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‘Let’s take a trip’ – with major names on the psytrance scene Avalon and GMS releasing on KNTXT for the first time, combining forces for a full-on attack, 4-track EP ‘The Underground’, out December 11th. Their joint mission? ‘Combining two worlds where psytrance meets techno, a fusion which will take you on a mind-expanding journey! Welcome to The Underground…you have arrived!

London DJ/Producer Avalon was recently awarded the number 1 top-selling psytrance artist on Beatport with over 30+ psytrance chart #1s and 5 top-selling LPs to his name, and performs at the likes of Tomorrowland, Boom, EDC Las Vegas, Glastonbury, Exit, Burning Man, Ultra, ASOT, Ministry Of Sound,... GMS (Growling Mad Scientists) was founded by Dutch Ibiza-based DJ/Producer Riktam with the sadly late Bansi, to establish pioneering psytrance label Spun Records and to have director Tony Scott no less, using GMS tracks on three of his films. A prolific producer with over 300K album copies sold, GMS holds the most psytrance records released overall.

‘I'm beyond honoured to release this stunning four tracker from psytrance legends Avalon and GMS. With this release, friendships were formed and worlds truly started colliding. I have massive respect for both these artists and their long standing impact on electronic music. This release feels like a bridge between generations and genres. It carries an energy that deserves to be heard, experienced, and felt on dancefloors around the world.’ Charlotte de Witte

Title track ‘The Underground’: hyperspeed trance beats support a wild variety of acid-dripping pulsations, spacey arps, otherworldly swoops, mind-teasing stabs, it’s like a lightshow in sound. That transports its listeners into another dimension. On ‘Horizen’, psytrance thrives, while ethereal vocals call, with intricate sound design painting a mythical soundscape. On ‘Machines’, it’s driven by hypnotic acid lines, pulsating Kick & Bass with sprinkles of techno infused percussion! Its choral notes and alien-like spoken lyrics, both gripping and disorientating as builds & breaks come thick and fast. ‘Rave to the Grave’: constant pulsing high synth and vocals with twanging acid together with frantic percussion create a sustained, agonizing build, build, build – until ‘On the 7th day, the Lord said ‘Let the beat drop!’’ Phew!

‘We are very excited about our debut release on KNTXT ‘The Underground’ and can’t wait to share this 4 track EP with you all. We hope you enjoy it as much as we did creating it. This fusion of techno/psytrance is brought together by all of our mutual love for acid & driving hypnotic dance music! Enjoy… Play it loud! Welcome to The Underground… You have arrived!’- Avalon & GMS

A mind-bending EP, with racing beats that give the ‘trance’ in psytrance a huge adrenalin shot. This is high energy reaching new altitudes; hold on to your brain cells, they’re going for a ride!

LWS returns to Parris and Call Super’s can you feel the sun imprint with All Of The Chaos. 4 mutant rollers in his
now-singular style, sharp constructions meticulously designed with club drama and devious rave energy.
A year on from Palloon, and Edinburgh’s LWS has certainly left his mark. His inner metronome ticks differently, ornate
club constructions snarling with hypnotic fervour. His music has been ubiquitous across clubs and festivals over the
past twelve months as a result, and on his second EP for can you feel the sun he proves there’s still plenty left in the
tank.

Opener Many Requests goes galactic, a wide-eyed entanglement of melody and rhythm that gallops tough yet supple
through an ever-shifting landscape; an inevitable deconstruction ensues, before the salivating return sets us back on
course. Gooly shifts darker, a looping roller with sultry swagger that deviously maintains its shuffling delirium with
uncanny nous. Sharkbait on the flip cultivates a jaw-gnawing tension, vibrantly edging towards that ecstatic release
with unrelenting ease. Closer All Of The Chaos goes weirdest, a chromatic safari swivelling on its mechanised 2 step
through a carousel of unhinged sound design to its conclusion; signing off on yet another collection of future-shock
missives from LWS.

Early DJ support from Call Super, Objekt, Pariah, Surusinghe, Ploy, OK WIlliams and Pangaea.

Mike Shannon drops the ‘Off World Synthetics’ EP on Rekids. The Cynosure label boss follows up his ‘Shadow Moves’ EP on sister imprint RSPX on January 16th, 2026

Canadian DJ and producer Mike Shannon kicks off the year on Radio Slave’s Rekids with the ‘Off World Synthetics’ EP, landing 16th January 2026 and marking his first appearance on the label since 2023’s ‘Shadow Moves’ for sub-label RSPX. A long-standing force in Minimal and House with a discography stretching two decades, collaborations on Richie Hawtin’s Plus 8, and his own Cynosure and Haunt Recordings labels, Shannon has carved out a reputation as a respected staple in the booth and the studio.

Inspired by Alejandro Jodorowsky and Möbius’ INCAL graphic novels, Mike Shannon’s ‘Off World Synthetics’ EP opens with ‘Synthetic Salsateca’, where a static groove drives a playful, squelching synthline. ‘Back To The Hood’ follows with rattling, mechanical energy before the fl ip reveals ‘Off World Sparkle’, its wonky sequences bending around rubbery low-end. Closing cut ‘Only Noodles’ pushes deeper into warped clicks, scratches, and subtly shifting textures, rounding off an EP that’s raw, restrained, and devastating in the right hands and on the right system.

Repress!

Second Phase (aka Joey Beltram and Mundo Muzique) are 2 legendary producers whose output shaped an entire generation of ravers, DJs and producers minds.
'Mentasm / Mind To Mind' is one such influential release, literally creating new styles, new directions and impacting on dance music for decades to come. Unique programming and fresh sounds made their records stand out head and shoulders above everyone else's output. 'Mentasm' particularly broke ground with it's now infamous 'hoover sound', influencing house, techno and trance music to come and even spilling over into the nascent hardcore, jungle and D&B scenes where it was often imitated or sampled by producers who wanted that ruff, visceral feel for their own tracks, but didn't know how to create it themselves. A new energy was born and it emanated from this milestone 12". 'Mind To Mind' on the flipside is equally as deadly, but in a deeper, more spaced out realm it maneuvers and pulls into a trippy early morning space, the yin to 'Mentasm's yang. This is a quintessential techno record, a glimpse of innovation from back in the day. File under 'classic'.

This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.

Celebrate three decades of dance music history with 30 Years of Klubbhopping – the ultimate Best Of collection from the legendary Dutch DJ/producer team, Klubbheads. Known for their unstoppable beats and countless club anthems, Klubbheads have shaped the sound of global dancefloors with releases under many aliases, including Drunkenmunky, Da Klubb Kings, Itty-Bitty-Boozy-Woozy, DJ Disco and others. This anniversary release unites their most iconic tracks for the very first time, capturing the creativity, energy, and party spirit that defined generations.

From the club to eternity, 30 Years of Klubbhopping is more than a compilation—it’s a celebration of the sound that made the world move.
30 Years of Klubbhopping is available as a limited edition of 1000 individually numbered copies on crystal clear vinyl and includes an insert with track-by-track liner-notes written by the Klubbheads.

Cedar Room Party Edits comes back strong with two dance floor weapons.
Side A: “Baby” flips raw house energy into a positive, Latin-disco vibe.
Side B: “Love” delivers a killer jazz/funk edit.

Back when the first white labels started floating through the hands of German, British, American and Canadian DJs in late ’84, nobody was ready for what was coming. The official drop hit in early ’85 and the scene was never the same again. This was the moment Mike Mareen broke through the static. Yeah, he’d been working with Chris Evans-Ironside since the ’70s but nothing hinted that together they’d channel something this futuristic. “Dancing In The Dark” sounded like it had slipped through a wormhole: melancholic, hypnotic vocals wrapped in vocoder haze, riding an arrangement so razor-sharp it made most releases of the era feel prehistoric. It didn’t need the pop charts… It owned the clubs. And the clubs listened.

