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After the great success of his new-classsical album 'Voyage de la planète' last year Marc Romboy releases a special 7' single according to the album. And once again as he experiments with his sound - pushing the boundaries between classical and electronic music to create both an emotional and atmospheric experience.

The title track - Voyage de la planete' was especially taped at the Robert-Schumann-Saal in Düsseldorf to create a highgrade recording of each classical instrument. The difference between a studio roon and a concert hall is remarkable.

Another highly acclaimed track, - La lune et l´etoile' comes along with an outstanding piano only version which improves once again that less can be so much more.

It's 1977. There's A Chill In The Air, Like On A Usual December Evening. It's Cold, But The Night Is Fraught With A Strange Ferment, A Mysterious Energy That Seems To Announce A Revolution.

To celebrate the anticipated release of the 4th episode of the iconic soul compilation 'Shaolin Soul' this September, Uncle O has unearthed two new special soul treats: the extended version of 'Float On' by the Floaters and a rare vocal version of Marvin Gaye's 'I've Got Mine'.

Coming up for breath from a deep dive into the archives, Knowing Something's third offering comes courtesy of the Synapse team. The A-side features the fast-paced, widescreen, electro-techno track Night Moves, unreleased since the late 90s.


The B-side, Untitled #4, initially arrived in 1995 on BPMF's Button EP for Abe Duque's Rancho Relaxo record label. The original, full-length, unedited version takes up the entire side of the 12", allowing the recording's waves to wash over as it builds up and crashes down throughout its twelve minute runtime

P.E.A.R.L. is launching the fifteenth installment of his Falling Ethics series with two versions of a serious club destroyer that has been released on the label back in the early days of Falling Ethics. Sorrows has been reflipped to a 2018 version that is sounding modern, large and in sync with the current aesthetics in techno music. While this version can be located on the B-side, on the A-side we find a larger than life CUB version (Karl O'Conner & Simon Shreeve) that will definitely turn some heads over the next few months. Reworking classics is not always needed but in this case, it's a welcome addition completely in harmony with the times.

Roffa Sound is kicking off in style with a heavy soundsystem stepper which is guaranteed to shake up the dance. After enjoying the hypnotising melodies heard in the intro, producer Mystic Pulse introduces hard hitting drums and heavy bass whilst Black Omolo furiously sings about the daily pressure and tribulation put on by Babylon. For this very first release Roffa Sound has recorded a video clip as well, which we strongly recommend to check out on youtube. For those wanting less vocal but more echo should check out the version, which will be exclusively available on vinyl.

Brett Anderson believes that Suede's debut album, winner of the Mercury Music Prize in 1993, probably has
more cultural resonance than any of their other albums, as a pre-cursor to Britpop and a supplanter of grunge. It is
also home to four ground-breaking singles.
The album included those four singles 'The Drowners', 'Metal Mickey', 'Animal Nitrate' and 'So Young', but
none of the nine b-sides. These are now included on a second LP, along with a cover version of 'Brass in Pocket'.
Housed in a gatefold sleeve, the inner sleeves features all the lyrics.

Fresh from 1986, all time Garage-House-Afro crossover classic... Absolutely timeless House anthem!

Need we say more "Ma Foom Bey" is one of THOSE records, totally flawless, big in the dance everytime.

Stripped back drum machines, that cavernous, instantly recognizable bass-line & those chants, killing sound-systems stone dead!

As we said before, dropped on Easy Street in '86, edited by the legendary Tony Humphries & subsequently caned by 3 generations of DJ's across the galaxy ever since. Every home should have a copy of this, no collection is complete without it. A record that will never go out of style & will always provoke some buckwild reactions on any dance-floor it's dropped on!

Shout out to Easy Street, %100 legit re-issue, re-master & re-press, essential wax!

Cordial Recordings in partnership with Pilier Records are proud to announce the return of Philadelphia's legendary Mr Garfield Fleming with a 7 single and mini album of new productions. All female vocals are performed by fellow Pilier recording artist Mz. Nina. This mini album features 6 songs that showcase the talented vocal range of Garfield with production assistance from Ourra, Ben Pirani, Difusion & Daft Funk. The full release version comes with 350gsm full colour printed sleeve. We will be shipping this exclusively at the end of this week.

