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Zurich-born, New York-based DJ Tony y Not is best known for her free-spirited sets, seamlessly weaving together techy acid, progressive, dark disco, and heart-opening indie. She brings that signature energy to her Kompakt debut with striking precision. Have You Lost Your Mind channels a touch of Swan Lake-era Todd Terry – one of NYC house’s legendary figures – delivering a razor-sharp acid line, a rock-solid groove, and one of the most flawlessly executed breakdown/drop combos in recent memory. Deep Don’t Stop follows suit, skillfully reviving the essence of ’90s New York club culture in a way that would have set Junior Vasquez’s Sound Factory ablaze. True to her mission, Tony y Not continues to spread joy and uplift others, both on and off the dance floor.

TEE MANGO’s first release on Kompakt has been a long time coming. Ever since Michael Mayer heard his sunkissed remix of The Invisible’s ‘K Town Sunset’ back in 2017, he’s been obsessed with his music. The two tracks here, ‘Moonshots’ and ‘My Mind Is Making Up Monsters’, are prime examples of TEE’s ability to create heartfelt, uplifting modern house music. There’s a sense of bacchanal liberation, a potent transcendental element that opens the mind to joyful bliss.

Issam Dahmani, born in 1992 in Perugia to a family of Moroccan origin, began his first garage and deep-house productions under the name Nnatn. In 2021, he started the Issam Dahmani project, inspired by more Balearic, disco, and downtempo sounds, founding the label Dischi Malizia
RAWAX welcomes Issam Dahmani to the artist family!
We are very happy to have this big talent on CHIWAX with his first release for us
called Dreamstate Rhythms early Aüril.
Dive into the 90's House Journey!

PRESSED ON PINK COLORED VINYL Czarface returns from the shadows with "Knull & Void", a bone-rattling 12” straight from the film Venom: The Last Dance. Featuring Wu-Tang Clan's Method Man and the elusive Frankie Pulitzer, and rounded out with a never-before-heard B-side "Safe Haven", this one's destined to be a collector's grail. Whether you're a hip-hop head or a Marvel-maniac, these tracks hit harder than Venom himself...grab it before it vanishes into the void!

Arapu returns on once again with an outstandig release on his own LINIAR imprint.

Portuguese based Nørbak returns to Soma with his second single for the label, the Myelination EP. Nørbak is quickly making a name for himself in the global scene and has just completed his debut album to much critical acclaim. The young producer has built a wealth of knowledge on sound design and is clearly represented in his music which is deep and rich in sonic experiments whilst retaining dancefloor focus. This latest EP has Spanish techno maestro Oscar Mulero & fellow Portuguese talent Lewis Fautzi, deliver two fantastic remixes that perfectly compliment the originals.

Nørbak's "Myelination" starts the EP with driving percussive elements that propel the track from the opening. Swamped with light & ethereal FX, dark and droning sounds take the track down a ominous path. Lewis Fautzi steps up next with his remix of Myelination. With a more minimalistic interpretation he manages to continue the dark and direct momentum of the original. On the flip, Mirante rattle hards with steady and precise percussion, bolted together with heavy rolling kicks and sub and a perfectly muted rhythm throughout. Techno don Oscar Mulero closes the EP with his version of Mirante. He immediately ups the ante with driving 909 beats and huge atmospheric FX that guide the rhythms. Mulero always on point with his signature sound design and techno aesthetic.

Mastered By Conor Dalton @ Glowcast Mastering.

Drummer and Composer David Lee Jr.’s stunning and rare album Evolution (1974) blends the deep experimentalism of John Coltrane and Sun Ra with the pulsating second-line and parade rhythms of New Orleans to create a stunning sonic and rhythmical tour de force. In a lineage of incredible New Orleans drummers that includes James Black, Idris Muhammed, Zigaboo Modeliste of The Meters, and stretching back to Earl Palmer and Baby Dodds, David Lee Jr. stands out for his fire, experimentalism and an out-there-ness like no other. 'Evolution' is a super deep, ‘lost classic’ radical and groundbreaking deep spiritual jazz album. Originally released in New York in 1974 (400 copies only ever pressed!), ‘Evolution’ is an extraordinary one-off solo album, pressed on the artist’s own Supernal Records, a record company whose slogan ‘seeking creative progress’ and dedication ‘to peace and freedom’ clearly displayed artistic intent over any commercial or market-led forces. David Lee Jr was born in New Orleans and the deep experimental drum-compositions featured on ‘Evolution’ are as rooted in this southern city rhythmically as they are in the spiritual and metaphysical musical ideas of Afro-Futurist pioneers like Coltrane, Sun Ra and others. In the early 1970s Lee Jr. headed off to New York, playing in Roy Ayers’ Ubiquity and later immersing himself in the thriving loft deep jazz scene playing with Leon Thomas, Lonnie Liston Smith, Harold Alexander, Charles Rouse, and recording for a host of seminal deep jazz labels including Strata-East, India Navigation and Flying Dutchman. Today 'Evolution' remains one of the rarest and heaviest of all deep and spiritual jazz albums ever made. One-off super-limited edition magenta colour vinyl, newly digitally remastered, complete with new reproduction artwork, sleevenotes and download code.

