Search:dj digital

fabric presents salute features music from pioneers and contemporaries alike, including Kerri Chandler, Bodhi, Dorian Concept, Junior Sanchez, Redhead and more, alongside two originals from salute. More than a collection of tracks, it’s a cultural statement: a journey through club culture, personal identity, and global roots. To celebrate the release, salute will headline fabric’s Room 2 on 10th October, joined by a handpicked lineup (TBA), bringing their vision full circle from mix to dancefloor.

Lead single ‘double luxury’ sets the tone for the project, capturing salute’s signature blend of soulful energy, deep groove, and euphoric release. Built on spacious low-end and an undercurrent of euphoria, warped vocals twist through sleek, propulsive drums to form a house cut that channels the emotional intensity and groove at the heart of their sound. Arriving off the back of a huge summer, with standout sets at Coachella, Glastonbury, a North American tour and All Points East, ‘double luxury’ provides a fitting entry into a milestone chapter for one of the most vital voices in club culture.

salute says:

“my contribution to the fabric presents compilation series is my way of contextualising the music i've been writing over the last couple of years. i wanted to include bits of all the things that make up the salute sonic palette: loopy, sample based house music, dense and soulful chords and beautiful synths, slick and groovy drum work. it's an exercise in beautiful house and techno music, or my definition of it anyway.”

Launched in 2019, fabric presents has become one of electronic music’s most respected mix platforms, with contributions from Andrew Weatherall, Laurent Garnier, The Martinez Brothers, SHERELLE, Bonobo, Overmono, Confidence Man, The Streets, and more. Rooted in the legacy of fabric’s monthly CD mixes, the series now embraces a wider range of releases across digital, CD, and vinyl, each paired with a performance at the iconic London venue. With fabric presents: salute, they take their place in this lineage, joining the dots between underground heritage and the future of club culture.

Vienna-born salute has become more than a producer: they are a cultural innovator representing a club scene that is diverse, queer, and community-driven. Since emerging as one of the UK’s most exciting electronic voices, they have built a reputation for balancing raw emotion with dancefloor ecstasy, weaving grime, UK garage, electro, French house, jazz, gospel, R&B and hip hop into a singular, unmistakable vision.

Their music channels as much emotional resonance as physical release, tracks that turn longing into euphoria, intimacy into collective celebration. This ability has not only won over audiences worldwide but also earned praise from heavyweights including Four Tet, DJ Seinfeld, Floating Points, Skrillex, Fred again.., Annie Mac and Benji B. Their now-legendary Melbourne Boiler Room set, one of the platform’s most-watched, further cemented salute’s reputation as a defining force in the global underground.

The release of their 2024 debut album True Magic on Ninja Tune solidified salute as one of dance music’s most vital voices, its success confirming what the underground had long known. With fabric presents, they mark another milestone, bringing their curatorial vision and boundary-pushing sound to one of electronic music’s most iconic platforms.

Dutch DJ & Producer Serti Drops New Album on Structured Records.

Structured Records, in collaboration with Pax Romana, is proud to present the new album from Dutch DJ and producer Serti, “If u are curious”, arriving worldwide on October 23, 2025, as a double vinyl release and on all digital platforms.

This album is the result of three years of experimentation and dedication, a project made from a pure love of music. Designed as a front-to-back listening experience, it moves seamlessly between high-energy tracks and more intricate, textural compositions, rewarding listeners who take it all in from start to finish.

While not a conventional club record, it features dancefloor-ready tracks built with raw intensity, driving beats, and striking melodic moments that hit hard on any system.

Serti crafted the album using a wide range of gear, including Eurorack modular systems, Sherman Filter Bank, DSI Pro 2, Korg MS-20, Digitone, and Analog Rytm.

Inspired by artists like Clark, Plaid, and Piezo, he experimented with off-grid melodies and live-played sequences, creating a dynamic record full of character and immediacy.

With this release, Serti delivers a bold statement: a record that combines technical skill, adventurous sound design, and undeniable energy, establishing him as one of the Netherlands’ most exciting new voices in electronic music.

SLOW3 ‘Pleasure Dome’ b/w ‘After Death’ by System Disorder, a.k.a. DJ Nephil. Two highly charged pieces of minimal synth-punk, or whatever you want to call it.

Out on Slow Process, available on 7” and digital formats.

Wally Badarou is a synth pioneer and musical polymath. But rarely does he sing over his sumptuous tracks. The 6 songs that comprise new record Simple Things finally realise Wally's vision for select backing tracks from his beloved Colors Of Silence.

The tracks were originally developed back in 2001 for the release of the original CD; here, Wally has “simply" added overdubs and vocals to their mastered mixes with some discerning edits. Simply put, Simple Things is another slice of simply stunning Wally Badarou genius.

Simple Things has been decades in the making. Indeed, Wally struggled not only with the idea of singing these wonderful songs himself but singing them in English and writing his own lyrics, while wrestling with the sensational backing tracks, which themselves seemed to have taken on a life of their own.

As Wally explained to us: "In addition to the instrumental artist I have been known as, so far, there has always been a singer who simply was not sure he was, up until now. Even though “Back To Scales Tonight”, my very first album, was, indeed, a song album."

Opener "It Couldn't Be You" embellishes the uptempo groove of soca-funk gem "The Lights Of Kinshasa". As Wally explained to us, it's about “a simple love story somewhere, one rainy night, under the lights of Kinshasa. A woman, a man, online dating, quite usual in our times. Then they meet, almost missing each other." The guide vocal Wally had laid for Colors Of Silence - with an organ sound - seemed striving for words in Linguala, a Congolese language he could not speak. Therefore the decision to do it himself was not an easy one, for it had to be in English to fit his singing. We think it turned out pretty good!

"You Can't Hide Always" vocalises Wally's deep concerns set to the propulsive "Smiles By The Millions": "Populism, ostracism, radicalism, ethics and values all turned upside down worldwide, are they all inevitably exacerbated by our social networks? It could all melt down one day, like a house of cards in the ocean of fake news and false prophecies”. Wally wanted to keep the track as bare as possible but, inevitably, the backing vocals and the synth-brass arrive ultimately to present a welcome 70s flavour, with no snare-drum added.

The bright and breezy "We'll Make It Again" adds vocals to "Where Were We", a tropical, reggae-tinged bounce through the islands. Here's Waly: "Where were we when we last said: "I love you"? Simple words to express something quite common, but never quite simple to deal with. A simple song about the resilience of the broken hearts.” The reggae came from it being conceived when Wally was scoring for “Third World Cop”, a 1999 Jamaican action movie.

