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Italian-born, Berlin-based DJ and producer Z.I.P.P.O delivers a deeply introspective release on Mistress Recordings. Blending raw electro rhythms, nostalgic soundscapes, and futuristic Detroit influences, "Mistress 17" is rooted in evocative emotion with the right dancefloor energy and cutting-edge production - the perfect return for DVS1's sub-label.

The sound is a captivating fusion of hazy style and raw dance floor energy, effortlessly moving between acid, dark, ebm, and emotionally vulnerable moments. ISTHEWAY celebrates 10 years of indipendence with 3 new records. DO IT YRSELF is the manifesto of all these years as well as the name of this 3 Eps series. The 10 tracks of this project are spread over 3 discs and this is 1/3. Every track represents one letter of the manifesto ISTHEWAY born in Verona, Italy ten years ago from the DIY mind of Shinoby. Releases includes remixers like DMX Krew,Hypnobeat (JDB+Helena Hauff), Unit Moebius Anonymous, Madteo, Samo DJ + Tzusing, Jamal Moss,Mgun, The Analogue Cops, Frak.

* 12” orange vinyl, 3mm spine sleeve, inner black bag, 180Gsm
* Following on from the success of the 'Ram Reloaded' repress vinyl series, we are pleased to announce our next project in collaboration with Ram Records. As part of Ram Records’ 30th anniversary, we have put together a series of new remixes and VIP’s of some of the labels biggest releases from the early 90’s.

* The Touch (Ant Miles Remix)
Being one half of Origin Unknown alongside Andy C, Ant Miles located the original floppy Akai sample disks from way back in 1993 and was able to load them up into his Akai sampler. He went on a mission to not only recreate the sound and vibe of the original A side of RAMM004, but to then go on to enhance and tweak all the elements, including various elements from the 'Part 2 mix' that came out later in 1993. 

* The Touch (Ruff and Ruffer Remix)
Two DJs also from Hornchurch in Essex, have already lined up their debut 12" which will be released later this year on Out Of Romford Records. From the strength of this forthcoming Hardcore tear out 12" they were invited to submit a remix of 'The Touch'. Being long-time fans of the Ram and Liftin Spirit labels, they took the samples and went in with a passion to create a twisted up and slammin’ remix which so far has blown everyone away with its energy and overall technique. These two brothers are ones to watch out for in 2024.

* Valley of the Shadows (New Decade Remix)
New Decade (Out Of Romford Records) follow up their run of outstanding remixes; 'Cold Fresh Air' and 'The Big Bang' this time visiting the anthemic 'Valley of the Shadows' a.k.a. Long Dark Tunnel. Encapturing the sound and vibe of the 1993 original, New Decade have taken it further, enhancing and twisting the hypnotic atmospheres, yet keeping the original rolling feel of the drums and basslines whilst also including the occasional nod to the remixes that appeared throughout the 1990’s. The initial reception of this remix has been exceptional and has completely stunned and transfixed the masses, being commented on by many as perhaps the best of the four remixes that have landed over its 31 years.

* Valley of the Shadows (Awake '96 Mix)
This was the second remix to appear three years after the original in 1996 and has been carefully remastered with today’s technology for this final Ram Reloaded 2024 12" release. Andy C & Ant Miles took the original and slightly sped up the tune utilising subtle tweaks and enhancements with the added vocal 'Awake in Another Dimension'. This mix featured prominently on Kiss FM and Radio 1 back in the day.

In late 2023, Tokyo-based musician, Daigo Sakuragi, temporarily relocated to London, where he revisited material recorded with fellow Japanese musicians in Tokyo, drawing inspiration from the city’s energy, music, and atmosphere. This new perspective culminated in Togenkyo, a 28-minute work blending early 2000s folktronica and contemporary ambient styles. Sakuragi crafts immersive sonic textures with synthesisers and spatial production, while the organic groove of drums and bass anchors the piece, subtly inviting physical movement. Floating above this foundation, the saxophone weaves through the soundscape, leading the music with an elegant yet exploratory presence.

The session took place at aLive recording studio in Tokyo, with the following personnel:

Daigo Sakuragi: synthesiser, guitar, post-production
Jinya Ichikawa: bass
Shoei Ikeda: saxophone
Kazuya Ooi: drums

The lineup reflects a network of notable Japanese artists: Ichikawa, Sakuragi’s longtime collaborator in D.A.N.; Ikeda, known for his work with Maya Ongaku; and Ooi, a drummer for yahyel.

Sakuragi is best known for his band project D.A.N., where he contributes vocals, guitar, and production alongside bassist Jinya Ichikawa and drummer Teru Kawakami. Since its formation in 2014, D.A.N. has gained recognition for their unique fusion of indie rock/pop, dub, and electronic music. Under his solo moniker Daigos, Sakuragi explores electronic dance music through DJing and production, experimenting with Eurorack modules and samples in a refined, microscopic aesthetic. Recently, his creative output has expanded into diverse fields, including advertisements, artist collaborations, and films.

The term Togenkyo resonates with the concept of utopia, yet it diverges—it does not symbolise a flawless paradise but rather an attainable state of peace within oneself. Sakuragi reflects on finding his own Togenkyo in London, far from his hometown of Tokyo. The EP brings a sense of comfort and calm, reminding listeners that such a space exists not far from reach.

Black vinyl / 505mcn paper / 30 x 60 cm Insert with full interview to Khan Jamal II + extended liner notes printed on 300 gram Büttenpapierfabrik Gmund "No Color No Bleach" paper with exclusive pictures & much more!

Personnel:
Khan Jamal - Vibraphone, Marimba
Clint Jackson III - Trumpet
Hassan Rashid - Drums

Notes:
It's quite simple, if you have a good connection with music, to find things that should be reissued due to their exceptional quality, but, like a diviner, being able to unravel the problems related to the licensing of a record, well, that's much more difficult. Finding someone is Sherlock's job! After 4 years, Khan Jamal II (son of Khan Jamal) delighted us with a "Let's go my guy".
Khan Jamal doesn't need much introduction: Born Warren Robert Cheeseboro, he was a jazz vibraphone and marimba player from Philly. He founded the band Sounds of Liberation in 1970 with Byard Lancaster. In 1974, during one of his many trips to the old continent, he recorded this album in France at Jeff Gilson's Palm studio. It is a delicate game of lucid and intense contrasts between Christian Vander's drums provides a rock oriented touch, the marimba and the vibes with influences from the lands of the rising sun of Jamal and the composed trumpet of Clint Jackson III which anchor "Give the vibes Some" in a sort of Space Age Jazz era.
In the end, you know what? This album is a transcendent journey into yourself, like an intense session of meditation...even if "35.007 Feet Up" could easily be played by Jeff MiIls in his DJ Set!