London. Berlin. Madrid. Rome. Paris. Lisbon. Amsterdam. Athens. Toronto. NYC. Tokyo. Mexico City.

One drop of that electro bassline and DJs were hooked. Crowds were hooked. The whole underground was hooked. Soon Europe’s radio charts caved under its pressure, and the track crossed borders on mixtapes, becoming a cult anthem behind the Iron Curtain. It was everywhere, even where it technically wasn’t allowed to be.

Fast-forward four decades and the spell hasn’t faded. “Dancing In The Dark” still shows up in indie dance, italo wave, house and deep house sets. Producers keep re-editing it like it’s sacred material. It’s one of those tracks that DJs treasure, a timeless weapon, one of the top three defining singles of Mareen’s entire career.

And now for the 40th anniversary of its official release, Vintage Pleasure Boutique and Night’n Day Records drop the vinyl every collector and selector has been waiting for: a special reissue loaded with four brand-new remixes spanning the full spectrum of today’s underground indie/disco/italo/house energy.

Tallac – the American Berlin dweller – dives deep into the hypnotic soul of the original, pulling out its buried deep-house DNA and carving out a spacious, emotional roller.

Luksek, Italian producer & DJ, goes raw and dirty: loop-driven, gritty, underground, hypnotic, the kind of edit that eats dancefloors alive.

Flemming Dalum, the Danish Italo grandmaster, finally gets to remix the track he’d always dreamed of touching and of course it’s pure Flemingish electro-italo magic.

And the Polish sparkle: A.P. Mono delivers a shimmering mix of italo disco, glitterbox groove, disco glamour and synthwave glow, all while keeping the spirit of Mareen’s original heartbeat intact.

The wax also features two historical heavy-hitters: the 1985 Jens Lissat’s team remix and Luis Rodriguez’s original arrangement, essential cuts in the Mareen universe.

This release isn’t nostalgia. It’s a resurrection. A celebration. A reminder. “Dancing In The Dark” didn’t survive 40 years by accident, it survived because it still moves bodies, breaks hearts and lights up floors in ways modern tracks can only wish for.

If you’re an indie, italo, wave, house or disco DJ… This record isn’t just worth owning… It’s mandatory.

Dragon’s Breath is the new signature release from Airual Recordings, a project that highlights the label’s forward-thinking identity through a curated selection of tracks crafted by some of the most distinctive names in the contemporary electronic landscape. Featuring exclusive contributions from Heirs of Wave (Mario Lauriano & Baz!), Samuel L Session, Claudio Mate & Submoon, the release delivers a refined blend of cutting-edge production, rhythmic precision, and modern club energy.

Designed for both DJs and listeners, “Varius” showcases a wide sonic palette — from driving, floor-oriented grooves to more atmospheric and immersive moments — all engineered with attention to detail, clean dynamics, and powerful low-end structure. Each track has been produced to perform at its best on large club systems and high-fidelity streaming platforms, ensuring maximum impact across the full range of listening environments.

By combining established international artists with rising talents, “Dragon’s Breath” positions itself as a high-value release with strong commercial potential, appealing to DJs, curators, and electronic music enthusiasts worldwide.

"Drop That Beat," the cult classic by Ixxel that became a staple in clubs and at festivals in the late '90s, is making its return. The iconic track receives a contemporary interpretation by Mosimann, plus a high-energy club remix from NightFunk. Together marking a rebirth that sounds both timeless and hyper-modern.

Mosimann, the French-Swiss DJ-producer, singer and showman, is a leading figure in the French electronic scene, known for his bold, modern and versatile sound. A six-time DJ Mag Top 100 DJ artist, he stands out with explosive live performances in which he not only mixes, but also sings, plays drums, and commands keyboards, a technical virtuosity that makes him a unique live phenomenon, comparable to showmasters like James Hype. His rework of "Drop That Beat" injects the track with that same hybrid energy and performance-driven power.

Mosimann: "This track is very important to me. Fred Rister was much more than an influence: he was the first to truly get me into music production when I was 20 years old. Before he left us, he handed me the stems of Drop That Beat and told me: 'If one day you feel like it, work on a version.' It took me years of reflection, doubts, and memories before I found the strength to do it. Today, with the blessing of the two original composers, I'm finally releasing this version. It's both a tribute to Fred, a nod to Jacky Core and the Captain where I played so many times, and a way to carry on the legacy of that '90s Belgian techno which, to me, still feels very present today."

Belgian house star NightFunk complements this perfectly with a tight, club-ready remix that pushes the track straight onto today's peak-time dancefloors.

With this dual reboot, the essence of "Drop That Beat" remains intact, while both artists inject the track with their own signature touch. The result is an energetic release that resonates with nostalgic fans and a new generation of ravers alike.

This special edition will be released on vinyl via Serious Beats Classics, once again spotlighting the track's timeless character. A must-have for collectors and DJs eager to weave a piece of dance history into their sets.

"Next up in Mr Bongo's Groove Merchant Records reissue series, we present the only solo album saxophonist Ramon Morris recorded as a bandleader. Having cut his teeth playing with the iconic band Art Blakey & The Jazz Messengers and working with other jazz greats, including Reuben Wilson, Shirley Scott, Rashied Ali Quintet, and Woody Shaw, 1973 saw Ramon take the step into solo territory. The resulting album Sweet Sister Funk became a certified classic and a landmark showcase of the cherished ‘70s jazz-funk sound, later sampled by the likes of DJ Premier, The Alchemist and DJ Shadow.

Originally released on Sonny Lester's iconic Groove Merchant record label and produced by Lester himself, Sweet Sister Funk is a jazz-funk masterclass. It features a slick line-up including Cecil Bridgewater on trumpet, Mickey Roker on drums, and Albert Dailey on electric piano. Rich and beautiful, the seven songs ebb and flow in energy, fusing jazz funk and soul jazz with style and swagger. There are bags of groove with Ramon and Cecil trading off on sax and trumpet in an effortless conversation throughout the LP, supplemented by brilliant solos from the rest of the players.

A gold mine of sampling material, the album includes a sublime cover version of The Stylistics' much-loved 'People Make The World Go Round', which was sampled by DJ Shadow on Blackalicious's 'Swan Lake' in 1994. Elsewhere, the percussion and bass intro of the opening track 'First Come, First Serve' is a sampler's delight - a deep, heavy groove with a fine saxophone workout by Ramon. Head to 'Don't Ask Me' and you’ll find the swinging horn intro that formed the basis of 'You Came Up' by Big Pun featuring Noreaga from 1998, whilst 'Wijinia' has echoes of ‘70s indie jazz by labels such as Strata East & Black Jazz.

Here at Mr Bongo, we are proud to be delving into the vaults of Groove Merchant Records once again, reissuing this iconic LP from Ramon Morris."

SUPREME STRIKER proudly presents its very first release, SST101 — Quasar “Ritmo Love EP”. This marks the beginning of a new chapter, an exclusive imprint born from the Skylax universe, with a striking visual identity crafted by the legendary studio H5 (Daft Punk, Air, Logorama), delivering an exclusive design destined for collectors. Quasar, the DJ and producer from Russia who already made waves on Mellah #3 under the alias Arash & Quasar, now delivers a true masterpiece of italo-disco infused with 80s nostalgia and modern precision.