Originally released in 1978 on Americom Records. Officially reissued for the first time with love by Celestial Echo Records.

Some records just have that magic. A vibe that pulls you in from the first note and doesn’t let go. Phylliss Bailey’s 1978 cult classic Phylliss is one of those records—a hidden gem of modern soul and disco that’s been doing the rounds for decades in underground scenes, on dancefloors, and among collectors who know. It’s been whispered about in the right circles, bootlegged and then bootlegged again—but never given a proper reissue… Until now.

Celestial Echo Records proudly presents the first official reissue of Phylliss, a record that’s as essential today as it was back then. Originally released on the independent Americom label, the LP flew under the radar in its day but has since become a secret weapon for DJs with a taste for the modern soul & disco sound.

Phylliss Bailey’s voice is pure class—gliding over lush arrangements, tight rhythm sections, and dreamy strings with ease. Whether she’s riding the groove on dancefloor bombs like 'Focus' and 'Release Me' or slowing it down on the smouldering 'Feeling Of Love,' Bailey brings emotional weight and undeniable swagger to every track.

Fully remastered and officially licensed, it brings Phylliss into the light where it belongs. With a reimagined sleeve and labels (to distinguish from some shady copies going around!). This record is looking and sounding better than ever.

Celestial Echo Records is a label devoted to the soulful and the timeless. Based in London and run by miche & Stu Clark, the imprint has been steadily carving out a reputation among collectors and DJs for high-quality, lovingly curated reissues of rare modern soul, boogie, and disco. With each release, they shine a light on overlooked gems that still resonate deeply in today’s clubs and dancefloors. Phylliss is the next jewel in their growing catalogue of essential rediscoveries.

2026 Repress

Brooklyn duo Fundido team up with Philadelphia's Universal Cave to press their first physical release titled ‘Paradise Tempo’, a love letter to dance floor music that sits in the cross section of the tougher sounds of the city and the softer sounds of the balearic and the backwoods.The A side kicks off with a flawless downtempo mix from California based Dirty Dave and Alex Pasternak, who find a rare cover of the Cathy Denis classic and refurbish it to perfection. Next up is ‘Emotional Jungle’, a jazzy midtempo weapon led by a massive saxophone hook and edited to optimum club efficiency by NY based Nick Stropko. LA via Serbia’s Masha Mar unearths extremely rare gem ‘Take Me to Mecca’ and reworks it into a dreamy midtempo journey that carries both a children’s choir vocal and a middle eastern synth melody effortlessly across a foggy dance floor. And closing out the A-side is the wonderful ‘Charlie’s Vision’ from Universal Cave, a spooky AOR tinged cosmic trip that is only available on this vinyl pressing.The B Side leads with balearic beach party stomper ‘Amor’ from Fundido themselves; complete with Spanish vocals, lofty piano jamming and a contagious growling bassline. Next up is ‘Sex-O’ from Seoul man Tucan Discos, who reworks a tribal classic into a hypnotic and seductive club mix; followed by ‘Freak Estilo’ from Spain’s Ritmal Astral boss Orion Agassi who offers a bumping freestyle breaks mix with an addictive r&b vocal hook. Last but not least, the ‘Be Careful Operator’ edit from Miles Felix aka Sisserou closes down the function with a block party jam swimming with jazz, swing and soul.When asked what visual imagery they had in mind for Paradise Tempo, the prompt given to artwork maestro Ray Fernandez was ‘salt of the earth utopia’ and ‘working man’s paradise’ … and Ray delivered exactly that. Enjoy Paradise Tempo !

In 1983, Chateau, a San Francisco based boogie funk band, won the KRE Radio Hot Fun In The Sun Battle of the Bands in Mosswood Park, Oakland. As a prize, they received $5000 (approximately 8 hours) of studio time and a pressing run of 200 45s.Chateau included Alan Ross on lead vocals and percussion, singer Damara 'Candy' Stepney, and Kevin Dailey who sang and played saxophone, bass, and guitar.

