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Available in an exclusive red vinyl edition, the "Red Shiva" EP invites listeners to dive into a captivating sonic universe, blending enchanting melodies and punchy rhythms. Early support from Mha iri (Drumcode), M.I.K.E. Push (Bonzai), Dave Davis (Laark), DJ Fire (Bonzai), Tom Leclercq (Exreme), DJ HS (Lagoa)…

DJ Support: Chris Stussy, Enzo Siragusa, Hot Since 82, Prunk, and M-High

Amsterdam-based Hungarian duo Retrouve are ready to make their mark on the global house music stage with their highly anticipated debut album, Feel So Right LP, on PIV Records. This young and dynamic pair has been turning heads in the House and Minimal Deep Tech scene with their slick productions and fresh take on the genre. Featuring eight timeless tracks, Feel So Right LP is a masterclass in diversity and depth, showcasing Retrouve’s profound understanding of house music and beyond. From soulful grooves to driving basslines, each track tells a story of their journey as artists and friends, reflecting their determination to carve out a unique sonic identity that resonates with both the old guard and the new wave of house music enthusiasts. Despite being newcomers, Retrouve have already garnered significant support from some of the biggest names in the industry, including Chris Stussy, Enzo Siragusa, Hot Since 82, Prunk, and M-High. Their unreleased tracks have been sought-after IDs for the past two years, creating a buzz that has only grown louder with time. Feel So Right LP is a testament to the duo’s unwavering passion and dedication to their craft while creating a memorable listening journey. With this release, Retrouve are poised to become ones to watch in 2025 and beyond.

FABRICLIVE’s new incarnation as an artist-focussed label continues, with a stunning two-track 12” by the Hong Kong-born, Netherlands-based rising star Kiana Li, aka gyrofield.

Rooted in drum & bass but distinctly the sound of now, this single sparkles with freshness, and stands-out with an exquisite verve for detail and craft. Balmy and comforting, atmospheric and melodic, the cloudsurfing breakbeats and celestial propulsion of ‘Akin’ is pure friendly pressure, whilst on ‘Mother’ big vocals, low-end precision and techno swathes soar even higher.

“'Akin' and 'Mother' remind me of my earliest days writing dance music. These are two free-spirited, transportive pieces that feel like spreading my wings and letting the air take me. Brought skyward in the hand of fate, nurturing yet weathered by my very own ideals. We all wish for better days. And toil to heal.” gyrofield

gyrofield has released music on prominent labels including Critical, Overview and Noisia's Vision. Last year she released the album A Faint Glow of Bravery on Metalheadz, and the EP These Heavens for XL’s prestigious house bag series, which has previously showcased music by Blawan, Joy Orbison and Overmono.

gyrofield is a regular on NTS and an in-demand DJ, whilst radio/club support has come from Mary Anne Hobbs, Objekt, Special Request and DJ Flight. Press fans include Rolling Stone, Crack, The Quietus, The Fader, DJ Mag and Resident Advisor.

“Scintillating - a sonic portrait of heaven that takes drum & bass and imbues it with the divine” Resident Advisor

“An artist whose journey and sound are quite unlike those of anyone else” The FADER

“Her vivid productions are a breath of fresh air in the scene” DJ Mag

“Merging the atmospheric and experimental with the melodic and emotional” Crack

“Packed with shapeshifting sounds that examine the universe and beauty of nature. Fusing atmospheric and spaced-out sounds with danceable sonics” Dummy

"She will never sit comfortably in any one genre or play to expectations or rely on any standard production formulae” UKF

Back with a bang for 2025, FABRICLIVE re-enters the fabric Records fold, which also incorporates Houndstooth and fabric Originals.

"Grey Hoodie is the 1st official album of the young producer and DJ Pentola, born in Apulia and based in Milan. Grey Hoodie is a mixture of electronic vibes inspired by the UK sound from 90s and 2000s. Broken-Beat, UK Garage, Jungle, Deep-House are the ingredients of these 8 tracks in which you can also recognize a post-Dilla flavor, all embellished by the presence of jazz musicians like Stefano De Santis, G-Foxxx and Stefano Nardon, and the singer Aljiaa. Anyone could write a good review of this album just by listening to the snippets that compose it and realize the conceptuality of the work that aims to achieve different goals, including that of being the album made with the greatest passion possible and with the greatest spirit of aggregation. Grey Hoodie is Pentola's sonic refuge, the place where the artist feels most at ease, where he manages to bring together the harmonies of jazz with the percussions and grooves of modern electronic music with that "touch" inspired by J Dilla, leader of Detroit's underground hip-hop scene in the mid-1990s."

Running Back is delighted to introduce RB Studio Sessions, a new sub-imprint of music envisioned, recorded and fully realised at Running Back’s in-house studio.
Built on the promise of unfettered creative freedom and aided by agreeable local autobahn connections in the Hesse region, the RB Studio Sessions project is christened with the work of Running Back’s founder, chief dreamer, and Geschäftsführer, Gerd Janson.
For this debut edition, he is joined for a momentous jam by the new-school hero of the house, good friend and kindred spirit, Narciss.
Just as Running Back’s earliest releases dropped a stylus to preserve timeless ideals of club culture, the four tracks on ‘No Maze Like Heaven’ further this continuum by turning back the sonic clock just a decade or so. Picture, if you will, a nascent Narciss, youthfully club
hopping and deeply inspired by the selections of Gerd himself, alongside a selection of DJs coaxing the Panorama Bar blinds open with exquisite, mid-tempo precision.
As such, new light immediately floods in for ‘Chicco’s Chips’, which captures many of those irresistible elements—Italo-tinted synths, hooky vocals, and perfect percussion— regenerated with the wide-eyed, high energy of Narciss’s own solo productions. ‘Elka,
meanwhile, is a richer, deeper dish, masterfully interlocking multiple heavenly melodies under layers of optimistic analogue fuzz.
Narciss and Gerd then look to the Netherlands for further collaboration with one of electronic music’s best-loved vocalists and another fine producer, Coloray, who fills ‘Look For You’ with a yearning performance in the vulnerable, synth-pop tradition. Finally, ‘No
Maze Like Heaven’ builds on this mood and melody for a finale that hits the sweet spot between machine power and oh-so-human emotion.
Featuring labyrinthian artwork from the mighty Gasius., via a sleeve that appears to blend M.C. Escher with MC Hammer, ‘No Maze Like Heaven’ proves to be a divine foundation of RB Studio Sessions. For Narciss, “a memory they will cherish forever.”
For Gerd, a taxdeductible working lunch. For DJs and dancers? Four ebullient hits-in-waiting, sounding great and meaning more.

Subterranean stalwart and Underground Quality boss Jus Ed reworks a trio of archive tracks on his 'Mash Up' EP, embracing production with newfound freedom as he continues his ceaseless creative journey. The Bridgeport native has been turning out raw, uncompromising house jams for decades, routinely delivering dancefloor fire. Here, the freak flex of '209 Remix' powers over a relentless synth hook, with vocal cuts, rhythmic bleeps and emotive pads completing the stripped-back sonic landscape. The brooding dub traction of 'Back To Basics' sees hypnotic chords drift over sleazy drums as vocal delays roll into the distance before Ed gets some gripes off his chest via 'Fack Ass Muthafukas' i sending a disapproving message to someone or other, with pointed spoken words jibing over a sinister bass hook.