The journey starts on Side A with “Ritmo Love,” a dazzling homage to the golden era of italo and new wave, where pulsating basslines and shimmering synths make for an instant classic. It is followed by “Easy Flight,” an uplifting and elegant trip that fuses hi-NRG energy with a deep house sensibility, crafted for nocturnal dancefloors. On the B side, “Forever in Memory” dives into a melancholic yet powerful soundscape, bridging the legacy of synth-pop with a strong club-oriented vision. Things escalate further with his collaborator Salimjan on the hypnotic and dramatic “Urkus,” and finally reach a cosmic climax with “Alhamdu Limusik,” a mystical blend of tribal rhythm and soaring electronics that closes the record with transcendence.

SUPREME STRIKER launches with a statement: this is not just another label, but a new frontier where disco, house and techno are reimagined by artists capable of pushing boundaries. With H5’s exclusive artwork, each release is conceived as a true collector’s piece. Quasar’s “Ritmo Love EP” is a bombshell—an electrifying piece of vinyl designed to delight the most discerning dancefloors and a foundation stone for what promises to be a legendary catalog.

Vinyl only.
For true diggers and devoted believers.

Michael Mayer returns to the Speicher series for his first release since last year’s brain-bursting The Floor Is Lava album. And yes, the floor is indeed lava when Mayer is on peak form, as he is here, with three tracks that oscillate, effortlessly, between the twin poles of Mayer’s music: dancefloor detonation and heart-wrenching beauty. To be fair, there’s more of the former here, but there’s beauty in generous discipline, too, and the unrelenting “Cry Me A Raver” feels, somehow, like it brings together decades of Kompakt pleasure in six giddy minutes – disco-fied arpeggios, glistening and hand-burnished textures, abstruse patterns that fall in and out of step. “Don’t Sync With My Tag” stomps with destructive glee, a beat as undeniable as the shaker cross-rhythms are silkily sexy. There’s always been something practical, functional, and utilitarian about Speicher, but it doesn’t get more everyday DJ-life than this: Mayer tells us the title is “a super-annoying message that pops up every time you open Rekordbox. Nobody knows what it means. It’s a DJ mystery.” But who needs answers, anyway? By the time you’ve started to get close to solving the riddle, Mayer’s taken you to Detroit via Cologne with “It Isn’t What It Isn’t”, a little doffing of the cap to Rhythim Is Rhythim. “You’re May, I’m Mayer, I used to tell him,” Michael chuckles. This made one of our cats almost jump out of its skin, with its stealthy slyness – creeping, amorphous electro noise; percussives that just won’t quit; the whole thing flooded with twitchy strip-light energy and silver-machine flare- outs.

Speicher is as Speicher does, and this is a damn good one. Make Mine Mayer!

Michael Mayer returns to the Speicher series for his first release since last year’s brain-bursting The Floor Is Lava album. And yes, the floor is indeed lava when Mayer is on peak form, as he is here, with three tracks that oscillate, effortlessly, between the twin poles of Mayer’s music: dancefloor detonation and heart-wrenching beauty. To be fair, there’s more of the former here, but there’s beauty in generous discipline, too, and the unrelenting “Cry Me A Raver” feels, somehow, like it brings together decades of Kompakt pleasure in six giddy minutes – disco-fied arpeggios, glistening and hand-burnished textures, abstruse patterns that fall in and out of step. “Don’t Sync With My Tag” stomps with destructive glee, a beat as undeniable as the shaker cross-rhythms are silkily sexy. There’s always been something practical, functional, and utilitarian about Speicher, but it doesn’t get more everyday DJ-life than this: Mayer tells us the title is “a super-annoying message that pops up every time you open Rekordbox. Nobody knows what it means. It’s a DJ mystery.” But who needs answers, anyway? By the time you’ve started to get close to solving the riddle, Mayer’s taken you to Detroit via Cologne with “It Isn’t What It Isn’t”, a little doffing of the cap to Rhythim Is Rhythim. “You’re May, I’m Mayer, I used to tell him,” Michael chuckles. This made one of our cats almost jump out of its skin, with its stealthy slyness – creeping, amorphous electro noise; percussives that just won’t quit; the whole thing flooded with twitchy strip-light energy and silver-machine flare- outs.

Speicher is as Speicher does, and this is a damn good one. Make Mine Mayer!

We are thrilled to welcome back Aldo Cadiz to Beatwax Records with his brand-new EP “Amandorada.”



Years after his highly acclaimed debut album on Beatwax, Aldo returns with a stunning follow-up that once again showcases his unique sound signature — a perfect blend of hypnotic grooves, deep rhythmic precision, and timeless underground energy.



“Amandorada” captures the essence of Cadiz’s refined production style: warm textures, intricate percussion, and that unmistakable Latin-influenced pulse that has made him a favorite among DJs and music lovers worldwide.



This EP marks not only a reunion between Aldo Cadiz and Beatwax Records but also a new chapter in our shared musical journey. We couldn’t be happier to have him back on the label, delivering another powerful statement of cutting-edge electronic music.





Don`t sleep on this. Already making waves and getting hammered by all the big players in the scene.



>>> comes in 4c Sleeves

Seeking out the inspirational intersection between free improvisation, rave and ancient mysticism, Plants Heal deliver an album of kaleidoscopic, organic beatdowns to Quindi.
Plants Heal is a collaborative project between Dan Nicholls on synths, Dave De Rose on drums and Lou Zon (aka Louise Boer) on visuals. The roots of the project are entwined with Dan and Lou's London-based event Free Movements, which began in 2018 to explore how instrumental music could merge with live electronics and DJ sets. Dave and Dan found themselves playing together frequently at the event and as part of Dave's free improv project Agile Experiments, with their accomplished track records as multi-instrumentalists reaching across many layers of music culture. The particular synergy of their partnership taps into the subliminal, surreal and transcendental soundscapes, but they're reliably anchored by instinctive rhythms and driven by a natural flow-state.
From the tentative steps of their first collaborations, Dan and Dave coalesced Plants Heal as a more pronounced project with Lou's live visuals, culminating in a first self-released album in 2021 and since organically fed and watered through continued performances across adventurous festivals and intimate club spaces. Every incremental step along the path of the project yielded new surprises and the deepening sense of a unique, powerful energy. The trio opted to pour this energy into two days of studio sessions at Sonic Playground Studios in Athens, maintaining their unplanned approach and letting the music and visuals unfold in the moment. The end result is Forest Dwellers, a sincere document of truly free music that uses the rhythmic structure of dance and trance music as a springboard into heightened consciousness.
Throughout the album you can hear hints of the familiar - dub techno shimmers, trip hop boom-bap, kosmische momentum, snarling bass modulation, new age ambience and even the odd sizzle of disco. But none of these references are explicit, and they weave in and out of less placeable expressions deeply bedded into Dan and Dave's sonic practices. The end result is a swirling tapestry of unspooling groove, wide open and agile enough to shift gears mid-flow - just as comfortable letting the propulsion melt away as locking into a four-to-the-floor throwdown. From the slippery syncopation of 'Avena Moon' to the angular bait-and-switch of 'Alien Hardware', 'Yarrow's starry-eyed reverie and the rolling, warm-hearted funk of 'Space Ballad', the Plants Heal sound world is expansive and equally enthusiastic for immediate musical motifs as much as wild abstraction.
Lou's visual practice is an intrinsic part of the project. During performances she improvises with analogue footage from her library run through video mixers and synthesisers, focused on medicinal plants such as yarrow, hawthorn, nettle and thistle. All those plants feature in processed form on the cover of the record, which was designed in collaboration with Lou's brother Arthur Boer. Meanwhile, Lou recorded additional footage in Athens during the recording sessions to feed into the continued cycle of the project's live evolution.
Forest Dwellers' meaning honours this cycle and its reflection of the eternal undulations of the natural world. It's also a sincere tribute to the spiritual importance and radical potential of the dancefloor, drawn from the freedom taught by jazz and dedicated to reclaiming lost ideas about community, agency, bodies and the enduring allure of the unknown.