Beware of the blazing sun when she's orange and transparent.
Overwhelmed with the ecstacy of flight, Icarus soared into the sky like a bird, or rather a god. Drawn by desire for the heavens, he ascended higher and higher towards the sun. When the heat melted the wax on his wings, he fell from the sky and vanished into the dark blue ocean, where feathers, still today, ride the waves of the Icarian Sea. Aimed at dancefloors in sleazy bathhouses, seedy basements and soiled warehouses, Icarus Traxx' first offering takes us back to the mythical days of anonymous, muscular power house. Delivering no less than three takes of 'Commandment' (plus two acapellas), the 12 inch, starring the enigmatic voices of Jesse B. Simple and Charlotte B. Good, supplies a choice cut for every disc jockey.
'Jack 88 Tape Mix' starts things off with a vigorous kick, prosperous strings and the spirited voice of Jesse B. Simple. The oracle proclaims celebration times. Addicted to Jesse's vocal delivery The acapella will guide you through your most ecstatic moments.

The lights go out on 'Get Your Life' just before it wakes you up with a slap to the face. Again, it's Jesse in the vocal booth, groaning his mantra to 'dance, jack and get your life to this' on a bed of erratic kicks, jittery acid and vexed rave stabs.

On the flipside, the celestial Charlotte B. Good glides into the room. Her sensual Spanish stanza gracefully inhabits 'Spanish Fly Reprise', made for horny, high as a kite early mornings. Charlotte alerts you that your time to snatch up your one true love on the dancefloor has nearly expired.. Like a siren, she lures you into her universe with sweet lamenting whispers. Better think twice before you follow.

Produced & Mixed By Johnny Jewel -
Artwork By Johnny Jewel

Following the quickly sold out limited edition red coloured vinyl that was exclusively released for Record Store Day 2017 Space Age Recordings are pleased to announce a new vinyl pressing of Spacemen 3's fourth and final studio album "Recurring'. This album is again pressed on heavyweight 180 gram vinyl with printed card inner sleeve but this version is the standard black vinyl version.

If you want to know what Gabe Gurnsey's debut album
'Physical' sounds like, the first thing you should do is forget all
about Factory Floor, the group he co-founded 13 years ago.
Gone are the cold, lengthy, stripped back deconstructions of no
wave electronica and industrial techno, abandoned in favour of
something altogether warmer, torrid and succinct.
'It's a real departure from Factory Floor,' he explains. 'Yeah,
that was the intention. There's only one track over six minutes
long! There's only one crossover point on the song 'Night
Track', which is 6'33' - that's probably as close to Factory Floor
as it gets. What I wanted to get into with 'Physical' had more to
do with exploring songwriting and structure. The album is very
escapist in one sense even though I don't want to escape from
Factory Floor but what I do on my own has to be separate and
it has to explore new avenues.' Gurnsey started writing tracks in his downtime from the group early 2017 and by the start of that Summer he had 30 demos ready for work. He admits he worked very quickly initially but then gave the tracks 12 months to develop fully into a new sound.
And that new sound - a 21st Century take on muscular electro,
Balearic synth pop, EBM, proto-Hacienda militant funk, early
Chicago house and minimal, Neptunes-referencing beats - can
be experienced in full on 'Physical' the album released on Erol
Alkan's Phantasy label. The album features additional production from Erol Alkan, who also mixed the record.
Double LP format includes printed inner sleeves and digital
download code. Press - Reviews in Q, Loud & Quiet, The Quietus, Record Collector, Uncut.
Features in Loud & Quiet, Electronic Sound, Q, Clash, The Quietus, Gigwise, Silver Soundz.








