Cerca:d white

An obscure late 80s double sided killer brought to light! Originally released as a 12 inch, this was dug out of a white label box by Planets head honcho on a North London digging mission. 1989 fusion of Lovers, Street Soul & Soundsystem music from T-Dynamix & Lisa Ellis. Originally based up North near Manchester!

Soul Jazz of the First Order from Robert Dubwise Browne with two epic takes on tunes that should be in every DJ's grab bag of goodies. Sun Goddess originally by Ramsey Lewis and written by Earth, Wind and Fire's Maurice White together with a Ruff and Tuff version of the Grover Washington Jazz Funk classic "Mister Magic" featuring Jamaican Sax Man Dean Fraser. Guitarist Browne's appearance credits include the likes of his father Dennis Brown, as well as Gregory Isaacs, Beres Hammond and Toots Hibbert.. Produced by Japanese Reggae Legend Hayassen for his label Vortex and signed up on first hearing by Jazz Room Supremo Paul Murphy. If you've got a dancefloor you need these tunes!

The Madlib Invazion Music Library Series Entry #8: Karriem Riggins’ To The Jungle. Riggins is the type of drummer whose power and finesse shakes even Malcolm Catto. If you know what that means, this is the album for you. The Madlib Invazion Music Library Series was created by Madlib and Egon to give their creative friends a chance to stretch out and indulge in whatever type of music they wanted. This music was created for easy, one-stop clearance in film and television synchronization usage and for sampling. You can also enjoy these albums in the way that many do with the best of the best vintage library catalogs – listen, ponder, repeat.

Available on ltd edition white vinyl, only 300 pressed. Includes extended album download.

Ivan The Tolerable is the alter ego solo project of Middlesbrough based musical wizard Oli Heffernan. Aside from his solo work as ITT, Oli has played in numerous bands over the years including Year Of Birds, King Champion Sounds with members of the Ex, Detective Instinct, and Shrug, and has collaborated with icons like Mike Watts of the Minutemen, and J Mascis of Dinosaur Jr.

On Black Water/Brown Earth, Heff called in the help of his Dutch friends Mees and Elsa in King Champion Sounds again and wrote the album in a long-distance session. The album feels like an excursion in nature, featuring bird song, flowing water, pots and pans percussion, and a genuine feel of wandering about and experiencing the outside world with eyes and ears wide open. It is a band effort too, with organic sounding drums, the characteristic saxophone, and droning synths.

‘Elsewhere, gentle intonations of morning with almost childlike embellishments and rhythmic beats, and more flute, might lull and comfort but nothing ever sits exactly in time which might make this Ivan The Tolerable’s most frustrating album at times but also one of his most interesting to really delve into aurally. ‘Sawdust’ is another sonic interlude, little more than a purge of effects and ideas but in a place where effects and ideas are plentiful. However, it’s centrepieces ‘Seaweed’ and ‘Signs’ that provide the pulsing, grooving dual that makes the second half of Black Water/Brown Earth a sheer delight. The former being simply kind of folky with a bit of sitar but utterly immersive, the latter oddly upbeat with eastern vibes and tubular rhythms, combined it is nearly twenty minutes of serene experimentalism.
The shorter tracks are perhaps designed to temper the mood or counter and reflect the passage of time on an album of mostly structured improvisation, and it may only be closer ‘Memory’ that is truly free to roam musically, its long jazzy segments skipping off into the farthest corners of the left field’.

The Morning Papers Have Given Us the Vapours was made with the black watch bandmates and producers/engineers Rob Campanella (Brian Jonestown Massacre, The Tyde, The Warlocks) and Andy Creighton (The World Record, Parson Red Heads). Ben Eshbach, formerly of The Sugarplastic, arranged the strings. Kesha Rose guests on lead vocals on the second single, Oh Do Shut Up. And the great Lindsay Murray once again lends her beautiful backing vox to a number of tracks.

the black watch songwriter/frontman John Andrew Fredrick wrote the ten songs on this, his Los Angeles-based band's latest album, entirely unselfconsciously, with no set goal in mind other than to revel in the joy of songwriting, and, eventually, the luxury of recording his music with his more-than-accomplished band. The Morning Papers Have Given Us the Vapours, produced separately and together by Rob Campanella and Andy Creighton evinces the black watch's often stunning ability to, as Andy Gill once observed in The Independent, "find chaos in the calm, melody in the miasma."

Fredrick, who has also published four comedic novels and a book on the early films of Wes Anderson, jovially describes himself as "a recovering Anglophile--one who'll never, one hopes, fully recover." From his home studio in the Angeleno Heights district of L.A., he waxes eloquent about how being branded, as it were, as a too-ardent lover of British music, film, and literature has left him as bemused as has the tag "prolific" that is often affixed to reviews of his work.

"I just don't think it's all that interesting to note that we've made so many records. Looked at one way, it's a sort of deflection from talking about the timbre if not the quality of the individual songs. Though I know it can be intimidating for fans who've just discovered us--a sort of 'My goodness, where do I start with this band that has put out LPs since 1988?' I get it. I do. I picture someone standing at our slot at a bin at a record store becoming overwhelmed at the prospect of picking the 'wrong' title. And then walking away and not picking up anything from us!" Fredrick laughs. "What can you do indeed?"

He started his career as a songwriter as a result of an American Football injury that left him bedridden in the home he grew up in in Santa Barbara, California. The year The Beatles immortal double-album came out at Christmastime he broke his leg so badly that he had to be home-schooled for an entire year. His parents, ex-teachers themselves, refused to let him watch telly for more than an hour a day. He propped a Silvertone acoustic on top of the massive cast that screamed all the way up to his thigh from his toes, and began to write little melodies and lyrics that, doubtless, did not in the least mask his love for the Fabs, The White Album in especial.

And he read and read and read--histories of the American Revolution and Civil War, mostly, and as many Dickens novels as his mum and dad could bring him. "That year," Fredrick observes, "surely made me who I am today. Proof that intensely unfortunate-seeming events can prove most fortunate. As a sport-mad kid, it made me absolutely mental that I was exiled from the activities I loved most and the school teams I played on. What a blessing undisguised that injury was! Not that I'd like to experience anything like it ever again, mind you."