Renowned for his rich, soulful voice and heartfelt songwriting, Wellington, New Zealand's Louis Baker blends neo-soul, R&B, and folk into a sound that feels both timeless and fresh. His single "Keep On" is an uplifting anthem of perseverance, now reimagined by a hand-picked selection of acclaimed producers, each bringing their unique touch to the track.

Delfonic: Berlin's Delfonic is a digger's digger - a selector, DJ, and producer with an encyclopedic ear for groove. Fresh from delivering stunning Roy Ayers edits for BBE Music, he brings his soulful touch to "Keep On", crafting a warm, deep, and floor-friendly rework.

Larse: German DJ and producer Larse has released on acclaimed labels such as Defected, Glitterbox, and Noir Music, earning a global reputation for timeless, emotive house. His remix of "Keep On" channels the smooth, sultry elegance of UK soul icon Sade's '80s sound - lush, classy, and built for late-night listening.

Gush Collective: The legendary German 2-step producers Gush Collective are masters of soulful, shuffling rhythms. Their remix of "Keep On" blends classic UK garage swing with uplifting melodies, delivering a dancefloor-ready cut that radiates joy and energy.

DJ Philippa: Originally from New Zealand and now based in Berlin, DJ Philippa has built a strong following for her uplifting, groove-rich house sets and productions. With releases on Freerange Records, SlothBoogie, and Local Talk, she's known for her deep musicality and impeccable feel for the dancefloor. Her remix of "Keep On" injects warm basslines, shimmering keys, and irresistible rhythmic flow.

Originally released in 1972, Toni Tornado's self-titled debut is a landmark in Brazilian soul and funk - a gritty, groovy record that helped define the sound of the Black Rio movement. Blending deep soul, psychedelic funk, and bold orchestration, this album channels the revolutionary energy of James Brown with the tropical swagger of Rio's streets. From the urgent rhythms of 'Torniente' to the undeniable strut of 'Mané Beleza' and 'Tornado,' Toni's music pulses with a fierce sense of pride and liberation. It's the sound of a new cultural identity taking shape - where African-American soul met Afro-Brazilian reality. Often compared to the legendary Tim Maia, Tornado brought his own explosive edge to Brazil's growing soul scene. By the 1970s, other Brazilian musicians, such as Banda Black Rio, Cassiano, Gerson King Combo, Jorge Ben and Gilberto Gil, began making soul records. DJs started throwing soul-only parties. Toni Tornado's voice carries grit and passion, his grooves hit hard, and his message is crystal clear - Black is beautiful, and the funk is real. Back on vinyl for a new generation, this reissue is more than a collector's gem - it's a time capsule from an era when music moved bodies and minds. Essential listening for fans of vintage soul, global funk, and revolutionary sounds. Reissue on 180g vinyl.

From the heart of his own Safe Space imprint, Ackermann returns with a powerful new statement that traces a high-voltage line between techno and house. Known for his raw yet precision-tooled club cuts and a sound that moves from warehouse grit to late-night euphoria, the Stuttgart-based producer once again delivers tracks that are direct, functional and full of character, built for DJs who like it tight, driving and emotional at the same time.
On remix duties, Berlin icon Anja Schneider flips Ackermanns ideas into elegant, rolling peak-time material, balancing subtle tension with her trademark sense of groove and warmth. Rising force Confidential Recipe pushes things further into raw, percussive territory, upping the pressure with jacking drums and rave-soaked energy made for smoke-filled rooms and redlined sound systems.
True to the Safe Space motto, this release is all about the dancefloor: no filler, just stripped-back, high-impact tracks that lock you in and don’t let go.

(Grey & Black Splatter effect 12’’ vinyl) Supported by leading artists such as Charlotte de Witte, Mha Iri, Amelie Lens, Klaudia Gawlas, Thomas Schumacher and more. Vibes Addikt, the label of N.O.B.A proudly unveils its latest vinyl release: a full-power EP from French producer Sta’an.

After previously appearing on the imprint, Sta’an returns with his first complete EP on Vibes Addikt, this time delivering a fully immersive project pressed on a grey splattered vinyl, echoing the aesthetic of the label’s previous collectors’ editions.

With five striking tracks oscillating between techno and hard trance, Sta’an showcases his signature intensity: driving kicks, razor-sharp synths, hypnotic atmospheres and high-voltage energy built for peak-time moments. Each track channels a raw yet modern rave spirit, perfectly aligned with the identity of Vibes Addikt.

With this explosive release, the label continues to push its techno-trance hybrid forward, cementing its place among the most impactful underground platforms for DJs seeking pure, cutting-edge dancefloor power.

Mit World of Trance Vol. 2 erscheint die nächste farbige Limited Edition, kuratiert von Talla 2XLC und gefüllt mit zehn sorgfältig ausgewählten Trance-Hymnen. Die Vinyl präsentiert alle Titel in ihren Original- bzw. Radio-Mixen, während die beiliegende CD sämtliche Tracks in den kraftvollen Extended Versions enthält.

Side A bietet melodische Höhepunkte wie Talla 2XLCs „Bliss“, XiJaro & Pitchs episches „Sic Parvis Magna“, das energiegeladene „Free“ von Ultra, Talla 2XLC & Para X, gefolgt von „Tales Of The Truth“ von York, Fawzy & Winterborn sowie DJ Eternitys atmosphärischem „Atmosphere“.

Side B entfacht weitere Trance-Power mit Tallas „No Fate“ (Zyrus 7 Mix), dem antreibenden „Double Down“ von Woody van Eyden & James Cottle, dem intensiven Zyrus 7 Remix von „Illusion“, dem beeindruckenden „Perplexagon Part 3“ im Daniel-Kandi-Remix sowie dem emotionalen Abschluss „Spirit“ von Talla 2XLC & Ralphie B.

Ein hochwertiges Sammlerstück voller Melodie, Energie und Emotion – World of Trance Vol. 2 ist pures Gold für jeden Trance-Fan.

World of Trance Vol. 2 is the next colourful limited edition, curated by Talla 2XLC and filled with ten carefully selected trance anthems. The vinyl presents all tracks in their original or radio mixes, while the accompanying CD contains all tracks in powerful extended versions.

Side A offers melodic highlights such as Talla 2XLC‘s ‘Bliss’, XiJaro & Pitch‘s epic ‘Sic Parvis Magna’, the energetic “Free” by Ultra, Talla 2XLC & Para X, followed by ‘Tales Of The Truth’ by York, Fawzy & Winterborn and DJ Eternity‘s atmospheric ‘Atmosphere’.

Side B unleashes more trance power with Talla‘s ‘No Fate’ (Zyrus 7 Mix), the driving ‘Double Down’ by Woody van Eyden & James Cottle, the intense Zyrus 7 remix of “Illusion”, the impressive ‘Perplexagon Part 3’ in the Daniel Kandi remix, and the emotional finale ‘Spirit’ by Talla 2XLC & Ralphie B.

A high-quality collector‘s item full of melody, energy and emotion – World of Trance Vol. 2 is pure gold for every trance fan.

DJ Support: Danny Krivit, Michael Gray, Dr Packer, The Shapeshifters, Tedd Patterson, Seamus Haji, Terry Hunter, Brian Tappert, Hector Romero, Danny Rampling and many others

Groove Culture's ongoing 'Jams' series continues to deliver disco-house excellence with its fifth edition. This high-quality compilation features standout tracks from Micky More & Andy Tee, Reverendos Of Soul, Soulista and Serge Funk.

