Cerca:d roots

Peaky Beats returns to the UK after his debut world tour with CATDUBS002 on a very limited vinyl run. Tried and tested all around the world this is a record not to miss out on!!! Taking influence from his Arabic and Indian roots, the a side brings the very anticipated 'Cats In Calcutta' featuring the infamous Nooran sisters. and the b side 'The Cat' comes in with a rhythmic wobbly steppa packing that raw MPC2000XL X SH101 punch.

The UK's legendary producer since 1994, known for iconic releases on labels like Mosaic, Pressure Trax, and now a vital part of our catalog. Nail is synonymous with the underground culture, delivering high-quality music. A true legend, his influence extends through the roots of house music, embraced by DJs like Zip and many more.

From chile drive with style.

Banoffee Pies Records Black Label Series continues with a very special solo EP from Ukraine born producer & DJ, Adelina. Now Berlin based, the Oracool party founder, and multi medium artist, who’s roots in Kyiv’s underground sound, and passion for music culture, shines through their already distinct sonic signature.

Following the mesmerising dusty cut single “Soft Moving” the full EP extends to combine this haunted 5 track collection via the 7th release on the BPR sub label. Adelina’s introspective approach strikes a magnetism on their surrounding environment using a precise and mature combination of broken structures, dreamy dub basslines and high bliss electronica.

Recently immersed into sound creation while exploring the most cryptic aspects in the connections between sonic spheres, BPBL07 offers a fluid introduction to the imprint while representing the new Ukrainian sound wave. Their choice selections and alluring charisma as an artist reflect their infinite certainty in the power of music as a universal key.

SY Rockers is the new project from Ryan Aitchison aka Mella Dee and KALLIDA Festival bossman Reuben G. Their story goes all the way back to 2009, when Reuben invited Ryan to be a resident for his party LSS at Hi-Fi Club in Leeds.

The pair went on to bond over their shared love of bass-led music in the UK underground, a sound that was especially important to their native South Yorkshire. Fourteen years on, Ryan and Reuben revisit those early inspirations as SY Rockers. Their debut EP is a slickly produced expression of bleep, UK techno, bassline and dub, redrawing lines between the sound legacies of cities like Sheffield, Bradford and Leeds across three tracks.

True to those roots, the result is a hypnotic blend of raw drums and subsonic impact. ‘Windy Dub’ introduces the record with a hazy, heads-down bass, occasionally shivering into a cavernous space echo before it locks back into a haunting synth hook. ‘Modem’ does what it says on the tin: gameboy tones bounce around a warm sub, calling back the ‘less is more’ aesthetic of the original bleep era. Finally, ‘Rhythm Resonate’ zooms in on where it all started—the drum machine. 909s, lasers and a touch of perc combine to create the ultimate techno tool.

Reissue of the highly sought-after 7” from 1979 by Chicago
reggae outfit Gypsy Fari.
Gypsy Fari was a project born in the south side of Chicago
after a chance meeting between St Kitts expat Leroy Webster
and local music grad Kevin Coleman. The pair set out to blur
the boundaries of genre with their unique brand of music,
spearheaded by Webster’s Caribbean roots and fused with
the soul and blues the midwest is famous for.
A striking stand-out of the band’s repertoire comes via their
debut recording, laid down at Curtis Mayfield’s legendary
Curtom Studios. The EP opens with Chi-Town Reggae - a
super-charged blend of reggae and disco, led by Websters
infectious vocal, steeped in soul and powered by a relentless
rhythm section. Hail Jah follows closely, written on the hilltops
of the outskirts of Kingston, Jamaica, it’s a deadly roots reggae
missile that pays homage to Websters beginnings.
Once dubbed by a local news outlet “Gypsy Fari are to
Chicago reggae what Muddy Water is to Chicago blues” -
now remastered, repackaged and made available again for
the first time since its initial release

OOO002 - second, vinyl-only release debuts dark, galactic grooves featuring heavy bass lines and experimental elements from artists Chad Andrew and Len Lewis.

A1: “Battle 303”
Inspired by the soundscape of the 90’s techno scene, Battle 303’s punchy bass drums hold you captive as its sine wave bounce lures you into hypnosis with a progressive rhythmic beat. The track’s rolling 303, pyramid’s a myriad of elements before awakening you to the crisp subliminal vocal, just shy of the midway point. Battle 303’s multidimensional fury of movement refuses to slow its pace, inducing pure cardio for both the mind and body, inspiring peak dance performance.