The needle drops, and with it, a fresh chapter in the world of re-edits comes to life. This electrifying

new EP offers four masterfully crafted tracks, each one a gateway into a distinct musical world.



From epic anthems to intimate grooves, these cuts promise to leave a lasting imprint on the dancefloor.



Vinyl-only, limited edition—this is not one to miss.



A1 - Rewind The Drill Step back in time with an epic late 80’s anthem that channels the power and

raw energy of a golden era. With thunderous beats and soaring melodies, "Rewind The Drill" is an

instant classic that bridges past and present with finesse and force.



A2 - Pizzichella An ode to Tokyo’s iconic 90’s Shibuya Kei movement, "Pizzichella" is a vibrant

tribute to a beloved scene. Melding playful nostalgia with modern production, it’s a kaleidoscope of

sound that’s as colorful as the streets of Shibuya themselves. A must-listen for fans of cross-cultural sonic adventures.



B1 - Jara Sevo Immerse yourself in the haunting beauty of "Jara Sevo." With a Balkan-inspired feel, this melodramatic anthem evokes the chill of a winter’s night and the warmth of love’s glow.

Poignant strings and cinematic swells make it a standout moment of emotional resonance.



B2 - Come Vanno i Grøøvöni Closing out the EP is "Come Vanno i Grøøvöni," a sweet, romantic

groovy house cut that’s as gentle as it is infectious. Smooth, soulful, and effortlessly cool, it’s the

sound of a perfect night in motion. With lush pads and subtle swing, it’s the kind of groove that’s

impossible to resist.



Limited Edition, Vinyl Only As always, exclusivity is key. This EP is a one-time pressing, and once

it’s gone, it’s gone for good.



Collectors and DJs, take note: this is a sonic treasure you’ll want in your arsenal.



Stay tuned for release details and grab your copy before it’s too late. Four tracks, four journeys—and one unforgettable record.

**Gangster Music Vol.3: The Most Gangster Music Trilogy of All Time Comes to a Triumphant Close**

Imagine curating a dream lineup of MCs and producers from every corner of the rap world—sounds impossible, right? Not for artist and illustrator Gangster Doodles, who has been bringing this vision to life for the past decade. Now, with “Gangster Music Vol.3”, the trilogy reaches its grand finale, and it’s bigger, bolder, and more unpredictable than ever before.

Gangster Doodles himself puts it best:
"It’s hard to believe that I’ve been actively working on this Gangster Music series for the past 10 years. The most gangster music trilogy of ALL TIME is almost complete!! And in my humble opinion Vol.3 is the most exciting out of the 3, both from a music standpoint (special shout-out to all my music heroes on Vol.3) and artistically speaking this is the most fun I’ve had in years”

Since launching Volume 1 in 2019 and following up with the second volume in 2022, Gangster Doodles has been shaping the Gangster Music series into a one-of-a-kind sonic universe—an unfiltered mix of underground titans, unsung legends, and rising stars. Volume 3 is the biggest installment yet, boasting a staggering 30 tracks that traverse the entire spectrum of rap and beat culture.

This time around, the lineup is as eclectic as ever. From legendary pioneers like Lee Perry and Tommy Wright III, to veteran producers such as Mr. Scruff and Peanut Butter Wolf, the album pays homage to hip-hop’s roots while pushing forward into fresh territory. The roster also includes established up-and-comers like Devin Morrison, Low Leaf, DJ Harrison, Quelle Chris, Homeboy Sandman, and Suzi Analogue, ensuring a mix of classic flavors and new-school innovation. The bubbling underground is well represented too, with artists like Raz Fresco, Atlanta’s 645AR, and Pro Era’s Chuck Strangers bringing their own distinct heat.

From pioneering SoundCloud rappers like Pouya to genre-bending composer John Carroll Kirby, from Birmingham’s Romderful to Chile’s RVYO, the album encapsulates a truly global soundscape, proving once again that Gangster Doodles’ ear for cutting-edge talent is second to none.

As always, the cover art is a vital piece of the puzzle. This time, Bootleg Garfield & Friends take center stage, bringing the same playful irreverence that has defined Gangster Doodles’ artwork for years. Fans are encouraged to engage, remix, and make the cover their own, staying true to the spirit of interactive creativity that has always fueled the series.

After years of meticulous curation, countless DMs, emails, and behind-the-scenes wrangling, Gangster Music Vol.3 is here to complete the trilogy in legendary fashion. Expect boundary-pushing beats, next-level lyricism, and a lineup that celebrates hip-hop in all its many forms.

“Thanks to everyone who’s actively supported and continues to tap-in. Believe & trust when I say I've got more dope stuff cookin’. STAY TUNED!! GANGSTER DOODLES 4EVER. 1LUV."

Gangster Music Vol.3 is out April 7th on All City. Stay tuned, stay tapped in, and get ready for the most gangster music experience yet.

Roberto Intrallazzi and Dario Piana, two unheralded sons of Italy’s original Afro-cosmic movement of the 1980s, have joined forces in the studio for the first time. The result is the 99% Stories EP, a collaborative debut for Leng inspired by the formative years of the duo’s near 45-year friendship and their shared musical roots.

The duo both started DJing in and around Milan in 1981, drawing inspiration from pioneering contemporary Daniele Baldelli. Intrallazzi found international success following the birth of Italy’s distinctive house scene, collaborating with other like-minded producers as part of FPI Project and Cube Guys, while Piana continues to be a prolific solo artist whilst also working extensively with mentor and friend Baldelli.

The EP begins with ‘Out Of Control’, a dubbed-out cosmic disco chugger with guitar snippets, spoken word samples and sonic textures over a percussive beat and low-slung bass guitar line. Fellow long- serving Italian LTJ Xperience drops a remix that highlights the acid-flecked electronic sounds, rubbery bass and hypnotic beats in his trademark style.

Intrallazzi and Piana explore the middle ground between psychedelic, pitched down acid and cosmic- disco on ‘Lazise’, offering up a blend of percussion-enhanced beats, undulating 303 motifs and intergalactic electronics, before once more reaching for the bass guitar to drive the vibraphone, bleeps, keys and vocal enhanced midtempo shuffle of ‘Saocraffen’.

The digital version of the EP has bonus cut: ‘SP-15’. Named in honour of the Technics turntables used by Daniele Baldelli at the iconic Cosmic Club – where he first showcased his hybrid and decidedly psychedelic ‘Afro-Cosmic’ DJ style – the track is murky, immersive, trippy and picturesque in equal measure, with waves of glistening synth sounds and musical flourishes winding in an out of a charred, midtempo cosmic disco groove. We have no doubt that Baldelli approves!

After years of silence dedicated to side projects, DJENA makes a triumphant return with his solo EP, In Motion. A testament to his passion for eclecticism, this release seamlessly bridges house and breakbeat, enriched by a stunning remix from the legendary French producer DJ W!LD.