Highlights include: Reverendos Of Soul Feat Sheree Hicks - ‘Wasted Time'(Micky More & Andy Tee mix): An all-night disco spirit track verging on Hi-NRG style, bringing big energy and a lively atmosphere to any dance floor. Another great one is Soulista, Micky More & Andy Tee ‘Like I want You" (feat.Anduze): A perfect blend of disco and house, featuring a heavy beat and great guitar sounds that create an infectious groove. Closing things out on a classic leeven is Serge Funk's heater ‘Just Disco’ and Micky More & Andy Tee’s “Soul Education”. These fantastic edits of the classic disco tracks are a filtered gems that is sure to knock the roof off the discotech. Groove Culture once again proves its reliability as a source of top- tier disco-house with this stellar collection.

We keep the fire burning with PAN009, a scorching slice of Latin soul from Puerto Rico’s own Nacho Sanabria, better known as El Sabor De Nacho. Originally released in 1973, his version of “Que Se Sepa” takes the Roberto Roena classic and injects it with a new energy — fiery brass, driving percussion, and that unmistakable swagger that defines the golden age of salsa.

Born in Cataño, Puerto Rico in 1929, Nacho Sanabria grew up surrounded by the rhythms of bomba and plena, performing on stage as early as age nine. After relocating to New York in the late 1940s, he became a key figure in the Latin dance scene, performing with groups like Sonora Boricua, Orquesta Panamericana, and later Rafael Cortijo’s Combo. By the mid-1960s, Sanabria formed his own band, El Sabor De Nacho, combining tight horn arrangements, sharp percussion, and his signature charismatic delivery. His 1970s recordings — including Alma Primitiva and Salsa Caliente — stand as shining examples of Puerto Rican salsa at its peak.

Sanabria’s version isn’t a straight cover — it’s his own Puerto Rican interpretation, full of character and swing. The rhythm section stays tight and earthy, the horns punch with intent, and his vocal delivery brings that effortless charm only a seasoned bandleader could deliver. A proper Latin soul mover that sits somewhere between the barrio and the dancefloor, perfect for warm evenings and deeper DJ sets.

Rescued from obscurity and lovingly restored for today’s floors, PANORAMA Records continues its mission to reintroduce rare and essential music to new generations. From deep funk, jazz and global grooves to Latin dancefloor heat, the label’s 45s series shines a light on overlooked gems that still sound fresh today. Supported by tastemakers like Gilles Peterson, Patrick Forge, and the Mr Bongo DJs, this one’s destined to move both hips and feet.

No Static Automatic is proud to cap off the year with the electrifying *Cabin Pressure EP* from seasoned producer and sound designer **Luke Sanger**.

Set for release on limited edition vinyl, this four-track weapon is a potent fusion of classic electro rhythms and Sanger’s signature world of bleeps, wobbles, and modulated
chaos.

With a career spanning two decades at the nexus of music and technology, Luke Sanger is a relentless innovator. While his roots are often linked to techno, his artistic output defies easy categorization, constantly exploring the full spectrum of electronic music. On the

*Cabin Pressure EP*, he turns his focus to electro, injecting the genre with his uniquely off- kilter and captivating sound.

The EP is a masterful display of analog synthesis. Sanger crafts simple, infectious basslines and leads, then sets them in motion, allowing them to converse, modulate, and evolve into a complex tapestry of sound. The result is a listening experience that is as intellectually fascinating as it is physically compelling. Over a bedrock of sturdy electro beats, Sanger layers acid basslines with wild envelope modulation, distorted humanoid samples, and an array of wobbly, techy textures designed to bring dancefloors to a state of ecstatic, unstable bliss.

This is a record built for impact. The *Cabin Pressure EP* is not just a collection of tracks; it's a dynamic tool for DJs, guaranteed to become a secret weapon in sets that demand character and forward-thinking energy.

Das Italo-Disco-Juwel „For Your Love“ von Faber DJ aus dem Jahr 1985 kehrt in einer spektakulären farbigen Maxi-Vinyl zurück. Diese Edition bringt den unverwechselbaren Sound der 80er direkt auf den Plattenteller und lässt die Tanzflächen erneut erbeben.

Neben den originalen Mixen erwarten die Fans zwei brandneue, exklusive Remixe von Flemming Dalum und The Ri-Mix, die dem Klassiker frische Energie verleihen. Ein absolutes Must-Have für Italo-Disco-Liebhaber, Sammler und Vinyl-Enthusiasten

The Italo-disco gem “For Your Love” by Faber DJ, originally released in 1985, returns on a spectacular coloured maxi vinyl. This edition brings the unmistakable sound of the 80s straight to the turntable and sets dancefloors shaking once again.

Alongside the original mixes, fans can look forward to two brand-new, exclusive remixes by Flemming Dalum and The Ri-Mix, giving this classic a fresh burst of energy. An absolute must-have for Italo-disco lovers, collectors and vinyl enthusiasts

Best Intentions announces Inverse, a new 4-track EP from Melbourne-based producer and DJ; Pugilist, arriving 12 December on digital and limited white-label 12" vinyl. Marking his first release on the London imprint, Inverse sees Pugilist expanding further into the shadowy, percussive terrain he has become known for, merging future-focused techno, lo-fi industrial, and the energy of early hardcore breaks through his own atmospheric lens. The EP captures both the toughness of the dancefloor and the subtle experimentation that runs through his catalogue. A Scottish/Kiwi artist now based in Melbourne, Pugilist has built a reputation for stylistic range and rhythmic depth. His releases on Modern Hypnosis, Samurai Records, and 3024, along with the recent launch of his own imprint Ruff Kutz, demonstrate his ability to move across tempos and moods while maintaining a distinctive sonic identity. On the decks, he is celebrated for tightly curated sets, deep crates, and an array of unreleased dubs. Speaking on joining the Best Intentions roster and the inspiration behind the project, Pugilist shares: "Stoked to be joining the Best Intentions fam with 4 x retro rave rollas across the hardcore continuum, from minimalist Techno, to smoked out Electro, to krusty Hardcore and Breaks. This EP is a mix of styles which have informed my production style over the years. It is great to be putting out music with a shared vision for giving back for a greater cause. I have been a fan of the label since its inception so jumped at the chance to do a 12". I will be donating my share of profits to the Asylum Seeker Resource Centre - a wonderful Melbourne-based charity for asylum seekers here in Naarm. They do wonderful work." The EP's closing track, FKRY, a collaboration with POD, brings warped leads, stepping drum work, and old-school jungle tension into a modern, heavyweight techno frame.

SPTLP008 - Aural Imbalance - Fractional Spaces LP

Returning for his third solo album on Spatial, Aural Imbalance continues his journey through the cosmos with a breathtaking array of breaks, bass and inimitable ambient wizardry.

A1 - Fading Reality

Kicking off the album we are treated to a blissfully ambient intro akin to a perfect sunrise across a tranquil unfurling landscape - just as we have come to know and love from Aural Imbalance. Long, airy washes of textured pads usher in a fantastically snappy break pattern which brings an alluring energy to proceedings, driving the track along with funnels of tuneful melodies lazily drifting by in the ambience.

A2 - This Time

Jumping right into the breaks DJ-style with a delicious Hot Pants pattern, This Time's central theme utilises a hypnotic simple but effective chime melody that plays a key role throughout the track, alongside fluttering birdsong and a luscious array of samples. The exquisite breakdown which delights with an incredible blend of bass atmospheric synths & pads is both beautiful and poignant.

B1 - Always With You

Introduced by what sounds like footsteps echoing through the darkness, Always With You lives up to its title by surrounding you with a warmth usually reserved for arriving home and nestling by the fire. Driven by delicate but vibrant breakbeats, this track showcases Aural Imbalance's relentless dexterity with ambient soundscapes dancing in perfect harmony with deep 808 bass and old school beats.

