quête:d jack

The producers take a timeout from their Metalheadz offshoot series to return to their own stable for the pair’s 25th collaboration 12”.

In the Air features rolling breaks with ‘Can you feel it’ vocal hooks, violins and chords that build emotion. On the tougher flipside, the duo kickback with rhodes, chimes and an infectious tabla groove in Come with Me.

Original art once again pens the physical jacket sleeve.

The productions of producer Bunny'Striker'Lee were so extensive in the early to mid 1970's that labels were created just to handle his ever expanding output...
Three labels that came about during this time when Dub was King,were Jackpot,Justice and Attack.
Here we look at the Jackpot label and have compiled a collection of some of its finest dub cuts..
Jackpot records was formed in the early 70's as a subsidiary of Trojan Records to handle the Hitmaker from Jamaica Bunny'Striker'Lee
We have gathered here what we think are some of the best dubcuts from this label and era..
Hope you enjoy the set......

Biz brings the heat to Subjekt for a second time here with another textured EP of acid-laced techno. Various different moods and tempos are explored, with 'No Way Back' tapping into the original Chicago jack vibes of the track with the same name with prickly 303s and bristling percussion. 'No Turning Back' is deeper and more roomy with eerie distant bells and molten acid lines, 'Feel The Flow' brings some widescreen synth landscapes that are rather serene but for the menacing acid which gurgles in the foreground and 'Charlotte' cuts loose on a more fluid and uplifting slice of deft groove magic. 'Way Too Hard' closes with a mix of punchy drums and reflective chords that encourage your mind to wander.

Since 2004, This Will Destroy You has been forging some of the world's most brutal, dynamic, and precariously visceral instrumental rock. In addition to a vigorous tour schedule, their celebrated discography and critically renowned soundtrack work for feature films and documentaries have earned them a sizable and fervent international following. Another Language, TWDY's fourth full length LP, marks their euphonious return from a prolonged vacuous dark period that threatened to break both the band and the members themselves. Rather than be stifled by their experience TWDY were atomized and subsequently made anew, emerging with a revived energy and reinforced sense of solidarity. As a result, Another Language captures the band at its most potent, honed, and utterly powerful form yet, displaying an edified unity and graduated sense of song-writing, tonal complexity, and studio prowess.Wallet CD printed on uncoated stock w/ copper foil and printed inner sleeve. 2xLP Gatefold jacket printed on uncoated stock w/ copper foil and printed inner sleeves. The 2xLP is available in a limited second pressing of 1,000 copies on 180g black vinyl and includes a download card for MP3s.

On his self-titled album POUYA, the Miami artist steps outside the world that built him and into one that’s been calling to him for years. Known for his hard-hitting, rapid-fire rap and underground roots, Pouya sheds expectations and dives headfirst into a grittier, more vulnerable sound—trading 808s for guitars, and hooks for raw emotion. This is not a rap album. This is something else.

Leaning into alternative rock, post-grunge, and even hints of early 2000s emo, POUYA is loud, emotional, and unfiltered. It's Pouya at his most sonically adventurous—and maybe his most personal. You can hear the freedom in his voice, the pain in the distortion, and the shift in his songwriting. It’s still Pouya through and through, but it’s a version of him that’s been brewing in the background, waiting for the right time to come alive.

With POUYA, he proves he doesn’t need to follow a formula. He never did.

1xLP, pressed on Graphite Eco Mix vinyl and housed in a single pocket jacket with polylined protective sleeves

Experienced Dutch producer Tom Ruijg rightly won praise for his first 12' as Tracey, Skyfall, which surfaced on Voyage Direct in early 2017. Combining elements seemingly inspired by vintage Detroit futurism, '90s ambient techno and his own love of colourful synthesizer melodies, the EP saw Tracey set out his stall in impressive fashion.
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Compare and contrast, for example, the two A-side cuts. While Testarossa' is far-sighted and spacey, with Tracey wrapping intergalactic electronics and lilting synthesizer melodies around a darting synthesizer bassline and swinging, electro-influenced house drums, Sidekick' is blissful and almost overwhelmingly melodious: all 16-bit new age motifs, head-in-the-clouds electronics and driving, locked-in machine drums.