Melvin Jones was on horn and keys, Dennis Knepper played keyboard, Frank Lemon played drums, Lemon's cousin Michael Clark played rhythm guitar, Doug Hearne played guitar and Bill Ortiz (from Santana) contributed trumpet parts.Chateau only released one 7-inch single in 1984, but to this day 'Feelings' is, arguably so, one of the most sought-after West Coast slices of funk.Jerome Derradji and Past Due Records are proud to officially reissue this incredible slice of boogie. Originally released in 1984 on Quiet Storm Records, San Francisco.

2025 Repress

Modus Operandi, an EP by Impérieux, is the latest release from Sum Over Histories, the label from Frankey & Sandrino that champions introspective sounds for reflective times.

There’s an air of mystery surrounding Impérieux. The Bulgarian-born artist prefers to avoid the spotlight and work diligently on music instead, building a sound influenced by the underground scene in Sofia and his Turkish roots.

Impérieux began production of Modus Operandi in Bulgaria, and continued throughout his move to Berlin last year. The artist says it was a melancholic time; dealing with culture shock and a new language was challenging even without a pandemic. This EP is a reflection of that. Dark and brooding, simplistic and surreal, Impérieux took inspiration from the fantasy worlds of novelist Murukami and named the tracks after his work.

Ode To Native Tongues” attempts to capture the feeling of coming of age between the years of 1989 -1993 (and beyond) while listening and witnessing the legendary Native Tongues crew releasing timeless classic albums and singles. Told through the experience of seeing the early episodes of “Yo! MTV Raps”, a friend sharing De La Soul’s first album, sharing that album with my cousin who in exchange shared Queen Latifah’s music or finding out about “Bonita Applebum” by Tribe at my high school’s homecoming dance. Evoking nostalgia as well as tell a story of how this music served as the soundtrack woven into the fabric of my youth, my coming of age, was the aim.

Everything’s For Sale” was inspired partly by a story of an elderly couple who went brokhaving to pay for their medicine.“Everything’s For Sale” speaks to how the value of money permeates all facets of this modern life, and as such it seemed only natural for it to reach into my creative world. This time however I wanted to make a song that cross examined how this super ficiality has affected music culture, let alone how it has rendered some in our society invisible -- a clear sign of a society void of compassion. The Platurn beat with a moving guitar riff pushed this song further, providing me the cover of a funky beat to dive into a topic that might not normally move an audience. Part cheat code for slipping in a conscious message to the audience without raising the alarm of the listener who may not be expecting anything more than entertainment.

VHF debut and second widely-available LP by Liam, part of a new generation of underground “American primitive” guitar players serving the traditions and smashing them up simultaneously. Prodigal Son is a portrait of an artist on the road, changing fast, recording things as they spring from the fountain. The sound here is raw – grass and dirt instead of pre-fab; homemade/handmade instead of high-tech, etc. There’s a visceral quality and immediacy of culture that’s being lost every day in modern life – Prodigal Son is a chance to grab some of it back. “Palmyra” has Liam on weissenborn-style lap steel, the sound fuzzed out and distorted by the guerilla recording technique. “Salmon Tails Up The River” stretches out to nearly 13 minutes, a dense meditation on 12 string that sustains a dark and heavy mood for the entire duration. On the B side, “Insult to Injury” reverses the mood, with an elegant and unhurried 12 string sequel of deep beauty. Liam’s unexpected take on Loren Conners’ “A Moment at the Door” is a perfect translation of Loren’s reverb-heavy electric drift to unadorned acoustic (and tape hiss) – a frozen moment of absolute grace. Wrapping things up is a take on “Old Country Rock,” with fiddle and banjo, just a brief taste of the barnstorming old-time sound of Liam’s touring trio.

DJ Support: Tedd Patterson, Michael Gray, David Penn, Mousse T, Brian Tappert, Hector Romero, Derrick Mckenzie.

Definite Grooves 'Disco Light' EP is a vibrant, disco-infused collection that merges classic grooves with modern production. The title track, 'Disco Light', is a fun disco gem, capturing a Disco 70s mood with a fresh House twist. 'Getting Stronger' takes the funk further, building up to a filtered disco crescendo that's perfect for late-night floors, oozing with energy and sleek edits. On the flip side, 'Sundown' offers a happier vibe, giving the EP a well-rounded feel with its rich bassline and Vocal Hook. Finally, 'Let It show' is catchy and playful, bringing a polished sound that keeps the rhythm flowing. Altogether, 'Disco Light' is a solid pick for those craving both nostalgic and modern dancefloor moments.