Following his contribution to FUSE’s Various Artist release last summer with the standout ‘Life’s A Bleep’, Melbourne-born, Berlin-based DJ/producer Reflex Blue returns to Enzo Siragusa’s renowned imprint with his first full EP on the label, ‘Fragments’.

His fusion of deep, sub-heavy house, heavily influenced by turn-of-the-90s UK tech house and forward-thinking electronic spheres, has welcomed releases on labels such as Limousine Dream, Kalahari Oyster Cult, and Craigie Knowes, while making appearances at the likes of Slapfunk, S.A.S.H. and more.

Now, with ‘Fragments’, he takes his sonic explorations to FUSE once more, delivering a high-energy selection primed for dancefloor impact. ‘Ruff City Dub’ brings heavyweight low-ends, shimmering textures, and UKG touches to kick things off , setting the tone for the EP’s dynamic and versatile feel. ‘Tightening The Screw’ follows with crisp drum programming and hypnotic, off-kilter synth work, offering a clever balance of wonk and precision. On the B-side, ‘Love 2 Rhythm’ oozes funk and fluidity with its rolling percussion, soulful vocals and rubbery bass licks, while ‘Freakin’ In The Neighbourhood’ merges influences from rave, electro and more with a modern, high-energy twist for a no-nonsense, late hours hitter.

For Peggy Gou, recording an instalment of !K7’s DJ-Kicks series was one of the items on her list of career goals. “It’s the premier class of DJ mixes,” she says. “Some of my favourite selectors have contributed to it.” In 2019, Peggy Gou was able to tick that off her list as she proudly presented the 69th edition of the mix series.

To kickstart 2025, which is !K7's 40th anniversary year, the release is re-issued on a tigerfur-coloured 2LP. Peggy started working on the mix in 2018. It was a busy time for the then 28-year-old: she’d just scored her first Mixmag cover and her single ‘It Makes You Forget (Itgehane)’ was receiving awards and critical acclaim. Each month she would DJ in 20 nightclubs all over the world. And yet, the goal for her mix was ambitious: instead of trying to capture the energy of her DJ sets, she aimed to create a portrayal of her own musical journey.

An 18-track listening session that takes you straight into Peggy Gou’s living room where she plays you the formative tunes from her collection. No genre boundaries – she moves across disco, house, techno and electro. No tempo limits – the mix ranges from 90 to 150 BPM. And no age restriction – the earliest tunes on the mix are from 1983.

The same level of attention was brought to the arresting cover artwork, in which the well-documented animal lover references both Korean iconography and the endangered status of the creature of the country's foundational mythology, the tiger. The album artwork shows Gou posing alongside a tiger. "As the first Korean woman to contribute to the DJ-Kicks series I wanted to do something from my heritage," she said in a statement. "I chose the tiger, which is very important in Korean traditions and a metaphor for my personality. As it is inhumane to shoot with a real tiger, I and the photographer Jonas Lindstroem used a library image to make a composite. The tiger disappears when you turn to the inside-cover photo, to highlight that these beautiful animals are already extinct in my home country and in danger of disappearing from our world entirely.”

King Street Sounds continues to deliver deep house classics with the third various artist sampler in the series. This release taps into the essence of original house music and features iconic names such as DJ Pierre, Blaze, Kenny Bobien, Palmer Brown, Dannell Dixon, and Big Moses.

The EP begins with Dannell Dixon's track 'Dance Dance (DJ Pierre’s Wild Pitch Mix).' This engaging piece features a steady groove, multiple percussive elements, and captivating vocal hooks that keep listeners immersed in the rhythm.

Next is Big Moses' 'Brighter Days (Extended Mix),' which showcases the unmistakably smooth and sultry vocals of Kenny Bobien. As is often the case with Kenny's lyrics, this song explores themes of love, hope, and the promise of 'brighter days,' delivering uplifting dance music.

On the B-side, DJ Pierre makes a second appearance with 'Dancin’ (Club Mix).' This track radiates sunshine and block-party vibes, effortlessly transporting listeners to a lively street party in New York City.

Finally, the record concludes with 'Shine (Shelter Vocal Extended Mix)' by Blaze. This track brings down the tempo just a notch, making it a perfect addition to sets when the dancefloor needs a moment to catch its breath and regain its energy.

Once again, King Street Sounds delivers a knockout release that is a must-have for collectors and DJs alike

Meet Leng’s latest signings, Liminal – a Danish duo comprised of guitarist, multi-instrumentalist and producer David Rosenkilde, and DJ, producer and sound engineer Morten Troest.

The pair first met when Rosenkilde was booked to perform as a session musician at Troest studio. They clicked immediately so with Troest’s studio skills and inherent knowledge of what works on dancefloors paired with Rosenkilde’s abilities as a musician they decided to produce their own music together working to one simple rule: try out every idea, however outlandish!

Since then Rosenkilde and Troest have been recording their debut album that’s set for release on Leng later in 2025. First, though, we get a taste of their talents via ‘Keep Coming Back To Me’, an impressive debut single that blends electric and electronic instrumentation while keeping its focus fixed on the dancefloor.

Ushered in by shakers, rubbery bass and flanged guitar licks, ‘Keep Coming Back To Me’ giddily blurs the boundaries between colourful nu-disco, low-slung dub disco and the sun-splashed beauty of the more club-friendly end of the Balaeric spectrum. It boasts a hazy, multi-tracked and lightly glassy-eyed lead vocal, as well as a nagging TB-303 acid line that works its way to the fore as the track progresses, adding extra layers of excitement and energy as it unfolds.

Remixer Ray Mang (AKA long-time friend of the label Raj Gupta) takes the latter element as his inspiration on a stunning, nine-minute plus remix that brilliantly re-frames the track as a blend of tactile 21st century nu-disco colour, hypnotic proto-house and analogue-rich, acid-fired Chicago jack. Re-playing the bassline in an early Chicago house style and reaching for lo-fi and spacey synth sounds, the veteran British producer frequently strips the track back to the groove before re-introducing the vocal and the dreamiest of chords.