The journey begins with the title track, In Motion, a hypnotic breakbeat composition where deep pads intertwine with tribal vocal elements, evoking raw emotion and sonic depth. This track is designed to captivate both the ears and the heart. DJ W!LD then takes the reins, transforming In Motion into an irresistible dancefloor anthem. His remix injects a house-driven groove, elevating the track into an emotive yet club-ready masterpiece.

Flipping to the B-side, Thrust propels listeners into a deep tech-driven rhythm, gradually intensifying into a peak-time energy surge. Rounded arps, subtle vocal textures, and celestial pads craft an immersive, ethereal adventure—blurring the lines between introspection and movement.

Closing out the EP, Veer is a sublime after-hours gem. Its bouncy bassline and tech-house rhythm are complemented by atmospheric pads and haunting vocals, leading the listener into a space where both mind and soul find fulfillment

In Motion EP is a refined sonic exploration, balancing depth and energy in perfect harmony. DJENA’s return marks a powerful statement—one that will undoubtedly resonate on dancefloors and beyond.

The iconic DJ Sotofett comes with a real treat--a 12-track album on Clone West Coast Series that showcases a playful take on electronic music. Immerse yourself in the vibrant world of DJ Sotofett & The Colours of Computer Generated Instruments. With 12 electrifying electro tracks that blend a wide spectrum of rhythms with 80's Nintendo console vibes and holy grail analog vs digital synthesis, this album is a jubilant celebration of that sound. Prepare for an exhilarating journey filled with surprises, seamlessly transitioning from acid infected vibes and catchy electronic pop to groundbreaking avant-garde electro cuts. Each track intricately weaves together influences from over 40 years of electronic dance music, inviting listeners to explore the rich tapestry of genres that have shaped the landscape. As you delve deeper, you'll uncover the intricate layers and innovative production techniques that define Sotofett's distinctive style, transforming this album into more than just a collection of tracks -- it's a true sonic adventure that beckons you to listen, dance and dream.

"BlackFilter is the project of Pellegrino Mazzucchi, a percussionist, DJ, and producer residing in Modena, Italy. Pellegrino became passionate about music at an early age, thanks to the influence of his mother, a Fado singer of Indo-Mozambican descent, and his older brother, a DJ of Latin and World music who encouraged him to study Afro-Cuban percussion. Drums, or "Batuki" (as his mother called them when she was getting mad at him for the continuous rhythm that echoed through the house at all hours of the day), served as Pellegrino's first means of expression. He later expanded his sound palette through experimentation with analog synthesizers and drum machines. The fusion of these elements over time gave birth to the distinctive sound of Black Filter and "Batuki": a dialogue between Afro-Caribbean rhythms and futuristic Jazz with hints of electro and disco, offering the listener a sonic and refreshing sound experience."
"Batuki" is out on Ragoo Records.

Romanian producer and DJ, Cîmpian Mark Alexandru, known as Cim Pian, proudly presents his milestone vinyl release, Chronosphere, on Phonichouse1. Hailing from Reghin, Romania, Cim Pian has been a dedicated figure in the electronic music scene, with a deep connection to the country’s influential minimal house movement. Over the years, he has released multiple tracks on Phonichouse1, a respected Romanian label known for curating refined underground sounds.

The release features two original tracks that highlight his distinct artistic vision. The title track, Chronosphere, is a profound minimal breakbeat composition, enveloped in textured, dark atmospheres, guiding listeners through an immersive sonic journey. Complementing this is Djinn, a classic 4/4 minimal house track infused with oriental influences, building tension with its ghostly textures and hypnotic groove.

Adding an extra layer of depth to the project is a masterful remix of Chronosphere by Barac, one of the most revered artists in the minimal scene. His interpretation brings a fresh perspective to the track, reinforcing the release’s impact.

The mastering has been handled by Rob Small, ensuring a refined and high-quality sonic experience.

The artwork is an original drawing by Andrei Ardelean, with layout design contributions from Cim Pian himself, visually capturing the essence of the music.

Chronosphere marks a pivotal moment in Cim Pian’s journey, showcasing his evolution and dedication to pushing the boundaries of minimal house. Released on Phonichouse1, this vinyl is a testament to his enduring presence in the underground scene.

Mexican supergroup Secret Echoes unveil their second Crosstown release, Particles
Riding the momentum from their Crosstown Rebels debut back in September, the trio returns on 14th March 2025, backed by a driving remix from Greek DJ/producer Angelos.

Consisting of Estefani Brolo, Diego Cevallos, and Marco Balcazar, three standout talents from Mexico’s rich electronic landscape, Secret Echoes continue to carve their unique sonic identity on Crosstown Rebels with their new single, ‘Particles’. A hypnotic, deep-grooving record, ‘Particles’ channels a fusion of melody and atmosphere, weaving together Brolo’s ethereal vocals with wonky synth lines and rolling percussion. The track seamlessly transitions between immersive listening and peak-time play and showcases the trio’s masterful ability to craft compelling, forward-thinking productions.

On the B-side, Greek DJ and producer Angelos steps up on remix duties. A Grammy winner for his collaboration with Black Coffee, his discography includes standout releases on Saved Records, Higher Ground, and Connected, as well as Crosstown Rebels’ sister label, Rebellion. Bringing a wealth of experience and a refined touch, his rework adds depth and drive to the original, layering pulsating rhythms and warm, emotive melodies to create a tunnelling remix primed for dancefloors worldwide. Following the success of their debut single, ‘Bring My Beat Back’ ‘Particles’ offers another glimpse into their forthcoming LP, reaffirming the trio’s position as a unique force within Mexico’s electronic scene and beyond.

Vibes Addikt is proud to unveil its latest EP, brought to you by N.O.B.A, an artist whose tracks have consistently made their way into Beatport's Top 100, with support from major figures like Amelie Lens, Mark Sherry, Nusha, Klaudia Gawlas, Charlotte De Witte, Mha Iri, and many more. N.O.B.A continues to captivate the scene with powerful, emotional productions, and this new release on his label is no exception.

This EP, with its powerhouse tracks, is a true collection of sonic bombs. "Shadows From The Darkness" is a masterpiece of intensity and emotion, featuring a remix by INIGMA, the Orlando-based artist now residing in Spain, who brings a hypnotic tech-trance touch to the track.

The track "The Unit" is a techno-trance gem, built on a bed of acid basslines, with an irresistible groove and punchy sounds that sweep the listener into a whirlwind of energy. Meanwhile, "Sunset" takes us back to the golden days of the 90s, with a pure trance vibe and uplifting melodies that evoke the nostalgia of the scene’s finest moments.

An unmissable EP, available in an exclusive purple vinyl edition, reflecting N.O.B.A's artistic vision. A release that will delight fans of techno, trance, and everything in between.