The contrasts continue on the B-side, too. Many DJs may instinctively be drawn towards Made My Love', whose energy-packed groove (think vintage Chicago jack with a dollop of slick NYC house soul) is peppered with spacey chords, undulating electronic motifs and glacial melodies. Yet the track that follows, the wild and windy electro workout that is Interceptor', is every bit as potent when played over club sound systems. The track's inherent hustle, seemingly the product of Ruijg's darting synth stabs and feverish audio textures, is almost impossible to resist.

CLUB U NITE RECORDS PRESENTS: Furious Funk Essentials

Produced by Two 4 Phunk

Four cuts built for sweat-soaked floors and sunrise comedowns. Classic funky/soul DNA spliced with deep-house vibes, chunky beats and head-nodding grooves.

A1 — Bring 'Em Back
A stomper with a filthy-funky Rhodes loop, punchy, floor-kicking beat and hooky female vox chanting “bring ’em back.” Peak-time weapon, pure bounce.

A2 — Keep On Doin' It
Old-school heater. Funky chops and classic-soul snippets riding tough drums—loopy, raw and mixable. For the heads.

B1 — Ride In The Sky
Absolute deepness: a pumping kick, warm E-piano beds, a glowing Rhodes solo and soulful phrases drifting through the mix. Dancefloor and headphone gold.

B2 — I Need It
’90s-coded groove with slinky slap-bass, dope sax stabs and jazzy flair. Dusty, jackin’, irresistibly funky—proper closing cut.

In the wake of their widely-acclaimed album Union, JUNO-nominated duo ÈBONY rematerialize on the dancefloor with the otherworldly Shades of Meridian EP, projecting a waking futurist dream haunted by echoes of Detroit techno, Chicago house, South African melodies, and the rich mythology of Ancient Toronto.

Opener "Break My Skin explores a hidden pocket of after-hours techno space-time with an ethereal vocal by James Baley, leading into the tense, disembodied jack of "Forever." Next, "Dull Side First" rides a spectral break through a sepulchral warehouse trip, "RIFT" invokes peak-time witchcraft, and closer "My Daylight" entrances even the most self-possessed sound-and-lighting guys to spam the smoke machine until reality itself is occluded.

And to those who say that working with JUNO-nominated artists proves that Turbo is just a cog in the CanCon cabal, we would like to familiarize you with the facts: Canadian Tire refused to carry our 2023 Bryan Adams remix LP and we have rejected five separate demos from Justin Trudeau's tech-house alias "Arabian Nights." It's called integrity - try looking it up sometime.

The highly anticipated Platipus 30 Years – Volume 10 arrives to mark a landmark chapter in the anniversary vinyl series, celebrating three decades of timeless electronic music from one of the UK’s most influential labels. This special release features four standout tracks that showcase the depth and diversity of the Platipus sound: the hypnotic Art of Trance – Easter Island (Cygnus X Remix), the progressive brilliance of POB & Taylor – Baba (Marc Mitchell’s ‘Human Movement’ Remix), the melodic journey of Union Jack – Papillon (Original Mix), and the driving energy of Jamnesia – She’s My Friend (Original Mix). Volume 10 is both a tribute to the label’s rich heritage and a must-have collector’s item for fans of classic trance and progressive house.

R.i.O. welcomes a new member. Straight in full length. An album created by Dorsten,North-Rhine-Westfalia based producer Aroma Von Troisdorf - a man who refuses to be putin a box. Unlike others, who politely stay in one lane, he is a tuneful shape shifter. Alreadyhis 2021 debut on the Cologne based label Papercup Records smashed Krautrock, Synthpop,Electro, Ambient, and dub together. His 2023 and 2024 Papercup Ep's "Buttergolem"and "Rodeln am Rhein" added Italo-Disco, Synth-pop and a drop of experimental Electroto his versatility. Now eight new creations, brilliantly composed, yet - even in odd flashes -effortlessly catchy. They bring once more a stylistic melting pot, now enlarged with TheCure-ish dreamscapes, stretching over guitar riffs and bass grooves, like in the closingambient-folk star "Zeiten" or the dreamy opening track "Fog Frog Green". There is themotorik krautrock pulse of "Osmopower", that boogies heavy in drum machine hypnosisunder Aroma's entrancing new-wave vocals. Tunes like "Dreams Unfold" or "AmplifyShrooms" are likewise propulsive, each one psyching in its very own rhythmic sector. Morevoices are present too. In the two-minute manic preacher "Colas", were Togolese rapperand political activist Yao Bobby chants edgy. Or in "Closer", where singer Aprico sendsspoken-word trances echoing through the cosmic jacking. And there is "Lovers Lake", ahypnotic drift of witchy vocals, bluesy chords, and endless synthscapes, that makes youswim on your feed. Shift the shapes, "Blaumilch" opens the gates.