Fredrick can even recall a few of the melodies he wrote as boy ("Utterly trite, of course, completely jejune"); and in a way, The Morning Papers Have Given Us the Vapours showcases a kind of get-back-to-where-you-once-belonged sensibility. "I didn't intend, this time, to make an album per se. I write both songs and fiction in order to find out what happens, to find out what I might want to say," he notes. "Rob often asks me what a particular song is about; and I often reply that I either don't know, or would prefer that others say. Same thing goes for when people ask me where they should start with our discography. I never know what to say. Our LP from 2011, Led Zeppelin Five (remastered in 2021 for its tenth anniversary), has been our best seller, I think--but that may be because some stoned Zepheads thought their gods had perhaps put out a record they'd missed!"

Despite being deadly serious about music-making, TBW's been known to either whimsically or perversely title their albums. Examples: Jiggery-Pokery (an allusion to John Lennon assessing George Martin's productions), After the Gold Room (a pun on the Neil Young classic plus a local eastside L.A. watering hole), Sugarplum Fairy, Sugarplum Fairy (echoing Lennon's famous count-off to A Day in the Life), Fromthing Somethat (a garbled spoonerism/lyric while doing a vocal), Brilliant Failures (the 2020 release that, along with Fromthing Somethat, was named Album of the Year by venerable indie rock magazine The Big Takeover), and the aforementioned LZ5.

For the new LP, the band recruited longtime friends and allies Ben Eshbach (the Emmy-Award-winning frontman of The Sugarplastic) and Lindsay Murray (Gretchens Wheel) to compose and arrange strings and sing heaps of lovely backing vocals, respectively.

And the result? A collection of songs that Fredrick, in his quite-but-not-quite self-deprecatory way, might call another set of brilliant failures. "Every song, every LP we do, is a failure of sorts--no matter how powerful or beautiful or pleasing-to-us it turns out," John concludes. "I have often said that my aim is to write songs as good as anything on The Beatles... and I will never achieve my goal. And thus I'll have to keep at it, keep trying. And chin-chin to that!"

And now your attention's been brought to a band (or you've heard of them or heard a track or two down the years) that has been pegged by The L.A. Weekly as "a national treasure" as well as "the most criminally-neglected indie pop group imaginable."

So here's to the prospect of that ostensible neglect becoming as much of a thing of the past as John Andrew Fredrick's year-long stint in bed.

A groundbreaking album, originally released on Belgian label Antler in 1984. Fesobi Olawaiye debut is finally been re-issued, showcasing the incredible talent of the African musician, a longtime Fela Kuti associate in the legendary Afrika 70. Ander the moniker Feso Trombone he just prove an authentically brilliance, moving forward the afro-beat dogma while providing incredible white funk harmonies and contagious rare groove. Remastered from the original tapes!

The eagerly awaited debut album from the London-based four-piece * At the forefront of the new generation of Black British guitar music with Big Joanie and Bob Vylan * Supporting Slowdive on their UK tour in February * Singles playlisted by BBC Radio 6 Music, Spotify and others Whitelands are Etienne, Jagun, Vanessa and Michael and they are ostensibly a shoegaze band ever since Etienne stumbled across Slowdive's KEXP session in his recommended videos on YouTube a few years ago. However, they come at the resurgent, Gen Z-soundtracking genre from a refreshingly different angle thanks to their mishmash of musical backgrounds. There's also the fact that their line-up is fully PoC in what is traditionally seen as a predominantly white genre. "There's an underlying narrative that it's OK for white men to be romantic, sensitive, emotional and make dreamy music and, by contrast, young Black men should be making angry music," says Vanessa. "We've all grown up with these stereotypes and therefore I think people are mystified when they see Whitelands." "I consume a lot of media," says Etienne of his wide range of influences. "Videogames, music, news, paintings, manga, animations and film are my go-to, especially anime. There is this drive to want to understand and feel the whole weight of an expression. So, the songs are based on other songs, pictures, aesthetics, 'vibes', an emotion someone else felt. Fundamentally, you are what you eat." As a result of this diet, the lyrics are stunning, dealing with everything from unbalanced relationships and vulnerability to depression, being diagnosed with ADHD and, on the new single 'Tell Me About It' (featuring vocals by Dottie from the band's Sonic Cathedral labelmates deary), trying to navigate love following that diagnosis. The album is bookended by two poetically political songs - 'Setting Sun' and 'Now Here's The Weather' - that deal with imperialism, racism and performative ignorance. "We've experienced tokenism, micro-behaviours, envy and resentment," concludes Vanessa. "So we feel we have to continually prove ourselves. We know we're making a positive impact, but I want Whitelands to really break some barriers."

There is no in-between, neither is it only black or white - it is always, also, a question about contrast.

This is the third edit release on the newly reborn Tech-nology label.

The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his Soundcloud, radioshow - a big thanks.

The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.

The edit series is a mix between techno, which was initially the start of the label, so!

The edit series is not disco in the sense that is most popular or most accepted, this is a new way!

Making a techno approach to attack the original disco track.

Tech-nology!

This output is the third and not a secret track.

Here it is black, like the techno sound behind.

There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.

But the flipside, with 2 versions, is the big room killer.

There is always white noice

There is no in-between, neither is it only black or white - it is always, also, a question about contrast.

This is the third edit release on the newly reborn Tech-nology label.

The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his Soundcloud, radioshow - a big thanks.

The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.

The edit series is a mix between techno, which was initially the start of the label, so!

The edit series is not disco in the sense that is most popular or most accepted, this is a new way!

Making a techno approach to attack the original disco track.

Tech-nology!

This output is the third and not a secret track.

Here it is black, like the techno sound behind.

There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.

But the flipside, with 2 versions, is the big room killer.

There is always white noice

2024 REPRESSED !!

Crash Course in Science are a post punk band that formed in 1979 in Philadelphia.The band members, Dale Feliciello, Mallory Yago and Michael Zodorozny, met while attending art school. They began to experiment with crude electronics and off-beat writing. CCIS avoids conventional instrumentation by using toy instruments and kitchen appliances to augment the distorted guitar, drums and synthesized beats.Their first single, 'Cakes in the Home' was released in 1979 and their 4-song 12'' EP ''Signals From Pier Thirteen'' in 1981. Pier 13 was an abandoned coal-loading pier along the Delaware River near where CCIS rehearsed. The band went there often and was inspired by the huge silent machinery, shapes, shadows, ghosts and debris. The songs 'Cardboard Lamb' and 'Flying Turns' quickly became club favorites during the early 80's. This EP's raw, percussive sound influenced both techno and industrial music in later years. CCIS feel a strong connection to Throbbing Gristle, although they consider themselves as working in a parallel universe rather than being influenced by them. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl is housed in the original jacket featuring stark black and white photos of Pier 13. Each LP includes a double sided 11x11 insert with lyrics, photos of the band and the atmospheric pier. Crash Course in Science go above and beyond what is considered 'New Wave' in attitude and sound.