Early support from Mha Iri (Drumcode, Filth On Acid), Charlotte De Witte (KNTXT), M.I.K.E. Push (Bonzai), DJ Fire (Bonzai), Dave Davis (Laark, Cherry Moon), CP Cedric Piret (Bedrock), Tom Leclercq (Versuz)…

Français

Vibes Addikt est fier de dévoiler son dernier EP, porté par N.O.B.A, un artiste dont les tracks ont régulièrement figuré dans le Top 100 de Beatport, avec le soutien de figures majeures comme Amelie Lens, Mark Sherry, Nusha, Klaudia Gawlas, Charlotte De Witte, Mha Iri, et bien d’autres. N.O.B.A continue de captiver la scène avec des productions puissantes et émotionnelles, et cette nouvelle sortie sur son label ne fait pas exception.

Cet EP, avec ses morceaux explosifs, est une véritable collection de bombes sonores. "Shadows From The Darkness" est un chef-d'œuvre d’intensité et d’émotion, sublimé par un remix de INIGMA, l'artiste originaire d'Orlando, maintenant basé en Espagne, qui apporte une touche hypnotique et tech-trance à la composition.

Le titre "The Unit" est une perle techno-trance, construite sur un lit de basses acides, avec un groove irrésistible et des sonorités percutantes qui emportent l’auditeur dans un tourbillon d’énergie. Quant à "Sunset", il nous plonge dans les années dorées des 90s, avec une vibe trance pure et des mélodies exaltantes qui ravivent la nostalgie des plus belles heures de la scène.

Un EP incontournable, disponible en édition exclusive sur vinyle pourpre, à l’image de la vision artistique de N.O.B.A. Une sortie qui ravira les fans de techno, trance et tout ce qui se trouve entre les deux.

Support de Mha Iri (Drumcode, Filth On Acid), Charlotte De Witte (KNTXT), M.I.K.E. Push (Bonzai), DJ Fire (Bonzai), Dave Davis (Laark, Cherry Moon), CP Cedric Piret (Bedrock), Tom Leclercq (Versuz)…

360 mcn white-white light cardboard paper / one side only hand plasticization / 2 separated parts prints / hand gluing / PVC outers / original artwork / gatefold sleeve / Bandcamp limited edition 30x60 cm insert with extended liner notes by Tony Higgins and Interview with Babs Robert and Sébastien Gorlé with exclusive pictures and self-portrait by Babs Robert himself printed on GF Smith "Takeo Tant Select" Canvas Paper tip-on left jacket panel / Exclusive never released Memorabilia from Babs Robert's vault.

Personnel:
Babs Robert - alt sax, tenor-sax, electric tenor-sax, Bin Recorder, Acme siren, Chinese-bell, sleigh-bells, maracas, tambourine,hand-rattle,claves)
John Van Rymenant - baritone-sax, fluegelhorn, Bala, tambourine, sleight-bells, cowbell, triangle, claves
Johnny Peret - vibes, bongo's, cowbell, maracas, castanets, rattle-snakes, tambourine, drums, woodclock, trinagle
Johnny Brouwers - piano, prepared-piano, triangle, cowbell, sleigh-bells, maracas, caves,hand-rattle, guiro, woodblock, tambourine
Paul Dubois - bass, triangle, cowbell, claves, rattlesnakes, hand-rattle, woodblock, tambourine
Michel Gobbe - bass,Chinese-bell, claves
Robert Pernet - drum, tambourine, seven-notes M'Bichi, guiro, alarm-siren, home-made metal xylophone, African telephone-drum, triangle, sleigh-bells, Siku

Notes:
Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reinhardt, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

The Love Planet performed in the main clubs of Brussels, such as Blue Note, Pol's Jazz Place, and Smog as well as in major musical events throughout Belgium including to big festivals in 1969 - the Avant-Garde Festival in Ghent and the First International Jazz Event in Liege – where the Love Planet shared the bill with Miles Davis - and the Bilzen Jazz Festival in 1970. The contrast between the musical architecture of the themes and sonic freedom in the improvised playing perfectly illustrated the polymorphism – an order within disorder – which the Love Planet aimed for.

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (dru- ms). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion. This is the first official re-release
of the 'Babs Robert and the Love Planet'. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resona- tes some fifty years later. Come with us to the Love Planet. (Tony Higgins)

Preparing your debut full length record is no small undertaking for any artist. The format itself deserves a certain frame of mind and approach – it’s different, and with Sarah Wild’s debut LP she embraces the idea. Expanding her artistic vision to offer something different, making use of the format and bringing new ideas and musical pathways to her established sound. Releasing on her imprint Midnight Operators in early 2025 – My Body Flows In Gravity constitutes a sophisticated homage to the early 2000s trance movement, integrating nostalgic motifs with her ultra-on point production that sits perfect in todays scene.

From the dreamy proto-house vibes of the opener, establishing a foundation with its understated beats, to the Orbital-esk serenity of the title track My Body Flows In Gravity the album works at evoking the emotive resonance of a golden era of music reborn. This trip is backed up by the Early-Balearic styled tracks such as “Fly With Me To The Moon” and “Visit To Mars” which pull you into hazy smoked filled dancefloor territory, hypnotic melodic progressions effectively capture the essence of Trance’s peak cultural moment.

At the mid point “I Don’t Wanna Go” introduces a different dimension, exploring a more Euro sound that is at the peak of the contemporary scene, but infused with Sarah’s unique edge, hyper pumping beats work alongside spoken word to really up the tempo. Following this the journey returns to a more progressive feel, “Floating Around” and ” On My Way Home” take things into deeper territory, bringing the focus’s of the record back the groove after the blurry eyed highs. Bringing the record in for a perfect landing. There is an emotional duality to this record, a movement through a juxtaposition of yearning and almost frantic emotions alongside more uplifting harmonics through to more introspective moments. The final track “Landing” gracefully closes this arc.

Sarah Wild delivers a sonic journey as much concerned with the process as with the destination itself. My Body Flows In Gravity shows Wild’s capacity to synthesize the deeply personal with the universally resonant, a set of tracks that equally speak to the introspective solitude as they do to the collective euphoria of the dancefloor.

Damian Lazarus and JOJO ABOT unleash mesmerising new single ‘Warrior Dance’ on Crosstown Rebels. The single builds on the release of the Crosstown founder’s fifth album ‘Magickal’, with remixes provided by Major League Djz and Raxon.

Following the initial shock-drop release of his latest album ‘Magikal’ and the 2025 edition of his revered Day Zero Festival in Tulum, Crosstown Rebels founder Damian Lazarus unveils his next sonic offering, ‘Warrior Dance’, featuring Ghanaian interdisciplinary artist and healer JOJO ABOT.

A dynamic and powerful composition, ‘Warrior Dance’ sees Lazarus and JOJO ABOT craft an entrancing fusion of pulsating beats, immersive textures, and commanding vocals, adding to the album’s diverse soundscapes and blending hypnotic rhythms with amapiano influences. Their synergy extends beyond this track, with the duo having already collaborated on ‘Force’, another standout moment from ‘Magikal’ that showcases JOJO ABOT’s evocative vocal prowess and the influence of her Ghanaian roots.