B2 - Solarity

Lightly excitable hats and elegantly filtered breaks open Solarity, a deeply evocative track with breakbeats rising through the intro towards a drop with solid analogue kicks and a wonderfully deep and persistent bassline. Sporadic micro melodies cruise the waves of floating synthwork, effects rippling gently in the foreground and background of the mix like playful phosphorescence.

C1 - First Protocol

Up next we see Aural Imbalance crack the amen knuckles with a real treat for old school heads - an ambient, synthy ambient laden with incredibly light spaced-out hats through the flowing waves is soon jolted into life by a satisfyingly crisp amen break, edited and programmed with flair and majestic detail that sits perfectly with the light, often sullen textured soundscape drifting above.

C2 - Crystals

An otherworldly landscape brimming with wonder and intrigue unfolds with Crystals, an atmospheric delight with a twist. The serene opening leads into a terrific old school break which takes center stage, punchy in the mix and edited with a precision as shimmering textures and meditative synthwork are expertly layered around the ever-rolling beats, perfect for any occasion at home or the 160bpm dancefloor.

D1 - Velarious

Continuing his showcase of breaks from across the atmospheric drum & bass spectrum, Aural Imbalance introduces Velarious with a quietly epic ambient flow, with filtered drums creeping in before the drop arrives, breakbeats buoyed by some seriously deep 808 bass and distinct hi hats. Micro melodies intersect and reverberate throughout the track to complete an enduring and eclectic composition.

D2 - South Coast Sunrise

Closing with a good old fashioned love letter to the Hot Pants break, South Coast Sunrise perfectly encapsulates its title with a gorgeous panoramic overlay of ambience, spread over an intensely memorable edit of that classic break - programmed and mixed to remarkable effect and cementing Aural Imbalance's ongoing rise as a master of edits as well as ambience, fully realised for our listening pleasure on Spatial.

The 12-track record is the first album on SHDW's influential label and explores the past, present, and future of techno.

Planet X label head and 20-year scene veteran Exos, hailing from Iceland, draws on his native country's influences in his work, which explores the interplay between light and dark, warmth and cold. His high-octane sounds over the last 20 years have appeared on vital imprints like Tresor, X/OZ, and, of course, Mutual Rytm, with his releases for
the label having been extremely well received, garnering support from the scene's key DJs. Whether dubby or hard, his techno is always authentic and channels the purity of the 90s style. This new album follows Exos's inaugural X-Release, the Infrared 10", the Icebreaker 12" from last year, and his track on the latest Federation of Rytm IV compilation. It's a real journey through all facets of his sound, including a trip back to his dub techno roots, ambient
explorations, and emotional vocal pieces with lifelong memories fused into sounds that reflect the artist's decades spent in Iceland.

'Sweet Dreams' opens with an atmospheric intro in the form of a 28-year-old collaboration with his father. This full-bodied analogue ambient piece is rich with the mysterious tones of the Nord Modular and was recorded during their shared studio days at D17 in Reykjavik. The title track is a hypnotic, linear groove with icy synth modulations and glistening melodies. 'Hinn Vioforli' then brings dub warmth while 'State of Mind' recalls the spirit of the legendary Reykjavik club 'Thomsen', a cornerstone of Iceland's late 90s underground scene. 'Glaour Og Reifur' and
'Fogur Er Hlioin'pay homage to the echoes of ancient Viking heritage, 'North of January' conveys the cold of Exos's homeland, and 'Hvarvetna' brings textured percussion and darker undertones before '101 After Dark' slows to a bass-heavy broken beat exploration of texture and post-dubstep pressure.

After the heady and atmospheric sound of 'The Dolphin Oracle', another key collaboration comes with 'Freefall', an emotional breakbeat piece featuring vocalist Amelia Rodriguez,' who also lends her voice to 'Shock', a magnificent track that channels Exos's modern techno energy. The album closes with a haunting paradox, 'Paradise Lost,' questioning whether our sweet dreams are truly moments of bliss or simply reflections of what we've already left behind. The three bonus digital cuts offer sleek minimalism, punchy deep techno, and suspenseful ambient.

Venice, Italy – 2025 Paolo Mosca, the Italian producer, composer, and DJ acclaimed for his soulful approach to electronic music, unveils his new alias I.O.N with the forthcoming debut EP Signals, set to be released on Ritmotherapy. Known for releases on Slow Life, Altered Circuits, and a recent collaboration with Alex Neri, Mosca now steps into uncharted territory fusing experimental electronics with rock-inspired textures and raw energy for the dancefloor.

Signals is a daring reimagining of 90s sonic aesthetics, drawing inspiration from the breakbeat and hip-hop influences of cult films like Blade & The Matrix. Each track on the EP blurs the line between nostalgia and innovation, layering hypnotic riffs, rolling basslines, and gripping vocal samples with futuristic precision.

The EP kicks off with “Camouflage” , where breakbeat rhythms and hip-hop flavors meet futuristic atmospheres. A grabbing vocal, heavy low-end, and hypnotic riff drive the track into a world of cinematic tension and release.

“Escape” follows with a slower tempo, but its restrained pulse only builds anticipation. Classical violin lines cut through break-driven drums, leading to a long-awaited drop that delivers an overwhelming yet deeply satisfying release.

Next, “Neo” builds momentum with a gritty 303 bassline and sharp synths, locked into a relentless 4x4 rhythm. The track feels like an expedition through acid-soaked landscapes, equal parts raw and refined.

“They Are Looking at You” closes the EP with explosive energy, bursting with hip-hop vocals that command “don’t stop. ” Propelled by a nasty bassline and oriental-inspired synth melodies, it’s a track built to ignite dancefloors and spark spontaneous breakdance energy.

With Signals, I.O.N presents more than just an EP; It's a manifesto for a new era of club music. It’s heavy yet soulful, experimental yet deeply physical, and above all, a fresh signal to the global electronic scene that something new has arrived. Reserved for their official release on Ritmotherapy, the anticipation around this project signals a bold new chapter for both artist and label.

The Mi-Mnemonic EP by Karma is one of those records that preserves a genuine fragment of the Italian electronic scene of the late ’90s. Originally released back then and now reissued in 2025, it carries the raw energy of a time defined by clubs, after-hours, and pure analog experimentation.

Behind the machines were Francesco Passantino and Davide Calì, two young DJs and producers who brought to life legendary nights between Taverna Jory in Aulla and the iconic Club Imperiale in Tirrenia. It was a period when electronic music was more than entertainment — it was a shared language: from the dancefloors to the studio sessions filled with drum machines, sequencers, and analog synthesizers.

The EP is built on hypnotic grooves, deep basslines, and a raw sound that perfectly reflects the spirit of that era: no frills, just pure sonic energy. The 2025 reissue brings back that same freshness, offering a chance to rediscover a record that smells of endless nights, spinning vinyl, and an underground scene that thrived on community and vision.

Today, Mi-Mnemonic is more than just a track from the past: it is living memory, a testimony of a time when analog sound was the driving force of freedom and connection

Produced by Francesco Passantino & Davide Calì

A time capsule of Long Island boogie-funk history – officially reissued for the first time!


Founded in 1978 in Amityville, Long Island, VAP Records (Virgin Archer Production) became a cult independent label known for its infectious dance grooves, soulful vocals, and DJ-friendly 12” singles that lit up clubs from New York to beyond. Now, for the very first time, the label’s most iconic tracks are compiled on vinyl in one explosive package.
What’s inside?


This “final edition” includes the best of VAP’s rare 1979–1983 output, with tracks from the label’s flagship act Final Edition (“No Limit”, “Betcha Can’t Love Just One”, “We’re Moving On Straight Ahead”), alongside club favorite Broadway – “Let’s Make It”, plus deep gems from Kevin Keys, Jazzee, and Olivia McClurkin.
Why is this essential?