UK producer Tom Carruthers returns with a scorching 5-tracker for Skylax Records, diving headfirst into the primal roots of jackin’ house, proto-italo, and early machine funk. Known for his raw MPC-driven grooves on L.I.E.S., Clone Jack For Daze, Syncrophone, and Craigie Knowes, Carruthers channels the energy of the underground circa ’86—pure drum machine soul for the dancefloor faithful. Side A kicks off with the title track “Neutralise”, all sharp snares, warped synths and hypnotic repetition—a jack track in the truest sense. “Deep North” follows with ghostly pads and relentless drum programming, while “No More” brings metallic tension and stripped-down funk with a heavy nod to Chicago’s original blueprints. On the flip, “Pascals” weaves cosmic arps through rugged percussion, merging italo sensuality with bleep-era minimalism. The closer, “Cosmic Ride”, is exactly that: a journey through spacey chords, dusty rhythm boxes, and that unmistakable feeling of warehouse euphoria at 4 a.m. Neutralise EP is a raw, timeless record that strips dance music down to its essence—jacking, emotional, physical. To match the sonic purity and timeless aesthetic of the release, we enlisted the iconic H5 studio—a name synonymous with visionary design in music and culture. Known for their groundbreaking work with Daft Punk, YSL, and numerous award-winning visual campaigns, H5 brings a level of artistic sophistication that elevates this EP into a complete sensory object. Their clean, modernist design echoes the stripped yet futuristic vibe of Tom Carruthers’ sound—a perfect fusion of form and function, underground and high art. Vinyl only. No digital. No compromise. For fans of: Virgo Four, Baby Ford, Larry Heard, early Warp, Mr. Fingers, and Beppe Loda.

Als Pionier der elektronischen Musik, vereint The Bloody Beetroots seit 2005 Elemente aus Electro, Punkrock und Dance zu einem unverwechselbaren, genre-übergreifenden Sound. Hinter dem Projekt steht der italienische Musiker und Produzent Sir Bob Cornelius Rifo, der mit Tracks wie „Warp 1.9“ (feat. Steve Aoki) und Alben wie Romborama, Hide und The Great Electronic Swindle internationale Bekanntheit erlangte. Jetzt kehrt „The Baddest Man in Electronic Music“ mit seiner neuen EP “FOREVER PART ONE” zurück. „Dieses Projekt ist mein Leben“, sagt Rifo. Und das spürt man in jedem einzelnen Beat. Keine Grenzen, keine Kompromisse. Stattdessen persönliche Geschichten, Gedanken und Momente, die The Bloody Beetroots über Jahre hinweg geprägt und geformt haben. „Dieses Release ist sowohl ein Danke als auch ein Statement. Denn in einer Welt, die Anpassung belohnt, glaube ich immer noch daran, dass wahre Rebellion darin besteht, sich selbst treu zu bleiben.“ - Sir Bob Cornelius Rifo Das ist The Bloody Beetroots. FOREVER.

FOREVER PART ONE erscheint als Digipak CD und auf limitiertem Grey Marble Vinyl.ist eine Auseinandersetzung mit dem eigenen Werden: damit, was passiert, wenn man sich der verzerrten Version seiner selbst stellen muss - der Version, die durch Schmerz entstanden ist.

Ruta5 presents Yellow Fever, the debut EP from Chilean duo Yellow Fever — vocalist Nara Back and dj Haiti — a project born to ignite the dancefloor through hybrid sets that blend live vocals, DJ energy, and a visual world steeped in groove and color. Their first release channels over two decades of electronic roots into fresh, immediate form.