The release also features two expertly curated remixes as Lazarus once again showcases his renowned A&R talents. South African trailblazers Major League Djz serve up signature driving and captivating grooves, following their remix of Lazarus’ ‘Into The Sun’ feat. Jem Cooke as part of ‘Crosstown Rebels pres. CR20 The Album: Unreleased Gems and Remixes’. Meanwhile, Egyptian-born, Barcelona-based DJ/producer Raxon makes his Crosstown Rebels debut, delivering a tunnelling, driving and off-kilter rework that stays true to his trademark sound, as heard on labels like Kompakt, Ellum, and Diynamic.

Synth-pop duo Marina Zispin return with their highly anticipated album Now You See Me (Now You Don’t), set for release on March 7 via Scenic Route.

Now You See Me, Now You Don't is the continuing journey through the ever evolving sound of Marina Zispin AKA Bianca Scout and Martyn Reid. As with their previous EP - the recurring themes of Life and Death loom heavily over the 10 album tracks. With support from 6 Music, Resident Advisor, Pitchfork, METAL, Dummy, The Line of Best Fit, Boomkat, and more for their recent singles. With Now You See Me (Now You Don’t), Marina Zispin further reinforces their reputation for crafting lush, melancholic soundscapes paired with surreal storytelling and ice-cold synth pop.

Since their formation in 2018, bridging Newcastle and London, Marina Zispin have quickly captivated audiences with their ethereal blend of dreamlike melodies and avant-garde textures. Their 2023 debut 12” on Night School paved the way for a successful UK tour, a BBC 6 Music session, and a memorable performance at Bucharest’s Collisions festival.

Bianca Scout, acclaimed for her solo album Pattern Damage (with praise from The Quietus, DJ Mag, Resident Advisor, Pitchfork, Stereogum, Bandcamp, The Wire, and more) continues to push sonic boundaries with her unique fusion of sound collage, post-punk, and poetic lyricism. Recent shows across Europe, including at Poland’s Unsound Festival, underscore the duo’s expanding influence.

With Now You See Me (Now You Don’t), Marina Zispin invite listeners on a captivating journey through a signature blend of fantasy and reality. The album is now available for vinyl pre-order.

Some of Stay True Sounds most celebrated hits of 2024 assemble on Stay True Cutz Vol. 8, the eighth vinyl edition of the label’s compilation series featuring standout sonics that defined a year. Opening with a record that fuses deep house and neo-soul, Jimpster’s remix of ‘Say Yes’ by SA torchbearer beatsbyhand, featuring Rona Ray on vocal duty, was the bestselling release of 2024 on the Traxsource Deep House chart. What follows is the compelling collaboration from two leaders of the Afro scene, China Charmeleon and Hypaphonik with ‘We R 1’ - plus jazz and house maestro Crackazat’s 3-step release ‘Can’t Blame A Soul’ (Mana’s Dub). Closing out this curation of four tracks that capture Stay True Sounds’ unique aesthetic is ‘SARS’, an original also from the mind of talented DJ and producer beatsbyhand.

Imagine a nocturnal rendezvous between the lyrical playfulness of Serge Gainsbourg and the infectious yet smooth danceability of Daft Punk. Tormento is a sexy soft disco odyssey that weaves a contemporary fantasy where dilemmas and desires—torments of the heart and flesh—are bathed in the sultry glow of classic erotic cinema.

Recorded in Los Angeles and Paris, the song is a collaborative effort between composer and multi-instrumentalist Louis Fontaine, DJ and music supervisor Alix Brown, and lyricist and writer Margo Fortuny. This sonic tale of longing and uncertainty, ignited by the trio's shared love for 1970s sounds, cinema, and style, draws inspiration from the cinematic soundscapes of François de Roubaix and from French and Italian chanson.

Tormento pairs a haunting, nostalgic melody with a late-70s disco arrangement featuring a mix of vintage synthesizers, driving basslines, and rhythmic percussion. Alix Brown's ethereal vocals convey the electrifying thrill of an immediate, magnetic attraction.There's seduction, mystery, the poetry of a moment, the allure of transgression, indecision, and all the things that happen late at night. When faced with temptation, what do you do? Perhaps, yousurrender to the sweet, intoxicating rhythm of the forbidden.

Adance song for night owls, loners, and romantics, Tormento is out on 7" and digital on February 14th, 2025, courtesy of Four Flies.

Dajusch unleashes the 'Ambition EP', a raw and uncompromising statement of techno tradition. Berlin-based producer, DJ and sound engineer Dajusch returns with his latest four-track EP, a high-powered offering that channels the essence of Detroit and Chicago techno while pushing the boundaries of contemporary club sound. Known for his deep connection to electronic music's pioneering roots and his work behind the scenes as a mastering engineer, Dajusch brings an intense and refined energy to this release. The EP opens with the single 'No Mas', a relentless percussive workout where hypnotic synths intertwine with driving drum patterns, setting the stage for an unyielding ride. The title track 'Ambition' follows suit with a high-octane groove, combining raw machine-funk aesthetics with a pulsating bassline and intricate, evolving textures that command the dance floor. On the flip side, 'Split' takes a darker and more cerebral turn, layering industrial-tinged sonics over a tight, rolling beat, blurring the line between peak-time energy and introspective depth. Closing out the EP is '36g', a heady, propulsive cut that builds into a whirlwind of syncopated rhythms and distorted stabs, rounding off the record with a powerful, no-holds-barred climax. With Ambition, the Spandau20 artist Dajusch reinforces his position as a purist and innovator, delivering a release that feels both timeless and forward-thinking. Whether experienced in the heart of a sweaty warehouse or through the pulse of a late-night drive, this EP stands as a testament to the raw, unfiltered power of techno.

Pulsating between euphoria and introspection, the Hamburg-based collective unveils their debut release—a curated selection by various artists sharing their exquisite wizardry, weaving from blurry, playful soundscapes to the more obscure strains of electronic music. Hypnotized by the ethereal layers of the A-side tracks, the haunting B-side tunes feel uplifting with their sharp, dynamic textures. Vibrant and ravey, let Dolomea, Rupert Marnie, Transparent Sound, and Finona Rider take you on a sonic journey—welcome to Phantasia.

Scanning Backwards, Phase Fatale’s second full-length album originally released on Berghain’s in-house label Ostgut Ton in 2020 is now reissued via his label BITE on limited edition pink marble vinyl after being long sold out and sought after. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It’s especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, Scanning Backwards surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

As the new year begins and resolutions spark against the
backdrop of winter's stillness, Circular Motions EP by Hamburg based DJ and producer OFF/GRID channels the fire of renewal through dubby, chord-driven techno. Known for his high-paced, grooving redefinition of dub techno, OFF/GRID brings euphoric intensity to the dancefloor, alongside moments of depth and
reflection that maintain unrelenting energy.

The EP features four thoughtful arranged peak-time tracks that blend old-school purism with vibrant and modern sonic aesthetics. Resonating with power and precision, these tracks represent the fire that fuels us even in the coldest moments, inspiring movement and momentum as 2025 unfolds.