"Walk Straight Ahead" provides Wally's gorgeous, contemplative and idiosyncratic vocals to the deep serenity of Colors Of Silence highlight, "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. As Wally describes, "it started as just whispers, sweet amber whispers. Then the colour turned darker, as darker skies seemed to fall upon us while the whole world keeps on walking ahead, straight ahead, regardless of the blatant warnings, feeling much too comfortable in conformity. Initially, the verses were to be spoken only. I realised they could be sung all the while, without overshadowing the ethereal atmosphere." Amen.

The serene, celestial "Painting My Life Blue" presents the vocal version of "Days To Wonder". Says Wally, "how does it feel when your second half is gone after decades of riding life together? Past the temporary loss of your bearings, you come to realise you've been blind to the essential, and suddenly you can see...For this most intimate song of mine, I had tried to come up with a melody on top of the existing backing track, long before realising the melody was in the keyboard part already. It just needed to be properly mixed with it."

The profoundly emotional "Just Two Lovers" works up the formerly-too-brief and glorious "Crystal Falls" into a much fuller masterpiece and features acoustic guitar sparkle before fully glistening with some gentle head-nod percussion. Waly explains further: "Dear little green men, please tell me, what is it about us that makes you want to come and visit us so often (contrary to Fermi's assertion)? And here is the reply I believe I heard them sing: "You've got the key you've been searching for: Love”. I reverted to the initial backing track I had made around 1985, which already bore the melody, and which I added acoustic guitars to, before singing it." An astounding closer.

A synth specialist, there can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

When we asked Wally about the significance of this collection's title, he explained: "These are "Simple things” that everyday’s life seems to build upon. The simplest are the harder to describe, but when satisfactorily described i.e. with simple words, they are the more genuine and authentic to express and share. I’ve immersed myself in other classic song lyrics, something I hardly did before, just to appreciate the genius behind the simple words they were made of, and had a great time studying how powerful they were in expressing complex ideas such as love."

Recording was twofold: first, most of the backing tracks were recorded in 2001, in Wally's studio in Normandy, mostly using hardware synths and Yamaha digital consoles. Then, he fine-tuned the melodies and wrote the lyrics in late 2023, then added some overdubs and sang them all during summer 2024. States Wally, "Digital Performer was and remains the DAW I’ve been using throughout, ever since the 80s."

Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Sometimes, the simple things are the most extraordinary.

‘When The 2000s Clashed: Machine Music For A New Millenium’ is the story of how, 25 years ago, a new form of electronic music – known as electroclash - reignited a tired clubland and gave the indie scene and mainstream pop a shot in the arm in the process. Over this 3LP highlights set, carefully curated from the 5CD box of the same name (also released, 3rd October) the collection showcases the back-to-basics electronic beats that heralded in a new generation of exciting and innovative new artists - Hot Chip, Peaches, LCD Soundystem, and Ladytron, to name a handful. It also shows how the sound and attitude of electroclash plugged into the decade’s cutting-edge indie bands, (Franz Ferdinand, Bloc Party), and became intrinsic to the way chart pop would sound in the first decade of the 2000s (Kylie, Goldfrapp).

The collection also shows how the scene’s underground DIY ethos evolved and inspired the next generation of electronic buccaneers (Simian Mobile Disco, Justice Vs. Simian). ‘When The 2000s Clashed’ brings together a dazzling, diverse selection of artists, producers and remixers from right across the 2000s zeitgeist – from The Chemical Brothers and Daft Punk, from M.I.A. to Soulwax and many points in-between. For good measure, there’s also one side of LP3 given over to the original post punk and electronic sounds (including Kraftwerk, The Human League and Cabaret Voltaire) who’d played such a big influence on the electroclash sound. ‘

When The 2000s Clashed’ was compiled and sequenced for Demon / Edsel by Jonny Slut, founder of London’s electroclash citadel Nag Nag Nag. Established in 2002, in a small Soho venue called Ghetto, ‘Nag’ quickly became THE hottest club, first in London and then in the whole world. A glorious mess and hedonists’ hotspot, a night at ‘Nag Nag Nag’ (if you could get in!) saw the capital’s club kids, students and creatives rub up alongside names from the fashion and music worlds - Björk, Pet Shop Boys, Kate Moss, Boy George, Alexander McQueen, and Pam Hogg were among the regulars. Madonna visited, so did John Peel, Yoko Ono asked to perform and did, Throbbing Gristle’s Chris and Cosey DJ’d, so did Marc Almond, and Too Many DJ’s.

Justin Timberlake was refused entry (too many bodyguards)… even Cilla Black was spotted getting down! Jonny shares these reminisces – and many more - in the collection’s sleevenotes. Named after the 1979 Cabaret Voltaire classic, ‘Nag, Nag, Nag’ became the first place to hear the seemingly endless flow of thrilling new tunes coming from every direction during that decade of dance. Many of them are included on this collection.

From house and hip hop to liquid drum & bass, Sina Hill’s second vinyl embodies a raw yet uplifting energy—closing out the summer with a radiant pulse.

In a fusion of science and sound, Kalocain's debut vinyl release, "Genetic Memory," unfolds an eerie tale. "W.N.G." opens a portal to an ancient world, where forgotten tongues unveil cryptic secrets. "Genetic Memory" weaves ethereal connections between ancestral recollections and the present, warping the fabric of time. "Ivermectin" delves into the surreal realms of molecular melodies, as if sonic DNA deciphers sound's enigmas. Remixes from Normal 4, Patricia Kokett, and Jacques Satre reshape the auditory cosmos with a dash of the bizarre.

To amplify the weirdness, Evaldas Bubinas aka Hermandrowning, concocts mind-bending artwork, beckoning listeners into a realm where sound and art meld in uncanny harmony.

But that's not all! The digital copy unveils an additional original track, "Groove Drift," along with a wild array of remixes by Henry Greenleaf, Frankfurt Bass, and Dogpatrol.

"Genetic Memory" isn't just music; it's a transcendent odyssey blending the past, present, and the surreal future, with a digital twist that will leave you questioning the boundaries of sonic exploration.

