour vision of life, with Bailey inviting us all to immerse ourselves in it’s wonders.

Sleeve art and design by Michael Willis.

SUBURBAN BASE RECORDS PRESENTS BOOGIE TIMES TRIBE – ‘THE DARK STRANGER’ – REMIXES

The Dark Stranger by Boogie Times Tribes is one of the most iconic anthems from the evolution of Drum & Bass. The Dark Stranger now returns for Halloween 2025, with an incredible new double-vinyl package featuring brand new remixes alongside long-lost classics. Pressed on a stunning glow-in-the-dark vinyl and housed in a specially illustrated sleeve depicting the mysterious Dark Stranger character, this release is as collectible as it is powerful.

The package contains eight mixes of this legendary track, cut loud for maximum DJ impact with just two tracks per side to ensure the heaviest playback. Brand new 2025 remixes come courtesy of Crissy Criss (mixed and mastered by TC), Marvellous Cain & DJ Choppah, Metrodome & Sl8r, Exile & Mark XTC, AKAS, and Freeze UK, all reimagining the anthem for today’s dancefloors.

To complete the set, the original 1993 remixes from QBass and the classic Origin Unknown Part 2 Remix are included, both made available here for the very first time since their original release in 1993, having never been repressed or released digitally until now.

This release is already generating massive buzz across the scene. At the recent D&B All Stars event, Andy C dropped the Crissy Criss remix, sparking the only rewind of his epic set. Other versions are already receiving huge support on Kool FM, Rinse, Pure FM, and across clubs and festivals nationwide.

A true piece of legendary Drum & Bass history reborn, The Dark Stranger returns this Halloween 2025! A must-have for DJs, collectors, and D&B fans worldwide.

The highly sought-after Party Tool series returns.

For the first instalment of the 2.0 run, a mysteriously unknown operator delivers a fresh batch of rolling grooves in true tool fashion!

4 loopy drum patterns, squelchy leads and core warming chords that belong in every DJ’s bag.

No names. Just back to party business as usual.

Pirka Vinyl Cuts returns with a new chapter in its unknown edits series, featuring four anonymous cuts built strictly for the dancefloor.

From the rolling grooves of “KINR” and the raw energy of “Ruffneck”, to the sun-soaked swing of “Sun Goes Back” and the late night vibes of “Get Me Down”, the record delivers four funky house tools packed with classic samples, tight drums and peak-time flavor.

A no-nonsense DJ weapon designed for long blends, sweaty rooms and proper moments behind the decks. Limited vinyl release on Pirka Vinyl Cuts.

2026 Repress

The Gallery launch is upon us, and what Art Masterpieces they are!

Causing shock waves across Trafalgar Square at the recent People’s Vote March this ludicrously large, galactic gem finally sees the light of day on 12”, backed with a rapturous disco roof raiser.

The crescendo to a protest and a track that many have been scouring the internet for ever since, ‘Baby Baby Please’ couples a huge ‘70s vocal with a perfectly accompanied stomping ‘80s arp-laden beat to create a record that will light the fire of revolution in even the most indifferent of souls.

Flip it over for a cosmic-tinged, disco powerhouse in the form of ‘True Destiny’. Think glitz, glam and downright unadulterated ecstasy, channelled from disco’s glory days to the modern dancefloor at the drop of a needle.

Like the track, support the movement - donations will be made to the cause.

Early support from… one or two of the best DJs in the world as no other **** has it.

“Oh my God! Super dope!” - DJ Qbert (Invisibl Skratch Piklz)

Kid Ginseng’s 3rd in a series of sample-delic electro 12»s embracing the sound of the diskette between 8-16 bit sound influenced by DJ Di’jital, Arabian Prince, and the LA X-men which consisted of Unknown DJ and DJ Slip. The whole LA Techno Hop label is a massive influence. Of course compatible with a Detroit electro set. Kid Ginseng is an individual.