After a brief hiatus from regular releasing (yet closely following the hit 36-tracker VA compilation), Motive Hunter Audio steps back into Jungles spotlight with The Pressure - EP from ARKYN, available on an ultra-sleek marble grey double-sided 12 vinyl, as well as all digital streaming platforms + Bandcamp.

The release thoroughly embodies a modern rendition of Hardcore Jungle Technos unmissable resurgence, yet matched with an evident ode to the genres roots. Piano-stabs-galore and 4x4 kicks guide you through two sides of controlled mayhem, the epitome of a club-ready release. ARKYN calls up SYNTAX & DJ B for collaborations, both effortlessly adding their touch sonically and also with the bonus of a closing track as his alter-alias DJ TUF - channelling his influence from the Dutch early rave scene.

Having already had support from artists at the top of their game, internationally and on the airwaves - there is no way of shying from the fact that these have been some of the most sought-after dubs in Modern Jungle.

- Channel Tres releases his debut album Head Rush via RCA Records.

The album, which features the previously-released singles "Berghain" featuring Barney Bones and "Cactus Water" is the culmination of Channel's steady ascent since he first broke through to public consciousness with his cult-classic debut single "Controller." Head Rush features all of the sounds that have come to be hallmarks of Channel Tres songs, but finds him incorporating musical influences not heard in his prior catalog, as evidenced by "Berghain" and other songs from the album including the Ty Dolla $ign-featuring “Holy Moly,” a visualizer for which is out now. The album arrives on the heels of two recent head-turning Channel Tres collaborations as well -- his contribution to KAYTRANADA's "Drip Sweat" and Jay Worthy, DāM FunK & ATrak's "105 West" alongside fellow LA legends Ty Dolla $ignand DJ Quik exemplify his versatility. Head Rush is a richly layered record, but one that feels totally intuitive, without a trace of doubt or self-consciousness.

The way “I’m Him” shimmers is balanced by the Estelle-featuring “We Hungry,” which nearly growls; the spare, percussion-forward Ravyn Lenaeduet “Need U 2 Know” (the stylization of its title a nod to Prince, one of Tres’s major influences) at delightful odds with the easy ride of “Gold Daytonas.” Head Rush shows the staggering array of styles Channel Tres can evoke. But that versatility is not the point in and of itself—the point is that all these component parts can be reassembled into something that feels uniquely personal, and honest. Through his career, Tres has blended recognizable genres, textures, and points of view into a truly singular form all his own. Longtime listeners will recognize in Head Rush the hallmarks of a Channel Tres record: a mastery of rhythm, the rare ability to make songs sinister and fluorescent at once.

But this LP also opens a new sonic world, one rife with unexpected terrain and hairpin turns—see the way “Type” takes what sounds at first to be a simple romantic boundary and stretches it out into an alien landscape. Or take “Berghain,” a song that nods to the kinetic live shows that became must-see events—a crescendo of interest that included his momentous Coachella 2022 performance and culminated, at least symbolically, with his early 2023 set at Berghain, the legendary Berlin club that has long been a musical hub of the Western world. “Berghain” is delirious but thumps almost impossibly hard, in line with the album as a whole—always molting, always ready to turn from the claustrophobic to the communal, as the pivot on “Joyful Noise” accomplishes so seamlessly. Head Rush also features some of Tres’s most deeply felt vocals to date, like the veritable bloodletting on “Two Ways.” And so the record, which also features Ty Dolla $ign, Thundercat, Teezo Touchdown, Watr, Barney Bones and Toro y Moi, marks a new era for Channel Tres, personally as well as artistically. “I’m older now, and the things that I’ve accomplished tell me I’m ready to do this,” he says. “You’ve worked your whole life for this, you’ve been able to do these shows and walk into these rooms and make these songs. There’s no reason you have to live by the same insecurity that you had to use in years past.” Shedding that baggage accomplished exactly what it was meant to—lightening the load so we’re free to get heavier than ever

DJ Normal 4 lands on Fantastic Planet with his highly anticipated solo release, Spore Clouds EP. This sonic journey channels the raw, hypnotic energy of ’90s underground Goa trance while weaving in fresh, modern textures.

More than just music, this release carries a purpose: proceeds will be donated to support the Georgian resistance movement in their fight against an emerging far-right authoritarian regime.

Join us. Experience the music. Support the cause.

TENO - Debut Vinyl Release from Aum Recordings.

Marking a significant milestone, TENO's debut vinyl features four powerful tracks that are sure to captivate techno enthusiasts.

Each track embodies a unique yet straightforward approach, with intricately crafted and delicately nuanced sound design that immerses listeners in a rich sonic narrative.

Elevating the release even further, Japan's renowned DJ Wata Igarashi joins as a remixer, adding depth and refinement to the original compositions.
These story-driven tracks, combined with meticulously detailed soundscapes, unleash their full potential on the dancefloor.

This release is not only a bold new challenge for TENO but also a pivotal step forward for Aum Recordings, signaling its evolution into new realms.

Introducing What I Love by Orlando Voorn + Han Litz - A 4-Track EP Get ready to dive into the rich fusion of soulful beats and sophisticated grooves with What I Love, the latest 4-track EP by electronic music pioneer Orlando Voorn and jazz flautist Han Litz. This release perfectly captures Voorn's innovative mastery in electronic music paired with Litz's exquisite melodic touch. What I Love is a sonic journey, mixing the best of house, jazz, and electronic fusion with a unique, timeless vibe that fans of both artists have come to adore. Each track on this EP is crafted to captivate and elevate - from soulful harmonies and intricate rhythms to Litz's mesmerizing flute lines that add an organic, uplifting energy to Voorn's powerful beats. Whether you're a DJ, a long-time fan of house music, or new to the genre, What I Love offers a fresh take on sophisticated soundscapes. Don't miss your chance to experience this extraordinary collaboration. What I Love is out now, so bring it to your collection and let the groove take over!

10, 9, 8, 7, 6… the countdown to blastoff has started! Paris-based band Setenta is preparing for their upcoming 20th anniversary by releasing their sixth album, Apollo Solar Drive. The record is poised to be their best yet and is the culmination of an odyssey of artistic discovery. Setenta has been constantly striving for illumination through the years, yet also exploring the dark side of the human condition along the way. As the band describes it, this record is an Afro-Latin retro-futurist tribute to the sun. If their previous album, Materia Negra, launched the Setenta space shuttle crew into the void of “dark” matter and black holes, they now change course and valiantly approach the sun at full warp speed, taking us from darkness into the light. Miraculously, Setenta manage to bring some of the rhythmic and harmonic material they’ve explored on Earth with them, yet boldly dare to go where no one has gone before, challenging themselves to take their music, and their audience, to uncharted dimensions and new realms of existence.

In keeping with the themes of Materia Negra, FIP (Radio France) selection in 2020, Setenta’s sixth mission to explore “the great beyond” of “inner space” is aptly titled Apollo Solar Drive, emphasizing the band’s turning to the life-giving light of the sun for inspiration while playfully echoing the title of Eddie Palmieri’s Latin funk and social commentary masterpiece, Harlem River Drive. The overall vibe is warm and positive, propelled by the dual energy thrusters of funky, fierce beats and deceptively complex arrangements, yet going down smooth in the best sense of the word, like your favorite tropical cocktail or classic jazz dance fusion record of the 1970s. Of course this delicious treat is served with a special Setenta flavor all its own.