Hot Piroski Boss Robin 12Tree Beams Back with “Interstellar Vibes Vol. 1” A Balearic Odyssey in 5 Tracks.. Strap in and sunscreen up - Robin 12Tree is back with Interstellar Vibes Vol. 1, a scorching 5-track EP of cosmic Nu Disco and Balearic goodness inspired by strobe lights, sunsets and surfside odysseys. Opening blast The Wriggler is a peaktime disco/house rocket, all teasing arps and synth liftoffs. Feelin Free glides into deeper territory, with lush strings giving nods to deep house royalty. Then comes Who Will Heal Us, a slo-mo sunset serenade featuring new Barcelona rising soul queen, MaYa. Things get extra-terrestrial with Need You In My Life, a deep-house jam born from a Barcelona afters with Soul Mekanik’s Danny Mekanik. Finally, Tupambame brings us gently back to Earth, dripping sunshine and jazzy warmth thanks to Tanzanian vocalist Miss Vivandra. Robin 12Tree launched Hot Piroski from his Barcelona bunker in 2018, scoring early BBC Radio 1 love with his N’Gwode edit. His studio passport is stamped by the likes of Jose Padilla, Stanton Warriors, Visage, Keith Flint and more. Whether as one half of Bubble Club, founder of The Backstage Sluts, or Slyde co-pilot, he’s brought Balearic vibes to Fabric, Bugged Out!, and far-flung festivals from Australia to South America - often as The Prodigy’s tour DJ. Check out this latest release from the man with disco in his blood and chorizo in his lunchbox… Interstellar Vibes Vol. 1 will be released in digital stores from July 14th with vinyl availability from July 30th.

DJ Support: Mark Grusane, Darryn Jones, Tone B Nimble, Danillo Plessow, Miche, Luke Una, Charlie Dark, Folamour, Mike Shawe

Presenting to the altar, a batch of Gospel edits by Admin. Chopped and boosted to get the holy spirit grooving your body. Uplifting funky disco sounds to elevate the mind and prepare the listener for a new horizon... Originally released as unmastered digital files on Bandcamp only, these edits have now been fully mastered and pressed to vinyl for the first time.

It’s that time of year again… DEXT Recordings returns with the next instalment in our strictly limited vinyl series. DEXT LIMITED COMP VOL. 2 brings together four essential cuts from the DEXT catalogue, two recent digital standouts now making their wax debut, alongside two brand new exclusives you won’t find anywhere else.

Mak & Pasteman kick things off with the 2-step mind-bender "Gold Teeth", which has been tearing up clubs all summer, while Pugilist delivers deep, dubby percussive pressure on "Machinic". Flip the record for L Major’s rave-ready "Hole in the Speaker", and Hooverian Blur’s futuristic breakbeat workout "Twice Removed".

Limited to just 200 copies and mastered for maximum dancefloor impact, this one’s for DJs & collectors.

As The Matrix ushered in the new millennium, voices of apocalypse and optimism alike wrestled for the narrative high ground over what the future held in store. Ever more inclined toward skepticism than hope, we have since grown prone to withdrawing in exhaustion when confronted by such gargantuan expectations — “lost in the Matrix,” if you will.

Less’s new album opens by building a bridge back to his previous album “Stranger” (released on the “Freude am Tanzen” label and conceived as an imaginary Blade Runner soundtrack). In the intro, breathy references from vocalist Alice immediately set the tone for the journey ahead: Electro, High Energy, Acid, Chicago, Italo Disco.

A full-fledged club album quickly unfolds—one that invites the listener to dance and switch off, while at the same time, if you allow it, provoking reflection through its lyrics. Now a Berlin-based artist with Thuringian roots, Less draws on deacades of DJ experience and channels it deftly into ten tracks. Less (real name Stefan Leßner) isn’t afraid to go “old school.” Classic touches like vocoder effects are as integral here as Alice’s irresistibly
cool spoken-word vocals—delivered in English (“I Care”, “Mirror, Mirror”) and German (“Alles was du willst”). This retro spirit even extends to his remix of the French-language Underground Cottage track “Canada (2003 Less Remix)” which surfaced in DJ Hell’s setlists last year—bringing things full circle.

“Living in the Matrix” on Lebensfreude Records is not merely a nostalgic reference to times past, but also counters exhaustion with a sense of trust in the future. It is, in essence, a call — an appeal — not to lose oneself in any kind of ‘Matrix.’ Accordingly, the album will be released both digitally and analog. The latter will come as a 180g double vinyl with a high-quality, thematically appropriate gatefold cover.

Serenda is a London-based DJ and producer of Guyanese and Greek heritage, known for her rich, eclectic sound rooted in house but never confined by it. Her sets fold between soulful depth and experimental edge, always delivered with a bold, contemporary vision.

Her sets are grounded in rhythm and instinct, built less around genre than sensation. She blends percussive house, warped club music, and raw, organic textures; crafting dancefloors that feel immersive and visceral and emotioanlly charged . There’s a physicality to her sound that edges toward the primal. For Serenda, DJing is a form of play - fluid, responsive, and deeply connected.

She deconstructs and distorts house music with intent, letting in pressure, dissonance, and emotional rupture. Her sets draw on the “timeless mindless states” of Mancuso’s The Loft, unfolding as rituals that don’t smooth over the chaos, they work with it.

Following the release of her debut EP The Prophecy on Josh Caffe’s Love Child label, she made her mark with a headline show in Fabric’s Room 2 and a Rinse FM residency. A regular in London’s queer underground, Serenda is also shaped by New York’s experimental club scene, where experimental sound and unfiltered expression mirror her own ethos.

Afro-diasporic and South American ritual in tension with city life, instinctive rhythm against digital overstimulation. Her fascination with world-building and quantum physics runs through everything she creates, fusing sonic design and sensory experience into one evolving landscape

Berlin's Scheermann debuts on Mutual Rytm with deeply personal EP, 'Viciosa'.

Scheermann is at the heart of the Berlin underground as a DJ/producer, but also working behind the scenes at the Intakt Berlin vinyl pressing plant, where he first met Mutual Rytm founder SHDW. As a resident of the Lorem Ipsum party series, he delivers cultured and compelling grooves, and is also an active member of the Wesertekk collective - supporting and pushing club culture to the forefront in more rural areas. His music comes from a deeply personal place, never chasing hype or headlines, and is usually found at home on his own imprint, SAMMLER. This new EP marks his first appearance away from the label as he unveils a collection of records crafted over five years, with each track representing different moments in his life.