Aller guten Dinge sind drei, nicht wahr? In seinem letzten Atemzug stellt 2023 sicher, dass es mit einem Knall zu Ende geht. Im November wird THE VICE "Grant me your peace" veröffentlichen, die erste Single und das Video aus dem kommenden Album "Dead canary run", das den Startschuss für 2024 geben wird, wenn es im Januar auf allen digitalen Plattformen, auf CD und zum ersten Mal in der Geschichte von The Vice auf Vinyl erscheint!

Das Album baut auf den Fundamenten des Vorgängers auf und setzt den von THE VICE über die Jahre geschaffenen Weg fort. Dennoch ist "Dead canary run" ein ganz anderes Biest. Dreckiger Rock, geschwärzter Metal, todgeweihter Pop, sie alle sind da und gedeihen wie nie zuvor. Und vielleicht kommt einem der Sludge, aus dem er hervorgekrochen ist, bekannt vor, aber es gibt viele neue Ebenen, die die Band mit diesem Album erreicht hat. Mit der Hilfe ihres alten Partners Joel Öhman (der bei einigen Songs das Klavier beigesteuert hat) haben sie im Spätsommer dieses Jahres das Studio Underjord mit einem Album verlassen, auf das sie nicht stolzer sein könnten. Seit "White teeth rebellion" haben sie einen langen Weg zurückgelegt, und "Dead canary run" ist ein schönes Zeugnis dieser Reise. Es ist schon komisch, was Leidenschaft und Entschlossenheit, auf 11 hochgeschraubt, bewirken können.

States the Band : "So now in full rehearsal-mode preparing for the stages in 2024 following the release of "Dead canary run". We've also got lots of other stuff in the pipeline and the coming seasons will be packed as we enter this new cycle. Album, videos, piano, touring, vinyls, merch. Pretty much the same as always, but completely different, and just fucking better.See you on the other side!"

- PR-Kampagne über die deutsche Agentur ALL NOIR für Print / Presse / Radio in der EU + O'Donnell Medien für PR in den USA
- frühere Musikvideos haben über 10k Aufrufe auf YT erzielt

2024 Limited edition LP & CD reissues of this cult minimalist pop album by japanese singer songwriter Ai Aso, originally released in 2014 on Ideologic Organ. Tokyo's Ai Aso (???, Aso Ai) is a Japanese psychedelic pop singer-songwriter whose work has a whisper-thin acid folk quality to it. She started performing as a solo singer around 2000. Her solo work, infrequent collaborations with White Heaven members You Ishihara and Michio Kurihara, Yurayura Teikoku, and Boris bring a level of fragility and hypnotism to the stage recalling lost memories, small flavors of COIL and serial playing on the verge of evaporation. As for her recent activities, she has performed on bills together with Sunn O))), Boris, Masaki Batoh (Ghost), Touri Kudoh, Kim Doo Soo, Mark Fry, Simon Finn etc.

Der in Brooklyn ansässige Komponist, Arrangeur, Produzent und Multiinstrumentalist Sly5thAve präsentiert "Liberation", eine 2LP mit Auswahl von Originalkompositionen und Reorchestrierungen, die die Schönheit und Gewandtheit der Jazzmusik feiern. Feat. MonoNeon, Roberto Verástegui, Robert “Sput” Searight, Nate Werth.

Liberation" ist das neue Album des Produzenten, Komponisten, Arrangeurs und Multiinstrumentalisten Sly5thAve. Sly5thAve überwand kreative Schwierigkeiten und konzentrierte sich darauf, sich selbst treu zu bleiben, und fühlte sich nach der Fertigstellung des Titeltracks "Liberation" befreit - ein Gefühl, das den Titel des Albums prägte.
Liberation" entstand aus einem Demo, das vor fünf Jahren während Sly5thAves erstem Versuch, das Album zu konzipieren, entstanden war, und ist inspiriert von geliebten Blaxploitation-Filmsoundtracks und ikonischen Künstlern wie Curtis Mayfield, Willie Hutch, Herbie Hancock, Gordon Parks & J. J Johnson.

Der Grammy-Preisträger Sylvester Uzoma Onyejiaka II alias Sly5thAve ist bekannt für seine ausgefeilten Kompositionen. Sein Sound ist geprägt von seinem Glauben an Hip-Hop und seinem tiefen Verständnis von Soul, R&B und Jazz. Er hat eine große Anhängerschaft im Underground und wurde von berühmten Musikern wie Jarobi White (A Tribe Called Quest), Dr. Dre, Questlove und The Roots sowie dem Schauspieler Martin Freeman unterstützt.
Großen Respekt hat er sich durch seine Arbeit mit einer Reihe von hochkarätigen Musikern erworben, darunter Prince (als Mitglied der New Power Generation Band), Stevie Wonder, Gladys Knight, das Dave Brubeck Quartet, Taylor Swift, Janelle Monae, Freddie Gibbs und Quantic. Sly5thAve ist als Mitglied von Ghost Note, Quantic und mit seinem eigenen Nebenprojekt IGBO auf Tournee gegangen und hat Alfa Mist auf seiner Nordamerikatournee unterstützt.

Vor allem seine orchestrale Hommage an Dr. Dre, "The Invisible Man", erntete viel Lob und Aufmerksamkeit und wurde sogar von Dr. Dre selbst bewundert.