This time around, Apollo Solar Drive celebrates the trajectory of the band’s unique interstellar journey by deploying a resolutely jazzy, “funkadelic” angle to their beloved Afro-Latin music. Setenta’s band members tell their truths as a collective, with an emphasis on instrumental sections, focusing on the interweaving of multiple keyboards and guitars, while condensing the vocals to group choruses, as opposed to the solo voices of the past. The overall approach is more futuristic in its conception and realization, from the arrangements to the sonic engineering, although the rhythmic base still remains rooted in Afro-Cuban traditions as well as those of other Caribbean nations.

Pablo E. Yglesias (DJ Bongohead) of Peace & Rhythm (USA)

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!

Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. Mystica Tribe is the musical alias of Tokyo-based dub/techno producer Taka (Takafumi) Noda. He collaborated with Vienna's own Vegetable Orchestra on 2020's "Transplants (Mystica Tribe Version)". After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.

So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, vibraphone, marimba, djembe, contra-alto clarinet, melodica, Farfisa - all bound together by organic live-drums and dub effects.

Liner notes by Steve Barker

Repress!

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in....

Tobias Menguser, AKA Leon De Winter, was a very influential figure in the 90's Frankfurt techno scene, releasing around 100 records under various aliases, including collaborations with Ricardo Villalobos, but it was his Leon De Winter alias that really caught the ears of legendary London label Eukahouse, who originally releases this 12" all the way back in 1997. A one-off, it is not only unique in its sound design but also genre defying, spanning deep house, tech-house, techno, electro and breaks.
A-Side 'Apollo Jazz' is truly that, sounding like it was composed from a freeform jam on a trip to the Moon. Opening with emotive chords, the track lifts off and builds, melodies effortlessly twist and turn, superbly pulling together a variety of well crafted synths, bass and percussion whilst keeping the energy to the fore. Over to the B-Side, 'Metamat', is bold and more playful in its execution, more sonic trickery abounds as the opening riffs and breakbeat percussion give way to a solid 4/4. The bass is as memorable as it is quirky, but again it's the strength in the way all the elements build and combine that creates some real tripped-out musical moments without ever losing its dance floor appeal.

This is one of Tobias's most sought after releases and it's no wonder his collaborative work with Ricardo Villalobos is legendary. The tracks themselves have remained exciting and relevant, achieving cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Tobias Menguser, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Repress!

Next up on Accidental Jnr are 2 club ready tracks from Sydney producer Cassius Select that straddle genres somewhere between techno, bassline and hardcore. 90 is a gurgling brutal post-dubstep wobble fest at a house tempo whilst HERD offers up Select's trademark idiosyncratic vocal snippets wrapped up in most broken and shuffled of techno rhythm. Cassius Select lives in the undefined sonic boroughs of the hardcore continuum. His first EP explored the grittier end of techno under Australian label Hunter Gatherer followed by a 12" of unstable rhythm workouts under DJ Haus' UTTU label. The Toronto native is hell bent on inciting movement in the most unorthodox ways. Sonics crush genre-defining sounds into a pastiche of cryptic one liners and side eyes. Drums that invoke an impossible sense of swing and momentum. Most importantly Select's sound defines itself on the mission to deconstruct the world around him,to level out the playing field so everyone can have a bite. This year, Select joins with UK imprint Accidental Jr. to release a two-track fury of sound that snarls with every grimace.

8 straight sound system wreckers from Dionysian Mysteries , with each artist commanding their own sonic terrain. Embracing intensity on the dance floor by devolving ravers from a flock to a pariah of freaks. Dedicated to the outcasts, weirdos, and big booty cadets generating all that steam heat. 400 vinyl copies NO REPRESS (12'' Featuring tracks by DJ DISRESPECT , Kovyazin D , Wee DJs , DJ DR-660, and Nastia 6.9)

Mastered by DECODE BERLIN. Artwork work by Michael Idehall. Distribution by Lobster Distribution.

Makhunik Records is thrilled to announce the much anticipated second vinyl only release from the talented DJ, producer, and live performer, Generali Minerali. Known for his distinctive blend of raw electro/break sounds and techno, Generali Minerali has established himself as a prominent figure in the electronic music scene with a string of successful releases on esteemed record labels. With a discography that includes 8 EPs, 1 LP, and numerous contributions to various VA compilations, Generali Minerali brings a wealth of experience and expertise to his music. His productions are characterized by their immersive textures and dynamic rhythms, drawing inspiration from a wide range of electronic dance music genres such as Techno, Electro, Break, and Acid. As a crew member and resident artist of the TES Club, Generali Minerali has solidified his place as a driving force in the electronic music community, captivating audiences with his unparalleled live performances and DJ sets that span a diverse spectrum of sounds and vibes. The upcoming release, Dance In Factory EP, invites listeners to embark on a sonic journey through the depths of the mind. Each track on the EP, from the mesmerizing K Driver to the introspective Phase In Head, is a testament to Generali Mineralis skillful production and innovative approach to sound design. The concept behind Dance In Factory reflects the interconnected nature of humanity, where we are all integral parts of a larger whole, dancing to the rhythms of life. Through tracks like River and Transformer Fox, Generali Minerali invites listeners to explore the depths of their consciousness and experience a world of boundless creativity and imagination.

It is the year 1995 and it’s summer, the second extremely hot summer after 1994, and the asphalt on Gladbacher Straße in Cologne is glowing. Ravers in much too wide and much too colorful clothes doze off in the glaring midday heat. These are the last days of the legendary Delirium record store, a socio-cultural biotope that would later become KOMPAKT. In June 1995, the store moved deeper into the Belgian Quarter, to Brabanter Straße 42 near Friesenplatz.

Wolfgang Voigt liked to wear too-big sunglasses even back then, just as he already had the master plan for the next few years, the new store, the renaming to KOMPAKT, and the upcoming takeover of the musical world order by minimal techno in his head. On less sunny days, the musician Wolfgang Voigt was tinkering with his very own label Profan, a new sound, new pseudonyms and masquerades. His alter ego Mike Ink had grown tired, another self, one of many, was now pushing forward to become the next torch in the storm.

By early 1995, the first Grungerman EP, "Hout," had been released on Profan. A nucleus of ambient loops that already announced the sonic aesthetics of GAS, stoic rhythmic structures that would shape the coming decade of minimal house and techno, and an all-encompassing gloom and heaviness that didn't want to fit at all with the gaudy reality of the nineties between Loveparade, Mayday and VIVA House TV. This probably most hedonistic decade of the 20th century had celebrated, besides techno, above all a rough guitar music called Grunge, coined and immortalized by a depressive, hyperactive and narcoleptic young man with matted blond hair who had taken his own life a year before. In no other track has Wolfgang Voigt packed these inner and outer contradictions of his art as well as of the mid-nineties more ingeniously than in "In Tyrannis". From wall to wall there are four steps.