A2: “Area 15”
Area 15 intros the swirling ambiance of dark, atmospheric, easy listening as it gradually accelerates into a journey of the unknown. Utilizing distortion effects, eerie drones and chimes, coupled with the rhythmic pattern of arpeggiated synths brings about a sense of intrigue that lends the listener the flexibility to determine their personal musical trajectory and experience.

B1: Battle 303 (Len Lewis S!th Remix)
Battle 303 (Len Lewis S!th Remix) is an introspective, sonic journey that slings you through a brooding origin story of tribal, galactic funk that echoes iconic samplings spanning over 5 decades seamlessly merged into one futuristic bop. Maintaining it’s old school, breakbeat roots with a driven, heavy bassline, claps and snares, Lewis remains true to his S!th style, by altering path and speed with his signature, unexpected musical transitions, highlighted by timely breaks and experimental elements. Be prepared to move and groove as this track reaches hyperspeed early on, stimulating intense movement and journey from start to finish.

B2: Battle 303 (Len Lewis G.H.M. Remix)
Battle 303 (Len Lewis G.H.M. Remix) leads with traditional, minimal components and a suspenseful bassline, laced with piercing elements and garbled synth vocals, creating a sense of awareness and urgency that gradually builds in intensity before throwing you into punchy, sinister darkness.
This groove, set against the backdrop of deep space and all its musical element oddities, mimics the drive of the original 303’s rolling bass line while seamlessly exploring Lewis’ S!thstylings of metallic synth scales and spooky drone effects, keeping you captivated as you strut the dance floor

Club U Nite Records is excited to announce the 4 Track EP "Deep Trax Volume 2"

Side A, Track 01: Blak N Orange - Feeling Real Good
Blak N Orange delivers a deep house masterpiece with "Feeling Real Good." This track features a mesmerizing baseline that harkens back to the old-school era of house music. The irresistible vocal example “Feelin’ real good” will make you feel really good on the dance floor!

Side A, Track 02: Black Chunes - Don't Hold Back!
"Don't Hold Back!" by Black Chunes is a house-stomper that combines minimalism with a powerful punch. Its dope and dirty beat is a secret weapon that will ignite dance floors, making it a standout track on this release.

Side B, Track 01: Black Chunes - Feel The Flow
Black Chunes returns with "Feel The Flow," a track that exudes a jazzy, soulful, and groovy vibe. It's a feel-good masterpiece that is sure to bring positive energy to any dance floor, setting the mood for a night of musical delight.

Side B, Track 02: DMA - That Crazy Thang
DMA's "That Crazy Thang" takes us on a journey through classic organ house territory. With a straight, deep, and kicking groove, this track is both timeless and contemporary. Jazzy vocal samples add an extra layer of dopeness to this minimal yet highly effective dance floor weapon.

"Deep Trax Volume 2" is a testament to the enduring appeal of classic house music. Club U Nite Records is proud to present these four tracks, each offering a distinct experience while paying homage to the roots of the genre.

Ten years JEAHMON! - this is why we celebrate this decade for our imprint with our roots: A jubilee pressing on 12” vinyl. Remember how it all started back in 2013: With a hand painted full cover vinyl series. The crazy fishes from back in the days are still here! Ten years later Marc DePulse's imprint developed to the Top 5 leading Indie Dance labels on the planet – with over 80 releases and a lot of chartbreakers during the years. This vinyl represents a little family showcase with homie artists that built the brand over the past few years and who are an important face for JEAHMON! these days. Just to name a few of course – there are still so many other representive artists that made our imprint becoming so big and successful.

Brazilian Bruno Furlan returns to Hot Creations once again with his ‘La Fiesta’ EP, featuring two scorching house tracks.

One of Brazil’s leading house artists, Bruno Furlan continues to build a dedicated following across the globe, with his current US tour welcoming memorable performances at Club Space in Miami to Club Vinyl in Denver. His return to Hot Creations comes following the success of his ‘Bongoloco’ EP on the label to open 2023, alongside a slew of other releases on the likes of DIRTYBIRD, Club Sweat, Fool’s Gold Records, and his very own Track ID imprint. Delivering two fresh cuts for his fourth outing on Hot Creations Furlan showcases his growing sound once more here with ‘La Fiesta’.