Liminal also display their sonic diversity on bonus cut ‘The Moon Is Changing’, a wonderfully atmospheric and star-lit affair in which spacey ambient chords, twinkling electric piano keys and intergalactic electronics slowly usher in a mid-tempo Norse nu-disco groove. The pair build slowly, adding vocals and layered guitar licks. The results are hard to pigeonhole but thoroughly impressive, offering a tantalising glimpse of what’s to come on their must-check debut album.

f11 FLRNTN, Benjamin Duchenne - "Last Man Standing" (feat Sivan) (1:08)
f12 Nicholas Gunn & Harshil Kamdar - "Here I Am" (feat Alina Renae - Richard Durand remix) (1:08)
f13 DJ TH X TH3 ONE X Sue McLaren - "Everything To Me" (1:08)
f14 Matty Ralph - "Te Adoro" (1:08)
f15 Armin Van Buuren & Vini Vici - "Sarabande" (feat Anna Timofei) (1:08)
f16 Lilly Palmer - "Hare Ram" (1:08)
f17 David Forbes - "Techno Is My Only Drug" (1:08)
f18 Armin Van Buuren - "Blah Blah Blah" (Lilly Palmer remix) (1:08)
f19 Armin Van Buuren - "The Road To Your Destination" (A State Of Trance Year mix 2024 outro) (1:14)

Cali Lanauze makes label debut on Crosstown Rebels with his ‘Borderline’ EP.

The three-tracker, landing on 14th February 2025, features a first-time collaboration with Cari Golden alongside two solo cuts.

Hailing from the vibrant shores of San Juan, Puerto Rico, Cali Lanauze has spent over a decade carving out his space in the global electronic scene. A trailblazer since his teens, Cali’s rich, eclectic grooves reflect both his Caribbean roots and his deep connection to underground music. Now, with his debut on Damian Lazarus’ Crosstown Rebels, he follows an impressive outing via sister label Rebellion with his ‘Borderline’ EP, cementing his position as one of his nation’s finest electronic exports.

The title track sees Cali team up with LA-based singer/songwriter Cari Golden, whose credits include collaborations with Groove Armada, Camelphat, Anja Schneider, Audiofly, and more. Having debuted on Crosstown Rebels with Fur Coat on ‘You and I’, Cari’s second appearance sees her soulful, evocative vocals intertwine effortlessly with Cali’s melancholic yet uplifting production. On the flip, Cali showcases his solo prowess. ‘Temple of Confessions’ takes listeners on a hypnotic journey with trippy grooves inspired by the otherworldly energy of Hï Ibiza’s Club Room, while ‘Talk To My People’ delivers a heady mix capturing the essence of his dynamic artistry.

Cali’s journey from a young producer in Puerto Rico has welcomed releases on labels like Flying Circus, Visionquest, and My Favorite Robot, garnering support from legends such as Carl Cox, Radio Slave, and DJ Sneak. Curating groundbreaking events in Puerto Rico, gracing iconic venues like Hï Ibiza and Brooklyn Mirage, and heading up his own label, Opulenc, Launauze has created a platform for his innovations and genre-spanning productions.

Cape Verdean singer Mayra Andrade's multi-layered music embraces a blend of radiant, dancing colors, velvet beats and spicy melodies. Her voice is subtly seasoned with pepper, as if the Europe of pop had always been atropical archipelago. Andrade is arguably the front-runner of the many talents that have emerged from Cape Verde over the years.

Her vividly-hued music which is full of energy and a warm, adventurous upredictability is sung in Cape Verdean creole, English and Portuguese. Mayra’s pop spans the world’s entire vast sweep from Western romanticism, Southern sensuality, domestic reggae and African. It is topical, tropical, traveling pop that, in the words of Mayra, is “music that reflected my life”.

On this live album recorded at Union Chapel Mayra Andrade presents her new guitar and vocal collaboration ‘reEncanto’. The Cape Verdean singer performs her repertoire alongside musician Djodje Almeida, inviting us to discover the source and the essence of her songs which she was the author all along her discography – since Navega (2006), to Manga (2019).

Mayra Andrade se revisite en duo voix et guitare dans une ambiance intimiste appelée reEncanto. La chanteuse capverdienne accompagnée uniquement de son collègue musicien Djodje Almeida, nous invite à redécouvrir l’origine et l’essence de certaines de ses chansons dont elle a été l’auteur et compositrice tout au long de sa discographie – de ‘Navega’ (2006), à ‘Manga’ (2019). Cet album a été enregistré live en novembre 2023 à Union Chapel à Londres durant la tournée du même nom.

Welcome to 'Instrumental Dubs #3', the ongoing series that delves into the world of the Dub Version and beyond. Side one explores the axis of UK Street Soul and Reggae with the opening two tracks produced by Howard Hill and originally released on his Passion Enterprises label in the late eighties. Both 'Versions' have a machine lead rhythm section paired with a reggae skank and snippets of soulful vox. The Proto House of Protek's 'I Love to Dance With You' featured on a Jura Soundsystem DJ Mix for Planet Trip, a one off single from the now sadly deceased Errol Parkes that's been re-edited with love by The Nightlark from Edinburgh.

The B side features The Cool Notes 'Natural Energy', which isn't strictly speaking a Dub Version, but it has that vibe with a primarily instrumental backing track featuring sparse vocals and spacey FX. The album closes with a secret weapon of Ilija Rudman 'Dub 4 Love' that pays homage to a famous track from Acid House's heyday.

Pressed on 180g Heavyweight Vinyl with full sleeve jacket design by Bradley Pinkerton.

Rock im Park 2001 is a live festival recording from Nuremberg, Germany. The festival performance of Limp Bizkit is praised as CHAOTIC FRENZIED-HIGH ENERGY. DJ Lethal functions as the sound designer shaping their sound on this recording. According to Lethal, “I try and bring new sounds, not just the regular chirping scratching sounds. It’s all different stuff that you haven’t heard before”. In the UK it was released as a CD & DVD while the video was solely released as a DVD in the United States. It has NEVER been released on vinyl.

THIS DELUXE PACKAGE INCLUDES AN OBI SIDE STRIP, SINGLE ALBUM JACKET, TWO PRINTED INNER SLEEVES, NEW RECORD LABELS AND SPECIALTY COLOR VINYL.

Volume 1 of this expertly curated project of 90s Italian House - put together by Don Carlos.

If Paradise was half as nice… by Fabio De Luca.

Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.

It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.

Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.

In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.

No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10AM in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.

For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.

“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy.

WRWTFWW Records is honored to present a one of a kind collaboration release between buzzing UK producer and DJ Pizza Hotline and Swedish electronic and synth icon Mitch Murder, delivering 3 gigantic tracks each for the Anti Gravity Tournament album, now available as a limited-edition LP housed in a heavyweight 350gsm sleeve illustrated by the legendary junkboy. It is also available in digital formats.

