Cerca:damned

Formed in Essen, Germany in 1984, Kreator are arguably the most influential and successful European thrash metal band ever, like many of their European speed metal brethren, Kreator fused Metallica's thrash innovations with Venom's proto-black metal imagery. Often credited with helping pioneer death metal and black metal by containing several elements of what was to become those genres. The band has achieved worldwide sales of over two million units for combined sales of all their albums, making them one of the best-selling German thrash metal bands of all time. The band’s style has changed several times over the years, from a Venom-inspired speed metal sound, later moving in to thrash metal, and including a period of transitioning from thrash to industrial metal and gothic metal throughout the 1990s. In the early 2000s, Kreator returned to their classic thrash sound, which has continued to the present. Their last studio album ‘Gods Of Violence’ charted top twenty in ten countries, including a number one slot in their home country of Germany.

Machine is the second studio album by the American industrial metal band Static-X, released in 2001. The album can be considered post-modern metal, as it features electronics and industrial effects, and not just a pinch of electronic gadgetry. Critics and fans responded positively to this album, which peaked at #11 on the Billboard 200 charts. The song “Black and White” provided the album’s first single and music video, followed by “This Is Not”. The third single “Cold” is used on the soundtrack of the film Queen of the Damned. Machine is available as a a limited edition of 1000 numbered copies on transparent red vinyl.

Brilliant ISotonic Ci=urves are back with a new EP !

Superb killaz from Outtaspace...

ENJOY !

Brand new studio album! Featuring Captain Sensible and Paul Gray from The Damned, with Johnny Moped drummer Marty Love! Who, what and why are The Sensible Gray Cells? Captain: "Paul Gray and myself being garage psych aficionados would prefer to hear more of this kind of music and this is our contribution to the cause. If I said that some of the songs were 'Damned rejects' that shouldn't be seen as an indication of inferior songwriting.. more that they're not wearing the right shirt." A Postcard From Britain came out in 2013. What have you been up to since then? Captain: "I've never been a prolific writer.. being a lazy so and so I think it's best to wait for inspiration to call.. which explains the 7 year gap..( how many albums could the Beatles have crammed in that period!) but in the meantime PG rejoined the Damned and we've gigged about a bit, which is always fun - CAN WE HAVE GIGS BACK AGAIN PLEASE!" A Postcard From Britain was a snapshot of modern life. Does the new album cover similar themes or have you taken a new direction? Captain: "It's sad that high streets around the world have been destroyed by online shopping but nobody's forcing people to do it.. but what can you do. These are very strange times were living though - I just count myself lucky to have been around to witness the 2nd half of the 20th century.. a fab time for music, culture, ideas.. and that without even mentioning Benny Hill and On The Buses. The new album coincides with all this virus malarkey.. which, unpleasant as it is will undoubtedly be used by the powers that be to tighten the screws on us little people on behalf of their billionaire paymasters. Blah blah, etc. There's a bit of that hidden away in the album."

Returning to Opal Tapes after the highly lauded ‘Royal Dungeon EP’, Medellin, Colombia’s Filmmaker issues a damned statement in the form of ‘Late Stage Earth’ a 4-tracker of scorched electro and slamming EBM. Perfectly poised and composed dance music formed over pointillist electro melody and swung out druggy drum programming replete with wheezing pained pads. Filmmaker continues a tear through 2020 with some of the most tuneful and memorable song writing in electronics

Adamant Scream back on PRSPCT XTRM with her 2nd Vinyl EP.

We would like to write an amazing funny as fuck promo text again but were simply not in the mood. This whole Corona thing is one massive mood killer isn't it? Like the ultimate No Fun Virus! At least most people with HIV for instance had a ton of fun while contracting the disease. With Corona however there is no fun part anywhere from start till finish which makes it way worse + putting on one massive condom still won't allow you to go out raving. Shit is fucked pff...

Ok, well, on to the promo text we go:

Adamant Scream's brand new 4-tracker contains everything great about Industrial Hardcore. Proving once again that there actually is a movement working hard to "make hardcore great again".
Malin Kolbrink is one talented producer and this EP proves that. Sure she might be a woman but here at PRSPCT we don't give a fuck about what your downstairs mix-up situation is. All we care about is how banging your tracks are and damn these 4 tracks are BANGING!

75% solo tracks + 25% collab with Thrasher = 1000% awesome.