Formed by George Thompson, Kyle Martin and Jonathan Nash, Kommune were active between 2014-2015. As close friends living near each other, their musical journeys were intertwined; Nash and Martin had recently completed their debut album as Land Of Light, while Thompson (aka Black Merlin), at that time putting the finishing touches to his debut album ‘Hipnotik Tradisi’, was also working with Martin as part of the duo Spectral Empire. Sharing equipment and ideas, Kommune arose organically, serving as a creative outlet for exploring analogue machine music in an improvisational context.

Sessions in their North London studios led to a handful of gigs at venues including Hamburg’s legendary Golden Pudel and London’s LN-CC. This fleeting chapter of musical history may well have gone entirely undocumented had it not been for the fortuitous decision to meet up for a recording session in October 2014. Filling a car with their machines, they drove to a converted barn in the south of England, proceeded to set up, settle in and hit the record button. Over the course of two days, fuelled by the experiences of recent performances, the trio immersed themselves in the machines, crafting subtly evolving, long-form compositions with an enchanting balance and flow.

Across the four long-form compositions that make up ‘Oast’, the trio summons barely controllable scrapes, acid-like bubbles, and bleeps from their machines, leaning on dub mixing techniques to give the tracks a sense of depth, dynamism and organic ambience. Mastery of the TR-808 drum machine is central, with remarkably nuanced drum programming imparting a hypnotic rhythm to the work, allowing other elements to emerge and unfold at a beautifully measured tempo.

Recorded entirely live and improvised without any overdubs, ‘Oast’ offers a profound journey into minimalist electronic music while serving as a tribute to friendship, curiosity, and the spirit of experimentation.

Sleeve art and design by Michael Willis.

HARMONY020— One year from Ayū’s debut on Harmony—Neon Affair, four artists closely connected to the release were invited to remix their favorite track from the record. The result is a new remix EP featuring a dancefloor-driven A-side, crafted for peak-time energy, and a B-side dedicated to closing sets and trippy storytelling.

Side A opens with Maara’s remix of “Space to Come”- a progressive, sexy spacey journey with muttered vocals and a blissed-out groove, blended with her iconic sound. Keeping up with the dance-floor energy, Spray delivers a dreamy yet bubbly take on “Point Nemo.” Spray’s take showcases his distinctive musical patterns and fuzzy textures.

The B-side remix by Harmony’s Alfred Czital and Jeku sends the record to the late hours of the party. Jeku’s version of “Neon Affair” brings driving drumlines and euphoric prog beats, layered with hypnotic, trippy touches – sweet, yet dirty. Alfred Czital closes the record with his Dream Mix of “Space to Come,” an exciting and misty journey through sound – playful, metaphysical, and the perfect closing track for extended parties.

Southern Thailand, Songkhla-based Baa Records takes you on a guided tour of the grooviest tracks to come out of the
Golden Sound studios! From their headquarters on Bangkok's Sukhumvit Road, GS were pioneers of Thai studiocraft and
electronization, bridging the gap between the nightclub disco showbands of the '70s and major-label pop idols of the '90s.
Collected here are 10 rare and glorious cuts introducing you to this highly influential yet little-remembered scene.
All of the music that emerged from the studio, though, shared an unmistakable signature production sheen: like the
producers of Japan's city pop scene, Golden Sound was influenced by Southern California's "West Coast sound", an
amalgam of smooth soul, jazzy R&B and tight disco sounds, with an emphasis on both high-calibre musicianship and
adventurous incorporation of electronic gadgetry.
This excellent selection of tunes from the folks at Baa Records highlights some of the most vibrant and danceable of the
label's output, with an intriguingly synthesized sonic palate.

DAYBREAKERS are back from their first dive into the Music Station catalogue and hop from New Jersey to land in Germany’s Black Forest region for 002, more specifically they arrive into a basement in Freiburg.

In 2008, Rainer Trüby started on an album that ended up getting lost due to a crashed macbook. Two tracks were saved from this lost album and see the light of day 17 years later. After playing one of these tracks “Schoko-Bolla” in the woods at “Root Down With Love” at We Out Here 2024, miche and Rainer decided it was finally time to take this secret weapon for a full release.

The A Side is “Schoko-Bolla” features a looping brazilian vocal from an all time great, building gently into a real groove and the B side, a deeper than deep house track with latin elements. House deeper than the Neckar river, perfect for any dancefloor.

Don't miss out, buy or cry.