Inspired by the classic WipEout video game series, this high-energy boosted split-album transports listeners into the futuristic world of anti-gravity racing, a colorful turbo adventure soundtracked by 6 mega tracks of fast-paced atmospheric jungle, thunderous breaks, and liquid drum & bass. The adrenaline-fueled collection delivers maximum energy and dreamy vibes, a true paradise for fans of 90s/Y2K video games, LTJ Bukem, Peshay, Soichi Terada, and previous efforts by Mitch & Pizza.

Anti Gravity Tournament follows 2 critically-acclaimed albums by Pizza Hotline – Level Select and Polygon Island, both still available on WRWTFWW Records, as well as the limited Low Poly Breaks cassette series which sold out in a few minutes.

Mitch Murder is known as one of the originators of synthwave and has released timeless albums on Rosso Corsa Records, Mad Decent, and My Pet Flamingo (TimeSlave Recordings). He is also the man behind the Kung Fury soundtrack and has collaborated with…David Hasselhoff himself!

The astonishing exclusive artwork comes from the one and only junkboy, creative director at Mojang Studios (Minecraft) and all-around design grandmaster.

Fasten your seatbelt and join the fun.

UK-based producers b.mod and Essentia debut on Rhythm Werk's Collaborative Series with a four-track EP blending powerful four-to-the-floor rhythms and intricate broken beats. Known for their releases on labels such as Arts, Soma, Liberta Records, and Suara, the duo bring a precise, high-impact sound engineered for dance floor energy and dynamic set transitions.

Each track is meticulously crafted, offering versatility for DJs--whether building intensity, maintaining flow, or creating reflective moments. This 12-inch record is a must-have for those seeking forward-thinking club tools.

X-Coast unveils 9-track 2xLP The Riviera Collection on his label Riviera Records.

Hot on the heels from remixing instant dance hits such as Shygirl's '4eva' and DJ Gigola's 'La Batteria' and spotted in the studio with adored vocalists Eartheater and Miss Bashful, Serbian-born, NYC-based DJ/producer X-Coast returns with a collection of signature tracks that feel like the lost treasure chest of his dance island.

X-Coast is your favorite DJ's favorite producer, whose tracks you’ve undoubtedly danced to, whether on a massive festival stage or at an intimate, underground rave. Over the past decade, he has quietly but consistently shaped the pulse of dancefloors worldwide, with a distinctive style that traverses genres like house, techno, electro, drum and bass, and trance. This rare versatility has led X-Coast to release on the likes of Mall Grab’s Steel City Dance Discs, Diplo’s Higher Ground, Anetha’s Mama Told Ya and DJ Haus’s Unknown To The Unknown, to name a few.

What sets X-Coast apart is not just his ability to move fluidly between styles but the unique character embedded in every track. His productions have an undeniable warmth and authenticity, often evoking the raw, euphoric spirit of the 90s and 00s rave era. This nostalgic yet forward-thinking approach makes his music feel timeless, effortlessly blending old-school rave energy with modern production techniques. It's a quality that has made him a go-to for DJs across the board, whether they’re playing peak-time techno sets or deep, groovy house sessions.

On The Riviera Collection, released on his own label, Riviera Records, X-Coast opens the vault to reveal a diverse range of tracks that showcase his deep connection to multiple eras of electronic music. This collection reflects the breadth of his eclectic DJ sets, where various sounds and styles converge into a cohesive journey. Each track feels like a contemporary reimagining of a classic moment in dance music history.

From the early 2000s tribal influences layered with X-Coast’s signature chord work on ‘Neapolis,’ to the soaring, synthetic trance energy of ‘Desert Storm,’ and the infectious, camp vibe of the diva house ‘Hold Me Baby,’ the collection takes us on a nostalgic trip back to the origins of rave culture. It echoes a time when DJs crafted a journey through genres, playing everything from house to trance to techno in one seamless night.

The collection’s first hidden gems and long-awaited singles are “Da Boing Boing Trak” and "Put Your Hands Together". Both staples in his sets at iconic venues and festivals like Pitch Music & Arts, fabric, Circoloco, AVA Festival, Melt!, and Intercell, this track has been in high demand among fans, finally seeing its release. With The Riviera Collection, X-Coast continues to cement his status as a versatile producer capable of bridging the gap between past and present, while delivering music that moves crowds everywhere.

Len Faki continues to expand the Hardspace series with a new release of personal edits crafted for use in his own DJ sets. This latest addition shows Faki’s meticulous approach to reworking tracks that have shaped his sets, blending classic vibes with his signature style.
On the A-side, Faki revisits Dubspeeka’s Mod 3 and Mod 4, released in 2017. The Harspace reworks pick up on the brooding atmosphere of the original productions and build upon the dark, cinematic vibes. Faki also considerably tweaks the energy level on both tracks, ramping up not only in speed but also adding his trademark percussive pummeling to tailor these tools for peak-time play.

Flipping to the B-side, he turns his attention to Fanon Flowers’ Chicago-Detroit Part 1 and Part 3. These cuts first appeared on Studio Sound in 2010, as part of a series that paid homage to the pioneering sounds of Chicago house and Detroit techno. Both cuts exhibit extremely raw machinist grooves with a sparse analogue jam charme. Embedding the originals’ gritty textures and melodic nuances into his edits, Faki highlights their jacking qualities and infuses both tracks with a renewed sense of urgency, creating tension and release as you would expect from one of his sets.

Rock & Roll Hall of Fame inductee, two-time Grammy® Award-winning Hip-Hop icon, Kennedy Center Honoree, actor, author, NAACP Image Award winner, entrepreneur, philanthropist, and founder/CEO of Rock The Bells, LL COOL J continues his trailblazing career with upcoming album 'The FORCE'.

LL’s highly anticipated 14th studio album The FORCE (Frequencies of Real Creative Energy) set for release September 6th follows over a decade long hiatus. The record was executive produced by Hip-Hop innovator and Rock & Roll Hall of Fame inductee Q-Tip, of A Tribe Called Quest. With this album, LL will help celebrate the 40th anniversary of the creation of Def Jam Recordings. As LL was the label’s first release, there is no better way to represent the legacy of Def Jam Recordings on its 40th year

Rock & Roll Hall of Fame inductee, two-time Grammy® Award-winning Hip-Hop icon, Kennedy Center Honoree, actor, author, NAACP Image Award winner, entrepreneur, philanthropist, and founder and CEO of Rock The Bells, LL COOL J has created one of the most multifaceted careers and brands in entertainment and continues to display his wide range of talents with every project.

Four decades after he first burst onto the scene, LL COOL J continues his vibrant, trailblazing career. LL COOL J helped elevate the burgeoning rap and Hip-Hop scene of the 80’s, which developed into the musical and cultural phenomenon that is Hip-Hop as we know it today. Of LL’s many contributions to the culture, he also is credited with the creation of the acronym “G.O.A.T.” - short for “Greatest of All Time.”