[]I C2 | I Get
[]J C3 | Version

Original Soundtrack - Super Deluxe Version, (including 4 tracks never released on vinyl before, this feature is exclusive to this edition, see the tracklisting), 180g vinyl, mastered at half speed, heavy cardboard old Stoughton tip-on sleeve, obi, gold sticker Info We Release Jazz is delighted to present the official reissue of the original soundtrack of Jean-Pierre Melville's 1970 film noir classic Le Cercle Rouge (starring Alain Delon, Bourvil, Gian Maria Volontè, and Yves Montand) composed by French soundtrack master Eric Demarsan, available on limited edition 180g vinyl LP mastered at half speed and including 4 bonus tracks not available on previous pressings of the album. Eric Demarsan's compositions for Le Cercle Rouge draw from the orchestral spirit of the Modern Jazz Quartet (as requested by Melville who loved John Lewis' work), abstraction and minimalism to create a suspenseful and hypnotizing audio landscape which elegantly underlines the tense atmosphere of unavoidable fate that shrouds the movie and the doleful beauty of its characters. Simply put, it's the finest combination of underworld existentialism, coldblooded chic, and crime jazz! Le Cercle Rouge boasts the participation of celebrated jazz players Guy Pedersen (bass), Daniel Humair (drums), Georges Arvanitas (piano), and Bernard Lubat (vibraphone). Starting as a collaborator of François de Roubaix and Michel Magne in the 60s, Eric Demarsan went on to become a mainstay of French cinema soundtracks, composing for directors such as Jean-Pierre Mocky, Costa-Gavras, and Patrice Leconte among others. He also recorded the cult album Pop Symphony (for Pierre Cardin in 1970) under the Jason Havelock pseudonym.

Mr 'Please Don't Send Me Away' Garfield Fleming returns to vinyl for the first time since the early 1980s with this 7" release on Cordial Recordings with the boogie bounce back of Ain't Nothing Too Good For My Woman coupled with the acoustic version of Hustlin'. Both songs are new productions with Devon based Ourra (Star Creatures) providing the magic of "Ain't Nothing Too Good For My Woman." which has received radio support from Gilles Peterson (BBC Radio 6) and Richard Searling (Solar Radio) amongst many others. New York based Ben Pirani producing the acoustic version of "Hustin'", which does not feature on our forthcoming mini album by Garfield Fleming.

From the remote township of Te Mata, in the rugged hills of New Zealand, comes a new imprint following in the tradition of mid-80s rub-a-dub from an often overlooked corner of dancehall culture.The brainchild of local farmer and radio personality Red Robin - alongside the deadly production duo Naram and Art - the first 12' features two heavy-like-lead riddims with discomix cuts from four unsung heroes of the 80s with conscious, street-level lyrics.
Side A finds legendary singer Winston 'Midnight Riders' Powell rise again on a synth-infused piece of classic rub-a-dub. Despite being his first release in decades, he delivers a cutting edge vocal from his Kingston 9 borough about life Outta Road in the Jamaican capital. He then crosses live to special agent Speng Bond for a deejay report on the current state of Britain in Dread Outta Road. With a more uptempo riddim, the flipside sees Toronto-based 80s star Steve Knight fire some timely shots at corrupt politicians with Dem a Fraud, before Los Angeles-based MC Tippa Lee comes correct with a self-affirming deejay cut on Salute the Veteran.
Both sides are served with one-away dub mixes from Naram and added textural touches from Disrupt. Six cuts on one record, strictly limited pressings.

A1: David Goldberg Revealed His Exceptional Talent Releasing An Extraordinaire Debut Ep On Svs Records. m4l-uv' Is A Euphoric Breakbeat Track That Won't Fail To Make You Dance.

A2: Kit Curse Made His Mark Within The Dnb Scene During The Last Years Having Released On Labels Like Cyclone, Onset Audio Or Shadowforces. weird Solace Master' Is A Broken Ritual That Reveals The Producers Experimental Side.

B1: zezbo Version' By Skee Mask Is A Superb Dnb Trip Leading You Through An Industrial Shadow World. The Producer Upholds His Reputation As An Exceptional Artist All Along The Way.

B2: Top Shotta Runs The Uk Bass Orientated Label Ruffhouse. m-performance Riddim' Somehow Sounds Like A Race And A Fight Both At The Same Time.

B3: The Style Of Bean Is A Postmodern Blend Of Ambient, Idm And Dubstep. tears' Showcases This Eclecticism Within Just Three Minutes.