The record opens with ‘Díganle (Dandy Jack Remix)’, where Dandy Jack — a pioneering force in Chilean electronic music and co-founder of Ruta5 — transforms the track into a playful, stomping roller: punchy kicks, rolling bass, groovy percussion, and glitchy vocal fragments that nod to his legacy of bridging Chilean and European underground sounds. ‘Fiebre Amarilla’ (Yellow Fever) leans into space and motion, driven by growling bass stabs, modulated synths, and vibrant vocal energy that flirt with house textures while radiating raw dancefloor sensuality. ‘William Borrow’ brings crisp, electro-leaning drums and syncopated grooves that twist through dynamic shifts, hinting at synth-pop while maintaining tight club precision. Closing the EP, ‘Inspector (feat. Pier Bucci)’ folds in Pier Bucci’s unmistakable touch — a deep, minimal-house hybrid rich in warmth and Latin sensibility, connecting Santiago and Berlin with effortless lightness.

Founded to amplify electronic voices from underrepresented regions, Ruta5 remains a cultural bridge — its sound deeply Chilean yet globally resonant. Dandy Jack’s and Pier Bucci’s presence reaffirms that lineage, while Yellow Fever injects it with new energy: a reminder that consistency in quality need never mean predictability.

T.R.U. REALigion is the seventh mixtape by Atlanta rapper and legend, 2 Chainz and first release under his current artist name (formerly known as Tity Boi). The mixtape served as a major launching point for 2 Chainz as it was his first release to chart on the Billboard Top R&B/Hip-Hop Albums chart, and led to numerous major guest appearances ("Mercy" & "Beez In The Trap"). It achieved viral status in the mixtape era, having amassed over 1 million downloads on popular mixtape hosting site, Datpiff. Rereleased on streaming platforms for its 10th anniversary with 2 new songs featuring Wiz Khalifa & Big Sean, & now for Black Friday, the project finally sees the vinyl treatment during its original anniversary month (November 2011). Pressed on double Red, White & Blue Marbled Vinyl & housed in a denim-coated jacket, this album is a must have commemorative release for any Dirty South rap fan aficionado and serves as one of the great mixtapes of the early 2010s



2xLP, Pressed on Red, White & Blue Marbled Vinyl & Housed in a widespine jacket inside an embroidered denim outer slipcase.

Hip-Hop-Legende Ghostface Killah liefert mit seinem neuen Album "Set The Tone" eine Mischung aus Tracks, die sowohl das männliche als auch das
weibliche Publikum ansprechen: Eine Mischung aus knallhartem New Yorker Rap und melodischen, entspannten Tracks.
Ghostface hat außerdem mit Hip-Hop-Schwergewichten wie Nas, Kanye West, Ja Rule und vielen anderen zusammengearbeitet.

