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Hot on the heels of their sophomore release with DJ Rocca, Cyphon Recordings welcome Tijuana’s Cyborg Nerve to the family for the third installment in their busy label schedule.

A new project helmed by the Cedillo brothers - also known for their work under the monikers Soul of Hex and Mano De Fuego - Cyborg Nerve’s sound tips the hat to the roots of Detroit electro and techno.

The Vicario Musique Recordings bosses have already made a mark under their Soul of Hex alias, pushing their cosmic, vibrant take on deep house. It’s caught the ear of labels and artists across the world; the likes of Delusions of Grandeur, Freerange Records and Quintessentials have shared their music and they’ve even earned the Larry Heard seal of approval, with the legendary Chicago producer stepping up to remix their 2014 track ‘Lip Reading’. As Mano De Fuego they’re also getting their music into the hands of pioneering figures in the American dance music scene - summer of this year saw them release a shamanistic debut via the inimitable Underground Resistance.

For their debut outing as Cyborg Nerve, the pair deliver four tracks of old school electro grooves. Title track ‘Cristalizacion’ kicks things off. A slice of intergalactic electro; celestial pads soar above warm bass and staccato drum rhythms. Their eponymous track follows and takes the energy levels up a notch: a warbling bass line drives the track forward, whirring and revving while crisp hats fizz overhead.

‘Tijuana 3000’ is another cut that's custom-made for the dance floor. As with the title track, the duo call to mind the interstellar jazz-tinged electronics of Detroit outfit Galaxy 2 Galaxy, as they pair cosmic twinkling melodies with a hypnotic acid line that takes centre stage. ‘Machine Effect’ brings the EP to a close. Like its name suggests the track is powered by a raw, machine funk groove and precise drum programming - no bells and whistles, just pure cosmic vibrations to move your body.

Beatservice Records are beyond thrilled to announce the arrival of Kohib's hotly anticipated studio album 'Today's Tales Of Tomorrow'.

DJ, producer and club organiser Øivind 'Kohib' Sjøvoll has been in truly dazzling form of late, serving a series of mesmerising singles that served as a tantalising taster to his latest album – the third he's crafted for Beatservice. Actively producing immaculately crafted sounds for over two decades, sonic alchemist Kohib continues his deft aptitude for sculpting genre-defying compositions, with 'Today's Tales Of Tomorrow' playing host to some of his most compelling material to date. From pitch black introspection to rousing dancefloor abandon, the album is every bit as far-reaching as we've come to expect from this singularly talented artist.

The collection bursts into life via the club-focused thrust of 'Golden Skies', featuring the seductive vocals of enigmatic songstress, Lydia Waits, whose stirring performance shines like a beacon as it soars over Kohib's slick four/four groove. Crisp drums drive the hypnotic rhythm over a subaquatic bass line, as icy pads and pitched synth percussion combine to stunning effect, effortlessly building to Waits' rousing chorus section. Subtly shifting the mood, we arrive in the heads-down throb of 'It's Never Late In Neon Signs', where glistening arpeggios and snarling bass caress Lydia Waits' honeyed vocal, the pristine instrumentation undulating over a mesmerising, radio-friendly arrangement.

'Fake Fur' arrives with deliciously brooding intent, with (Kohib's High Heeled Giants bandmate) Helle Larsen's bewitching vocal gliding over immersive instrumentation and otherworldly textures. Evocative harmonics combine with ethereal synth leads and dramatic aural waves, the hypnotic percussion gently driving the groove deep into the half-light of a crisp autumnal haze. Next, 'Hold That Thought' mischievously switches the rhythm, as thick sub bass and searing synth motifs power over broken drums while Helle Larsen's affecting vocal rises from delicate verse into dramatic chorus bursts.

'Sandcastles' once again sees Helle Larsen grace the stage, lacing waves of cinematic pads glide and live bass as scattered percussion forms an alluring rhythm. Sparse and precise, the evolving music ebbs and flows as the tides, gorgeously caressing Larsen's emotion-rich vocal as she weaves her seductive lyrical metaphors. The album's title track 'Today's Tales Of Tomorrow' sees sinister lead synths exploding over deviant bass as the pulsating rhythm drives the cut through distant vocals, the low-slung groove proving magnetic as the nocturnal melody works its magic.

The tempo rises rapidly, with the pounding bass arpeggio of 'This Kitty Got Claws' purposefully marching through cascading synth textures, euphoric chords, and self-assured lead vocals. Expertly displaying his expansive production finesse, the rhythm once again switches as we sashay into the utterly bewitching 'Rhythm Cast A Spell On Me', with Lydia Waits' indelible vocal providing a profoundly atmospheric moment. A sublimely constructed bed of neatly woven keys, xylophone strikes and haunting bass clarinet elegantly embrace the ethereal lead vocal.