'Viciosa' kicks off with paranoid vocals panning about as swinging, warehouse-ready drums pound heavily below. The gritty synth craft adds plenty of texture as filters build the vibe. 'Placid Sin' is even more intense with unresolved synths tripping you in a loopy state while coarse percussion and cantering drums march on. 'Don't Care' is a rave-ready cut that injects your soul with urgent synth energy over more minimal and moody drums. 'Kano' brings a more elastic rhythm with dubby undercurrents and sleek sonar pulses infusing it with mystery, while 'Reika' is a nimble cut with icy hi hats and curious synth notes layering in late night suspense. First digital bonus 'Resoclap' is a heavyweight swinger with dark, groaning voices, before the second digital bonus 'Mizu' provides a speedy and supple workout for body and mind.

Scheermann 'Viciosa' lands on Mutual Rytm on 22nd August 2025.

Seoul-based producer and DJ Yetsuby conjures immersive, layered soundscapes that glide between breakbeat, jungle, and leftfield bass. As one half of the duo Salamanda and co-founder of Computer Music Club, she has released music on labels like Wisdom Teeth, all my thoughts, Human Pitch, and Métron. And her boundary pushing sets on Seoul Community Radio, Boiler Room, and NTS Radio have brought her experimental Seoul roots to a global audience.

Her new album, 4EVA, invites listeners to wander through strange musical landscapes. Blending digital, analog, and acoustic sounds, Yetsuby explores the magnetic pull between people and music—an experience that feels both cosmic and deeply personal. Effortlessly weaving through genres such as bass, breakbeat, ambient, footwork, contemporary club, and IDM, she creates maximalist compositions that remain cohesive and refined.

The inspiration behind 4EVA is equally surreal. A childhood doodle from her sister, calling her a “brain-ful human,” sparked reflections on loneliness, togetherness, and the joy of navigating both. The album channels these themes of connection, introspection, and the transformative power of music, delivering catchy melodies and restless harmonies that invite listeners to lose themselves in its nuanced rhythms.

Out on Pink Oyster Records in LP and digital formats, 4EVA marks a bold new chapter for Yetsuby. With this release, she emerges as one of electronic music’s most original and exciting voices, defining the sound of Seoul’s underground—and beyond.

Pink Oyster is a new label from Jess Goodchild and Jack Hardwicke (Métron Records)

The highly anticipated physical release of “Japanese Amapiano The Album” by audiot909, one of Japan's foremost Amapiano producers and DJs, which
caused a stir upon its digital-only release in 2023!
Ahead of this, the highly catchy vocal track ‘Himitsu’ featuring singer CHIYORI, alongside 'So Shi It' of Dos Monos, and the collaborative track ‘The Out of
African Hypothesis’ with TOMC, will be released as a lead 7-inch single!

Original Gravity Records Ignites the Summer with Latin Fever Vol. 4

Available on Limited Edition Vinyl & Digital Platforms

Original Gravity Records turns up the heat once again with the explosive release of Latin Fever Vol. 4 — the highly anticipated fourth instalment in the label’s signature Latin groove series. Packed with sizzling salsa, fiery guajira, and vintage Latin soul, this EP is a globe-spanning collaboration anchored in the UK and powered by musicians from Peru, Cuba, the USA, and Italy.

From the opening tumbao of El Tumbao Del Solar by Abramo & Néstor, to the irresistible charisma of Chévere Girl by Luchito & Néstor, this record is a celebration of rhythm, culture, and cross-continental energy. Flip the wax, and you’ll find La Vieja Escuela serving up Vacilar Mi Guajira — a classic throwback dancefloor gem — before Néstor Álvarez brings the party home with the brass-heavy burner La Fiesta Se Va.

With drums, bass, and production led by OG’s own Neil Anderson and a tight brass section along with standout soloists from both sides of the Atlantic, Latin Fever Vol. 4 is pure analog fire — recorded with heart, soul, and serious groove.

Whether you're a crate digger, DJ, or just a lover of Latin rhythms, this is one for the shelf and the stereo.

Get it while it's hot. This is Latin Fever — and it's contagious.

Since 2019, Amsterdam-based curator Pieter Jansen has used his yeyeh label as a vehicle for carefully considered (and sometimes unlikely) ‘first time’ collaborations between different experimental and avant-garde artists including Eversines, Carolina Eyck, Greetje Bijma and Oceanic. After pairing saxophonist/composer/producer Jerzy Maczyński with fellow Polish experimentalist Waclaw Zimpel on 2021 collaborative release Sariani (which was credited to Jerry&ThePelicanSystem in a nod to the former’s earlier album for Warner Music’s Polish Free Jazz series), yeyeh founder Pieter Jansen had an idea. That simple idea – getting Maczyński in the studio with Chicagoan DJ/producer Hieroglyphic Being – was the genesis of this record, the debut album by Universal Harmonies & Frequencies. In June 2022, Hieroglyphic Being flew to Amsterdam to spend five days improvising with Maczyński in a rented studio beneath Volkshotel, under the watchful eye of recording and mix engineer Rein De Sauvage Nolting, better known in electronic music circles for his work as RDS. During those sessions, 26 long, improvised compositions were recorded, with Maczyński contributing saxophones and electronic tools, and Hieroglyphic Being laying down synthesizer parts and vocals. These sessions were captured on film by VLF (Katarzyna Debska), who later created the artwork and visual language for this record release. Some days after the recording sessions, Sauvage Nolting – who had delivered artistic input during the improvisations – sat down with Jansen to select 13 pieces to put forward for the album and a loose conceptual framework. It was then that the hard work began. While a decision was taken to present some improvisations in full, most of what you will hear on Tune IN, as the album is titled, is based on fragments of improvisation. The resultant pieces were reconfigured, re-worked and re-produced by Maczyński and Sauvage Nolting over many months, and in discussion with Hieroglyphic Being. Maczyński added more layers of instrumentation, creating a “whole digital band of reed instruments” – a method he previously utilized on Sariani. What you hear when you play the record defies categorization. It is rooted in a specific moment in time and the spontaneity of musical improvisation – both Maczyński and Hieroglyphic Being are experienced improvisers, albeit with different musical instruments and tools – but also the product of extensive post-production and reflective re-shaping. It is not free-jazz, ambient, electronica, rhythmic cubism (as Hieroglyphic Being’s distinctive sound has previously been called), or avant-garde experimentalism, but something that combines all these musical approaches and more, with a sprinkling of far-sighted futurism mixed in. It is a magical and mystical meeting of musical minds that will pass the test of time in decades to come.