Daniele Baldelli
Considered one of the first DJs in Italy, Daniele Baldelli began his career in 1969 mixing vinyl at the Tana Club in Cattolica (his hometown),
predating the birth of the modern DJ by several years. In the following years, he solidified his talent and technique at histor such as the Tabù Club, Baia degli Angeli, and Cosmic. From 1979 to 1984, Baldelli created his unique and eclectic style, blendi ic clubs ng seemingly distant sounds and musical styles, complementing them with tempo adjustments (bpm) and deliberately extreme equalization,
creating a truly distinctive sound, known as "Afro Disco." Soundscapes and tribal percussion blend with early electronic music experiments, and Baldelli's sets become truly mystical experiences, where, for the first time, the temples are replaced by the dance floor.
The documentary film "A Cosmic Life" has just been released, starring Daniele Baldelli alongside other illustrious guests from the nightclub scene, recounting the history and formation of this movement from the 1970s to the present.
Gaudi
A producer/musician among the most highly regarded on the international dub/electronic scene, over the past 30 years Gaudi, from his
London studio, has contributed significantly to expanding the boundaries of musical genres with high-profile releases and innovative
music production techniques. Recently nominated for a Grammy Award with 'Mass Manipulation', the album he produced for the reggae
band Steel Pulse, and also nominated for a World Music Award with his album 'Dub Qawwali' with Pakistani singer Nusrat Fateh Ali
Khan, Gaudi has collected a series of number 1s on the international charts: Billboard - with the album 'Heavy Rain' by Lee "Scratch"
Perry, 'Vessel of Love' by singer Hollie Cook and with 'Mass Manipulation' by Steel Pulse -, UK Chart n.1 with the album 'Prism' by the
band The Orb (with whom he has collaborated as a producer and keyboardist since 2008), with 'Blue Monday' - by Gaudi himself with
the band Dub Pistols -, UK Dance Chart n.1 with 'Jus Come rmx' produced with DJ Angelino for Cool Jack. He also reached no. 41 the UK charts with the album ‘Midnight Rocker’ by reggae singer Horace Andy (known to the general public for his hits with Massive in
Attack), no. 13 with the album ‘Dubwise 2’ by the band Dreadzone and no. 5 in the Italian charts with the song ‘Lasciala Andare’, written
by him for Irene Grandi. With 19 solo albums and 350 remixes and productions under his belt, Gaudi, with his artistic versatility, has
worked with Groove Armada, UB40, Simple Minds, Brian Ferry, Devo, Big Audio Dynamite, Damian Marley, Seun Kuti, Mad Professor,
Trentemøller, Grandmaster Flash ft KRS-One, Lamb, Don Letts, The Beat, Deep Forest, African Head Charge (in which Gaudi is a keyboardist and dubmaster), Elisa, Scientist, Dub FX, Roedelius, Caparezza, Caravan Palace, EMF, Sizzla, Jovanotti, Sly & Robbie, Piero Pelù, Youth of Killing Joke, and Maxi Priest, to name just a few. Capleton,
Daniele Baldelli & Gaudi
DJ Daniele Baldelli and producer Gaudi first met three years ago at the Jazz Cafe in London. Mutual respect and an innate need to
create new stylistic fusions were the catalysts for Baldelli and Gaudi, leading to a series of subsequent meetings that inevitably culminated in the need to create music together. The project began at Gaudi's Metatron Studio in London using analog equipment and later
moved to Baldelli's studio in Cattolica, where the two organically defined their sound, also inspired by Baldelli's precious record collection. The duo consolidated a powerful compositional symbiosis, and the project, born from a simple initial groove, later transformed
into an entire EP consisting of four original tracks and a highly innovative sound, featuring fusions of psychedelic-funk, tribal-dub,
electronic-disco, and, of course, "Afro-Cosmic"! Daniele Baldelli and Gaudi began their sonic collaboration without setting any stylistic
direction and with the intention of not creating pre-established goals to achieve; it is a project of pure artistic freedom guided by their
compositional instinct and their experience. Constantly active with their evenings and live concerts, Baldelli and Gaudi have performed
individually in many of the best international clubs and festivals.

(Platipus 30 Years vinyl part 9/12, remastered audio) This edition brings together the legendary Union Jack – "There Will Be No Armageddon (Original Mix)", the driving grooves of Jamnesia – "Get Busy (Original Mix)", the atmospheric depth of Paragliders – "Lithium (Original Mix)", and the timeless journey of Quietman – "Now + Zen (Original Mix)".

Marking another milestone in the celebrated anniversary series, Platipus 30 Years – Volume 9 lands with four defining tracks that capture the label’s pioneering spirit and enduring influence on global trance culture. This edition brings together the legendary Union Jack – There Will Be No Armageddon (Original Mix), the driving grooves of Jamnesia – Get Busy (Original Mix), the atmospheric depth of Paragliders – Lithium (Original Mix), and the timeless journey of Quietman – Now + Zen (Original Mix). Each cut represents a cornerstone of the Platipus catalogue A true collector’s piece, Volume 9 continues the story of one of electronic music’s most iconic imprints.

d b2 Screamin’ Rachael - Gina (XXX) [Someone from Lithuania with a Friend Named Jorge Remix]

d b2 Screamin’ Rachael - Gina (XXX) Someone from Lithuania with a Friend Named Jorge Remix

Chicago's premier boogie purveyors STAR CREATURE dig deep with 4 extremely rare cuts, 3 of them being white whale level impossible to find & the 4th commanding big bucks online! Includes songs by TIGER JACK, SOUL INVADERS, MOTHERFOX, and PYRAMID PLUS. Heavyweight vinyl and heavyweight reverse board jacket. Due out Nov. 10.