,somewhere in the nowhere, between cows and sheep, there's a little studio:"klingt als ob man den schrank aufmacht und einem fällt alles entgegen" (fortuna ehrenfeld) "sounds shit" (new york times) "nope" (bbc6) "i fucking love it!" (brian eno) "honestly?!" (meg white) "mind opening" (hans zimmer) "well done" (idles) bonny und clyde sind in ein, ja sie hören richtig, walisisch/oberösterreichisches indie-duo reinkarniert und plötzlich riecht hier alles wie reifenabrieb nach einem vollgas-start auf der straße richtung sonnenuntergang.an den drums wird hier schnell eine new sensation offenbar.tank girl, punkbraut, madonna, blumenmädchen.mit roher gewalt und einem einzigartigen stil ballert veva mit stampfenden beats den weg zum tresor frei, während tom lässig mit dem ellenbogen durchs regal geht und die erbeuteten juwelen in form von schmutzig geschliffenen britesquen songzeilen für die ewigkeit auf den pokertisch wirft.im haldern studio hat martin, sänger und mastermind von fortuna ehrenfeld, den beiden einen derart geschmackvollen noise appeal auf die leiber genagelt wie man in hierzulande nur (viel zu) selten hört." FALSE LEFTY stellt die punkwelt auf den kopf. sie brechen nicht nur optisch, sondern auch musikalisch jedes klischee. drei saiten, drei trommeln- mehr braucht das duo FALSE LEFTY nicht. die band bricht mit perfektionismus, reduziert sich von überflüssigem, lässt das unwichtige weg und setzt auf einen minimalismus, der die hoffnung weckt, dass es doch so wenig braucht, um gute musik zu machen- eine vision, zwei menschen, drei saiten, drei trommeln. FALSE LEFTY sind eine newcomer band, bestehend aus einer schlagzeugerin, die im stehen drei trommeln spielt und einem sänger, der seine gitarre nur mit drei saiten bespannt: die frage ist nicht, was gute musik braucht, sondern was sie nicht braucht. seit der gründung der Band vor einem jahr spielten FALSE LEFTY über 40 konzerte, sowohl als headliner wie auch als support für Public Image Ltd., Fortuna Ehrenfeld, The Lathums, SONS, Kapelle Petra, Cash Savage and the last Drinks und viele andere.

The latest by UK rave reanimator Low End Activist is a nine-track suite of skeletal hardcore, pointillist drum n bass, and deprivation chamber dub, chopped and brewed in homage to the countryside sites of golden age dance gatherings: Airdrop. From Waterstock to Yarnton Road to White Horse Hill, England’s early 90’s dance summits loomed large in LEA's familial and artistic landscape as a youth, trading tapes and pumping tunes across long weekend afternoons: “Fast music to soundtrack slow days.”

An atomized stew of stabby samples, bubbling bass, airhorns, echo, and blitzed BPMs, the cuts take cues from key heroes of the “where were you in ‘92” set – Tango & DJ Ratty, Top Buzz, DJ SS, DJ Seduction, Dr. S Gachet – then fling them to the four corners. Skittery, stripped, and elevated, this is mad scientist music of voltage, vision, and rewired brains, scraped to its raw genetic essence and deployed for peak kinetic liberation.

On "The Best EP", Chengdu-based artist B.AI shows she can not only write memorable hooks but can do so while covering a broad array of registers. One of her most enticing feats is her ability to make the minimal, electro and tech house genres she navigates her own by injecting them with a unique sense of melody. "Nightdreaming" is a moody builder: although new, sturdily patched layers keep being introduced and the pace never slows down, a sense of restraint remains. This atmosphere quickly changes on "Satisfy", which, with its tapestry of indeterminate arpeggios and EBM-evoking vocals, takes a nervous turn. "The Best" on the B-side is a slab of vigor tailored for the peak time. Set to an effective bass groove, modulated chords, white noise sweeps, delicately mixed moans and bright pads nearly trip one over another. On "Crash Landing On Nimas" B.AI , together with Diego Santana, unleashes a batch of detuned and portamento heavy square wave patterns. The EP, diverse yet balanced, ends on a note so ominous...

190g Vinyl! Bleu Ciel is back with its 11th release by Demond Vinyl Only. Blue White Marbled.

"Memorie d'Inverno" is the first collaboration album from Original Krash (Producer) & Casco aka Helmet (Performer) with the partecipation of various dope mc's and singers also the vynil exclusive include two remixes from leggendary prodcuers Dj Skizo (from Alien Army) and The Next One (from Zulu Nation and Rock Steady Crew).

"Memorie d'Inverno" is a concept album released for Outboard Music in June 22 and the title in italian stands for "Winter Memories".
The LP it's worked and founded on the classic style of Hip Hop where bassline, cuts and drums reign on the productions all made with the MPC5000 sampling original vynils. The songs are concived as a phootage of a memory, so made too survive forever in the ear of the listener. All the tracks has been mixed analogically by Matteo "Nost" Nolli at Nost Studio (excluded the two remixes made directly by the producers) with the supervision of Original Krash and the work on the sound it's an essential part of the LP and melted with the fact that most of the beats are sampled from Jazz and Soul defines the Hip Hop flavour of the album.

Thw philosophy and the work ethic behind "Memorie d'inverno" it could be perfectly resumed in the titles of the intro (True Knowledge Is The Future) and the outro (Today, Not Tomorrow) as a perfect closing circle. The message is don't waste your time around unuseful stuff and keep focused on what you like and really desire to reach, so you better tie the laces to your shoes, bust your back and study to obtain what you deserve beacuse no one is gonna do that for you.
Krash and Helmet thaks everyone who will support our business remebering to the one who hasn't already purchase the order that they really should beacuse... Italians Do It Better .

In Season 5, the long-awaited fifth full-length by beach-pop project The Tyde, frontman Darren Rademaker unveils his vision of an ’80s-inspired Suave Nouveau, with a clutch of sweet, melancholic love songs evoking lush mustaches, mellow macho, the ghost of Jimmy Buffett, white sand beaches, flamingos swooping across a cerulean sky, speedboats cutting through the bay and pastel linen suits billowing in the breeze as the sun dips beneath the horizon. “Spanish conquistador Juan Ponce de León ‘discovered’ Florida in 1513, naming the peninsula La Florida, the flowering land. In Season 5, Rademaker reflects on his own return to the flowering land, and the artistic diaspora that caused him to quit California in 2020 in search of a New World of his own. ‘I lived in Florida from the ages of ten to twenty-five, but never really got to explore it,’ he says. ‘When I came back, I decided to really embrace the whole Florida aesthetic. I moved into an art deco home in Sarasota with pink seashell lamps. I visited Key West, like seven times. I also quit smoking weed and cigarettes, and stopped saying shit like LOL and amazeballs. It felt different. It felt good.’ “The record features the talents of many good friends, including Dan Horne, Colby Buddelmeyer, Matt Correia (Allah-Las), Clay Finch (Mapache), Albert Hickman, Derek James (The Entrance Band), Alex Knost (Tomorrow’s Tulips) and Adam MacDougall (Circles Around The Sun / Black Crowes), with artist / musician Matt Fishbeck (Holy Shit) designing the deco-inspired album artwork. “And as much as they are inspired by the past, these songs are keenly aware of an uncertain future—because there is no such thing as a time machine, and there is no going back. Ultimately, Season 5 asks the question—where do we go after the sun sets on our dreams? Where the fuck is the New New World? In Rademaker’s eyes, it no longer exists in any specific American geography—rather, all hope remains in the timeless, unending power of music, and its power to take us to the places we wish we could be. Even if they don’t exist anymore.” — Caroline Ryder