The mystical melodies of 'Not Supposed To Be' echo over a misty woodland landscape, with Lydia Waits' unfeigned vocal flowing over jagged synth textures and gently broken rhythms, before Helle Larsen returns with the sensual swansong 'Let's Stay Right Here'. Sumptuous keys shimmer over a steady tempo, with warm bass and sugary melodies supporting the intoxicating lead vocal for a gorgeously heartfelt finale.

Vividly illustrating Kohib's unthinkably vast sonic repertoire, 'Today's Tales Of Tomorrow' looks set to further enhance the Norwegian producer's already glowing reputation, with each exquisitely-formed track combining to create a collection that's at once powerfully memorable and profoundly coherent.

New London imprint Deep Water Culture offer their first outing from label co owner Jamie Fairley, entitled ‘A Jazz Loving Adventurer’. He delivers 3 after-hours minimal cuts with a stripped back remix from the master of weird & wonderful and good friend of the label, Paul K.

Zurich’s Elvis Cassetta delivers a dazzling four-track debut EP to his brand-new WhyNot imprint. Complete with a refined deep house sound, this is an expertly crafted body of silky smooth grooves to get floors shaking.

'Down With Us' instantly displays Cassetta’s effortless ability to create a hot house swing using just a handful of elements – subtle groove, skittish percussion and a sultry vocal sample. The whole track is thrown out wide in the breakdown, but then as the bassline is brought back in, Cassetta draws it all back in close for an intimate dancefloor moment. Definitely one of those hands-in-the-air peak-time scenes.

Dreamy synth pads steadily build under a thunderous kick drum pattern on the EP’s second track, 'Focals Finest', which takes the tempo up a notch for a real sweat inducer.

Finally, it’s all about a raw bassline on the metallic and techy 'Jupiter Groove'. Contorted slices of spoken word dip in and out throughout to create another level of leftfield, danceable percussion. While the low end is the main focus on the original, in Silat Beksi’s remix, we hear a brighter take on the deep groove. There’s a swirling sample, more prominent key stabs, eerie vocals and a teasing smattering of melody. Percussive elements are thrown from all angles, and they pulsate up into the rafters of the lofty house track, leading you further into a state of hypnosis.

Overall, these are house tracks made right – a classy release fit for warming in crowds in style.

2023 Repress

It's always a huge pleasure to have him back. Lewis Fautzi's astronomic ascension is well known and we are delighted that he decided to 'play home' one more time.

Although the years are passing by, Lewis is faithful to his principles. His personal style is almost a trademark and impossible not to recognize. Techno scene has evolved and he has evolved with it but always in a straight line, adapting himself perfectly to the new tendencies and keeping his touch and his vision.

This new ep is full of trippy pads and powerful bass lines. Mesmerizeng techno as its finest and with a small cherry on top of the cake: a remix by Rødhåd. His first time with us and there is no greater feeling, specially knowing the huge artist he is. Established nowadays as a techno force, the german producer combines the hypnotic with different theatrical approaches and came a long way demonstranting the uncontainable nature of his brand of shadowy dance creations, as someone once described his work. We couldn't be happier with the result.

In summary, the first ep by Lewis Fautzi on his own imprint with a remix by Rødhåd.

Lewis, welcome back home!! And thank you for bringing such an illustrious guest.

Daje Funk Records is back with Vol. 4 of the legendary ‘Slam Dunk’ series of EPs, this time featuring Souldynamic - Musta - Les Inferno - Groovemasta !!!

On the A-side, the supremely talented Souldynamic kicks things off with ‘Tales From Q.J.’ - a delicious chunk of late summer grooves bathing in sun-drenched keys and strings. The rolling bassline acts as the hook, and what follows is a gloriously constructed melodic masterpiece sprinkled with heavenly vocals. Fall in love with this, you will.

A2 sees Italian maestro Musta crack open the deep reggae vibes with ’Soup’. You’ll find it hard to resist this bubbling broth of twisted, rhythmic precision bass, ‘one drop’ beats and tight, short skanking guitar riffs. With ‘Soup’, Musta demonstrates his complete understanding of this genre. Darkened room or bar sun terrace - you decide.

On the B-side, label co-owner Les Inferno spices things up several notches with the aptly titled ‘Hot Burn’. And boy, does this track sizzle. A hustling rhythm that takes over your dance nodes from the get go, Les Inferno lovingly sprinkles Latino and Afro vibes all over this searingly hot dish. It’s furious, intense and relentless - and the brass breakdown acts as the tabasco sauce. Drink water. Plenty of water.