2026 Repress

The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to create electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre. His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With "9 Is A Classic", "Slaves To The Rave", "Pitch-Hiker", "Stereo Murder" and "We Have Arrived", just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties! The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp. All original tracks have been re-mastered to the highest possible standard of quality.

Agent By Default In Hybrid Systems' is a deep dive into today’s and tomorrow’s society. Across four tightly constructed tracks, cinematic-surrealist musician and DJ JessyJiggy reflects on how mankind and machine-driven systems coexist and evolve. We act, respond, and adapt as agents by default caught between instinct and structure. Built for movement yet rooted in observation, every progression feels less like a command and more like a suggestion inviting listeners to negotiate their own place inside the grid.

This poetic concept translates into music where analogue and digital tools merge into a hybrid sound. Compositions carry an almost automatic rhythm that drives motion while sound design elements subtly reference modern technology. Raw, bass-driven, minimal and techno showcase the breadth and progressiveness of Rotterdam with its brutalist spirit embedded in every detail.

Carefully mixed and mastered by Simon Lescure, who works at the intersection of sound design, club culture, and contemporary art, the record is optimized for a wide spectrum of sound systems while offering a distinct, full-bodied experience on the dance floor. With his vision of music as a system of memory and tension, a way to hold time and transmit presence, raw energy is brought into focus, shaping JessyJiggy's signature sound with clarity, weight, and intent.

A work committed to pushing boundaries and contributing something lasting to the electronic music landscape, this record is crafted to become a cult classic.

10" series

Exos inaugurates the new sub-label on SHDW's Mutual Rytm with four 90s techno cuts, with offshoot imprint X building on the main imprint's DJ-friendly tools to delve deeper into a broader spectrum of electronic music.

Founded in 2022, SHDW's Mutual Rytm label has quickly become one of techno's most supported labels, with wide-reaching love and well-earned hype following a series of carefully curated VA offerings and solo EPs from a wealth of the scene's best. Continuing to push the pace, with more records capturing high-quality, fresh soundscapes, April brings a new project to the mix with the launch of a new sub-label X, with techno pioneer Exos drafted to deliver the first instalment.

Hailing from Iceland, the Planet X boss is a master of crafting perfect dancefloor weaponry. Over the last twenty years, his high-octane sounds have come via vital labels like Figure and X/OZ, never failing to make an impact with both DJs and dancers. Whether dubby or hard, his techno is always authentic and channels the purity of the 90s sound, and he brings this signature sound to four fresh productions across his 'Infrared' EP, marking an impressive debut for both label and artist.

The title cut 'Infrared' opens up the package in style and showcases a track that looks set to be a go-to anthem for many in the months ahead. With searing synth lines and drilling bass, the blistering production delivers a thrilling, high-impact techno sound that will devastate the dancefloor. The well-designed 'Kaldur Klaki' ups the ante even more with tightly coiled loops of drums, rusty hi-hats and stuttering synth lines that canter along with a muscular feel. 'The Bad' is twitchy and paranoid, anxiety-riddled techno that is perfect for dark warehouses and freaky dancers before digital bonus 'DS4BR' lands with a more stripped-back aesthetic with dubby undercurrents and static electricity fizzing across the face of the cut.

Each of the releases on Mutual Rytm X will be available on limited edition, coloured 10" vinyl, hence the Roman numeral X, and Exos' 'Infrared' EP kicks off the series on 19th April ahead of a new wave of killer releases scheduled across 2024.

* V Recordings and Tim Reaper's Future Retro London have joined forces to unleash "One Stop Mr Driver," a track that channels the raw energy of '90s jungle. This release features both the original mix by the legendary Krust and a fresh remix by Tim Reaper, bridging the genre's roots with its modern resurgence.

* Kirk Thompson, professionally known as Krust, is a seminal figure in drum and bass. Emerging from Bristol's vibrant music scene, Krust co-founded the influential Full Cycle Records alongside Roni Size, DJ Die, and Suv. His innovative approach has produced classics like "Warhead" and "Soul in Motion," tracks that have left an indelible mark on the genre.

* London-based DJ and producer Tim Reaper has been pivotal in the revival of jungle music. Through his label, Future Retro London, Tim has showcased a plethora of talent from the modern jungle scene, earning accolades such as DJ Mag's Best of British Breakthrough Label award in 2021.
* "One Stop Mr Driver" was a coveted dubplate from the '90s, never officially released but highly sought after by enthusiasts. Recognizing its timeless appeal, Tim Reaper has crafted a remix that preserves the original's amen break-driven intensity while infusing it with razor-sharp modern production.

* Bryan Gee, the visionary behind V Recordings, has long admired Tim Reaper's contributions to the scene. This collaboration marks a rare partnership in V Recordings' three-decade history. The fusion of Krust's pioneering sound with Tim Reaper's modern touch honors its roots while embracing the future of drum and bass and jungle music.

* "One Stop Mr Driver" will be available digitally and as a limited edition 12" vinyl release.

The fourth installment of Secretsundaze’s 9FINITY imprint releases the tectonic ‘get now EP’ from Irish, via Berlin dancefloor expert eoin dj. Their eclectic sets draw from all hues of the dance music spectrum, from psychedelic techno, indulgent hard house, pumping tech cuts and beyond.
eoin’s latest record pulls all of these influences into a tight, rolling house-centric EP that brings everything from the raucous to the utterly sexy. Thundering 909 Toms and gliding synths across A1’s ‘spin flip contrast a more percussive, hedonistic voyage through A2’s ‘skin on skin’.
Banging through the B-side with ‘faux baddy’, a mean dancefloor cut that draws the crowds forward for a slice of tribal hard-house. B2’s ‘get now’ is a certified club moment, with eoin’s punky vocals and sludgy reese bass line sliding throughout the uplifting drums and synth chords. A final moment emerges with the digital bonus track ‘the rapture channel’, a progressive groove blending buoyant percussion and large synth licks – an indispensable tool for any time of the night.

RE:WARM Records are very pleased to announce their next release 'Rituals', a new compilation series from the curator and DJ, Josh Mason-Quinn, aka Somewhere Soul.

For Volume 1 Josh takes us on a journey through the various shades of his ritualistic listening habits across twenty-four hours. From rising first thing in the morning, radiating positive energy throughout the day, retreating into the evening before finally releasing your inhibitions on the dancefloor.

The compilation spans four sides of vinyl and is presented in a double gatefold sleeve. The release will also be available on CD and digital formats.