First introduced to the world in 1984 as a Def Jam Recordings’ flagship artist, LL is the first rap artist to amass ten consecutive platinum-plus selling albums, including his critically-acclaimed debut album, RADIO, and the international, timeless anthem and album of the same name, MAMA SAID KNOCK YOU OUT. LL’s hit singles include “Going Back to Cali,” “Doin’ It,” “Around the Way Girl,” “Loungin’”, “Headsprung,” and Hip-Hop’s first rap ballad “I Need Love.”

Up next, this fall LL is back to make his latest artistic contribution and continue to elevate Hip-Hop culture after over a decade long hiatus with the release of his highly anticipated new album, The FORCE (Frequencies of Real Creative Energy), executive produced by Hip-Hop innovator and Rock & Roll Hall of Fame inductee Q-Tip, of A Tribe Called Quest. With this album, LL will help celebrate the 40th anniversary of the creation of Def Jam Recordings.

In December 2017, LL became the first rapper to earn the prestigious Kennedy Center Honor, which is America’s highest achievement for any performer. In addition, he received his star on the world-renowned Hollywood Walk of Fame on January 21, 2016.
In March 2018, LL launched his own SiriusXM timeless Hip-Hop channel entitled “LL COOL J's Rock The Bells Radio,” garnering millions of daily listeners. The channel features a wide range of innovative and timeless Hip-Hop content, music, interviews, and in-depth retrospectives curated, programmed, and presented by the award-winning artist himself. Since founding the radio station, Rock The Bells has developed into a global platform that has become the preeminent voice for timeless Hip-Hop. Rock The Bells focuses on content, commerce and experiences that honor the CULTURE and the core elements of Hip-Hop – MCs, DJs, Breakers, Graffiti Artists – and more. Rock The Bells hosted its inaugural eponymous music festival in Queens, New York in August 2022, which sold out back-to-back years in 2022 and 2023, where LL headlined both festivals.

LL COOL J was inducted into the Rock & Roll Hall of Fame on October 30, 2021, in Cleveland, Ohio for the 36th annual induction ceremony. Considered by most as the crowning achievement for one’s musical career, the ceremony was a celebration of LL’s lasting impact on Hip-Hop and the music industry.

In Summer 2023, LL COOL J, Rock The Bells, and Live Nation Urban kicked off his first arena tour in 30 years across North America called The F.O.R.C.E. Tour, inspired by the name of LL’s forthcoming album. Living up to the acronym for Frequencies of Real Creative Energy, the lineup for this tour was personally curated by LL COOL J. Building off their amazing performance together on the GRAMMY® Awards earlier that year celebrating the 50th Anniversary of Hip-Hop, all dates featured collaborative live performances with preeminent Award-winning Hip-Hop band The Roots, the legendary DJ Jazzy Jeff, and DJ Z-Trip.

LL hosted the GRAMMY® Awards for an unprecedented five years in a row from 2012-2016, for which he earned rave reviews. In addition, he hosted and produced the GRAMMY® Nominations Concert Live Special for seven years and has also been a presenter at the Emmy®, Golden Globe® and SAG Awards. Most recently, at the end of 2023, LL helped produce CBS’ live concert special A GRAMMY Salute To 50 Years Of Hip-Hop, which celebrated the 50th anniversary of Hip-Hop and was nominated for an NAACP Image Award.

LL has always been an avid philanthropist involved in numerous causes, including literacy for kids as well as music and arts programs in schools. Founded in 2005, LL’s charity “Jump & Ball” – which takes place every August in his hometown of Queens, New York – aims to give back to his local community by offering an athletic and team building program dedicated to bringing wholesome fun to young people.

Between being a musician, actor, philanthropist and entrepreneur, LL COOL J is the ultimate multi-hyphenate whose career continues to expand and where he remains one of the most beloved and innovative brands in entertainment. He currently resides in both New York and Los Angeles.

Celebrate two decades of lyrical genius and innovative sound with this 20th anniversary re-press of Eyedea & Abilities' seminal album, E&A. Originally released in 2004, this album is a masterclass in expressive ingenuity and sonic experimentation. Eyedea's profound storytelling and introspective themes resonate deeply, inviting listeners on a journey through the complexities of identity, existence, and the human experience. Paired with DJ Abilities' exceptional production and turntablism, E&A creates a soundscape that is both rich and original, making it a standout in the genre. Critically acclaimed upon its release, E&A garnered praise for its unique blend of styles and thought-provoking lyrics. Tracks like "Now" showcase the technical precision of each artist_with Eyedea's reflective depth complemented by Abilities' infectious rhythms and razor sharp cuts. Together, the pair masterfully blend introspection and energy, making "Now" a powerful anthem for anyone seeking to navigate life's complexities. Meanwhile, "Paradise" is a mesmerizing exploration of the pursuit of happiness and the nuances of human desire. The song balances vulnerability with an impactful message about the human condition, evoking a wide range of emotions and making it both relatable and impactful. E&A stands out as a highlight in the duo's discography, showcasing their unique ability to blend profound lyrical content with inventive production, and solidifying Eyedea & Abilities' place as innovators in the hip-hop genre. A must-have for anyone who appreciates the art of storytelling and the power of music_grab your copy of E&A and join the celebration!

Since the late 90"s, Jakob "Dino" Dinesen has become a stalwart of the Danish jazz scene, performing with nearly everyone of note in the country as well as internationally celebrated names such as Kurt Rosenwinkel, Jeff "Tain" Watts, Jakob Bro and Paul Motian. Finding joy and inspiration in the building of bridges between genre boundaries, his career in music has seen him travel and perform all over the world, enriching his sound and soul with every new experience. His new record seeks to convey his dream of a future world at peace with itself. "Slow Flow" is set to release on January 25th on April Records. "I envision a world where people from every corner of the globe come together, dancing, sharing meals, and finding joy through my music. My children are a blend of Africa and Denmark, and I hope they"ll carry the traditions and wisdom of both their mother and father as they navigate their path. I would love for music like this to be the soundtrack to their journey through life." Rooted in the playful live sound of an atypical quintet featuring cello and djembe, Slow Flow sits in a unique space somewhere between earthy, simplistic, and acoustic and contemporary, electronic, and unexpected. The record"s sound is soft spoken and full of compassion-a dark-timbred music where the intimate, warm breath of his tenor saxophone intertwines with the crisp, organic tones of the cello. Together, they float over smooth, analog synths and electronic loops, while the carefully crafted lines of the bass and the gentle rhythm of hands on drum skins carry the music forward. Occasional erratic, quirky bursts from an affected keyboard and weaving improvisations offer moments of energy and contrast. Each of the album"s nine original compositions paint musical pictures of contentment that are dear to Dino, as well as offering musical tributes to four of his heroes in Yusef Lateef, Wayne Shorter, Coleman Hawkins and Eddie "Lockjaw" Davis". Drawing on modern European jazz, African rhythms, Italian circus music, and reggae, Slow Flow plays as a deeply personal exploration of Dino"s identity, whilst providing a dream-like message of global peace that promises to resonate with like-minded people all around the world..