Mr. Face, a four-song EP that's a terrific showcase for Segall's artfully ragged style. He plays everything on these recordings with the exception of one drum part on one song. - NPR Fresh Air / Segall appears decidedly more at ease, or even at peace, on the four tracks, but while they build upon acoustic foundations, the tracks quickly take different shapes filled with sublime guitar (and piccolo!) solos that are utterly transfixing."- Exclaim / The real testament to Segall's growing maturity as an artist, however, comes with closing track 'The Picture', one of the most subtle and moving songs in his entire catalog. Segall's guitar sounds like it's scoring a dazed carnival ride as he lays out a tale of learning to say goodbye. - Consequence of Sound

LTD SPLIT COLOUR TRANSLUCENT RED/BLUE VINYL W/ 3-D GLASSES** Back in 2015, Ty Segall released Mr. Face EP, the fantastic gatefold 2x7" was not only packed with four killer jams but was also quite possibly the world's first playable pair of 3D glasses. Now Famous Class Records is thrilled to release a 10th anniversary 12” vinyl edition. All copies are pressed on split color translucent red and blue-colored vinyl and come with special Mr. Face 3-D glasses to activate the supercharged 3D artwork.

Issued in October 2014, debuting at number two on the UK Album Chart and at number five on
the Billboard 200 in the US, where it also became his second chart topper on the Dance/Electronic
Albums chart, Motion is Harris’ 4th studio album and a platinum-seller in the UK.
Packed with EDM crowd-pleasers as well as an impressive range of guest vocalists, including Hurts,
Haim, Gwen Stefani, John Newman and Ellie Goulding, it has been available on vinyl only once
before, a Record Store Day exclusive in 2015.
As Entertainment Weekly noted, “The best tracks on Motion…focus more on high-caliber vocals
than on booty-blasting low end... he's taking his chances with the most unpredictable technology
of all: the human voice."

Die Kult-Reihe geht weiter! „80s Techno Tracks – Vinyl Edition 4“ ist die neueste Ausgabe der erfolgreichen Compilation-Serie, die die elektrisierende Energie der 1980er Clubszene auf Vinyl bringt. Diese Edition vereint erneut rare und legendäre Extended Versions von wegweisenden TechnoTracks, die das Fundament der heutigen Clubkultur legten.

Mit dabei sind Szenegrößen wie Westbam, Noise Control, OFF und viele mehr – in voller Länge, remastered und bereit für den Plattenteller. Ein Muss für Sammler, DJs und alle, die die Wurzeln des elektronischen Sounds feiern wollen.

Die 90er sind zurück – knallbunt und voller Energie! Mit „Cappella – Best Of“ erscheint endlich eine farbige VinylEdition mit den größten Dancefloor-Hymnen der legendären Eurodance-Ikone Cappella.

Diese exklusive Pressung enthält die größten Erfolge der italienischen Hitmaschine – darunter unvergessene ClubBanger wie „U Got 2 Let The Music“, „Move On Baby“ und „U & Me“ – alle im kraftvollen Originalsound, remastered und bereit für deine Plattensammlung.

French talent Framboisier lands on the eighth Duality Trax release this August with his debut EP Planetary Vision, backed by a remix from breakbeat queen Angel D’lite.

Landing just in time for the height of summer, the release has already garnered support from scene heavyweights Spray, Job Jobse and James Zabiela. The Grenoble-based artist known as Framboisier has seen his prole steadily rise in the last two years, with his 90s-inspired house sound
lighting up labels like Shue Valley, Backspin and Gestalt. It was through the latter and a back-to-back set at Edinburgh’s legendary Sneaky Pete’s with Gestalt founder Steffan Todorović that label boss Holly Lester rst encountered Framboisier’s music - instantly recognising its place on Duality Trax.

The title track Planetary Vision kicks off the EP with a rush of prog-house nostalgia. Contemplative pads and shimmering synths verge with driving percussion and a bouncing Juno bassline, creating brief moments of euphoria before slamming back in for a powerful peak-time reprise.

Memory Access follows with sun-drenched textures and a rolling groove - locking into a deep, introspective danceoor moment led by an infectious bassline. The B-side shifts gears with Neuro System, a deep house excursion driven by sweeping pads, subtle melodies and a hypnotic low-end.

Rounding off the EP, Angel D’lite brings her signature rave energy to a remix of Memory Access, ipping it into a breakbeat-heavy workout packed with amen breaks, playful spinbacks, and cheeky vocal chops

Asphalt DJ returns to Oddysee with another intoxicating 4- track formula, titled “Double O”. Operating on a solo tip this time around, the Berlin-based producer further expands his sonic palette and offers a versatile collection of steamy club workouts geared towards various stages of dancefloor
functionality. The record seamlessly touches on seductive after-hours bounce, slices of late nite propulsion and flawless rhythmic explorations, while keeping firm footing in the 90 and 00’s sound spectrum. With an eye on the ongoing terror inflicted upon the Palestinian people, we (artist &
label) decided to donate all proceeds from this release to Save The Children - Gaza and West Bank Emergency.