“Let’s Bounce” was originally issued on Ajana as one of their only 2 releases, the first being earlier from Central Power System on Numero Group’s The Chicago Party compilation. Tiger Jack remained elusive, both Jack and a copy of his record until we stumbled upon a contact and were able to get in touch and stitch together the fully extended mix of this Punk Funk Boogie Bopper. Speaking of Numero Group, The 2nd track of Side 1 comes from an assist from the reissue Gods themselves as they blessed us with this never-sold-on-discogs soulful side of Boogie Slap issued on one-and-done label Magikal. When asked about the track, songwriter CA Williams said they recorded it for a restaurant jingle. Probably the best one we’ve ever heard.

Side 2 starts off with an absolute Modern Soul Monster with Motherfox’s Hot Shot. John Harris came by Star Creature’s South Side of Chicago HQ to chop it up and share some stories on Motherfox and his other passion project most deep funkers would known as Carver High. This record has reached insane demand the past few years as it’s a certified floor filler for all scenes - peak big budget sound packed into a small DIY package, total package. Track 2 delivers the full version of the ever mysterious Pyramid Plus providing the Titular Tune “Comin’ At Ya’” as vocoded talkboxed low slung, spaced out Boogie Banger.

Dark Entries release 'A Boy Alone', a double LP set from Manchester electronic music pioneer Eric Random. Best known for his early recordings for New Hormones and Les Disques du Crépuscule and collaborations with Pete Shelley (Buzzcocks), Cabaret Voltaire and Nico.

As an original member of The Tiller Boys with Shelley, Random injected a healthy dose of Krautrock into the dour Manchester post-punk scene in 1978/79 before going solo the following year. Random's first 7' 'Subliminal'/'23 Skidoo' was released in 1981 via Les Disques du Crépuscule and explored ominous sonic surrounds. That same year also saw the release of a second 7" single on New Hormones, 'Dow Chemical Company'/ 'Skin Deep'. Both tracks offered bubbling, rhythmic sound patterns, and were the first to feature other musicians that would become know as The Bedlamites. Consisting of Lynn Walton on vocals, Ian Runacres and Andy Diagram of Dislocation Dance, and bassist Wayne Worm, aka Wayne Sedgeman. Their debut 12' single 'Subliminal Seduction'/'Bedlam-a-Go-Go' was released in 1982 through Plurex, mixing arid funk textures and sparse melodies. That same year the group contributed proto chill-out track '6.55' to Plurex compilation 'Hours' and the highly filmic track 'In Cassette Conference' to the Touch cassette package 'Feature Mist'. In 1983, Random spent several months in the Himalayas with a group of musicians from the Kulu Valley and studied non-Western instruments such as tabla. On returning to Manchester, Random convened a new group of Belamites including Walton, Sedgeman and drummer Graham Dowdall aka Dids of Ludus. They released the 12' single 'Mad As Mankind'/'Dream Web Of Maya' in 1984 on Cabaret Voltaire's Doublevision, embracing electronic, industrial and dub styles. In 1985 they contributed the soothing 'Pure Power' to Food Records' 'Imminent Episode One' compilation.

Our reissue also includes 4 unreleased bonus tracks from Eric's archives recorded between 1981-1984. The whole set adds up to 115 minutes of sinister, somnambulant Random music. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a gatefold jacket designed by Eloise Leigh featuring a spread of ephemera, photos with liner notes by James Nice of LTM.

Triple Five Sol drop 75 Racks on Dark Entries, an EP featuring 5 cuts of raw and jacking house music. San Francisco-based producers/DJs Johnny Five and Vin Sol linked up during a trip to New Orleans, and they began hatching plans to collaborate. After setting up a new home studio in Vin Sol’s abode, jam sessions ensued, and soon the duo had cemented their sound. Their analog house tracks harken back to the roughshod and unembellished vibes on 80s Chicago and New York labels like Nu Groove or Gherkin Records, influences they wear with pride. “Boxxx that Rocks,” “Just a Freak,” and “Everybody Loves Triple Five Sol” deploy chunky beats with sprees of minimalist bleeps, sounding like Chip E retuned for the 22nd century. It’s not all jagged drums and acidic squelch on 75 Racks, though; “Gonna Get Out” and “Halfway Home” saunter with the confidence of a New Dance Show participant, soulful and grooving with a dash of garage. 75 Racks comes in a sleeve designed by Primo Pitino featuring bold retro primary colors. Triple Five Sol brings us timeless dance music: deep, real, and weird.