On Hardcore, James Mapley-Brittle (GRRL) and Nick Sanborn (Made of Oak), meld their love of late-night club music to make mind-bending high-energy dance music. GRRL is one of the brightest emerging stars in the underground arts space and a regular collaborator with PC Music, NTS, and more; Sanborn is better known as one half of the Grammy-nominated electronic pop duo Sylvan Esso. First sparked during DJ sets in North Carolina basements, the duo's unique creative chemistry has grown exponentially since the 2022 release of their debut EP, Inertia. GRRL x Made of Oak's glitched-out sounds have been featured on Adult Swim, Fortnite, and with their own sample pack on Splice. Finding new fans in the likes of Björk, Arca, AG Cook, Porter Robinson, Barker and DJs across the world, GRRL x Made of Oak is an exhilarating experience that will shake the speakers and get any after-hours dance floor moving.

Following a string of successful releases and performances at some of the electronic world’s most revered underground venues, Italian DJ and producer Matisa returns with her captivating new single, '1234 Bisous', out now.

With sultry vocals and classy tech-house sensibilities, this deep, rolling cut is primed for the dancefloor. Nodding to Matisa’s love for euphoric, nostalgia-inducing rhythms, shimmering acid and piano-laced sounds, the gorgeous single offers a glimpse into her forthcoming mini-LP, ‘In My Head’ due for release on 31 January 2025.

'1234 Bisous' carries the same bold energy that has solidified her place in the scene while introducing a more introspective and emotional depth to her sound; a deeply personal track that encapsulates the bittersweet emotions of fleeting love and the unexpected start of a new romance.

“Un deux trois quatre bisous, I was keeping just for you, But then I wake up in a boom, Just a lad lays in my room”.

"This track captures the bittersweet end of a significant love story as a new one begins. It’s not your typical love-at-first-sight scenario… It took a solid five minutes for that spark to ignite and that undeniable feeling to hit." – Matisa

Known for her uplifting, radiant house selections and productions, Matisa's music carries a distinct energy—shimmering with bold rhythms and acid-driven sounds that draw from 90s rave culture and global club scenes. Her versatility behind the decks not has also made her a standout at world-renowned venues such as Berghain | Panorama Bar, fabric, and Circoloco, where she consistently delivers unforgettable sets.

With past releases on respected labels like Gudu Records, Butter Sessions, On Loop, and Optimo, Matisa’s upcoming mini album marks a major milestone for Matisa, as she showcases an ever-evolving sound and her remarkable production prowess, seamlessly blending both nostalgic elements with futuristic sounds and a raver’s spirit.

Mr. K returns to the fertile ground of the Paradise Garage for his latest with two certified floor-fillers closely tied to the legendary club.

TW Funkmasters’ “Love Money” took an unusual path to its eventual elevated status as a dance classic. The brainchild of UK radio reggae jock Tony Williams (the “TW” in the group’s name), it was conceived in response to seminal rap release “Rapper’s Delight,” but with reggae superstar Dennis Brown’s 1978 hit single “Money In My Pocket” as the lyrical inspiration. Indeed, the vocal version of the Funkmasters’ song is considered the UK’s very first homegrown rap tune. But it was the flip side that garnered the most attention in New York however. “The original track was quirky and worked at the Garage,” Danny Krivit says, “but when the dub came out, it really blew up everywhere. After that very few people played the vocal.” Krivit’s edit here takes the influential, futuristic dub and tightens the arrangement up for the 7-inch format. “Love Money” went on to heavily influence the New York City dance underground, with homages coming in the form of subtle tributes (Mateo & Matos’ “Love Style”) to a virtual remake from Larry Levan himself (Man Friday’s “Love Honey, Love Heartache”) to the untold records that have sampled or been influenced by the spacey, heavy groove.

We’re back closer to home and a more traditional source for Garage classics with our flip side, Janice McClain’s “Smack Dab In The Middle.” The Philadelphia born and bred singer burst out of the gate with this very Philly sounding single in 1979. Written and produced by her uncle, the song was recorded when McClain was all of fifteen years old, a fact made more astonishing by a commanding vocal performance that resonated immediately with listeners. Recognizing a good thing when he saw it, disco maven Ray Caviano picked the song up for his newly minted RFC label and enlisted Larry Levan himself to mix it for 12-inch release. It is Levan’s version that provides the jumping off point for Krivit’s edit here — “the original 7-inch version the way it was never seemed worth playing,” Krivit says — and he makes the most of the jazzy Philly disco groove, injecting extra energy in the early minutes of the song with a tasty filtered break unique to this mix.

Pressed and mastered with DJs in mind, this loud and crystal clear single is the perfect combination of bonafide Garage classics and the talents of Mr. K, all on one compact piece of vinyl.

The enigmatic masked producer DJ Jackum makes his highly anticipated debut on Shall Not Fade's sister label, Time Is Now, delivering four hard-hitting, genre-defying bangers that are set to dominate the bass music scene.

With an incredibly fast rise to the top in 2024, DJ Jackum has quickly proven himself as one of the most exciting and innovative voices in bass music. His bold, fresh approach breaks free from the conventional, making his sound impossible to ignore in a crowded genre. The Jack It EP is a testament to his skill, featuring four meticulously crafted tracks designed to make an explosive impact on the dancefloor.

Already garnering support from bass music titans like DJ EZ, Anz, Ivy Lab, and receiving radio play from Tom Ravenscroft, Jackum's Jack It EP is poised to create waves this winter. This high-energy release is sure to light up clubs worldwide.