Blair French returns to Rocksteady Disco after last year's brilliant Standing Still IsAn Illusion for another 12' of mind, body, and soul music. Public Park' starts off the release, with flutes, guitars, and African marimbas abound, presenting itself as the song of the summer. Spirit Guides' follows, taking listeners and dancers on a spiritual afro jazz odyssey. The flip features two versions of Public Beach', a communal ecstatic dance meets Detroit Jit footwork cut with a massive bassline, pulsing percussion, and harmonized chanting, constructed for open­minded dance floors and deejays. Limited to 300 vinyl, TIP!

endlich wieder ein lebenszeichen !!!

Wittgenstein's 'Fictions' is the third release from Vienna-Berlin based electronic music label and art magazine 'Entkunstung'.

2x12" !

An der Grenze (ADG) is glad to introduce you to its 5th release "Talka" on 2 x 12" (ADG005) by Moscow- based composers, live performers & DJs OID & Anrilov, and revisited by Unbroken Dub.

Whereas OID, a versatile artist, has made a name for himself with releases on DJ Koze's PAMPA, Milnormodern and PNN, Anrilov releases here his first solo track. Unbroken Dub, for his part, already has a significant experience with multiple releases on Rawax as well as solo EPs on Delsin and Resonance Moscow, amongst others.

On vinyl 1, each artist presents his own version of "Talka". Whereas OID proposes a dark, mind-blowing and bewitching version, Anrilov opts for a rather cadenced, breakbeat and mystic one.

On vinyl 2, Unbroken Dub delivers two different interpretations of "Talka". On the A-side, his Refix is deep, linear and mystic whereas, on the B-side, his remix appears to be the best musical translation of his artist name: serene and dubby.

A much welcomed reissue of the 1978 Idris Muhammad gem 'Boogie To The Top'. Released a year after, arguably, Idris' most well-known anthem, 'Could Heaven Ever Be Like This' the similarities in style and composition are clear. Expertly produced, rich instrumentation, expansive drum fills, gospel tinged full-bodied vocals, all the while epic and life affirming in it's nature - what more could you want

Young Pulse steps up on the b-side, to add his own subtle touches and tweaks to the original. Looping the guitar and echoing out the vocals whilst working in more of the synth lines. The addition of a crisp clap and extra percussion add an element more vibrancy into this mix, keeping the original feel intact whilst revitalising it for 2018.

Another much welcomed reissue of the late 70's funk laden, disco two tracker from Splendor. The A side 'Take Me To Your Disco' is emblematic of disco records from that golden era where big bands and big budgets were rife. Yet there's an interplanetary twist to this one, with the mysterious, eerie, spacecraft sounding intro paving the way for a tale of extraterrestrials wanting to get down at one of planet earths discos. You can tell this came from an era were disco really was taking over Flip it over and you've got the mighty Special Lady. With Philip Bailey, of Earth, Wind and Fire fame, on production his style comes through strong in the vocal arrangement with the level of feeling and power he squeezes out of each voice. A chance to add these two anthems to the collection!

2 Track Single From Hot Rocks Released By High Music/dub Store Records

1LP (+poster + download card)

The new Release on Shaddock Records is more than just dance tracks, 2 songs that come with full-blown vocals, a Re-edition of classic Latin Freestyle by Jorge Ojeda ft. Hilda Mariee with an up-to-date cover version by Mr. & Mrs. Jonson

The original version is a freestyle slammer coming straight from Miami the capital of Freestyle Music.

Driven by hard electro beats and Ojeda's signature Miami Bass with Latin Hip Hop/ Freestyle Dance grooves, "Betrayal" when initially released on Ojeda's Destune records became a club and street phenomenon in Miami. It would be one of the first of many productions between Jorge Ojeda and Hilda Mariee' and their project Teaz II Pleaz.

Now "Betrayal" catches new life on Shaddock Records and continues to tell it's story.

On the 2nd A side Mr. & Mrs.Jonson aka Mathew Jonson and Isis Kuaygarond created an incredible cover version keeping the electro and freestyle spirit but taking arrangement and production to the next level and thus into 2018.

Mathew and Isis, after their recent marriage have spent endless hours in the studio and with Betrayal - the couple's very 1st release - they are giving us a first insight into their joint musical vision.