Prompt reissue of the only album released by The Aggregation, a Los Angeles psych rock combo, who licensed the album on LHI - Lee Hazlewood company - back in 1969. The story goes like that: the band used to perform cover songs at Disneyland attraction park but also produced a bunch of originals to get along with Disney rides and exhibits. Hence their concept album in which "funhouse" is a metaphor for exploring the brain frontiers. A must have!

Freaky Drum & Bass Whitelabel.

"Fargo Year Five is the fifth season of the hit series Fargo, which premiered on November 21, 2023, and consisted of ten episodes. This season is set in Minnesota and North Dakota and follows the typical Midwestern housewife Dorothy “Dot” Lyon (Juno Temple), whose mysterious past comes back to haunt her after she lands in hot water with the authorities. The season has been met with positive critical reviews, receiving three nominations for Golden Globe Awards. Just like the first four seasons of Fargo, the music of the fifth season was created by Jeff Russo. For his work on Fargo, he won the Primetime Emmy Award for Outstanding Music Composition for a Limited Series, Movie, or Special in 2017. Russo is also known as one of the founding members of the band Tonic. Fargo Year Five is available as a limited edition of 1000 individually numbered copies on white coloured vinyl and includes a 4-page booklet. "

FARGO YEAR 5 by Jeff Russo, released 12 April 2024, includes the following tracks: "Run", "Horror", "S5 Murder Theme", "Dot (Moving)" and more.

This version of FARGO YEAR 5 comes as a 2xLP. This release comes with (a) Booklet.

The vinyl is pressed as a white disc. Another vinyl is pressed as a white disc.

"Message From The Country was the fourth and final studio album by The Move, a British rock band that consisted of Roy Wood, Jeff Lynne, and Bev Bevan. After the release of this final studio album, the trio went on and founded Electric Light Orchestra. The influence of The Beatles runs through most of the songs stylistically, while still sounding like the first ELO album, which was recorded during the same lengthy recording sessions as Message From The Country. The Move generated what was, song for song, their most complex and challenging album. Message From The Country is available as a limited edition of 1000 individually numbered copies on white coloured vinyl. "

Message From The Country by The Move, released 12 April 2024, includes the following tracks: "No Time", "Until Your Moma's Gone", "The Minister", "The Words Of Aaron" and more.

This version of Message From The Country comes as a 1xLP.

The vinyl is pressed as a white disc.

Dogs Of War is the twelfth studio album by the heavy metal band Saxon, released in 1995. This one marked a period of changes for Saxon, both in their sound and lineup. Thanks to early ‘90s albums like Solid Ball Of Rock and Forever Free, Saxon convinced many skeptics that they still have plenty of quality heavy metal to offer and after a three-year recording hiatus, the band returned to glory with the massive-sounding Dogs Of War. Once past its thunderous opening title track, Dogs Of War delivered a slew of improbably memorable and distinctive numbers, including ""Big Twin Rolling (Coming Home),"" ""The Great White Buffalo"" and ""Demolition Alley."" It was also the last album with longtime guitarist Graham Oliver as a member of the classic formation, who left shortly after the album release. Dogs Of War is available is available as a limited edition of 1000 individually numbered copies on gold colored vinyl and includes an insert. This special edition contains an additional and exclusive cover print.

Dogs Of War by Saxon, released 12 April 2024, includes the following tracks: "Don't Worry ", "Hold On ", "Demolition Alley ", "Give It All Away " and more.

This version of Dogs Of War comes as a 1xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a gold disc.

This wonderful collection of mostly overlooked gems has been remixed and remastered from the original master tapes. Finally available again after 20+ years of unavailability. The Freddie Mercury produced title-track features the iconic Queen frontman on piano and vocals and Brian May on guitar. The further Eddie Howell tracks on the album are from around the same period and feature cameo appearances from Phil Collins, Gary Moore, Ray Cooper and many others. Pressed on 180gram audiophile quality white vinyl, presented in an exclusive boxset including photos, poster, plectrum, QR code (for the Dolby Atmos version of the album) and the story behind the project.

Man From Manhattan by Eddie Howell & Freddie Mercury, released 12 April 2024, includes the following tracks: "Jezebel ", "A Long Story ", "Parachute ", "Chicago Kid " and more.

This version of Man From Manhattan comes as a 1xLP in a(n) Printed Inner Sleeve(s) packaging. This release comes with (a) Photo(s) & Poster.

The vinyl is pressed as a white disc.

'This Is Mod' ist Teil einer neuen Serie, die sich an Vinylkäufer richtet, die eine genrespezifische Compilation suchen. Kuratiert von Dean Rudland, der auch die Liner Notes schrieb, führt 'This Is Mod' in die dunklen Keller von Soho, wo jeder die schicksten Klamotten trägt und zu den feinsten, tanzbarsten Klängen aus dem schwarzen Amerika tanzt. Soul, R&B und ein Hauch Jazz sind an der Tagesordnung. In den Grooves finden wir düsteren Southern Soul von Clarence Carter und Jimmy Hughes, den Sound von Memphis mit freundlicher Genehmigung von James Carr, Danny White und Timmy Thomas sowie R&B von Lowell Fulsom und Richard Berry. Dazu Northern Soul, unter anderem von Mary Love und Darrow Fletcher. Klassisch, schwarzes Vinyl!

Foil Jacket - Pink, White and Blue Merge with Splatter. Der sechste Teil von Relapses umfassender Wiederveröffentlichungskampagne des immens einflussreichen DEATH-Katalogs ist Leprosy, das gigantische zweite Album der Band. Ursprünglich 1988 veröffentlicht, war Leprosy ein bahnbrechendes Album, das auf dem Thrash-Sound von Metallica und Slayer aufbaute, aber eine bis dahin ungehörte Extremität hinzufügte. Das gesamte Album sowie das Bonusmaterial wurden von Alan Douches (Mastodon, Nile, etc.) akribisch remastert.