Closing Vol. 4 out on B2 is Groovemasta with ‘That Funk’. A track that treats its funky beats and chunky bass like royalty, this 118bpm monster wastes no time in demanding ‘Gimme that funk’. And you’re gonna hand it over. The swirling, gyrating sexiness of ‘That Funk’ can’t be understated - impossible not to lose yourself in this guaranteed dance floor time bomb.

Slam Dunk Vol. 4 seriously raises the bar for this already excellent series, and has to be in any self-respecting vinyl junky’s record box. Grab it while you can!

NYC’s Jkriv delivers a package of proto and golden era house re-edits for longtime pals Pleasure of Love.

The Razor N Tape label co-founder has reliably delivered dancefloor ready cuts on Z Records, Glitterbox, Barefoot Beats, Rocksteady Disco as well as his own imprint. On his first Pleasure of Love release Jkriv explores house in all its NYC glory; extending the energy on mid-late 80s proto (Got a Thing, Don’t Take Your Love Away) and masterfully looping and building tension with underappreciated early 90s house (G.D., Feel It). Expert level re-rubs by one of NYC’s finest producers.

Next up on Toolroom’s 4-track vinyl sampler series is a tasty collab from label founder, Mark Knight and dance music royalty, Armand van Helden, a fresh new edit of a revered club weapon from Julio Navas, Gustavo Bravetti and David Amo, Kiss FM regular, majestic and Sydney-native Alex Preston.

Up first label boss, Mark Knight enlists Grammy nominated Armand van Helden for their debut collaboration, 'The Music Began To Play'. Kicking off with a hard-hitting house groove and electrified bassline that drives the record, before dropping into the track's golden moment and sampling the 1979 classic disco cut 'I Don't Need No Music' by T.J.M; a gem of a record that encapsulates both Mark and Armand’s love for classic cuts.

Next up, a record that became a cult hit of the underground and one that defines the true sound of Toolroom's heritage, Julio Navas, Gustavo Bravetti and David Amo’s 'Raw'. Refreshed for 2022, we see one of France's hottest exports, Tony Romera, deliver a high energy, club focused remix of 'Raw', bringing the classic club record back to dancefloors and sound systems across the globe!

Up next is another heater from Majestic, who debuts on Toolroom with ‘Annie’. Recapping one of the hottest summers on record, Majestic embodies the Balearic, Ibizan heat, sampling Kid Creole & the Coconuts 1982 hit, 'Annie I’m Not Your Daddy', turning a slice of calypso / disco, into a club ready record for the dancefloor. From the brass melody to the hooky guitar riff, majestic lays down his signature style with a Groove Armada-esque vibe throughout.

Rounding things off is label favourite, Alex Preston with his unique blend of 4 to the floor dance music and live funk guitar riffs that have swept through clubs, moving feet, and bringing those feel-good vibes. Ticking all the right boxes on this one, 'Hunching' kicks off with its infectious groove and bassline, throwing in some lush strings, guitar flits and an 80's inspired saxophone break that adds some serious flavour to the record.

Paul Hammock es el artista por todos conocido como Cignol, sin lugar a dudas uno de los genuinos revolucionarios dentro del sonido electro de la última década y media. Sus trabajos llevan surcando nuestros Technics desde 2008 a través de los sellos de vanguardia electrónica del nuevo milenio.

En su decimocuarta referencia en vinilo, el sello Valenciano HC Records, tras una imparable y ecléctica línea editorial, publica el nuevo trabajo del genio de Dublín titulado Binary Choices. Un maxi en el que nos domina un profundo sentimiento de melancolía cósmica a través de cuatro cortes que nos sumergen en una odisea espacial.

Adentrarse en cada corte del vinilo es como viajar hasta diferentes cuerpos celestes y dejarse sorprender por su atmósfera ensoñadora, y es que solo es necesario que transcurran 58 segundos de Binary Choices, primer corte de la cara A, para sentirnos arropados por un sentimiento de suma nostalgia, alegría y futurismo. Una inteligente combinación de pads, sintes y brillantes percusiones que nos adentran en un astro inexplorado repleto de extrañas vegetaciones, increíbles seres multicolores y horizontes infinitos que activan nuestra sinestesia.

Un emocionante, decidido y contundente ritmo 4x4 a baja velocidad nos traspasa el alma al surcar la superficie de Broken Circle. Un recuerdo olvidado en forma de aterciopelado sonido se crea frente a nuestros ojos en la consecución del compendio de melodías intimistas que componen sus 4:14 minutos, en los que encuentra sosiego nuestra mente y bálsamo nuestro alma.