Over the last decade, Emerald has become a torchbearer of underground UK dance culture on many fronts: a tastemaking selector as host of Rinse FM’s flagship Friday night slot, a DJ who has made her mark everywhere from Glastonbury to Fabric, and a producer with an experimental sound on labels like Unknown To The Unknown. Add in frequent talks at industry panels from ADE to AVA and her award-nominated Afters With Emerald club night and livestream, and you have an artist very much at the vanguard of the underground sound. Now, Emerald adds a new string to her bow in 2025 with the launch of her Precious Stones label.

Opener 'Attraction' kicks off with full-bodied analog goodness. A taut and reverberating synth drills through the drums as steamy vocal sounds, bird calls, big claps and twisty motifs all get the floor jacking. The techno-leaning 'Obsession' features London-based musician and producer Claus Fuss with its high-speed kicks, warped pads and intense hi-hats that all keep the head down and heart rate up before 'Frustration' follows with another frayed, masterfully undercooked production where dirty basslines and sleazy drums come together under strobe-lit rave motifs in irresistibly sweaty fashion. 'Resolution' closes out with a more lithe rhythm that leans on electro and runs through pixelated synth details and corrugated bass to round out a huge statement of intent from Emerald and her all-new Precious Stones label.

SEVEN is proud to release their second Various Artists compilation on double 12" Clear Vinyl and Cassette. Again the label introduces 7 new artists to the label including a production debut by Carmen Electro who releases her first ever track plus music from Berghain / Panorama bar DJ's Zombies in Miami, Byron Yeates and Pink Concrete.

SEVEN is proud to release their second Various Artists compilation on double 12" Clear Vinyl and Cassette. Again the label introduces 7 new artists to the label including a production debut by Carmen Electro who releases her first ever track plus music from Berghain / Panorama bar DJ's Zombies in Miami, Byron Yeates and Pink Concrete.

Repress

Now we look to the horizon of the unknown, We have no need of other worlds. We need mirrors. We don't know what to do with other worlds. A single world, our own, suffices us; we can't accept it for what it is, But the Journey has already began - Fantastic planet 004 Will be out soon with dearest friends @byronyeates @hamatsuki @reshio.dj Huge thanks @ggrdzelishvili for Art direction and @alden.tyrell 4 Dope mastering

Munich’s DJ and Digging crew Super Sound Global drops into rotation with their rst vinyl record. Coming in hot with four hefty danceoor cuts — whipped up through guerrillastyle sampling and oldschool production tricks.

Spin it!

RE:WARM Records are very pleased to announce their next release 'Rituals', a new compilation series from the curator and DJ, Josh Mason-Quinn, aka Somewhere Soul.

For Volume 1 Josh takes us on a journey through the various shades of his ritualistic listening habits across twenty-four hours. From rising first thing in the morning, radiating positive energy throughout the day, retreating into the evening before finally releasing your inhibitions on the dancefloor.

The compilation spans four sides of vinyl and is presented in a double gatefold sleeve. The release will also be available on CD and digital formats.

The album is a celebration of new and emerging talent from the underground Jazz, Soul, World and House Music spheres, sitting neatly alongside artists already carving their way into the collective conscience of those who have been curious enough to dig deep.

The record is due for release on 25th July 2025 with the pre-order available 23rd April 2025 via the Warm Agency Bandcamp and selected record stores.

The title says it all - A Cellarful Of Motown! ..A Northern Soul Love Affair.

West Grand has been set up to mine the deep vaults of mighty Motown courtesy of a licence deal with Universal Music.

The first West Grand LP fuses two musical religions, Motown and Northern Soul.

In some ways they are unlikely bedfellows. Motown became known as Hitsville by churning out hit after hit, while Northern Soul passion is fired by a constant search for the unknown and the obscure.
The 16 tracks here - on incredibly the first Motown various artists vinyl album released worldwide for 40 years - join the dots. All of them were recorded in the 1960s. None of them were released at the time, despite being prime examples of the sublime magic conjured up by Berry Gordy’s genius-like team of singers, writers, producers, arrangers and musicians at that tiny little snakepit of a recording studio on West Grand Boulevard in Detroit.