Free Palestine

With two critically acclaimed compilations already under his belt, DJ / collector miche returns to Mr Bongo with the third instalment of his With Love series. Testament to his ever-expanding taste, Volume 3 isn’t just a subs bench call-up from the past compilations, it’s an evolution and progression casting the net deeper and wider than before.

Keeping true to the series, but with some fresh surprises along the way, this carefully curated compilation is a celebration of soulful, independently released music from across the globe, and the amazing (often unsung) musicians and vocalists that made these sublime records.

Across the third volume, miche explores a jazzier side of his tastes. “The deeper I went, the more I found myself gravitating towards jazzier music - not leaving soul behind, but following that same feeling into new territory”, he explains. Tracks like the gliding jazz funk found on Late Nite Music Band’s ‘Sundance’, or the glorious jazz-soul number ‘In Flight’ by Spectrym are shining examples of this.

That defining soulful thread of previous volumes is still in full effect throughout this latest edition. “There’s a healthy dose of impossible-to-find soul gems that have that unmistakable, heartwarming feel. Tracks like John Simmons' 'Ain't Nothing Like The Love', which I've adored ever since Zaf Love Vinyl played it, sit perfectly alongside records like Le Cop and New Way”, states miche.

The addition of some top-tier Turkish music showcases another side to his ever-broadening taste. Nükhet Ruacan's 'Gölge' is something unique, a floaty Brazilian-inspired gem recorded in Turkey and not what you’d typically expect from Turkish records of this era. 

It also wouldn’t feel right to leave out a stop in Brazil, with miche looking to the work of Carlos Bivar whose track 'Amargo Amar' carries that undeniable groove of samba-funk from Rio.

Spreading the With Love message far and wide the series has led to miche DJing across the globe, “from batucada sessions in Timisoara, to all-night sets in a club in Beijing, and even an eight-hour Root Down With Love stage takeover at We Out Here festival, joined by Danilo Plessow, Jeremy Underground, and of course, my mentor and buddy Rainer Trüby.”

Volume 3 then, carries that message even further. It’s an eclectic but intentional collection, built for the music lover who wants to discover something new. Working just as well as a soundtrack to cook dinner to, as it does keeping a packed dancefloor moving into the small hours.

Eastenderz ENDZ series continues to level up as they welcome SOSA for his long-awaited debut. A firm fixture in the UK scene, SOSA steps up with a heavyweight three-tracker built for peak moments. The highly sought-after Time Away firmly leads the charge, backed by two slick and effective cuts in What You Wanna Do and Back To The Sound. Pure dancefloor heat from start to finish.

Also support from, East End Dubs, Sidney Charles, Obskür, Wheats + more

Passionate about electronic music from a very young age, Francesco Scarci, aka Deejay Fisherman, is an underground DJ and producer who loves vinyle.

In 2022 he opened his own label Sea Records and released his first Ep. "Dancing with shark". After various experiences as a guest in the dancefloors of Italy and Europe, he became resident in the well - known Italian underground Sound Department.

Today it boasts FIVE EP:

Sea 001; Dancing with shark;

Sea 002; The sound of Sirens;

Sea 003; Jolly roger groove.

Sea 004 ''Revolution'' and several collaborations with international labels, the latest with “Label 2222” with the track “Extasiado” and wit h Sound Department ascolti with the EP ''walking'' and the single bomb track ‘Baby’.

“Hurtado launches the Counterpoint Ltd. catalog with full force, delivering a fierce four-track EP of industrial-tinged Spanish Techno.”
LA based label begins….1

A1. Live in Holland (5:32)

A loose-limbed roller that feels like a half-remembered set from a sticky Rotterdam afterhours. Dubby chords smear across the beat like fog on the dancefloor, teasing tension without ever breaking stride. Full sleaze mode.

A2. Morning, Noon and Night (5:46)

Subtle and sensual with the swing only V.I.C.A.R.I can conjure — this one works in hypnotic repetition, layering hissy hats, muted stabs, and a gliding low-end that keeps you deep in the pocket. Time melts here.

B1. Partial Disk Recovery (5:48)

A gritty tech groove, sputtering like corrupted hardware—yet never missing a step. High-end percussion twitches and snaps while submerged bell tones bubble underneath. Peak-hour ammo for selectors who like it bent.

B2. Show Me That You Care (5:41)

A late-night house cut with a heavy emotional pull. Warm pads and delicate vocals ride a chugging rhythm that feels both intimate and urgent. A closing track with real staying power.