• “Betcha Can’t Love Just One” gained legendary status after appearing on General Hospital and HBO’s How to Make It in America.


• Armand Van Helden’s old-school remake of Final Edition’s B-side “I Can Do It Anyway You Want” went viral, surpassing 10+ million views on YouTube, proving these grooves still ignite dancefloors.


• Original VAP 12” singles are impossible to find and often sell for hundreds of dollars. This reissue brings those classics back, mastered from the original tapes.


Collectors, DJs, and boogie enthusiasts – this one is for you. With its blend of raw disco energy, soul-drenched vocals, and timeless funk, Best of VAP Records – Final Edition is not just a compilation, but a celebration of a family-run label whose legacy shaped the underground dance scene.

From commanding festival mainstages to shaping the Belgian house scene with his SHOMI brand, DJ Licious has consistently delivered music that connects beyond borders. With his debut album "So Far", he brings together the highlights of his career "so far", while setting the stage for "what's next" - a sonic story of passion, persistence, and the universal power of dance music.

A Journey Through Hit Records and New Horizons

"So Far" gathers DJ Licious's biggest anthems to date, including his massive hit "Magic With You", for which he received a golden record and spent over 30 weeks in the Ultratop 50. The album also features Top 10 hits like "Hope" (with Armen Paul) (Platinum) and "Million Moons" (Gold), alongside fan favorites such as "Ibiza Sky", "Beautiful Liar", "Voices", and his latest single "One More Day."

In addition to these beloved tracks, "So Far" includes two brand-new, unreleased songs, offering listeners a glimpse into the next chapter of DJ Licious's musical journey - a seamless blend of feel-good grooves, melodic energy, and emotional depth.

"'So Far' is a reflection of everything I've experienced on this journey - the highs, the love, the dancefloors, and the people I've met along the way. It's a thank-you to everyone who's been part of it," says DJ Licious.

Unearthed from the original DAT at Strange Weather Studios in South London, Get Fucked's Unearthed Stash traces a chronological journey through the legendary group's earliest recording sessions, from the raw chaos of their 1999 debut album to the more refined dub house explorations that led into their second LP.

Sourced from the best surviving master DATs this collection brings together remastered classics, lost versions and previously unreleased edits, offering unfiltered look into one of the UK underground's most fearless creative period.

Each track has been carefully remastered to preserve the saturated punch, tape grit and raw energy of the original sessions, while expanding definition for modern sound systems.

Pressed on 180g heavyweight black vinyl, Unearthed Stash is strictly for collectors and true heads preserving the energy and attitude that made Get Fucked pioneers of the London underground sound. A raw document of a lost era, revived.

Archival Gold. From The Source. Unearthed at Last.

Pager Records returns with catalog number sixteen, dropping another essential slab of wax: The Aquatic Genie — a 5-track journey that blends house, disco, funk and a wink of humor — this time from Aladdin, a French DJ and Producer based in Lyon, coming in HOT with his unique approach to house music, influenced by jazz, funk and reggae. Drawing from these influences his sound feels fresh yet rooted in the DNA of Pager’s signature aesthetic.

Intro (Flying Carpet Airlines) – hazy lift-off joint, saturated samples and dubbed-out FX pulling you into a low-slung groove. Cosmic Lounge Energy…

Forever – breaky house with elastic low-end and vocoder shimmer that sneaks into your head. Pure sunrise material…

You Smell Like Fish – house on a g-funk trip! Funk-driven bass, warm keys, and talkbox heat bringing a modern boogie twist — guaranteed eyebrow-raiser.

Doyoulike2dance – straight-up party trigger with a smile. Funk-loaded drums and a hook that says it all. Pure body music.

Rock The House – stripped-down, Detroit-tinged funk workout to shut it down raw and sexy…

Playful and funky — The Aquatic Genie keeps one foot in the house nation and taps the other into the disco world. Full of character, bounce, and club weight — another Sureshot from Pager for both DJs and Listeners <3

Limited Vinyl Pressing. Don’t sleep on it.

First Contact features CROÍ, Lukey, KAIR, Sahm, and HVSN. Our first release is a compilation of tracks that we’ve been collecting and to seize all the styles and genres which we will deal with in the future.

‘First Contact’ is the first song of the VA, opening with an invitation with a combination of a nostalgic ambience followed by the drums that go along with the vocals pointing to the start for our journey. In Irish, the word "CROÍ" (pronounced KREE) means "heart". ‘Target Lock’ from Lukey, is a track that will definitely surprise you. This song is meant to push you back to the dance floor with a feeling which you don’t get very often from listening to these kinds of songs. Everything is cool with ‘Target Lock’, drums, nice trippy vibes, and how the bass fits there… You should be blown away by this song. In a real old school style! Lukey has previously caught the eye of industry labels like Hot Creations, also his release on Carpet & Snares Records, Into The Wizard's Sleeve, The Void Project was hammered by some of the great DJ’s in the world.

KAIR introduces himself to us in his own way with ‘Let's Get it!’ Because this bomb won’t fail to make you dance and feel good! It’s pure house and joyful music that makes you dance and get lost within the music. Also, ‘Let's Get it!’ is just a preview of the upcoming EP. ‘Rainbown’ is a track which shows us that Sahm knows how to come out with a brilliant house track. A groovy old school house with heavy percussion, comes from a young talented producer from Brazil! This will be the track that you’ll be playing years from now on. And ‘Bust This’, you will hear among the bass, the claps and drums, a high energy that will make you move your body. HVSN presents his vision of how to bring the right emotions of a dance floor full of energy and the connection between the bass, synth, drums and melody is back!

Enjoy, This Is Real Talks Records.

VA – First Contact RTR001 incl CROÍ, Lukey, KAIR, Sahm, HVSN

After years of shaping the UK underground from behind the scenes, Alex Nut steps out with his first official solo EP, serving up an intoxicating blend of Spiritual Jazz, Deep House, Dub, Hip Hop and analog electronics. The Present Under Construction EP is rooted in a deep musical language and future-facing energy, it captures a moment of creative transformation and exploration.
Built up over a few years from rough sketches made on an old MPC2000XL, the tracks were revisited, reshaped and eventually brought to life in the studio with longtime friend and collaborator Sam Crowe (Cleo Sol, Lianne La Havas). Together, they added a range of analogue sounds using the Dave Smith Prophet Rev 2, a Fender Rhodes, and a Moog Sub 37. Those recordings were then chopped, resampled, and restructured into the versions you hear on the record today. The records lead track 'andthenitstarted' features saxophonist James Mollison (Ezra Collective, Nala Sinephro) and includes remixes from Detroit House legend Patrice Scott and fellow Eglo Records alumni Last Nubian.

Best known as a DJ, broadcaster, curator and co-founder of Eglo Records, Alex has spent over a decade championing soulful underground music, through fabled Radio shows to legendary club nights, his fingerprints are all over a scene that continues to evolve. Initially making noise alongside the likes of Floating Points, Steven Julien, and Fatima, Alex Nut has long been a cornerstone of the UK's soulful underground. His work continues to champion the evolution of Jazz, Soul, House, and Broken Beat — nurturing a generation of artists now reshaping the global soundscape.

British-Brazilian jungle artist Janaway announces his brand new EP International Luv via Up Ya Archives Records.

‘50/50 Vision’ is the defining statement of Janaway’s upcoming EP, a single that captures the project’s full essence in one. Blending pulsing jungle rhythms with the rich textures of Brazilian vocals, together, with his UK-centric underground lens, he creates this rolling, dancefloor-ready track that bridges continents and culture.