Motown authority Adam White’s album sleeve notes confirm just how productive that studio was. It often ran 24 hours a day, 7 days a week.
As a result, lots of the most sublime music ever made was somehow rejected for release. It would have stayed unknown and unloved in tape boxes if it had not been for detective work by Soul aficionados turned detectives. That’s Northern Soul power. Many were DJs and collectors tracking down cassette copies or acetates (some of them found in rubbish skips and about to be destroyed). Others, notably Paul Nixon, the founder of the CD series A Cellarful Of Motown! which inspired this album, badgered the Motown gatekeepers so much they were eventually granted access to the forbidden kingdom.

Over recent years all the tracks contained here have been released—some bootlegged, some on legitimate seven-inch issues, some on CD, one download-only. The album proudly boasts debut vinyl release for some in the collection. All have been remastered and have never sounded better.

As a homage to Motown music makers + Rare Soul fanaticism, WEST GRAND believe we have come up with a classic.

One of the biggest tunes of 2011 gets a reload on Hotflush with a brand new remix from house legend Mr. G.

Hotflush label boss Scuba was a dubstep exile in Berlin running parties at Berghain in 2011, following the release of his landmark album Triangulation the previous year. The SCB project had been launched as a platform for his productions outside of the 140 realm, anticipating a stylistic move that would make a serious impact on the dance scene at large.

‘Loss’ was released on Aus Music that March, proceeded to destroy dancefloors across the globe, and ended the year at number 7 in RA’s ‘Top Tracks of 2011’. In 2025, it retains the unique combination of minimal elegance and trance power that gave it such impact all those years ago.

UK house mastermind Mr. G steps up with a trademark remix - uncompromising in groove and structure, guaranteed to do the business on the floor.

And to round off the package, a previously unreleased version of the original b-side, FutureUnknown is included. The ‘Voxattack’ made many appearances in the Scuba DJ set at the time and qualifies for ‘sought-after lost dub’ status.

2025 Repress!

The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre.

His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With 9 Is A Classic, Slaves To The Rave, Pitch-Hiker, Stereo Murder and We Have Arrived, just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties!

The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp.

All original tracks have been re-mastered to the highest possible standard of quality.

11TH RELEASE ON UNKNOWN-UNTITLED RECORDS.

Losh is a series of parties held at the magical Chapala lake in Ajijic, Mexico, aimed at preserving the essence of underground sound and its culture. The event has hosted performances by artists such as Satoshi Tomiie, Shonky, Priku, Arapu, Markus Nikolai and more. Now, Losh is exploring new horizons with the launch of its own vinyl label. The music for this first release features tracks by Michael James, Tijn, DJ Unknown 1900, and Mike.D.

Something special happens when acts like 2fox and vocalists like Laville team up. In 2024 theybrought us one of the year’s most exciting soulful house releases called 'Elevation'. The trackhit #2 on Traxsource’s Best of ADE 2024 and it was consistentlyin the top 10 of soulful housecharts across DJ retail sites. This catchy vocal floating on top of a modern Motown inspiredbass line has had crowds singing along night after night. On this vinyl and digital package,legends Louie Vega and Tommy Musto take their remix turns on 'Elevation' along with labelbosses Soul Clap plus an exclusive percapella from 2Fox.

Louie Vega’s remix turns up the tempo and swings with a heavy bass piano line, knocking percussions, sweeping synth pads. Laville and background vocalists Nandi and Beth Aggetthave plenty of space to soar and give this remix a gospel tinge. It’s a nine plus minute ceremonyof sound that will still leave you wanting more and more!

Tommy Musto’s Zero Hour Mix dials in the soulful sounds of the track, bringing the organforward for a jazzy take for those who want to feel cosmic vibrations.