Foil Jacket - White, Blue and Gold Merge with Splatter. DEATH, die von dem legendären Gitarristen Chuck Schuldiner gegründete
Heavy-Metal-Institution, veröffentlichte ihr legendäres viertes Studioalbum Human 1991 und erntete weltweit großen Beifall der Kritiker. Die komplexe und progressive Musik und die introspektiven Texte des Albums markierten einen massiven stilistischen Wandel weg vom primitiveren Frühwerk der Gruppe, und Human wurde zu einem der einflussreichsten Metal-Alben in der Geschichte des Genres.

Foil Jacket - Pink, White and Red Merge with Splatter. DEATH, die von dem legendären Gitarristen Chuck Schuldiner gegründete Heavy-Metal-Institution, veröffentlichte 1993 das Album Individual Thought Patterns (den Nachfolger ihres bahnbrechenden Albums Human). Individual Thought Patterns verfeinerte die mit Human ingeschlagene progressive Richtung weiter und enthielt mit "The Philosopher" den wohl besten und bis heute bekanntesten
Song, der je aus der Welt des extremen Metals kam.

Foil Jacket - Violet, White and Red Merge with Splatter. DEATHs legendäres Debüt Scream Bloody Gore von 1987 ist mehr als nur ein unantastbares Album - bei seiner Veröffentlichung war es geradezu genrebildend. Heute wird das Album einhellig als einer der wichtigsten Eckpfeiler des Death Metal aller Zeiten angesehen. Als letztes Kapitel der umfassenden DEATH-Reissue-Serie von Relapse erscheint Scream Bloody Gore nun als Deluxe-Reissue, von Alan Douches (Death, Mastodon, Nile) sorgfältig von den Originalbändern neu gemastert.

I love these musicians Sam Amidon, Karl Blau, Charlotte Greve, Shahzad Ismaily. I’ve played with some of them for two years and some for over twenty. We met up last spring at Figure 8 Studios in Brooklyn and rehearsed for one day before recording this album at the nearby Owl Parlor on March 29 and 30, 2023. It fills me with joy to hear my songs reinterpreted through the spirits of these masterful musicians (who are also my dear friends). I hope you enjoy this document, too. Thank you to Oren Bloedow at The Owl Parlor for creating a beautiful space for us to perform and record this music.” Sam Amidon – fiddle, electric guitar and vocals Karl Blau – bass and vocals Charlotte Greve – sax, synths and vocals Shahzad Ismaily – drums, piano and vocals Laura Veirs – nylon guitar, electric guitar, piano and vocals Recorded and mixed by Lily Wen Mastered by Josh Bonati at Bonati Mastering NYC Produced by Laura Veirs

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Soul entwickelte sich gegen Ende der 1950er Jahre aus Rhythm"n"Blues, Gospel, Blues und Jazz. Im folgenden Jahrzehnt war Soul ein Synonym für schwarze Popmusik. Kennzeichnend dafür waren vor allem die Produktionen von Motown Records, zum Beispiel Diana Ross & The Supremes oder Sam Cooke. Seither sind herzergreifender Gesang und groovige Vibes die größten Stilmerkmale des Soul. Zu den weiteren Ikonen des Soul gehören Curtis Mayfield, James Brown, Aretha Franklin, Barry White, Sam Cooke, Al Green und viele mehr. Deren Erfolg ist eng mit dem Kampf der US-amerikanischen Bürgerrechtsbewegung gegen Rassentrennung und für Gleichberechtigung verbunden. 1969 benannte man die Rhythm"n"Blues- in Soul-Charts um. Der Soul-Orkan, der während der Sechziger in den Charts tobte, ebbte jedoch wieder ab, kam aber runderneuert in den 70ern als Phillysound wieder zu erneuten Hitparadenehren. 1982 änderte man die Chart-Bezeichnung von Soul in Black Music. Die vorliegende Kompilation vereint die legendären Stimmen des Soul mit ihren unvergesslichen Hits.

Find all the greeatest songs of the King of Rock & Roll in a nice 5LP boxset

More white label action from the Notts playmaker Roy of the Ravers. A 6 track EP of raw acid action. Kicking off with a curveball - the frenetic footwork stylings of title track "You Don't", the squelchy schizophrenic action follows on with another 5 mid tempo distorted groovers from the acid superstar ROTR.

Since their debut album in 2005, Finnish post-rock cinematic epics, Oddarrang, have been captivating audiences with their unique blend of atmospheric, melodically infused, and harmonically rich music, woven around an uncommon combination of guitars, cello, and trombone. The term "odd arrangement," from which Oddarrang takes its name, perfectly describes their effortless merging of atmospheric charm with post-rock influences, tasteful synth production, and resonant brass. In 2024, Oddarrang is set to release their fifth and self-confessed final album, an album that many consider their magnum opus.

This highly anticipated release blends all the elements from their previous works, resulting in a highly compelling musical masterpiece. The anticipation for this album is at its peak, representing the culmination of their artistic growth over the years. As a collective group, Oddarrang is a melting pot of diverse musicians, each contributing their distinct style to the musical canvas. Their evocative compositions possess a cinematic quality, conjuring a plethora of emotions and vivid imagery in the minds of their listeners. This forthcoming album stands as a true testament to Oddarrang's unwavering dedication and artistic evolution. It is a reflection of their authentic connection to the music they create, inviting audiences to embark on a transformative and emotionally charged musical journey.

"Oddarrang" includes the following tracks: "Lull", "Mishkan", "White Wall pt. 2" and more and comes on orange vinyl.