Leading with a spicy fusion of rattling percussions and vibrant bongo drums, the title track ‘La Fiesta’ ignites a Dancefloor frenzy, honouring his roots through rich, pounding beats and impassioned vocals. Next up ‘Give Me That Bass’ is another production built with main stage energy, bringing punchy stabs and alluring calls to get people locked into the groove.

Leading with a spicy fusion of rattling percussions and vibrant bongo drums, the title track ‘La Fiesta’ ignites a Dancefloor frenzy, honouring his roots through rich, pounding beats and impassioned vocals. Next up ‘Give Me That Bass’ is another production built with main stage energy, bringing punchy stabs and alluring calls to get people locked into the groove.

Grupo Rebolu has been a mainstay in the extensive Colombian community of New York City for well over a decade, bringing the quintessential sounds of their home country to countless live shows and events throughout the five boroughs. Musically steeped in the folkloric traditions of the Afro-Caribbean discourse, the band has consistently combined first class musicianship with the echoes of their upbringing. Throughout their four self-produced albums, they have incorporated some of Colombia's most cherished traditions —gaita,cumbia, andbullerenguebeing just a few of the disciplines that Rebolu has infused with the modern songwriting and compositions of band leader Ronald Polo. As a natural step in the band's continued musical evolution, Rebolu has connected with Names You Can Trust for a one-off recording to deliver two original songs and productions that seamlessly fit the preferred format and the label's catalog, while further incorporating the group's sound into the wider NY musical spectrum. Whether it's champeta gone disco, or bullerengue gone reggae, this handy double-sided single packs a fresh take on the roots and traditions of Rebolu's musical lineage.

With the elements in Hip-Hop divided, Pawz One & Preed One return to their grafitti roots with the new collaboration album "Murals & Mayhem". Pawz approaches each song as verbal graff piece that covers Preed One's soulful and gritty background production. The duo bring the color out of topics such as tainted love, friendships, the culture of Hip-Hop and surviving the mayhem of the Los Angeles streets. Adding more to the mural are guests like Guilty Simpson, Copywrite and Ruste Juxx. Blended together each song creates a larger piece that covers the mind walls from top to bottom.

New Fair Deal is back with its second release featuring Girlcop, a Miami based artist with roots in noise, punk, and dance music who has been been fast at work creating a manifesto of electronic beats for freaks. 'Cold Sweat' offers more bang for your buck with 5 tracks that will turn any dance floor into a steam room plus a bonus downtempo electro number straight from the void. Jack beats for sweaty feet, acid lines for twisted minds, and plenty of drum workouts to shake a$$. This is Chicago-inspired house music deep fried for the modern pookie head.

The latest by New York-based producer Lamin Fofana further refines his cinematic dialect of fractured soundscapes, displaced rhythms, and tectonic unease. Unsettling scores aptly describes itself: grainy, bristling, and bruised, rippling with dread disguised as grandeur. The collection emerged from an extended reworking of his 2016 composition, “A Symbol of the Withdrawn God,” mining deeper into the piece’s “unvoiced fragments, shards, and utterances.” Other tracks were inspired by recent readings on climate emergency and its “specific implications for Black life, from hurricanes in the Caribbean to mudslides in West Africa.”

Fofana has spoken of his music as part of a “legacy of resistance,” spanning the roots of Detroit techno to the outer reaches of contemporary sound art as championed by his labels, Sci-Fi & Fantasy and Black Studies. His work here vividly embodies that spirit, seven hyper-textural transmissions of rumbling lament, shifting sands, and restless innovation, tracing jagged silhouettes of indeterminate futures: “The instability is worldwide.”

At times where technology inexorably infuses into humankind, Ammar808’s next adventures lays within the realms of Stambeli’s invisible creatures, an old genuine Tunisian tradition that has roots spreading out within the depths of the African continent.

Stambeli is a Tunisian musical therapeutic ritual that was implanted by afro-descendant communities. During the ceremonies, music, dance and chants are blended so as for some participants to reach the alternate state of trance while they are possessed by super natural entities. It is a syncretism between Islam and animist Yorisha religion’s voodoo beliefs, that has been disseminated during slave trade by Yoruba populations originating from current Benin’s gulf. Stambeli is a precious legacy the symbolizes the outstanding diversity and complexity of the North-African identity.