Soul Clap’s remix is future forward and Detroit inspired. As it evolves over 8 plus minutes, astrong melodic build up and eventual release will leave every listener feeling elevated!

These remixes along with original extended mix are available digitally and also packaged on 12-inch vinyl with artwork designed by Noah Prebish of Unknown Pleathers. Stay tuned for a dubs 12-inch release just a few weeks from now with unique versions of these remixes

Nanel 008 marks another solid release for the label, packed with two stunning tracks that will speak to both DJs and listeners alike. On the A-side, "Farfor" offers an infectious blend of groovy basslines and punchy breakbeats, creating a track that’s both energetic and deep. The smooth, atmospheric pads intertwine seamlessly with a catchy piano melody, giving the track an uplifting vibe that’s perfect for those dancefloor moments when the energy needs to rise. It’s a perfect combination of classic and contemporary elements, with a sound that feels both fresh and timeless.


Flipping the record over, "Ready" takes things in a more dubby direction, featuring a deep bassline that rolls smoothly beneath crisp percussion and atmospheric elements. The track’s vocal shots add an extra layer of texture, cutting through the mix and pulling you into its hypnotic groove. The percussion is tight and purposeful, adding a rhythmic complexity that draws you in and keeps you moving. With its dub influence and a steady, captivating groove, "Ready" creates an immersive listening experience that showcases a different side of your production style. Together, these two tracks offer a diverse yet cohesive sound that exemplifies the signature style of Nanel.

Unknown DJ & producer steps up for the first in a brand-new edit series featuring four killer cuts that are sure to get any dancefloor moving!

DREAM DANCE 96Die Dream Dance Vol. 96 steht in den Startlöchern und sorgt bei allen Dance und Trance Fans für Entzücken. Dream Dance 96 erscheint im hochwertigen Digipack auf 3CDs mit den größten Trance und Dance Hits unserer Zeit.Auch das Marketing-Paket lässt keine Wünsche offen: Koop mit "sunshine live", sowie eine massive Online Kampagne inkl. Bannern, Facebook und Youtube Werbung, uvm.DREAM DANCE 96 - folge dem Delphin!

Mark Hawkins has had a career in music spanning the past 25 years.
It has encompassed torturing Goa trance ravers with esoteric techno records on Welsh hillsides in the mid '90s, hanging with UK house heads like the DiY and Smokescreen sound-systems around quarries, fields, clubs and pubs in the Midlands, after which he found his initial niche in producing punky techno around the turn of the millennium for labels like Djax Up Beats and Mosquito.
After an eight-year stint producing, releasing and playing out proper underground house music as Marquis Hawkes on labels like Houndstooth and Aus Music, making techno records for DVS1's Mistress imprint and Len Faki's Figure recordings as Juxta Position, alongside other work under the names Contactless and Falcon Black Ops for Unknown To The Unknown, Hawkins now embarks on the next phase of his career, which will gradually amalgamate his broad influences into one unique sound.

The 5th-anniversary release of the renowned vinyl label Artreform marks a significant milestone bridging the past and the future. The label's head, JOSS, a DJ and producer based in Kyiv, continues to unearth talented newcomers. The latest release features a track by a promising Ukrainian newcomer, Wonkie, who is relatively unknown in the electronic music scene. Additionally, the release includes a remix by the European house music superstar IO (Mulen). IO first appeared on Artreform in 2013 with the ghetto banger "Criminal Stuff," leading to multiple collaborations with the label. Two years ago, IO revisited Artreform with a remix of JOSS's single "Justify." IO (Mulen) represents the esteemed history of Artreform while offering a glimpse into its vibrant future.