La cara B del vinilo regresa al cristalino, eléctrico y veloz ritmo roto con Momentum Gateway, track en el que sus dominantes y ácidas cadenas de bajos se enrollan y juegan en sincronía perfecta con sus diferentes capas de teclados y su vibrante e iridiscente pad.

En el último planeta al que nos transporta Cignol, suena en cada uno de sus parajes Validity Movement, track con el que nos dejamos guiar por su grueso y áspero bajo principal, que contrasta con los delicados sintes y atmósferas que lo rodean. Una experiencia sónica tan delicada, íntima y eficiente que podría servir tanto como banda sonora en la creación de un nuevo universo como en la contemplación de su ocaso final.

Finalmente, por un lado, el trabajo de master del lanzamiento ha sido llevado a cabo por Steve Voidloss en Black Monolith Studios en Londres y, por otro, Dani Requeni completa esta obra con la dirección del arte gráfico de la misma.

With a vast catalogue of releases under his belt, Netherlands mainstay artist TWR72 debuts on Room with Narrow EP, delivering an impactful, seriously effective release that's well accompanied by an immense remix from the up-and-coming Mathys Lenne.


The title track "Narrow" sets the tone for what's to come on the front side, with a rumbling kick and low end, destructive vocals and bleeps that make up a perfect tension builder for peak time slots. Adding his own sturdy, fiery and visceral vision of Techno, the young French artist proposes his version of "Narrow", adding an atmospheric tension and swank drum work to the original. Not for the faint-hearted.


On the B-side, TWR72's very own, characteristic sound brings "Generous" and "Exact", two slick, drummy and useful tools that will surely fit into a lot of DJ's bags.

2026 Repress

Kerri Chandler delivers ‘Lost & Found Vol.2’ this March, marking the second instalment of the series which focuses on tracks from his archives.

Kerri Chandler’s Kaoz Theory unveiled the label bosses ‘Spaces & Places’ LP in 2022, showcasing Kerri’s globetrotting career of the past few decades and featuring recordings produced on the dance floors of many leading clubs such as DC10, Sub Club, Rex, Printworks and more.

Here the label kicks off 2023 with a glimpse into Chandler’s archived material, offering up four cuts in his inimitable, iconic style.

‘Fluff Rehab’ leads the way and see Kerri offering up crisp drums, spiralling dub stabs and fluttering low-end pulsations throughout.

‘What If’ follows and tips the focus over to a more soulful feel, fusing a wandering bass line and airy textures with vocal chants, choppy keys, and a gritty drum groove.

‘Who Are You (Main Vox)’ then opens the B-side, retaining a similarly soul drenched feel, bringing Kerri’s own harmonious vocals into the mix alongside a crunchy, swinging rhythm and jazzy elements.

‘Dem Joy Ride’ rounds out the EP next, flipping the switch to a funk-infused, organic feel as brass lines, hypnotic keys, dynamic drums, and guitar licks collide across an ever unfolding five and a half minutes.

500 copies

Wow, I thank you all from the bottom of my heart for the support with Dynamite Cuts since 2017 when I opened a Pandora’s box of 7” gems. When I thought about starting DC, I had a list of around 100 album tracks I wished I had as a 7” 45. Now 5 years (2022) later my list of 7” delights have become true. In the late 80s, I picked up the Frank Strazzeri “After the Rain” LP, which totally blew me away. Now, all these years later, these three magical choons have the honour of being my 100th release.

These titles are first time on 7” vinyl and all cut @ 45 rpm. An unmissable, perfect Jazz funk release

Italian DJ and producer Francis De Simone debuts on Lee Foss and Jamie Jones' label Hot Creations with London Bass. Having built a solid back catalogue in recent years, his first Hot Creations release embodies the dynamic sound of the Palermo-born artist, channelling chunky tech house and disco-flavoured melodies.

De Simone explains his creative thinking behind the EP. "These tracks fully express my devotion to music. I ranged a lot, trying to remember an 80's sound up to a more raw and synthetic groove with Latin vocals to embrace the different ethnic groups." Reflecting his thoughts to a tee, the title track rumbles with a massive bassline and chopped-up vocals that add an instant burst of energy. Things get weird on Saludos A Todos, as thumping kickdrums collide with a trippy melody and even trippier vocals, creating a wavey atmosphere. The ideal club curveball. On Off White, De Simone delivers a pacey number packed with burbling beats and clicky percussion, complemented by dreamy vocals. The hint is in the name on closing track, This Is Undergound. A big room delight, De Simone drops a stripped-back banger, where the lyrics do the talking in tandem with a driving bassline. An excellent addition to the Hot Creations discography.