Using drum machines and analog synthesizers, he summons super natural creatures to visit our material world and taste human incarnations, form the audience’s collective experience. The album features vocals and gumbri from Bellassan Mihoub, who inherited his father’s knowledge and mastery, and currently embodies the avant-guarde of Stambeli’s revival. Two additional choristers round off the stage band, also playing the krekebs: these are pairs of large castagnet-like instruments oscillating in the limbo between binary and ternary rhythmic patterns. They breathe life and motion into this pagan communion, blessed by VJ Sia original visuals synchronized to the thundering music.

Super Stambeli is a contemporary interpretation of the Stambeli traditional repertoire, processed through a time-travel washing-machine, a parallel-dimension earthquake portal, that aims to echoes ancestral ceremonies through sub-harmonic speakers. It’s a dialogue between the wailing of the gombri, known to call for the spirits to descend into the bodies of the participants, but this time AMMAR808 directs them straight into the digital circuits of his clockwork-crafted machineries.

What comprises a dream?

An astral plane of our own making where thoughts, love, and desires of the inner mind abound with irreverence - ripe with connection & perspective beyond constraints of time, set, and setting.

Azu Tiwaline exists within the wonders of these interstitial worlds, diving deeper towards inner sanctums of mystic imagination, sublime intrigue, & profound understanding on her second full length LP “The Fifth Dream”.

Released again through her beloved partnership with I.O.T Records, “The Fifth Dream” finds Azu painting an expansive vision towards unified multitudes, mercurial realities, & abundant inner sanctums.

Where her first album “Draw Me a Silence” was a loving ode to her family & upbringing in the form of an elegant diptych, “The Fifth Dream" is the enactment of actualizing her roots into new routes, taking her multifaceted identity into new means of communication towards herself, the world, & the cosmic unknowns that surround her.

Throughout The Fifth Dream’s 54-minute runtime, we hear all elements of the uniquely transcendental sound that Azu is beloved for worldwide. “Antennae Opening”, “Blowing Flow”, & “Amen Dub” embody her talents for tectonic, dubwise soundscapes that channel the innately maternal elements of bassweight into bold & abstracted pulsations, indebted to the most psychedelic & body activating ends of dubstep.

Still attuned to the spatial awareness of dub sonics but giving way to the hypnotic syncopation & synaptic frequencies of techno, “Reptilian Waves”, “Long Hypnosis”, & “Mei Long” bring forth her spectacular expertise for entheogenic rave rhythms - guiding us warmly towards trance-inducing hyper states of dance & delight. Fluctuating between an adventurous velocity and enveloping stasis, the expansive abyssal planes of “Golden Dawn”, “Night in Palm Tree”, & “Canope Imaginaire” conjures a wondrously invigorating rhythmic enlightenment & celestial comprehension - simultaneously moving us forward, inwards, & outwards through Azu’s uniquely omnidirectional & kaleidoscopic musical visions.

Adorned with sampled field recordings of her deeply inspiring home in the desert of El Djerid in South Tunisia, Azu opens a portal into the synergistic inner sanctums of being, self, and the world around us that’s essential to her work as an artist - from the macro levels of humanity’s naturally intimate connection to the Earth we share, down to each of our own micro levels of culture, ancestry, and belonging. All of this is alchemized through a combination of timeless Saharan knowledge & modern cybernetic tools, creating new dimensions of bewitching, euphonious sonic energy. This is music that gives back as much as the listener wants to give themselves unto it - detailed and layered, orbiting a steady core as ethereal swirls and intonations of the natural world embrace us warmly within a spellbinding journey.

8 of the album’s 9 tracks feature a deep level of collaboration from innovative Franco-Iranian percussionist Cinna Peyghamy. Cinna’s use of Tombak, the principle drum of Iranian music throughout time, is beautifully sonorous - channeling the passion of centuries of Southwest Asian rhythm & expression into his own personalized flourishes, with Azu adding her own electrifying frequencies & undiluted artistic freedom to their shared interplay. This profoundly communicative diasporic essence is transmuted between Azu & Cinna, their expression, & the listener. Both are music lovers, intimately connected to their respected Iranian and Tunisian cultures - concurrently acknowledging the wisdom of their resonant pasts, while proudly bringing the sounds of their heritage into the present & future.

“The Fifth Dream” embodies a cosmic anodyne for those feeling caught in between life’s abyssal inbetweens, whilst aiming for a consonant awareness of where our home truly lies in the swells of life’s spiritual maelstrom. This dream belongs at once to none & to many, that of a common language unified in concentric depth - finding beauty in all aspects of our world, and ultimately, within oneself.