The new EP showcases a blend of past and future influences. The lead track, "I Meet Somebody," features Artreform's signature minimal house sound with a touch of classic progressive elements. On the other hand, the remix by IO (Mulen) incorporates a modern proto-trance style with hints of old-school UK breaks. "Tubular Bells" is reminiscent of JOSS' mixes, combining sophisticated tech house with trendy dream house vibes. Overall, the release adds new colors and nuances to Artreform's latest work and the label's esteemed back catalog, much like the eye-catching cover of their anniversary record.

Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer.

Mori Ra is a DJ based in Osaka, Japan his sets are a witches brew composed of balearic, cosmic, and electronic disco ingredients. He has released on other labels such as Rotating Souls, Macadam Mambo, Berceuse Heroique, MM Discos and more. In Mantra, Mori Ra acts as a mysterious wanderer who has stumbled upon the doors of our minds in the middle of the night. When we answer the door he is bearing gifts of creative glory and all we need to do is provide shelter in return. We invite him in so that he can rest, recharge, and continue his journey.

During his visit in our minds Mori Ra shares “Mantra” the secrets of the universe disguised as parables packaged neatly into four tracks. Catharsis begins the journey and immediately throws us into a sound that feels like we are driving a spaceship in Gran Turismo 37, the spaceship simulator. Now that we have successfully crossed the plane and have entered the digital unknown, Seinn O! becomes the story of communication. Seinn O! gave the smoke leaving my mouth color and the shamanistic chants placed me in an atmospheric state with the ability to cross over and communicate in the digital space. Then comes 孫行者 the Grandson Traveler, which embodies the story of the simulation. Imagine the sound of a bustling dystopian city in the matrix–neon signs, dancing billboards, talking vending machines, radioactive wildlife, and overgrown foliage leaking in from the jungle the city is carved into. Mori Ra seems to have melded all of those sounds together to create the soundtrack of the big city where everyone is lost. Finally, before leaving our minds Mori Ra offers the final parable, あの星 That Star. Which becomes the story of realization, the journey back home from the exploration of the mind. That Star brought me into a cave and I could see the opening at the end of it, all I had to do was walk towards it. However, I couldn’t walk. I could only galumph forward, while bouncing up and down to the beat. My arms slivered and guided my body forward as the vocals came in. As I moved forward the opening, the clearing, the destination remained the same distance away. The endless tunnel of the mind gave me a feeling of comfort because I did not want this journey to end.

The EP ends and we will never know who visited our minds that night, but we know we loved the journey. Mori Ra is the steward of our journey through consciousness, and the vessel is “Mantra”.

DJ Support: Chicken Lips, Kelvin Andrews, Bill Brewster, Eric Duncan, Wrekin Havoc, Alice Palace, Andy Taylor & Mind Fair

Hot from his Magic Wand releases Baz Bradley gets busy on the edit block for Vol 3 taking in Proto house boogie, obscure European chanting pop, and punk funk freak-outs, plus a tasty MF bonus cut with new wave funk leanings. Don’t miss the boat with this one limited vinyl only folks!

Ulterior Motives launch their main label with a single from DJ Persuasion, featuring a Liftin’ Spirits remix from Ant Miles. The label, which is helmed by DJ and producer Noah Tucker, began life in 2021 with an anonymous edit of a much-loved underground hip hop gem. Two further 12”s in the white label series followed along similar lines, joining the dots between jungle, footwork and r’n’b in UM style. Since then, they have also launched their cassette series with a Metrist mix covering golden era tech step and d’n’b.

DJ Persuasion is principally known for A History Of Hardcore, a series of ten mixes covering ’88-’98 which appeared across a number of platforms between 2015 and 2020. Certain entries in the series appeared on cassette via The Trilogy Tapes, Blackest Ever Black (Id Mud) and Tape Echo. Persuasion also hosted the NTS Demon Poetry show (now the Drum Poetry show) for some years, and contributed In Focus sessions covering the work of Dillinja and LTJ Bukem, alongside Dev:Null.