Based in Palermo, Italy, Francis De Simone stems from a family of musicians. Having played the drums from age two, the versatile artist can make anything from rock, pop and jazz, but these days, De Simone pens electronic music. His father worked as a bouncer for various local discos and exposed De Simone to dance music from a young age, later inspiring him to produce house and techno with an uplifting tint. Releases on Glasgow Underground, LW Recordings and REALM Records have helped shape the profile of this flourishing artist, with plenty more to come further down the line.

A release that doesn't bow to genre conventions, deeply emotional at its core. Sometimes cinematic, often infectious, and always loosening limbs on the dance floor. This is Man Power music.

Geoff Kirkwood's first vinyl release of 2023 comes courtesy of Helsinki's Echocentric Records. Kirkwood is just as comfortable writing and presenting experimental symphonies, ambient hauntology, and audio-visual orchestral performances as Bed Wetter or delivering raucous kinetic techno as MPX. For everything in between, he is Man Power

Holy Shit! A new player in town with 2 smart dancefloor classics.
Joyful A side with polish reggae mash up hero Dreadsquad with one of his most classic mash up.

The flip sees the debut of Albanian artist Toni Cicoria. All the way from Tirana, Toni take advantage of this long time classic Italian rap, and deliver a real SM Click experience.

recut and repressed !

Summer is here, and we at OFF are proud to be once again a steady provider of sunny vibes with this lovely 2-track EP.

Purple Disco Machine from Dresden, Germany step up to the plate with a soul/disco-infused house tune with a driving flow and a killer beat, one made both for the club and the beach.

Second track comes from praised producer James Silk, from Liverpool, already familiar to the likes of Defected or Exploited, who delivers a west coast influenced deep house tune with an inspiring breakdown and a groove that will make everyone smile.

Another hit from OFF aimed straight to the soul!

---- Malente & Teenage Mutants - Blow My Mind

After the immense success of chart topper 'Hanging On' (Co-produced with Andre Crom), Teenage Mutants (Stil Vor Talent, Nurvous) makes yet another promising collaborating alliance with german superstar Malente (No Brainer, Defected, Fool's Gold, Southern Fried) to provide another hit single of huge proportions.

'Blow My Mind' is a nu-disco influenced funk bomb with a rocking synth bassline and hypnotic vocoder vocals that create a deep and spacey atmosphere. Another quality OFF installment destined to take dancefloors all over the world on a deep funky trip!

The highly anticipated new release of Guy Mantzur's label Moments contains an exceptional collaboration of the two legends Audio Junkies and Sahar Z. The Israeli dreamteam managesonce again to sail into uncharted soundscapes, displayingtheir skillsetwhile giving usa glimpse into their musical world. The works connect the dots between styles, fusing indie dance, breaks, psychedelic, and progressive elements into an integrated conceptual work of art. 'Variants' indicates what is to come in this musical endeavor, combining skillfully executed warm melodic stretches blended carefully with a driving beat. 'Come2gether' carries an uplifting melody providing a soul-stirringnostalgic moment, perfect for any dancefloor.

This vinyl version of the release brings the warmth of an audiophile-worthy audio quality and delivers an additional track. Come2gether (Delta Mix) is an exclusive version, bringing an edgier take on the exquisitely put-together material. Dig in!

Music From Memory is delighted to be turning 50 with a special release: MFM050 - V/A - Virtual Dreams: Ambient Explorations In The House & Techno Age, 1993-1997 (3xLP/2xCD). The first in a series of compilations, alongside more in depth artist-focused releases, Virtual Dreams will delve into music produced during the 1990’s that redefined the boundaries of ‘Ambient’. This was music that explored the possibilities of Ambient music within a new setting, created often by House & Techno music producers for a world beyond dance floors but made very much with the pre and post-clubbing listener in mind.

When House and Techno exploded out of America in the mid 1980s a whole generation was redefined not only musically but also culturally and chemically speaking. Peaking, quite literally, with a second ‘Summer of Love’ in 1988, millions of young people across the world would experience the life-changing ups of a brave new world but with it of course came the downs; enter the concept of a ‘Chill-out’ room. Whilst early Chill-out rooms lacked a specific sound and were often soundtracked by music such as reggae and soul, slowly young Techno and House producers themselves would become increasingly interested in developing a futuristic ‘Ambient’ soundtrack to a world beyond the thud of the main room.