This Breaks My Fucking Heart EP is one of those records you need to own on black gold, so buy this fucker while you're still alive & kicking and not stuck to some breathing machine!

*Third release for Metal Blade Records *

One thing‘s for sure: There aren‘t many bands with a history as long and eventful as Kreator‘s, who fascinatingly succeed in exploring new horizons while challenging and reinventing themselves time and again.That was perfectly illustrated by their latest record ‘Gods Of Violence’ in 2017. With this 14th studio album of their impressive career, the thrashers from Essen, Germany crafted a work of art of utmost vigor, drawing its unfailing power from the pounding heart of one of the greatest, most versatile metal bands of all time.

Mainman Mille Petrozza’s influences range from Hannah Arendt, Pink Floyd and Tocotronic to Slayer, even though he was born and bred in the metal scene. Nevertheless, he is and always has been open to inspiration from various sources, which is why his lyrics are by no means merely based on corny genre templates but offer trenchant observations of our time combined with a witty aside to long-standing cliches: One of the best songs on ‘Gods Of Violence’ is really called ‘Satan Is Real’.

Formed in 1982, Petrozza and ‘Ventor’ – the only two remaining founding members – have come a long way from playing in a small-scale student band. “In my history book, Kreator didn‘t really exist until 1985“, says Petrozza, laughing. “Although we had already started jamming together in `82, we only entered the stage two or three times up until `85. Back then, our set list consisted of five original tracks and five heavy metal cover songs, we went through several line-up changes and didn‘t really find ourselves until ‘Endless Pain’.Over the years, Kreator, the leaders of the German ‘Big Four’ of thrash, have sold more than two million albums worldwide and have played countless shows all around the globe. It is one of these shows that is captured on ‘London Apocalypticon’. Recorded in December 2018 at London’s legendary Roundhouse venue, headlining a bill with US hardcore pacesetters Hatebreed and Norwegian Black Metal legends Dimmu Borgir. Kreator’s explosive set was quite rightly heralded as “a demonstration of consummate musicianship and stagecraft” by Metal Hammer magazine.

Mannequin Records is delighted to present their fourth full length of Polices des moeurs, the Canadian minimal synth duo formed by Francis Dugas and Manuelle Gauthier. With PÉRIL, Police des moeurs expands its sound and ventures into mysterious, bewitching and enigmatic landscapes. The foundation is still synthetic, minimal and punchy, relying on mechanical rhythm, powerful bass and catchy melodies, but it's now combined with more elaborate arrangements, punctuated by delicate textures and depthful laments with uncertain but sincere meanings.

Formed in 2010 in Montreal, Police des moeurs got noticed right from the start with its infectious and direct synth pop. The band has released several recordings, including Péril, their fourth full lenght album on Berlin's Mannequin Records. The Canadian group has performed in Mexico, the United States, as well as in ten European countries, and has share the stage with The Damned, ADULT., TR / ST, Xeno & Oaklander, Automelodi, Essaie Pas, Xarah Dion, Duchess Says, to name a few.

"1995" is a reissue of three tracks extracted from the Album "Rage Of Age", released in 1995 on the famous record label ACV Records. The CD version of the album contained more tracks than the album's LP version. These three tracks were never released on vinyl and it is impossible to find on the net.

Three different aspects of Freddy K really on fire at only 24 years old. Three tracks with an original style that made Freddy special at that time. Unusual from what today is called '90s style'. The title of "Mac-Beth" wants to remind the famous damned opera called "Macbeth", the track is hard, abstract and psychedelic at the same time. "Electro K" is a personal vision of something electro, funky and crazy. "Love trax" is a representation of what a love story can be.

Welcome to this rare Freddy K's world picture from 1995...
Expect the unexpected!

This, the final official Marc Bolan and T. Rex album, was conceived during a turbulent time in rock history. Issued on 11 March 1977, 'Dandy In The Underworld' arrived in the wake of the Damned’s ‘New Rose’ and the Sex Pistols’, ‘Anarchy In The UK’, singles that had given the emerging punk rock a national platform. To promote the album, Bolan undertook a tour of the UK and Europe, with support from The Damned, who acknowledged T. Rex as a big influence.

With a new T. Rex line-up, Bolan had already scored a # 13 hit single with “I Love To Boogie”, and followed this up with single releases of the title track of the album, “The Soul Of My Suit” and “Crimson Moon”, before culminating with the exuberant “Celebrate Summer”, tragically the last single to be issued in Bolan’s lifetime.