Singles V1 is a 6 track, 12-inch beautiful marine blue coloured vinyl EP. It is also the first physical release by Low Girl. As the title suggests the EP is a collection of the band’s singles up to the end of 2023 which features Big Now, So Cool, Blessing, Bored, Uh-Oh and Pockets. If you haven’t yet heard of Low Girl, be in no doubt, you will do soon. The band are a four-piece fronted by singer songwriter Sarah Cosgrove with band mates Toby Morgan, Tom Cosgrove and Bradley Taylor and it is clear to see that their popularity has been steadily growing since the release of their first single Big Now in 2021. The band have featured on the BBC Introducing Stage at the Reading Festival and played at the Texas SXSW Festival at the invite of The British Music Embassy in 2022. They have also regularly toured and provided support for acts such as October Drift, Pale Blue Eyes, The Murder Capital, Dream Wife and most recently Dekker. Low Girl’s indie pop, lo/fi sound, attributable to its vulnerable lyrics, synth licks and guitar driven riffs, has attracted admirers and radio airplay on BBC Radio 1, Radio X and particularly at BBC Radio 6 music, who have play listed a number of the band’s singles. Indeed, their single ‘So Cool’ was one of BBC Radio 1 Introducing’s singles of the week in April 2022 and ‘Bored’, was featured on the Late in the Day program’s International Women’s Day 2023 edition alongside Arlo Parks, Bjork, Sade, Nina Simone and other premier female artists. Sarah Cosgrove has also joined the panellists on one of August’s editions of Steve Lamacq’s round table together with Felix White and Deadletter’s Zac.

Aniara white label number four brings exactly that to the floor. Two of Arkajo's most propulsive dance-floor tunes are combined on the A-side. Complemented by Dorisburg and Efraim Kent (a debut on Aniara) on the flip with the darker cut Data Smuggler.

Recorded and produced by Pink Floyd engineer Andy Jackson, the audio is via analogue transfer to 96khz/24 bit by John Dent at Loud, with vinyl mastering by Geoff Pesche at Abbey Road. Formed in 1984, Fields of the Nephilim is the creation of vocalist and front man Carl McCoy. Highly influential, especially in the world of goth, but also within the metal and electronic genres, their legacy endures to this day. You can hear their influence on bands like Swans, Godspeed! You Black Emperor, Explosions In The Sky, Wolves in The Throne Room, Behemoth and more. The band"s unique sound, an apocalyptic fusion of Victorian underworld meets Sergio Leone Spaghetti Western, had an appearance to match (wide-brimmed hats, long duster coats and cowboy boots, usually black and smothered in white flour as a substitute for dust), and set them apart from their contemporaries. Elizium is one of their most beautiful albums and considered by many to be their best. As The Quietus wrote, "it was both their most accessible and their most experimental work, concluding and consolidating the Nephilim"s five-year shamanic journey. Lead-off single and opening track "For Her Light" featured a lengthy mid-section that anticipated the apocalyptic post-rock of Godspeed! You Black Emperor (unsurprisingly, it failed to chart), and the album featured some of the band"s hardest rock in the wah-overload of "Submission," as well as further incorporating dance elements - more successfully and organically than many of their peers, it must be said - on second single "Sumerland"." Louder Sound also called "Sumerland" their "greatest ever track".

Für Fans von QOTSA, Red Fang, Elder, Black Sabbath'

"Es gibt Dinge, die passen einfach zusammen. Und manchmal ist auf den ersten Blick gar nicht so klar, warum die eigentlich so gut zusammen passen. Eines dieser Phänomene ist Stoner und Desert Rock aus Skandinavien. Es braucht keinen akademischen Abschluss in Geographie um zu erkennen, dass die Heimatstadt von Slomosa Bergen recht weit von der Wüste entfernt ist. Und dennoch kommen gerade aus den skandinavischen Ländern einige der besten Wüstenrock Bands unserer Zeit. Dozer, Greenleaf, Brutus und Spiritual Beggars sind nur einige Beispiele dafür. In dieser Reihe darf sich nun auch Bergen's Quartett Slomosa wähnen. Die vier Musiker aus der zweitgrößten Stadt Norwegens platzten in diesem Sommer mit ihrem selbstproduzierten und selbstbetitelten Debut auf den Musikmarkt (…) Dabei reichen die Einflüsse von den schwerfälligen Desert Rock Giganten Thin White Rope über den krachigen Desert Fuzz à la Sloburn bis zum zackigen und melodischen Skandivavien Blues, wie Brutus ihn spielen..." (Silence)