‘Ambient’ in this new age now though had sharper teeth than in Brian Eno's key text for ‘Music for Airports’, instead here the sounds were the mode of transport rather than the backdrop. While the melodies were pretty, the soundscape steered away from the pastoral, dreaming of outer-space and technology as opening up exciting new dimensions. Much like in the first Summer Of Love; the musicians were again exploring psychedelic, mind-altering and transcendental possibilities of music. And also much as in the first Summer Of Love, a psychedelic visual language would accompany the music. Though now the tracks could be accompanied by music videos, utilising early CGI techniques, they would look almost entirely to the future: envisioning technology, nature and humanity intertwined in a new Utopian future. Virtual Dreams of a better world.

From Ambient and early Chill-out classics, to lesser known one-off projects, as well as Ambient deviations by some of House and Techno’s leading producers, Volume One of Virtual Dreams features tracks by Bedouin Ascent, LA Synthesis, LFO, Marc Hollander, Mark Pritchard & Kirsty Hawkshaw, Richard H. Kirk and more.

To celebrate our 50th release the first 1000 copies include a holographic 'Virtual Dreams' sticker plus a special insert poster with artwork by Victoria Pacheco and design by Steele Bonus.

An extended 12” ‘Club Mix’ of the 1980’s classic covered in true lovers rock style by the late Melody Beecher. Produced by husband Paul and remastered from the original two track session tape. Jura Soundsystem delivers a ‘Lovers Version’ combining snippets of vocal from the original with the Dub mix, going heavy on the reverb to create a more dubbed out excursion.

The 12” is housed in a black and yellow IOJ Island Disco sleeve with sticker designed by Bradley Pinkerton.

High Focus Records are excited to share a new full length offering from prolific Brighton based producer Mr Slipz, this time with a fresh label signing, Australian rapper Nelson Dialect. A landmark release and signing for High Focus with Nelson being the first international signing on the label. UK listeners might have first heard Nelson collaborating with Verbz & Mr Slipz on the song ‘Hope’ from their acclaimed LP ‘Radio Waves’ released on High Focus in 2020. Nelson has a cult following in his own right in Australia, and previously released music on the legendary U.S label Fat Beats to great acclaim. Now teaming up with one of the most exciting and respected UK producers, Nelson & Mr Slipz deliver ‘Ever Since’. A statement piece by two artists with well over a decade spent on their craft which sounds as urgent and refreshing as if it were their first time releasing music. The album’s title is a reference to the endless quest for a timeless sound, reflecting the creative partnerships which spark from a seemingly forever existing thread of music. The two artists crossed paths whilst Nelson was on tour in Brighton, and a chance introduction to Slipz made this album a reality. As fate would have it, due to a cancellation of plans and changing of schedules during Nelson’s tour, the pair ended up in the studio for 8 days straight together which is when the bulk of the album was created. They each saw this as a cosmic alignment and thus played into the albums astrological artwork themes and overarching concept. Striving to capture the lightning in a bottle moment, what resulted musically on this album was an inspired surge of energy and intense creative output that is felt across the entire LP. Equal parts personal and lyrically dextrous, Nelson explores a multitude of concepts over the hard hitting drums and jazzy samples producer Mr Slipz is renowned for through his previous work with artists including Verbz, Kofi Stone, Vitamin G & Datkid among many more. The album features a slew of impressive guest verses including label mates Vitamin G & Verbz on the emphatic ‘Oxford Scholars’. Two legends Jehst & Confucius MC combine on ‘Smooth Ride’. Bronx pioneer & D.I.T.C legend A.G delivers a show stopping verse on ‘Trembling the Marrow’. There are hypnotic singing performances by Indira May on ‘First Date’ & ‘Open Book’ as well as Hiatus Kaiyote back up vocalist Jace XL on the soul stirring anthem “Figure Out What’s Right”. U.S rappers SickInTheHead & Cazeaux O.S.L.O round out the impressive guest list on the album with their inspired verses. Listeners caught their first glimpse of the duo with their debut single ‘Only Just Begun’. A whirlwind 3 verse tune showcasing the relentless wordplay and imagery Nelson is regarded for over a moody, hard hitting Slipz production. With a buzz already around what Nelson Dialect & Mr Slipz are brewing, the duo have just released their second single ‘Oxford Scholars’ featuring label mates Vitamin G & Verbz

10 years, 20 releases. This is the last of them. Label head Inter Gritty at the controls, delivering four tracks of techno with a twist. Over & out from Random Island HQ - it's been real!

RNT brings the heat for their 2nd outing in their Family Affair compilation series, representing both their ever-expanding RNT ménage, as well as their tight knit musical nuclear fam.

Side A welcomes two seasoned producers to the catalog for the first time: Red Axes with their flip of fellow Israeli Nenor’s banger 'Do You Remember', and Chicago legend Boo Williams comes correct with 'Besty Smith', characteristically bumping and soulful.