Club U Nite Records presents 'Purple Kush': A Captivating Journey through Energetic House and Reggae Dub Fusion

Named after the renowned cannabis strain, 'Purple Kush' exudes a captivating blend of energetic house tracks and relaxing reggae dub elements.

On the A-side, prepare to be enchanted by the groove of 'Let The Spirit Flow.' This track's driving beats, pulsating rhythms, and deep house organ theme create an irresistible dancefloor anthem that will elevate the energy of any party.

Continuing the sonic journey on the A-side, 'La Bahia' takes us back to the roots of old-school house music. With its addictive organ riff and swing beat, this song instantly transports listeners to a nostalgia-laden dancefloor where the vibe is contagious.

Flipping the record to the B-side, 'Make Your Mind Up' keeps the momentum going with its pumping beats and soulful vocal samples. This track demands to be heard on a club's sound system, as it kickstarts an infectious dance atmosphere that will keep party-goers moving until the early hours.

Rounding off the vinyl, 'Purple Kush Theme' takes us on a mellow yet captivating journey. Seamlessly blending house vocal samples with the laid-back vibes of reggae dub, this track presents a refreshing fusion that invites listeners to let loose and unwind.

Originating from Adelaide while performing and producing as half of the duo 'Warren Raww', Hank YM got his start by throwing a string of events in the well catered establishment 'Sugar Nightclub'.

While supporting and hosting the likes of Funkineven, Damiano Von Erkcert, Mark Grusane and Florist, ambition turned more towards production in 2017. Taking inspiration from fellow Adelaide musicians such as Mic Mills, Arthur Miles and Freddie Norwood (Untzz Records), the focus in Hank's sound has always been to create a unique experience, with sets flowing from roots percussion through to house and disco. First debuting with a strong release on Australian Label 'Centre Source Records', 'Wabi-Sabi' placed focus on percussion and lush chords inspired from Japanese aesthetic

Following on from the successes of their first two LPs, "Kalba" and "Small Small", Isaac Birituro & The Rail Abandon return with the "Kontonbili EP". A collection of seven tracks that trace the traditional West African roots of their sound whilst adding their unique touch, largely courtesy of Isaac's xylophone, Sonny Johns' folky embellishments and the vocal prowess of powerful Ghanaian songstress Wiyaala.

The lead single "Hado Deeli" roughly translates to "My Rival" and is a vibrant discussion between two rivals, one of whom is always making a fuss about anything and everything, even when things are all good! "Gargar", with its collaboration of xylophone, whistles, Wiyaala's effervescent vocals and relentless groove represents, quite literally, the band's "joining together" for this EP. In contrast, "I Know" sees Sonny Johns takes over lead vocal duties to lament the breakdown of a relationship accompanied by muted horns and Wiyaala's soothing backing vocals. "Nimmbalia" continues in a mellow and reassuring tone before emerging as one of the most uplifting and simultaneously fierce cuts on the EP! The traditional version of "Bawa" - the original take of which can be found on last year's "Small Small" LP - strips things back a little, before culminating in a battle of xylophone, whistles and choir. "Yeri Villa" has a wonderfully laid back, sun drenched feel with some truly beautiful vocal refrains, and finally - only available on the digital version - comes the deeply percussive and trance inducing "Darpeny", rounding off a rather stunning EP from this cross continental outfit.



All tracks feature Ghanaian singer, song-writer, model and actor, Wiyaala. With a strong fanbase in Africa and beyond, "the lioness" made her mark on Wah Wah 45s and BBC 6 Music last year when she featured on the A-listed "Senye", described as "perfection" by Annie Mac and "pure joy!" by Tash LC.





e 05: Bawa (Traditional) feat. Wiyaala

Intergenerational trio Dry Speed is one of the best-kept secrets of the Belgian free jazz and improvisation scene. Formed in the early 2000’s, trumpet player Joachim Devillé and saxophonist Thomas Olbrechts were in their twenties at that time, while drummer – their teacher at the art school in Brussels - Dirk Wauters was already in his fifties. Logically, twenty years later the first one are in their forties and the third one in his seventies. They only released a couple of CDs before “Indium” but never stopped to play, for themselves and for audiences, in concerts.

'Too often we describe music using classifications; genres like “jazz,” “experimental,” “avant- garde” are an easy shorthand to relay the rough parameters of the music to another person who may not have heard it. But these words are useful because they’re so vague, and they are most often used when the impression the music makes is equally vague. But when a group makes sounds that move the listener, these terms don’t hold up.