Straight from the bustling scene of Brussels comes Nous'klaer Audio's latest signing: an effervescent debut album by the young Belgian-Japanese producer, live-performer, pianist and DJ Gaiko. Gaiko (real name Kaito) bursts onto the scene with a nine-track full-length album that highlights the rich and diverse output of this emerging talent. His first offering spans left-field electronics, IDM and DnB, blending intricate drum-programming with lush synths and contemporary, contrasting piano pieces. The long player has been shaped into a push-and-pull dynamic of tempo and mood, a flow of quests that gradually grow into their entirety. From atmospheric textures to tight, propulsive beats, Gaiko builds layers that ripple into each subsequent track. This contrasting yet complementary energy flows from the tender "Millennium" into the unassuming highs of "Setagaya," while the floating electronica of IDM-leaning tracks "Subdued" and "Ever's Lullaby" build up to standout tracks "Martyr" and "Crush." Gaiko's self-titled debut balances euphoria with introspection through an unusually sophisticated playfulness, a rare quality that makes this vivid young artist all the more promising. The 180g vinyl comes in a heavyweight sleeve with artwork by Loe Duval (aka Barwouf) and includes a download card.

Vincent Arthur’s masterpiece LP ‘Esi Vivian’, originally inspired by and named in tribute to his daughter Vivian, was the work of a skilled group of musicians from Africa, The Caribbean and Germany. The record remained relatively unknown for 30 years, apart from a small circle of collectors, until a very well known DJ closing Dekmantel reached the climax of his set with an 'unknown' euphoric afro disco track. Taking to the forums, internet sleuths didn’t stop until it was found that this anthem was ‘Travel With The Music’!

Remastered by the ever patient and talented Frank at The Carvery, SFA002 breathes new life into the 3 standout tracks from Esi Vivian, allowing these timeless sounds to be shared on new dancefloors. It is no understatement that we shared a goosebumps moment in the studio listening to the results, where we both looked at each other and realised how special the music sounds. All three tracks have been elevated whilst staying true to the original and cut at 45rpm for ideal club playback.

‘Travel With The Music’ takes pole position on the A-side, a piece of music perfect in every way. Mixing afro, disco and that euphoric gospel-like chorus, this is the record you want to hear played out with all your friends at once.
Leading the B-side is Afro Disco, a track that always works on the floor, it’s tempo shift injecting a playful energy that leads the party into it’s next stage. Closing out the release, ‘Jubilation’ takes us deeper and in the right dance, is a powerful end-of-the-nighter.

To celebrate the debut release on his own label, Hindwood extols the power of intuition, which has served as his guiding force since his childhood.

Fueled by love and a deep connection to the cosmos, he blossomed as an artist, attracting a circle of talented artists into his orbit, such as Brique and Local DJ. This EP is a sonic journey through his inner awareness and the web of cause and effect: an exploration of the invisible threads that bind us all together.

#1 “Guts’ feeling”, is resonating with the heartbeat of the universe and the pulse of ancestral memory, use of tribal sounds and deep bass. Through this track, he conjures a world of duality, where the darkness and the light coexist in perfect equilibrium, revealing the beauty of both.

#2 On “Third eye awakening”, he draws on the primal energy of deep, trance-like, and energetic soundscapes, and weaves a sonic tapestry that transports the listener to a realm of heightened awareness and connection.. The whispers of his soul and the song of the earth, intertwined in a harmonious dialogue that speaks to the deepest part of his being.

#3 Captivated by the mystical powers of Third Eye Awakening, Brique delivers a hypnotic remix. Appropriating the distinctive vocals and pads of the original track, he has fashioned an ode to never-ending nights animated by his own hazy memories of losing oneself on the dance floor. The deep and organic bass combined with the looping and trance-inducing acid will shake listeners to their core.”

#4 The local dj remix finishes the EP with a more atmospheric allure of dub. With a deep, throbbing bassline that anchors the groove local dj sets the pace, inviting movement and dancefloor immersion where elements evolve all along the track and keep the listener engaged from start to finish.

MC Fats was a beloved figure in the drum and bass community, known for his smooth vocals and infectious energy on the mic. With a career spanning over two decades, he collaborated with some of the biggest names in the genre, including DJ Hype, Calibre, Alix Perez, and of course the multi genre chart topping Chase & Status!

Sadly, MC Fats passed away in March 2023, leaving behind a legacy of incredible music and unforgettable performances. But his influence lives on, and his music continues to inspire and uplift fans around the world. One of MC Fats' final releases is a new single called Anytime, in collaboration with Drum and Bass legend and producer partner Cool Hand Flex.

As one of Suburban Base original artist roster we were delighted to welcome them ‘back home’, and Fats was excited to see the reaction and plays the Anytime was already gaining. Having discussed with Flex, his dear friend and long-time collaborator, we together feel that it's appropriate that this release goes ahead as a tribute to our brother.

The track features MC Fats' signature soulful vocals, layered over Flex's classic jungle beats and modern production techniques. The single also includes an incredible remix from up-and-coming producer FreezeUK, adding a stunning version to the package which is already gaining maximum play nationwide.

Anytime is a testament to MC Fats' enduring talent and passion for Drum and Bass music. It's a reminder of the joy and energy he brought to the scene, and a tribute to his unforgettable voice and spirit. As we mourn the loss of MC Fats, we celebrate his incredible legacy and the impact he had on the Drum and Bass community.

His music will live on, inspiring new generations of artists and fans alike. Don't miss your chance to own this essential piece of Drum and Bass history - pre-order your copy of ‘Anytime’ now, and join us in celebrating the life and music of MC Fats.

ANYTIME will be released on vinyl & digital formats April 2023

We are fired up to bring you House music icon Nail of Robsoul, Classic and Diy fame. The Fleng Ep is the first release of the soon to be sought after Nail Series. Get it while ya can as we have numerous Nail EP’s to follow.

Starting off with Late At Night, Nail hits it hard with this funky stomper that’ll spank any dance floor.

Follow up the A Side with Hey! and we stay moving and shaking with a catchy monologue over a driving baseline that bobs and weaves with solid energy.

Kicking off the B Side we have grinding, dirty low-end on Peanuts 3 with complimentary vocal chants that’ll surely have dance floors strutting to the tune.

U Know What 2 Do closes us out and whoa, does it ever. Deep, funky, House music with a dash of r&b delight. Don’t sleep!

Early plays from DJ Sneak and Austin Ato.

Der dritte Teil der Albumreihe "Trance Legacy" von Armada Music erinnert an die goldene Ära der Trance-Musik und vermittelt gekonnt die anhaltende Anziehungskraft des Genres durch die Produktionen, die den Sound geprägt haben. Diese exzellente 24-Track-Auswahl enthält Klassiker wie "Burned With Desire" von Armin van Buuren feat. Justine Suissa, den legendären Three 'N One Remix von Energy 52s "Café Del Mar", "Strange World" von Push, Tiëstos Remix von Paul Oakenfolds "Southern Sun" und viele, viele andere. Die Melodien von früher werden in Erinnerungen wachgerufen und füllen die Dancefloors von heute.