Scared To Death - Boy Megamix Vol. 1
Secret Society - Underworld EP
Dark A.T. 8 - Was Guckst Du Lan ?

3 ausgewählte Techno Classics Picture Vinyle in einem Pizzakarton zum unschlagbar günstigen Preis.

The initiatory journey begins with a key.


A veiled, mysterious key, received as a gift—who knows from whom, or why.
The Veiled Key is the debut EP on Paradisal Records by Edoardo Marino aka Edo Ecker, and it’s also a promise: the promise of unlocking still-unknown sonic doors.

Another artist Made in Sicily, another child of Mount Etna, with a background in classical piano that soon evolved into a remarkable electronic sensitivity.

The record explores dance, techno, and electro textures on the A-side, while the B-side delivers a vocal that lingers in your mind—before closing with a true musical poem.

The Rebel returns on Legofunk with the first two tracks of his new album World of No Nation out this summer. Ethnic influences, a jazz touch and a clubby perspective in these completely original songs also thanks to the collaborations of excellent musicians from the roman scene and beyond.
Atom's Dance - produced by Tommaso Taroni, keys David Assuntino, flute Livio Ricci, drums Federico Balestra,percussion Nené Vasquez, double bass Luca Lauria.
Jungle Jazz - produced by Tommaso Taroni, Congas Massimiliano Troiani, sax Matteo Acclavio, Keys David Assuntino.

Back in 1999, nestled in a cramped box room in his parents’ house in Cambridge, George Aretakis, one half of the newly-formed “I Like It” label (ili records) was on a sonic mission. Fresh from releasing their debut 12" All Alone by Hal, he dove headfirst into the world of self-engineering — no acoustic treatment, a sketchy Yamaha sound card, and a PC with a mind of its own.

What came out of that chaos is a collection of raw, imaginative tracks that blend hardware glitches with human quirks. Computer Rage was born from a technical meltdown — literal computer voices, warped vocals, coughing, and all. Its sibling, the Silicon Circus Mix, takes that same glitchy DNA and pushes it even further into bizarro territory.

Then there's Space You Know — a groovy slow-burner driven by a sticky bassline and the haunting vocal of Katie Jeans (courtesy of friends at Tummy Touch), chopped and recontextualized into something beautifully strange.

Rounding it out is Environ Mental, a moment of playful spontaneity made in a single night. Early morning birdsong, passing cars, and absurd vocalizations collide in a whimsical microcosm of lo-fi joy.

This release is a love letter to the unfiltered creativity of early bedroom production — messy, noisy, and bursting with heart. A must-have artifact for fans of DIY electronica and late '90s experimental house.

Rocker’s Revenge was a studio musical project, assembled by producer Arthur Baker in 1982. The band comprised of Baker himself plus Donnie Calvin, Dwight Hawkes, Tina B and Adrienne Dupree Johnson. They are most remembered by their 1982 post-disco hit "Walking on Sunshine", which peaked at number 1 on the US Dance Chart and number 4 in the UK.

On the A side of this release, the track is reset for 2025 with a remix by post punk indie rockers Yard Act, where they have include their own guitar, synths & vocals to give their unique stamp to it. – It’s become a track they have been performing live. On the other side is an unreleased 9 minute remix by New York’s legendary Sound Factory co-founder Junior Vasquez back from 1988, to make it proto acid house bassline & driving percussion journey.

Boston-born Arthur Baker launched his music career as a Disco DJ, but soon made his way into music-making, producing classic Disco for legends Northend and TJM. Arthur is one of the most visible and widely imitated early Hip-Hop/House producers; masterminding breakthrough experimentation with tape edits, sampling and synthetic beats on such records as Afrika Bambaataa's 'Planet Rock', New Order's 'Confusion', Freeez's ‘IOU’, and his own break Dance classic ‘Breaker's Revenge'. Baker would go on to become an award-wining DJ, music and film producer, working for and with the likes Dylan, Hall & Oates, Al Green, Springsteen, The Rolling Stones, Fleetwood Mac, Diana Ross, &many more; on film music for 80s/90s classics such as Beat Street, Ferris Bueller’s Day Off, and Life Less Ordinary. Turning his hand to film documentary’s, Baker has produced Finding The Funk and 808 the Movie. Baker has also directed a documentary on Rocker’s Revenge ‘On A Mission’ along with completing their debut album.

To mark a decade as one of Ibiza's most iconic musical sanctuaries, Hostal La Torre announces 'La Torre Ibiza Volumen Cinco', a new compilation curated by long-standing residents Pete Gooding and Mark Barrott. Released June 27 on CD and double vinyl, the 15-track collection captures the spirit of the venue that has come to define the golden-hour soundtrack ofthe island's west coast.