OG RNT artist Frank Booker delivers his classic sampley deep sound with 'Time Won’t Tell', and Underground System’s Peter Matson takes JKriv’s 'Something Else' in a synthy and modern electro disco direction to round out the B side. Aural hugs all around in this fam jam!

recut and repress !

Charlotte de Witte, without doubt one of Belgium's fastest rising talents in the techno circuit, and known from two strong EP's on Tiga's Turbo label, makes her debut on OFF.

The EP starts off with 'Trip', aptly name due to its cinematic sound design and arrangement. Charlotte's trademark use of vocals ooze character, and haunting synths complemented by a laidback but steady drum-foundation are the ingredients of this track.

Sweden's Techno-legend Cari Lekebusch delivers the first remix, a functional and linear interpretation, which is sure to be heard on festival dancefloors during the late summer.

TWR72 of Amsterdam, themselves very much what you would call a 'current breakthrough act', are responsible for remix number two, a contemporary interpretation based on syncopated rhythms.

The EP is completed with 'Repeat', a reduced drum-tool built around a repetitive vocal hook.

Altogether a strong statement of a promising young artist and another proof of the ongoing evolution of OFF Recordings.

KingUnderground presents a stunning collection of 8 releases pressed onto 7” vinyl from the Cavendish Music catalogue. Paying homage to the genre of Library Music, furthering its exposure to a new generation of listeners.
Library Music experienced its heyday in the 60s and 70s, as thousands of instrumental tracks were produced by musicians and composers for the purpose of placements in Radio, Television, and Film. This rich piece of European music history would go on to inform genres to come and speak heavily to the Jazz, Funk, and Hip Hop communities of the future.
This was often a musician's first opportunity to become a composer, or what most would commonly know now as producer of music. These composers would work with a stable of musicians to record 100’s of tracks that would go into a publishing Library. The pieces of music were recorded quickly and deliberately. The composers, musicians, and engineers understood their role in the process, it was an act of discipline amongst all involved. Often the composer was given a brief on what the end goal was for the client. The specifics would include tempo to lock into, song ending time, ect.
Never before have these tracks from the Cavendish Music Library been pressed on 7” vinyl at 45RPM. In all there will be 8 individual 45s, licensed from Boosey & Hawkes & Cavendish Music Library. The collection includes compositions by Tony Kinsey, John Scott, Sam Fonteyn, Ray Davies, and more.

There’s a boldness to Library music. It's in the forward nature of where the drums sit in the mix and the percussive playing of the keys that gives you something to grab hold of, it feels grounded yet exciting. It’s music beamed in from a different galaxy!

Dialling it back to the early ‘80s yet with a firm foot still in the future, Dr Packer takes on two of Freeez’s classic brit funk cuts ‘I.O.U’ and ‘We Got The Juice’ for a double dose of disco remix deliverance.

First up for a slice and dice, Freeez’s biggest hit ‘I.O.U’ gets a trademark Dr Packer update with a tougher bassline and squelching synths, echoed and extended in all the right spots. On the B, ‘We’ve Got The Juice’ gets a DJ friendly edit, with the Dr replaying the bass riff to get that extra dose of funk, whilst tightening up the percussion ready for it to be unleashed on the dancefloor.

DJ Support:

Arthur Baker, Dave Lee, Michael Gray, Fingerman, Casual Connection, Yam Who?, Andy Smith (Streetsounds), Walterino, Casa Blanco + many more

Lisbon’s Welt Discos brings you the latest charming confection from Rory Bowyer, whose Rube Goldberg Series label has become synonymous with this strand of upbeat, modern house music. Following hits on Partisan and Free Voyage, the Bob’s Your Uncle EP features big 4/4 groovers on the A and delicately poised breaks and downtempo on the B. Restraint and flare are here in equal measure – check the patient build-up on the title track or the blissful breakdown in the monster ‘Horizontal Horizon’. Musicality, groove and a quick wit – Rory’s recipe for any occasion.

The debut studio album from multi-platinum singer RAYE. Featuring number one single Escapism feat. 070 Shake.

Four times BRIT nominated, RAYE is one of the most streamed artists in the world with over
2.3 billion streams of her music. She has a double-platinum, four platinum, two gold and
three silver singles to her name. She is also indisputably one of the UK's premier
songwriters. Her songs have amassed over 3 billion streams, having written for some of the
world’s biggest artists including: John Legend, Ellie Goulding, Khalid, David Guetta, Diplo,
and Beyonce. In 2019 she was awarded The BMI Impact Award in recognition of her 'groundbreaking artistry, creative vision and impact on the future of music, in 2022 she was
nominated for the Ivors Songwriter of the year, landed R1 Brits List and made her debut solo
TV performance on Jools Holland. During the summer of 2021, her cries of frustration for not being able to release her album were heard worldwide, leading to a mutual separation from her label and allowing her to
carve her own path. Having made her public tirade, followed by her personal 'declaration of
independence', Raye in effect has obligated herself to deliver the ground-breaking first
album that her 2019 BMI award prophesied.