12 brand new, exclusively signed '92-93 oldskool hardcore style tracks to Rave Radio Records. It's authentic, and the genuine article when it comes to the true ruff style of the early 90's hardcore rave production. If you like mixing on the edgier side of hardcore, this is a release you'll want in your collection!\uc0\u8232 \u8232 Ruff Hardcore music from: Try Unity, Al Storm & Euphony, Billy Daniel Bunter & Sanxion, Secret Squirrel, Pete Cannon, Z-Neo, Jack Smooth, Liquid Crystal, Tim Reaper, Radicall, Stu Chapman & Blackmass Plastics and the sleeve artwork is by Aroe.

This is a COLOR version of KF279IJ, featuring the classic track from Ray Keith - News At 10. This EP has the original mix and Jumping Jack Front remix, both of which have been remastered for this limited repress! As such, we only have very limited numbers.

Jolene Cuts returns with a 5-track vinyl-only masterpiece that channels the golden era of 1998 French House while pushing it into the future. No edits—just 100% original productions from Danny & Mike, two true craftsmen of filtered house grooves. “Jackpot” kicks things off with a euphoric, sample-driven floor-burner, dripping in funk and irresistible filter sweeps that recall the raw magic of classic Roule and Crydamoure records. “Voiture” follows with a sleek, late-night ride through hypnotic basslines and shimmering disco loops, perfect for peak-time club moments. On the flip, “So Cruel” brings soulful vocal chops and deep, rolling grooves in a way that nods to the emotional side of the French Touch era. “Love U” injects pure joy into the mix—swinging drums, warm filters, and a seductive disco flair designed to light up any dancefloor. Closing it all, “Disco Road” is a driving, high-energy weapon blending pulsating bass and filtered hooks that feel like 3 a.m. in Paris circa ’98. This is a love letter to French House—strictly vinyl, strictly limited, five unmissable club bombs. Perfect for DJs who crave that raw filtered energy, vinyl purists, and anyone who knows the true essence of French Touch: groove, soul, and pure dancefloor ecstasy. Once it’s gone, it’s gone.

Das mit einem Grammy ausgezeichnete Album "Stankonia" enthält den weltweiten Hit "Ms. Jackson" (über 1 Mrd. Streams) sowie "So Fresh So Clean" (250 Mio.+ Streams) und "B.O.B." (100 Mio.+ Streams) und taucht regelmäßig in den Listen der besten Alben auf, z.B. in der "Rolling Stones 500 Greatest Albums Of All Time". Erhältlich als schwarzes 2LP-Vinyl-Set.

By the time Jackie Mittoo released this outstanding album (his 4th), he had already gained a big reputation in the early days of Reggae, Ska and Rocksteady for his contributions to the Studio One catalog and his work with the Skatalites. With his beloved Hammond organ, endless talent and a bag on influences that included Jamaican sounds, Soul and Funk, Mittoo created a cool, moving, warm and groovy sound that would explode in his amazing dance songs and has gained cult status among followers of Jamaican Music, Soul and Funk lovers. A great collection of reggae-soul instrumentals by one of the most talented figures of the genre.

Limited singles releases from Ray Keiths seminal "Golden Years Part 2" Box Set!

Danou P Serves Up Deep, Funky Heat with his 'In The Brine EP' on Definitive Recordings.

Rotterdam-based producer and DJ Danou P delivers a standout four-tracker with 'In The Brine EP,' released on Definitive Recordings. Known for his warm, soulful and funk-infused take on house music, Danou channels raw rhythm and musical flair into a collection that feels both classic and freshly personal.

Opening track 'The Flex' sets the tone with stomping deep house drums, playful chord stabs, and clever vocal sample play that gives it a raw, jacking feel. It's got attitude and groove in equal measure. 'On My Own' keeps things rolling with a classic deep house bassline, gradually introducing a soulful vocal loop that blossoms with the arrival of shimmering synth layers. Danou brings emotion without ever losing grip of the dancefloor.

Next comes 'Spirit', flipping the rhythm into broken beat territory. Another catchy vocal sample rides alongside vibey, jazzy stabs, offering a breezy, uplifting moment that's both heady and driving. It's the kind of track that sneaks into your set and ends up stealing the show. Rounding out the release is 'Bronstige Bakvissen', a deep and moody closer built on a heavy, rolling groove and rich classic house chords. It's stripped back but full of warmth, closing the EP with a nod to soulful late-night sessions.