Since opening in 2015, La Torre has established itself as a bastion of Balearic culture-set high on the cliffs overlooking the sea, where music flows with the sun rather than the clock. The fifth volume in the celebrated La Torre series is a journey through Brazilian soul, ambient electronica, classic deep house, orchestral minimalism, and dusk-lit Detroit techno-an emotional arc designed to mirror the progression of an evening at the venue.

From timeless icons like Nina Simone, Mazzy Star, Talk Talk (with their Spirit of Eden closer "Wealth"), and Boards of Canada, to boundary-pushers like Auntie Flo, Eden Burns, and µ-Ziq (aka Mike Paradinas), Volumen Cinco weaves together deep-rooted classics and leftfield discoveries. Mark Barrott contributes a brand-new exclusive, 'When Devils Become Gods', while the compilation closes on a rare gem from Yellow Magic Orchestra's Yukihiro Takahashi. Also includedis Software's 'Present Voice', a quietly powerful tribute to the late José Padilla, the spiritual architect of Ibiza's sunset sound.

Volumen Cinco is more than just a listening experience-it's a tribute to La Torre's ethos: open-hearted, genre-fluid, rooted in place and time. Each track is carefully sequenced to evoke a feeling, a shift in light, or a shared memory beneath the fading sun.

Over the years, La Torre has welcomed some of the most influential names in Balearic and electronic music, from José Padilla, Alfredo, and Jon Sa Trinxa to DJ Harvey, David Holmes, Lovefingers, Heidi Lawden, Wolf Müller, Don Carlos, and Phil Mison. With each summer season and each release, the venue continues to build a musical legacy that has earned critical acclaim from Resident Advisor, Phonica Records, Juno, and Piccadilly Records, regularly featuring in their year-end lists.

As Test Pressing once wrote, "La Torre is not a party, it's a place of pilgrimage. It feels almost sacred." That spirit resonates deeply in this anniversary compilation-a celebration of music, community, and connection that spans a decade.

La Torre Ibiza Volumen Cinco is dedicated to the artists, friends, collaborators, and guests who've shaped its story so far-and to everyone who continues to gather, listen, and lose track of time as the sun slips beneath the horizon.

The classic gets crushed, reimagined, and rebuilt for the now. Charlotte de Witte and Jerome Isa Mae take Hold That Sucker Down to opposite ends of the dancefloor: a soaring, peak-time Trance Remix drenched in tension and euphoria, and a punishing Rave Remix that barrels straight into warehouse territory.

Two massive reworks. One essential slab of wax. For the heads, the hedonists, and the hands-in-the-air crowd.

This blazing new 45rpm release unites two heavyweight veterans: Philly's Emynd and San Francisco's DJ B.Cause, who are well established after decades of remixing, producing, and DJing. On this one, the duo deliver a double dose of Baltimore Club heat in which Side A flips a famous funk gem into a high-energy dancefloor shaker, while the B-side reimagines some West Coast 90s hip-hop via a gritty, instrumental party-break twist. Two modern interpretations of some stone-cold oldie gold. It's not hard to imagine them tearing up floors everywhere.

Tea Breaks is based in Todmorden in the north of the UK. Although it's a small market town, it's well known for its pub, The Golden Lion, and the quality DJ bookings it gets. The label is proving just as good with yet another great collision of legendary hip-hop sounds and global beats. 'Breathe & Stop' has Bollywood vocals and classic East Coast bars, 'Tea & Beer' has drunken rhythms and world percussion with silky female rap tones, 'Broad Nod Factor' rolls deep with a golden-era edge and sunny flutes and 'Ms Fat Booty' shuts down with dark soul swagger. Four great mash-ups.

Spanning 14 tracks, Serotonin includes standout singles like the acclaimed ‘Burn’ with Tom Walker, ‘Seventeen’ with YOTTO & White Lies, and ‘You & I’ with Nathan Nicholson. Written over several years in his studio, on tour, and at his childhood home in the Netherlands, the album’s creation spanned a period in Joris’s life that possessed significant emotional challenges, but as the title suggests, is firmly fixed on a strong sense of positivity and euphoria for the path ahead.

From ambient soundscapes, melodic house and immersive techno, Serotonin spans a rich emotional and sonic range—always warm, organic, and unmistakably Joris Voorn.

Marking more than two decades at the forefront of electronic music, Serotonin captures the sound of an artist in full bloom.

“This album really reflects how I’ve grown into my own sound,” says Voorn. “I’m not chasing trends—just making something honest, hopefully timeless, and able to move people on the dance floor. I want listeners to feel Serotonin—to let go, be free, even if just for a moment."