Immerse yourself in an electrifying fusion of analog textures and experimental soundscapes. This record is a bold, underground exploration where Electro, Techno, and Experimental collide in an uplifting yet distorted sonic journey. Crafted with an unwavering commitment to authenticity, the tracks embody the raw, unpolished energy of analog gear, delivering a gritty, dynamic experience. The artists--Filmmaker, Hanniball III, DJ Nephil, Mule Driver, Porosty, and DJ Sigils--bring their uncompromising vision to the forefront, creating a soundscape that rejects mainstream conventions. This record isn't shaped by market trends or hype; it's a pure expression of underground artistry, designed to break boundaries and let creativity flow untethered. With each track, the listener is invited into a world where the unexpected thrives, and where the only rule is to push the limits of sound.

--The fourth outing on Spray’s Punctuality imprint comes in the form of the much anticipated Ode to Beachball EP by Eoin DJ. The release is a fully realised vision of moods and grooves inspired by Nalin & Kane’s 1997 chart topper ‘Beachball’.

Sparse, organic percussion, simple basslines and lush atmospherics form the bedrock of the EP, placing it firmly at the intersection of starry-eyed euphoria and heads-down club-stomp, lending the tracks a timeless but contemporary feel.

Those with their ears to the ground will know that the title number has been somewhat of a sleeper hit for the past two summers. Ode to Beachall’s understated stabs, rolling bass and transcendental vocals have soundtracked many sunsets and have bore the brunt of numerous failed shazam attempts via spins in mixes by trendsetting auteurs like Job Jobse, Sally C and label head Spray.

Bliss Inc’s remix turns up the energy dial with a club-focussed remix of Ode To Beachball, adding extra dynamics to the rhythm and low end, propelling the original into a modern hard-house roller complete with big-room breakdowns and euro-centric stabs, firmly aimed at the dancefloor.

On the flip both Infinite Well and On Lilac Skies stick to the beachball brief- swung bongos and congas, undulating low end and mercurial vocal chops add to the balearic beach techno mood of the entire EP. Both tracks are exemplary practices in dancefloor restraint and are sure to be staples in bags and sticks of discerning DJs for many summers ahead. Another stellar release from Irish atlantean Eoin DJ.

The Trails label appeared as a natural continuation of the crew’s parties. By joining minds with select producers they aim to showcase pieces that capture their collective vision of electronic music.

On TRAILS001, they bring us their close friend and graphic designer Bogdan Năstase going by the alias DJ Bogdan. As a reflection of the label’s philosophy and taste, the EP presents themes of melancholy, introspection, mystery and hope, all wrapped in a sound aesthetic reminiscent of 2000’s electro-techno with a touch of synth-pop. Shade Detector kicks off the A side with enough energy to entice crowds during those peak hours of the night. Next up comes the title track, Freakshow Parallax, a melancholic piece for the afterhours. Moving on to the B side we find Videofreex. This one’s a creative and flexible tune suitable at any point of the party. We wrap up with Fântâna Carteziană, a wonderfully twisted minimal techno track that pays homage to a lost period of Bucharest’s history.

Berlin-based techno duo FJAAK unleashes a series of powerful remixes of their FJAAK THE SYSTEM album from genre icons Kittin & The Hacker, DJ Bone and Mr. G, each adding a unique twist to their signature sound. Kittin and The Hacker dive into 'Mechanic Love' with razor-sharp synths and pulsing beats, transforming it into a hypnotic electroclash-techno hybrid set to ignite dancefloors with dark, futuristic energy. DJ Bone brings his Detroit-rooted minimalism to 'Scratchy', fusing relentless drums with meditative strings to create a stark yet entrancing remix that is both cerebral and body-moving. Rounding off the project, Mr. G delivers two contrasting takes on 'Unity': 'G's Dub', a dub-laden, introspective mix perfect for deep, late-night sets and the 'Time Jack' remix, a peak-time powerhouse with irresistible swing. Together, these remixes redefine FJAAK's originals with innovative flair, bridging intensity and depth across the techno spectrum.

Limited to 100 Copies!

Rawar ep is the 6th release of Macro Terra records, an Italian independent label founded in 2020 and focused on a blend of Electro, Techno and Experimental sounds stemming from Ambient, Industrial and Bass music.

This release features the italian based dj and producer Pomposo and Artizhan, and the collaboration with E8 Machines and Gianni Vittozzi, who come from the London underground scene.

The release is composed of 6 tracks with a dark electro style, perfectly fused with ambient sound carpets, voice samples, overwhelming bass and electronic drums coming from modular synthesis.

The main track Rawar by Pomposo and E8 Machines sees the remix of Artizhan that takes you back to all his productions, characterized by the drum'n'bass sound and killer break!
A beautiful interpretation of the original track that allows you to have the track you are missing in your bag for a dj set

6 Tunes of pure energy dance floor oriented!

Darwin Chamber and DJ Spun unite for a bold four-tracker here that draws on all their decades of experience to push the boundaries of trance and techno. This self-titled release is nostalgic without sacrificing innovation and opens with 'Find The Missing Letter,' a dub-tinged techno builder with hypnotic synths. 'Digits' follows with relentless beats and dark, robotic energy. The sultry 'Do It All Night' anchors the EP with a seductive groove, while 'Ants' closes with mid-tempo warmth and acidic undertones. Combining Darwin Chamber's engineering expertise and DJ Spun's club culture mastery, this one is perfectly pitched for dancefloor mayhem.

Shepdog returns with 2 brand new killer blends in his inimitable dancehall/hip hip style, both utilising the vocals of the legendary Native Tongues collective. First up, A Tribe Called Quest's most popular posse cut gets the soundclash treatment as Shep lines up a selection of classic riddims for the seasoned MCs to flow over, creating a devastating dancefloor weapon. On the flip, De La Soul's classic Buddy gets flipped in a dancehall style riding another instantly recognisable instrumental, giving a new vibe and energy to this well loved anthem.

Presenting the first vinyl release of mauna prasāda featuring its owner Delazar. mauna (मौन) refers to “silence” and prasāda (प्रसाद) refers to “essence” or "grace". So it's the essence of silence or the grace of silence. 



The record is designed for peak-time moments, it pulses with a playful yet intense energy, making it perfect for those late-night, immersive sets. The tracks are built on tight, rolling beats and layered synths that gradually evolve, creating a dynamic atmosphere that encourages both introspection and
movement. The EP captures the essence of raw, unfiltered dance music, making it an essential soundtrack for anyone who craves the thrill of the night and the freedom of the groove.