The album is a celebration of new and emerging talent from the underground Jazz, Soul, World and House Music spheres, sitting neatly alongside artists already carving their way into the collective conscience of those who have been curious enough to dig deep.

The record is due for release on 25th July 2025 with the pre-order available 23rd April 2025 via the Warm Agency Bandcamp and selected record stores.

On Friday 25th March Parlophone Records release “Remixes” on double CD and triple vinyl LP. The album is an updated version of the 2020 Digital compilation of the same name, featuring mixes that were originally released between 1991 and 2021.

Alongside Kraftwerk’s own remixes, the album includes some of the world’s biggest DJs and Producers, including François Kervorkian, Orbital, Underground Resistance, DJ Rolando, Alex Gopher + Étienne de Crécy, William Orbit and Hot Chip.

Mannequin Records presents Artificial Salvation, the long-awaited next chapter from Taiwan-born, Berlin-based artist Jing. A visceral journey into fragmented identity, post-human desire, and sonic disobedience, the album marks a bold evolution in Jing's unmistakable language—where rhythm is weapon, voice is distortion, and silence is political.

Known for her uncompromising DJ sets and past releases exploring industrial textures, field recordings, and haunting spoken word, Jing now delivers her most narrative-driven and confrontational work to date. Artificial Salvation lives at the intersection of club dystopia and spiritual unease: glitched-out techno structures collide with ghostly chants and collapsing machinery, echoing themes of surveillance, digital exile, and existential displacement.

Crafted between Taipei and Berlin, the album draws from a palette both hyper-modern and deeply ancestral—melding broken beats, noise, and vocal manipulation into an unflinching statement of intent. This is not music for escapism. This is a sonic exorcism.

Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.

Basile de Suresnes' "So Good" EP is now available on vinyl. The digital release has become an instant hit, with the title track being playlisted by Laurent Garnier on his Fabric mix. The 2 tracks and its remix are now expected to fly off the shelf at record stores, don't sleep on this one!


The title track proves once again that the parisian producer is a master at bringing a disco cut into House music territory. The epic violin sample gets straight into the head while the groovy bassline call the feet to dance, the vocal adding a pinch of sexiness this great, dancefloor-orientated tune.
« Ask me to dance » is as catchy as it is funky, the samples are layered and filtered with flair and savoir-faire. It certainly will become both a DJ’s delight and dancer’s favorite.

Closing the EP with style is Naux’ remix of « So Good » : the lyon based producer uses chopped vocals and a strong bouncy bassline, adding his own flavor to the track while completely respecting the orginal work. Great job.
Frappé and Basile de Suresnes Strike again and dam it is (so) good !

Two decades after its original release, the trance classic “The Morgan’s Wave” returns in a fresh and contemporary form. Born in 2003 from the creative meeting between vocalist Caroline Eloy and producers Patrick Ketels and Xavier Romain, the track first gained attention through David Altrix (Galaxie Radio), and was signed by Diki Records in 2004 on its sub-label Green Valley.
In 2025, the idea to revive the track came from Caroline Eloy—now performing as Ce’Loy—who teamed up once again with David Altrix to envision a remix with a modern twist, keeping the original lyrics and piano melody while exploring a new musical direction.

They entrusted the remix to Narik (Freegrant Music, Bonzai Progressive, EinMusika), whose timeless production style brings a unique reinterpretation of the track. His version features deep, emotional textures and a subtle deconstruction of the vocal part, blending nostalgia with innovation.

Now released on Clair Obscur, this 2025 remix also serves as a heartfelt tribute to Patrick Ketels, who sadly passed away a few years ago.
“The Morgan’s Wave (Narik 2025 Remix)” bridges eras with elegance — a moving reinvention of a beloved track, available soon on both vinyl and digital formats.

Français

Deux décennies après sa sortie originale, le classique trance “The Morgan’s Wave” revient dans une version fraîche et contemporaine. Né en 2003 de la rencontre créative entre la chanteuse Caroline Eloy et les producteurs Patrick Ketels et Xavier Romain, le morceau s’est d’abord fait remarquer grâce à David Altrix (Galaxie Radio), avant d’être signé en 2004 par Diki Records sur son sous-label Green Valley.

En 2025, l’idée de raviver le morceau germe dans l’esprit de Caroline Eloy — désormais connue sous le nom de Ce’Loy — qui s’associe de nouveau à David Altrix pour imaginer un remix à la fois fidèle et modernisé, conservant les paroles originales et la mélodie au piano tout en explorant une nouvelle direction musicale.

Ils confient cette mission au producteur Narik (Freegrant Music, Bonzai Progressive, EinMusika), dont le style intemporel offre une relecture unique du titre. Sa version déploie des textures profondes et émotionnelles, et déconstruit avec subtilité la partie vocale, mêlant habilement nostalgie et innovation.

Désormais publié sur le label Clair Obscur, ce remix 2025 constitue aussi un hommage sincère à Patrick Ketels, disparu il y a quelques années.

“The Morgan’s Wave (Narik 2025 Remix)” fait le lien entre les époques avec élégance — une réinvention touchante d’un morceau culte, à paraître prochainement en vinyle et en digital.

DJ FEEDBACK
Early support from Jam El Mar, Fedele, Township Rebellion, Themba, Roger Sanchez, Dan Marciano, DJ Fire, Tocadisco, Yalla Techno, Tom Leclercq, ….

After a string of mesmerizing digital releases and steadily building momentum in Europe’s club circuit, Swiss DJ and producer Audrey Danza marks a major milestone: her debut vinyl EP, titled Laughing in 4D, out this July on .

A six-track excursion through shifting emotional states and tightly wound rhythmic explorations, Laughing in 4D captures Danza’s signature tension between restraint and release. Twisting basslines stretch, snap, and spiral through layers of percussion, driving textures, and off-axis melodies — a sonic palette that feels both introspective and deeply physical. Hints of Psy-Trance, Techno, and House swirl through elastic grooves — equally suited for deep listening or peak-time disorientation. Her tactile, percussive movement ripple with tension, curiosity, and sly humor — true to the artist’s reputation for weaving high-pressure rhythms with emotional nuance. Known for her distinct and dynamic presence behind the decks, Danza has quickly become a name to watch in the contemporary electronic music scene. This first physical release captures the same refined yet playful approach to a contemporary club sound that has defined her growing reputation as a DJ.