"Klang" by Wolfgang Voigt originally comes from the first and only GAS EP on Profan, "Modern", from the spring of 1995 and is one of the most beautiful exhibits of Voigt's sound of those years, which relentlessly runs its course somewhere between glistening sunrises on Ecstasy and bad drugs in the dark Liquid Sky Cologne. With "Hocker DJ 1" and "Hocker DJ 2" there are two more musical references to this myth-enshrouded place in Kyffhäuserstraße, where for a few years the entire, so-called Sound Of Cologne had literally settled down.


Wir schreiben das Jahr 1995. Es ist Sommer, der zweite extrem heiße Sommer nach 1994, und der Asphalt auf der Gladbacher Straße in Köln glüht. Raver in viel zu weiten und viel zu bunten Klamotten dösen ihren Rausch aus in der grellen Mittagshitze. Es sind die letzten Tage des legendären Delirium Plattenladens, eines soziokulturellen Biotops, aus dem später die Firma Kompakt hervorgehen sollte. Im Juni 1995 erfolgte der Umzug tiefer hinein ins Belgische Viertel, in die Brabanter Straße 42 in der Nähe des Friesenplatz.

Wolfgang Voigt trug schon damals gerne zu große Sonnenbrillen, so wie er bereits den Masterplan für die nächsten Jahre, den neuen Laden, die Umbenennung in KOMPAKT sowie die anstehende Übernahme der musikalischen Weltordnung durch Minimal Techno im Kopf hatte. An weniger sonnigen Tagen tüftelte der Musiker Wolfgang Voigt an seinem ureigenen Label Profan, an einem neuen Sound, neuen Pseudonymen und Maskeraden. Sein Alter Ego Mike Ink war müde geworden, ein anderes Ich, eines von vielen, drängte nun nach vorne, um die nächste Fackel im Sturm zu werden.

Anfang 1995 war die erste Grungerman EP “Hout” auf Profan erschienen. Ein Nukleus aus ambienten Loops, die bereits die klangliche Ästhetik von GAS ankündigten, stoischen rhythmischen Strukturen, die das kommende Jahrzehnt Minimal House und Techno prägen sollten, sowie einer allumfassenden Düsternis und Schwere, die so gar nicht zur knallbunten Realität der Neunziger Jahre zwischen Loveparade, Mayday und VIVA House TV passen wollte. Dieses wohl hedonistischste Jahrzehnt des 20. Jahrhunderts hatte neben Techno vor allem eine raue Gitarrenmusik namens Grunge gefeiert, geprägt und unsterblich gemacht von einem depressiven, hyperaktiven und an Narkolepsie leidenden jungen Mann mit verfilzten blonden Haaren, der sich ein Jahr zuvor das Leben genommen hatte. In keinem anderen Track hat Wolfgang Voigt diese inneren und äußeren Widersprüche seiner Kunst wie auch dieser Zeit Mitte der Neunziger genialistischer verpackt als in “In Tyrannis”. Von Wand zu Wand sind es vier Schritte.

“Klang” von Wolfgang Voigt stammt ursprünglich von der ersten und einzigen GAS EP auf Profan, “Modern”, aus dem Frühling 1995 und ist eines der schönsten Exponate des Voigtschen Sounds dieser Jahre; ein Track, der irgendwo zwischen gleisenden Sonnenaufgängen auf Ecstasy und schlechten Drogen im dunklen Liquid Sky Cologne unerbittlich seine Bahnen zieht. Mit “Hocker DJ 1” und “Hocker DJ 2” finden sich zwei weitere musikalische Referenzen an diesen mythenumrankten Ort in der Kyffhäuserstraße, an dem sich für einige Jahre der gesamte sogenannte Sound Of Cologne im wahrsten Sinne des Wortes niedergelassen hatte.

Buckle up, electronic aficionados! Queen of Coins is about to drop a six-track sonic odyssey that’s your one-way ticket to Electro, Italo-Disco, and Detroit Techno nirvana. This isn’t just an album, it’s a masterclass in psychedelic dancefloor alchemy, tailor-made for DJs who crave cutting-edge sounds while paying homage to the genre’s founding fathers.

From the slow-burning hypnosis of “Head Tension” to the heart-racing throb of “16K Cal,” this release is a BPM rollercoaster that echoes the spirits of legends like Legowelt, Drexciya, and Francisco. But make no mistake – Queen of Coins isn’t just rehashing the past, the Queen is propelling these influences into the future.

“Bring it to the top” is pure condensed energy, engineered to shake every powerful soundsystem while maintaining an emotional depth that’ll hit you right in the feels. Speaking of feelings, “Damaged Souls” is the track you didn’t know you needed – a poignant electronic love letter to all those “what if” moments that haunt our dreams.

But don’t think for a second that Queen of Coins is all melancholy. “Oreo Cake” swoops in with its irresistible bouncing bassline, serving up a fat slice of low-end theory that’ll give your mind, body, and soul the workout they’ve been craving. It’s a reminder that in the realm of Queen of Coins, the future is bright, and the beat goes on.

Remember the mantra, ravers: Queen of Coins is “Music to grow with Expanding your soul Thriving in Prosperity.”

This isn’t just an album release; it’s a coronation. Long live the Queen of the electronic underground!

"Brothers In Arms" by Juan Dairecshion & Martin Vora


The new record label Mental Disorder, founded by Martin Vora (co- founder of Novi Orbis), makes its debut with the EP "Brothers in Arms", a collaboration between Juan Dairecshion (Montevideo Electric Recordings, SOEN and Osmosis Records) and Martin Vora.
This release offers a blend of tech house with elements of techno.


The EP opens with "Más de lo Mismo", a track designed for the closing of a DJ set. It combines passages of breaks and vocals, providing an emotional and memorable finish.


"Alma de Club" introduces a dystopian techno atmosphere. Acid sounds and deep basses create an immersive atmosphere, complemented by percussions that reflect the Uruguayan sound.


"Aux2" continues with acid rhythms and forceful percussions, offering a sonic journey that captures the energy of contemporary techno.



Finally, "Bienvenidos al Nuevo Mundo" closes the EP with a mix of dystopian techno and tech house, presenting dark and futuristic soundscapes.


"Brothers in Arms" showcases the creativity of Juan Dairecshion and Martin Vora, celebrating their roots in Montevideo while bringing a new perspective to the global tech house scene.

Analog Concept Records presents the ‘Multitudes Ep’ from Macedonia's techno maestro and prolific DJ, Mihail P.

In these 4 tracks are a fine mix of atmosphere, intricate electro and techno drum foundation, with warm hues of melody that seep smoothly into the imagination. It's old school minimal approach creates max quality in feelings like that of its early 90s Detroit and UK style ancestry, while never losing touch of the future in its sonic impression on imagery.

A detour into classic Chicago sound is here as well, check the lush acid house hybrid remix of “East At Dawn” from the fine talent of Gilbert…Pure and confident with moods spanning sunlit electro combinations to melodic trips of introspective acid techno sensation, “Multitudes” by Mihail P is choice for mind and body stimulating destinations.