Jameela EP covers four contrasting, but also concentric areas of the hardcore continuum, featuring a remix from Liftin’ Spirits aka Ant Miles of Origin Unknown. The title track rolls out at bleeding edge jungle hardcore tempo, taking in a mixture of familiar and unfamiliar references. Liftin’ Spirits contributes a standout remix which reframes Jameela as a drum’n’bass epic, opening with a panoramic intro and a quaking bass drop, then building to soaring strings. Robin Gets Revenge is an audial intervention into one of the last remaining unsolved mysteries in acid house, and a stomping 89’-’90 style jammer to boot. The B2 finds Jameela in a slower guise, offering something for after the club and the warm up.

Prepare yourself to ride a cosmic wave of progressive sounds with a touch of speedy acid baselines cooked by the unknown master of Osaka, Ryunosuke Tahara aka Paperkraft. The japanese producer and dj has been working non stop for the last 10 years, on a ride that has taken him to write this beautiful 4 Track EP called Acid Asia.

The EP starts with ”P Spectrum”, a psy trance oddisee containing all the elements to “give you the power” ;) Ravy sounds, fast bpm, and big acid baselines, following by the track tht gives the name to the EP: “Acid Asia”, a more cruising house track, with original sounds from the country of rising sun. B side follows with “Munchakoopas” a nice house track, with sweet melodies, acid synths and the sample of my favorite nintendo character: Yoshi. The EP ends up with Cosmic Flower, a strong percussion over a progressive melody and psytrancy vocals that will make you lose your head.

4 Massive tracks, 4 DJ Cuts, 4 Club Use Only. Perfect for your local rave, or the main stage of your favorite festival.

Eaux proudly announces a new collaborative mini-album from label boss Rrose and Polygonia. Containing six tracks and over 40 minutes of music housed in a fully printed sleeve with artwork by Jon-Paul Villegas, the record focuses squarely on the dancefloor while infusing it with the kinds of psychoactive drones, intricate polyrhythms, and relentless modulations that have come to identify both of their approaches to sound. Featured heavily are their shared interests in sonic shapes that resemble natural forms and conjure tactile feelings, in this case related to themes of skin-like surfaces and circulatory systems experienced simultaneously on a micro and macro level. While several of the tracks hover in a flexible tempo range between 125 and 130 bpm, "Stretcher" reaches up to 142, and the closing track "Vena Cava" trades the kick drums for spectrally processed percussion and endlessly diverging high-frequency pulses.

The story behind the release starts in 2022, when Rrose reached out to Polygonia after noticing that her tracks were appearing in their sets more frequently than any other artist. Never before had Rrose proposed a collaboration with someone they hadn't met before, but there was such an obvious connection in their approach to sound that it felt necessary. As it turns out, Polygonia had only become interested in techno after hearing Rrose perform at a festival in 2018. It all made sense, and they began sharing sketches and unfinished ideas with each other, trading them back and forth until they reached completion. Without any announcement of their collaboration, the two artists have since been asked to share the stage together several times. It seems there are other people out there sensing a connection...


Bios:

RROSE

Rrose is an alias of the multi-disciplinary artist Seth Horvitz, born and raised in California, and currently based in London. Active since 2011, the Rrose project explores the intersection of hypnotic techno, experimental composition and psychoacoustic phenomena with a meticulous touch. The first major breakthrough was 2012's "Waterfall" for Sandwell District which followed "Motormouth Variations," a collaborative project with composer, improviser, and activist Bob Ostertag. After the shuttering of Sandwell District, Rrose established Eaux, a home for further solo productions and collaborations. Building on his studies in electronic composition and history at Mills College, Rrose's electronic pieces blur the lines between thrillingly claustrophobic club tracks and destabilizing sound art explorations. In 2015, she released an extended version of James Tenney's postcard composition "Having Never Written a Note For Percussion" for solo gong, and in 2018 collaborated with Charlemagne Palestine on "The Goldennn Meeenn + Sheeenn" for two grand pianos. These works overlapped with the development of Rrose's singular techno: EPs like "Vanishing Pools," "The Ends of Weather" and "Arc Unknown" as well as 2019's debut LP "Hymn to Moisture" and last year's follow up "Please Touch." Rrose is also active as a touring DJ and live performer, equally comfortable commanding sweaty warehouse dancefloors and seated audiences in historic concert halls. Appearances include Unsound, Atonal, Semibreve, Dekmantel, Mutek, Sonic Acts, Nuit Sonore, Mostra, Parallel, Theatre Graslin, Nextones, and Berghain.
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POLYGONIA