Escape Music are pleased to announce the release date for long awaited Turkish Delight studio album titled “Volume 1" with 500 limited edition double Vinyl “Side A+B Snowy White colour and side C+D Skull Gold colour” all will be numbered 1-500! ‘Turkish Delights Volume One’ celebrates the absolute joy that Escape Music co-owner Khalil Turk has for the kind of music he loves so much and has spent the last thirty and then some years championing. Indeed, his enthusiasm for a new band or a new song today is no different from when I first met him in the mid ‘80’s. I lost count of the number of phone calls he made to me when I was working for ‘Kerrang!’ magazine, where he would excitedly tell me ‘Dave, you just have to listen to this! It’s brilliant! You’ll love it!’ before playing me something over the phone – new and often obscure - he had picked up on his international record buying trips. Nine and a half times out of ten he’d be right!! Khalil’s quality control has been such that the record label he co-founded with fellow melodic rock enthusiast Barrie Kirtley in 1995 remains reliably and solidly in place all these years later. Escape continues to deliver monthly doses of quality hard rock, melodic rock and AOR to a very devoted following. Khalil had first entered the music business in the early ‘90’s, effectively as a talent scout for the German owned Long Island label. However, after the company folded, Turk felt that, rather than look at opportunities with other labels, he had the enthusiasm and now had rather more knowledge of the inner workings of the music business to put something together himself alongside the equally enthusiastic and astute Kirtley. We’ve seen hundreds of solid album releases from a huge variety of acts (including AXE, Steve Walsh (Kansas), John Elefante (Kansas), Lonerider, Shadowman, Alliance, Pinnacle Point, Mass, Heartland, Grand Illusion, Overland, Last Autumn’s Dream, Punky Meadows, ColdSpell, Chris Ousey, Ozone and Touch, to name just a few) as well as reissues (from Aviator, Sugarcreek, Jon Butcher Axis, Franke And The Knockouts, FM, Tantrum and Surrender, Zon, Hanover Fist etc) ever since. So here we are, over twenty-five years since that first Escape Music album appeared hot off the presses (Heartland’s ‘III’ album in November 1995, if you’re asking) and this collection of songs, personally chosen by Khalil, reiterates that pure joy he still possesses for the music he is utterly immersed by. With material from the pens of Steve Overland (FM), Chris Ousey (Heartland), Steve Morris (Export/Ian Gillan/Heartland), Mick Devine (Seven), Steve Newman (Newman/Compass) and Tommy Denander (Radioactive) there’s also a list of musicians culled from Khalil’s contact book that, quite frankly, is VERY impressive. Just a few names appearing on ‘Turkish Delights’ to throw at you include Ronnie Platt (Kansas), Billy Greer (Streets/Kansas), Billy Sheehan (Talas/David Lee Roth/Mr Big), Gary Pihl (Sammy Hagar/Boston/Alliance), Gene Black (Device), Jeff Pilson (Dokken), Jeff Scott Soto, Chris Childs (Thunder), Mike Slamer (City Boy/ Streets/Seventh Keys/ Steelhouse Lane) Joel Hoekstra (Whitesnake/Joel Hoekstra’s 13), Mark Mangold (American Tears/Touch/ Drive, She Said), Mark Stanway (Magnum), Mat Sinner (Sinner), Marco Mendoza (Thin Lizzy/Whitesnake/Journey), Ricky Phillips (The Babys/Bad English/Styx), Robin Beck, Robin Mc Auley (Grand Prix/MSG), James Christian (House Of Lords) Steve Overland (FM), Jerome Mazza (Pinnacle Point/solo), Terry Brock (Strangeways) and Vince DiCola (‘Transformers’/Thread/Storming Heaven). This is a cast of thousands. Well, it at least appears that way! It’s a very interesting package and, as Khalil would surely say, you’ll love it! - Dave Reynolds / August 2022. Produced by Khalil Turk for Turkish Delight Productions / Mixed and Mastered by Stephen DeAcutis at Sound Spa Studio, New Jersey, USA / *Mixed by Andy Zukerman / *Mastered by Fredrik Folkare / **Mixed and Mastered by Brian J Anthony (Vinyl Only) - Artwork Design by Hugh Syme (Rush/Bad English/Elton John) - Turkish Delights: The Musicians are: Ronnie Platt: Lead vocals (Kansas) / Billy Greer: Lead vocals (Kansas/Seventh Keys/Streets) / Jeff Scott Soto: Lead and backing vocals (Talisman/Yngwie Malmsteen/Trans-Siberian Orchestra) / Robin McAuley: Lead and backing vocals (Michael Schenker Group/Grand Prix/solo artist) / Chris Ousey: Lead vocals and Backing vocals (Heartland/Ousey-Mann/Virginia Wolf/Ozone)/ Jerome Mazza: vocals (Pinnacle Point/Steve Walsh) / James Christian: Lead and backing vocals (House Of Lords)Terry Brock: Lead vocals (Strangeways/Kansas) / Lee Small: Lead and backing vocals (Phenomena/Lionheart/Shy) / Mick Devine: Lead and Backing vocals (Devine Intervention/7/solo artist) / Ronnie Romero: Lead and backing vocals (Rainbow/Michael Schenker Group) / Tony Harnell: Lead vocals and backing vocals (TNT/Westworld/Starbreaker/Morning Wood) / Steve Overland: Lead and backing vocals (Lonerider/FM/Shadowman/solo artist) / Robin Beck: Backing vocals (solo artist) / Matt Sinner: Bass (Primal Fear/Sinner) / Joel Hoekstra: Guitars (Whitesnake/Trans-Siberian Orchestra/13) / Mike Slamer: Guitars (City Boy/Streets/Seventh Key/Steelhouse Lane) / Jeff Pilson: Bass (Foreigner/Dokken) / Gary Pihl: Guitars (Sammy Hagar/Boston) / Steve Morris: Guitars and Keyboards (Heartland/Lonerider/Ian Gillan Band/Shadowman) / Gene Black: Lead Guitars (Tina Turner/Rod Stewart/Device) / Billy Sheehan: Bass (Mr Big/The Flood/Talas) / Tracy Ferrie: Bass (Stryper/Boston) / Ricky Phillips: Bass (Baby’s/Styx/Bad English) / Rocky Newton: Bass (Michael Schenker Group/Lionheart) / Josh Devine: Drums (One Direction/Levara/Devine Intervention) / Takeaki Itoh: Bass (Pinnacle Point) / Jim Kirkpatrick: Slide guitar (FM/The Flood/Bernie Marsden Band) / Chris Childs: Bass (Thunder/Lonerider) / Steve Mann: Keyboards (Michael Schenker Group/Lionheart/Ousey/Mann) / Vince DiCola: Keyboards (Rocky4/Staying Alive/Transformers/Storming Heaven/Thread) / Mark Mangold: Keyboards (Touch/American Tears/Drive She Said) / Alessandro Del Vecchio: Keyboards (Revolution Saints/Edge Of Forever/Hardline) / Stevie D: Lead guitar / Marco Mendoza: Bass (Whitesnake/Thin Lizzy/Journey) / Jimmy Nicholas: B3 (Faith Hill/Kenny Loggins/Van Zant/Jim Peterik/Juice Newton) / Tommy Denander: Guitars and keyboards (Radioactive/Steve Walsh/Robert Hart)) / Brain J Anthony: Bass (Steve Walsh/Lonerider/Robert Heart/Robbie LeBlanc) / Brian Tichy: Drums (Whitesnake/Dead Daisies/ Foreigner) / Mark Stanway: Keyboards (Magnum/Grand Slam) / Robin Beck: Backing vocals (solo artist) / Nikolo Kotzev: Lead guitars (Brazen Abbot/Robin Gibb) / Fredrik Folkare: Guitars (Unleashed/Heartwind) / Mikael Rosengren: Keyboards (Heartwind) / Steve Newman: Guitars/keys/backing vocals (Newman/Compass) / Eric Ragno: Keyboards (Baby’s/Joe LynnTurner) / Fredrik Bergh: Keyboards (Talk Of Town/BloodBound) - CD Track listing: Intro; Live Again; Crazy Days; Bad Enough; Never Will Forget; Harder They Fall; Get Out Of Here; Believe; Hangman Blues; State Of Mind; Belly Of The Beast*; Holy Water; Sweet Serenity; Take It Away; Bad To Good. Vinyl Track listing: Intro; Live Again; Crazy Days; Bad Enough; Never Will Forget; Harder They Fall; Get Out Of Here; Believe; Hangman Blues; State Of Mind; Belly Of The Beast*; Holy Water; Sweet Serenity; Take It Away; Bad To Good; The Year 2000; Frozen Rose