Trux' Second Ep On Berlin Based Record Label Office Is A Bow To The Many Outstanding Moments In The History Of Ambient Music.
Allusions To Brian Eno Are Just As Recognisable As To The Charming Concepts Of Pop Ambient Or Clicks & Cuts.
It's Between These Poles That The Four Tracks On The A-side Oscillate And Manage To Capture The Listener
With Vibrant And Diverse Soundscapes. The Flip Side Sees Trux Drop A Stunning Melodic Breakbeat Tune Besides Remixes
By Workshop's Premier Techno Chef Lowtec As Well As A Freestyle Electronica Version By O$vmv$m. The Much Loved Super
Quiet Tops The Record Artwork Off With Another Remarkable Example
Of His Casual And Airy Black And White Photography.

From the incredible Robb Scott album Siren' comes a new single Neptune Atmosphere (You Didn't Feel My Love)'. Robb Scott is a UK musician, singer, songwriter, composer and producer who on this single features Gina Foster on lead vocals. With the album version already established as a soul gem, this new single takes the song further into the dance sphere with new mixes by Phil Asher/Mighty Zaf and 2000 Black. Phil, from Restless Soul, is one of the most prolific DJ/remixers over the last 25 years, Mighty Zaf has become renowned for his DJ edits and take on Disco & Boogie as a DJ, remixer, compiler (Deep Disco & Boogie, Private Wax etc). The 2000 Black mix is by Dego who has been on the broken beat scene since the 90s with 4 Hero and continues to be one of the most exciting remixer/producers in that genre

The first time the album has been released on vinyl
- Includes bonus tracks and remixes by Tiga, Jason Nevins and Almighty
- The release will be announced by a trailer through Dannii Minogue's Facebook page which has 409K followers
- Dannii will promote the release via Instagram stories and posts to her 276K Instagram followers
- Dannii Minogue is available for promo and interviews throughout pre-order period
- "It's one thing to create an excellent three-and-a-half-minute dance-pop song, but another to sustain the appeal over an entire album. Kylie managed it with Fever, Madonna followed suit on Confessions on a Dance Floor. Dannii's contribution to the genre on Neon Nights is every bit as good as those classics." - IDOLATOR
- A veritable pick and mix of the European dance scene at the time, Neon Nights spawned four Top 10 hit singles in the UK 'Who Do You Love Now' (No.3), 'Put The Needle On It' (No.7), 'I Begin To Wonder' (No.2) and 'Don't Wanna Lose This Feeling' (No.5).
- The album reached No.8 on the UK Official Albums Chart and was certified Gold. In Australia it was nominated for "Best Pop Release" at the 2003 ARIA Music Awards.
- Dannii says: "When I embarked on a solo recording career and released my first album in 1990, music was only released on 7' and 12' vinyl. Fast forward through my album releases and throw in a bunch of technology changes, cassingles, cassette albums, CDs, Mini CDs and we are finally back to vinyl! Neon Nights never had a vinyl release - it was the 90's, and the industry was entering the digital age, and no-one was looking back at this experience of music listening. Thankfully Gen Y has embraced the nostalgia of the record player, so you finally get to Put The Needle On It with these tracks (please turn the volume up loud enough to annoy your neighbours!)."

In the studio Prototype 909 was a group that rarely agreed on a clear idea of exactly what they were trying to accomplish. The entire project was an experiment, and every time they hit record there was nothing better for them to do than to just try stuff.

Whenever it came time to put together an album they would go through what they had recently done and nd the tracks that seemed to fit together well, or that at least sounded like they were made by the same group. That left on the cutting room foor some really amazing worst that somehow just didn't 'fit" their goals at the time. At Schmer, we remember. P-909 leftovers have Schmer written all over them...

These four tracks were all recorded live in the studio in between their three studio albums 93-97. Brenecki ( half of Ontal ) provided his remix inspired by one of them.