Benjamin Damage is back on ARTSCORE with a stunningly crafted record that explores the deepest parts of his mind.

We strongly believe that an Artist should have the freedom to express many phases of his thoughts, and doing it with the power of Techno is one of our main goals to inspire you. Benjamin is clearly on top of his game, and we are proud to deliver something very powerful here, done in one of the most elegant ways.

SHDW & Obscure Shape return to their mothership label From Another Mind with their six-track 'Vergessene Welt' EP, signalling the first material on the imprint for 18 months.

Founded in 2015, the launch of SHDW and Obscure Shape's label From Another Mind saw the Stuttgart-based DJ/producers establish themselves via a wealth of self-released material while welcoming a long list of high-profile remixers, including Rodhad, James Ruskin and Dax J. However, the pair's evolution saw new ventures explored and attention focused wider afield with the launch of their second label Mutual Rytm in 2022. Utilising their A&R skills, the label has seen the duo curate and invite a selection of up-and-coming and established names while also delivering their first EP on the label in Summer, 'Poetic Justice'. Exploring the techno sounds of tomorrow while drawing on influences of the past, the label quickly turned heads and has become a go-to for many. Following a brief hiatus, the attention is now turned back towards From Another Mind as the pair explore their origins and the signature FAM sound once again, opening the New Year with six fresh productions across their 'Vergessene Welt' EP.

Opener 'Planet Der Sturme' is an exhilarating ride through driving basslines, menacing synth lines and hard-hitting percussion to march towards the peak hours and set the tone for what's to come. 'Der Urknall' is a trippy and murky dive through off-kilter textures and regimented percussion, while 'Das Gefallene Konigreich' ups the energy levels further with sharp metallic tones, skittering hats and subtle haunting melodies launching deep into the late night hours.

On the flip, 'Geburt Der Erde' brings a slice of paired-back, groove-led techno as a slick acid line takes control and ebbs and flows throughout the track's six-minute duration, before closing the physical record via the delicate yet compelling sonics of title cut 'Vergessene Welt' - showcasing a deep dive into far-reaching corners of the genre.

For its first release, Caprices Music relies on Brizman, an Israeli based in Berlin. In a competitive market of international DJs and producers, Brizman's distinctive sound consistently delights the hearts of listeners. He has produced a massive collection of minimal house tracks that have already been released on renowned labels. Now he's hitting his notes on Caprices Music with two original tracks "Mama Shelly feat. Linn Stern" and "Berlin Moment" in tribute to the recent death of his mother. If one is a melancholic and haunting ballad, the other is distinguished by a deep but heavy sound. As for the remixes, Tripmastaz and Silat Beksi deliver two dancefloor bomb. The remix of Silat Beksi will appear only on the vinyl version.

2023 Repress

When the reopening is slowly approaching, chaos is slowly dissolving. We pushed the button to try the new reality and for the soundtrack we've got for one of the more club oriented releases we have made till date.

Dakar's newest affiliate midnight menace starts the release with his already known schranz alike beat, dark and acidic pushing the Dance floor limits.

Cressida strikes with a funk push which could have totally fit in a Black Nation record from 2002, one of the very few produces using swing in his tracks these days. Freshness guaranteed.

Debuting the Spaniard Jheal Bashta deliver a hyper futuristic song, amen breaks, autotune, which year is it again?

Closing the issue, we warmly welcome to the legend Deeon, who deserves no introductions. Ghetto-punk. For disc-jockeys and collectors.

We spit on your plate f*kers
#oftenplusneverminus8

Following a first successful 2020 instalment and a contribution to our VA series, Blame The Mono are back on the Taapion mothership to deliver their second household EP. This 4-tracker stays true to the beloved influences of the duo by showcasing multiple genres and heavily using vocals, while keeping a dancefloor-focused essence. ''Sustain The Rigour'' translates the hard disciplined work Blame The Mono put in the studio switching over the techno recipe while keeping its original ingredients. Throughout the coldwave sonic explorations of Forlorn, endless vocal looping drive of Front Left Rodeo, bombastic Moog bassline of Conepusher or the spaced -out garagey vocal chops of Caledonian Woofers, this EP keeps both pace and inventivity rigorously high.