Dry Speed has released a record that is, at turns, futuristic and organic. It feels alien and new, like plastic or titanium, but at the same time as if it is shrouded in the natural, growing like moss or amplifying the sound of a great tree’s roots. ‘Indium’ gives the listener multiple entry points into the trio’s music: from a broad soundscape to a densely knitted series of minute and exacting musical gestures.'
- Nate Wooley

Almost halfway through 2023, Voitax returns with a bass heavyweight of the highest order.

Marc alias Tymotica has been showcasing his musical ambitions not only as a founding member of the Munich-based label »Ruffhouse«, but also through his sonic ventures as a DJ and producer. Luca, on the other hand, an equally ambitious DJ and producer going by the name of DJ Ion, has his roots in hip-hop, jazz, and 90s techno. His debut on Don Williams’ a.r.t.less imprint proves that adequately. Their fusion turned out to be quite fruitful, as shown by their diverse yet well-centred record »Anthea« on Club Qu.
With »Bionic Gradient«, their promising collaboration enters another chapter, a representation of their precise curation of musical components, as well as an impressive design of their sounds. This progressive bass EP features dubstep-, grime-, trap-, and hip- hop influences, nuanced with dub and IDM. Through each track, the duo links crispy polyrhythms with well-chosen samples that perfectly complement the contemporary, high defined sound. Catchy leads, long reverb tails, metallic soundscapes, and detailed drum programming are carefully fused with the underlying warm bass body. All this comes down to an astonishingly eclectic bass EP that is built to be dropped on the dance floor, yet invites you to dive into an abstract and dreamy world on its own.

As both are continuously working on new material, we are more than excited about what is to come!

2023 Repress

Born under August sun,
in year of the dog,
brings luck for great times,
like a pup in summer.

D.Dan launches his own label, summerpup, as a home for his unique blend of deep, groovy, rolling sounds steeped in psychedelia. The label's playful name and mantra derives from heritage knowledge from his Korean roots passed down by his mother, based on his time of birth.

REPRESS!

The afrobeat-inspired eight-piece drop their hotly-anticipated debut.
A horn-fuelled, soul-shaking introduction to the young collective.
Their first solo release after featuring on london jazz primer we out here.

Kokoroko are part of the thriving scene that's grown out of london's young, jazz-influenced musical circles. Led by bandleader Sheila Maurice-Grey, their self-titled ep is the group's first solo release, following their early 2018 debut with 'Abusey Junction', a track that has gone on to accrue over 15 million plays on youtube and 2.6 million on spotify. Across the E.P's four tracks, the eight-piece deliver on the promise of that memorable introduction, offering a bigger vision of their afrobeat-influenced, soulfully-imbued sound, west african roots shaded with inner London hues.

'Abusey Junction' was first featured on we out here, the 2018 Brownswood compilation documenting London's bright-burning, jazz-influenced musical underground, picked by Rough Trade as compilation of the year 2018, and praised by the Wire, Monocle and the New York Times. Writing and performing as a group since 2014, Kokoroko have played at iconic venues from ronnie scott's, performed at the festival, Afropunk, and toured in Brazil, Colombia and France. Inspired by Fela Kuti, Ebo Taylor, Tony Allen and the great sounds that come out of West Africa, Kokoroko put on a performance to honour the masters that taught them.

"Speaker-bangin' before all else" (XLR8R) with "some of the smartest ears in the game" (Chicago Reader), "few can make a room explode like Maga Bo" (Flavorpill). A purveyor of "international sonic weaponry and rhythm knowledge" (Rough Trade), the Rio de Janeiro-based DJ/producer is a veteran pioneer of global bass music, with 20+ years of dedicated experience searching out unheralded music bumping from speaker-boxes in the world's grittiest corners, from Addis Ababa to Zanzibar.

Simultaneously, Amor (É Revolução), the new album from Maga Bo, is statement of hope through change, a call to arms, a lament, a proclamation of resistance, a shout of resilience, an exuberant yell and a deep therapeutic groove all at once. The result of a multi-decade search for rhythmic common denominators with an Afro-Brazilian-centric focus. It joins raw, natural, acoustic timbres and textures with the grit, weight and power of modern electronic production. It is where heavy dub bass pulsations sync with rhythms coaxed from drums heated over an open flame and ancestral voices rise and fall in call and response.