"Hyperdrive" and "Datafash" were recorded shortly after Acid Technology was released in 93. They come from the "lets make Acid Technology Vol 2 approach'. That would have made a really cool record had they done it but they decided on making Transistor Rhythm instead. "ANOISE-NYC" aka "The Tracs that Dietrich Hates" is what you get when you let Jason go nuts on a Doepfer MAQ-16
( they never made that mistake again ). "Bobo" is possibly the most prototypical P-909 tracks ever: it took three guys making their own tracks simultaneously almost ignoring what the others

were doing but somehow mixing them into a flow to make this one, but it all comes together nicely in the end. Its amazing that they never released it before.

You've enjoyed the wait, now enjoy your "new" Prototype 909 while it still is new!

Melancholic, wistful Rhodes chords float beneath Sarah Williams White's trademark vocal harmonics before delving into a deeply moving bass led melody that gets right under the skin. Something very special to get us excited about the new Jonny Drop LP.
Backed with an exceptional, bumping remix from the ever extraordinary Julien Dyne.

The black vinyl 7' will be released on Friday 25th May

Music Mania and Indica Dubs is proud to present their first joint-release in their Mania Dub series. Produced in 1988 by The Disciples, Almighty Dub is one of the most distinctive instrumental Dubs produced in that era. The Disciples were formed in 1986 by brothers Russ and Lol. They were given the name by Jah Shaka, after producing exclusively for him.

Die vierte Ausgabe der Modeselektion war längst überfällig und fällt deshalb extra energisch aus, dafür sorgen viele große Namen der internationalen Clubszene und eine ganze Reihe aufstrebender Künstler: Actress, Rødhâd, Peder Mannerfelt, rRoxymore, Sarah Farina und all die anderen setzen zwischen roughem und clever gebautem Techno, kosmischen Breakbeats und Dub- und-Bass-Eskapaden die unterschiedlichsten Akzente und erzeugen trotzdem einen starken, stringenten Vibe. Die als Doppel-CD und vierteilige 12"-Serie erhältliche Compilation enthält 17 Tracks von Künstlern, die zur aktuellen Speerspitze in Sachen anspruchsvoller Dance Music zählen - so sehen es zumindest Modeselektor, aber wann hat uns ihr Gespür je enttäuscht Wie jede Modeselektion ist die vierte Ausgabe kein schnödes Mixtape: Alle Künstler wurden eigens um passende, unveröffentlichte Musik gebeten, und das Ergebnis kann sich sehen lassen. "Wir sind stolz und fühlen uns geehrt, dass wir die Compilation genau so zusammenstellen konnten", schwärmen die Selektoren. "Volume 04 ist wahrscheinlich die funktionalste und eingängigste Modeselektion, die wir bis dato gemacht haben."

With MEL011, it is Melodies International's immense pleasure to direct their focus towards both Soul and House royalty, selecting and reissuing two of Frankie Knuckles' scarcer remixes of an all-time classic: Womack & Womack - MPB (Missin' Persons Bureau). Now known as Zekkariyas and Zeriiya, partners Cecil and Linda Womack, two eminent members in an extensive lineage of music artistry (i.e. Bobby Womack was Zekkariyas' brother, Zeriiya is Sam Cooke's daughter) engaged in one of music history's most successful and exciting singing and song writing partnerships in the early 1980s. Zeriiya says her process with Zekkariyas flowed like water, their shared complicity and talent led them to write and produce strings of chart topping hits and classic albums as Womack & Womack but also for other renowned artists of the time such as Patti Labelle, Teddy Pendergrass and the O'Jays to only name a few. The original version of Missin' Persons Bureau was first released in 1988 on 'Conscience' (Island Records), a classic album with impeccable instrumentation and thoughtful and relatable narratives that reflect on the nature of life, true friendship, love or in the case of MPB, it's subsequent loss. Following the release of the LP, Island records founder Chris Blackwell introduced the idea of getting Missin' Persons Bureau reworked by House legend Frankie Knuckles and whilst the Womacks weren't originally set on the idea of having their songs remixed by other artists, Blackwell, who Zeriiya describes as a 'record label manager seriously involved in making sure the project is what the creators really want it to be", had earned their trust. With these remixes, Frankie managed to turn a radio hit into underground club classics. The Paradise Ballroom mix conserves the essence of the original, reinterpreting the rhythm section whilst drawing it out over 8 minutes, with expert tension building and release clearly aimed at the dance floor.