Facta and K-LONE’s Wisdom Teeth imprint returns to the V/A format with ‘Pattern Gardening’: a new collaborative project that leans head-first into the label’s love of minimal-, micro- and tech-house, carving out the label’s distinct, contemporary take on the sound - one that swims between warm, bleepy, rolling, dubby, psychedelic and bass-heavy channels across its duration. The vinyl sampler brings together 6 highlights from the wider 22 track digital project. Wisdom Teeth heads Facta and K-LONE appear alongside longtime label associate Lurka and new signees Polygonia, rRoxymore, Sub Basics and Jichael Mackson.

By now, Wisdom Teeth and its founders are well known for their unabashed love of minimal and tech house, which - alongside ambient, UK club music, experimental electronics and a broad palette of other influences - makes up a key cornerstone of their distinctive sound. The duo’s DJ sets often see them mixing ‘00s gems from labels like Perlon, Mosaic, Minibar and a:rpia:r with more contemporary club sounds, creating a hybrid style that sits somewhere between Balearic terraces and dark UK club basements. Likewise, the label has become known as a go-to outlet for artists occupying a similar crossover space, with names like Jorg Kuning, Parris, Steevio, Duckett, Leif and LUXE all known for pushing house and techno into experimental and refreshing new territories.

‘Pattern Gardening’ follows loosely on from the label’s previous V/A releases ‘To Illustrate’ (2021) and ‘Club Moss’ (2023), which explored downtempo (100bpm) and uptempo (150-170bpm) styles respectively. Here, the focus is fixed on lush, groovy, quirky 4x4 jams, joining the dots between a global spread of producers that bring new energy and perspective to these well-explored frameworks.

As is always the case with Wisdom Teeth’s output, the results fit somewhere between the club and a more contemplative, home-listening headspace, with texture, melody and mood afforded as much significance as rhythm and functionality.

The artwork features photography by Hong Kong-based photographer Jimi Chiu, who captures seemingly ordinary corners of city life in glossy, cinematic detail.

Legendary Dutch producer Stefan Robbers returns to De:tuned with his first new Terrace album in almost 15 years entitled 'Branches'. In the early 90s, the well-respected Eevo Lute originator built a firm connection with the first wave of Detroit producers and since then he has put the city of Eindhoven on the worldwide techno map. This new 10-track album represents the trademark Terrace sound, expertly produced throughout extensive hardware studio sessions and completely mesmerizing from start to finish. A classic yet innovative exploration of Motor City techno with a unique Dutch twist.

Al White and Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!

Legendary Dutch producer Stefan Robbers returns to De:tuned with his first new Terrace album in almost 15 years entitled 'Branches'. In the early 90s, the well-respected Eevo Lute originator built a firm connection with the first wave of Detroit producers and since then he has put the city of Eindhoven on the worldwide techno map. This new 10-track album represents the trademark Terrace sound, expertly produced throughout extensive hardware studio sessions and completely mesmerizing from start to finish. A classic yet innovative exploration of Motor City techno with a unique Dutch twist.

Al White and Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!

Italian DJ Plant Texture drops ambitious techno odyssey 'Mondo Nuovo' on Mutual
Rytm sub-label, X.

Bari-based underground mainstay Dona Basile, aka DJ Plant Texture, has been crafting forward-thinking techno for a decade, releasing on leading labels from Ilian Tape to Tresor Berlin. Adding to his rich catalogue, his label debut on SHDW's Mutual Rytm sub-label X is a homage to the spirit of space travel. With the label boss already a long-time fan and having dropped tracks from this EP in his sets for a while, the partnership creates an ideal match for an artist and label looking to push the boundaries of the genre. With Basile's distinctive style perfectly fitting with the label's vision, each of the productions provides a tribute to space exploration - fusing analogue hardware and deep rhythmic invention while channelling everything from early sci-fi cinema to the 80s ambient soundtracks. "Space exploration is the ultimate metaphor for creative freedom. This album is my way of sonically mapping the cosmos, not through melody but through mood, modulation and motion", notes Basile.

Opener 'Wormhole' is a raw, driving sound with synth pulses and jacked-up drums for peak time chaos, while 'Echoes' evokes ramps it up further with panel-beating percussive loops, earth-shattering bass and twisted stabs. The title track pairs more physical and booming drums with introspective synth craft that encourages deep thought. 'Flex The Beat' is the first of two digital only cuts and offers a chaotic collision of overdrive percussion, manic vocal loops and reversed stabs for utter dance floor carnage, before 'Let It Go' (Jungle Mix) provides a dark exploration of
frenzied jungle breakbeats with drilling bass to close the offering.

lim. 2xLP colored yellow and oxblood vinyl with Poster, Sticker & Mp3 Download!

We are back with another chapter in our ongoing series of unearthing smooth vibes from all over the world, this time we go back to the FUTURE for you with: THE SUNSET MANIFESTO Volume 2. After a five year break mainly concentrating on the late 70s/early 80s Westcoast Soul/Yacht/AOR sound, we finally dive deep into the modern world of our beloved sister-label Too Slow To Disco NEO (for the third time after 2018s TSTD NEO - En France and 2020s The Sunset Manifesto excursions). But of course it wasn't a real 5 year break since the first Sunset Manifesto compilation, as in the meantime we also released a few digital TSTD Neo singles, and - more importantly - our "Too Slow To Disco NEO - FM" playlist on spotify (handcurated by Dj Supermarkt every week and now hosting more than 1500 tracks of mellow, modern sunshine vibes) was growing steadily and becoming a new, important fixpoint in the TSTD musical universe. TSTD NEO is the outlet Dj Supermarkt is using to unearth modern laidback, smooth, sunny slow disco vibes with a soulful Westcoast/Balearic touch. For him TSTD always has been about a laidback vibe/feeling, not a certain time period in musical history. And that sunny Westcoast vibe we dug out on those traditional TSTD compilations has become a huge influence to so many modern artists. So it makes sense that we present the cream of new slo/mo NuDisco/Sunset Disco/Daytime Disco acts in the TSTD format, a luxurious compilation, with artists from all across the globe: Not only from the two homelands of that modern slow disco sound, Los Angeles/California and France, but also from Beijing, Montreal, Mexico, London, New York, Stockholm, Rotterdam… the moon, you name it! This music is more a state of mind, a feeling, then a geographical thing. We are happy and really excited to annouce the following passengers are on board with exclusive tracks: Poolside, Woolfy, Prep & Eddie Chacon, Turbotito, Young Gun Silver Fox, Lovetempo, Kimchii, Goodvibes Sound a.m.m.