Best known for his work alongside Jamie 3:26, and with releases on Glitterbox, Tru Thoughts, and Soulfuric Trax, Danou P is steadily building a solo catalogue that's as musical as it is danceable. His 'InThe Brine EP' is a bold step forward, out on Definitive on July 25th 2025.

SKYLAX RECORDS proudly unveils the fourth and final chapter in its epic, conceptual 4-part saga — SKYLAX BLACK 4 – Vision Quest. This secretive series brings together two pillars of French electronic music, ARNAUD REBOTINI and ACID WASHED, in a bold tribute to the essence of rave, electro, and techno. Following the critically acclaimed Winter Sequences and Musical Component, this last installment pushes even deeper into the roots and futures of the underground. On the A-side, Vision Quest opens the EP with a pulsating journey of progressive electronics — cinematic and sleek, evoking the robotic spirituality of Kraftwerk and the expansive textures of early kosmische music. Next, TOI 700-d channels the golden age of acid house with infectious 303 lines and jacking grooves. Think DJ Pierre, Phuture, and Ron Hardy at their most transcendental — raw, euphoric, and timeless. Flip to the B-side and dive into Black Star Liners — a dub techno masterclass in the lineage of Maurizio, Basic Channel, and Chain Reaction. Deep, minimal, and full of ghostly delay, it’s a meditative immersion in pure sound system hypnosis. Closing the EP, Trojan Asteroids fires into classic Metroplex territory — icy, futuristic, and funk-laced. A perfect nod to Cybotron and Model 500, this is hi-tech soul with a razor’s edge. Once again, SKYLAX RECORDS delivers a visionary release — timeless, intelligent, and essential. The final piece of the puzzle is here. The journey ends… or just begins.

We are excited to announce the release of a limited edition green vinyl pressing of Ashford & Simpson ” It Seems to Hang On” remixed by Joaquin Joe Claussell. Following the rapid sell-out of his Deodato Whistle Bump 12”.

'It Seems To Hang On' by Ashford & Simpson remixed by Joaquin Joe Claussell should not be mistaken for one of his highly sought-after Edits & Overdubs Series. 'It Seems To Hang On' is a full-on remix produced and carefully crafted directly from the actual multi-track resulting in an unreleased instrumental version that breathes a different perspective into the classic composition. The record is housed in a special Japanese thick Cardboard 7" Jacket along with the Promo one-sheet representing the special Warner Disco 12 inch Promotional Copies from back in the heyday of the legendary Disco Promos. Tested for several years on dance floors across the globe, the record is finally here.

The ALIENS ON MUSHROOMS/WAX crew come thru with 2 fresh reworks. NIKKI's "FTCU" gets a banging tech house treatment with extra jack added via rolling snares and toms. On the B-Side a BIGGIE classic gets twisted into a bouncy booty-shaking call out for the freaks.

The Beatles played two shows at the Montréal Forum on September 8th 1964, a matinee at 4pm and an evening performance at 8pm and at 6pm they held a press conference for Canadian Broadcasting Corporation from the Forum’s stage. A local newspaper had reported that somebody was going to kill Ringo, so instead of staying the night in Montréal, they flew out straight after the evening show and arrived at Key West at 3.30am where hundreds of fans were awaiting them. After a day off in Miami, the group performed at the Gator Bowl in Jacksonville, Florida the following night.
We have done the best we possibly could with these admittedly lo-fi yet important historical recordings. The source is AM radio and there is considerable distortion on the vocals. The broadcast was faded out halfway through A Hard Day's Night so the last two songs of the show, I Want To Hold Your Hand and Long Tall Sally were not transmitted.

Trevor Lucas and Gerry Conway were members of the folk-rock group Eclection, who released an album in August 1968 on Elektra Records. After the group disbanded in 1969, they formed Fotheringay with Lucas's girlfriend Sandy Denny, who had recently left Fairport Convention. The Fairports were recording mostly traditional folk material at this time and Denny left the group so that she could perform more of her own compositions.
The BBC session on Side One of this LP features songs from the first Fotheringay album and took place at the Playhouse Theatre on April 13th 1970. The songs on Side Two were recorded at BBC’s Maida Vale Studios in November 1970. They are ‘off-air’ recordings but the sound quality is still very good.