Polygonia represents a multidisciplinary music and art project conceived by Lindsey Wang from Munich, Germany.

She draws inspiration from her many years of practicing various acoustic instruments and her keen interest for other cultural forms of expression, which she translates into the digital language of electronic music and art.

Her productions' soundscape exudes a mystical, organic quality, featuring intricate and compelling rhythms. Polygonia's sound palette ranges from energetic, groovy Deep Techno, Downtempo, Grey Area to textural and/or harmonic Ambient. Besides, she is not afraid to include influences from the genres House, Drum and Bass, Electro etc.. In addition inspiration from nature play a major role in many of her productions. Exemplary for her style are for instance her 'Otro Mundo' EP (2023) on Bambounou's Bambel Imprint, her 'Bloom' EP (2022) on the American record label Sure Thing, the release 'Deformed Human Nature' (2021) on her own label IO, as well as the album 'Abbilder einer vergessenen Welt' (2021) on the Korean label Huinali.

Her DJ and live sets too reflect her passion for different genres. Depending on the time of day and setting, Polygonia shows a different musical side. What unites all her dance music sets is the hypnotizing effect that invites to completely lose oneself in the world of sounds for a longer period of time. Several voices from the audience also confirm that the musician always tells a complex story within her mixes, allowing for very clear highs and lows. In the same set there can be very harmonic passages, which provide emotional moments and on the other hand extremely texture-heavy dark tracks, which establish a connection with the subconscious and put the listener in a kind of trance.

Polygonia has already visited numerous of prestigious venues. She is now a regular at Tresor or Berghain in Berlin and additionally started her residency in 2023 at Munich-based BLITZ club.

2024 Repress

Coming through on the 17th release of the label is the multi-talented Charles Accarisi aka Chlär, one of the promising names currently surfacing in techno. A concept creator from the heart and on another level technically, both as a producer aswell as a DJ. Chlär delivers us a very strong yet diverse four-tracker selection made for the dancefloor, all killer no fillers. Highly essential!

Repress!

Early spins from James Holroyd and Ruff Dug.

Pyramid Stage Specials, wrong-speed 3rd wave Koln tekkers, Priceless Zouk & totally unknown Stockport Psych all bunch up on this debut record from Manchester’s OPEN SECRET crew - 2 of the city’s most esteemed DJs who joined forces to put on the best underground night anyone’s seen in years… here come 4 of their secret weapons, from an undisclosed Miles Platting location to ur ears.

Early spins from James Holroyd and Ruff Dug.

For the third label’s release, Clouzer returns to Distant Gaze with “Call of the Abyss,” a six-track EP featuring three originals alongside three remixes from acclaimed artists Damon Jee, Zakmina, and Berlin’s emerging talent, Zee Mon.

At the helm of the EP is Clouzer’s captivating journey, “Voices from the Abyss,” extraterrestrial echoes and pulsating broken beats, embarking on an exploration into the depths of the unknown. The EP’s second track emerges as a powerful stage presence, guided by the haunting vocals of Valentin Henning. Blurred and delayed textures immersing the listener in a mind-altering experience. Pulsating rave energy of “Perpetual” fuses cosmic elements, broken beats, and dark disco bassline, embodying Clouzer’s distinctive sonic identity.