The title, a play on “20/20 vision,” reflects Janaway’s experience as a dual-heritage artist who views each of his cultures from a balanced perspective. This sense of duality runs throughout his work, expressed through a distinctive fusion of sounds, stories, and collaborations that mirror his own world. The accompanying visuals deepen this connection, featuring Janaway alongside his collaborators and friends, not only adding a personal and authentic layer but providing a snapshot of the community that shapes his music.

‘50/50 Vision’ is a collaboration with two incredible artists that represent each side of his heritage. MC Tchelinho’s (Rio’s Heavy Baile collective), dynamic flow injects raw Brazilian energy and is enhanced by Arinola’s signature mix of UK funk and Ragga vocals which layer in an infectious groove. Together, they create a dynamic intersection of contrasting sound that feels both global and grounded - full of rhythm, movement and connection.

Growing up between cultures, Janaway has always gravitated toward sounds without borders. Now based in Bristol, he’s part of the new wave pushing jungle forward while keeping its essence alive. His signature blend of heavyweight basslines and sharp breakbeats has earned support from Nia Archives, Tim Reaper, Sherelle and Fracture. His acclaimed high-octane DJ sets packed with unreleased tracks, move effortlessly through jungle, footwork, and jungle funk, keeping crowds locked in and dancefloors moving. After a European tour and standout appearances at Boomtown, Glastonbury, and Outlook Festival, Janaway is fast becoming one of the most exciting names shaping the next gen of jungle.

Synaptic Cliffs is barely able to contain the excitement for the release of the 4-track EP "Maximalism" where pdqb collaborates with DJ Sotofett in the most effective way. pdqb's sleek and melancholic electro originals carry a sexy 1980s reminiscing vibe, not too unknown from classic US electro disco-styled pop music. They meet warehouse remixes from DJ Sotofett, known for his top-notch electro productions on Clone and Tresor, as well as funky breakbeat, afro-dub and all-things-house on his own labels Wania and Sex Tags Mania. The remix of pdqb's electrocognition-beauty 'Giallactrus' has heavier, almost p-funk styled electro beats, live scratching complementing the block party approach while retaining the vibe of the original. Elysiaamore, pdqb's sonic love letter to Tangerine Dream, gets a bit of melodic menace treatment by DJ Sotofett, turning it into an intensified breakbeat juxtaposition with Junglized B-Boy elements... again without taking away the energy from the original. The vinyl version was cut by DJ Sotofett with optimal club sonics at Manmade Mastering, Berlin.

After the resounding success of its first edition, the legendary Lagoa club, temple of techno and hard techno in Menin, strikes back with LAGOA TRAX Vol. 2, a second vinyl release that promises to shake dancefloors with four explosive tracks crafted by the club’s emblematic resident DJs: DJ HS, Manu Kenton, Jamie Dill, and Max Walder.

Faithful to the spirit of Lagoa, these four pillars of the club deliver a new collection of powerful productions, raw, energetic, and forged for peak-time moments. Each track embodies the unmistakable sound that has made Lagoa’s nights legendary: relentless rhythms, hypnotic synths, and an intensity that ignites the crowd from the first beat.

Already tested and approved on Lagoa’s iconic dancefloor, these tracks have quickly become essential weapons in the sets of the club’s residents. LAGOA TRAX Vol. 2 is much more than a collector’s item, it’s a pure concentrate of the club’s energy, a sonic tribute to its unique atmosphere, and a must-have for all lovers of techno.

Français

Après le succès retentissant du premier volume, le légendaire club Lagoa, temple de la techno et hard techno à Menin, revient en force avec LAGOA TRAX Vol. 2, un second vinyle explosif qui réunit quatre morceaux inédits signés par les résidents emblématiques du club : DJ HS, Manu Kenton, Jamie Dill et Max Walder.

Fidèles à l’esprit Lagoa, ces quatre figures incontournables livrent ici une série de productions puissantes, taillées pour le dancefloor. Des rythmiques percutantes, des montées hypnotiques et une intensité sans concession : chaque titre capture l’énergie brute et la signature sonore unique qui font la réputation des nuits Lagoa depuis plus de trois décennies.

Déjà testés et approuvés sur le système légendaire du club, ces quatre tracks sont de véritables bombes, prêtes à retourner n’importe quel dancefloor. LAGOA TRAX Vol. 2 s’impose ainsi comme bien plus qu’un simple vinyle : c’est une immersion totale dans l’âme du club, une déclaration d’amour à la techno, et un objet de collection pour tous les passionnés.

To celebrate two decades of passion, innovation, and dedication to underground music, Playbeatz Labels Network proudly launches "Tribe", a new compilation project that pays tribute to the artists and sounds that have shaped its journey.
For over 20 years, Playbeatz has been a platform for creative freedom and genre-crossing experimentation—championing independent voices and uncovering unique talents from across the electronic music spectrum. "Tribe Vol. 1" is the first chapter in a special series of releases that reflect the label family’s diversity and forward-thinking spirit.
Kicking off with a limited edition vinyl, Vol. 1 features four carefully curated tracks by long-time Playbeatz affiliates —each bringing their unique sonic identity, from house to melodic textures, tech tools to soulful grooves.

A1. Erly Tepshi – Dreamer Emotionally charged and atmospheric, a deep dive into the melodic house realm, “Dreamer” wraps a haunting male vocal around lush synth lines and hypnotic rhythms.

A2. DJ Simi & Antonio Grassia – Nuestro Fuego With its driving groove and minimal yet powerful arrangement “Nuestro Fuego” is crafted as a peak-time tech and house tool. The track is all about raw energy and club efficiency.

B1. Mind The Gap DJs – Eclipse Of The Soul This old-school house jam delivers uplifting piano riffs, classic drum programming, and a timeless sense of groove. A heartfelt homage to the golden era of house, reimagined for today’s floors.

B2. Giomini & Marcus Raute – Tape Sweat A fresh and summery house cut with shimmering grooves and playful percussion. The track recalls the clean, infectious style of Deetron, blending crisp drums with melodic finesse. A pure dancefloor delight for the warmer seasons.

Tóxico and Subject To Restrictions Discs present a retrospective on Switzerland’s hidden analogue gear scene from 2017 and 2018. A vibrant yet undocumented chapter in the country’s music history. The 10 tracks, originally released exclusively on cassette and heard only by a small circle of listeners, are now compiled for the first time on vinyl as “Tóxico Tapes”. The collection captures the scene’s raw, hands-on energy through off-kilter rhythms, low-key EBM, ominous wave and free-form synth excursions.

Founded and curated by the former DJ and producer Narco Marco, the Tóxico label became a hub for Switzerland’s analogue gear enthusiasts. Between 2016 and 2020, it released a series of 10 tapes – albums and compilations – that now stand as a blueprint of the DIY, machine-driven underground of the time. Narco Marco is a key figure in Swiss electronic music. As a long-time clerk at “Oldiesshop” record store in Bern, he has championed eclectic sounds across decades. His in-depth knowledge of 1980s music, combined with his work as a musician, avid record collector, and founder of the “Hot Jam” label, influenced an entire generation of musicians and DJs in Switzerland at the time.

Subject To Restrictions Discs joins forces with Narco Marco to present a selected set of 10 songs as a tribute to Tóxico and this creative era. The material draws primarily from the Autumn Tape and Winter Tape compilations, which spotlighted artists from Zurich and Bern – two cities at the heart of this analogue revival.

Next up on The Underground Pulse, we’re thrilled to announce our second vinyl release:

Party Mood EP by the talented Italian artist YU (@ruggieriyuri).



This 5-track release captures YU’s signature versatility and vibrant energy, featuring four deep, club-ready cuts pressed on wax:

- Fantasmagoric
- Selecting Moments
- Party Mood
- Up Rainbow

We’re incredibly excited about this release and deeply grateful to all the DJs and selectors already supporting it in their sets.