Dentelles Records presents La Fontaine EP Vol. 2 incl tracks by Chris Lowone, Xylène, Greg All, & Francesco Marra



Following the success of its debut release, Dentelles Records — the sub-label of Diki Records founded by Greg All — is proud to unveil the second volume in the La Fontaine vinyl series. Rooted in the spirit of the Les Dentelles Electroniques festival, this new chapter continues to celebrate the vibrant and festive energy that defines the label.



La Fontaine EP Vol. 2 brings together four exclusive tracks crafted by artists closely linked to the La Fontaine experience. This edition features a groovy and soulful vocal house track by Chris Lowone, an impressive Afro House debut by rising talent Xylène, a high-energy and captivating vocal track by Greg All, and a punchy Tech House cut by Francesco Marra.



To make this release even more special, the EP is available both on digital platforms and as a limited edition transparent Curaçao blue vinyl, adding a colorful and collectible touch to the listening experience.



Once again, Dentelles Records delivers an inspired and festive selection that captures the essence of La Fontaine's dancefloor. A must-have for vinyl lovers, DJs, and all fans of vibrant electronic grooves.



Francais



Dentelles Records présente La Fontaine EP Vol. 2!



Suite au succès de sa première sortie, Dentelles Records — le sous-label de Diki Records fondé par Greg All — est fier de dévoiler le deuxième volume de la série vinyle La Fontaine. Inspiré par l’esprit du festival Les Dentelles Électroniques, ce nouveau chapitre perpétue l’énergie festive et vibrante qui fait l’identité du label.



La Fontaine EP Vol. 2 réunit quatre titres exclusifs signés par des artistes étroitement liés à l’univers La Fontaine. On y retrouve un morceau House vocal groovy et soulful de Chris Lowone, une première sortie Afro House prometteuse de la jeune talentueuse Xylène, un titre vocal énergique et entraînant de Greg All, ainsi qu’un track Tech House percutant signé Francesco Marra.



Pour rendre cette sortie encore plus spéciale, l’EP est disponible à la fois sur les plateformes digitales et en édition limitée sur un vinyle bleu curaçao transparent, apportant une touche colorée et collector à l’expérience d’écoute.



Une fois de plus, Dentelles Records livre une sélection festive et inspirée, capturant toute l’essence du dancefloor de La Fontaine. Un indispensable pour les amateurs de vinyles, les DJs et tous les passionnés de grooves électroniques vibrants.

Mood Child Presents ‘Various Moods Vol. 4’: Six Multi-Mood Tracks from Nick Curly, Joey Daniel, Wilder (ITA), and more

Mood Child, the forward-thinking label helmed by Sirus Hood and Manda Moor, proudly unveils Various Moods Vol. 4, a striking album of six genre-blending tracks that each bring a unique sonic perspective. Set for release on both vinyl and digital formats, this carefully curated collection showcases the label’s signature commitment to innovation, groove, and dancefloor energy.

Side A leans into classy, funky house vibes, while Side B ventures into wilder, tech-driven territory, offering a versatile listening experience for both crate diggers and peak-time DJs.

The compilation marks the return of German house icon Nick Curly, Italian heavy-hitters Wilder (ITA) and Mattia Scolaro, and rising Brazilian talents Las Heras and ROKKE, who teamed up with RAMOOX for a potent collaboration. Mood Child is also thrilled to welcome Dutch maestro Joey Daniel to the label for the first time.

Vibes Addikt, N.O.B.A’s label — supported by renowned artists like Charlotte de Witte, Amélie Lens, Klaudia Gawlas, Thomas Schumacher, and Mha Iri — presents Addikted 02, the 2nd edition of the Addikted series. This compilation brings together various artists from diverse backgrounds.

Each track delivers raw intensity and fierce energy, embodying the label’s signature blend of punchy techno and trance influences.

Available as a limited yellow and black "splatter" vinyl and digital release, this drop targets DJs, collectors, and dancefloor thrill-seekers.

A bold new chapter for Vibes Addikt.



Français



Vibes Addikt, le label de N.O.B.A — soutenu par Charlotte de Witte, Amélie Lens, Klaudia Gawlas, Thomas Schumacher ou Mha Iri — présente Addikted 02, 2? édition de la série Addikted. Cette compilation regroupe plusieurs artistes aux univers variés.

Chaque morceau mêle intensité brute et énergie ravageuse, incarnant la signature du label : techno percutante et influences trance.

Disponible en vinyle édition limitée jaune et noir "splatter" et en digital, cette sortie s’adresse aux DJs, collectionneurs et passionnés de sensations fortes sur le dancefloor.

Un nouveau chapitre audacieux pour Vibes Addikt.

2025 Repress!

The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre.

His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With 9 Is A Classic, Slaves To The Rave, Pitch-Hiker, Stereo Murder and We Have Arrived, just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties!

The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp.

All original tracks have been re-mastered to the highest possible standard of quality.

Hot off his killer 2024 remix of Tiga and Hudson Mohawke’s “BUYBUYSELL,” UK-New Zealand DJ/Producer Keepsakes makes his proper Turbo debut with the Impossible (Eating the Sun) EP. From merciless techno bangers to caustic track titles that will absolutely shred your preconceived notions about the world and sneer at them as they writhe bleeding on the cold, hard ground, this release validates our label’s OCD-level commitment to living on the edge of something at all times.

The title track doubles as a massive forest rave bomb AND the No. 1 battle weapon for opening DJs looking to fuck over the headliner, while “Bongo Funeral” reimagines tribal techno as the chief export of a village ruled by emotionally unavailable gremlins. Next, “Snacks at Waco” makes skillful use of a hammering industrial beat to hammer home the importance of loyalty and community, and “Parasocially There for You” deftly soundtracks anxiety dreams about meeting your favorite podcaster. Finally, closer “Nimby Orgy” likely represents the very first sexual aftercare banger. NOTE: we’ve heard bad things about both NIMBYs and YIMBYs, and as such have adopted a militantly neutral position on the matter of who is f-ing and s-ing in our backyard.

Given that Keepsakes is a vinyl-only DJ, we’ve done him the courtesy of making this release available both on vinyl and digitally. While this would have been an incredible opportunity to completely shut him out of playing his own tracks, we decided that this would be unfair to the music itself. Because at the end of the day, Turbo takes its marching orders from Harmony, Melody, Rhythm, and Timbre, and to betray even one of our ethereal masters would be tantamount to kicking our own vision square in the nuts. IOW: ain’t never gonna happen.