“Berlinisch” Techno EBM from Italy

Vegan straight edge outfit SECT unites vocalist Chris Colohan (Cursed, Burning Love, Left For Dead), guitarists James Chang (Catharsis, Undying) and Scott Crouse (Earth Crisis, The Path Of Resistance), bassist Steve Hart (Day Of Suffering), and drummer Andy Hurley (Racetraitor, The Damned Things). .

The result is a caustic, riotous, belligerent style of vile hardcore fed by a boundless well of socio-political vitriol. Blood of Beasts was recorded with Kurt Ballou at GodCity Studios and mastered by Alan Douches at West West Side Music.
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"Blood of the Beasts" is ten reflections on the myth of progress, the new old tribalism, the single face of all subjugations, the broken promise of automation, love, loss & obsolescence set against the dying light of a better tomorrow.

Has there ever been a better time to fuck off to the stars? Is a prison breakout ‘escapism’? Crisis carve some wound-space to let the dreams back in. In nights we turn to fire, in flight we burst into stone, where are the exits in this theatre of the damned? Strict luggage allocations – guitar (D. Knight), saxophone (S. Thrower) – and all the electronics your thoughts can carry. Headspin echoes, round and around, tilt wind-sails at a dark horizon, cut a stutter through the distance barrier. In to be out through the structure of the eye, encrusted with rotor-slime, pushing on through border erosions as everything melts into smoke, burning objects may be closer than they appear. Nebulae dazzle the shadows, tunnel through memories and the pulp-mass of neurons, forwards heading backwards, end of tether snapped, slide into the earth like ancient worms and breathe.

UnicaZürn’s core instrumentation blends analogue synthesiser, mellotron and electric piano with electric guitar and saxophone. Knight is reknowned for his pioneering multi-textured fretwork with Danielle Dax and Shock-Headed Peters, and his ambient guitar settings for Lydia Lunch, while Thrower’s reed playing provided rage and melancholy in Coil and turns to electro-acoustic texture in Cyclobe.

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London Artist MAL-ONE is releasing a limited edition 7'' single to celebrate everything Punk and as a lead up to his PUNK Art show 'Never Mind The Punk 45' .

The show feautures decallages of the debut singles of the leading names in PUNK,such as Adam and the Ants,The Clash,The Damned all the way to X Ray Spex.
It seemed only fitting to record a single that name checks some of the great record shops that sold these PUNK tunes in this fine city of ours for a Record Store Day release..

Artist MAL-ONE emerged at an early age from the Punk scene in West London and now has successfully exhibited alongside such artists as Banksy, Goldie and Peter Blake amongst others.
Inside the 7'' sleeve which is made up of a collage of a 100 PUNK singles you will also find an invite to he exhibition in May in The Herrick Gallery,Piccadilly.

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians. The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016. Anthology: Movie Themes 1974-1998 collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time. Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

Anthology is a near-comprehensive survey of John Carpenter's greatest themes, from his very first movie, the no-budget sci-fi film Dark Star, to 1998's supernatural Western, Vampires. Those sit alongside the driving, Led Zeppelin-influenced Assault on Precinct 13 theme, Halloween's iconic 5/4 piano riff, and the eerie synth work of The Fog. Carpenter and his band also cover Ennio Morricone's bleak, minimalist theme for The Thing.

We also get vital new recordings of the themes to '80s classics and fan favorites Big Trouble in Little China, Escape From New York, Christine, and They Live, along with the romantic Starman, which earned Jeff Bridges his first Oscar nomination as a lead actor. The collection is rounded out by the menacing, heavy themes to Prince of Darkness and In the Mouth of Madness, the latter a Metallica-inspired riff originally played for the film by Kinks guitarist Dave Davies, and now played by his son Daniel.

In the weeks following Anthology's October 20 release, Carpenter will return to the road, playing both classic movie themes and material from his two Lost Themes albums. The performances will once again affirm the power of the Horror Master's brilliant work as a composer and musician, and undoubtedly send audiences rushing home to their DVD libraries to dive yet again into the most rewarding filmography in genre cinema.

Deluxe color vinyl editions come with 7" including the themes to Village of the Damned and Body Bags
Collects the classic themes of John Carpenter on one volume for the first time
Lost Themes is the best-selling album in Sacred Bones history