Recorded in Rio de Janeiro, Salvador, Recife, Arcoverde and Porto Alegre, the album counts amongst many illustrious talents from the Brazlian music scene, long time collaborators, Russo Passapusso and Roberto Barreto of Baianasystem, the legendary singer, BNegão and São Paulo based, Rosângela Macedo. Grupo Bongar and Samba de Coco Raízes de Arcoverde provide backing percussion and vocals. It also brings newer collaborators, from Recife, the amazing voice of Isaar, the fabulous guitarist, Felipe Cordeiro, as well as long-time friends, ex-Digitaldubs, Jeru Banto and Jota 3, the Mestre of Tambors de Olokun, Alexandre Garnizé, on percussion, fellow nomadic electronic roots explorer, Teleseen and the rock solid percussionist from Salvador, Icaro Sá.

Hear the sound of my feet - title says it all, but it would be too easy to bring it back to his african roots only. Zulu explores his double identity, both ways, extrovert as well as introspective, and draw a go-between, from club hit Hooligan Break to the feverish eponymous title Hear The Sound Of My feet. Trance synth stabs, sharp percussions as well as ambient (!) reminisce of his DJ record (alongside Bruits de la Passion collective and on Lyl radio) and lead the narrative - back to the roots he wants to introduce you to.

Reflections of the Sun is a collection of new music that see JOHN ROCCA experiment with a more laid back side to his musical personality. John is best know in Jazz Funk circles for his 1980s self funded, self produced and self released Brit Funk classic 'Southern Freeez', and as the band Freeez's founder.

"The melancholic suburban soul of ‘Southern Freeez’ never gets tired for me....an album that has remained at the top of my Brit Funk pile!" - GILLES PETERSON

Much of the album is also somewhat reflective. A personal and emotional reflection on John's life - the tracks a nod to John's varied musical pasts. Sounds, a pondering upon his collection of global influences and his life experiences over the years; Genre, the pulse of today, societal, musical or otherwise - but not easy to place as is John's character; Lyrics, the present dilemmas we face as humanity, whilst reflecting on our own private and deepest human feelings, of life and, of love in all its wonderous forms.

Musically, the 'Reflections of the Sun' album casts a glimpse back to Rocca's Brit Funk roots growing up amongst 1970s classic Jazz Funk and Soul, while also blending inspiration from his 1980-90s electronic influences topped off with everything else he has seen and heard on his life travels since then.

Giving a nod to John's own past while bringing Reflections of the Sun up to date was completed by adding elements of London's re-surgent and vibrant jazz scene. Not so different from John’s own early days jamming with Freeez, he is accompanied on all the album's tracks by his two young nephews and highly respected jazz musicians, Benjamin Rocca on keyboards and Joel Rocca on Saxophone. The two youngsters are known on the current London Jazz scene as the "Rocca Brothers".

The album's title track, "Reflections of the Sun" refers to how humanity, gorging on the sunshine that brings life to everything, also has a tendency to reflect the hellishness of the sun itself. Comparing our self-destructive nature with our planet's volumes of un-ending beauty.

Initial support for various tracks has come via radio plays on UK stations such as JazzFM, Jazz Funk & Soul Radio (JFSR), Soul Groove Radio and Solar (amongst others).

Santa Cata Records was conceived in the record store, Santa Cata in Palma de Mallorca.

Founded 3 years ago it has become a hub for local artists, an essential digging spot for visiting DJs, as well as being open to all music lovers.

With the vibrant local scene producing so actively, setting up a label was a natural step for us, providing a platform for the artists living on our beloved island.


The first E.P. is from various artists living in Mallorca.

International artists Dani Casarano and Hamid now spreading their roots on the island, and local talent in the form of Planetary Instincts own Dojo Zone and Halbert.

The EP focuses heavily on the dancefloor, innovative modern music laced with old school influence.

The record boasts a dancefloor cut with a jacking touch, another breaky acid lines under modulated chords. Flipping it over a 90’s bassline accompanies trance pads, and finally a catchy melody that will be following you around for weeks.

A classic dub set from Nick Manasseh & Jeremy The Equalzer, originally released on the Acid Jazz label in 1996, back on the streets courtesy of Partial Records.

A balanced mixture of traditional roots dub - including a tasteful reworking on Bob Marley’s `Sun is Shining; rhythm - intwined with digital sounds and experimental leanings