Adding to the EP’s allure are three remixes, each offering a unique interpretation. Zee Mon’s rendition of “Perpetual” channels darkwave energy, infusing the track with an irresistible pulse, a primetime banger on vibing dance-floor. Damon Jee’s remix of “Stalactites” delivers his trademark full-throttle dance-floor oriented dark disco, elevating the EP to the next level of intensity. Finally, Zakmina’s broken beat journey serves as a beautiful sublime culmination of the EP, evoking the feeling of a perfect closing track for an enchanting morning DJ set.

LTD Color Repress


After a completely sold out first release by Tom Carruthers and Mario Liberti. TCR. is back with one of the secret weapons inside many DJ bags. Heavily supported by Ricardo Villalobos, Tini, Anthea, Arapu, Alexandra, Velasco, Liquid Earth, Bill Patrick, Josh Baker, Lis Sarroca and many others TCR.002 by ‘Unknown Artist’ has been played on some of the top dance-floors around Europe.

The whole EP is a tribute to an Ibizan band from the late eighties and early nineties.

Extremely limited copies, don’t sleep on this one and remember… Pon, Ponte Bien, Pon Selo, Pon Pin Pon, Pon Amor, El Party Que No Pare.

‘Unknown Fate’ is the debut release from UF - the collaborative live project between German experimental techno artist OAKE and British producer and live performer Samuel Kerridge.
Self-described as the ‘power metal techno’ duo, the project was initially born from an Atonal commission. Now, OAKE & Kerridge present two EPs ‘Unknown’ and ‘Fate’, culminating in 9 tracks of unadulterated sonic warfare for their LP release.
Of the project UF say "Forged through friendship, addiction, and debauchery, UF is the sum of our parts. It’s taken over a decade to formulate these ideas and the noise is palpable. Pack your end of world survival bags and prepare yourselves for the ensuing riot.”
Samuel Kerridge and OAKE started creating music together when they shared a studio in Berlin and have been making music together for a decade. This is the first time that they have released music as a duo and it’s been a long time in the making.

• Limited LP 180g White Vinyl – 300 copies only

• UK marketing and global PR teams engaged - recent coverage: Hypnotic Groove, Expansion Radio, Metal Junkbox and Skreen B

• Samuel Kerridge is a pioneering & well-respected British electronic music producer and DJ recently featured as Resident Advisor’s ‘Mix of The Day’.

• Berlin based OAKE aka Eric Goldstein is recognized for his dark, atmospheric soundscapes that blend elements of techno, industrial, and ambient music

With a mysteriously unknown release date, “Photochrome” could have been originally put out somewhere between the late 70's to early 80's on the Italian Idea label, which although only boasting a minuscule catalogue of mainly 7”s has gotten the attention of many collectors of European disco obscurities for releases such as “Flavio – Drum Explosion” and “Aleo's Band - EOE”. “Photochrome” features a very organic sound with hints of early electronics that might have been making their way into studios at the time. A fast passed driving bass line layered with what almost sounds like an early 303 bass line and spacey/cosmic vocals. Dry drum recordings give it a naive DIY feel which coupled with the experimental tricks on the vocals results in a very unique sound that has put this release on the radars of diggers world-wide. Now available once again at an affordable price with a new two part bonus beats remix that starts off as a more DJ friendly tool but soon embarks into a questionable full-fledged acid house excursion. Originally only released in 7" format but now re-issued in remastered 12" format.

When the first cargo ships from Western Europe docked in Klaipėda after the fall of the Iron Curtain, no one could have imagined that a completely new and unknown musical culture would arrive in Lithuania along with them. It was the first city in this country to get a taste of what was then called electronic rave music. This is why it is unsurprising that the most iconic Lithuanian electronic music band of the 1990s was born in Klaipėda, the port city of this country.

The first release from Lizdas Records is a nod to the past. Because if it weren’t for EXEM and their legendary tracks, which even made their way into the mainstream media in those days, today’s Lithuanian electronic music scene would be completely different.